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Person
ISNI: 
0000 0001 0869 4084
Name: 
Colin Davis
Colin Davis (British conductor)
Colin Davis (Brits dirigent (1927-2013))
Colin Davis (britský dirigent)
Colin Davis (clarinettiste et chef d'orchestre)
Colin Davis (direttore d'orchestra inglese)
Colin Davis (englischer Dirigent)
Colin Rex Davis
Davis, Colin
Davis, Colin Rex
Davis, Colin (Sir)
Davis, Collin
Davis, Rex Colin
Davis, Sir Colin
Sir Colin Davis
Дэвис, Колин
Колин Дейвис
Колін Девіс
קולין דייוויס
کالین دیویس (موسیقی‌دان انگلیسی)
콜린 데이비스
コリン・デイヴィス
デイヴィス, コリン
科林·戴维斯
Dates: 
1927-2013
Creation class: 
a
bm
Computer file
cre
Kit
Language material
Musical sound recording
Notated music
Projected medium
Creation role: 
arranger
conductor
contributor
creator
performer
Related names: 
Bayerischer Rundfunk Symphonieorchester 1983-1992 (see also from)
Bayerischer Rundfunk.
BBC Symphony Orchestra
BBC symphony orchestra 1967-1971 (see also from)
Beethoven, Ludwig van (1770-1827))
Berlioz, Hector (1803-1869)
Concertgebouworkest (Amsterdam)
English national opera Orchestra (see also from)
Kalmar chamber orchestra (Londres)
Kalmar chamber orchestra (Londres) Londres (see also from)
London Symphony Orchestra
London symphony orchestra 1995-.... (see also from)
Mozart, Wolfgang Amadeus (1756-1791)
Philips Classics
Phonogram international
Polygram-Division Phonogram 19..-1995
Royal opera house (Londres) Londres Orchestra 1971-1986 (see also from)
Royal Opera House Covent Garden (Londres).
Sadler's Wells company (Londres) Londres (see also from)
Staatskapelle Dresden
Wagner, Richard (1813-1883)
Wiens Filharmoniske Orkester
内田, 樹 (1950-)
Titles: 
Ave Maria
Ave verum corpus
Ballo in maschera, Un
Béatrice et Bénédict
Behold, a virgin shall conceive
Benvenuto Cellini
best of the complete Mozart edition
Bohème, La
carnaval romain
Chants d'Auvergne
child of our time
clemenza di Tito
Cleopatre
Colin’s Speech
Concerto pour piano no. 21, K. 467 en ut majeur : Andante
Concertone for two violins, oboe and cello, K 190
Concertos
Concierto de Aranjuez
Coriolan
Così fan tutte
Damnation de Faust, La
Den ¤store historiebog
Dido and Aeneas
Don Giovanni, Overture, K.527
Dumbarton Oaks
Egmont
Enfance du Christ, L'
Entführung aus dem Serail
Exsultate, jubilate
Falstaff
Faust
Fidelio
Finlandia
finta giardiniera
Freischütz
Hänsel und Gretel
Harold en Italie
Idomeneo, re di Creta
Jahreszeiten
Klarinettenkonzert Nr. 2 Es-Dur op. 74: III.
kleine Nachtmusik & 3 Overtures, Eine
Koncerty.
Konzerte, Kl Orch
Kullervo
Leonore
Lied von der Erde
Lohengrin: Act III: Scene 3: In fernem Land, unnahbar euren Schritten
Lucio Silla
Messes
Messiah
midsummer night's dream
Missa solemnis
noces de Figaro K 492
nozze di Figaro, K. 492: Aria "Non piu andrai", Le
nozze di Figaro, K. 492: Le nozze di Figaro, K. 492: Overture, Le
nozze di Figaro, Overture, K.492, Le
nuits d'été, Les
O Thou That Tellest Good Tidings
Obra selecta
Oedipus rex
Orchestra music.
Overtures
Peer Gynt
Peter Grimes
Philips Years, The
planets, The
Quintettes
rè pastore
Requiem Dies Irae
Roméo et Juliette
Sacre du printemps: Première partie. L’Adoration de la terre: I. Introduction, Le
Sacre du printemps: Première partie. L’Adoration de la terre: II. Les Augures printaniers – Danses des adolescentes, Le
Sacre du printemps: Première partie. L’Adoration de la terre: III. Jeu du rapt, Le
Sacre du printemps: Première partie. L’Adoration de la terre: IV. Rondes printanières, Le
Sacre du printemps: Première partie. L’Adoration de la terre: V. Jeux des cités rivales, Le
Sacre du printemps: Première partie. L’Adoration de la terre: VI. Cortège du sage, Le
Sacre du printemps: Première partie. L’Adoration de la terre: VII. Le sage, Le
Sacre du printemps: Première partie. L’Adoration de la terre: VIII. Danse de la terre, Le
Sacre du printemps: Seconde partie. Le Sacrifice: IX. Introduction, Le
Sacre du printemps: Seconde partie. Le Sacrifice: X. Cercles mystérieux des adolescentes, Le
Sacre du printemps: Seconde partie. Le Sacrifice: XI. Glorification de l’élue, Le
Sacre du printemps: Seconde partie. Le Sacrifice: XII. Évocation des ancêtres, Le
Sacre du printemps: Seconde partie. Le Sacrifice: XIII. Action rituelle des ancêtres, Le
Sacre du printemps: Seconde partie. Le Sacrifice: XIV. Danse sacrale. l’élue, Le
Samson et Dalila
Schauspieldirektor, Der
Serenade No.13 in G, K.525 'Eine kleine Nachtmusik': I. Allegro
Serenade No.13 in G, K.525 'Eine kleine Nachtmusik': II. Romanze
Serenade No.13 in G, K.525 'Eine kleine Nachtmusik': III. Menuetto
Serenade No.13 in G, K.525 'Eine kleine Nachtmusik': IV. Rondo-Allegro
Serenade No.9 in D, K.320 'Posthorn': I. Adagio maestoso-Allegro
Serenade No.9 in D, K.320 'Posthorn': II. Menuetto I-Allegretto
Serenade No.9 in D, K.320 'Posthorn': III. Concertante-Andante grazioso
Serenade No.9 in D, K.320 'Posthorn': IV. Rondeau-Allegro ma non troppo
Serenade No.9 in D, K.320 'Posthorn': V. Andantino
Serenade No.9 in D, K.320 'Posthorn': VI. Menuetto II,Trio I, Trio II
Serenade No.9 in D, K.320 'Posthorn': VII. Finale-Presto
Sérénades
Shéhérazade
Simfonies
Sinfonien
Sommernachtstraum, Ein
Sonates
Symphonie Fantastique
Symphonies
Tannhäuser
Te Deum
termes musicaux de A à Z
There were shepherds
Tosca
Tristan und Isolde.
Trovatore, Il
Troyens, Les
Turn of the Screw, The
Vesna svâsennaâ
Werke
Werther
Wesendonk Lieder
Zaide
Zauberflöte, K. 620: Act I, Scene V. Dialogue "Rüste dich mit Mut und Standhaftigkeit" (Drei Damen, Tamino), Die
Zauberflöte, K. 620: Act I, Scene XII. Dialog "Haha... Pst... Was soll denn das Lachen?" (Drei Sklaven, Monostatos), Die
Zauberflöte, K. 620: Act I, Scene XIII - XIV. Monologue "Mutter! Mutter! / Wie? / Noch schlagt dies Herz?" (Pamina, Papageno), Die
Zauberflöte, K. 620: Ouverture, Die
Zauberflote, Overture, K.620, Die
レヴィナス序說
Contributed to or performed: 
‘Romeo And Juliet’, Fantasy Overture
"Coronation" Mass / Missa brevis in C major
"Emperor" Concerto
"Emperor" Piano Concerto: II.
"Enigma" Variations / Cello Concerto / Cockaigne Overture
"Enigma" Variations, op. 36: (B.G.N.) Andante
"Enigma" Variations, op. 36: (C.A.E.) L'istesso tempo
"Enigma" Variations, op. 36: (G.R.S.) Allegro di molto
"Enigma" Variations, op. 36: (H.D.S.-P.) Allegro
"Enigma" Variations, op. 36: (Nimrod) Adagio
"Enigma" Variations, op. 36: (R.B.T.) Allegretto
"Enigma" Variations, op. 36: (R.P.A.) Moderato
"Enigma" Variations, op. 36: (Troyte) Presto
"Enigma" Variations, op. 36: (W.M.B.) Allegro di molto
"Enigma" Variations, op. 36: (W.N.) Allegretto
"Enigma" Variations, op. 36: (Ysobel) Andantino
"Enigma" Variations, op. 36: Andante
"Enigma" Variations, op. 36: Finale (E.D.U.) Allegro - Presto
"Enigma" Variations, op. 36: Intermezzo (Dorabella) Allegretto
"Enigma" Variations, op. 36: Romanza (***) Moderato
"Pastoral" Symphony: V.
“Night on the Bare Mountain”
1 Le Sacre Du Printemps - Tableaux de la Russie Païenne | L'Adoration de la Terre - Les augures printaniers
1 Le Sacre Du Printemps - Tableaux de la Russie Païenne | Le Sacrifice - Introduction
1. Sinfony
10. Accompagnato: For Behold, Darkness Shall Cover The Earth - Bass / 11. Air: The People That Walked In Darkness - Bass
12. Chorus: For Unto Us A Child Is Born
13. Pifa (Pastoral Symphony)
14a. Recitative: There Were Shepherds - Soprano / 14b. Accompagnato: And Lo, The Angel Of The Lord - Soprano / 15. Recitative: And The Angel Said Unto Them - Soprano / 16. Accompagnato: And Suddenly There Was With The Angel - Soprano
17. Chorus: Glory To God In The Highest
18. Air: Rejoice Greatly, O Daughter Of Zion - Soprano
19. Recitative: Then Shall The Eyes Of The Blind - Alto
2 Le Sacre Du Printemps - Tableaux de la Russie Païenne | L'Adoration de la Terre - Danse des adolescentes
2 Le Sacre Du Printemps - Tableaux de la Russie Païenne | Le Sacrifice - Cercles mystérieux des adolescentes
2. Accompagnato: Comfort Ye, Me People - Tenor
20. Air: He Shall Feed His Flock - Alto, Soprano
21. Chorus: His Yoke Is Easy
22. Chorus: Behold The Lamb Of God
23. Air: He Was Despised - Alto
24. Chorus: Surely, He Hath Borne Our Griefs / 25. Chorus: And With His Stripes / 26. Chorus: All We Like Sheep Have Gone Astray
27. Accompagnato: All They That See Him - Tenor
28. Chorus: He Trusted In God
29. Accompagnato: Thy Rebuke Hath Broken His Heart - Tenor
3 German Dances, K.605: no. 1
3 German Dances, K.605: no. 2
3 German Dances, K.605: no. 3
3 Le Sacre Du Printemps - Tableaux de la Russie Païenne | L'Adoration de la Terre - Jeux du rapt
3 Le Sacre Du Printemps - Tableaux de la Russie Païenne | Le Sacrifice - Glorification de l'Elue
3. Aria: Ev'ry Valley Shall Be Exalted - Tenor
30. Air: Behold, And See - Tenor
31. Accompagnato: He Was Cut Off - Tenor / 32. Air: But Thou Didst Not Leave - Tenor
33. Chorus: Lift Up Your Heads
34. Recitative: Unto Which Of The Angels - Tenor / 35. Chorus: Let All The Angels Of God
36. Air: Thou Art Gone Up On High - Bass
37. Chorus: The Lord Gave The Word
38. Air: How Beautiful Are The Feet - Soprano
39. Chorus: Their Sound Is Gone Out
4 Le Sacre Du Printemps - Tableaux de la Russie Païenne | L'Adoration de la Terre - Rondes printanières
4 Le Sacre Du Printemps - Tableaux de la Russie Païenne | Le Sacrifice - Evocations des ancêtres
4. Chorus: And The Glory Of The Lord
40. Air: Why Do The Nations - Bass
41. Chorus: Let Us Break Their Bonds
42. Recitative: He That Dwelleth In Heaven - Tenor / 43. Air: Thou Shalt Break Them - Tenor
44. Chorus: Hallelujah
45. Air: I Know That My Redeemer Liveth - Soprano
46. Chorus: Since By Man Came Death
47. Accompagnato: Behold, I Tell You A Mystery - Bass
48. Air: The Trumpet Shall Sound - Bass
49. Recitative: Then Shall Be Brought To Pass - Alto / 50. Duet: O Death, Where Is Thy Sting? - Alto, Tenor / 541. Chorus: But Thanks Be To God
5 Le Sacre Du Printemps - Tableaux de la Russie Païenne | L'Adoration de la Terre - Jeux des cités rivales
5 Le Sacre Du Printemps - Tableaux de la Russie Païenne | Le Sacrifice - Action rituelle des ancêtres
5 Piano Concertos, The
5. Accompagnato: Thus Saith The Lord - Bass
52. Air: If God Is For Us - Soprano
53. Chorus: Worthy Is The Lamb
6 "London" Symphonies
6 Le Sacre Du Printemps - Tableaux de la Russie Païenne | L'Adoration de la Terre - Cortège du Sage
6 Le Sacre Du Printemps - Tableaux de la Russie Païenne | Le Sacrifice - danse sacrale (l'Elue)
6. Air: But Who May Abide - Alto
7 Le Sacre Du Printemps - Tableaux de la Russie Païenne | L'Adoration de la Terre - Danse de la Terre
7 Symphonies, The
7. Chorus: And He Shall Purify The Sons Of Levi
8. Recitative: Behold, A Virgin Shall Conceive - Alto / 9. Air And Chorus: O Thou That Tellest Good Tidings - Alto
99 Most Essential Opera Classics, The
Abduction from the Seraglio: Pedrillo's Serenade (A Moorish Romance): In Mohrenland gefangen war, The
Absolute Masterworks - Opera
Adieu des bergers (Shepherd's Farewell)
Agnus Dei
All they that see Him - Accompagnato
Alles vergängliche ist nur ein Gleichnis
Amen
Amen: Chorus
And He Shall Purify: Chorus
And The Glory Of The Lord: Chorus
Apparition du spectre de Petrouchka
Aria for Bass and Orchestra in F major, K. 416c / KV 433 (Erik Smith completion) "Warnung": "Maenner suchen stets zu naschen"
Aria for Soprano and Orchestra in B-flat major, K. 580 (Erik Smith completion): "Schon lacht der holde Fruhling"
Aria for Tenor and Orchestra in D major, K. 416b / KV 435 (Erik Smith completion): "Müßt ich auch durch tausend Drachen"
Arrau spielt Liszt
At the Last Night of the Proms
Atto I: Ah, Quegli Occhi . . . Quale Occhio Al Mondo Può Di Paro
Atto I: È Buona La Mia Tosca Siam Soli?
Atto I: E Sempre Lava! - Angelus Domini Nuntiavit Mariae Che Fai?
Atto I: Ed Io Venivo A Lui Tutta Dogliosa
Atto I: Mario! Mario! Mario! - Son Qui! Non La Sospiri La Nostra Casetta
Atto I: Or Tutto È Chiaro . . . Mario?! Mario?!
Atto I: Sommo Giubilo, Eccellenza!
Atto II: Ha Più Forte Sapore Spoletta È Giunto
Atto II: Meno Male! - Egli È Là.
Atto II: Nel Pozzo Del Giardino. Va, Spoletta! Eccelenza, Quali Nuove! - Vittoria!
Atto II: Orsù, Tosca, Parlate. Mario, Consenti Ch'io Parli?
Atto II: Ov'è Angelotti? Mario, Tu Qui?!
Atto III: E Non Giungono - Trionfal Di Nova Speme
Atto III: L'ora! - Son Pronto
Ave verum corpus KV 618
Ave verum corpus, K. 618
Away in a Manger
Ballet Music for Idomeneo, rè di Creta in D major, K. 367: II. Pas seul: Largo / Allegretto / Più allegro
Ballet Music for Idomeneo, rè di Creta, K. 367: Ia. Chaconne: Allegro in D major
Ballet Music for Idomeneo, rè di Creta, K. 367: Ib. Chaconne: Larghetto in B-flat major
Ballet Music for Idomeneo, rè di Creta, K. 367: Ic. Chaconne: Allegro in D major
ballo in maschera, Un
ballo in maschera: M'ami, m'ami, Un
Bar Classics: Late Night Classics & Jazz
Barbiere di Siviglia: Una voce poco fa, Il
Bard, op. 64, The
Bastien and Bastienne: Overture
Bastien und Bastienne K. 50: Overture
Béatrice et Bénédict
Béatrice et Bénédict / Act 1: "Vous soupirez, madame?" - "Nuit paisible et sereine!"
Béatrice Et Bénédict Overture
Béatrice et Bénédict, Op. 27: Acte I, Scène 17 / Entr'acte
Béatrice et Bénédict, Op. 27: Acte I, Scènes 7 - 16
Béatrice et Bénédict, Op. 27: Acte II, Scènes 1 - 3
Béatrice et Bénédict, Op. 27: Acte II, Scènes 4 - 9
Béatrice et Bénédict, Op. 27: Ouverture / Acte I, Scènes 1 - 6
Beethoven: Piano Concertos 4 & 5 "Emperor"
Behold the Lamb of God - Coro
Behold, A Virgin Shall Conceive: Recitativo (Contralto)
Belshazzar's Feast: I. “Thus spake Isaiah”
Belshazzar's Feast: II. A tempo - “If I forget thee”
Belshazzar's Feast: III. “By the waters of Babylon”
Belshazzar's Feast: IV. “Babylon was a great city”
Belshazzar's Feast: IX. “The trumpeters and pipers”
Belshazzar's Feast: V. “Praise ye the God of Gold”
Belshazzar's Feast: VI. Allegro molto - “Thus in Babylon”
Belshazzar's Feast: VII. “Thou, O King, art King of Kings”
Belshazzar's Feast: VIII. “And in that same hour”
Belshazzar's Feast: X. Allegro - “Then sing aloud to God our strength”
Belshazzar‘s Feast / Symphony no. 1
Benedictus
Benvenuto Cellini
Benvenuto Cellini: Act I, deuxième tableau: A boire, à boire
Benvenuto Cellini: Act I, deuxième tableau: Ah! Aui pourrait me résister
Benvenuto Cellini: Act I, deuxième tableau: Ah! Cher canon du fort
Benvenuto Cellini: Act I, deuxième tableau: Amis, avant qu’on recommence
Benvenuto Cellini: Act I, deuxième tableau: Ariette de Pasquarello
Benvenuto Cellini: Act I, deuxième tableau: C’est trop fort
Benvenuto Cellini: Act I, deuxième tableau: Cette somme t’est due
Benvenuto Cellini: Act I, deuxième tableau: Entree d’Arléquin
Benvenuto Cellini: Act I, deuxième tableau: Finale. Le Carnaval
Benvenuto Cellini: Act I, deuxième tableau: Il plaît fort
Benvenuto Cellini: Act I, deuxième tableau: Oui, oui cette somme ètait due
Benvenuto Cellini: Act I, deuxième tableau: Soyez surpris
Benvenuto Cellini: Act I, deuxième tableau: Une heure encore
Benvenuto Cellini: Act I, deuxième tableau: Venez, venez peuple de rome
Benvenuto Cellini: Act I, deuxième tableau: Vous voyez, j’espère
Benvenuto Cellini: Act I, premier tableau: A nous, voisines et servantes!
Benvenuto Cellini: Act I, premier tableau: Ah! Maître drôle, ah, libertin!
Benvenuto Cellini: Act I, premier tableau: Ah! Mourir, chère belle
Benvenuto Cellini: Act I, premier tableau: Cellini!
Benvenuto Cellini: Act I, premier tableau: Ciel! Nous sommes perdus!
Benvenuto Cellini: Act I, premier tableau: Enfin il est sorti
Benvenuto Cellini: Act I, premier tableau: Les belles fleurs!
Benvenuto Cellini: Act I, premier tableau: Quand j’aurai votre âge
Benvenuto Cellini: Act I, premier tableau: Teresa!
Benvenuto Cellini: Act I, Tableau 1: Scène 1. Teresa... mais où peut-elle être
Benvenuto Cellini: Act I, Tableau 1: Scène 1. Tra la la la De profundis!
Benvenuto Cellini: Act I, Tableau 1: Scène 2. Entre l'amour et le devoir. Quand j'aurai votre âge
Benvenuto Cellini: Act I, Tableau 1: Scène 2. Les belles fleurs!
Benvenuto Cellini: Act I, Tableau 1: Scène 3. Ah! mourir, chère belle. Qui, la mort éternelle!
Benvenuto Cellini: Act I, Tableau 1: Scène 3. Cellini... - Teresa! ne fuyez pas
Benvenuto Cellini: Act I, Tableau 1: Scène 3. Ô Teresa, vous que j'aime. Eh bien! donc, Teresa
Benvenuto Cellini: Act I, Tableau 1: Scène 4. C'est fini. / Scène 5. A nous, voisines et servantes
Benvenuto Cellini: Act I, Tableau 1: Scène 4. Ciel, nous sommes perdus
Benvenuto Cellini: Act I, Tableau 1: Scène 6. Ah! maître drôle, ah! libertin! Emmenons-ledans le jardin
Benvenuto Cellini: Act I, Tableau 2: Scène 10. Cette somme t'est due / Scène 11. Écoutez- tout-à-l'heure
Benvenuto Cellini: Act I, Tableau 2: Scène 12. Ah! qui pourrait me résister Viens, le temps passe
Benvenuto Cellini: Act I, Tableau 2: Scène 12. C'est trop fort! comploter à mon nez
Benvenuto Cellini: Act I, Tableau 2: Scène 13. Bien, bien, bien. Il plaît fort au vieil homme
Benvenuto Cellini: Act I, Tableau 2: Scène 13. Maudit canon du fort Saint-Ange. Au meurtre! ah, Dieu! Ah! scélérat, vil assassin
Benvenuto Cellini: Act I, Tableau 2: Scène 13. Silence! silence! silence!
Benvenuto Cellini: Act I, Tableau 2: Scène 13. Venez, venez, peuple de Rome
Benvenuto Cellini: Act I, Tableau 2: Scène 13. Viens, pas à pas. Assassiner un capucin! A moi, mes amis
Benvenuto Cellini: Act I, Tableau 2: Scène 13. Vous voyez, j'espère. Ah! que vais - je faire De Cassandro la farce est prête
Benvenuto Cellini: Act I, Tableau 2: Scène 7. La gloire était ma seule idole
Benvenuto Cellini: Act I, Tableau 2: Scène 7. Une heure encore
Benvenuto Cellini: Act I, Tableau 2: Scène 8. A boire, à boire
Benvenuto Cellini: Act I, Tableau 2: Scène 8. Amis, avant qu'on recommence / Scène 9. Que voulez-vous / Scène 10. C'est le sauveur! Viva!
Benvenuto Cellini: Act I, Tableau 2: Scène 8. Si la terra aux beaux jours se couronne
Benvenuto Cellini: Act II, quatrième tableau: Bien heuruex les matelots
Benvenuto Cellini: Act II, quatrième tableau: Ciel, C’est Fieramosca!
Benvenuto Cellini: Act II, quatrième tableau: Couvrez-moi ce drôle
Benvenuto Cellini: Act II, quatrième tableau: Du métal! Du métal
Benvenuto Cellini: Act II, quatrième tableau: Peuple ouvrier
Benvenuto Cellini: Act II, quatrième tableau: Prelude
Benvenuto Cellini: Act II, quatrième tableau: Seul pour lutter
Benvenuto Cellini: Act II, quatrième tableau: Teresa, Teresa, ici
Benvenuto Cellini: Act II, quatrième tableau: Tra la la la
Benvenuto Cellini: Act II, quatrième tableau: Vite au travail, sans plus attendre
Benvenuto Cellini: Act II, Tableau 3: Scène 1. Ah! qu'est il devenu
Benvenuto Cellini: Act II, Tableau 3: Scène 1. Rosa purpurea / Scène 2. Teresa... Cellini
Benvenuto Cellini: Act II, Tableau 3: Scène 2. Ma dague en main, protégé par la nuit
Benvenuto Cellini: Act II, Tableau 3: Scène 3. Ah le ciel, cher époux. Ah! le ciel, cher époux
Benvenuto Cellini: Act II, Tableau 3: Scène 3. Quand des sommets de la montagne
Benvenuto Cellini: Act II, Tableau 3: Scène 4. Ah! maître!... mon cher maître! / Scène 5. Ah! je te trouve enfin
Benvenuto Cellini: Act II, Tableau 3: Scène 6. Ah! ça démon! Ah! le démon me tient en laisse. Penu! pendu!
Benvenuto Cellini: Act II, Tableau 3: Scène 6. Ah! maintenant de sa folle impudence
Benvenuto Cellini: Act II, Tableau 3: Scène 6. Justice à nous. Ah! qu'a-t-il fait
Benvenuto Cellini: Act II, Tableau 3: Scène 6. Le Pape ici! de la prudence
Benvenuto Cellini: Act II, Tableau 3: Scène 6. Prélude
Benvenuto Cellini: Act II, Tableau 4: Scène 15. Peuple ouvrier
Benvenuto Cellini: Act II, Tableau 4: Scène 16. Ciel, c'est Fieramosca! / Scène 17. Holà! qu'est ceci Peuple ouvrier
Benvenuto Cellini: Act II, Tableau 4: Scène 18. Teresa, Teresa, ici!
Benvenuto Cellini: Act II, Tableau 4: Scène 19. Du métal! du métal! Quelle pâleur sur son visage.... Je suis perdu!
Benvenuto Cellini: Act II, Tableau 4: Scène 7. Tra, la, la la, la, la... Mais qu'ai-je donc
Benvenuto Cellini: Act II, Tableau 4: Scène 8. Seul pour lutter, seul avec mon courage
Benvenuto Cellini: Act II, Tableau 4: Scène 8. Sur les monts les plus sauvages
Benvenuto Cellini: Act II, Tableau 4: Scène 9. Bienheureux les matelots
Benvenuto Cellini: Act II, Tableau 4: Scène 9. Vite, au travail, sans plus attendre!
Benvenuto Cellini: Act II, troisième tableau: Ah, qu’est-il devenu
Benvenuto Cellini: Act II, troisième tableau: Ah! Je te trouve enfin
Benvenuto Cellini: Act II, troisième tableau: Entr’acte
Benvenuto Cellini: Act II, troisième tableau: Finale. Ah, maintenant de sa folle impudence
Benvenuto Cellini: Act II, troisième tableau: Le pape ici!
Benvenuto Cellini: Act II, troisième tableau: Ma dague en main
Benvenuto Cellini: Ouverture
Berlioz Cycle Highlights
Berlioz: Les nuits d'été / Ravel: Shéhérazade
Bevenuto Cellini Overture, Op. 23
bohème, La
Bohème: “Che gelida manina”, La
bohème: Act IV. "Sono andati", La
bohème: Atto I, no. 6. “Che gelida manina!”, La
bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì”, La
bohème: Highlights, La
bohème: Musetta’s Waltz Song, La
Brahms Piano Concerto No. 1 / Mozart Piano Concerto No. 23
Brahms: Symphony No. 3, Op. 90; Tragic Overture, Op. 81
But Who May Abide: Aria (Contralto)
Carnaval Romain Overture, Op. 9, Le
Cello Concerto / "New World" Symphony
Cello Concerto / Fantasiestücke / Adagio & Allegro / 5 Stücke im Volkston
Cello Concerto / Symphony no. 9 "From the New World"
Cellokonzert h-Moll, Op. 104: Adagio ma non troppo
Cellokonzert h-Moll, Op. 104: Allegro
Cellokonzert h-Moll, Op. 104: Finale: Allegro moderato
Che gelida manina
Child of Our Time / The Knot Garden, A
Child of Our Time, A
Child of Our Time: No 16. A Spiritual, Nobody Knows the Trouble I See, Lord, A
Child of Our Time: No 21. A Spiritual of Anger, Go Down Moses, A
Child of Our Time: No 25. A Spiritual, O, By and By, A
Child of Our Time: No 28. Scene, the Words of Wisdom Are These - Praeludium, A
Child of Our Time: No 29. General Ensemble, I Would Know My Shadow and My Light, A
Child of Our Time: No 30. A Spiritual, Deep River, A
Child of Our Time: No 8. A Spiritual, Steal Away, A
Child of Our Time: Nos 1-2. The World Turns On Its Dark Side: Interludium, A
Child of Our Time: Nos 17-20. Scene, the Boy Becomes Desperate In His Agony - Men Were Ashamed of What Was Done, A
Child of Our Time: Nos 22-24. The Boy Sings In His Prison, My Dreams Are All Shattered - the Dark Forces Rise, A
Child of Our Time: Nos 26-27. The Cold Deepens, the Soul of Man, A
Child of Our Time: Nos 3-5. Scene: Is Evil Then Good?: Chorus of the Oppressed, When Shall the Userers' City Cease, A
Child of Our Time: Nos 6-7. I Have No Money for My Bread - How Can I Cherish My Man In Such Days, A
Child of Our Time: Nos 9-15. A Star Rises in Mid-Winter - Scene, O My Son!, A
Child of Our Time: Part I. "How can I cherish my man in such days?", A
Child of Our Time: Part I. "I have no money for my bread", A
Child of Our Time: Part I. "Is evil then good?", A
Child of Our Time: Part I. "Man has measured the heavens", A
Child of Our Time: Part I. "Now in each nation - When shall the userer's city cease", A
Child of Our Time: Part I. "The world turns on its dark side", A
Child of Our Time: Part I. Spiritual: Steal Away, A
Child of Our Time: Part II. "A star rises in mid-winter", A
Child of Our Time: Part II. "And a time came", A
Child of Our Time: Part II. "My dreams are all shattered", A
Child of Our Time: Part II. "O my son!", A
Child of Our Time: Part II. "The boy becomes desperate in his agony", A
Child of Our Time: Part II. "They took a terrible vengeance", A
Child of Our Time: Part II. "What have I done to you, my son? - The dark forces rise like a flood", A
Child of Our Time: Part II. A Spiritual of Anger: Go Down, Moses, A
Child of Our Time: Part II. Spiritual: Nobody Knows the Trouble I See, A
Child of Our Time: Part II. Spiritual: O, by and by, A
Child of Our Time: Part III. "The cold deepens", A
Child of Our Time: Part III. "The soul of man", A
Child of Our Time: Part III. "The words of wisdom are these", A
Child of Our Time: Part III. General Ensemble: I Would Know My Shadow and My Light, A
Child of Our Time: Part III. Spiritual: Deep River, A
Clarinet Concerto / Eine kleine Nachtmusik / Serenade
clemenza di Tito, K. 621: Act I, Scene I. Recitativo "Ma ché? sempre l’istesso" (Vitellia, Sesto), La
clemenza di Tito, K. 621: Act I, Scene II. No. 1 Duetto "Come ti piace imponi" (Sesto, Vitellia), La
clemenza di Tito, K. 621: Act I, Scene II. No. 2 Aria "Deh se piacer mi vuoi" (Vitellia) / "Chi ciecamente crede" (Vitellia), La
clemenza di Tito, K. 621: Act I, Scene II. Recitativo "Amico, il passo affretta" (Annio, Vitellia, Sesto), La
clemenza di Tito, K. 621: Act I, Scene III. Recitativo "Amico, ecco il momento" (Annio, Sesto) / No. 3 Duettino "Deh prendi un dolce amplesso" (Annio, Sesto), La
clemenza di Tito, K. 621: Act I, Scene IV. No. 4 Marcia, La
clemenza di Tito, K. 621: Act I, Scene IV. No. 5 Coro "Serbate, oh Dei custodi" (Coro) / Recitativo "Te della patria il Padre" (Publio, Annio, Tito) / No. 5 Coro "Basta, basta, oh miei fidi" (Tito) / No. 4 Marcia, La
clemenza di Tito, K. 621: Act I, Scene IV. No. 6 Aria "Del più sublime soglio" (Tito), La
clemenza di Tito, K. 621: Act I, Scene IV. Recitativo "Adesso, oh Sesto" (Annio, Sesto, Tito), La
clemenza di Tito, K. 621: Act I, Scene IX. No. 9 Aria "Parto, ma tu ben mio... Guardami e tutto oblio" (Sesto), La
clemenza di Tito, K. 621: Act I, Scene V. No. 7 Duetto "Ah perdona il primo affetto" (Annio, Servilia), La
clemenza di Tito, K. 621: Act I, Scene V. Recitativo "Non ci pentiam" (Annio, Servilia), La
clemenza di Tito, K. 621: Act I, Scene VI. Recitativo "Servilia! Augusta!" (Tito, Servilia), La
clemenza di Tito, K. 621: Act I, Scene VII. No. 8 Aria "Ah, se fosse intorno al trono" (Tito), La
clemenza di Tito, K. 621: Act I, Scene VIII. Recitativi "Felice me! ...Ancora mi schernisce?" (Servilia, Vitellia, Sesto), La
clemenza di Tito, K. 621: Act I, Scene X. No. 10 Terzetto "Vengo… aspettate… Sesto!…" (Vitellia, Publio, Annio), La
clemenza di Tito, K. 621: Act I, Scene X. Recitativo "Vedrai, Tito, vedrai, che alfin sì vile" (Vitellia, Publio, Annio), La
clemenza di Tito, K. 621: Act I, Scene XI. No. 11 Recitativo accompagnato "Oh Dei, che smania è questa" (Sesto), La
clemenza di Tito, K. 621: Act I, Scene XI. No. 12 Quintetto con coro "Deh, conservate, oh Dei" (Sesto, Annio, Servilia, Publio, Vitellia, Coro) / Recitativo "Sesto!" (Sesto, Annio, Servilia, Publio, Vitellia, Coro), La
clemenza di Tito, K. 621: Act II, No. 12 Recitativo "Sesto, come tu credi" (Annio, Sesto), La
clemenza di Tito, K. 621: Act II, No. 13 Aria "Torna di Tito a lato" (Annio), La
clemenza di Tito, K. 621: Act II, No. 13 Recitativi "Partir deggio, o restar? ... Sesto! - Che chiedi?" (Sesto, Vitellia, Publio), La
clemenza di Tito, K. 621: Act II, No. 15 Coro "Ah grazie si rendano" (Coro, Tito), La
clemenza di Tito, K. 621: Act II, No. 15 Recitativo "Già de' pubblici giuochi" (Publio, Tito), La
clemenza di Tito, K. 621: Act II, No. 16 Aria "Tardi s'avvede" (Publio), La
clemenza di Tito, K. 621: Act II, No. 16 Recitativo "No, così scellerato" (Tito, Annio, Publio), La
clemenza di Tito, K. 621: Act II, No. 18 Recitativo "Odimi, oh Sesto; siam soli" (Tito, Sesto), La
clemenza di Tito, K. 621: Act II, No. 19 Aria (Rondo) "Deh per questo istante solo" (Sesto) / Aria "Disperato vado a morte" (Sesto), La
clemenza di Tito, K. 621: Act II, No. 19 Recitativi "Dove s'intese mai più contumace infedeltà? ... Publio. - Cesare." (Tito, Publio), La
clemenza di Tito, K. 621: Act II, No. 20 Aria "Se all'impero" (Tito), La
clemenza di Tito, K. 621: Act II, No. 20 Recitativo "Non giova lusingarsi" (Vitellia, Servilia, Annio), La
clemenza di Tito, K. 621: Act II, No. 21 Aria "S'altro che lagrime" (Servilia), La
clemenza di Tito, K. 621: Act II, No. 24 Recitativo "Sesto, de' tuoi delitti" (Tito, Vitellia, Servilia, Sesto, Annio, Publio), La
clemenza di Tito, K. 621: Act II, Scene IV. No. 14 Terzetto "Se al volto mai ti senti" (Sesto, Vitellia, Publio), La
clemenza di Tito, K. 621: Act II, Scene VII. No. 17 Aria "Tu fosti tradito" (Annio), La
clemenza di Tito, K. 621: Act II, Scene VIII. Recitativo accompagnato "Che orror! che tradimento!" (Tito) / Recitativi "Ingrato!" (Tito), La
clemenza di Tito, K. 621: Act II, Scene X. No. 18 Terzetto "Quello di Tito è il volto!" (Sesto, Tito, Publio), La
clemenza di Tito, K. 621: Act II, Scene XV. No. 22 Recitativo accompagnato "Ecco il punto, oh Vitellia" (Vitellia), La
clemenza di Tito, K. 621: Act II, Scene XV. No. 23 Aria. Rondo "Non più di fiori" / "Infelice! qual orrore!" (Vitellia), La
clemenza di Tito, K. 621: Act II, Scene XVI. No. 24 Coro "Che del ciel, che degli Dei" (Coro), La
clemenza di Tito, K. 621: Act II, Scene XVII. No. 25 Recitativo accompagnato "Ma che giorno è mai questo?" (Tito), La
clemenza di Tito, K. 621: Act II, Scene XVII. No. 26 Sestetto con coro "Tu, è ver, m’assolvi, Augusto" (Sesto, Tito, Vitellia, Servilia, Annio, Publio, Coro), La
clemenza di Tito, K. 621: Deh per questo istante solo (Sesto), La
clemenza di Tito, K. 621: Ecco il punto, oh Vitellia; Non più di fiori vaghe catene (Vitellia), La
clemenza di Tito, K. 621: March; Maestoso, La
clemenza di Tito, K. 621: Ouverture, La
clemenza di Tito, K. 621: Overture, La
clemenza di Tito, K.621: S'altro che lagrime, La
Clemenza di Tito: Atto II. "Non più di fiori", La
Cléopâtre
Cléopâtre / Herminie
Cockaigne (In London Town), op. 40: Concert overture
Comfort Ye, My People: Accompagnato (Tenor)
Complete Orchestral Works
Complete Piano Concertos, The
Complete Symphonies / Tone Poems
Complete Symphonies 1, The
Complete Symphonies 2, The
Complete Works for Piano and Orchestra
Concert Aria, K. Anh. 245: Io ti lascio, oh cara, addio
Concerto for Cello and Orchestra in A minor, op. 129: Langsam -
Concerto for Cello and Orchestra in A minor, op. 129: Nicht zu schnell -
Concerto for Cello and Orchestra in A minor, op. 129: Sehr lebhaft
Concerto for Clarinet and Orchestra in A, K. 622: I. Allegro
Concerto for Clarinet and Orchestra in A, K. 622: II. Adagio
Concerto for Clarinet and Orchestra in A, K. 622: III. Rondo. Allegro
Concerto for Clarinet and Orchestra K. 622 in A (version for Basset Clarinet): Adagio
Concerto for Clarinet in A major, K. 622: I. Allegro
Concerto for Clarinet in A major, K. 622: II. Adagio
Concerto for Clarinet in A major, K. 622: III. Rondo. Allegro
Concerto for Double String Orchestra / Piano Concerto / Fantasia Concertante on a Theme of Corelli
Concerto for Flute, Harp and Orchestra in C, KV 299: Allegro
Concerto for Flute, Harp and Orchestra in C, KV 299: Andantino
Concerto for Flute, Harp and Orchestra in C, KV 299: Rondo. Allegro
Concerto for Orchestra / Triple Concerto
Concerto for Orchestra: I. Allegro - Più mosso
Concerto for Orchestra: II. Largo
Concerto for Orchestra: III. Allegro molto - Sub. pochissimo meno mosso
Concerto for Piano and Orchestra in A minor, op. 54: I. Allegro affettuoso
Concerto for Piano and Orchestra in A minor, op. 54: II. Intermezzo. Andantino grazioso
Concerto for Piano and Orchestra in A minor, op. 54: III. Allegro vivace
Concerto for Piano and Orchestra no. 1 in C major, op. 15: I. Allegro con brio
Concerto for Piano and Orchestra no. 1 in C major, op. 15: II. Largo
Concerto for Piano and Orchestra no. 1 in C major, op. 15: III. Rondo. Allegro
Concerto for Piano and Orchestra No. 1 in D minor, Op. 15: I. Maestoso
Concerto for Piano and Orchestra No. 1 in D minor, Op. 15: II. Adagio
Concerto for Piano and Orchestra No. 1 in D minor, Op. 15: III. Rondo. Allegro non troppo
Concerto for Piano and Orchestra no. 1 in E-flat major: I. Allegro maestoso
Concerto for Piano and Orchestra no. 1 in E-flat major: II. Quasi adagio
Concerto for Piano and Orchestra no. 1 in E-flat major: III. Allegretto vivace - Allegro animato
Concerto for Piano and Orchestra no. 1 in E-flat major: IV. Allegro marziale animato
Concerto for Piano and Orchestra no. 2 in A major, S. 125: Adagio sostenuto assai - Allegro agitato assai -
Concerto for Piano and Orchestra no. 2 in A major, S. 125: Allegro animato - Stretto (molto accelerando)
Concerto for Piano and Orchestra no. 2 in A major, S. 125: Allegro moderato - Allegro deciso -
Concerto for Piano and Orchestra no. 2 in A major, S. 125: Marziale un poco meno allegro -
Concerto for Piano and Orchestra no. 2 in A major: Adagio sostenuto assai - Allegro agitato assai
Concerto for Piano and Orchestra no. 2 in A major: Allegro animato
Concerto for Piano and Orchestra no. 2 in A major: Allegro deciso - Marziale un poco meno allegro
Concerto for Piano and Orchestra no. 2 in A major: Allegro moderato
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: I. Allegro con brio
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: II. Adagio
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: III. Rondo. Molto allegro
Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 83: I. Allegro non troppo
Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 83: II. Allegro appassionato
Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 83: III. Andante - Più adagio
Concerto for Piano and Orchestra No. 2 in B-flat major, Op. 83: IV. Allegretto grazioso
Concerto for Piano and Orchestra no. 4 in G major, op. 58: I. Allegro moderato
Concerto for Piano and Orchestra no. 4 in G major, op. 58: II. Andante con moto
Concerto for Piano and Orchestra no. 4 in G major, op. 58: III. Rondo. Vivace
Concerto for Piano and Wind Instruments: I. Largo - Allegro - Più mosso - Maestoso
Concerto for Piano and Wind Instruments: II. Largo
Concerto for Piano and Wind Instruments: III. Allegro
Concerto for Piano No. 1 in C major, op. 11: I. Allegro
Concerto for Piano No. 1 in C major, op. 11: II. Adagio
Concerto for Piano No. 1 in C major, op. 11: III. Presto
Concerto for Piano No. 2 in E flat major, op. 32: I. Allegro maestoso
Concerto for Piano No. 2 in E flat major, op. 32: II. Adagio
Concerto for Piano No. 2 in E flat major, op. 32: III. Rondo: Presto
Concerto for Piano no. 20 in D minor, K. 466: III. Rondo. Allegro assai
Concerto for Piano No. 23 in A major, K. 488: I. Allegro
Concerto for Piano No. 23 in A major, K. 488: II. Andante
Concerto for Piano No. 23 in A major, K. 488: III. Allegro
Concerto for Violin and Orchestra in B minor, op. 61: I. Allegro
Concerto for Violin and Orchestra in B minor, op. 61: II. Andante
Concerto for Violin and Orchestra in B minor, op. 61: III. Allegro molto
Concerto for Violin and Orchestra in D major, op. 61: I. Allegro ma non troppo
Concerto for Violin and Orchestra in D major, op. 61: II. Larghetto
Concerto for Violin and Orchestra in D major, op. 61: III. Rondo. Allegro
Concerto for Violin no. 1 in B-flat major, K. 207: III. Presto
Concerto for Violin, Viola, Cello and Orchestra: Interlude (Medium fast)
Concerto for Violin, Viola, Cello and Orchestra: Interlude (Medium slow)
Concerto for Violin, Viola, Cello and Orchestra: Medium fast
Concerto for Violin, Viola, Cello and Orchestra: Very slow, calmer still
Concerto for Violoncello and Orchestra in B minor, op. 104: I. Allegro
Concerto for Violoncello and Orchestra in B minor, op. 104: II. Adagio ma non troppo
Concerto for Violoncello and Orchestra in B minor, op. 104: III. Finale. Allegro moderato
Concerto for Violoncello and Orchestra no. 2, op. 126: I. Largo
Concerto for Violoncello and Orchestra no. 2, op. 126: II. Allegretto
Concerto for Violoncello and Orchestra no. 2, op. 126: III. Allegretto
Concerto no. 21, KV 467, in C major: I. [Allegro maestoso]
Concerto no. 21, KV 467, in C major: III. Allegro vivace assai
Concerto no. 9, KV 271, in E-flat major: I. Allegro
Concerto no. 9, KV 271, in E-flat major: II. Andantino
Concerto no. 9, KV 271, in E-flat major: III. Rondo (Presto - menuetto - presto)
Concerto No.20
Concerto pour clarinette K. 622 : II. Adagio
Concerto pour piano et orchestre en la mineur, op.54. Allegro affettuoso
Concerto pour piano et orchestre en la mineur, op.54. Allegro vivace
Concerto pour piano et orchestre en la mineur, op.54. Intermezzo - Andantino grazioso
Concerto pour piano et orchestre n°21 K. 467 en ut mineur
Concerto pour violon en ré opus 61
Concerto pour violon en ré opus 61: 1. Allegra ma non troppo
Concerto pour violon en ré opus 61: 2. Larghetto / 3. Rondo (Allegro)
Concertone in C major for Two Violins and Orchestra, KV 190: I. Allegro spiritoso
Concertone in C major for Two Violins and Orchestra, KV 190: II. Andantino grazioso
Concertone in C major for Two Violins and Orchestra, KV 190: III. Tempo di Menuetto (Vivace)
Concierto de Aranjuez for Guitar and Orchestra: I. Allegro con spirito
Concierto de Aranjuez for Guitar and Orchestra: II. Adagio
Concierto de Aranjuez for Guitar and Orchestra: III. Allegro gentile
Conciertos para Piano 3 y 4
Confession of Isobel Gowdie, The
Conventry Carol
Coriolan, Op. 62
Coronation Mass / Missa Solemnis / Laudate Dominum / Organ Sonata K. 329 / Exsultate, Jubilate
Corsaire Overture, Op. 21, Le
Corsaire, op. 21: Ouverture, Le
Così Fan Tutte
Così fan tutte, K. 588: "Come scoglio"
Così fan tutte, K. 588: "Ei parte... Senti... Per pietà, ben mio, perdona"
Così fan tutte, K. 588: Act I, Scene I No. 1 Terzetto. Allegro "La mia Dorabella capace non è" (Ferrando, Guglielmo, Don Alfonso) / Act I, Scene I Recitativo "Fuor la spada" (Ferrando, Guglielmo, Don Alfonso)
Così fan tutte, K. 588: Act I, Scene I No. 2 Terzetto. Allegro "È la fede delle femmine" (Ferrando, Guglielmo, Don Alfonso) / Act I, Scene I Recitativo "Scioccherie di poeti!" (Ferrando, Guglielmo, Don Alfonso)
Così fan tutte, K. 588: Act I, Scene I No. 3 Terzetto. Allegro "Una bella serenata" (Ferrando, Guglielmo, Don Alfonso)
Così fan tutte, K. 588: Act I, Scene II No. 4 Duetto. Andante "Ah, guarda, sorella" (Fiordiligi, Dorabella) / Act I, Scene II Recitativo "Mi par che stamattina" (Fiordiligi, Dorabella)
Così fan tutte, K. 588: Act I, Scene III No. 5 Aria. Allegro agitato "Vorrei dir, e cor non ho" (Don Alfonso) / Act I, Scene III Recitativo "Stelle! Per carità, signor Alfonso" (Fiordiligi, Dorabella, Don Alfonso)
Così fan tutte, K. 588: Act I, Scene IV No. 6 Quintetto. Andante "Sento, oddio, che questo piede" / Act I, Scene IV Recitativo "Non piangere, idol mio" (Guglielmo, Ferrando, Don Alfonso, Fiordiligi, Dorabella)
Così fan tutte, K. 588: Act I, Scene IV No. 7 Duettino. Andante "Al fato dàn legge" (Ferrando, Guglielmo) / Act I, Scene IV Recitativo "La commedia è graziosa" (Ferrando, Don Alfonso, Fiordiligi, Dorabella)
Così fan tutte, K. 588: Act I, Scene IX No. 12 Aria. Allegretto "In uomini! In soldati" (Despina) / Act I, Scene X Recitativo "Che silenzio! Che aspetto di tristezza" (Don Alfonso, Despina)
Così fan tutte, K. 588: Act I, Scene IX Recitativo. Allegro assai - maestoso "Ah, scostati!" / Act I, Scene IX No. 11 Aria. Allegro agitato "Smanie implacabili che m'agitate" / Recitativo "Signora Dorabella" (Dorabella, Despina, Fiordiligi)
Così fan tutte, K. 588: Act I, Scene V No. 8 Coro. Maestoso "Bella vita militar!" (Coro) / Act I, Scene V Recitativo "Non v'è più tempo, amici" (Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo)
Così fan tutte, K. 588: Act I, Scene V No. 9 Quintetto. Andante "Di scrivermi ogni giorno" / Coro. "Bella vita militar!" (Coro) / Recitativo "Dove son? Son partiti" (Don Alfonso, Fiordiligi, Dorabella, Ferrando, Guglielmo)
Così fan tutte, K. 588: Act I, Scene VI No. 10 Terzettino. Andante "Soave sia il vento" (Fiordligi, Dorabella, Don Alfonso)
Così fan tutte, K. 588: Act I, Scene VI No. 10 Terzettino. Andante "Soave sia il vento" / Recitativo "Non son cattivo comico!" / Recitativo "Che vita maledetta" / "Madame, ecco la vostra colazione" (Despina, Don Alfonso, Fiordiligi, Dorabella)
Così fan tutte, K. 588: Act I, Scene XI No. 13 Sestetto. Allegro - allegro - allegro molto "Alla bella Despinetta" / Act I, Scene XI Recitativo "Che sussurro! Che strepito" (Don Alfonso, Ferrando, Guglielmo, Despina, Fiordiligi, Dorabella)
Così fan tutte, K. 588: Act I, Scene XI No. 15 Aria. Andantino "Non siate ritrosi" (Guglielmo)
Così fan tutte, K. 588: Act I, Scene XI Recitativo Allegretto - Allegro "Stelle! Che ardir!" (Fiordiligi, Dorabella) / No. 14 Aria "Come scoglio" (Fiordiligi) / Recitativo "Ah non partite!" (Don Alfonso, Ferrando, Guglielmo, Fiordiligi, Dorabella)
Così fan tutte, K. 588: Act I, Scene XII No. 16 Terzetto. Allegro molto "E voi ridete?" (Don Alfonso, Ferrando, Guglielmo) / Act I, Scene XII Recitativo "Si può sapere un poco" (Don Alfonso, Ferrando, Guglielmo)
Così fan tutte, K. 588: Act I, Scene XII No. 17 Aria. Andante cantabile "Un'aura amorosa" (Ferrando)
Così fan tutte, K. 588: Act I, Scene XIII Recitativo "Ho, la saria da ridere" (Don Alfonso, Despina)
Così fan tutte, K. 588: Act I, Scene XIV No. 18 Finale. Andante "Ah, che tutta in un momento" (Fiordiligi, Dorabella)
Così fan tutte, K. 588: Act I, Scene XIVI No. 18 Finale. Allegro "Dammi un bacio, o mio tesoro" (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo)
Così fan tutte, K. 588: Act I, Scene XIVI No. 18 Finale. Allegro "Eccovi il medico" (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo)
Così fan tutte, K. 588: Act I, Scene XIVI No. 18 Finale. Andante "Dove son! Che loco è questo!" (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo)
Così fan tutte, K. 588: Act I, Scene XV No. 18 Finale. Allegro "Si mora sì, si mora" (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo)
Così fan tutte, K. 588: Act II, Scene I No.19 Aria. Andante "Una donna a quindici anni" (Despina) / Act II, Scene II Recitativo "Sorella, cosa dici?" (Firodiligi, Dorabella)
Così fan tutte, K. 588: Act II, Scene I Recitativo "Andate là, che siete" (Despina, Firodiligi, Dorabella)
Così fan tutte, K. 588: Act II, Scene II No. 20 Duetto. Andante "Prenderò quel brunettino" (Fiordiligi, Dorabella) / Act II, Scene III Recitativo "Ah correte al giardino" (Don Alfonso, Dorabella)
Così fan tutte, K. 588: Act II, Scene IV No. 21 Duetto con Coro. Andante "Secondate, aurette amiche" (Ferrando, Guglielmo, Chor) / Act II, Scene IV Recitativo "II tutto deponete" (Don Alfonso, Fiordiligi, Dorabella, Despina, Ferrando, Guglielmo)
Così fan tutte, K. 588: Act II, Scene IV No. 22 "La mano a me date" (Don Alfonso, Ferrando, Guglielmo, Despina) / Act II, Scene V Recitativo "Oh che bella giornata!" (Fiordiligi, Ferrando, Dorabella, Guglielmo)
Così fan tutte, K. 588: Act II, Scene IX Recitativo. Allegro - andante "In qual fiero contrasto, in qual disordine" (Ferrando) / No. 27 Cavatina "Tradito, schernito" (Ferrando) / Recitativo "Bravo: questa è costanza" (Don Alfonso, Ferrando, Guglielmo)
Così fan tutte, K. 588: Act II, Scene Ultima No. 31 Finale. Andante "Ah, signor, son rea di morte" (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo, Coro)
Così fan tutte, K. 588: Act II, Scene Ultima No. 31 Finale. Andante "Sani e salvi agli amplessi" (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo, Coro)
Così fan tutte, K. 588: Act II, Scene V No. 23 Duetto "Il core vi dono, bell'idolo mio" (Dorabella, Guglielmo)
Così fan tutte, K. 588: Act II, Scene VI No. 24 Allegretto - allegro "Ah lo veggio, quell'anima bella" (Ferrando)
Così fan tutte, K. 588: Act II, Scene VI Recitativo. Allegro - adagio "Barbara! Perché fuggi?" (Ferrando, Fiordiligi)
Così fan tutte, K. 588: Act II, Scene VII No. 25 Rondò "Per pietà, ben mio, perdona" (Fiordiligi)
Così fan tutte, K. 588: Act II, Scene VII Recitativo. Allegretto "Ei parte... senti...! Ah no... partir si lasci" (Fiordiligi)
Così fan tutte, K. 588: Act II, Scene VIII No. 26 Aria. Allegretto "Donne mie, la fate a tanti" (Guglielmo)
Così fan tutte, K. 588: Act II, Scene VIII Recitativo "Amico, abbiamo vinto!" (Ferrando, Guglielmo)
Così fan tutte, K. 588: Act II, Scene X No. 28 Aria. Allegretto vivace "È amore un ladroncello" (Dorabella)
Così fan tutte, K. 588: Act II, Scene X Recitativo "Ora vedo che siete" (Despina, Dorabella, Fiordiligi)
Così fan tutte, K. 588: Act II, Scene XI Recitativi "Come tutto congiura... L'abito di Ferrando" (Fiordiligi, Guglielmo, Despina, Don Alfonso)
Così fan tutte, K. 588: Act II, Scene XII No. 29 Duetto "Fra gli amplessi in pochi istanti" (Fiordiligi, Ferrando)
Così fan tutte, K. 588: Act II, Scene XII No. 30 Aria. Andante "Tutti accusan le donne" (Don Alfonso) / Act II, Scene XIV Recitativo "Vittoria, padroncini!" (Despina, Ferrando, Don Alfonso, Guglielmo)
Così fan tutte, K. 588: Act II, Scene XIII Recitativo "Ah poveretto me! Cosa ho veduto!" (Guglielmo, Don Alfonso, Ferrando)
Così fan tutte, K. 588: Act II, Scene XV No. 31 Finale. Allegro assai "Fate presto, oh cari amici" (Despina, Fiordilig, Don Alfonso, Coro)
Così fan tutte, K. 588: Act II, Scene XVI No. 31 Finale. Andante "Benedetti i doppi coniugi" (Fiordiligi, Dorabella, Ferrando, Guglielmo, Coro)
Così fan tutte, K. 588: Act II, Scene XVI No. 31 Finale. Larghetto "E nel tuo, nel mio bicchiero" (Fiordiligi, Dorabella, Ferrando, Coro)
Così fan tutte, K. 588: Act II, Scene XVII No. 31 Finale. Allegro "Miei signori, tutto è fatto" (Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo, Coro)
Così fan tutte, K. 588: Ouvertura. Andante
Così fan tutte, K. 588: Overture
Cosi fan tutte, K.588: Ei parte...Senti... Perpiete, ben mio perdona
Così fan tutte, opera, K. 588: Ah, scostasi; Smanie implacabili, che m'agitate (Dorabella)
Così fan tutte: "Soave sia il vento"
Così Fan Tutte: Ah, Che Tutta In Un Momento
Così Fan Tutte: Ah, Guarda, Sorella
Così Fan Tutte: Ah, Scostati! Paventa Il Trsito Effetto
Così Fan Tutte: Alla Bella Despinetta
Così Fan Tutte: Amico, Abbiamo Vinto!
Così Fan Tutte: Andante Là, Che Siete Due Bizzarre Ragazze!
Così fan tutte: Atto I. "Ah, scostati!" / "Smanie implacabili"
Così fan tutte: Atto II. "È amore un ladroncello"
Così Fan Tutte: Barbara! Perché Fuggi?
Così Fan Tutte: Bella Vita Militar!
Così Fan Tutte: Benedetti I Doppi Coniugi
Così Fan Tutte: Che Silenzio!
Così Fan Tutte: Che Vita Maledetta
Così Fan Tutte: Dammi Un Bacio
Così Fan Tutte: Di Scrimervi Ogni Giorno
Cosi fan tutte: Di scrivermi ogni giorno
Così Fan Tutte: Donne Me, La Fate A Tanti
Così Fan Tutte: E Amore Un Ladroncello
Così Fan Tutte: E Voi Ridete?
Così Fan Tutte: E' La Fede Della Serenata
Così Fan Tutte: Eccovi Il Medico
Così Fan Tutte: Ei Parte ... Senti ...
Così Fan Tutte: Fate Presto, O Cari Amici
Così Fan Tutte: Fra Gli Amplessi In Pochi Instanti
Così Fan Tutte: Il Core Vi Dono
Così Fan Tutte: In Qual Fietro Contrasto
Così Fan Tutte: In Uomini, In Soldati Sperare Fedeità?
Così Fan Tutte: La Mano A Me Date
Così Fan Tutte: La Mia Dorabella
Così Fan Tutte: Miei Signori, Tutto È Fatto
Così Fan Tutte: Non Siate Ritrosi
Così Fan Tutte: O Cielo! Questo È Il Tamburo Funesto
Così Fan Tutte: Ora Vedo Che Siete Una Donna Di Garbo
Così Fan Tutte: Overture
Così Fan Tutte: Prenderò Quel Brunettino
Così Fan Tutte: Sani E Salvi, Agli Amplessi Amorosi
Così Fan Tutte: Secondate, Aurette Amiche
Così Fan Tutte: Sento, Oddio, Che Questo Piede
Così Fan Tutte: Si Mora Si, Si Mora
Così Fan Tutte: Soave Sia Il Vento
Così Fan Tutte: Temerari, Sortite Fuori Di Questo Loco
Così Fan Tutte: Tutti Accusan Le Donne
Così Fan Tutte: Un'aura Amorosa
Così Fan Tutte: Una Bella Serenata
Così Fan Tutte: Una Donna A Quindici Anni
Così Fan Tutte: Vorrei Dir, E Cor Non Ho
Coventry Carol
Creatures of Prometheus, Op. 43, The
Credo
damnation de Faust : Deuxième Partie : Scène IV : '‘Hélas! doux chants de ciel’ (Faust), La
damnation de Faust : Deuxième Partie : Scène IV : Chant de la Fête de Pâques : ‘Christ vient de ressusciter !’ (Chœur, Faust), La
damnation de Faust : Deuxième Partie : Scène V : ‘Ô pure émotion !’ (Méphistophélès, Faust), La
damnation de Faust : Deuxième Partie : Scène VI : ‘Assez ! fuyons ces lieux’ (Faust, Méphistophélès), La
damnation de Faust : Deuxième Partie : Scène VI : ‘Vrai Dieu ! messieurs’ (Méphistophélès, Chœur), La
damnation de Faust : Deuxième Partie : Scène VI : Chanson de Brander : ‘Certain rat, dans une cuisine’ (Brander, Chœur, Méphistophélès), La
damnation de Faust : Deuxième Partie : Scène VI : Chanson de Méphistophélès : ‘Une puce gentille’ (Méphistophélès, Chœur), La
damnation de Faust : Deuxième Partie : Scène VI : Fugue sur le thème de la Chanson de Brander : ‘Amen’ (Brander, Chœur), La
damnation de Faust : Deuxième Partie : Scène VI : La cave d’Auerbach à Leipzig : ‘À boire encor !’ ; Chœur de Buveurs : ‘Oh ! qu’il fait bon’ (Chœur, Méphistophélès, Brander), La
damnation de Faust : Deuxième Partie : Scène VII : ‘Margarita !’ (Faust, Méphistophélès), La
damnation de Faust : Deuxième Partie : Scène VII : Air de Méphistophélès : ‘Voici des roses’ (Méphistophélès), La
damnation de Faust : Deuxième Partie : Scène VII : Ballet des sylphes (Orchestre), La
damnation de Faust : Deuxième Partie : Scène VII : Songe de Faust : Chœur de Gnomes et de Sylphes : ‘Dors ! dors !’ (Chœur, Méphistophélès, Faust), La
damnation de Faust : Deuxième Partie : Scène VIII : Final : Chœur de Soldats : ‘Villes entourées’ (Chœur) ; Chanson des Étudiants : ‘Iam nox stellata velamina pandit’ (Chœur, Faust, Méphistophélès), La
damnation de Faust : Première Partie : Scène I : Les plaines d’Hongrie : ‘Le vieil hiver’ (Faust), La
damnation de Faust : Première Partie : Scène II Ronde des paysans : ‘Les bergers quittent leurs troupeaux’ (Chœur, Faust), La
damnation de Faust : Première Partie : Scène III : Une autre partie de la plaine : ‘Mais d’un éclat guerrier’ (Faust) / Marche Hongroise (Orchestre), La
damnation de Faust : Quatrième Partie : Scène XIX : Epilogue : Sur la terre : ‘Alors l’enfer se tut’ (Petite Chœur), La
damnation de Faust : Quatrième Partie : Scène XIX : Pandæmonium : ‘Ha ! Irimiru Karabrao !’ (Chœur, Méphistophélès) ; ‘Tradioun Marexil fi r’ (Chœur), La
damnation de Faust : Quatrième Partie : Scène XV : Au son des trompettes’ (Chœur, Marguerite), La
damnation de Faust : Quatrième Partie : Scène XV : Romance : ‘D’amour l’ardente fl amme’ (Marguerite), La
damnation de Faust : Quatrième Partie : Scène XVI : Invocation à la Nature : ‘Nature immense, impénétrable et fi ère’ (Faust), La
damnation de Faust : Quatrième Partie : Scène XVII : Récitatif et chasse : ‘À la voûte azurée’ (Méphistophélès, Faust), La
damnation de Faust : Quatrième Partie : Scène XVIII : La course à l’abîme : ‘Dans mon cœur retentit sa voix désespérée’ (Faust, Chœur, Méphistophélès), La
damnation de Faust : Quatrième Partie : Scène XX : Dans le ciel : ‘Laus ! Laus ! Hosanna ! Hosanna !’ (Chœur, une soprano) ; Apothéose de Marguerite : ‘Remonte au ciel, âme naÏve’ (Chœur), La
damnation de Faust : Troisième Partie : Scène IX : Air de Faust : ‘Merci, doux crépuscule !’ (Faust), La
damnation de Faust : Troisième Partie : Scène IX : Prélude : Tambours et trompettes sonnant la retraite (Orchestre), La
damnation de Faust : Troisième Partie : Scène X : ‘Je l’entends !’ (Méphistophélès, Faust), La
damnation de Faust : Troisième Partie : Scène XI : ‘Que l’air est étouffant !’ (Marguerite), La
damnation de Faust : Troisième Partie : Scène XI : Le roi de Thulé (Chanson gothique) : ‘Autrefois un roi de Thulé’ (Marguerite), La
damnation de Faust : Troisième Partie : Scène XII : ‘Maintenant chantons à cette belle’ (Méphistophélès) ; Sérénade de Méphistophélès : ‘Devant la maison’ (Méphistophélès, Chœur), La
damnation de Faust : Troisième Partie : Scène XII : Évocation : ‘Esprits des fl ammes inconstantes’ (Méphistophélès), La
damnation de Faust : Troisième Partie : Scène XII : Menuet des follets (Orchestre), La
damnation de Faust : Troisième Partie : Scène XIII : Final : ‘Grand Dieu !’ (Marguerite) ; Duo : ‘Ange adoré’ (Faust, Marguerite), La
damnation de Faust : Troisième Partie : Scène XIII : Trio et Chœur : ‘Allons, il est trop tard !’ (Faust, Méphistophélès, Marguerite, Chœur), La
damnation de Faust Op. 24: Teil I. Szenen 1 - 2, La
damnation de Faust Op. 24: Teil II. Szene 3, La
damnation de Faust Op. 24: Teil II. Szene 7, La
damnation de Faust Op. 24: Teil II. Szenen 3 - 6, La
damnation de Faust Op. 24: Teil III. Szenen 11 - 14, La
damnation de Faust Op. 24: Teil III. Szenen 8 - 10, La
damnation de Faust Op. 24: Teil IV. Szenen 15 - 16, La
damnation de Faust Op. 24: Teil IV. Szenen 17 - 21, La
Damnation de Faust, La
damnation de Faust, Op. 24, La
Damnation de Faust, op. 24: Marche hongroise, La
Damnation de Faust, op. 24: Menuet des follets, La
Damnation de Faust: Merci, doux crépuscule!, La
damnation de Faust: Part I, Scene 1. "Le vieil hiver", La
damnation de Faust: Part I, Scene 1. "Les bergers quittent leurs troupeaux" / Scene 2. "Mais d'un éclat guerri", La
damnation de Faust: Part I, Scene 2. Marche hongroise, La
damnation de Faust: Part II, Scene 3. "Hélas! doux chants du ciel", La
damnation de Faust: Part II, Scene 3. "Sans regrets j'ai quitté les riantes campagnes", La
damnation de Faust: Part II, Scene 3. Chant de la Fête de Pâques "Christ vient de ressusciter!", La
damnation de Faust: Part II, Scene 4. "Ô pure émotion!", La
damnation de Faust: Part II, Scene 5. "A boire encor!", La
damnation de Faust: Part II, Scene 5. "Assez! fuyons ces lieux", La
damnation de Faust: Part II, Scene 5. "Certain rat, dans une cuisine" / "Fugue sur le thème de la chanson", La
damnation de Faust: Part II, Scene 5. "Une puce gentille", La
damnation de Faust: Part II, Scene 5. "Vrai Dieu, messieurs", La
damnation de Faust: Part II, Scene 6. "Dors! heureux Faust", La
damnation de Faust: Part II, Scene 6. "Voici des roses", La
damnation de Faust: Part II, Scene 6. Ballet des Sylphes, La
damnation de Faust: Part II, Scene 7. "Margarita!", La
damnation de Faust: Part II, Scene 7. "Villes entourées" / "Jam nox stellata", La
damnation de Faust: Part III, Scene 10. "Autrefois un roi de Thul", La
damnation de Faust: Part III, Scene 10. "Que l'air est étouffant!", La
damnation de Faust: Part III, Scene 11. "Esprits des flammes inconstantes", La
damnation de Faust: Part III, Scene 11. Menuet des Follets / Scene 12. "Maintenant chantons à cette belle", La
damnation de Faust: Part III, Scene 12. "Devant la maison", La
damnation de Faust: Part III, Scene 13. "Grands dieux!" / "Ange adoré!", La
damnation de Faust: Part III, Scene 14. "Allons, il est trop tard!" / "Je connais donc enfin", La
damnation de Faust: Part III, Scene 7. Prelude "La retraite", La
damnation de Faust: Part III, Scene 8. "Merci, doux crépuscule!", La
damnation de Faust: Part III, Scene 9. "Je l'entends!", La
damnation de Faust: Part IV, Scene 15. "Au son des trompettes", La
damnation de Faust: Part IV, Scene 15. "D'amour l'ardente flamme", La
damnation de Faust: Part IV, Scene 16. "Nature immense", La
damnation de Faust: Part IV, Scene 17. "A la voûte azurée", La
damnation de Faust: Part IV, Scene 18. "Dans mon choeur retentit sa voix", La
damnation de Faust: Part IV, Scene 19. "Has! Irimiru Karabrao!" / "Tradioun marexil", La
damnation de Faust: Part IV, Scene 20. "Alors, l'Enfer se tut", La
damnation de Faust: Part IV, Scene 21. "Laus! Laus" / "Remonte au ciel, âme naïve!", La
Danse des cochers et des palefreniers
Danse des nounous
Danse du paysan et de l'ours
Dark Side of Classical Music, The
Deck the Hall With Boughs of Holly
Deck the Halls
déguisés, Les
deutsches Requiem, Ein
Deutsches Requiem, op. 45, no. 4: Wie Lieblich Sind Deine Wohnungen, Ein
deutsches Requiem, Op. 45: I. Selig sind, die da Leid tragen, Ein
deutsches Requiem, Op. 45: II. Denn alles Fleisch, es ist wie Gras, Ein
deutsches Requiem, Op. 45: III. Herr, lehre doch mich, Ein
deutsches Requiem, Op. 45: IV. Wie lieblich sind Deine Wohnungen, Ein
deutsches Requiem, Op. 45: V. Ihr habt nun Traurigkeit, Ein
deutsches Requiem, Op. 45: VI. Denn wir haben hie keine bleibende Statt, Ein
deutsches Requiem, Op. 45: VII. Selig sind die Toten, Ein
Di quella pira
Dido & Aeneas
Dido and Aeneas
Dido and Aeneas: Act I: "Ah! Belinda, I am prest"
Dido and Aeneas: Act I: "See, your Royal Guest appears" / "If not for mine" / "To the hills and the vales" / "The Triumphing Dance"
Dido and Aeneas: Act I: "Shake the cloud from off your brow"
Dido and Aeneas: Act I: "Whence could so much virtue spring?" / "Fear no danger to ensue"
Dido and Aeneas: Act II: Scene I: "In our deep vaulted cell" / "Echo dance of Furies"
Dido and Aeneas: Act II: Scene I: "Wayward sisters" / "But ere we this perform"
Dido and Aeneas: Act II: Scene I: Prelude for the Witches
Dido and Aeneas: Act II: Scene II: "Oft she visits this lone mountain" / "Behold, upon my bending spear"
Dido and Aeneas: Act II: Scene II: "Stay, Prince" / "Jove's commands shall be obey'd"
Dido and Aeneas: Act II: Scene II: Ritornelle - "Thanks to these lonesome vales"
Dido and Aeneas: Act III: Scene I: Prelude - "Come away, fellow sailors"
Dido and Aeneas: Act III: Scene I: The Sailors' Dance / "See the flags" / "Destruction's our delight" / "The Witches' Dance"
Dido and Aeneas: Act III: Scene II: "Thy hand, Belinda" / "When I am laid in earth"
Dido and Aeneas: Act III: Scene II: "With drooping wings"
Dido and Aeneas: Act III: Scene II: "Your counsel all is urged in vain" / "But Death, alas!"
Dido and Aeneas: Overture
Dies irae - Tuba mirum
dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene I. No. 1 Introduzione "Notte e giorno faticar" / "Non sperar, se non m'uccidi" / "Lasciala, indegno!" / "Ah soccorso! son tradito..." / Recitativo "Leporello, ove sei?" (Leporello, Donna Anna, Don Giovanni, Leporello, Il Commendatore), Il
dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene II. Recitativo "Ah del padre in periglio" (Donna Anna, Don Ottavio) / Act I, Scene III. No. 2 Recitativo accompagnato "Ma qual mai s'offre, oh Dei" (Donna Anna, Don Ottavio), Il
dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene III. No. 2 Duetto "Fuggi, crudele, fuggi!" (Donna Anna, Don Ottavio), Il
dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene IV. Recitativo "Orsù, spicciati presto" (Don Giovanni, Leporello), Il
dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene IX. No. 7 Duettino "Là ci darem la mano" (Don Giovanni, Zerlina) / Act I, Scene X. Recitativo "Fermati scellerato" (Donna Elvira, Zerlina, Don Giovanni), Il
dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene IX. Recitativo "Alfin siam liberati" (Don Giovanni, Zerlina), Il
dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene V. No. 3 Aria "Ah chi mi dice mai" (Donna Elvira) / "Udisti? qualche bella" (Don Giovanni, Leporello, Donna Elvira), Il
dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene V. No. 4 Aria "Madamina, il catalogo è questo" (Leporello), Il
dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene V. Recitativo "Chi è la? Stelle! che vedo" (Donna Elvira, Don Giovanni, Leporello), Il
dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene VII. No. 5 Coro "Giovinette, che fate all'amore" (Zerlina, Coro, Masetto) / Act I, Scene VIII. Recitativo "Manco male, è partita" (Don Giovanni, Leporello, Zerlina, Masetto), Il
dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene VIII. No. 6 Aria "Ho capito, signor, sì!" (Masetto), Il
dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene X. No. 8 Aria "Ah fuggi il traditor" (Donna Elvira), Il
dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XI. No. 9 Quartetto "Non ti fidar, oh misera" (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni) / Act I, Scene XI. Recitativo "Povera sventurata!" (Don Giovanni), Il
dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XI. Recitativo "Mi par ch' oggi il demonio si diverta" (Don Giovanni, Don Ottavio, Donna Anna, Donna Elvira), Il
dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIII. No. 10 Aria "Or sai chi l'onore" (Donna Anna), Il
dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIII. No. 10 Recitativo accompagnato "Don Ottavio...son morta!" (Donna Anna, Don Ottavio), Il
dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIV. Anhang. No. 10a Aria "Dalla sua pace" (Don Ottavio) [K. 540a], Il
dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIV. Recitativo "Come mai cerder deggio" (Don Giovanni), Il
dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XV. No. 11 Aria "Fin ch'han dal vino" (Don Giovanni), Il
dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XV. Recitativo "Io deggio ad ogni patto" (Leporello, Don Giovanni), Il
dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. No. 12 Aria "Batti, batti, o bel Masetto" (Zerlina) / Act I, Scene XVI. Recitativo "Guarda un po' come seppe questa strega" (Masetto, Don Giovanni, Zerlina), Il
dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. Recitativo "Masetto... senti un po'" (Zerlina, Masetto), Il
dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Ecco il birbo" / Act I, Scene XX. No. 13 Finale "Trema, trema, o scellerato!" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto, Coro), Il
dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Riposate, vezzose ragazze" (Zerlina, Don Giovanni, Leporello, Masetto), Il
dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XX. No. 13 Finale "Venite, pur avanti" / Act I, Scene XX. No. 13 Finale Minuetto "Da bravi, via, ballate!" (Donna Anna, Donna Elvira, Don Ottavio, Leporello, Masetto, Zerlina, Don Giovanni), Il
dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scenes XVI-XIX. No. 13 Finale "Bisogna aver coraggio" / Act I, Scene XIX. No. 13 Finale "Protegga il giusto cielo" (Donna Anna, Donna Elvira, Don Ottavio, Leporello, Don Giovanni), Il
dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scenes XVI-XVII. No. 13 Finale "Presto presto...pria ch'ei venga" / Act I, Scene XVIII. No. 13 Finale "Tra quest' arbori celata" (Zerlina, Don Giovanni, Masetto, Coro), Il
dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene I. No. 14 Duetto "Eh via buffone, non mi seccar" (Don Giovanni, Leporello) / Act II, Scene I. Recitativo "Leporello! Signore?" (Don Giovanni, Leporello), Il
dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene II. No. 15 Terzetto "Ah taci, ingiusto core" (Donna Elvira, Leporello, Don Giovanni), Il
dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene II. Recitativo "Amico che ti par?" (Don Giovanni, Leporello, Donna Elvira), Il
dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene III. No. 16 Canzonetta "Deh vieni alla finestra" (Don Giovanni) / Act II, Scene III. Recitativo "V'è gente alla finestra" (Don Giovanni, Masetto), Il
dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene III. No. 16 Canzonetta "Deh vieni alla finestra" (Don Giovanni), Il
dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene IV. No. 17 Aria "Meta di voi qua vadano" (Don Giovanni), Il
dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene IX. No. 20 Aria "Ah pietà, signori miei" (Leporello) / Act II, Scene X. Recitativo "Ferma, perfido, ferma" (Donna Elvira, Masetto, Zerlina, Don Ottavio), Il
dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene V. Recitativo "Zitto! Lascia ch'io senta" (Don Giovanni, Masetto, Zerlina), Il
dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VI. No. 18 Aria "Vedrai, carino" (Zerlina), Il
dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VII. No. 19 Sestetto "Sola sola in buio loco" / Recitativo "Dunque quello sei tu" (Donna Elvira, Leporello, Don Ottavio, Donna Anna, Zerlina, Masetto), Il
dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene VII. Recitativo "Di molte faci il lume" (Leporello, Donna Elvira), Il
dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene X. No. 21 Aria "Il mio tesoro intanto" (Don Ottavio), Il
dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene Xd. Anhang. No. 21b Aria "Mi tradi quell'alma ingrata" (Donna Elvira) [540c/2], Il
dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene Xd. Anhang. No. 21b Recitativo accompagnato "In quali eccessi, o Numi" (Donna Elvira) [540c/1], Il
dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XI. No. 22 Duetto "O statua gentilissima" (Leporello, Don Giovanni, Il Commendatore), Il
dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XI. Recitativo "Ah, ah, ah, ah, questa e buona" (Don Giovanni, Leporello, Il Commendatore), Il
dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XII. No. 23 Recitativo accompagnato "Crudele! - Ah no, mio bene!" (Donna Anna), Il
dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XII. No. 23 Rondo "Non mi dir, bell'idol mio" (Donna Anna) / Act II, Scene XII. Recitativo "Ah, si segua il suo passo" (Don Ottavio), Il
dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XII. Recitativo "Calmatevi, idol mio" (Don Ottavio, Donna Anna), Il
dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XIII. No. 24 Finale "Già la mensa e preparata" (Don Giovanni, Leporello), Il
dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XIV. No. 24 Finale "L'ultima prova dell'amor mio" (Don Giovanni, Leporello, Donna Elvira), Il
dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Ah! dove è il perfido" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello), Il
dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Don Giovanni, a cenar teco" (Il Commendatore, Don Giovanni, Leporello), Il
dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XV. No. 24 Finale "Or che tutti, o mio tesoro" (Don Ottavio, Donna Anna, Masetto, Zerlina, Leporello, Coro), Il
dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scenes XV-Ultima. No. 24 Finale "Questo è il fin di chi fa mal" (Donna Anna, Donna Elvira, Zerlina, Leporello, Don Ottavio, Masetto), Il
dissoluto punito, ossia il Don Giovanni, K. 527: Ouverture. Andante - allegro molto, Il
Don Giovanni, K. 527, Act 2: "Don Giovanni, a cenar teco m'invitasti"
Don Giovanni, K. 527: "La ci darem la mano" (excerpt)
Don Giovanni, K. 527: In quali eccessi, o Numi; Mi tradì, quell' alma ingrata (Donna Elvira)
Don Giovanni, K. 527: Overture
Don Giovanni, K. 527: Vedrai, carino (Zerlina)
Don Giovanni: excerpts from Act I: Alfin Siam Liberati
Don Giovanni: excerpts from Act I: Ho Capito
Don Giovanni: excerpts from Act I: La Ci Darem la Mano
Dream of Gerontius (1900): Part 1, 01. Prelude, The
Dream of Gerontius (1900): Part 1, 02. Jesu, Maria — I am near to death (Gerontius), The
Dream of Gerontius (1900): Part 1, 03. Kyrie eleison ... Holy Mary, pray for him (semi-chorus, chorus), The
Dream of Gerontius (1900): Part 1, 04. Rouse thee, my fainting soul (Gerontius), The
Dream of Gerontius (1900): Part 1, 05. Be merciful, be gracious (chorus), The
Dream of Gerontius (1900): Part 1, 06. Sanctus fortis, Sanctus Deus (Gerontius), The
Dream of Gerontius (1900): Part 1, 07. I can no more (Gerontius), The
Dream of Gerontius (1900): Part 1, 08. Rescue him, O lord (Gerontius, chorus, semi-chorus), The
Dream of Gerontius (1900): Part 1, 09. Novissima hora est (Gerontius), The
Dream of Gerontius (1900): Part 1, 10. Profisciscere, anima Christiana (priest), The
Dream of Gerontius (1900): Part 1, 11. Go, in the name of angels and archangels (chorus, priest, semi-chorus), The
Dream of Gerontius (disc 1), The
Dream of Gerontius, The
Drei Orchesterstücke, Op. 6: I. Präludium
Drei Orchesterstücke, Op. 6: II. Reigen
Drei Orchesterstücke, Op.6: III. Marsch
Duet for 2 Tenors in E-flat major, K. 384A/389 (Erik Smith completion): "Welch ängstliches Beben"
Dumbarton Oaks / Danses concertantes / Concerto in D / Cantata
Dvořák: Cello Concerto / Brahms: Double Concerto
Ebony Concerto: I Allegro moderato
Ebony Concerto: II Andante
Ebony Concerto: III Moderato
Egmont - Ouvertüre f-moll, op. 84
Egmont Overture in F minor, op.84 - Sostenuto, ma non troppo - Allegro
Egmont, Op. 84
Elgar: Enigma-Variationen / Vaughan Williams: Symphonie Nr. 6
Elgar: Symphony no. 1 / Berlioz: Overtures
Elgar: Violin Concerto / Vaughan Williams: The Lark Ascending
Emperor Concerto, Op. 73: II. Adagio un poco mosso
En Saga, op. 9
Enfance du Christ, L'
enfance du Christ, op. 25 : I. Le songe d'Hérode (Cont.), L'
enfance du Christ, op. 25 : I. Le songe d'Hérode, L'
enfance du Christ, op. 25 : II. La fuite en Égypte (Cont.), L'
enfance du Christ, op. 25 : II. La fuite en Égypte, L'
enfance du Christ, op. 25 : III. L'arrivée en Saïs (Cont.), L'
enfance du Christ, op. 25 : III. L'arrivée en Saïs, L'
Enfance du Christ: Choeur des anges, Joseph, Marie : Joseph, Marie, L'
Enfance du Christ: Choeur des bergers : Il s’en va loin de la terre, L'
Enigma Variations / Introduction & Allegro
Enigma Variations, op. 36: (***)
Enigma Variations, op. 36: BGN
Enigma Variations, op. 36: CAE
Enigma Variations, op. 36: Dorabella
Enigma Variations, op. 36: EDU
Enigma Variations, op. 36: GRS
Enigma Variations, op. 36: HDS-P
Enigma Variations, op. 36: Nimrod
Enigma Variations, op. 36: RBT
Enigma Variations, op. 36: RPA
Enigma Variations, op. 36: Theme
Enigma Variations, op. 36: Troyte
Enigma Variations, op. 36: WMB
Enigma Variations, op. 36: WN
Enigma Variations, Op. 36: X. Nimrod
Enigma Variations, op. 36: Ysobel
Entführung aus dem Serail (The Abduction from the Seraglio), opera, K. 384: Act 3. Bassa Selim lebe lange (Turkish Finale), Die
Entführung aus dem Serail, K. 384: Act II, Scene VIII. Dialog "Hör, Alter, trink nicht zu viel" (Pedrillo, Osmin, Belmonte, Konstanze), Die
Entführung aus dem Serail, K. 384: Akt I, Szene I. Dialog "Aber wie soll ich in den Palast kommen?" (Belmonte), Die
Entführung aus dem Serail, K. 384: Akt I, Szene I. No. 1 Arie "Hier soll ich Dich denn sehen" (Belmonte), Die
Entführung aus dem Serail, K. 384: Akt I, Szene II. No. 2 Lied und Duett "Wer ein Liebchen hat gefunden Verwünscht seist du samt deinem Liede!" (Osmin, Belmonte), Die
Entführung aus dem Serail, K. 384: Akt I, Szene III. Dialog "Allah sei Dank!" (Osmin, Pedrillo), Die
Entführung aus dem Serail, K. 384: Akt I, Szene III. No. 3 Arie "Solche hergelauf'ne Laffen" (Osmin) / Akt I, Szene III. Dialog "Was bist du nur für ein Mensch!" (Pedrillo) / Akt I, Szene III. "Erst geköpft, dann gehangen" (Osmin), Die
Entführung aus dem Serail, K. 384: Akt I, Szene IV. Dialog "Geh nur, verwünschter Aufpasser!" (Pedrillo, Belmonte), Die
Entführung aus dem Serail, K. 384: Akt I, Szene V. No. 4 Rezitativ und Arie "Konstanze, dich wiederzusehen... O wie ängstlich, o wie feurig" (Belmonte), Die
Entführung aus dem Serail, K. 384: Akt I, Szene VI. No. 5 Chor de Janitscharen "Singt dem grossen Bassa Lieder" (Chor und Solisten der Janitscharen), Die
Entführung aus dem Serail, K. 384: Akt I, Szene VII. Dialog "Immer noch traurig, geliebte Konstanze?" (Selim, Konstanze), Die
Entführung aus dem Serail, K. 384: Akt I, Szene VII. No. 6 Arie "Ach ich liebte, war so glücklich" (Konstanze), Die
Entführung aus dem Serail, K. 384: Akt I, Szene VIII. Dialog "Undankbare! Ihr Schmerz, ihre Tränen" (Selim, Pedrillo, Belmonte, Osmin), Die
Entführung aus dem Serail, K. 384: Akt I, Szene X. No. 7 Terzett "Marsch, marsch, marsch! Trollt euch fort" (Osmin, Belmonte, Pedrillo), Die
Entführung aus dem Serail, K. 384: Akt II, Szene I. Dialog "Ei seht doch mal" (Osmin, Blonde), Die
Entführung aus dem Serail, K. 384: Akt II, Szene I. No. 8 Arie "Durch Zärtlichkeit und Schmeicheln" (Blonde), Die
Entführung aus dem Serail, K. 384: Akt II, Szene I. No. 9 Duett "Ich gehe, doch rate ich dir" (Osmin, Blonde), Die
Entführung aus dem Serail, K. 384: Akt II, Szene II. No. 10a Rezitativ "Welcher Kummer herrscht in meiner Seele" (Konstanze), Die
Entführung aus dem Serail, K. 384: Akt II, Szene II. No. 10b Arie "Traurigkeit ward mir zum Lose" (Konstanze), Die
Entführung aus dem Serail, K. 384: Akt II, Szene III. Dialog "Nun, Konstanze, hast du dich entschieden?" (Selim, Konstanze), Die
Entführung aus dem Serail, K. 384: Akt II, Szene III. No. 11 Arie "Introduktion - Martern aller Arten - Doch du bist entschlossen" (Konstanze), Die
Entführung aus dem Serail, K. 384: Akt II, Szene IV. Dialog "Kein Bassa, keine Konstanze mehr da?" (Blonde, Pedrillo), Die
Entführung aus dem Serail, K. 384: Akt II, Szene IX. No. 15 Arie "Wenn der Freude Tränen fließen" (Belmonte), Die
Entführung aus dem Serail, K. 384: Akt II, Szene IX. No. 16 Quartett "Ach Belmonte! Ach mein Leben!" (Konstanze, Belmonte, Pedrillo, Blonde), Die
Entführung aus dem Serail, K. 384: Akt II, Szene IX. No. 16 Quartett "Wenn unsrer Ehre wegen" (Konstanze, Belmonte, Pedrillo, Blonde), Die
Entführung aus dem Serail, K. 384: Akt II, Szene VI. No. 12 Arie "Welche Wonne, welche Lust" (Blonde), Die
Entführung aus dem Serail, K. 384: Akt II, Szene VII. Dialog "Ah, daß es schon vorbei wäre!" (Pedrillo), Die
Entführung aus dem Serail, K. 384: Akt II, Szene VII. No. 13 Arie "Frisch zum Kampfe!" (Pedrillo), Die
Entführung aus dem Serail, K. 384: Akt II, Szene VIII. Dialog "Ha! Geht's hier so lustig zu?" (Osmin, Pedrillo), Die
Entführung aus dem Serail, K. 384: Akt II, Szene VIII. No. 14 Duett "Vivat Bacchus! Bacchus lebe!" (Pedrillo, Osmin), Die
Entführung aus dem Serail, K. 384: Akt III, Szene III. No. 17 Aria "Ich baue ganz auf deine Stärke" (Belmonte), Die
Entführung aus dem Serail, K. 384: Akt III, Szene IV. Dialog "Alles liegt auf dem Ohr" (Pedrillo, Belmonte), Die
Entführung aus dem Serail, K. 384: Akt III, Szene IV. Dialog "Endlich, sie macht auf, Herr" (Pedrillo, Belmonte, Konstanze, Osmin), Die
Entführung aus dem Serail, K. 384: Akt III, Szene IV. No. 18 Romanze "In Mohrenland gefangen war" (Pedrillo, Belmonte), Die
Entführung aus dem Serail, K. 384: Akt III, Szene IX. Dialog "Nun, Belmonte Lostados!" (Selim, Belmonte, Konstanze, Pedrillo, Osmin), Die
Entführung aus dem Serail, K. 384: Akt III, Szene IX. No. 21a Vaudeville "Nie werd'ich deine Huld verkennen" / Akt III, Szene IX. No. 21b Chor der Janitscharen "Bassa Selim lebe lange", Die
Entführung aus dem Serail, K. 384: Akt III, Szene V. No. 19 Arie "Ha, wie will ich triumphieren" (Osmin), Die
Entführung aus dem Serail, K. 384: Akt III, Szene VI. Dialog "Was ist das für ein Lärm?" (Selim, Osmin, Konstanze, Belmonte), Die
Entführung aus dem Serail, K. 384: Akt III, Szene VII. No. 20a Rezitativ "Welch ein Geschick!" (Belmonte, Konstanze), Die
Entführung aus dem Serail, K. 384: Akt III, Szene VII. No. 20b Duett "Meinetwegen sollst du sterben!" (Belmonte, Konstanze), Die
Entführung aus dem Serail, K. 384: Ouvertüre, Die
Entführung aus dem Serail, K. 384: Overture, Die
Entführung aus dem Serail: Highlights, Die
Eugene Onegin, Op. 24: Ecossaise
Eugene Onegin, Op. 24: Polonaise
Eugene Onegin, Op. 24: Valse
Ev'ry Valley Shall Be Exalted: Aria (Tenor)
Exsultate jubilate / Vesperae solennes de confessore / Kyrie in D minor / Ave verum corpus
Exsultate jubilate, KV 165/158a: I. Exsultate, jubilate
Exsultate jubilate, KV 165/158a: II. Fulget amica dies
Exsultate jubilate, KV 165/158a: III. Tu virginum corona
Exsultate jubilate, KV 165/158a: IV. Alleluja
Exsultate, jubilate in F, K. 165: Allegro - Andante - Recetativo secco - Allegro
Exsultate, jubilate, K. 165/158a
Falstaff
Falstaff: (Legge)
Falstaff: Act I: Part 1 - "6 polli: 6 scellini" (Falstaff, Bardolfo, Pistola)
Falstaff: Act I: Part 1 - "Falstaff!" (Dr Cajus, Falstaff, Bardolfo, Pistola)
Falstaff: Act I: Part 1 - "Sir John, in quest'intrigo" ( Bardolfo, Falstaff, Pistola)
Falstaff: Act I: Part 2 - "Alice. Meg. Nannetta" (Meg, Alice, Quickly, Nannetta)
Falstaff: Act I: Part 2 - "Del tuo barbaro diagnostico" (Dr Cajus, Pistola, Ford, Bardolfo, Fenton, Alice, Meg, Nannetta, Quickly)
Falstaff: Act I: Part 2 - "In due parole" (Pistola, Dr Cajus, Ford, Bardolfo, Fenton, Nannetta, Alice, Meg, Quickly)
Falstaff: Act I: Part 2 - "Leggi. Fulgida Alice!" (Meg, Alice, Quickly, Nannetta)
Falstaff: Act I: Part 2 - "Mostro!" (Alice, Nannetta, Quickly, Meg, Dr Cajus, Bardolfo, Ford, Pistola, Fenton)
Falstaff: Act I: Part 2 - "Pst, pst, Nannetta" (Fenton, Nannetta, Alice, Meg, Quickly)
Falstaff: Act I: Part 2 - "Torno all'assalto" (Fenton, Nannetta, Bardolfo, Ford, Pistola)
Falstaff: Act II: Part 1 - "Alice e mia!" (Falstaff, Bardolfo)
Falstaff: Act II: Part 1 - "C'e a Windsor una dama," (Ford, Falstaff)
Falstaff: Act II: Part 1 - "E sogno? o realta?" (Ford, Falstaff)
Falstaff: Act II: Part 1 - "Eccomi qua." (Ford, Falstaff)
Falstaff: Act II: Part 1 - "Siam pentiti e contriti." (Bardolfo, Pistola, Falstaff, Quickly)
Falstaff: Act II: Part 1 - "Signore" (Ford, Falstaff, Bardolfo, Pistola)
Falstaff: Act II: Part 2 - "Alfin t'ho colto" (Falstaff, Alice)
Falstaff: Act II: Part 2 - "C'e. C'e" (Ford, Dr Cajus, Quickly, Meg, Bardolfo, Pistola, Falstaff, Fenton, Nannetta, Coro, Alice)
Falstaff: Act II: Part 2 - "Gaie comari de Windsor" (Alice, Quickly, Nannetta, Meg)
Falstaff: Act II: Part 2 - "Presenteremo un bill" (Alice, Quickly, Meg, Nannetta)
Falstaff: Act II: Part 2 - "Quand'ero paggio" (Falstaff, Alice, Quickly, Meg, Ford, Bardolfo, Pistola)
Falstaff: Act II: Part 2 - "Tutto delira" (Nannetta, Fenton, Ford, Bardolfo, Dr Cajus, Pistola, Meg, Quickly, Nannetta, Falstaff)
Falstaff: Act II: Part 2 - "Vien qua" (Nannetta, Fenton, Dr Cajus, Ford, Pistola, Bardolfo)
Falstaff: Act III: Part 1 - "Ehi! Taverniere!" (Falstaff)
Falstaff: Act III: Part 1 - "Il Cacciatorre nero" (Quickly, Falstaff, Ford, Nannetta, Meg, Alice, Fenton)
Falstaff: Act III: Part 1 - "Reverenza" (Quickly, Falstaff)
Falstaff: Act III: Part 1 - "Sarai la Fata" (Alice, Nannetta, Meg, Fenton, Dr Cajus, Quickly)
Falstaff: Act III: Part 1 - "Va, Vecchio John, va" (Falstaff)
Falstaff: Act III: Part 2 - "Alto la!" (Bardolfo, Pistola, Falstaff, Quickly, Alice, Meg, Nannetta, Fate, Ford, Imps)
Falstaff: Act III: Part 2 - "Dal labbro il canto estasiato vola" (Fenton, Nannetta, Alice, Quickly, Meg)
Falstaff: Act III: Part 2 - "Gia s'avanza la coppia degli sposi" (Ford, Alice, Dr Cajus, Falstaff, Bardolfo, Fenton, Nannetta)
Falstaff: Act III: Part 2 - "Ninfe! Elfi! Silfi!" (Nannetta, Falstaff, Alice, Fate)
Falstaff: Act III: Part 2 - "Odo un soave passo!" (Falstaff)
Falstaff: Act III: Part 2 - "Ogni sorta de gente dozzinale" (Falstaff, All, Ford)
Falstaff: Act III: Part 2 - "Pizzica, pizzica" (Alice, Quickly, Meg, Falstaff, Dr Cajus, Ford, Pistola, Bardolfo, Coro)
Falstaff: Act III: Part 2 - "Tutto, nel mondo e burla" (All)
Falstaff: Act III: Part 2 - "Una, due, tre, quattro" (Falstaff)
Falstaff: Ah! Ah! Ah! Ah!
Falstaff: Al Ladro!
Falstaff: Alfin T'Ho Colto
Falstaff: Alice È Mia! Va, Vecchio John
Falstaff: Alice-Meg-Nannetta
Falstaff: Alto Là!- Chi È Là?
Falstaff: C'ë a Windsor Una Dama
Falstaff: Cavaliero-Reverenza!
Falstaff: Dal Labbro Il Canto
Falstaff: Del Tua Barbaro Diagnostico
Falstaff: E'Già Tutto Preparato
Falstaff: E'Sogno? O Realtà?
Falstaff: E'Un Ribaldo, Un Furbo, Un Ladro
Falstaff: Eccomi Qua
Falstaff: Egli Scavalca Le Siepi Del Giardino
Falstaff: Ehi! Taverniere!
Falstaff: Falstaff!
Falstaff: Fulgida Alice! Amor T'Offre
Falstaff: Gaie Comari di Windsor!
Falstaff: Giunta All'Albergo Della Giarretiera
Falstaff: Il Diavolo Se Lo Porti All'Inferno
Falstaff: L'Onore! Ladri!
Falstaff: M'Ha Canzonata
Falstaff: Ma È Tempo D'Assotigliar L'Ingegno
Falstaff: Ma, Per Tornare a Voi
Falstaff: Mia Signora!
Falstaff: Naso Vermiglio
Falstaff: Ned! Will! Tom! Isaac! Su! Presto!
Falstaff: Ninfe! Elfi! Silfi!
Falstaff: Nossignore!
Falstaff: Odo Un Soave Passo!
Falstaff: Ogni Sorta di Gente Dozzinale
Falstaff: Padron, di Là C'è Un Certo Mastro Fontana
Falstaff: Presenteremo Un Bill, Per Una Tassa
Falstaff: Provvedi Le Lanterne
Falstaff: Pst, Pst, Nannetta
Falstaff: Quand'Ero Paggio
Falstaff: Quando Al Rintocco Della Mezzanotte
Falstaff: Quell'Otro! Quel Tino!
Falstaff: Qui Più Non Si Vagoli
Falstaff: Reverenza
Falstaff: Ruzzola, Ruzzola
Falstaff: Se T'Agguanto
Falstaff: Siam Pentiti E Contriti
Falstaff: Signore, V'Assista Il Cielo!
Falstaff: So Che Se Andiam, La Notte
Falstaff: Sss! Sei Polli: Seiscellini
Falstaff: Sul Fil D'Un Soffio Etesio
Falstaff: Torno All'Assalto
Falstaff: Tutto Nel Mondo È Burla
Falstaff: Udrai Quante Egli Foggia
Falstaff: Una, Due, Tre, Quattro
Falstaff: Vien Qua
Fantasia Concertante on a Theme of Corelli / Concerto for Double String Orchestra / Piano concerto
Faust
Faust (Margarethe): Gloire immortelle
Faust, Ballet Music: I. Les Nubiennes, valse (Allegretto)
Faust: Ah! Je ris de me voir (Juwelen-Arie)
Faust: Alerte! Alerte! … Anges purs (Final Trio)
Faust: Ballettmusik
Faust: Soldatenchor
Faust: The Jewel Song
Festival of Christmas Carols, A
Fidelio
Fidelio, Op. 72b
Fidelio: Act I, Scene I. "Der arme Jaquino"
Fidelio: Act I, Scene I. "Gut, Söhnchen, gut"
Fidelio: Act I, Scene I. "Hat man nicht auch Gold beineben"
Fidelio: Act I, Scene I. "Höre, Fidelio"
Fidelio: Act I, Scene I. "Ihr könnt das leicht sagen"
Fidelio: Act I, Scene I. "Ist Fidelio noch nicht zurück gekommen?"
Fidelio: Act I, Scene I. "Jetzt Schätzchen"
Fidelio: Act I, Scene I. "Mir ist so wunderbar"
Fidelio: Act I, Scene I. "O wär' ich schon mit dir vereint"
Fidelio: Act I, Scene II. "Abscheulicher! Wo eilst du hin?"
Fidelio: Act I, Scene II. "Drei Schildwachen auf den Wall"
Fidelio: Act I, Scene II. "Ha! Welch' ein Augenblick!"
Fidelio: Act I, Scene II. "Hauptmann"
Fidelio: Act I, Scene II. "Jetzt, Alter, jetzt hat es Eile!"
Fidelio: Act I, Scene II. "Leb wohl, du warmes Sonnenlicht"
Fidelio: Act I, Scene II. "Marsch"
Fidelio: Act I, Scene II. "Nun sprecht, wie ging's?"
Fidelio: Act I, Scene II. "O welche Lust!"
Fidelio: Act I, Scene II. "Rocco, ich ersuchte euch schon"
Fidelio: Act II, Scene I. “Alles Ist Bereit”
Fidelio: Act II, Scene I. “Er Erwacht!”
Fidelio: Act II, Scene I. “Er Sterbe!”
Fidelio: Act II, Scene I. “Euch Werde Lohn In Besser'n Welten”
Fidelio: Act II, Scene I. “Gott! Welch' Dunkel Hier!”
Fidelio: Act II, Scene I. “Introduktion”
Fidelio: Act II, Scene I. “O Namenlose Freunde”
Fidelio: Act II, Scene I. “Wie Kalt Ist Es”
Fidelio: Act II, Scene I. O, Meine Leonore”
Fidelio: Act II, Scene II. “Heil Sei Dem Tag”
Fidelio: Act II, Scene II. “O Gott!”
Fidelio: Act II, Scene II. “Wer Ein Holdes Weib Errungen”
Fidelio: Ouvertüre
Finlandia, op. 26
finta giardiniera, K. 196: Crudeli fermate> A dal pianto, La
finta Giardiniera, K. 196: Overture, La
Finta Giardiniera, K. 196: Overture: Allegro molto, La
Finta Giardiniera, K. 196: Overture: Allegro, La
Finta Giardiniera, K. 196: Overture: Andantino grazioso, La
First Noel, The
First Nowell, The
flauta mágica (selección), La
For Unto Us A Child Is Born: Chorus
Francs-Juges Overture, Les
Francs-juges, op. 3, Les
Freischütz, Der
Freischütz: Act 1: "Hier im ird'schen Jammertal", Der
Freischütz: Act 1: "Nein, länger trag' ich nicht die Quälen" / "Durch die Wälder, durch die Auen", Der
Freischütz: Act 1: "Oh diese Sonne", Der
Freischütz: Act 1: "Schau der Herr mich an als König!", Der
Freischütz: Act 1: "Schweig - damit dich niemand warnt!", Der
Freischütz: Act 1: "Victoria! Der Meister soll leben", Der
Freischütz: Act 1: Dialogue. "Agathe hat recht", Der
Freischütz: Act 1: Dialogue. "Da bist du ja noch, Kamerad", Der
Freischütz: Act 1: Dialogue. "Lasst mich zufrieden", Der
Freischütz: Act 1: Dialogue. "Max, wir wollen gute Freunde bleiben!", Der
Freischütz: Act 1: Walzer, Der
Freischutz: Act 1. No. 1. Introduction: "Victoria, Der Meister Soll Leben", Der
Freischutz: Act 1. No. 2. Terzett Mit Chor: "O! Diese Sonne!", Der
Freischutz: Act 1. No. 3. Scene, Walzer Und Arie: "Nein! Langer Trag' Ich Nicht Die Qualen", Der
Freischutz: Act 1. No. 4. Lied: "Hier Im Ird'Schen Jammerthal", Der
Freischutz: Act 1. No. 5. Arie: "Schweig'! Schweig'! Damit Dich Niemand Warnt", Der
Freischütz: Act 2: "Kommt ein schlanker Bursch gegangen", Der
Freischütz: Act 2: "Milch des Mondes fiel aufs Kraut!", Der
Freischütz: Act 2: "Schelm! Halt fest!", Der
Freischütz: Act 2: "Wie nahte mir der Schlummer" / "Leise, leise, fromme Weise!", Der
Freischütz: Act 2: "Wie? Was? Entsetzen!", Der
Freischütz: Act 2: Dialogue. "Agathe! Agathe!", Der
Freischütz: Act 2: Dialogue. "So, nun wird der Urvater", Der
Freischütz: Act 2: Dialogue. "Und der Bursch nicht minder schön", Der
Freischutz: Act 2. No. 10. Finale - Die Wolfsschlucht: "Milch Des Mondes Fiel Aufs Kraut", Der
Freischutz: Act 2. No. 6. Duett: "Schelm! Halt Fest!", Der
Freischutz: Act 2. No. 7. Ariette: "Kommt Ein Schlanker Bursch Gegangen", Der
Freischutz: Act 2. No. 8. Scene Und Arie: "Wie Nahte Mir Der Schlummer", Der
Freischutz: Act 2. No. 9. Terzett: "Wie? Was? Entsetzen!", Der
Freischütz: Act 3: "Einst träumte meiner sel'gen Base" / "Trübe Augen, Liebchen, taugen", Der
Freischütz: Act 3: "Schaut, o schaut! Er traf die eigne Braut!", Der
Freischütz: Act 3: "Und ob die Wolke sie verhülle", Der
Freischütz: Act 3: "Was gleicht wohl auf Erden dem Jägervergnügen?", Der
Freischütz: Act 3: Dialogue. "Agathe, du bist ja so wehmütig", Der
Freischütz: Act 3: Dialogue. "Ein herrliches Jagdwetter!", Der
Freischütz: Act 3: Dialogue. "Genug der Freuden des Mahls", Der
Freischütz: Act 3: Dialogue. "Nun muß ich aber geschwind den Jungfern-kranz holen" / "Wir winden dir den Jungferndranz", Der
Freischütz: Act 3: Dialogue. "Schöner grüner Jungfernkranz", Der
Freischütz: Act 3: Entr'acte, Der
Freischutz: Act 3. No. 11. Entre-Acte, Der
Freischutz: Act 3. No. 12. Cavatine: "Und Ob Die Wolke Sie Verhulle", Der
Freischutz: Act 3. No. 13. Romanze Und Arie: "Einst Traumte Meiner Sel'Gen Base", Der
Freischutz: Act 3. No. 14. Volkslied: "Wir Winden Dir Den Jungfernkranz", Der
Freischutz: Act 3. No. 15. Jagerchor: "Was Gleicht Wohl Auf Erden Dem Jagervergnugen", Der
Freischutz: Act 3. No. 16. Finale: "Schaut, o Schaut, Er Traf Die Eig'Ne Braut!", Der
Freischütz: Overture, Der
Gloria
God Rest Ye Merry Gentlemen
God Rest Ye Merry, Gentlemen
God Save the Queen
Gold and Silver
Good King Wenceslas
Grande messe des morts
Grande messe des morts: I. Requiem et kyrie
Grande messe des morts: II. Dies irae
Grande messe des morts: III. Quid sum miser
Grande messe des morts: IV. Rex tremendae
Grande messe des morts: IX. Sanctus
Grande messe des morts: V. Quaerens me
Grande messe des morts: VI. Lacrymosa
Grande messe des morts: VII. Offertoire
Grande messe des morts: VIII. Hostias
Grande messe des morts: X. Agnus dei
Grande symphonie funèbre et triomphale, op. 15: 1. Marche funèbre (Moderato un poco lento)
Grande symphonie funèbre et triomphale, op. 15: 2. Oraison funèbre (Adagio non tanto - Andantino un poco lento e sostenuto)
Grande symphonie funèbre et triomphale, op. 15: 3. Apothèose (Allegro non troppo e pomposo)
Great Choral Works: Requiem / Great Mass / Coronation Mass
Great Mass in C minor / Exsultate, jubilate
Great Mass in C minor, K. 427: Benedictus
Great Mass in C minor, K. 427: Credo in unum Deum
Great Mass in C minor, K. 427: Domine
Great Mass in C minor, K. 427: Et incarnatus est
Great Mass in C minor, K. 427: Gloria in excelsis Deo
Great Mass in C minor, K. 427: Gratias
Great Mass in C minor, K. 427: Jesu Christe - Cum Sancto Spiritu
Great Mass in C minor, K. 427: Kyrie
Great Mass in C minor, K. 427: Laudamus te
Great Mass in C minor, K. 427: Osanna
Great Mass in C minor, K. 427: Qui tollis
Great Mass in C minor, K. 427: Quoniam
Great Mass in C minor, K. 427: Sanctus
Great Orchestral Works: Symphonie fantastique / Harold in Italy
Haffner Serenade, KV 250: Allegro maestoso - Allegro molto
Hallelujah: Chorus
Hansel and Gretel: Dew Fairy's Song
Hänsel und Gretel
Hänsel und Gretel - highlights (Staatskapelle Dresden, feat. conductor: Sir Colin Davis, singers: Murray, Gruberova, Ludwig, Jones)
Hänsel und Gretel: Akt I. “Doch halt, wo bleiben die Kinder?”
Hänsel und Gretel: Akt I. “Himmel, die Mutter!”
Hänsel und Gretel: Akt I. “Wenn sie sich verirrten im Walde dort”
Hänsel und Gretel: Akt I. Der Hexenritt
Hänsel und Gretel: Akt II. “Gretel! Ich weiß den Weg nicht mehr!”
Hänsel und Gretel: Akt II. Waldmorgen vor dem Knusperhaus
Hänsel und Gretel: Akt III. “Auf! Wach auf, mein Jüngelchen”
Hänsel und Gretel: Akt III. “Bleib stehn, bleib stehn!”
Hänsel und Gretel: Akt III. “Halt!”
Hänsel und Gretel: Akt III. “Hi hi, hi hi”
Hänsel und Gretel: Akt III. “Juchhei! Nun ist die Hexe tot”
Hänsel und Gretel: Akt III. “Knusper, knusper knäuschen”
Hänsel und Gretel: I. Bild. "Brüderchen, komm tanz mit mir"
Hänsel und Gretel: I. Bild. "Rallalala, rallalala"
Hänsel und Gretel: I. Bild. "Suse, liebe Suse, was raschelt im Stroh?"
Hänsel und Gretel: II. Bild. "Abends will ich schlafen gehn"
Hänsel und Gretel: II. Bild. "Der kleine Sandmann bin ich"
Hänsel und Gretel: II. Bild. "Ein Männlein steht im Walde"
Hänsel und Gretel: II. Bild. "Pantomime"
Hänsel und Gretel: III. Bild. "Bleib stehn, bleib stehn!"
Hänsel und Gretel: III. Bild. "Der kleine Taumann heiß' ich"
Hänsel und Gretel: III. Bild. "Der Teig ist gar, wir können voran machen"
Hänsel und Gretel: III. Bild. "Erlöst, befreit"
Hänsel und Gretel: III. Bild. "Knusper, knusper Knäuschen"
Hänsel und Gretel: III. Bild. "Mir ist so wohl, ich weiß nicht wie!"
Hänsel und Gretel: III. Bild. "Rallalala, rallalala"
Hänsel und Gretel: III. Bild. "Wo bin ich? Wach' ich? Ist es ein Traum?"
Hänsel und Gretel: Vorspiel
Hark, the Herald Angels Sing
Hark! The Herald Angels Sing
Harold en Italie
Harold en Italie / Rêverie et Caprice
Harold en Italie / Tristia, op. 18 / Les Troyens à Carthage: Prelude
Harold en Italie, op. 16: 1. Harold aux montagnes (Adagio - Allegro)
Harold en Italie, op. 16: 1a. Harold aux montagnes (Adagio)
Harold en Italie, op. 16: 1b. Harold aux montagnes (Allegro)
Harold en Italie, op. 16: 2. Marche des pèlerins (Allegretto)
Harold en Italie, op. 16: 3. Sérénade (Allegro assai - Allegretto)
Harold en Italie, op. 16: 4. Orgie des brigands (Allegro frenetico - Adagio - Allegro), Tempo I
Harold en Italie, op. 16: I. Adagio — Allegro ma non troppo
Harold en Italie, op. 16: I. Harold aux Montagnes. Scènes de mélancolie, de bonheur et de joie. Adagio — Allegro
Harold en Italie, op. 16: II. Allegretto
Harold en Italie, op. 16: II. Marche des pélerins chantant la prière du soir. Allegretto
Harold en Italie, op. 16: III. Allegro assai — Allegretto — Allegro assai — Allegretto
Harold en Italie, op. 16: III. Sérénade d’un montagnard des Abruzzes à sa maîtresse. Allegro assai — Allegretto
Harold en Italie, op. 16: IV. Allegro frenetico
Harold en Italie, op. 16: IV. Orgie de brigands. Souvenirs des scènes précédentes. Allegro frenetico — Adagio — Allegro
Harold in Italy
Harold in Italy / Overtures
He Shall Feed His Flock: Duetto (Contralto/Soprano)
He That Dwelleth In Heaven: Recitativo / Thou Shalt Break Them: Aria (Tenor)
He was despised - Aria
Herminie
Herminie, H. 29: "Que Clorinde est heureuse ! "
Herminie, H. 29: "Venez, venez, terribles armes !"
Herminie, H. 29: I. Quel trouble te poursuit
Herminie, H. 29: II. "Ah ! Si de la tendresse"
Herminie, H. 29: III. "Que dis-je ?"
Herminie, H. 29: IV. "Arrête ! Arrête ! Cher Tancrède"
Herminie, H. 29: V. "Venez, venez, terribles armes !"
Herminie, H. 29: VI. "Dieu des chrétiens !"
Holly and the Ivy, The
Humoresques for Violin and Orchestra, op. 89: No. 3 in G minor: Alla gavotta
Humoresques for Violin and Orchestra, op. 89: No. 4 in G minor: Andantino
Humoresques for Violin and Orchestra, op. 89: No. 5 in E-flat major: Commodo
Humoresques for Violin and Orchestra, op. 89: No. 6 in G minor: Allegro
Idomeneo, K. 366: Ah qual gelido orror; Il padre adorato" (Idamante)
Idomeneo, K. 366: March of the Priests
Idomeneo, K. 366: Non ho colpa (Idamante)
Idomeneo, K. 366: Overture
Idomeneo, rè di Creta, K. 366: Act I, Scene I. No. 1 Aria "Padre, germani, addio!" (Ilia) / Act I. Scene I. Recitativo "Ecco Idamante, ahimè!" (Ilia)
Idomeneo, rè di Creta, K. 366: Act I, Scene I. Recitativo "Quando avran fine omai" (Ilia)
Idomeneo, rè di Creta, K. 366: Act I, Scene II. No. 2 Aria "Non ho colpa" (Idamante)
Idomeneo, rè di Creta, K. 366: Act I, Scene II. Recitativo "Ecco il misero resto de' Troiani" (Ilia, Idamante)
Idomeneo, rè di Creta, K. 366: Act I, Scene II. Recitativo "Radunate i Troiani, ite" (Ilia, Idamante)
Idomeneo, rè di Creta, K. 366: Act I, Scene III. No. 3 Coro "Godiam la pace" (Coro de' Troiani e Cretesi, Due Cretesi)
Idomeneo, rè di Creta, K. 366: Act I, Scene VI. No. 4 Aria "Tutte nel cor vi sento" (Elettra)
Idomeneo, rè di Creta, K. 366: Act I, Scene VI. Recitativo "Estinto è Idomeneo?" (Elettra)
Idomeneo, rè di Creta, K. 366: Act I, Scene VI. Recitativo "Prence, signor, tutta la Grecia oltraggi" (Elettra, Idomeneo, Arbace, Ilia)
Idomeneo, rè di Creta, K. 366: Act I, Scene VII. No. 5 Coro "Pietà! Numi, pietà!" (Coro)
Idomeneo, rè di Creta, K. 366: Act I, Scene VIII. No. 6 Aria "Vedrommi intorno" (Idomeneo)
Idomeneo, rè di Creta, K. 366: Act I, Scene VIII. Pantomima e Recitativo "Ecco salvi alfin" (Idomeneo)
Idomeneo, rè di Creta, K. 366: Act I, Scene VIII. Recitativo "Cieli! che veggo!" (Idomeneo, Idamante)
Idomeneo, rè di Creta, K. 366: Act I, Scene X. No. 7 Aria "Il padre adorato" (Idamante)
Idomeneo, rè di Creta, K. 366: Act I, Scene XI. Intermezzo No. 8 Marcia
Idomeneo, rè di Creta, K. 366: Act I, Scene XI. Intermezzo No. 9 Coro "Nettuno s'onori!" (Coro)
Idomeneo, rè di Creta, K. 366: Act I, Scene XI. No. 8a "Ballo delle donne Cretesi"
Idomeneo, rè di Creta, K. 366: Act II, Scene I. No. 10a Aria. Allegro "Se il tuo duol, se il mio desio" (Arbace)
Idomeneo, rè di Creta, K. 366: Act II, Scene I. Recitativo "Se mai pomposo apparse" (Ilia, Idomeneo)
Idomeneo, rè di Creta, K. 366: Act II, Scene I. Recitativo "Tutto m'è noto" (Arbace, Idomeneo)
Idomeneo, rè di Creta, K. 366: Act II, Scene II. No. 11 Aria "Se il padre perdei" (Ilia)
Idomeneo, rè di Creta, K. 366: Act II, Scene III. No. 12 Aria "Fuor del mar" (Idomeneo)
Idomeneo, rè di Creta, K. 366: Act II, Scene III. Recitativo "Qual mi conturba i sensi" (Idomeneo)
Idomeneo, rè di Creta, K. 366: Act II, Scene IV. Recitativo "Chi mai del mio provò" (Elettra)
Idomeneo, rè di Creta, K. 366: Act II, Scene V. No. 13 Aria "Idol mio, se ritroso" (Elettra)
Idomeneo, rè di Creta, K. 366: Act II, Scene V. No. 14 Marcia e Recitavio "Odo da lunge" (Elettra)
Idomeneo, rè di Creta, K. 366: Act II, Scene V. Recitativo "Sidonie sponde!" (Elettra)
Idomeneo, rè di Creta, K. 366: Act II, Scene VI. No. 15 Coro "Placido è il mar" (Elettra)
Idomeneo, rè di Creta, K. 366: Act II, Scene VII. No. 16 Terzetto "Pria di partir, oh Dio!" (Idamante, Elettra, Idomeneo)
Idomeneo, rè di Creta, K. 366: Act II, Scene VII. No. 17 Coro "Qual nuovo terrore!" (Coro)
Idomeneo, rè di Creta, K. 366: Act II, Scene VII. Recitativo "Eccoti in me, barbaro Nume!" (Idomeneo)
Idomeneo, rè di Creta, K. 366: Act II, Scene VII. Recitativo "Vattene, prence" (Idomeneo, Idamante)
Idomeneo, rè di Creta, K. 366: Act III, Scene I. No. 18 Coro "Corriamo, fuggiamo" (Coro)
Idomeneo, rè di Creta, K. 366: Act III, Scene I. No. 19 Aria "Zeffiretti lusinghieri" (Ilia) / Act III, Scene II. Recitativo "Ei stesso vien... oh Dei!" (Ilia)
Idomeneo, rè di Creta, K. 366: Act III, Scene I. Recitativo "Solitudini amiche" (Ilia)
Idomeneo, rè di Creta, K. 366: Act III, Scene II. No. 20a Duetto "S'io non moro a questi accenti" (Idamante, Ilia)
Idomeneo, rè di Creta, K. 366: Act III, Scene II. Recitativo "Principessa, a' tuoi sguardi" (Idamante, Ilia)
Idomeneo, rè di Creta, K. 366: Act III, Scene III. No. 21 Quartetto "Andrò ramingo e solo" (Idamante, Ilia, Idomeneo, Elettra)
Idomeneo, rè di Creta, K. 366: Act III, Scene III. Recitativo "Cieli! che vedo?" (Idomeneo, Ilia, Idamante, Elettra)
Idomeneo, rè di Creta, K. 366: Act III, Scene IV. Recitativo "Sire, alla reggia tua immensa turba" (Arbace, Ilia, Idomeneo, Elettra)
Idomeneo, rè di Creta, K. 366: Act III, Scene IX. Allegro risoluto - Andante - Allegro - Largo - Presto "Deh vibra un colpo" (Idamante, Idomeneo)
Idomeneo, rè di Creta, K. 366: Act III, Scene IX. No. 27 Recitativo "Padre, mio caro padre!" (Idamante, Idomeneo)
Idomeneo, rè di Creta, K. 366: Act III, Scene IX. No. 27a Aria "No, la morte io non pavento" (Idamante)
Idomeneo, rè di Creta, K. 366: Act III, Scene V. No. 22 Aria "Se colà ne' fati è scritto" (Arbace)
Idomeneo, rè di Creta, K. 366: Act III, Scene V. Recitativo "Sventurata Sidon!" (Arbace)
Idomeneo, rè di Creta, K. 366: Act III, Scene VI. No. 23 Recitativo "Volgi intorno lo sguardo" (Gran Sacerdote, Idomeneo)
Idomeneo, rè di Creta, K. 366: Act III, Scene VI. No. 24 Coro "O voto tremendo" (Coro, Gran Sacerdote)
Idomeneo, rè di Creta, K. 366: Act III, Scene VII. Coro "Stupenda vittoria!" (Coro) / Scene VII-VIII. Recitativo "Qual risuona qui intorno" (Idomeneo, Arbace)
Idomeneo, rè di Creta, K. 366: Act III, Scene VII. No. 25 Marcia
Idomeneo, rè di Creta, K. 366: Act III, Scene VII. No. 26 Cavatina con coro "Accogli, oh rè del mar" (Idomeneo, Sacerdote)
Idomeneo, rè di Creta, K. 366: Act III, Scene X. "Ferma, oh sire, che fai?" (Ilia, Idomeneo, Idamante)
Idomeneo, rè di Creta, K. 366: Act III, Scene X. No. 28d La Voce "Ha vinto Amore" (La Voce)
Idomeneo, rè di Creta, K. 366: Act III, Scene X. No. 29 Recitativo "O ciel pietoso!" (Idomeneo, Idamante, Ilia, Arbace, Elettra)
Idomeneo, rè di Creta, K. 366: Act III, Scene X. No. 29a Aria "D'Oreste, d'Aiace" (Elettra)
Idomeneo, rè di Creta, K. 366: Act III, Scene XI. No. 30 Recitativo "Popoli, a voi l'ultima legge" (Idomeneo)
Idomeneo, rè di Creta, K. 366: Act III, Scene XI. No. 30a Aria "Torna la pace al core" (Idomeneo)
Idomeneo, rè di Creta, K. 366: Act III, Scene XI. No. 31 Coro "Scenda Amor, scenda Imeneo" (Coro)
Idomeneo, rè di Creta, K. 366: Ouverture
Idomeneo, rè di Creta, K. 366: Overture
Idomeneo, Scenda Amor, Scenda Imeneo
Idomeneo: "Scenda Amor, Scenda Imeneo"
Idomeneo: "Vedrommi intorno"
Idomeneo: Highlights
Île Inconnue, L'
Illuminations, op. 18: I. Fanfare, Les
Illuminations, op. 18: II. Villes, Les
Illuminations, op. 18: IIIa. Phrase, Les
Illuminations, op. 18: IIIb. Antique, Les
Illuminations, op. 18: IV. Royauté, Les
Illuminations, op. 18: IX. Départ, Les
Illuminations, op. 18: V. Marine, Les
Illuminations, op. 18: VI. Interlude, Les
Illuminations, op. 18: VII. Being beauteous, Les
Illuminations, op. 18: VIII. Parade, Les
In Dulci Jubilo
Incredible Christmas Album, The
Introduction and Allegro for Strings, op. 47
Jahreszeiten (The Seasons), Die
Jahreszeiten, Hob. XXI:3: Der Fruhling: No 4 Arie - "Schon eilet froh der Ackersmann", Die
Jahreszeiten, Hob. XXI:3: Der Fruhling: No. 1a - "Einleitung", Die
Jahreszeiten, Hob. XXI:3: Der Fruhling: No. 1b Rezitativ - "Seht, wie der strenge Winter flieht!", Die
Jahreszeiten, Hob. XXI:3: Der Fruhling: No. 2 Chor des Landvolks - "Komm, holder Lenz!", Die
Jahreszeiten, Hob. XXI:3: Der Fruhling: No. 3 Rezitativ - "Vom Widder strahlet jetzt", Die
Jahreszeiten, Hob. XXI:3: Der Fruhling: No. 5 Rezitativ - "Der Landmann hat sein Werk vollbracht", Die
Jahreszeiten, Hob. XXI:3: Der Fruhling: No. 6 Terzett und Chor: Bittgesang - "Sei nun gnaedig, milder Himmel", Die
Jahreszeiten, Hob. XXI:3: Der Fruhling: No. 7 Rezitativ - "Erhoert ist unser Fleh'n", Die
Jahreszeiten, Hob. XXI:3: Der Fruhling: No. 8a Freudenlied, mit abwechselndem Chor der Jugend - "O wie lieblich", Die
Jahreszeiten, Hob. XXI:3: Der Fruhling: No. 8b Allegro - "Ehre, Lob und Preis sei dir", Die
Jahreszeiten, Hob. XXI:3: Der Herbst: No. 19, Einleitung und Rezitativ - "Was durch seine Bluete", Die
Jahreszeiten, Hob. XXI:3: Der Herbst: No. 20, Terzett mit Chor - "So lohnet die Natur den Fleiss", Die
Jahreszeiten, Hob. XXI:3: Der Herbst: No. 21, Rezitativ - "Seht, wie zum Haselbusche dort", Die
Jahreszeiten, Hob. XXI:3: Der Herbst: No. 22, Duett - "Ihr Schoenen aus der Stadt", Die
Jahreszeiten, Hob. XXI:3: Der Herbst: No. 23, Rezitativ - "Nun zeiget das entbloesste Feld", Die
Jahreszeiten, Hob. XXI:3: Der Herbst: No. 24, Arie - "Seht auf die breiten Wiesen hin!", Die
Jahreszeiten, Hob. XXI:3: Der Herbst: No. 25, Rezitativ: "Hier treibt ein dichter Kreis", Die
Jahreszeiten, Hob. XXI:3: Der Herbst: No. 26, Chor - "Hoert!", Die
Jahreszeiten, Hob. XXI:3: Der Herbst: No. 27, Rezitativ: "Am Rebenstocke blinket jetzt", Die
Jahreszeiten, Hob. XXI:3: Der Herbst: No. 28a, Chor - "Juchhe, Juchhe!", Die
Jahreszeiten, Hob. XXI:3: Der Herbst: No. 28b, Allegro assai - "Nun toenen die Pfeifen", Die
Jahreszeiten, Hob. XXI:3: Der Sommer: No 11 Terzett und Chor: "Sie steigt herauf", Die
Jahreszeiten, Hob. XXI:3: Der Sommer: No 14 Rezitativ: "Willkommen jetzt", Die
Jahreszeiten, Hob. XXI:3: Der Sommer: No 15 Arie - "Welche Labung fuer die Sinne", Die
Jahreszeiten, Hob. XXI:3: Der Sommer: No 16 Rezitativ - "O seht!", Die
Jahreszeiten, Hob. XXI:3: Der Sommer: No 18b Allegro - "Von oben winkt der helle Stern", Die
Jahreszeiten, Hob. XXI:3: Der Sommer: No. 10 Arie und Rezitativ - "Der munt're Hirt", Die
Jahreszeiten, Hob. XXI:3: Der Sommer: No. 12a Rezitativ: "Nun regt und bewegt sich alles umher", Die
Jahreszeiten, Hob. XXI:3: Der Sommer: No. 12b Rezitativ - "Die Mittagssonne", Die
Jahreszeiten, Hob. XXI:3: Der Sommer: No. 13 Cavatine - "Dem Druck erlieget die Natur", Die
Jahreszeiten, Hob. XXI:3: Der Sommer: No. 17 Chor -"Ach! Das Ungewitter naht!", Die
Jahreszeiten, Hob. XXI:3: Der Sommer: No. 18a Terzett und Chor - "Die duest'ren Wolken trennen sich", Die
Jahreszeiten, Hob. XXI:3: Der Sommer: No. 9 Einleitung und Rezitativ - "In grauem Schleier", Die
Jahreszeiten, Hob. XXI:3: Der Winter: No. 29a, Einleitung, Die
Jahreszeiten, Hob. XXI:3: Der Winter: No. 29b, Rezitativ - "Nun senket sich das blasse Jahr", Die
Jahreszeiten, Hob. XXI:3: Der Winter: No. 30, Cavatine - "Licht und Leben", Die
Jahreszeiten, Hob. XXI:3: Der Winter: No. 31, Rezitativ - "Gefesselt steht der breite See", Die
Jahreszeiten, Hob. XXI:3: Der Winter: No. 32, Arie: "Hier steht der Wand'rer nun", Die
Jahreszeiten, Hob. XXI:3: Der Winter: No. 33, Rezitativ - "So wie er naht", Die
Jahreszeiten, Hob. XXI:3: Der Winter: No. 34, Lied mit Chor - "Knurre, schnurre", Die
Jahreszeiten, Hob. XXI:3: Der Winter: No. 35, Rezitativ - "Abgesponnen ist der Flachs", Die
Jahreszeiten, Hob. XXI:3: Der Winter: No. 36, Lied mit Cho - "Ein Maedchen", Die
Jahreszeiten, Hob. XXI:3: Der Winter: No. 37, Rezitativ - "Vom duerrem Oste", Die
Jahreszeiten, Hob. XXI:3: Der Winter: No. 38, Arie und Rezitativ - "Erblicke hier", Die
Jahreszeiten, Hob. XXI:3: Der Winter: No. 39, Terzett und Doppelchor - "Dann bricht der grosse Morgen an", Die
Je n’aimerai jamais le classique, mais ça j’aime bien !
Jerusalem, op. 208
Joy to the World
Jupiter, the Bringer of Jollity
Karelia Suite / Tapiola / Nightride & Sunrise / Finlandia
Karelia Suite, op. 11: I. Intermezzo
Karelia Suite, op. 11: II. Ballade
Karelia Suite, op. 11: III. Alla Marcia
Khachaturian: Concerto Rhapsody / Shostakovich: Cello Concerto no. 2 / Tchaikovsky: Rococo Variations
Klarinettenkonzert in A-Dur KV 622: I. Allegro
Klarinettenkonzert in A-Dur KV 622: II. Adagio
Klarinettenkonzert in A-Dur KV 622: III. Rondo. Allegro
Klarinettenkonzert Nr. 1 in c-moll op. 26: I. Adagio - Allegro
Klarinettenkonzert Nr. 1 in c-moll op. 26: II. Adagio
Klarinettenkonzert Nr. 1 in c-moll op. 26: III. Rondo. Vivace
Klarinettenkonzert Nr. 2 in Es-Dur op. 74: I. Allegro
Klarinettenkonzert Nr. 2 in Es-Dur op. 74: II. Romanza. Andante
Klarinettenkonzert Nr. 2 in Es-Dur op. 74: III. Alla Polacca
Klarinettenkonzerte
Klassik zum Träumen
Klavierkonzert Nr. 5 Es-Dur, op. 73: 2. Adagio
Klavierkonzert Nr. 5: 2. Adagio un poco mosso
Klavierkonzerte
Klavierkonzerte Nr. 3 & 4
kleine Nachtmusik / Overtures, Eine
kleine Nachtmusik / Serenata Notturna / Clarinet Concerto / Flute and Harp Concerto, Eine
kleine Nachtmusik in G, K. 525: I. Allegro, Eine
kleine Nachtmusik in G, K. 525: II. Romanze. Andante, Eine
kleine Nachtmusik in G, K. 525: III. Menuetto. Allegro, Eine
kleine Nachtmusik in G, K. 525: IV. Rondo. Allegro, Eine
Knot Garden / A Child of Our Time, The
Knot Garden: Act I "Confrontation". "Ca - ca - Caliban" (Dov, Mel, Thea, Mangus, Faber, Flora), The
Knot Garden: Act I "Confrontation". "Do, do not, do not torment me" (Mel, Dov, Flora, Faber, Thea, Denise), The
Knot Garden: Act I "Confrontation". "If you think we're waxworks, you ought to pay" (Dov, Mel, Flora), The
Knot Garden: Act I "Confrontation". "O, you may stare in horror" (Denise), The
Knot Garden: Act I "Confrontation". "So, if I dream" (Magnus, Thea, Flora), The
Knot Garden: Act I "Confrontation". "What is it you do to Flora?" (Thea, Faber, Magnus), The
Knot Garden: Act I "Confrontation". "You can pick roses" (Thea, Flora), The
Knot Garden: Act II "Labyrinth". "Fear! What do I fear?" (Thea, Denise, Faber, Flora, Dov, Mel), The
Knot Garden: Act II "Labyrinth". "Flora: Flora, love; stop crying" (Dov, Flora), The
Knot Garden: Act II "Labyrinth". "I was born in a big town" (Dov, Mel), The
Knot Garden: Act III "Charade". "And what are you, Magnus?" (Thea, Mangus-Prospero, Flora-Miranda, Faber-Ferdinand), The
Knot Garden: Act III "Charade". "Enough! Enough!" (Magnus, Dov, Mel, Faber, Thea, Flora, Denise), The
Knot Garden: Act III "Charade". "Goodbye island: goodbye cave" (Flora-Miranda, Mangus-Prospero, Faber-Ferdinand, Dov-Ariel, Mel-Caliban), The
Knot Garden: Act III "Charade". "I am no more afraid" (Thea), The
Knot Garden: Act III "Charade". "Mei! O crude, o obscene" (Denise, Mel-Caliban, Mel, Dov), The
Knot Garden: Act III "Charade". "Two unruly spirits born!" (Thea, Denise), The
Knot Garden: Act III "Charade". "Ugh-ugh-ugh. - Whatever is that?" (Mel-Caliban, Flora-Miranda, Magnus-Prospero, Dov-Ariel), The
Knot Garden: Act III "Charade". "You must both hold with me" (Magnus, Thea, Denise), The
Know That My Redeemer Liveth: Aria (Soprano), I
Konsert for Fiolin og Orkester, op. 61 / Romanser for Fiolin og Orkester Nr. 1 og 2
Konzertstück for Piano and Orchestra in F minor, op. 79
Konzertstück in F minor, op. 79 for piano and Orchestra
Kullervo
Kullervo, op. 7: I. Introduction. Allegro moderato
Kullervo, op. 7: II. Kullervo's Youth: Grave
Kullervo, op. 7: III. Kullervo and his Sister: Allegro vivace
Kullervo, op. 7: IV. Kullervo Goes to War: Alla marcia
Kullervo, op. 7: V. Kullervo's Death: Andante
Kullervo: I. Introduction: Allegro moderato
Kullervo: II. Kullervo's Youth: Grave
Kullervo: III. Kullervo and His Sister: Allegro vivace
Kullervo: IV. Kullervo Goes to Battle: Alla marcia
Kullervo: V. Kullervo's Death: Andante
Kyrie
Kyrie d-moll KV 341/368a
Kyrie, K. 341/368a
L’Enfance du Christ
L’Enfance du Christ, Deuxième Partie - La Fuite en Egypte: I. Ouverture
L’Enfance du Christ, Deuxième Partie - La Fuite en Egypte: II. Il s’en va loin de la terre
L’Enfance du Christ, Deuxième Partie - La Fuite en Egypte: III. Les pelerins etant venus
L’Enfance du Christ, Première Partie - Le Songe d’Hérode: I. Dans la creche, en ce temps
L’Enfance du Christ, Première Partie - Le Songe d’Hérode: II. Toujours ce reve!
L’Enfance du Christ, Première Partie - Le Songe d’Hérode: III. Seigneur!... Laches, tremblez!
L’Enfance du Christ, Première Partie - Le Songe d’Hérode: IV. Eh bien, par le fer qu’ils perissent!
L’Enfance du Christ, Première Partie - Le Songe d’Hérode: V. O mon cher fils
L’Enfance du Christ, Première Partie - Le Songe d’Hérode: VI. Joseph! Marie!
L’Enfance du Christ, Troisième Partie - L’Arrivée à Saïs: I. Depuis trois jours
L’Enfance du Christ, Troisième Partie - L’Arrivée à Saïs: II. Dans cette ville immense
L’Enfance du Christ, Troisième Partie - L’Arrivée à Saïs: III. Entrez, entrez, pauvres Hebreux!
L’Enfance du Christ, Troisième Partie - L’Arrivée à Saïs: IV. Sur vos traits fatigues
L’Enfance du Christ, Troisième Partie - L’Arrivée à Saïs: V. Trio pur deux flutes et harpe
L’Enfance du Christ, Troisième Partie - L’Arrivée à Saïs: VI. Vous pleurez, jeune mere
L’Enfance du Christ, Troisième Partie - L’Arrivée à Saïs: VII. Ce fut ainsi que, par un infidele
L’Enfance du Christ: Part One, Herod’s Dream: Prologue: Dans la crèche, en ce temps (Narrator)
L’Enfance du Christ: Part One, Herod’s Dream: Scene 1: Marche Nocturne (Centurion, Polydorus)
L’Enfance du Christ: Part One, Herod’s Dream: Scene 2: Toujours ce rêve ! (Herod, Polydorus)
L’Enfance du Christ: Part One, Herod’s Dream: Scene 4: La voix dit vrai, Seigneur (Soothsayers, Herod)
L’Enfance du Christ: Part One, Herod’s Dream: Scene 4: Les Devins font des évolutions
L’Enfance du Christ: Part One, Herod’s Dream: Scene 4: Les Sages de Judée (Soothsayers, Herod)
L’Enfance du Christ: Part One, Herod’s Dream: Scene 5: O mon cher fils (Mary, Joseph)
L’Enfance du Christ: Part One, Herod’s Dream: Scene 6: Joseph ! Marie ! (Choir of unseen Angels, Mary, Joseph)
L’Enfance du Christ: Part Three, The Arrival at Saïs: Depuis trois jours (Narrator)
L’Enfance du Christ: Part Three, The Arrival at Saïs: Epilogue: Ce fut ainsi que par un infidèle (Narrator)
L’Enfance du Christ: Part Three, The Arrival at Saïs: Epilogue: Ô mon âme (Narrator, Chorus)
L’Enfance du Christ: Part Three, The Arrival at Saïs: Scene 1: Dans cette ville immense (Mary, Joseph, Angels)
L’Enfance du Christ: Part Three, The Arrival at Saïs: Scene 2: Entrez, pauvres Hébreux (Householder, Mary, Joseph, Chorus of Ishmaelites)
L’Enfance du Christ: Part Three, The Arrival at Saïs: Scene 2: Trio for two flutes and harp
L’Enfance du Christ: Part Three, The Arrival at Saïs: Scene 2: Vous pleurez, jeune mère (Householder, Mary, Joseph, Chorus of Ishmaelites)
L’Enfance du Christ: Part Two, The Flight Into Egypt: L’Adieu des Bergers à la Sainte Famille (Shepherds)
L’Enfance du Christ: Part Two, The Flight Into Egypt: Le Repos de la Sainte Famille (Narrator, Angels)
L’Enfance du Christ: Part Two, The Flight Into Egypt: Ouverture
L’Oiseau de feu
Lark Ascending, The
Late Symphonies nos. 35, 38, 39, 40 and 41
Lélio ou Le retour à la vie, op. 14b: 1. Le pêcheur
Lélio ou Le retour à la vie, op. 14b: 2. Cœur d'ombres
Lélio ou Le retour à la vie, op. 14b: 3. Chanson de brigands
Lélio ou Le retour à la vie, op. 14b: 4. Chant de bonheur
Lélio ou Le retour à la vie, op. 14b: 5. La harpe éolienne - Souvenirs
Lélio ou Le retour à la vie, op. 14b: 6. Fantaisie sur la Tempête de Shakespeare
Lemminkäinen Suite, op. 22: I. Lemminkäinen and the Maidens of the Islands
Lemminkäinen Suite, op. 22: II. Lemminkäinen in Tuonela
Lemminkäinen Suite, op. 22: III. The Swan of Tuonela
Lemminkäinen Suite, op. 22: IV. Lemminkäinen's Return
Leonore No. 1, Op. 138
Leonore No. 3, Op. 72a
Lied von der Erde, “Der Trunkene im Frühling” (IX. B, S. 448), Das
Lied von der Erde, Das
Lied von der Erde: I. Das Trinklied vom Jammer der Erde, Das
Lied von der Erde: II. Der Einsame im Herbst, Das
Lied von der Erde: III. Von der Jugend, Das
Lied von der Erde: IV. Von der Schönheit, Das
Lied von der Erde: V. Der Trunkene im Frühling, Das
Lied von der Erde: VI. Der Abschied, Das
Lift Up Your Heads (Messiah, oratorio, HWV 56)
Lohengrin: Prelude to Act 1
London Symphonies 1: Nos. 95, 96, 98, 102, 103, 104, The
London Symphonies 2: Nos. 93, 94, 97, 99, 100, 101, The
London Symphonies, The
Lucia di Lammermoor: Il dolce suono... Ardon gl'incensi (Mad Scene)
Lucia di Lammermoor: Sextet
Lucio Silla, K .135: Overture: Andante
Lucio Silla, K .135: Overture: Molto allegro
Lucio Silla, K. 135: Act III, Scene IV. No. 21 Aria "Pupille amate" (Cecilio)
Lucio Silla, K. 135: Il tenero momento (Cecilio)
Luonnotar, op. 70
Má Vlast
Má Vlast: I. Vyšehrad (The High Castle)
Má Vlast: II. Vltava
Má Vlast: II. Vltava (The Moldau)
Má Vlast: III. Šárka
Má Vlast: IV. Z českých luhů a hájů (From Bohemia's Woods and Fields)
Má Vlast: V. Tábor
Má Vlast: VI. Blaník
Magic Flute: Pa Pa Pa Pa Pa Pa, The
Magic Flute: Papageno's Air: Der Vogelfänger bin ich ja, The
Marchand fêtard et le tziganes, Le
Marienlieder, Op. 22 No. 1: Der englische Gruss "Gegrüsset"
Marriage of Figaro - Overture (extract), The
Marriage of Figaro: Contessa perdono! (Finale), The
Marriage of Figaro: Highlights
Marriage of Figaro: Highlights, The
Marriage of Figaro: Overture, The
Mars, the Bringer of War
Mass in C
Mass in C major, Op. 86: Agnus Dei
Mass in C major, Op. 86: Benedictus
Mass in C major, Op. 86: Credo in unum Deum
Mass in C major, Op. 86: Et incarnatus est
Mass in C major, Op. 86: Gloria in excelsis Deo
Mass in C major, Op. 86: Kyrie
Mass in C major, Op. 86: Qui tollis peccata mundi
Mass in C major, Op. 86: Quoniam tu solus sanctus
Mass in C major, Op. 86: Sanctus Dominus Deus Sabaoth
Mass in C: I. Kyrie
Mass in C: II. Gloria
Mass in C: III. Credo
Mass in C: IV. Sanctus
Mass in D major "Missa Solemnis", Op. 123: Sanctus / Benedictus
Mass No. 10 for Soloists, Chorus & Orchestra in C major, K. 257 "Missa brevis", "Credo Messe": I. "Kyrie"
Mass No. 10 for Soloists, Chorus & Orchestra in C major, K. 257 "Missa brevis", "Credo Messe": II. "Gloria"
Mass No. 10 for Soloists, Chorus & Orchestra in C major, K. 257 "Missa brevis", "Credo Messe": III. "Credo in unum Deum"
Mass No. 10 for Soloists, Chorus & Orchestra in C major, K. 257 "Missa brevis", "Credo Messe": V. "Sanctus"
Mass No. 10 for Soloists, Chorus & Orchestra in C major, K. 257 "Missa brevis", "Credo Messe": VI. "Benedictus"
Mass No. 10 for Soloists, Chorus & Orchestra in C major, K. 257 "Missa brevis", "Credo Messe": VII. "Agnus Dei"
Mass No. 3 in f minor
Meditation religieuse
Mer / Trois Nocturnes, La
Mer: I. De l'aube à midi sur la mer, La
Mer: II. Jeux de vagues, La
Mer: III. Dialogue du vent et de la mer, La
Mercury, the Winged Messenger
Mesías (selección), El
Messa da Requiem
Messa da Requiem: I. Requiem & Kyrie
Messa da Requiem: IIa. Dies irae
Messa da Requiem: IIb. Dies irae: Tuba mirum
Messa da Requiem: IIc. Dies irae: Mors stupebit
Messa da Requiem: IId. Dies irae: Liber scriptus
Messa da Requiem: IIe. Dies irae: Quid sum miser
Messa da Requiem: IIf. Dies irae: Rex tremendae
Messa da Requiem: IIg. Dies irae: Recordare
Messa da Requiem: IIh. Dies irae: Ingemisco
Messa da Requiem: IIi. Dies irae: Confutatis
Messa da Requiem: III. Offertorio: Domine Jesu Christe
Messa da Requiem: III. Offertorio: Hostias
Messa da Requiem: IIj. Dies irae: Lacrymosa
Messa da Requiem: IV. Sanctus
Messa da Requiem: V. Agnus Dei
Messa da Requiem: VI. Lux aeterna
Messa da Requiem: VIIa. Libera me, Domine
Messa da Requiem: VIIb. Dies Irae
Messa da Requiem: VIIc. Libera me, Domine
Messiah
Messiah (Highlights)
Messiah (highlights), The
Messiah, HWV 56: Part II, Scene 7, no. 44 “Hallelujah” (Chorus)
Messiah, HWV. 56: Part 1, XII. For Unto Us a Child Is Born
Messiah, Part 1: XIII. Pifa (Sinfonia Pastorale)-XIV. Recitativo: There Were Shepherds-XV. Chorus: Glory to God
Messiah: And He shall purify - Coro
Messiah: And the Glory of the Lord
Messiah: And the glory of the Lord - Coro
Messiah: Behold, a virgin shall conceive - Recitativo / O thou that tellest good tidings to Zion - Aria & Coro
Messiah: Behold, and see - Arioso
Messiah: Behold, I tell you a mystery - Accompagnato
Messiah: But who may abride - Aria
Messiah: Comfort ye, my people - Accompagnato
Messiah: Ev'ry valley shall be exalted - Aria
Messiah: For behold, darkness shall cover the earth - Accompagnato / The people that walked in darkness - Aria
Messiah: For unto us a Child is born - Coro
Messiah: Glory to God - Coro
Messiah: Glory to God in the highest
Messiah: Hallelujah - Coro
Messiah: Hallelujah Chorus
Messiah: He shall feed His flock - Duetto
Messiah: He that dwelleth ih heaven - recitativo / Thou Shalt break them - Aria
Messiah: He trusted in God - Coro
Messiah: He was cut off - Accompagnato / But Thou didst not leave - Aria
Messiah: His yoke is easy - Coro
Messiah: How beautiful are the feet - Aria
Messiah: I know that my Redeemer liveth - Aria
Messiah: If God be for us - Aria
Messiah: Let us break their bonds asunder - Coro
Messiah: Lift up your heads - Coro
Messiah: Part I, No. 1 Accompagnato "Comfort ye, comfort ye, My people"
Messiah: Part I, No. 10 Accompagnato "For behold, darkness shall cover the earth" / No. 11 Air "The people that walked in darkness"
Messiah: Part I, No. 12 Chorus "For unto us a Child is born"
Messiah: Part I, No. 13 Pifa "Pastoral Symphony"
Messiah: Part I, No. 14 Recitative "There were shepherds" / Accompagnato "And lo, the angel of the Lord" / Recitative "And the angel said unto them" / Accompagnato "And suddenly there was with the angel"
Messiah: Part I, No. 15 Chorus "Glory to God in the highest"
Messiah: Part I, No. 16 Air "Rejoice greatly, O daughter of Zion"
Messiah: Part I, No. 17 Recitative "Then shall the eyes of the blind"
Messiah: Part I, No. 18 Duet "He shall feed His flock"
Messiah: Part I, No. 19 Chorus "His yoke is easy"
Messiah: Part I, No. 2 Air "Ev'ry valley shall be exalted"
Messiah: Part I, No. 3 Chorus "And the glory of the Lord"
Messiah: Part I, No. 4 Accompagnato "Thus saith the Lord"
Messiah: Part I, No. 5 Air "But who may abide the day of His coming"
Messiah: Part I, No. 6 Chorus "And He shall purify the sons of Levi"
Messiah: Part I, No. 7 Recitative "Behold, a virgin shall conceive" / Nos. 8-9 Air and Chorus "O thou that tellest good tidings"
Messiah: Part I, Symphony
Messiah: Part I. I. Symphony
Messiah: Part I. II. Tenor "Comfort ye, My people"
Messiah: Part I. III. Tenor "Ev'ry valley shall be exhalted"
Messiah: Part I. IV. Chorus "And the glory of the Lord"
Messiah: Part I. IX. Alto "O thou that tellest good tidings to Zion"
Messiah: Part I. IX. Chorus "O thou that tellest good tidings to Zion"
Messiah: Part I. V. Bass "Thus saith the Lord"
Messiah: Part I. VI. Alto "But who may abide the days of His coming?"
Messiah: Part I. VII. Chorus "And he shall purify"
Messiah: Part I. VIII. Alto "Behold, a virgin shall conceive"
Messiah: Part I. X. Bass "For, behold, darkness shall cover the earth"
Messiah: Part I. XI. Bass "The people that walked in darkness"
Messiah: Part I. XII. Chorus "For unto us a child is born"
Messiah: Part I. XIII. Pifa
Messiah: Part I. XIVa. Soprano "There were shepherds abiding in a field" / XIVb. Soprano "And, lo, the angel of the Lord came upon them" / XV. Soprano "And the angel said unto them" / XVI. Soprano "And suddently there was with the angel"
Messiah: Part I. XIX. Alto "Then shall the eyes of the blind"
Messiah: Part I. XVII. Chorus "Glory to God"
Messiah: Part I. XVIII. Soprano "Rejoice greatly, O daughter of Zion"
Messiah: Part I. XX. Alto "He shall feed his flock like a shepherd" / Soprano "Come unto Him, all ye that labour"
Messiah: Part I. XXI. Chorus "His yoke is easy"
Messiah: Part II, No. 20 Chorus "Behold the Lamb of God"
Messiah: Part II, No. 21 Air "He was despised"
Messiah: Part II, No. 22 Chorus "He hath borne our griefs" / No. 23 Chorus "And with His stripes we are healed" / No. 24 Chorus "And we like sheep have gone astray"
Messiah: Part II, No. 25 Accompagnato "All they that see Him"
Messiah: Part II, No. 26 Chorus "He trusted in God"
Messiah: Part II, No. 27 Accompagnato "Thy rebuke hath broken His heart"
Messiah: Part II, No. 28 Arioso "Behold, and see"
Messiah: Part II, No. 29 Accompagnato "He was cut off" / No. 30 Aria "But Thou didst not leave"
Messiah: Part II, No. 31 Chorus "Lift up your heads"
Messiah: Part II, No. 32 Recitative "Unto which of the angels" / No. 33 Chorus "Let the angels of God"
Messiah: Part II, No. 34 Air "Thou art gone up on high"
Messiah: Part II, No. 35 Chorus "The Lord gave the word"
Messiah: Part II, No. 36 Air "How beautiful are the feet"
Messiah: Part II, No. 37 Chorus "Their sound is gone out"
Messiah: Part II, No. 38 Air "Why do the nations"
Messiah: Part II, No. 39 Chorus "Let us break their bonds asunder"
Messiah: Part II, No. 40 Recitative "He that dwelleth in heaven" / No. 41 Air "Thou shalt break them"
Messiah: Part II. XL. Bass "Why do the nations so furiously rage together?"
Messiah: Part II. XLI. Chorus "Let us break their bonds asunder"
Messiah: Part II. XLII. Tenor "He that dwelleth in Heaven"
Messiah: Part II. XLIII. Tenor "Thou shalt break them"
Messiah: Part II. XLIV. Chorus "Hallelujah"
Messiah: Part II. XXII. Chorus "Behold the lamb of God"
Messiah: Part II. XXIII. Alto "He was despised"
Messiah: Part II. XXIV. Chorus "Surely He hath borne our griefs"
Messiah: Part II. XXIX. Tenor "Thy rebuke hath broken His heart"
Messiah: Part II. XXV. Chorus "And with His stripes we are healed"
Messiah: Part II. XXVI. Chorus "All we like sheep have gone astray"
Messiah: Part II. XXVII. Tenor "All they that see Him laugh Him to scorn"
Messiah: Part II. XXVIII. Chorus "He trusted in God"
Messiah: Part II. XXX. Tenor "Behold and see if there be any sorrow"
Messiah: Part II. XXXI. Tenor "He was cut off out of the land"
Messiah: Part II. XXXII. Tenor "But Thou didst not leave His soul in hell"
Messiah: Part II. XXXIII. Chorus "Lift up your heads, O ye gates"
Messiah: Part II. XXXIV. Tenor "Unto which of the angels said He at any time"
Messiah: Part II. XXXIX. Chorus "Their sound is gone out"
Messiah: Part II. XXXV. Chorus "Let all the angels of God worship Him"
Messiah: Part II. XXXVI. Bass "Thou art gone up on high"
Messiah: Part II. XXXVII. Chorus "The Lord gave the word"
Messiah: Part II. XXXVIII. Soprano "How beautiful are the feet"
Messiah: Part III, No. 43 Air "I know that my Redeemer liveth"
Messiah: Part III, No. 44 Chorus "Since by man came death"
Messiah: Part III, No. 45 Accompagnato "Behold, I tell you a mystery"
Messiah: Part III, No. 46 Air "The trumpet shall sound"
Messiah: Part III, No. 47 Recitative "Then shall be brought to pass" / No. 48 Duet "O death, where is they sting?" / No. 49 Chorus "But thanks be to God"
Messiah: Part III, No. 50 Air "If God be for us"
Messiah: Part III, No. 51 Chorus "Worthy is the Lamb" / "Blessing and honour" / No. 52 Chorus "Amen"
Messiah: Part III. L. Alto and tenor aria "O Death, where is thy sting?"
Messiah: Part III. LI. Chorus "But thanks be to God"
Messiah: Part III. LII. Soprano "If God be for us"
Messiah: Part III. LIIIa. Chorus "Worthy is the Lamb that was slain"
Messiah: Part III. LIIIb. Chorus "Amen"
Messiah: Part III. XLIX. Alto "Then shall be brought to pass"
Messiah: Part III. XLV. Soprano "I know that my Redeener liveth"
Messiah: Part III. XLVI. Chorus "Since by man came death"
Messiah: Part III. XLVII. Bass "Behold, I tell you a mystery"
Messiah: Part III. XLVIII. Bass "The trumpet shall sound"
Messiah: Pifa - Sinfonia pastorale
Messiah: Pifa - There Were the Shepherds / Glory to God
Messiah: Rejoice greatly - Aria
Messiah: Since by man came death - Coro
Messiah: Sinfonia
Messiah: The Lord gave the word - Coro
Messiah: The shall be brought to pass - Recitativo / O death, where is thy sting? - duetto / But thanks be to God - Coro
Messiah: The trumpet shall sound - Aria
Messiah: Their sound is gone out - Coro
Messiah: Then shall the eyes of the blind - Recitativo
Messiah: There were shepherds - Recitativo / And lo, the angel of the Lord - Accomagnato / And the angel said unto them - Recitativo / And suddenly there was with the angel - Accompagnato
Messiah: Thou art gone up high - Aria
Messiah: Thus saith the Lord - Accompagnato
Messiah: Thy rebuke hath broken His heart - Accompagnato
Messiah: Unto wich of the angels - Recitativo / Let all the angels of God - Coro
Messiah: Why do the nations? - Aria
Messiah: Worthy is the Lamb - Coro / Amen - Coro
Messias (Querschnitt), Der
Messias, Teil 2, Nr. 42: Chorus "Hallelujah" (in engl. Sprache), Der
Messias: Halleluja, Der
Midsummer Marriage: Act I (Leading to:), The
Midsummer Marriage: Act I: Come Now With Me and Drop This Childish Masquerade, The
Midsummer Marriage: Act I: Here I Am, Sir, What Can I Do? / Jenifer! Jenifer! My Daughter Jenifer!, The
Midsummer Marriage: Act I: Is It So Strange..., The
Midsummer Marriage: Act I: O, Mark, Who Are They / Jenifer, Jenifer My Darling, The
Midsummer Marriage: Act I: Returning to the Earth Is Cruel, The
Midsummer Marriage: Act I: See by a Heavenly Magic in This Glass, The
Midsummer Marriage: Act I: So You, So You Are Marke's Fine Brood of Friends, The
Midsummer Marriage: Act I: So You, So You, So You're the Company My Daughter Keeps!, The
Midsummer Marriage: Act I: Stop! Stop! Stop!, The
Midsummer Marriage: Act I: This Way! This Way!, The
Midsummer Marriage: Act I: What Sort of Place Is This D'You Think?, The
Midsummer Marriage: Act I: What Steps Are Those? / Ho, Ho, Ho, Ho, Ho..., The
Midsummer Marriage: Act I: What's That? Surely Music?, The
Midsummer Marriage: Act I: You, You Who Were With Me When She Left Me, The
Midsummer Marriage: Act II (Leading to:) / Ah! They'll Kill Him!, The
Midsummer Marriage: Act II (Neat and Ready to Rejoin) King Fisher / Sun Shines on a Midsummer Day, The
Midsummer Marriage: Act II (Some of the Trees Appear to Move), The
Midsummer Marriage: Act II: 1st Dance: The Earth in Autumn, The
Midsummer Marriage: Act II: 2nd Dance: The Waters in Winter, The
Midsummer Marriage: Act II: 3rd Dance: The Air in Spring, The
Midsummer Marriage: Act II: Call-Crying as They're Flying... / Jack, Don't Let's Go With All the Others, The
Midsummer Marriage: Act II: I'll Lay the Baby to My Breast / (Strephon Enters From Behind the Temple), The
Midsummer Marriage: Act II: What Day Is It?, The
Midsummer Marriage: Act III (After the She Ancient Returns Up Stage) / 4th Dance: Fire in Summer, The
Midsummer Marriage: Act III (For a Moment the Stage Is Quite Still) / King Fisher's Dead, The
Midsummer Marriage: Act III (The Moonlight Has Faded Out), The
Midsummer Marriage: Act III: Do You Accept My Challenge? / See, Where We Carry on Our Mighty Shoulder, The
Midsummer Marriage: Act III: Evening and Night / Ohay! Ohay!, The
Midsummer Marriage: Act III: I Alone Cannot Consult Myself, The
Midsummer Marriage: Act III: I Needn't Tell Madame Sosostris, The
Midsummer Marriage: Act III: I See a Meadow, The
Midsummer Marriage: Act III: No! King Fisher Summons You... / Keep the Holster Close by You, The
Midsummer Marriage: Act III: Now, Bella, Call the Ancients, The
Midsummer Marriage: Act III: O Summer Sun, The
Midsummer Marriage: Act III: Pride Is Virtue in a Man of Power, The
Midsummer Marriage: Act III: She Saw What Happens in the Soul, The
Midsummer Marriage: Act III: Was It a Vision?, The
Midsummer Marriage: Act III: Who Hopes to Conjure With the World of Dreams, The
Midsummer Marriage: Act III: You Who Consult Me, The
Midsummer Marriage: Opera in Three Acts, The
Midsummer Night's Dream, Op. 61: I. Scherzo, A
Midsummer Night's Dream, Op. 61: IX. Wedding March, A
Midsummer Night's Dream, Op. 61: VII. Notturno, A
Midsummer Night’s Dream, A
Midsummer Night’s Dream, op. 64, A
Midsummer Night’s Dream, op. 64: Act I. "Be it on lion, bear, or wolf, or bull" (Oberon, Demetrius, Helena), A
Midsummer Night’s Dream, op. 64: Act I. "Come, now a roundel, and a fairy song" (Tytania), A
Midsummer Night’s Dream, op. 64: Act I. "Fair love, you faint with wand’ring in the wood" (Lysander, Hermia), A
Midsummer Night’s Dream, op. 64: Act I. "How now, my love" (Lysander, Hermia), A
Midsummer Night’s Dream, op. 64: Act I. "Is all our company here?" (Rustics), A
Midsummer Night’s Dream, op. 64: Act I. "Oberon is passing fell and wrath" (Fairies, Oberon, Tytania), A
Midsummer Night’s Dream, op. 64: Act I. "Over hill, over dale" (Fairies, Puck), A
Midsummer Night’s Dream, op. 64: Act I. "Stay, though thou kill me, sweet Demetrius" (Helena, Demetrius, Lysanda, Hermia), A
Midsummer Night’s Dream, op. 64: Act I. "Through the forest I have gone" (Puck), A
Midsummer Night’s Dream, op. 64: Act I. "Welcome, wanderer!" (Oberon), A
Midsummer Night’s Dream, op. 64: Act I. "Well, go thy way" (Oberon, Puck), A
Midsummer Night’s Dream, op. 64: Act I. "What thou seest when thou dost awake" (Oberon), A
Midsummer Night’s Dream, op. 64: Act I. "You spotted snakes with double tongue" (Fairies), A
Midsummer Night’s Dream, op. 64: Act II. "Are we all met?" (Rustics, Puck), A
Midsummer Night’s Dream, op. 64: Act II. "Be kind and courteous to this gentleman" (Tytania), A
Midsummer Night’s Dream, op. 64: Act II. "Flower of this purple dye" (Oberon, Puck, Lysander, Helena, Detrius, Hermia), A
Midsummer Night’s Dream, op. 64: Act II. "Hail, mortal, hail!" (Fairies, Bottom, Tytania), A
Midsummer Night’s Dream, op. 64: Act II. "How now, mad spirit" (Oberon, Puck, Demetrius, Hermia), A
Midsummer Night’s Dream, op. 64: Act II. "I have a reas’nable good ear in music" (Bottom, Tytania), A
Midsummer Night’s Dream, op. 64: Act II. "I see their knavery" (Bottom, Tytania, Fairies), A
Midsummer Night’s Dream, op. 64: Act II. "On the ground, sleep sound" (Fairies), A
Midsummer Night’s Dream, op. 64: Act II. "Puppet? Why so?" (Hermia, Helena, Lysander, Demetrius), A
Midsummer Night’s Dream, op. 64: Act II. "This is thy negligence" (Oberon, Puck), A
Midsummer Night’s Dream, op. 64: Act II. "Up and down, up and down" (Puck, Lysander, Demetrius, Helena, Hermia), A
Midsummer Night’s Dream, op. 64: Act II. Introduction: the Wood, A
Midsummer Night’s Dream, op. 64: Act III. "Asleep, my love?" (Flute/Thisby), A
Midsummer Night’s Dream, op. 64: Act III. "Come, your Bergomask" (Theseus), A
Midsummer Night’s Dream, op. 64: Act III. "Gentles, perchance you wonder at this show" (Quince/Prologue), A
Midsummer Night’s Dream, op. 64: Act III. "Have you sent to Bottom’s house?" (Rustics), A
Midsummer Night’s Dream, op. 64: Act III. "Helena! - Hermia! - Demetrius! - Lysander!" (Demetrius, Lysander, Helena, Hermia), A
Midsummer Night’s Dream, op. 64: Act III. "If we offend, it is with our good will" (Rustics), A
Midsummer Night’s Dream, op. 64: Act III. "In this same interlude it doth befall" (Snout/Wall), A
Midsummer Night’s Dream, op. 64: Act III. "My gentle Robin, see’st thou this sweet sight?" (Oberon, Puck, Tytania), A
Midsummer Night’s Dream, op. 64: Act III. "Now the hungry lion roars" (Fairies, Puck, Oberon, Tytania), A
Midsummer Night’s Dream, op. 64: Act III. "Now, fair Hyppolyta" (Theseus, Hyppolyta, Lysander, Demerius, Helena, Hermia), A
Midsummer Night’s Dream, op. 64: Act III. "O grim-look’d night, o night with hue so black" (Bottom/Pyramus), A
Midsummer Night’s Dream, op. 64: Act III. "O Wall, full often hast thou heard my moans" (Flute/Thisby, Bottom/Pyramus), A
Midsummer Night’s Dream, op. 64: Act III. "Sweet Moon, I thank thee for thy sunny beams" (Bottom/Pyramus), A
Midsummer Night’s Dream, op. 64: Act III. "This lanthorn doth the hornèd Moon present" (Starveling/Moonshine, Flute/Thisby, Snug/Lion), A
Midsummer Night’s Dream, op. 64: Act III. "When my cue comes, call me" (Bottom), A
Midsummer Night’s Dream, op. 64: Act III. "You, ladies, you whose gentle hearts do fear" (Snug/Lion), A
Missa brevis en ut majeur, K. 220 "Messe des moineaux" : I. Kyrie
Missa brevis en ut majeur, K. 220 "Messe des moineaux" : II. Gloria
Missa brevis en ut majeur, K. 220 "Messe des moineaux" : III. Credo
Missa brevis en ut majeur, K. 220 "Messe des moineaux" : IV. Sanctus-Benedictus
Missa brevis en ut majeur, K. 220 "Messe des moineaux" : V. Agnus Dei
Missa en ut majeur, K. 317 "Messe du Couronnement" : I. Kyrie
Missa en ut majeur, K. 317 "Messe du Couronnement" : II. Gloria
Missa en ut majeur, K. 317 "Messe du Couronnement" : III. Credo
Missa en ut majeur, K. 317 "Messe du Couronnement" : IV. Sanctus-Benedictus
Missa en ut majeur, K. 317 "Messe du Couronnement" : V. Agnus Dei
Missa in C minor, K. 427 "Great Mass": Benedictus
Missa in C minor, K. 427 "Great Mass": Credo: Credo in unum Deum
Missa in C minor, K. 427 "Great Mass": Credo: Et incarnatus est
Missa in C minor, K. 427 "Great Mass": Gloria: Domine
Missa in C minor, K. 427 "Great Mass": Gloria: Gloria in excelsis
Missa in C minor, K. 427 "Great Mass": Gloria: Gratias
Missa in C minor, K. 427 "Great Mass": Gloria: Jesu Christe / IIh. Gloria: Cum Sancto Spiritu
Missa in C minor, K. 427 "Great Mass": Gloria: Laudamus te
Missa in C minor, K. 427 "Great Mass": Gloria: Qui tollis
Missa in C minor, K. 427 "Great Mass": Gloria: Quoniam
Missa in C minor, K. 427 "Great Mass": Kyrie
Missa in C minor, K. 427 "Great Mass": Sanctus: Osanna
Missa in C minor, K. 427 "Great Mass": Sanctus: Sanctus
Missa in C, K. 317 "Coronation Mass": Agnus Dei
Missa in C, K. 317 "Coronation Mass": Benedictus
Missa in C, K. 317 "Coronation Mass": Credo
Missa in C, K. 317 "Coronation Mass": Gloria
Missa in C, K. 317 "Coronation Mass": Kyrie
Missa in C, K. 317 "Coronation Mass": Sanctus
Missa solemnis, Mass in C
Missa solemnis, Op. 123: Agnus Dei
Missa solemnis, Op. 123: Credo in unum Deum
Missa solemnis, Op. 123: Dona nobis pacem
Missa solemnis, Op. 123: Et ascendit in cœlum
Missa solemnis, Op. 123: Et incarnatus est
Missa solemnis, Op. 123: Gloria in excelsis Deo
Missa solemnis, Op. 123: Kyrie
Missa solemnis, Op. 123: Kyrie II
Missa solemnis, Op. 123: Preludium-Benedictus
Missa solemnis, Op. 123: Qui tollis peccata mundi
Missa solemnis, Op. 123: Quoniam tu solus sanctus
Missa solemnis, Op. 123: Sanctus Dominus Deus Sabaoth
Missa Solemnis: Sanctus
Mitridate, rè di Ponto, opera, K. 87: Gia darli occhi il velo e tolto (Franace)
Mitridate, rè di Ponto, opera, K. 87: Venga pur, minacci e frema (Farnace)
Mort d’Ophelie, La
Mort de Cléopâtre: I. C’en est donc fait!, La
Mort de Cléopâtre: II. Ah! qu’ils sont loin ces jours, La
Mort de Cléopâtre: III. Au comble des revers, La
Mort de Cléopâtre: IV. Grands Pharaons, nobles Lagides, La
Mort de Cléopâtre: V. Non! De vos demeures funebres, La
Mort de Petrouchka
Motet for Soprano & Orchestra in F major, K. 158a/165 (Milano version): I. "Exsultate, jubilate" / II. Recitativo: "Fulget amica dies" / III. "Tu virginum corona" / IV. "Alleluja"
Mozart Arias
Mozart Collection: Clarinet Concerto / Clarinet Quintet, The
Mozart: Piano Concerto no. 24 K491 / Schumann: Piano Concerto
Neptune, the Mystic
Night on the Bare Mountain
Nightride & Sunrise, op. 55
Nocturnes: I. Nuages
Nocturnes: II. Fêtes
Nocturnes: III. Sirènes
nozze di Figaro (The Marriage of Figaro), opera, K. 492: Act 3. Scene. Ecco la marcia, Le
nozze di Figaro (The Marriage of Figaro), opera, K. 492: Act 4. Finale. Contessa, perdono... Ah, tutti contenti, Le
nozze di Figaro, K. 492: Act I, Scene I. No. 1 Duetto "Cinque… dieci… Venti… trenta…" (Figaro, Susanna) / Act I, Scene I. Recitativo "Cosa stai misurando" (Susanna, Figaro), Le
nozze di Figaro, K. 492: Act I, Scene I. No. 1 Duetto "Cinque… dieci… Venti… trenta…" (Figaro, Susanna), Le
nozze di Figaro, K. 492: Act I, Scene I. No. 2 Duettino "Se a caso madama la notte ti chiama" (Figaro, Susanna) / Act I, Scene II. Recitativo "Or bene, ascolta e taci!" (Figaro, Susanna), Le
nozze di Figaro, K. 492: Act I, Scene I. No. 2 Duettino "Se a caso madama la notte ti chiama" (Figaro, Susanna), Le
nozze di Figaro, K. 492: Act I, Scene I. Recitativo "Cosa stai misurando" (Figaro, Susanna), Le
nozze di Figaro, K. 492: Act I, Scene II. No. 3 Cavatina "Se vuol ballare, signor Contino" (Figaro) / Act I, Scene III. Recitativo "Ed aspettaste il giorno fissato a le sue nozze" (Bartolo, Marcellina), Le
nozze di Figaro, K. 492: Act I, Scene II. No. 3 Cavatina "Se vuol ballare, signor Contino" (Figaro), Le
nozze di Figaro, K. 492: Act I, Scene II. Recitativo "Or bene, ascolta e taci!" (Figaro, Susanna), Le
nozze di Figaro, K. 492: Act I, Scene III. No. 4 Aria "La vendetta, oh, la vendetta" (Bartolo) / Act I, Scene IV. Recitativo "Tutto ancor non ho perso" (Marcellina, Susanna), Le
nozze di Figaro, K. 492: Act I, Scene III. No. 4 Aria "La vendetta, oh, la vendetta" (Bartolo), Le
nozze di Figaro, K. 492: Act I, Scene III. Recitativo "Ed aspettaste il giorno fissato a le sue nozze" (Bartolo, Marcellina), Le
nozze di Figaro, K. 492: Act I, Scene IV. No. 5 Duettino "Via, resti servita, madama brillante" (Marcellina, Susanna) / Act I, Scene V. Recitativo "Va là, vecchia pedante" (Cherubino, Susanna), Le
nozze di Figaro, K. 492: Act I, Scene IV. No. 5 Duettino "Via, resti servita, madama brillante" (Marcellina, Susanna), Le
nozze di Figaro, K. 492: Act I, Scene IV. Recitativo "Tutto ancor non ho perso" (Marcellina, Susanna), Le
nozze di Figaro, K. 492: Act I, Scene V. No. 6 Aria "Non so più cosa son, cosa faccio" (Cherubino), Le
nozze di Figaro, K. 492: Act I, Scene V. Recitativo "Va là, vecchia pedante" (Cherubino, Susanna), Le
nozze di Figaro, K. 492: Act I, Scene VI. Recitativo "Ah, son perduto!" (Cherubino, Susanna, Il Conte, Basilio), Le
nozze di Figaro, K. 492: Act I, Scene VI. Recitativo "Taci, vien gente..." (Cherubino, Susanna, Il Conte, Basilio), Le
nozze di Figaro, K. 492: Act I, Scene VII. No. 7 Terzetto "Cosa sento! tosto andante" (Il Conte, Basilio, Susanna) / Recitativo "Basilio, in traccia tosto di Figaro volate" (Il Conte, Susanna, Cherubino, Basilio), Le
nozze di Figaro, K. 492: Act I, Scene VII. No. 7 Terzetto "Cosa sento! tosto andate" (Il Conte, Basilio, Susanna), Le
nozze di Figaro, K. 492: Act I, Scene VII. Recitativo "Basilio, in traccia tosto di Figaro volate" (Il Conte, Susanna, Cherubino, Basilio), Le
nozze di Figaro, K. 492: Act I, Scene VIII. No. 10 Aria "Non più andrai, farfallone amoroso" (Figaro), Le
nozze di Figaro, K. 492: Act I, Scene VIII. No. 8 Coro "Giovani liete, fiori spargete" (Coro), Le
nozze di Figaro, K. 492: Act I, Scene VIII. No. 8 Coro "Giovani liete" (Coro) / Recitativo "Cos'è questa commedia?" (Il Conte, Figaro, Susanna) / No. 9 Coro "Giovani liete" (Coro) / Recitativo "Evviva!" (Figaro, Susanna, Basilio, Cherubino, Il Conte), Le
nozze di Figaro, K. 492: Act I, Scene VIII. No. 8a Coro "Giovani liete, fiori spargete" (Coro), Le
nozze di Figaro, K. 492: Act I, Scene VIII. No. 9 Aria "Non più andrai, farfallone amoroso" (Figaro), Le
nozze di Figaro, K. 492: Act I, Scene VIII. Recitativo "Cos'è questa commedia?" (Il Conte, Figaro, Susanna), Le
nozze di Figaro, K. 492: Act I, Scene VIII. Recitativo "Evviva!" (Figaro, Susanna, Basilio, Cherubino, Il Conte), Le
nozze di Figaro, K. 492: Act II, Scene I. No. 10 Cavatina "Porgi, amor qualche ristoro" (La Contessa), Le
nozze di Figaro, K. 492: Act II, Scene I. No. 11 Cavatina "Porgi, amor qualche ristoro" (La Contessa), Le
nozze di Figaro, K. 492: Act II, Scene I. Recitativo "Vieni, cara Susanna" (La Contessa, Susanna, Figaro) / Act II, Scene II. Recitativo "Quanto duolmi, Susanna" (La Contessa, Susanna, Cherubino), Le
nozze di Figaro, K. 492: Act II, Scene I. Recitativo "Vieni, cara Susanna" (La Contessa, Susanna, Figaro), Le
nozze di Figaro, K. 492: Act II, Scene II. No. 11 Arietta "Voi che sapete che cosa è amor" (Cherubino), Le
nozze di Figaro, K. 492: Act II, Scene II. No. 12 Aria "Venite… inginocchiatevi…" (Susanna), Le
nozze di Figaro, K. 492: Act II, Scene II. No. 12 Arietta "Voi che sapete che cosa è amor" (Cherubino) / Recitativo "Bravo! che bella voce!" (La Contessa, Susanna, Cherubino), Le
nozze di Figaro, K. 492: Act II, Scene II. No. 12 Arietta "Voi che sapete che cosa è amor" (Cherubino), Le
nozze di Figaro, K. 492: Act II, Scene II. No. 13 Aria "Venite… inginocchiatevi…" (Susanna), Le
nozze di Figaro, K. 492: Act II, Scene II. Recitativo "Bravo! che bella voce!" (La Contessa, Susanna, Cherubino), Le
nozze di Figaro, K. 492: Act II, Scene II. Recitativo "Quante buffonerie" (Il Conte, La Contessa, Cherubino, Susanna) / Act II, Scene III. Recitativo "Che novità!" (Il Conte, La Contessa), Le
nozze di Figaro, K. 492: Act II, Scene II. Recitativo "Quante buffonerie" (Il Conte, La Contessa, Cherubino, Susanna), Le
nozze di Figaro, K. 492: Act II, Scene II. Recitativo "Quanto duolmi, Susanna" (La Contessa, Susanna, Cherubino), Le
nozze di Figaro, K. 492: Act II, Scene III. No. 13 Terzetto "Susanna or via, sortite" (Il Conte, La Contessa, Susanna), Le
nozze di Figaro, K. 492: Act II, Scene III. No. 14 Terzetto "Susanna or via, sortite" (Il Conte, La Contessa, Susanna) / Recitativo "Dunque, voi non aprite?" (Il Conte, La Contessa), Le
nozze di Figaro, K. 492: Act II, Scene III. Recitativo "Che novità!" (Il Conte, La Conte, Le
nozze di Figaro, K. 492: Act II, Scene III. Recitativo "Dunque, voi non aprite?" (Il Conte, La Contessa), Le
nozze di Figaro, K. 492: Act II, Scene IV. No. 14 Duettino "Aprite, presto, aprite" (Susanna, Cherubino), Le
nozze di Figaro, K. 492: Act II, Scene IV. No. 15 Duettino "Aprite, presto, aprite" (Susanna, Cherubino) / Recitativo "Oh guarda il demonietto!" (Susanna) / Act II, Scene V. Recitativo "Tutto è come io lasciai" (Il Conte, La Contessa), Le
nozze di Figaro, K. 492: Act II, Scene IX. No. 16 Finale "Signore, di fuori" (Figaro, Il Conte, Susanna, La Contessa) / Act II, Scene X. No. 16 Finale "Ah signor... signor" (Antonio, Il Conte, La Contessa, Susanna, Figaro), Le
nozze di Figaro, K. 492: Act II, Scene VII. No. 16 Finale "Esci, ormai, garzon malnato" (Il Conte, La Contessa, Susanna) / No. 16 Finale "Susanna! ... Signore!" (Il Conte, La Contessa, Susanna), Le
nozze di Figaro, K. 492: Act II, Scene XI. No. 16 Finale "Voi signor che giusto siete" (Marcellina, Basilio, Bartolo, Il Conte, Susanna, La Contessa, Figaro), Le
nozze di Figaro, K. 492: Act II. "Ah! Signor, signor... Cosa è stato? (Antonio, Il Conte, Susanna, La Contessa, Figaro), Le
nozze di Figaro, K. 492: Act II. "Signore, cos'è quel stupore?" (Il Conte, La Contessa, Susanna), Le
nozze di Figaro, K. 492: Act II. "Signori, di fuori son già i suonatori" (Figaro, Il Conte, Susanna, La Contessa), Le
nozze di Figaro, K. 492: Act II. "Voi signor, che giusto siete" (Marcellina, Basilio, Bartolo, Susanna, La Contessa, Figaro, Il Conte), Le
nozze di Figaro, K. 492: Act II. No 15 Finale "Esci omai, garzon malnato" (Il Conte, La Contessa), Le
nozze di Figaro, K. 492: Act II. Recitativo "Tutto è come il lasciai" (Il Conte, La Contessa), Le
nozze di Figaro, K. 492: Act III, Scene I. Recitativo "Che imbarazzo è mai questo!" (Il Conte) / Act III, Scene II. Recitativo "Via, fatti core" (La Contessa, Il Conte, Susanna), Le
nozze di Figaro, K. 492: Act III, Scene II. No. 17 Duetto "Crudel! Perché finora farmi languir così?" (Il Conte, Susanna) / Act III, Scene III. Recitativo "E perchè fosti meco" (Il Conte, Susanna, Figaro), Le
nozze di Figaro, K. 492: Act III, Scene II. No. 17 Duetto "Crudel! Perché finora farmi languir così?" (Il Conte, Susanna), Le
nozze di Figaro, K. 492: Act III, Scene IV. No. 18 Recitativo "Hai già vinta la causa" (Il Conte) / No. 18 Aria "Vedrò, mentre io sospiro" (Il Conte), Le
nozze di Figaro, K. 492: Act III, Scene V. Recitativo "Andiam, andiam, bel paggio" (Barbarina, Cherubino), Le
nozze di Figaro, K. 492: Act III, Scene VI. No. 20 Recitativo "E Susanna non vien!" (La Contessa) / No. 20 Aria "Dove sono i bei momenti" (La Contessa), Le
nozze di Figaro, K. 492: Act III, Scene VII. Recitativo "È decisa la lite" (Don Curzio, Marcellina, Figaro, Il Conte, Bartolo), Le
nozze di Figaro, K. 492: Act III, Scene VIII. No. 19 Sestetto "Riconosci in questo amplesso" / Act III, Scene VIII-IX. Recitativi "Eccovi, o caro amico... Io vi dico" (Marcellina, Bartolo, Susanna, Figaro, Antonio, Il Conte, Don Curzio), Le
nozze di Figaro, K. 492: Act III, Scene X. Recitativo "Cosa mi narri" (La Contessa, Susanna) / No. 21 Duettino "Che soave zeffiretto (La Contessa, Susanna), Le
nozze di Figaro, K. 492: Act III, Scene XI. No. 22 Coro "Ricevete, oh padroncina" (Contadinelle) / Act III, Scenes XII-XIII. Recitativo "Questo sono, Madama" (Barbarina, La Contessa, Susanna, Antonio, Il Conte, Cherubino, Figaro), Le
nozze di Figaro, K. 492: Act III, Scene XI. No. 22 Coro "Ricevete, oh padroncina" (Figaro, Susanna, Il Conte, La Contessa, Due Ragazze), Le
nozze di Figaro, K. 492: Act III. "Amanti costanti" (Due donne, Coro, Il Conte, Figaro), Le
nozze di Figaro, K. 492: Act III. "Eh, già solita usanza" (Susanna, La Contessa, Il Conte, Figaro, Coro), Le
nozze di Figaro, K. 492: Act III. No. 16 Duetto "Crudel! Perché finora" (Il Conte, Susanna), Le
nozze di Figaro, K. 492: Act III. No. 17 Aria "Vedrò, mentr'io sospiro" (Il Conte), Le
nozze di Figaro, K. 492: Act III. No. 17 Recitativo "Hai già vinta la causa!" (Il Conte), Le
nozze di Figaro, K. 492: Act III. No. 18 Sestetto "Riconosci in quest'amplesso" (Marcellina, Figaro, Bartolo, Curzio, Il Conte, Susanna), Le
nozze di Figaro, K. 492: Act III. No. 19 Aria "Dove sona i bei momenti" (La Contessa), Le
nozze di Figaro, K. 492: Act III. No. 19 Recitativo "E Susanna non vien!..." (La Contessa), Le
nozze di Figaro, K. 492: Act III. No. 20 Duettino "Canzonetta sull'aria"... "Che soave zeffiretto" (Susanna, La Contessa), Le
nozze di Figaro, K. 492: Act III. No. 20. Duettino ("Sull'aria") - "Che soave zeffiretto" (Susanna, Contessa), Le
nozze di Figaro, K. 492: Act III. No. 21 Coro "Ricevete, O padroncina" (Coro), Le
nozze di Figaro, K. 492: Act III. No. 22 Finale "Ecco la marcia. andiamo" (Figaro, Susanna, Il Conte, La Contessa), Le
nozze di Figaro, K. 492: Act III. Recitativo "Andiam, andiam, bel paggio" (Barbarina, Cherubino), Le
nozze di Figaro, K. 492: Act III. Recitativo "Che imbarazzo è mai questo, " (Il Conte, La Contessa, Susanna), Le
nozze di Figaro, K. 492: Act III. Recitativo "Cosa mi narri?" (La Contessa, Susanna), Le
nozze di Figaro, K. 492: Act III. Recitativo "È decisa la lite" (Curzio, Marcellina, Figaro, Il Conte, Bartolo), Le
nozze di Figaro, K. 492: Act III. Recitativo "E perché fosti meco" (Il Conte, Susanna, Figaro), Le
nozze di Figaro, K. 492: Act III. Recitativo "Eccovi, oh caro amico" (Marcellina, Bartolo, Susanna, Figaro), Le
nozze di Figaro, K. 492: Act III. Recitativo "Io vi dico, signor" (Antonio, Il Conte), Le
nozze di Figaro, K. 492: Act III. Recitativo "Piegato è il foglio" (Susanna, La Contessa), Le
nozze di Figaro, K. 492: Act III. Recitativo "Queste sono, Madama" (Barbarina, La Contessa, Susanna, Antonio, Il Conte, Cherubino, Figaro), Le
nozze di Figaro, K. 492: Act IV, Scene I. No. 24 Aria "L'ho perduta... me meschina" (Marcellina), Le
nozze di Figaro, K. 492: Act IV, Scene I. No. 24 Cavatina "L'ho perduta... me meschina" (Barbarina), Le
nozze di Figaro, K. 492: Act IV, Scene II. Recitativo "Barbarina, cos'hai?" (Barbarina, Figaro, Marcellina) / Act IV, Scene III. Recitativo "Madre!... Figlio!" (Figaro, Marcellina) / Act IV, Scene IV. "Presto, avvertiam Susanna..." (Marcellina), Le
nozze di Figaro, K. 492: Act IV, Scene IX. Recitativo "Signora, ella mi disse" (La Contessa, Susanna, Marcellina, Figaro), Le
nozze di Figaro, K. 492: Act IV, Scene Ultima. No. 29 Finale "Gente gente, all'armi all'armi!" (Il Conte, Figaro, Don Curzio, Basilio, Antonio, Bartolo, Susanna), Le
nozze di Figaro, K. 492: Act IV, Scene Ultima. No. 29 Finale "Pace pace, mio dolce tesoro" (Il Conte, Tutti), Le
nozze di Figaro, K. 492: Act IV, Scene Ultima. No. 29 Finale "Pian pianin le andrò più presso" (Cherubino, La Contessa, Il Conte, Susanna, Figaro), Le
nozze di Figaro, K. 492: Act IV, Scene Ultima. No. 29 Finale "Tutto è tranquillo e placido" (Il Conte, Tutti) / Act IV, Scene Ultima. No. 29 Finale "Pace pace, mio dolce tesoro" (Il Conte, Tutti), Le
nozze di Figaro, K. 492: Act IV, Scene V. Recitativo "Nel padiglione a manca" (Barbarina) / Scene VI. Recitativo "È Barbarina..." (Figaro, Basilio, Bartolo) / Scene VII. Recitativo "Ha I diavoli nel corpo" (Basilio, Bartolo), Le
nozze di Figaro, K. 492: Act IV, Scene VI. No. 25 Aria "Il capro e la capretta" (Marcellina), Le
nozze di Figaro, K. 492: Act IV, Scene VII. No. 26 Aria "In quegli anni in cui val poco" (Basilio), Le
nozze di Figaro, K. 492: Act IV, Scene VIII. No. 27 Recitativo "Tutto è disposto" (Figaro) / Act IV, Scene VIII. No. 27 Aria "Aprite un po' quegl'occhi" (Figaro), Le
nozze di Figaro, K. 492: Act IV, Scene VIII. No. 27 Recitativo "Tutto è disposto" (Susanna) / No. 26. Aria "Aprite un po' quegli occhi" (Figaro), Le
nozze di Figaro, K. 492: Act IV, Scene X. No. 28 Recitativo "Giunse alfin il momento" (Susanna) / Act IV, Scene X. No. 28 Aria "Deh vieni non tardar" (Susanna), Le
nozze di Figaro, K. 492: Act IV, Scene XIV. No. 23 Finale. Fandango "Eh già solita usanza" (Il Conte, Figaro) / No. 23 Finale. Allegretto "Amanti costanti seguaci d'onor" (Barbarina, Coro), Le
nozze di Figaro, K. 492: Act IV, Scenes XI-XIV. Recitativo "Perfida, e in quella forma meco mentia?" (Cherubino, Figaro, La Contessa), Le
nozze di Figaro, K. 492: Act IV, Scenes XII-XIV. No. 23 Finale "Ecco la marcia, Andiamo" (Figaro, Susanna, Il Conte, La Contessa) / No. 23 Finale "Amanti costanti seguaci d'onor" (Coro di contadine), Le
nozze di Figaro, K. 492: Act IV. "Gente, gente, all'armi, all'armi!" (Il Conte, Figaro, Basilio, Curzio, Antonio, Bartolo, Susanna, Barbarina, Cherubino, Marcellina, La Contessa), Le
nozze di Figaro, K. 492: Act IV. "Pace, pace, mio dolce tesoro" (Figaro, Susanna, Il Conte), Le
nozze di Figaro, K. 492: Act IV. "Partito è alfin l'audace..." (Il Conte, La Contessa, Figaro, Susanna), Le
nozze di Figaro, K. 492: Act IV. No. 23 Cavatina: "L'ho perduta, me meschina!" (Barbarina), Le
nozze di Figaro, K. 492: Act IV. No. 24 Aria "II capro e la capretta" (Marcellina), Le
nozze di Figaro, K. 492: Act IV. No. 25 Aria "In quegli anni, in cui val poco" (Basilio), Le
nozze di Figaro, K. 492: Act IV. No. 26 Aria "Aprite un po' quegli occhi" (Figaro), Le
nozze di Figaro, K. 492: Act IV. No. 26 Recitativo "Tutto è disposto..." (Figaro), Le
nozze di Figaro, K. 492: Act IV. No. 27 Aria "Deh vieni, non tardar" (Susanna), Le
nozze di Figaro, K. 492: Act IV. No. 27 Recitativo "Giunse alfin il momento" (Susanna), Le
nozze di Figaro, K. 492: Act IV. No. 27. Aria "Deh vieni, non tardar" (Susanna) / Recitativo "Giunse alfin il momento" (Susanna), Le
nozze di Figaro, K. 492: Act IV. No. 28 Finale "Pian pianin, le andrò più presso" (Cherubino, La Contessa, Il Conte, Susanna, Figaro), Le
nozze di Figaro, K. 492: Act IV. Recitativo "Barbarina, cos' hai?" (Figaro, Barbarina, Marcellina), Le
nozze di Figaro, K. 492: Act IV. Recitativo "Nel padiglione a manca" (Barbarina, Figaro, Basilio, Bartolo), Le
nozze di Figaro, K. 492: Act IV. Recitativo "Perfida! E in quella forma meco mentia?" (Figaro, Cherubino, La Contessa), Le
nozze di Figaro, K. 492: Act IV. Recitativo "Signora. ella mi disse che Figaro verravi" (Susanna, Marcellina, La Contessa, Figaro), Le
nozze di Figaro, K. 492: Le nozze di Figaro, K. 492: Dove sono i bei momenti, Le
nozze di Figaro, K. 492: Non più andrai, Le
nozze di Figaro, K. 492: Non so più cosa son, cosa faccio (Cherubino), Le
nozze di Figaro, K. 492: Overture, Le
nozze di Figaro, K. 492: Sinfonia, Le
nozze di Figaro, Le
nozze di Figaro: Aprite un po' quegli occhi, Le
nozze di Figaro: Crudel! Perchè finora, Le
nozze di Figaro: Deh vieni, non tardar, Le
Nozze Di Figaro: Dove sono i bei momenti, Le
nozze di Figaro: E Susanna non vien!, Le
nozze di Figaro: Gente, gente, all'armi, all'armi!, Le
nozze di Figaro: Giunse alfin il momento, Le
nozze di Figaro: Hai già vinta la causa!, Le
nozze di Figaro: La vendetta, oh, la vendetta, Le
nozze di Figaro: Non più andrai, Le
nozze di Figaro: Non so più cosa son, cosa faccio, Le
nozze di Figaro: Porgi amor, Le
nozze di Figaro: Se vuol ballare, Signor Contino, Le
nozze di Figaro: Sinfonia, Le
nozze di Figaro: Sull'aria...Che soave zefiretto, Le
nozze di Figaro: Vedrò, mentr'io sospiro, Le
nozze di Figaro: Voi che sapete, Le
nuits d'été / Shéhérazade, Les
nuits d'été Op. 7: Absence, Les
nuits d'été Op. 7: Au cimetière - Clair de lune, Les
nuits d'été Op. 7: L'île inconnue, Les
nuits d'été Op. 7: Le spectre de la rose, Les
nuits d'été Op. 7: Sur les lagunes - Lamento, Les
nuits d'été Op. 7: Villanelle, Les
Nuits d'Été, Les
nuits d'été, op. 7: Absence, Les
nuits d'été, op. 7: Au cimetière (Clair de lune), Les
nuits d'été, op. 7: I. Villanelle, Les
nuits d'été, op. 7: L'ile inconnue, Les
nuits d'été, op. 7: Le spectre de la rose, Les
nuits d'été, op. 7: Sur les lagunes, Les
Nuits d’été : Le Spectre de la rose, Les
O Come All Ye Faithful
O Tannenbaum
O Thou That Tellest Good Tidings: Aria (Contralto) & Chorus
Oceanides, Op 73, The
Oceanides, op. 73, The
Octet in E flat, op. 20: Scherzo
Oedipus Rex
oiseau de feu, L'
Oiseau de feu: Introduction, L'
Oiseau de feu: Tableau I. Apparition de l'Oiseau de feu poursuivi par Ivan Tsarévitch, L'
Oiseau de feu: Tableau I. Berceuse (L'Oiseau de feu) - réveil de Katchtcheï - mort de Katchtcheï - profonds ténèbres, L'
Oiseau de feu: Tableau I. Brusque apparition d'Ivan Tsarévitch, L'
Oiseau de feu: Tableau I. Capture de l'Oiseau de feu par Ivan Tsarévitch, L'
Oiseau de feu: Tableau I. Carillon féerique - apparition des monstres-gardiens de Katchtcheï - capture d'Ivan Tsarévitch, L'
Oiseau de feu: Tableau I. Danse de l'Oiseau de feu, L'
Oiseau de feu: Tableau I. Danse de la suite de Katchtcheï enchantée par l'Oiseau de feu, L'
Oiseau de feu: Tableau I. Danse infernale de tous les sujets de Katchtcheï, L'
Oiseau de feu: Tableau I. Jeu des princesses avec les pommes d'or, L'
Oiseau de feu: Tableau I. Khorovod (ronde) des princesses, L'
Oiseau de feu: Tableau I. Le jardin enchanté de Katchtcheï, L'
Oiseau de feu: Tableau I. Lever de jour - Ivan Tsarévitch pénètre dans le palais de Katchtcheï, L'
Oiseau de feu: Tableau I. Supplications de l'Oiseau de feu - apparition des treize princesses enchantées, L'
Oiseau de feu: Tableau II. Disparition du palais et des sortilèges de Katchtcheï - animation des chevaliers pétrifiés - allégresse générale, L'
Olde English Christmas, An
Opera Arias
Oprichnik: Danses, The
Orchestral Masterpieces, The
Orpheus: Scene I. Introduction: Orpheus - Air de danse - L'Ange de la Mort et sa danse
Orpheus: Scene II. Air de danse - Interlude - Air de danse - Pas d'action - Pas de deux - Interlude - Pas d'action
Orpheus: Scene III. Apothéose d'Orphée
Otello
Ouverture solennelle "1812"
Overture "Béatrice et Bénédict"
Overture "Le carnaval romain", op. 9
Overture "Les francs-juges", op. 3
Overture from Opera La Finta Giardiniera
Overture from Opera Lucio Silla: II. Andante
Overture to A Midsummer Night's Dream, Op. 21
Overture: Béatrice et Bénédict
Overture: Benvenuto Cellini
Overtures
Patapan
Peer Gynt / Piano Concerto
Pelléas et Mélisande
Peter Grimes
Peter Grimes, Op. 33, Act I, Scene 1: "And do you prefer the storm"
Peter Grimes, Op. 33, Act I, Scene 1: "Hi! Give us a hand"
Peter Grimes, Op. 33, Act I, Scene 1: "I have to go from pub to pub"
Peter Grimes, Op. 33, Act I, Scene 1: "Let her among you"
Peter Grimes, Op. 33, Act I, Scene 1: "Look, the storm cone!"
Peter Grimes, Op. 33, Act I, Scene 1: "Oh, hang at open doors"
Peter Grimes, Op. 33, Act I, Scene 1: "What harbour shelters peace"
Peter Grimes, Op. 33, Act I, Scene 2: "Have you heard?"
Peter Grimes, Op. 33, Act I, Scene 2: "Now the Great Bear and Pleiades"
Peter Grimes, Op. 33, Act I, Scene 2: "Old Joe has gone fishing"
Peter Grimes, Op. 33, Act I, Scene 2: "Past time to close!"
Peter Grimes, Op. 33, Act I, Scene 2: "We live and let live"
Peter Grimes, Op. 33, Act II, Scene 1: "Fool to let it come to this!"
Peter Grimes, Op. 33, Act II, Scene 1: "From the gutter"
Peter Grimes, Op. 33, Act II, Scene 1: "Glitter of waves"
Peter Grimes, Op. 33, Act II, Scene 1: "Let this be a holiday"
Peter Grimes, Op. 33, Act II, Scene 1: "Now is gossip put on trial"
Peter Grimes, Op. 33, Act II, Scene 1: "People!...No! I will speak!"
Peter Grimes, Op. 33, Act II, Scene 1: "Swallow! Shall we go"
Peter Grimes, Op. 33, Act II, Scene 1: "This unrelenting work"
Peter Grimes, Op. 33, Act II, Scene 1: "We planned that their lives"
Peter Grimes, Op. 33, Act II, Scene 1: "What is it?"
Peter Grimes, Op. 33, Act II, Scene 2: "Go there!"
Peter Grimes, Op. 33, Act II, Scene 2: "Now!...Now!"
Peter Grimes, Op. 33, Act II, Scene 2: "Peter Grimes! Nobody here?"
Peter Grimes, Op. 33, Act III, Scene 1: "Assign your prettiness to me"
Peter Grimes, Op. 33, Act III, Scene 1: "Come along, Doctor!"
Peter Grimes, Op. 33, Act III, Scene 1: "Embroidery in childhood"
Peter Grimes, Op. 33, Act III, Scene 1: "Mr. Swallow!"
Peter Grimes, Op. 33, Act III, Scene 1: "Pah!"
Peter Grimes, Op. 33, Act III, Scene 1: "Who holds himself apart"
Peter Grimes, Op. 33, Act III, Scene 2: "Grimes! Grimes!"
Peter Grimes, Op. 33, Act III, Scene 2: "Peter, we've come to take you home"
Peter Grimes, Op. 33, Act III, Scene 2: "To those who pass the Borough"
Peter Grimes, Op. 33, Prologue: "Peter Grimes, I here advise you!"
Peter Grimes, Op. 33, Prologue: "Peter Grimes!"
Peter Grimes, Op. 33, Prologue: "The truth... the pity..."
Peter Grimes, Op. 33, Prologue: "You sailed your boat"
Peter Grimes, Op. 33: Interlude I
Peter Grimes, Op. 33: Interlude II
Peter Grimes, Op. 33: Interlude III
Peter Grimes, Op. 33: Interlude IV
Peter Grimes, Op. 33: Interlude V
Peter Grimes, Op. 33: Interlude VI
Petrouchka Scène burlesque en quatre tableaux - Tableau 1 - Danse Russe
Petrouchka Scène burlesque en quatre tableaux - Tableau 1 - Fête Populaire de la Semaine Grasse
Petrouchka Scène burlesque en quatre tableaux - Tableau 2 - Chez Petrouchka
Petrouchka Scène burlesque en quatre tableaux - Tableau 3 - Chez Le Maure
Petrouchka Scène burlesque en quatre tableaux - Tableau 3 - Valse (La Ballerine Et Le Maure)
Petrouchka Scène burlesque en quatre tableaux - Tableau 4 - Fête Populaire De La Semaine Grasse (Vers Le Soir)
Piano Concerti
Piano concerto in A minor Op.54 - Allegro affettuoso
Piano concerto in A minor Op.54 - Allegro vivace
Piano concerto in A minor Op.54 - Intermezzo: Andantino grazioso
Piano Concerto in A minor, Op. 16: I. Allegro molto moderato
Piano Concerto in A minor, Op. 16: II. Adagio
Piano Concerto in A minor, Op. 16: III. Allegro moderato molto e marcato
Piano Concerto in A minor, op. 16: III. Allegro moderato molto e marcato - Quasi presto - Andante maestoso
Piano Concerto in A minor, Op. 16: III. Allegro moderato molto e marcato, quasi presto, andante maestoso
Piano Concerto in A minor, Op. 54: I. Allegro affettuoso
Piano Concerto in A minor, Op. 54: II. Intermezzo, andantino grazioso
Piano Concerto in A minor, Op. 54: II. Intermezzo. Andantino grazioso
Piano Concerto in A minor, Op. 54: III. Allegro vivace
Piano Concerto in A, K. 488: Allegro
Piano Concerto in A, K. 488: Allegro Assai
Piano Concerto in D minor, K. 466: Allegro
Piano Concerto in D minor, K. 466: Romance
Piano Concerto in D minor, K. 466: Rondo (Allegro Assai)
Piano concerto n°24 in C minor K491 - I. Allegro
Piano concerto n°24 in C minor K491 - II Larghetto
Piano concerto n°24 in C minor K491 - III Allegretto
Piano Concerto no. 1 / Piano Concerto no. 2 / Mephisto Waltz / Fantasy on La Clochette / Transcendental Study no. 11
Piano Concerto no. 1 in B flat minor opus 23 / ‘Romeo and Juliet’ Fantasy Overture
Piano Concerto no. 1 in B-flat minor, op. 23: 1. Allegro non troppo e molto maestoso - Allegro con spirito
Piano Concerto no. 1 in B-flat minor, op. 23: 2. Andantino semplice - Prestissimo - Tempo I
Piano Concerto no. 1 in B-flat minor, op. 23: 3. Allegro con fuoco
Piano Concerto No. 1 in B-flat minor, Op. 23: Andantino
Piano Concerto no. 1 in C major, op. 15: I. Allegro con brio
Piano Concerto no. 1 in C major, Op. 15: I. Allegro con brio (cadenza: Ludwig van Beethoven)
Piano Concerto no. 1 in C major, Op. 15: II. Largo
Piano Concerto no. 1 in C major, Op. 15: III. Rondo. Allegro scherzando
Piano Concerto No. 1 in D minor, Op. 15: Adagio
Piano Concerto no. 1 in D minor, op. 15: I. Maestoso - Poco più moderato
Piano Concerto no. 1 in D minor, op. 15: II. Adagio
Piano Concerto no. 1 in D minor, op. 15: III. Rondo: Allegro ma non troppo
Piano Concerto No. 1 in D minor, Op. 15: Maestoso - Poco più moderato
Piano Concerto No. 1 in D minor, Op. 15: Rondo. Allegro non troppo
Piano Concerto No. 1 in E-Flat, S. 124: 2a. Quasi Adagio - Allegretto Vivace
Piano Concerto No. 1 in E-Flat, S. 124: 2b. Allegro animato
Piano Concerto No. 1 in E-Flat, S. 124: I. Allegro maestoso
Piano Concerto No. 1 in E-Flat, S. 124: III. Allegro marziale animato
Piano Concerto no. 1: I. Allegro moderato
Piano Concerto no. 1: II. Andante
Piano Concerto no. 1: III. Allegro molto
Piano Concerto No. 11 in F Major, K. 413 / 387a - I. Allegro
Piano Concerto No. 11 in F Major, K. 413 / 387a - II. Larghetto
Piano Concerto No. 11 in F Major, K. 413 / 387a - III. Tempo di menuetto
Piano Concerto No. 13 in C Major, K. 415 / 387b - I. Allegro
Piano Concerto No. 13 in C Major, K. 415 / 387b - II. Andante
Piano Concerto No. 13 in C Major, K. 415 / 387b - III. Rondo allegro
Piano Concerto No. 14 in E flat Major, K. 449 - I. Allegro vivace
Piano Concerto No. 14 in E flat Major, K. 449 - II. Andantino
Piano Concerto No. 14 in E flat Major, K. 449 - III. Allegro ma non troppo
Piano Concerto No. 15 in B flat Major, K. 450 - I. Allegro
Piano Concerto No. 15 in B flat Major, K. 450 - II. Andante
Piano Concerto No. 15 in B flat Major, K. 450 - III. Allegro
Piano Concerto no. 15 in B-flat major, K. 450: I. Allegro
Piano Concerto no. 15 in B-flat major, K. 450: II. Andante
Piano Concerto no. 15 in B-flat major, K. 450: III. Allegro
Piano Concerto No. 16 in D Major, K. 451 - I. Allegro assai
Piano Concerto No. 16 in D Major, K. 451 - II. Andante
Piano Concerto No. 16 in D Major, K. 451 - III. Allegro di molto
Piano Concerto No. 2 in A, S. 125: I. Adagio sostenuto assai - Allegro agitato assai
Piano Concerto No. 2 in A, S. 125: II. Allegro moderato
Piano Concerto No. 2 in A, S. 125: III. Allegro deciso - Marziale un poco meno Allegro
Piano Concerto No. 2 in A, S. 125: IV. Allegro animato
Piano Concerto no. 2 in B-flat major, op. 19: I. Allegro con brio
Piano Concerto no. 2 in B-flat major, Op. 19: I. Allegro con brio (cadenza: Ludwig van Beethoven)
Piano Concerto no. 2 in B-flat major, Op. 19: II. Adagio
Piano Concerto no. 2 in B-flat major, Op. 19: III. Rondo. Allegro molto
Piano Concerto no. 2 in B-flat major, op. 19: III. Rondo. Molto allegro
Piano Concerto No. 2, BB 101, Sz.95: I. Allegro
Piano Concerto No. 2, BB 101, Sz.95: II. Adagio - Più adagio - Presto
Piano Concerto No. 2, BB 101, Sz.95: III. Allegro molto
Piano Concerto No. 20 in D minor, K. 466: I. Allegro
Piano Concerto No. 20 in D minor, K. 466: II. Romanze
Piano Concerto No. 20 in D minor, K. 466: III. Allegro assai
Piano Concerto no. 21 in C major ("Elvira Madigan") K. 467: II. Andante
Piano Concerto No. 21 in C major, K. 467 "Elvira Madigan"
Piano Concerto no. 21 in C major, K. 467 "Elvira Madigan": I. Allegro maestoso
Piano Concerto no. 21 in C major, K. 467 "Elvira Madigan": II. Andante
Piano Concerto no. 21 in C major, K. 467 "Elvira Madigan": III. Allegro vivace assai
Piano Concerto no. 21 in C major, K. 467: II. Andante
Piano Concerto No. 22 in E flat Major, K. 482 - I. Allegro
Piano Concerto No. 22 in E flat Major, K. 482 - II. Andante
Piano Concerto No. 22 in E flat Major, K. 482 - III. Allegro
Piano Concerto no. 22 in E-flat major, K. 482: I. Allegro
Piano Concerto no. 22 in E-flat major, K. 482: II. Andante
Piano Concerto no. 22 in E-flat major, K. 482: III. Allegro
Piano Concerto No. 23 in A major, K. 488: Adagio
Piano Concerto No. 23 in A major, K. 488: Allegro
Piano Concerto No. 23 in A major, K. 488: Allegro assai
Piano Concerto no. 23 in A major, K. 488: II. Andante
Piano Concerto No. 24 in C minor, K. 491 - I. Allegro
Piano Concerto No. 24 in C minor, K. 491 - II. Larghetto
Piano Concerto No. 24 in C minor, K. 491 - III. Allegretto
Piano Concerto No. 25 in C major, K. 503: I. Allegro maestoso
Piano Concerto No. 25 in C major, K. 503: II. Andante
Piano Concerto no. 25 in C major, K. 503: III Allegretto
Piano Concerto No. 25 in C major, K. 503: III. Finale. Allegretto
Piano Concerto no. 26 in D major, K. 537 "Coronation": I. Allegro
Piano Concerto no. 26 in D major, K. 537 "Coronation": II. Larghetto
Piano Concerto no. 26 in D major, K. 537 "Coronation": III. Allegretto
Piano Concerto no. 3 / Piano Sonata, op. 10 no. 2
Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio
Piano Concerto no. 3 in C minor, Op. 37: I. Allegro con brio (cadenza: Ludwig van Beethoven)
Piano Concerto no. 3 in C minor, Op. 37: II. Largo
Piano Concerto no. 3 in C minor, op. 37: III. Rondo (Allegro)
Piano Concerto no. 3 in C minor, Op. 37: III. Rondo: Allegro
Piano Concerto no. 3 in C minor, op. 37: III. Rondo. Allegro
Piano Concerto no. 3: I. Allegretto
Piano Concerto no. 3: II. Adagio religioso
Piano Concerto no. 3: III. Allegro vivace
Piano Concerto no. 4 / 32 Variations on an Original Theme, WoO 80
Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato
Piano Concerto no. 4 in G major, Op. 58: I. Allegro moderato (cadenza: Ludwig van Beethoven)
Piano Concerto no. 4 in G major, Op. 58: II. Andante con moto
Piano Concerto no. 4 in G major, Op. 58: III. Rondo: Vivace (cadenza: Ludwig van Beethoven)
Piano Concerto no. 4 in G major, op. 58: III. Rondo. Vivace
Piano Concerto no. 5
Piano Concerto no. 5 "Emperor"/ Piano Concerto no. 4
Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": I. Allegro
Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": II. Adagio un poco mosso
Piano Concerto No. 5 in E-flat major, Op. 73 "Emperor": III. Rondo: Allegro ma non troppo
Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": III. Rondo. Allegro
Piano Concerto no. 5 in E-flat, op. 73 "Emperor": I. Allegro
Piano Concerto no. 5 in E-flat, op. 73 "Emperor": II. Adagio un poco mosso
Piano Concerto no. 5 in E-flat, op. 73 "Emperor": III. Rondo. Allegro
Piano Concerto No. 5, Op. 73 "Emperor": III. Rondo. Allegro (beginning)
Piano Concerto No.1 / Violin Concerto
Piano Concerto no.1 in B flat minor, op. 23: I. Allegro non troppo e molto maestoso. Allegro con spirito
Piano Concerto no.1 in B flat minor, op. 23: II. Andantino simplice. Prestissimo. Tempo I
Piano Concerto no.1 in B flat minor, op. 23: III. Allegro con fuoco
Piano Concerto No.1 in D minor Op.15: I Maestoso-Poco Piu Moderato
Piano Concerto No.1 in D minor Op.15: II Adagio
Piano Concerto No.1 in D minor Op.15: III Rondo. Allegro Non Troppo
Piano Concerto No.18 in B flat, KV 456, Allegro vivace
Piano Concerto No.18 in B flat, KV 456, Andante un poco sostenuto
Piano Concerto No.23 in A major K488: I Allegro
Piano Concerto No.23 in A major K488: II Adagio
Piano Concerto No.23 in A major K488: III Allegro Assai
Piano Concerto Nr. 23: II. Adagio
Piano Concerto: I. Allegro non troppo
Piano Concerto: II. Molto lento e tranquillo
Piano Concerto: III. Vivace
Piano Concertos
Piano Concertos / 3 Etudes de Concert, The
Piano Concertos 1 & 2
Piano concertos no. 20, K. 466 & no. 23 K. 488
Piano Concertos no. 21, K. 467 & no. 25, K. 503
Piano Concertos Nos. 2 & 4
Piano Concertos nos. 20 & 21
Piano Concertos Nos. 20 & 25
Piano Concertos Nos. 21 & 23 / Piano Sonata "Alla Turca"
Piano Concertos Nos. 22 & 26
Piano Concertos nos. 23 & 24
Piano Concertos nos. 3 & 4
Piano Concertos Nos. 9 & 21
Piano Concertos Nr. 1 & 2
Piano Concertos, The
Pianoconcert Nr. 4 Op. 58: III. Rondo-Vivace
Pictures at an Exhibition / Night on the Bare Mountain
Pictures at an Exhibition: The Great Gate of Kiev
Pictures at an Exibition: Bydlo
Pictures at an Exibition: Cum mortuis in lingua mortua
Pictures at an Exibition: Gnomus
Pictures at an Exibition: Il vecchio castello
Pictures at an Exibition: Promenade
Pictures at an Exibition: Promenade. Ballet of the chickens in their shells
Pictures at an Exibition: Samuel Goldenberg and Schmuyle
Pictures at an Exibition: The hut on fowl’s legs (Baba Yaga) / The great gate of Kiev
Pictures at an Exibition: The market-place at Limoges. Catacombae (Sepulchrum romanum)
Pictures at an Exibition: Tuileries
Planets / St. Paul's Suite, The
Planets, Op. 32: I. Mars, the Bringer of War, The
Planets, op. 32: Jupiter, the Bringer of Jollity, The
Planets, op. 32: Mars, the Bringer of War, The
Planets, op. 32: Mercury, the Winged Messenger, The
Planets, op. 32: Neptune, the Mystic, The
Planets, op. 32: Saturn, the Bringer of Old Age, The
Planets, op. 32: Uranus, the Magician, The
Planets, op. 32: Venus, the Bringer of Peace, The
Planets, Op. 32: VII. Neptune, the Mystic, The
Planets, The
Planets: Mars, The
Pohjola's Daughter / Valse Triste / Karelia Suite / En Saga / Tapiola
Pohjola's Daughter, op. 49
Pohjola’s Daughter, op. 49
police et le charlatan, La
Polonaise brillante "L'hilarité", op. 72 for Piano and Orchestra
Pomp and Circumstance, op. 39: Military March no. 1 in D
Posthorn Serenade in D major K320: Concertante (andante grazioso)
Puritani: Qui la voce...Vien, diletto, Il
querelle, La
Rakastava, op. 14: I. The Lover
Rakastava, op. 14: II. The Path of His Beloved
Rakastava, op. 14: III. Good Evening - Farewell!
rè pastore, K. 208: Act II, Scene VI. Rondeaux "L'amerò, sarò costante" (Aminta), Il
rè pastore, K. 208: Overture, Il
Recordare (from Requiem)
Reger: Mozart-Variationen / Hindemith: Weber-Metamorphosen
Rejoice Greatly: Aria (Soprano)
Requiem
Requiem : Dies Irae
Requiem : Lacrimosa
Requiem "Grande Messe des Morts", op. 5, H. 75: I. Requiem - Kyrie
Requiem "Grande Messe des Morts", Op. 5, H. 75: II. Dies irae -
Requiem "Grande Messe des Morts", op. 5, H. 75: II. Dies irae (Prosa)
Requiem "Grande Messe des Morts", Op. 5, H. 75: II. Tuba mirum
Requiem "Grande Messe des Morts", op. 5, H. 75: III. Quid sum miser
Requiem "Grande Messe des Morts", op. 5, H. 75: IV. Rex tremendae
Requiem "Grande Messe des Morts", op. 5, H. 75: IX. Sanctus
Requiem "Grande Messe des Morts", op. 5, H. 75: V. Quaerens me
Requiem "Grande Messe des Morts", op. 5, H. 75: VI. Lacrymosa
Requiem "Grande Messe des Morts", op. 5, H. 75: VII. Domine Jesu Christe
Requiem "Grande Messe des Morts", op. 5, H. 75: VIII. Hostias
Requiem "Grande Messe des Morts", op. 5, H. 75: X. Agnus Dei
Requiem / Choral Works
Requiem / Symphonie Funèbre et Triomphale
Requiem / Symphonie funèbre et triomphale, Op. 15
Requiem / Te Deum
Requiem aeternam - Kyrie
Requiem in D minor, K. 626: I. Introitus: "Requiem aeternam"
Requiem in D minor, K. 626: II. "Kyrie eleison"
Requiem in D Minor, K. 626: III. Sequentia: Lacrimosa
Requiem in D minor, K. 626: IIIa. Sequentia: "Dies irae"
Requiem in D minor, K. 626: IIIb. Sequentia: "Tuba mirum"
Requiem in D minor, K. 626: IIIc. Sequentia: "Rex tremendae"
Requiem in D minor, K. 626: IIId. Sequentia: "Recordare"
Requiem in D minor, K. 626: IIIe. Sequentia: "Confutatis"
Requiem in D minor, K. 626: IIIf. Sequentia: "Lacrimosa"
Requiem in D minor, K. 626: IVa. Offertorium: "Domine Jesu Christe"
Requiem in D minor, K. 626: IVb. Offertorium: "Hostias"
Requiem in D minor, K. 626: V. "Sanctus"
Requiem in D minor, K. 626: VI. "Benedictus"
Requiem in D minor, K. 626: VII. "Agnus Dei"
Requiem in D minor, K. 626: VIII. Communio: "Lux aeterna"
Requiem in D minor, KV. 626: VII. Lacrimosa Larghetto
Requiem in d-Moll, KV 626: Benedictus
Requiem KV626: Introitus
Requiem, K. 626: I. Introitus: "Requiem aeternam"
Requiem, K. 626: II. Kyrie
Requiem, K. 626: III. Sequentia: Dies irae
Requiem, K. 626: III. Sequentia: Recordare
Requiem, K. 626: III. Sequentia: Rex tremendae
Requiem, K. 626: III. Sequentia: Tuba mirum
Requiem, K. 626: IIIe. Sequenz: "Confutatis"
Requiem, K. 626: IIIf. Sequenz: "Lacrimosa"
Requiem, K. 626: IV. Offertorium: Domine Jesu
Requiem, K. 626: IV. Offertorium: Hostias
Requiem, K. 626: V. Sanctus
Requiem, K. 626: VII. Agnus Dei
Requiem, K. 626: VIII. Communio: Lux aeterna
Requiem, K626
Requiem, op. 48: I. Introitus: Requiem aeternam – Kyrie
Requiem, op. 48: II. Offertorium: Domine Jesu Christe
Requiem, op. 48: III. Sanctus
Requiem, op. 48: IV. Pie Jesu
Requiem, op. 48: V. Agnus Dei
Requiem, op. 48: VI. Libera me
Requiem, op. 48: VII. In paradisum
Requiem, op.5 “Grande Messe des Morts”
Requiem, Op.5 (Grande Messe Des Morts)
Requiem: Dies irae - Requiem
Requiem: i. Requiem Aeternam
Requiem: ii. Dies Irae
Requiem: iii. Tuba Mirum
Requiem: iv. Liber Scriptus
Requiem: ix. Confutatis
Requiem: Lacrimosa
Requiem: No 1. Introitus and Kyrie: Requiem and Kyrie
Requiem: No 10. Sanctus: Sanctus
Requiem: No 11. Benedictus: Benedictus
Requiem: No 12. Agnus Dei and Communio: Agnus Dei
Requiem: No 2. Sequence: Dies irae
Requiem: No 3. Sequence: Tuba mirum
Requiem: No 4. Sequence: Rex tremendae
Requiem: No 5. Sequence: Recordare
Requiem: No 6. Sequence: Confutatis maledictis
Requiem: No 7. Sequence: Lacrimosa
Requiem: No 8. Offertorium: Domine Jesu
Requiem: No 9. Offertorium: Hostias
Requiem: Part 2, I. Dies Irae
Requiem: Part 2, II. Tuba Mirum
Requiem: v. Quid Sum Miser
Requiem: vi. Rex Tremendae
Requiem: vii. Recordare
Requiem: viii. Ingemisco
Requiem: x. Lacrymosa
Requiem: xi. Domine Jesu Christe
Requiem: xii. Hostias
Requiem: xiii. Sanctus
Requiem: xiv. Agnus Dei
Requiem: xv. Lux Aeterna
Requiem: xvi. Libera Me, Dies Irae, Requiem Aeternam
Requiem: xvii. Libera Me
Rigoletto: Gualtier Malde...Caro nome
Roi Lear Overture, Op. 4, Le
roi Lear, op. 4, Le
Romance voor viool en orkest in F, op. 11
Rome and Juliet: Lovescene (excerpt)
Roméo & Juliette
Romeo and Juliet
Roméo et Juliette
Roméo et Juliette "Symphonie dramatique": Scène 1a. Introduction. Combats / Tumulte / Intervention du Prince
Roméo et Juliette "Symphonie dramatique": Scène 1b. Prologue. "D'anciennes haines endormies"
Roméo et Juliette "Symphonie dramatique": Scène 1c. Recitatif et scherzetto. "C'est lui!"
Roméo et Juliette "Symphonie dramatique": Scène 1c. Strophes. "Premiers transports que nul n'oublie!"
Roméo et Juliette "Symphonie dramatique": Scène 2. Roméo seul / Tristesse / Concert et bal / Grande fête chez Capulet
Roméo et Juliette "Symphonie dramatique": Scène 3. Scène d'amour. Nuit sereine / Le jardin de Capulet silencieux et desert
Roméo et Juliette "Symphonie dramatique": Scène 4. La Reine Mab, ou La fée des songes (Scherzo)
Roméo et Juliette "Symphonie dramatique": Scène 5. Convoi funèbre de Juliette
Roméo et Juliette "Symphonie dramatique": Scène 6. Roméo au tombeau des Capulets / Invocation / Reveil de Juliette / Final: La foule accourt au cimetière
Roméo et Juliette "Symphonie dramatique": Scène 7b. "Quoi! Romèo de retour!" / Recitatif "Je vais devoiler le mystère"
Roméo et Juliette "Symphonie dramatique": Scène 7c. Air "Pauvres enfants que je pleure"
Roméo et Juliette "Symphonie dramatique": Scène 7c. Serment "Jurez donc, par l'auguste symbole"
Roméo et Juliette, Op. 17: Part I, I. Introduction: Combats - Tumulte - Intervention du prince
Roméo et Juliette, Op. 17: Part I, I. Prologue: “D’anciennes haines endormies”
Roméo et Juliette, Op. 17: Part I, I. Récitatif et Scherzetto: “Bientôt de Roméo” - “Mab! La messagère” - “Bientôt la mort est souveraine”
Roméo et Juliette, Op. 17: Part I, I. Strophe I: “Premiers transports que nul n’oublie”
Roméo et Juliette, Op. 17: Part I, I. Strophe II: “Heureux enfants aux cœurs de flamme”
Romeo et Juliette, op. 17: Part I. Introduction
Romeo et Juliette, op. 17: Part I. Prologue: "D'anciennes haines endormies"
Romeo et Juliette, op. 17: Part I. Recitatif et Scherzetto: "Beintôt de Roméo" - "Mab! la massagère" - "Bientôt la mort est souveraine"
Romeo et Juliette, op. 17: Part I. Strophe 1: "Premiers transports que nul n'oublie"
Romeo et Juliette, op. 17: Part I. Strophe 2: "Heureux enfants aux cœurs de flamme"
Roméo et Juliette, Op. 17: Part II, II. “Ohé! Capulets! bonsoir, bonsoir!”
Roméo et Juliette, Op. 17: Part II, II. Grande fête chez Capulets
Roméo et Juliette, Op. 17: Part II, II. Roméo seul - Tristesse - Bruits lointains de concert et de bal
Roméo et Juliette, Op. 17: Part II, III. Scène d’amour - Nuit serène - Le jardin de Capulet silencieux et désert - Les jeunes Capulets sortant de la fête en chantant des réminiscences de la musique du bal
Roméo et Juliette, Op. 17: Part II, IV. Scherzo: La reine Mab, ou la fée des songes
Romeo et Juliette, op. 17: Part II. Grande fete chez les Capulets
Romeo et Juliette, op. 17: Part II. Roméo seul - Tristesse - Concert et Bal
Roméo et Juliette, Op. 17: Part III, V. Convoi funèbre: “Jetez des fleurs pour la vierge expirée”
Roméo et Juliette, Op. 17: Part III, VI. Roméo au tombeau des Capulets. Invocation - Réveil de Juliette. Joie délirante, désespoir - Dernières angoisses et mort des deux amants
Roméo et Juliette, Op. 17: Part III, VII. Final: “Quoi! Roméo de retour! Roméo” - La foule accourt au cimetière - Des Capulets et des Montagus
Roméo et Juliette, Op. 17: Part III, VII. Récitatif et Air du Père Laurence: “Pauvres enfants que je pleure”
Roméo et Juliette, Op. 17: Part III, VII. Serment de réconciliation: “Jurez donc par l’auguste symbole”
Romeo et Juliette, op. 17: Part III. "Ohe! Capulets! Bonsoir, bonsoir!"
Romeo et Juliette, op. 17: Part III. Scène d'amour
Romeo et Juliette, op. 17: Part IV. Convoi funèbre de Juliette: "Jettez des fleus pour la vierge expirée"
Romeo et Juliette, op. 17: Part IV. Finale. Air du Père Laurence: "Pauvres enfants que je pleure" - "Mais notre sang rougit leur glaive"
Romeo et Juliette, op. 17: Part IV. Finale. Cœurs et Récitatif du Père Laurence: "Quoi! Roméo de rétour!"
Romeo et Juliette, op. 17: Part IV. Finale. Serment de réconciliation: "Jurez donc"
Romeo et Juliette, op. 17: Part IV. Roméo au trombeau des Capulets
Romeo et Juliette, op. 17: Part IV. Scherzo: La reine Mab ou la fée des songes
Rosamunde, D 797: Ballet Music no. 1 - Andante un poco assai
Rosamunde, D 797: Ballet Music no. 2 - Andantino
Rosamunde, D 797: Intermezzo no. 2 - Andantino
Rosamunde, D 797: Overture
Ruins of Athens, Op. 113, The
Rule Britannia
Sacre Du Printemps • Petrouchka, Le
Sacre du printemps: Première partie. L’Adoration de la terre: I. Introduction, Le
Sacre du printemps: Première partie. L’Adoration de la terre: II. Les Augures printaniers – Danses des adolescentes, Le
Sacre du printemps: Première partie. L’Adoration de la terre: III. Jeu du rapt, Le
Sacre du printemps: Première partie. L’Adoration de la terre: IV. Rondes printanières, Le
Sacre du printemps: Première partie. L’Adoration de la terre: V. Jeux des cités rivales, Le
Sacre du printemps: Première partie. L’Adoration de la terre: VI. Cortège du sage, Le
Sacre du printemps: Première partie. L’Adoration de la terre: VII. Le sage, Le
Sacre du printemps: Première partie. L’Adoration de la terre: VIII. Danse de la terre, Le
Sacre du printemps: Seconde partie. Le Sacrifice: IX. Introduction, Le
Sacre du printemps: Seconde partie. Le Sacrifice: X. Cercles mystérieux des adolescentes, Le
Sacre du printemps: Seconde partie. Le Sacrifice: XI. Glorification de l’élue, Le
Sacre du printemps: Seconde partie. Le Sacrifice: XII. Évocation des ancêtres, Le
Sacre du printemps: Seconde partie. Le Sacrifice: XIII. Action rituelle des ancêtres, Le
Sacre du printemps: Seconde partie. Le Sacrifice: XIV. Danse sacrale. l’élue, Le
Sacred Music
Sacred Songs
Samson et Dalila - Mon cœur s'ouvre à ta voix
Samson et Dalila (Highlights)
Samson et Dalila, Act I: Arrêtez, ô mes frères
Samson et Dalila, Act I: Dieu! Dieu d’Israël!
Samson et Dalila, Act I: Maudite à jamais soit la race
Samson et Dalila, Act I: Printemps qui commence
Samson et Dalila, Act II: En ces lieux malgré moi m’ont ramené mes pas
Samson et Dalila, Act II: Mon coeur s’ouvre à ta voix
Samson et Dalila, Act II: Samson recherchant ma présence - Amour! viens aider ma faiblesse
Samson et Dalila, Act III: Bacchanale
Samson et Dalila, Act III: Seigneur, inspire-moi, ne mábandonne pas! - Dagon se révèle!
Samson et Dalila, Act III: Vois ma misère, hélas!
Samson et Dalila: Mon coeur s'ouvre à ta voix
Sanctus
Sara la baigneuse
Saturn, the Bringer of Old Age
Saw Three Ships, I
Schauspieldirektor, K. 486 (Erik Smith reconstruction): Akt I. No. 1 Ariette "Da schlägt die Abschiedsstunde" (Mme Herz), Der
Schauspieldirektor, K. 486 (Erik Smith reconstruction): Akt I. No. 2 Rondo "Bester Jüngling" (Mlle Silberklang), Der
Schauspieldirektor, K. 486 (Erik Smith reconstruction): Akt I. No. 3 Terzett "Ich bin die erste Sängerin" (Mlle Silberklang, Mme Herz, M. Vogelsang), Der
Schauspieldirektor, K. 486 (Erik Smith reconstruction): Akt I. No. 4 Schlußgesang "Jeder Künstler strebt nach Ehre" (Mlle Silberklang, Mme Herz, M. Vogelsang, Buff), Der
Schauspieldirektor, K. 486 (Erik Smith reconstruction): Ouvertüre, Der
Schauspieldirektor, K. 486: Overture, Der
Schmerzen
Schöpfung (The Creation), Die
Schöpfung: Part I. No. 1. Einleitung: Die Vorstellung des Chaos, Die
Schöpfung: Part I. No. 10. Und die himmlischen Heerscharen (tenor), Die
Schöpfung: Part I. No. 11. Stimmt an die Saiten (chorus), Die
Schöpfung: Part I. No. 13. In vollem Glanze steiget jetzt (tenor), Die
Schöpfung: Part I. No. 14. Die Himmel erzählen die Ehre Gottes (chorus, soprano, tenor, baritone), Die
Schöpfung: Part I. No. 2. Im Anfange schuf Gott Himmel und Erde (baritone, chorus, tenor), Die
Schöpfung: Part I. No. 3. Nun schwanden vor dem heiligen Strahle (tenor, chorus), Die
Schöpfung: Part I. No. 4. Und Gott machte das Firmanent (baritone), Die
Schöpfung: Part I. No. 5. Mit Staunen sieht das Wunderwerk (soprano, chorus), Die
Schöpfung: Part I. No. 6. Und Gott sprach: Es sammle sich das Wasser (baritone), Die
Schöpfung: Part I. No. 7. Rollend in schäumenden Wellen (baritone), Die
Schöpfung: Part I. No. 8. Und Gott sprach: Es bringe die Erde Gras hervor (soprano), Die
Schöpfung: Part I. No. 9. Nun beut die Flur das frische Grün (soprano), Die
Schöpfung: Part I. No.12. Und Gott sprarh: Es sei'n Lichter and der Feste (tenor), Die
Schöpfung: Part II. No. 15. Und Gott sparch: Es bringe das wesser (soprano), Die
Schöpfung: Part II. No. 16. Auf starkem Fittiche schwinget sich (soprano), Die
Schöpfung: Part II. No. 17. Und Gott schuf große Walfische (baritone), Die
Schöpfung: Part II. No. 18. Und die Engel rührten ihr' unsterblichen Harfen (baritone), Die
Schöpfung: Part II. No. 19. In holder Anmut stehn, mit jungem Grün (soprano, tenor, baritone), Die
Schöpfung: Part II. No. 20. Der Herr ist groß in seiner Macht (soprano, tenor, baritone, chorus), Die
Schöpfung: Part II. No. 21. Und Gott sparch: Es bringe die Erde hervor (baritone), Die
Schöpfung: Part II. No. 22. Gleich öffnet sich der Erde Schoß (baritone), Die
Schöpfung: Part II. No. 23. Nun scheint in vollem Glanze der Himmel (baritone), Die
Schöpfung: Part II. No. 24. Und Gott schuf den Menschen (tenor), Die
Schöpfung: Part II. No. 25. Mit würd' und Hoheit angetan (tenor), Die
Schöpfung: Part II. No. 26. Und Gott sah jedes Ding (baritone), Die
Schöpfung: Part II. No. 27. Vollendet ist das große Werk (chorus), Die
Schöpfung: Part II. No. 28. Zu dir, o Herr, blickt alles auf (soprano, tenor, baritone), Die
Schöpfung: Part II. No. 29. Vollendet ist das große Werk (chorus), Die
Schöpfung: Part III. No. 30. Aus Rosenwolken bricht (tenor), Die
Schöpfung: Part III. No. 31. Von deiner Güt', o Herr und Gott (soprano, baritone, chorus), Die
Schöpfung: Part III. No. 32. Nun ist die erste Pflicht erfüllt (soprano, baritone), Die
Schöpfung: Part III. No. 33. Holde Gattin, dir zur Seite (soprano, baritone), Die
Schöpfung: Part III. No. 34. O glücklich Paar, und glücklich immerfort (tenor), Die
Schöpfung: Part III. No. 35. Singt dem Herrn alle Stimmen (chorus, soprano, alto, tenor, baritone), Die
Schumann: Piano Concerto in A minor op. 54 / Grieg: Piano Concerto in A minor op. 16 / Piano Sonata in E minor op. 7
Serenade for Strings in E, Op. 22: I. Moderato
Serenade for Strings: I: Moderato
Serenade for Strings: I: Pezzo in forma di sonatina: Andante non troppo -Allegro moderato
Serenade for Strings: II: Tempo di valse
Serenade for Strings: II. Waltz: Moderato (Tempo di valse)
Serenade for Strings: III: Elégie: Larghetto elegiaco
Serenade for Strings: III: Scherzo (Vivace)
Serenade for Strings: IV: Finale (Tema russo): Andante - Allegro con spirito
Serenade for Strings: IV: Larghetto
Serenade for Strings: V: Finale (Allegro vivace
Serenade in D major, K. 250 “Haffner”: I. Allegro maestoso - Allegro molto
Serenade in D major, K. 250 “Haffner”: II. Andante
Serenade in D major, K. 250 “Haffner”: III. Menuetto
Serenade in D major, K. 250 “Haffner”: IV. Rondo. Allegro
Serenade in D major, K. 250 “Haffner”: V. Menuetto. Galanta
Serenade in D major, K. 250 “Haffner”: VI. Andante
Serenade in D major, K. 250 “Haffner”: VII. Menuetto
Serenade in D major, K. 250 “Haffner”: VIII. Adagio - Allegro assai
Serenade in D major, K. 320 “Posthorn”: I. Adagio maestoso - Allegro con spirito
Serenade in D major, K. 320 “Posthorn”: II. Menuetto. Allegretto - Trio
Serenade in D major, K. 320 “Posthorn”: III. Concertante. Andante grazioso
Serenade in D major, K. 320 “Posthorn”: IV. Rondeau. Allegro ma non troppo
Serenade in D major, K. 320 “Posthorn”: V. Andantino
Serenade in D major, K. 320 “Posthorn”: VI. Menuetto - Trios Nos. 1 & 2
Serenade in D major, K. 320 “Posthorn”: VII. Finale. Presto
Serenade in D, K. 320 "Posthorn": VI. Menuetto II - Trio I - Trio II
Serenade in E-flat, K. 375: I. Allegro maestoso
Serenade in E-flat, K. 375: II. Menuetto
Serenade in E-flat, K. 375: III. Adagio
Serenade in E-flat, K. 375: IV. Menuetto
Serenade in E-flat, K. 375: V. Allegro
Sérénade Mélancolique, op. 26
Serenade no. 10 for Thirteen Winds in B-flat, K. 361 "Gran Partita": V. Romanze
Serenade No. 10, "Gran Partita": III. Adagio
Serenade No. 6 in D major "Serenata Notturna", K. 239: I. Marcia. Maestoso
Serenade No. 6 in D major "Serenata Notturna", K. 239: II. Minuetto
Serenade No. 6 in D major "Serenata Notturna", K. 239: III. Rondo. Allegretto
Serenade, K.525 "Eine kleine Nachtmusik": I: Allegro
Serenade, K.525 "Eine kleine Nachtmusik": II: Romanze (Andante)
Serenade, K.525 "Eine kleine Nachtmusik": III: Menuetto (Allegretto) & Trio
Serenade, K.525 "Eine kleine Nachtmusik": IV: Rondo (Allegro)
Serenades for Strings
Serenata notturna in D major, K. 239: I. Marcia. Maestoso
Serenata notturna in D major, K. 239: II. Menuetto
Serenata notturna in D major, K. 239: III. Rondo. Allegro
Shéhérazade: Asie
Shéhérazade: L'indifférent
Shéhérazade: La flûte enchantée
Signor Bruschino, Il
Silent Night
Sinfonía 92 "Oxford", 94 "Sorpresa" y 96 "Milagro"
Sinfonia concertante in E-flat for Violin, Viola and Orchestra, K. 364: I. Allegro maestoso
Sinfonia concertante in E-flat for Violin, Viola and Orchestra, K. 364: II. Andante
Sinfonia concertante in E-flat for Violin, Viola and Orchestra, K. 364: III. Presto
Sinfonia Concertante in E-flat: Andante
Sinfonia Concertante, KV 364 / Concertone, KV 190
Sinfonía núm. 92 en fa mayor "Oxford" (Hob.1 Nº 92): Adagio
Sinfonía núm. 92 en fa mayor "Oxford" (Hob.1 Nº 92): Adagio-Allegro spiritoso
Sinfonía núm. 92 en fa mayor "Oxford" (Hob.1 Nº 92): Menuet (Allegretto)
Sinfonía núm. 92 en fa mayor "Oxford" (Hob.1 Nº 92): Presto
Sinfonía núm. 94 en sol mayor "Sorpresa" (Hob.1 Nº 94): Adagio-Vivace Assai
Sinfonía núm. 94 en sol mayor "Sorpresa" (Hob.1 Nº 94): Andante
Sinfonía núm. 94 en sol mayor "Sorpresa" (Hob.1 Nº 94): Finale (Allegro Di Molto)
Sinfonía núm. 94 en sol mayor "Sorpresa" (Hob.1 Nº 94): Menuet (Allegro Molto)
Sinfonía núm. 96 en re mayor "Milagro" (Hob.1 Nº 96): Adagio-Allegro
Sinfonía núm. 96 en re mayor "Milagro" (Hob.1 Nº 96): Andante
Sinfonía núm. 96 en re mayor "Milagro" (Hob.1 Nº 96): Finale (Vivace Assai
Sinfonía núm. 96 en re mayor "Milagro" (Hob.1 Nº 96): Menuetto (Allegretto)
Sir Colin Davis Conducts Sibelius
Song for the Lord Mayor’s Table: The Contrast – Rhyme, A
Sonnambula: Ah! non credea mirarti...Ah! non giunge, La
Spirit of Christmas, The
St. John Passion
St. John Passion: Part I. No. 1. The arrest of Jesus
St. John Passion: Part I. No. 2. Jesus before Annas and Caiphas. Peter disowns him
St. John Passion: Part I. No. 3. Jesus before Pilate
St. John Passion: Part I. No. 4. Jesus is condemned to death
St. John Passion: Part II. No. 10. Sanctus Immortalis, miserere nobis
St. John Passion: Part II. No. 5. The Crucifixion
St. John Passion: Part II. No. 6. Christ's garments divided
St. John Passion: Part II. No. 7. Jesus and his Mother
St. John Passion: Part II. No. 8. The Reproaches
St. John Passion: Part II. No. 9. The death of Jesus
Stone Wall, The
Surely He hatth borne our griefs - coro / And with His stripes - Coro / All we like sheep have gone astray - Coro
Swan of Tuonela, op. 22 no. 2, The
Symphonic Variations, op. 78: Finale
Symphonic Variations, op. 78: Theme
Symphonic Variations, op. 78: Variations 1-27
Symphonie fantastique
Symphonie fantastique / Le Carnaval romain
Symphonie Fantastique, Op. 14
Symphonie fantastique, op. 14: 1. Rêveries - Passions (Largo - Allegro agitato e appassionato assai)
Symphonie fantastique, op. 14: 2. Un bal (Valse - Allegro non troppo)
Symphonie fantastique, op. 14: 3. Scène aux champs (Adagio)
Symphonie fantastique, op. 14: 4. Marche au supplice (Allegretto non troppo)
Symphonie fantastique, op. 14: 5. Songe d’une nuit du sabbat (Larghetto - Allegro - Dies Irae - Ronde du sabbat (Un peu retenu) - Dies Irae et Ronde du sabbat ensemble)
Symphonie fantastique, op. 14: I. Rêveries – Passions
Symphonie fantastique, op. 14: I. Rêveries, passions
Symphonie fantastique, op. 14: I. Rêveries, passions (Largo - Allegro agitato ed appassionato assai)
Symphonie fantastique, op. 14: II. Un bal
Symphonie fantastique, Op. 14: II. Un bal (Valse: Allegro non troppo)
Symphonie fantastique, op. 14: III. Scène aux champs
Symphonie fantastique, op. 14: III. Scène aux champs (Adagio)
Symphonie fantastique, op. 14: IV. Marche au supplice
Symphonie fantastique, op. 14: IV. Marche au supplice (Allegretto non troppo)
Symphonie fantastique, op. 14: V. Songe d'un nuit de sabbat
Symphonie fantastique, op. 14: V. Songe d'une nuit de Sabbat (Larghetto - Allegro) / Ronde du Sabbat: Poco meno mosso)
Symphonie fantastique, op. 14: V. Songe d’une nuit du sabbat
Symphonie Nr. 1 "Der Titan"
Symphonie Nr. 1 "Der Titan": I. Langsam, schleppend - Im Angfang sehr gemächlich
Symphonie Nr. 1 "Der Titan": II. Kräftig bewegt, doch nicht zu schnell
Symphonie Nr. 1 "Der Titan": III. Feierlich und gemessen, ohne zu schleppen
Symphonie Nr. 1 "Der Titan": IV. Stürmisch bewegt
Symphonie Nr. 36 C-dur, KV 425 "Linzer Symphonie": Andante
Symphonie Nr. 4 B-dur, op. 60: Adagio
Symphonie Nr. 4 B-dur, op. 60: Adagio - Allegro Vivace
Symphonie Nr. 4 B-dur, op. 60: Allegro Ma Non Troppo
Symphonie Nr. 4 B-dur, op. 60: Allegro Vivace
Symphonie Nr. 5 D-Dur op. 107: II Allegro vivace
Symphonie Nr. 5 D-Dur op. 107: IV. Andante con moto. Allegro vivace
Symphonie Nr. 6 E-moll: I. Allegro
Symphonie Nr. 6 E-moll: II. Moderato
Symphonie Nr. 6 E-moll: III. Scherzo: Allegro vivace
Symphonie Nr. 6 E-moll: IV. Epilogue: Moderato
Symphonie Nr. 8: 1. Allegro moderato
Symphonien Nr. 39 & Nr. 41 »Jupiter«
Symphonies & Concertos
Symphonies 28-41
Symphonies 5 & 7
Symphonies 91 & 92 “Oxford”
Symphonies 93, 94 "Surprise" & 96 "Miracle"
Symphonies for Wind Instruments
Symphonies Nos 1 - 7
Symphonies nos 2 & 3
Symphonies Nos 3 & 7, The Oceanides
Symphonies nos. 1 & 2 / Symphony no. 3 elaborated by Anthony Paine
Symphonies Nos. 1 & 4
Symphonies nos. 1 & 6
Symphonies nos. 1-6
Symphonies nos. 1-6, 8 & 9
Symphonies nos. 1-7 / Kullervo
Symphonies Nos. 2 & 6
Symphonies nos. 29 & 39
Symphonies nos. 3 & 5
Symphonies nos. 3 & 7
Symphonies nos. 3 and 6
Symphonies nos. 30, 31 “Paris”, 32 & 33
Symphonies nos. 4 & 5
Symphonies nos. 5 & 6
Symphonies nos. 5 & 7 / Symphonic Poem “En saga” op. 9
Symphonies nos. 7 & 8
Symphonies nos. 7, 8 & 9 "New World"
Symphonies Nos. 83 "La Poule" & 82 "L'Ours"
Symphonies nos. 92 & 93
Symphonies nos. 92 & 93, 97-99
Symphonies nos. 94, 100 & 101: Surprise - Military - Clock
Symphonies nos. 94, 104
Symphonies nos. 97-99
Symphonies, The
Symphonische Metamorphosen über Themen von Carl Maria von Weber: I. Allegro
Symphonische Metamorphosen über Themen von Carl Maria von Weber: II. Turandot (Scherzo)
Symphonische Metamorphosen über Themen von Carl Maria von Weber: III. Andantino
Symphonische Metamorphosen über Themen von Carl Maria von Weber: IV. Marsch
Symphony in B-flat, Hob I:102: I. Largo - Vivace
Symphony in B-flat, Hob I:102: II. Adagio
Symphony in B-flat, Hob I:102: III. Menuet (Allegro)
Symphony in B-flat, Hob I:102: IV. Finale (Presto)
Symphony in B-flat, Hob I:98: I. Adagio - Allegro
Symphony in B-flat, Hob I:98: II. Adagio
Symphony in B-flat, Hob I:98: III. Menuet (Allegro)
Symphony in B-flat, Hob I:98: IV. Finale (Presto)
Symphony in C / Symphony in 3 Movements
Symphony in C minor, Hob I:95: I. Allegro moderato
Symphony in C minor, Hob I:95: II. Andante
Symphony in C minor, Hob I:95: III. Menuetto
Symphony in C minor, Hob I:95: IV. Finale (Vivace)
Symphony in C, Hob I:97: I. Adagio - Vivace
Symphony in C, Hob I:97: II. Adagio ma non troppo
Symphony in C, Hob I:97: III. Menuetto (Allegretto)
Symphony in C, Hob I:97: IV. Finale (Presto assai)
Symphony in C: I Moderato alla breve - Tempo agitato senza troppo accelerare - Tempo I
Symphony in C: I. Moderato alla breve - Tempo agitato senza troppo accelerare - Tempo I
Symphony in C: II Larghetto concertante
Symphony in C: II. Larghetto concertante
Symphony in C: III Allegretto - Meno mosso - Tempo I - Più mosso - Tempo I
Symphony in C: III. Allegretto - Meno mosso - Tempo I - Più mosso - Tempo I
Symphony in C: IV Largo - Tempo giusto, alla breve - Poco meno mosso
Symphony in C: IV. Largo - Tempo giusto, alla breve - Poco meno mosso
Symphony in D, Hob I:101 "The Clock": I. Adagio - Presto
Symphony in D, Hob I:101 "The Clock": II. Andante
Symphony in D, Hob I:101 "The Clock": III. Menuetto (Allegretto)
Symphony in D, Hob I:101 "The Clock": IV. Finale (Vivace)
Symphony in D, Hob I:104 "London": I. Adagio - Allegro moderato
Symphony in D, Hob I:104 "London": II. Andante
Symphony in D, Hob I:104 "London": III. Menuet (Allegro)
Symphony in D, Hob I:104 "London": IV. Finale (Spiritoso)
Symphony in D, Hob I:93: I. Adagio - Allegro assai
Symphony in D, Hob I:93: II. Largo cantabile
Symphony in D, Hob I:93: III. Menuetto (Allegro)
Symphony in D, Hob I:93: IV. Finale (Presto ma non troppo)
Symphony in D, Hob I:96 "The Miracle": I. Adagio - Allegro
Symphony in D, Hob I:96 "The Miracle": II. Andante
Symphony in D, Hob I:96 "The Miracle": III. Menuetto. Allegretto
Symphony in D, Hob I:96 "The Miracle": IV. Finale. Vivace assai
Symphony in E-flat, Hob I:103 "Drum Roll": I. Adagio - Allegro con spirito
Symphony in E-flat, Hob I:103 "Drum Roll": II. Andante più tosto allegretto
Symphony in E-flat, Hob I:103 "Drum Roll": III. Menuet
Symphony in E-flat, Hob I:103 "Drum Roll": IV. Finale. Allegro con spirito
Symphony in E-flat, Hob I:99: I. Adagio - Vivace assai
Symphony in E-flat, Hob I:99: II. Adagio
Symphony in E-flat, Hob I:99: III. Menuetto (Allegretto)
Symphony in E-flat, Hob I:99: IV. Finale (Vivace)
Symphony in E‐flat, Hob. I:91: 1. Largo — Allegro assai
Symphony in E‐flat, Hob. I:91: 2. Andante
Symphony in E‐flat, Hob. I:91: 3. Menuet (Un poco allegretto)
Symphony in E‐flat, Hob. I:91: 4. Finale (Vivace)
Symphony in G major, Hob I:100 "Military": I. Adagio - Allegro
Symphony in G major, Hob I:100 "Military": II. Allegretto
Symphony in G major, Hob I:100 "Military": III. Menuet (Moderato)
Symphony in G major, Hob I:100 "Military": IV. Finale (Presto)
Symphony in G, Hob I:94 "Surprise": I. Adagio - Vivace assai
Symphony in G, Hob I:94 "Surprise": II. Andante
Symphony in G, Hob I:94 "Surprise": III. Menuet (Allegro molto)
Symphony in G, Hob I:94 "Surprise": IV. Finale (Allegro di molto)
Symphony in G, Hob. I:92 «Oxford»: 1. Adagio — Allegro spiritoso
Symphony in G, Hob. I:92 «Oxford»: 2. Adagio
Symphony in G, Hob. I:92 «Oxford»: 3. Menuet (Allegretto)
Symphony in G, Hob. I:92 «Oxford»: 4. Presto
Symphony in Three Movements: I Allegro
Symphony in Three Movements: I. Allegro
Symphony in Three Movements: II Andante - Interlude (L'istesso tempo) -
Symphony in Three Movements: II. Andante - Interlude (L'istesso tempo)
Symphony in Three Movements: III Con moto
Symphony in Three Movements: III. Con moto
Symphony No 3 in C Major, Op 52 i Allegro moderato
Symphony No 3 in C Major, Op 52 ii Andantino con moto, quasi allegretto
Symphony No 3 in C Major, Op 52 iii Moderato - Allegro ma non tanto
Symphony No 7 in C Major, Op 105
Symphony no 99 in E-flat major: I. Adagio - Vivace assai
Symphony no 99 in E-flat major: II. Adagio
Symphony no 99 in E-flat major: III. Menuetto e trio: Allegretto
Symphony no 99 in E-flat major: IV. Finale: Vivace
Symphony no. 1
Symphony no. 1 in A-flat major, op. 55: I. Andante. Nobilmente e semplice - Allegro
Symphony no. 1 in A-flat major, op. 55: II. Allegro molto
Symphony no. 1 in A-flat major, op. 55: III. Adagio
Symphony no. 1 in A-flat major, op. 55: III. Adagio - Molto expressivo e sostenuto
Symphony no. 1 in A-flat major, op. 55: IV. Lento - Allegro
Symphony no. 1 in A-flat major, op. 55: IV. Lento - Allegro - Grandioso
Symphony no. 1 in D major, D 82: I. Adagio - Allegro vivace
Symphony no. 1 in D major, D 82: II. Andante
Symphony no. 1 in D major, D 82: III. Allegro
Symphony no. 1 in D major, D 82: IV. Allegro vivace
Symphony no. 1 in E minor, op. 39: I. Andante, ma non troppo
Symphony no. 1 in E minor, op. 39: I. Andante, ma non troppo - Allegro energico
Symphony no. 1 in E minor, op. 39: II. Andante ma non troppo lento
Symphony no. 1 in E minor, op. 39: II. Andante, ma non troppo lento
Symphony no. 1 in E minor, op. 39: II. Andante. Ma non troppo lento
Symphony no. 1 in E minor, op. 39: III. Scherzo, allegro
Symphony no. 1 in E minor, op. 39: III. Scherzo: Allegro - Lento
Symphony no. 1 in E minor, op. 39: III. Scherzo. Allegro
Symphony no. 1 in E minor, op. 39: IV. Finale
Symphony no. 1 in E minor, op. 39: IV. Finale, quasi una fantasia, andante
Symphony no. 1 in E minor, op. 39: IV. Finale: Quasi una fantasia
Symphony no. 1 in E minor, op. 39: IV. Finale: Quasi una fantasia (excerpt)
Symphony no. 1 in G minor, op. 7: I. Allegro orgoglioso
Symphony no. 1 in G minor, op. 7: II. Andante
Symphony no. 1 in G minor, op. 7: III. Allegro comodo
Symphony no. 1 in G minor, op. 7: IV. Finale. Allegro con fuoco
Symphony no. 1: I. Allegro assai
Symphony no. 1: II. Scherzo: Presto, con malizia
Symphony no. 1: III. Andante con malincolia
Symphony no. 1: IV. Maestoso - Brio ed ardentemente vivacissimo maestoso
Symphony no. 2
Symphony no. 2 "The Four Temperaments": IV. Allegro sanguineo - Marziale (Sanguine)
Symphony no. 2 / En saga / Luonnotar
Symphony no. 2 / Finlandia
Symphony no. 2 / Finlandia / Valse Triste / Swan of Tuonela
Symphony no. 2 / Karelia Suite / Finlandia / Valse triste
Symphony no. 2 / Pohjola's Daughter
Symphony no. 2 / Pohjola’s Daughter
Symphony no. 2 in B-flat major, D 125: I. Largo - Allegro vivace
Symphony no. 2 in B-flat major, D 125: II. Andante
Symphony no. 2 in B-flat major, D 125: III. Menuetto. Allegro vivace - Trio
Symphony no. 2 in B-flat major, D 125: IV. Presto vivace
Symphony no. 2 in D major, op. 43: I. Allegretto
Symphony no. 2 in D major, op. 43: I. Allegretto - Poco allegro - Tranquillo, ma poco a poco ravvivando il tempo al allegro
Symphony no. 2 in D major, op. 43: II. Tempo andante
Symphony no. 2 in D major, op. 43: II. Tempo Andante, ma rubato
Symphony no. 2 in D major, op. 43: II. Tempo andante, ma rubato - Andante sostenuto
Symphony no. 2 in D major, op. 43: III. Vivacissimo
Symphony no. 2 in D major, op. 43: III. Vivacissimo - Lento e soave - Largamente
Symphony no. 2 in D major, op. 43: IV. Allegro moderato
Symphony no. 2 in D major, op. 43: IV. Attacca Finale, Allegro moderato
Symphony no. 2 in D major, op. 43: IV. Finale: Allegro moderato
Symphony no. 2 in D major, op. 43: IV. Finale. Allegro moderato
Symphony no. 2 in D, op. 43: I. Allegretto
Symphony no. 2 in D, op. 43: II. Tempo andante
Symphony no. 2 in D, op. 43: III. Vivacissimo
Symphony no. 2 in D, op. 43: IV. Allegro moderato
Symphony no. 2 in E-flat major, op. 63: I. Allegro vivace e nobilimente
Symphony no. 2 in E-flat major, op. 63: II. Larghetto
Symphony no. 2 in E-flat major, op. 63: III. Rondo: Presto
Symphony no. 2 in E-flat major, op. 63: IV. Moderato e maestoso
Symphony no. 2: I. Allegro collerico
Symphony no. 2: II. Allegro comodo e flemmatico
Symphony no. 2: III. Andante malincolico
Symphony no. 25 in G minor, K. 183: I. Allegro con brio
Symphony no. 25 in G minor, K. 183: II. Andante
Symphony no. 25 in G minor, K. 183: III. Minuetto
Symphony no. 25 in G minor, K. 183: IV. Allegro
Symphony No. 28 in C major, K. 200: I. Allegro spiritoso
Symphony No. 28 in C major, K. 200: II. Andante
Symphony No. 28 in C major, K. 200: III. Menuetto (Allegretto)
Symphony No. 28 in C major, K. 200: IV. Presto
Symphony no. 29 in A major / Symphony no. 39 in E-flat major
Symphony No. 29 in A major, K. 201: I. Allegro moderato
Symphony No. 29 in A major, K. 201: II. Andante
Symphony No. 29 in A major, K. 201: III. Menuetto
Symphony No. 29 in A major, K. 201: IV. Allegro con spirito
Symphony no. 29 in A, K. 201: First Movement: Allegro moderato
Symphony no. 29 in A, K. 201: Fourth Movement: Allegro con spirito
Symphony no. 29 in A, K. 201: Second Movement: Andante
Symphony no. 29 in A, K. 201: Third Movement: Menuetto - Trio
Symphony no. 3 "Scottish" / Symphony no. 5 "Revelation"
Symphony No. 3 in A minor, Op. 56 "Scottish": I. Andante con moto
Symphony No. 3 in A minor, Op. 56 "Scottish": II. Vivace non troppo
Symphony No. 3 in A minor, Op. 56 "Scottish": III. Adagio
Symphony No. 3 in A minor, Op. 56 "Scottish": IV. Allegro vivacissimo
Symphony no. 3 in C major, op. 52: I. Allegro moderato
Symphony no. 3 in C major, op. 52: II. Andantino con moto, quasi allegretto
Symphony no. 3 in C major, op. 52: II. Andantino con moto; Quasi allegretto
Symphony no. 3 in C major, op. 52: III. Moderato - Allegro (ma non tanto)
Symphony no. 3 in C major, op. 52: III. Moderato - Allegro ma non tanto
Symphony no. 3 in C major, op. 52: III. Moderato ‐ Allegro (ma non tanto)
Symphony no. 3 in C major, op. 52: III. Moderato allegro, ma non tanto
Symphony no. 3 in C minor: I. Allegro molto maestoso
Symphony no. 3 in C minor: II. Scherzo: Allegretto
Symphony no. 3 in C minor: III. Adagio solenne
Symphony no. 3 in C minor: IV. Allegro
Symphony no. 3 in D major, D 200: I. Adagio maestoso - Allegro con brio
Symphony no. 3 in D major, D 200: II. Allegretto
Symphony no. 3 in D major, D 200: III. Menuetto. Vivace - Trio
Symphony no. 3 in D major, D 200: IV. Presto vivace
Symphony No. 3 in F major, Op. 90: Allegro
Symphony No. 3 in F major, Op. 90: Allegro con brio
Symphony No. 3 in F major, Op. 90: Andante
Symphony No. 3 in F major, Op. 90: Poco allegretto
Symphony No. 3, Op. 90: III. Poco allegretto
Symphony no. 3: I. Allegro espansivo
Symphony no. 3: II. Andante pastorale
Symphony no. 3: III. Allegretto un poco
Symphony no. 3: IV. Finale: Allegro
Symphony no. 3: Part I. 2. Lento
Symphony no. 3: Part II. 3. Allegro molto
Symphony no. 3: Part II. 4. Slow blues
Symphony no. 3: Part II. 5. Fast blues
Symphony no. 3: Part II. 6. Slow blues
Symphony no. 3: Part II. 7. Scena
Symphony no. 3: Sketches Elaborated by Anthony Payne
Symphony no. 30 in D, KV 202: 1. Molto allegro
Symphony no. 30 in D, KV 202: 2. Andantino con moto
Symphony no. 30 in D, KV 202: 3. Menuetto – Trio
Symphony no. 30 in D, KV 202: 4. Presto
Symphony no. 31 in D, KV 297 “Paris”: 1. Allegro assai
Symphony no. 31 in D, KV 297 “Paris”: 2. Andante
Symphony no. 31 in D, KV 297 “Paris”: 3. Allegro
Symphony no. 32 in G major, K. 318
Symphony no. 32 in G, KV 318: Allegro spiritoso – Andante – Tempo I
Symphony no. 33 in B-flat, KV 319: 1. Allegro assai
Symphony no. 33 in B-flat, KV 319: 2. Andante moderato
Symphony no. 33 in B-flat, KV 319: 3. Menuetto – Trio
Symphony no. 33 in B-flat, KV 319: 4. Allegro assai
Symphony No. 34 in C major, K. 338: I. Allegro vivace
Symphony No. 34 in C major, K. 338: II. Andante di molto
Symphony No. 34 in C major, K. 338: III. Finale. Allegro vivace
Symphony No. 35 in D major, K. 385 "Haffner": I. Allegro con spirito
Symphony No. 35 in D major, K. 385 "Haffner": II. Andante
Symphony No. 35 in D major, K. 385 "Haffner": III. Menuetto
Symphony No. 35 in D major, K. 385 "Haffner": IV. Finale Presto
Symphony No. 36 in C major, K. 425 'Linz': I. Adagio - Allegro spiritoso
Symphony No. 36 in C major, K. 425 'Linz': II. Andante
Symphony No. 36 in C major, K. 425 'Linz': III. Menuetto - Trio
Symphony No. 36 in C major, K. 425 'Linz': IV. Finale (Presto)
Symphony No. 38 in D major, K. 504 "Prague": I. Adagio - Allegro
Symphony No. 38 in D major, K. 504 "Prague": II. Andante
Symphony No. 38 in D major, K. 504 "Prague": III. Finale Presto
Symphony no. 39 in E-flat, K. 543: First Movement: Adagio - Allegro
Symphony no. 39 in E-flat, K. 543: Fourth Movement: Finale: Allegro
Symphony no. 39 in E-flat, K. 543: I. Adagio - Allegro
Symphony no. 39 in E-flat, K. 543: II. Andante con moto
Symphony no. 39 in E-flat, K. 543: III. Menuetto (Allegretto)
Symphony no. 39 in E-flat, K. 543: IV. Finale (Allegro)
Symphony no. 39 in E-flat, K. 543: Second Movement: Andante
Symphony no. 39 in E-flat, K. 543: Third Movement: Menuetto - Trio
Symphony no. 39 in E-flat, K.543: Fourth Movement: Finale: Allegro
Symphony no. 4
Symphony no. 4 "New York"
Symphony no. 4 "New York" / Violin Concerto
Symphony no. 4 “The Inextinguishable”: I. Allegro
Symphony no. 4 “The Inextinguishable”: II. Poco allegretto
Symphony no. 4 “The Inextinguishable”: III. Poco adagio quasi andante
Symphony no. 4 “The Inextinguishable”: IV. Allegro
Symphony no. 4 / Overture "Egmont"
Symphony No. 4 in A major, Op. 90 "Italian": I. Allegro vivace
Symphony No. 4 in A major, Op. 90 "Italian": II. Andante con moto
Symphony No. 4 in A major, Op. 90 "Italian": III. Con moto moderato
Symphony No. 4 in A major, Op. 90 "Italian": IV. Saltarello. Presto
Symphony no. 4 in A minor, op. 63: I. Tempo molto moderato, quasi adagio
Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace
Symphony no. 4 in A minor, op. 63: II. Allegro molto vivace tranquillo
Symphony no. 4 in A minor, op. 63: III. Il tempo largo
Symphony no. 4 in A minor, op. 63: III. Tempo largo
Symphony no. 4 in A minor, op. 63: IV. Allegro
Symphony no. 4 in A minor, op. 63: IV. Finale: Allegro
Symphony no. 4 in C minor, D 417 "Tragic": I. Adagio molto - Allegro vivace
Symphony no. 4 in C minor, D 417 "Tragic": II. Andante
Symphony no. 4 in C minor, D 417 "Tragic": III. Menuetto. Allegro vivace - Trio
Symphony no. 4 in C minor, D 417 "Tragic": IV. Allegro
Symphony no. 4, "Italian" / A Midsummer Night's Dream
Symphony no. 4: I. Allegro
Symphony no. 4: II. Andante moderato
Symphony no. 4: III. Scherzo - Allegro molto
Symphony no. 4: IV. Finale con epilogo fugato - Allegro molto
Symphony No. 40 in G minor, K. 550: I. Molto allegro
Symphony No. 40 in G minor, K. 550: II. Andante
Symphony No. 40 in G minor, K. 550: III. Menuetto (Allegretto)
Symphony no. 40 in G minor, K. 550: III. Menuetto: Allegretto
Symphony no. 40 in G minor, K. 550: IV. Allegro assai
Symphony No. 40 in G minor, K. 550: IV. Finale. Allegro assai
Symphony no. 41 in C, K. 551 "Jupiter": I. Allegro vivace
Symphony no. 41 in C, K. 551 "Jupiter": II. Andante cantabile
Symphony no. 41 in C, K. 551 "Jupiter": III. Menuetto (Allegretto)
Symphony no. 41 in C, K. 551 "Jupiter": IV. Molto allegro
Symphony no. 41 in C, KV 551 “Jupiter”: III. Menuetto. Allegretto - Trio
Symphony no. 5 / Symphony no. 6 / Tapiola
Symphony no. 5 in B-flat major, D 485: I. Allegro
Symphony no. 5 in B-flat major, D 485: III. Menuetto. Allegro molto - Trio
Symphony no. 5 in B-flat major, D 485: IV. Allegro vivace
Symphony no. 5 in B-flat major, D. 485: II. Andante con moto
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
Symphony no. 5 in C minor, op. 67: II. Andante con moto
Symphony no. 5 in C minor, op. 67: III. Allegro
Symphony no. 5 in C minor, op. 67: IV. Allegro
Symphony No. 5 in D major, Op. 107 "Reformation": I. Andante. Allegro con fuoco
Symphony No. 5 in D major, Op. 107 "Reformation": II. Allegro vivace
Symphony No. 5 in D major, Op. 107 "Reformation": III. Andante
Symphony No. 5 in D major, Op. 107 "Reformation": IV. Andante con moto. Allegro vivace
Symphony no. 5 in E-flat major, op. 82: I. Tempo molto moderato - Allegro moderato
Symphony no. 5 in E-flat major, op. 82: I. Tempo molto moderato - Largamente - Allegro moderato
Symphony no. 5 in E-flat major, op. 82: II. Andante mosso, quasi allegretto
Symphony no. 5 in E-flat major, op. 82: III. Allegro molto
Symphony no. 5 in E‐flat major, op. 82: I. Tempo molto moderato ‐ Allegro moderato
Symphony no. 5 in E‐flat major, op. 82: II. Andante mosso, quasi allegretto
Symphony no. 5 in E‐flat major, op. 82: III. Allegro molto
Symphony no. 5: I.
Symphony no. 5: I. Adagio non troppo
Symphony no. 5: I. Tempo giusto -
Symphony no. 5: II Allegro - Presto - Andante poco tranquillo - Allegro (Tempo I)
Symphony no. 6
Symphony No. 6 "Pastoral"
Symphony no. 6 “Sinfonia semplice": I. Tempo giusto
Symphony no. 6 “Sinfonia semplice": II. Humoreske: Allegretto
Symphony no. 6 “Sinfonia semplice": III. Proposta seria: Adagio
Symphony no. 6 “Sinfonia semplice": IV. Tema con variazioni
Symphony no. 6 in A major: I. Majestoso
Symphony no. 6 in A major: II. Adagio: Sehr feierlich
Symphony no. 6 in A major: III. Scherzo: Nicht schnell – Trio: Langsam – Scherzo
Symphony no. 6 in A major: IV. Finale: Bewegt, doch nicht zu schnell
Symphony no. 6 in C major, D 589 "The Little": I. Adagio - Allegretto
Symphony no. 6 in C major, D 589 "The Little": II. Andante
Symphony no. 6 in C major, D 589 "The Little": III. Scherzo. Presto
Symphony no. 6 in C major, D 589 "The Little": IV. Allegro moderato
Symphony no. 6 in D major, op. 60: I. Allegro non tanto
Symphony no. 6 in D major, op. 60: II. Adagio
Symphony no. 6 in D major, op. 60: III. Scherzo (Furiant)
Symphony no. 6 in D major, op. 60: IV. Allegro con spirito
Symphony no. 6 in D minor, op. 104: I. Allegro molto moderato
Symphony no. 6 in D minor, op. 104: II. Allegretto moderato
Symphony no. 6 in D minor, op. 104: II. Allegro moderato
Symphony no. 6 in D minor, op. 104: III. Poco vivace
Symphony no. 6 in D minor, op. 104: IV. Allegro molto
Symphony No. 6 in F major, Op. 68 "Pastoral": I. Allegro ma non troppo
Symphony No. 6 in F major, Op. 68 "Pastoral": II. Andante molto mosso
Symphony No. 6 in F major, Op. 68 "Pastoral": III. Allegro
Symphony No. 6 in F major, Op. 68 "Pastoral": IV. Allegro
Symphony No. 6 in F major, Op. 68 "Pastoral": V. Allegretto
Symphony No. 6 in F major, Op. 68 "Pastorale": V. Allegretto
Symphony No. 6 in F, Op. 68 'Pastoral': I. Erwachen heiterer Gefuhle bei der Ankunft auf dem Lande - Allegro ma non troppo
Symphony No. 6 in F, Op. 68 'Pastoral': II. Szene am Bache - Andante molto mosso
Symphony No. 6 in F, Op. 68 'Pastoral': III. Lustiges Zusammensein der Landleute - Allegro
Symphony No. 6 in F, Op. 68 'Pastoral': IV: Gewitter, Sturm - Allegro
Symphony No. 6 in F, Op. 68 'Pastoral': V. Hirtengesang, Frohe, dankbare Gefuhle nach dem Sturm - Allegretto
Symphony no. 6, op. 104: 3. Poco vivace
Symphony no. 7
Symphony No. 7 / Rakastava / En saga / Kullervo
Symphony no. 7 in C major, op. 105
Symphony no. 7 in C major, op. 105: I. Adagio
Symphony no. 7 in C major, op. 105: II. Vivacissimo - Adagio
Symphony no. 7 in C major, op. 105: III. Allegro molto moderato - Allegro moderato
Symphony no. 7 in C major, op. 105: IV. Vivace - Presto - Adagio - Largamente molto
Symphony no. 7 in C major, op. 105: V. Affettuoso
Symphony no. 7 in D minor, op. 70: I. Allegro maestoso
Symphony no. 7 in D minor, op. 70: II. Poco adagio
Symphony no. 7 in D minor, op. 70: III. Scherzo - Vivace - Poco meno mosso
Symphony no. 7 in D minor, op. 70: III. Scherzo (Vivace)
Symphony no. 7 in D minor, op. 70: IV. Allegro
Symphony no. 7 in D minor, op. 70: IV. Finale (Allegro)
Symphony no. 7: II.
Symphony no. 8
Symphony no. 8 "Unfinished" / Rosamunde
Symphony no. 8 in B minor, D 759 "Unfinished": I. Allegro moderato
Symphony no. 8 in B minor, D 759 "Unfinished": II. Andante con moto
Symphony no. 8 in E-flat: Part I, Hymn “Veni, creator spiritus”: Accende lumen sensibus
Symphony no. 8 in E-flat: Part I, Hymn “Veni, creator spiritus”: Gloria sit Patri Domino
Symphony no. 8 in E-flat: Part I, Hymn “Veni, creator spiritus”: Imple superna gratia
Symphony no. 8 in E-flat: Part I, Hymn “Veni, creator spiritus”: Infirma nostri corporis
Symphony no. 8 in E-flat: Part I, Hymn “Veni, creator spiritus”: Tempo I (Allegro, etwas hastig)
Symphony no. 8 in E-flat: Part I, Hymn “Veni, creator spiritus”: Veni, creator spiritus
Symphony no. 8 in E-flat: Part II, Final Scene From Goethe’s “Faust II”: Alles Vergängliche ist nur ein Gleichnis
Symphony no. 8 in E-flat: Part II, Final Scene From Goethe’s “Faust II”: Chor der Engel: Gerettet ist das edle Glied der Geisterwelt vom Bösen / Chor seliger Knaben: Hände verschlinget Euch
Symphony no. 8 in E-flat: Part II, Final Scene From Goethe’s “Faust II”: Chor I/II: Dir, der Unberührbaren / Chor der Büßerinnen und Una poenitentium: Du schwebst zu Höhen der ewigen Reiche
Symphony no. 8 in E-flat: Part II, Final Scene From Goethe’s “Faust II”: Chor und Echo: Waldung, sie schwankt heran
Symphony no. 8 in E-flat: Part II, Final Scene From Goethe’s “Faust II”: Die jüngeren Engel: Ich spür’ soeben, nebelnd um Felsenhöh / Chor seliger Knaben: Freudig empfangen wir / Doctor Marianus: Hier ist die Aussicht frei
Symphony no. 8 in E-flat: Part II, Final Scene From Goethe’s “Faust II”: Die jüngeren Engel: Jene Rosen aus den Händen
Symphony no. 8 in E-flat: Part II, Final Scene From Goethe’s “Faust II”: Die vollendeteren Engel: Uns bleibt ein Erdenrest
Symphony no. 8 in E-flat: Part II, Final Scene From Goethe’s “Faust II”: Doctor Marianus: Höchste Herrscherin der Welt!
Symphony no. 8 in E-flat: Part II, Final Scene From Goethe’s “Faust II”: Magna Peccatrix: Bei der Liebe, die den Füßen / Mulier Samaritana: Bei dem Bronn, zu dem schon weiland / Maria Aegyptica: Bei dem hochgeweihten Orte
Symphony no. 8 in E-flat: Part II, Final Scene From Goethe’s “Faust II”: Mater gloriosa: Komm! Hebe dich zu höhern Sphären
Symphony no. 8 in E-flat: Part II, Final Scene From Goethe’s “Faust II”: Pater Ecstaticus: Ewiger Wonnebrand
Symphony no. 8 in E-flat: Part II, Final Scene From Goethe’s “Faust II”: Pater Profundus: Wie Felsenabgrund mir zu Füßen
Symphony no. 8 in E-flat: Part II, Final Scene From Goethe’s “Faust II”: Più mosso (Allegro moderato)
Symphony no. 8 in E-flat: Part II, Final Scene From Goethe’s “Faust II”: Poco adagio
Symphony no. 8 in E-flat: Part II, Final Scene From Goethe’s “Faust II”: Selige Knaben: Er überwächst uns schon / Una poenitentium: Vom edlen Geisterchor umgeben
Symphony no. 8 in E-flat: Part II, Final Scene From Goethe’s “Faust II”: Una poenitentium: Neige, du Ohnegleiche
Symphony No. 8 in F, Op. 93: I. Allegro vivace e con brio
Symphony No. 8 in F, Op. 93: II. Allegretto scherzando
Symphony No. 8 in F, Op. 93: III. Tempo di menuetto
Symphony No. 8 in F, Op. 93: IV. Allegro vivace
Symphony no. 8 in G major, op. 88: I. Allegro con brio
Symphony no. 8 in G major, op. 88: II. Adagio
Symphony no. 8 in G major, op. 88: III. Allegretto grazioso - Molto vivace
Symphony no. 8 in G major, op. 88: IV. Allegro ma non troppo
Symphony No. 82 in C major ('The Bear'), H. 1/82: Allegretto
Symphony No. 82 in C major ('The Bear'), H. 1/82: Finale. Vivace assai
Symphony No. 82 in C major ('The Bear'), H. 1/82: Menuetto & Trio
Symphony No. 82 in C major ('The Bear'), H. 1/82: Vivace
Symphony No. 83 in G minor ('The Hen'), H. 1/83: Allegro
Symphony No. 83 in G minor ('The Hen'), H. 1/83: Andante
Symphony No. 83 in G minor ('The Hen'), H. 1/83: Finale. Vivace
Symphony No. 83 in G minor ('The Hen'), H. 1/83: Menuetto & Trio
Symphony no. 9
Symphony no. 9 "From the New World" / Symphonic Variations
Symphony no. 9 in C major, D. 944 "The Great": I. Andante - Allegro ma non troppo
Symphony no. 9 in C major, D. 944 "The Great": II. Andante con moto
Symphony no. 9 in C major, D. 944 "The Great": III. Scherzo. Allegro vivace - Trio
Symphony no. 9 in C major, D. 944 "The Great": IV. Finale. Allegro vivace
Symphony No. 9 in D minor, Op. 125 "Choral"
Symphony No. 9 in D minor, Op. 125 "Choral":"O Freunde, nicht diese Tone!"
Symphony No. 9 in D minor, Op. 125 "Choral":Alla marcia: Allegro vivace assai
Symphony No. 9 in D minor, Op. 125 "Choral":Allegro assai
Symphony No. 9 in D minor, Op. 125 "Choral":Allegro energico, sempre ben marcato
Symphony No. 9 in D minor, Op. 125 "Choral":Allegro ma non tanto
Symphony No. 9 in D minor, Op. 125 "Choral":Andante maestoso - Adagio non troppo, ma divoto
Symphony No. 9 in D minor, Op. 125 "Choral":I. Allegro ma non troppo, un poco maestoso
Symphony No. 9 in D minor, Op. 125 "Choral":II. Molto vivace
Symphony No. 9 in D minor, Op. 125 "Choral":III. Adagio molto e cantabile
Symphony No. 9 in D minor, Op. 125 "Choral":IV. Presto
Symphony no. 9 in D minor, op. 125 “Choral”
Symphony no. 9 in D minor, op. 125 “Choral”: I. Allegro ma non troppo, un poco maestoso
Symphony no. 9 in D minor, op. 125 “Choral”: II. Molto vivace
Symphony no. 9 in D minor, op. 125 “Choral”: III. Adagio molto e cantabile
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Presto - Allegro assai
Symphony no. 9 in D minor, op. 125: "Choral"
Symphony no. 9 in D minor: I. Feierlich, Misterioso
Symphony no. 9 in D minor: II. Scherzo. Bewegt, lebhaft - Trio. Schnell - Scherzo
Symphony no. 9 in D minor: III. Adagio. Langsam, feierlich
Symphony no. 9 in E minor From “The New World”: II. Largo (excerpt)
Symphony no. 9 in E minor, op. 95 "From the New World": I. Adagio - Allegro molto
Symphony no. 9 in E minor, op. 95 "From the New World": II. Largo
Symphony no. 9 in E minor, op. 95 "From the New World": III. Scherzo (Molto vivace)
Symphony no. 9 in E minor, op. 95 "From the New World": III. Scherzo: Molto vivace
Symphony no. 9 in E minor, op. 95 "From the New World": IV. Allegro con fuoco
Symphony no. 92 in G major “Oxford”: I. Adagio Allegro spiritoso
Symphony no. 92 in G major “Oxford”: II. Adagio cantabile
Symphony no. 92 in G major “Oxford”: III. Menuetto: Allegretto
Symphony no. 92 in G major “Oxford”: IV. Presto
Symphony no. 93 in D major: I. Adagio Allegro assai
Symphony no. 93 in D major: II. Largo cantabile
Symphony no. 93 in D major: III. Menuetto: Allegro
Symphony no. 93 in D major: IV. Finale: Presto ma non troppo
Symphony no. 94 in G "Surprise": Finale. Allegro di molto
Symphony no. 97 in C major: I. Adagio Allegro assai
Symphony no. 97 in C major: II. Adagio ma non troppo
Symphony no. 97 in C major: III. Menuetto e trio: Allegretto
Symphony no. 97 in C major: IV. Finale: Presto assai
Symphony no. 98 in B-flat major: I. Adagio Allegro
Symphony no. 98 in B-flat major: II. Adagio
Symphony no. 98 in B-flat major: III. Menuetto: Presto
Symphony no. 98 in B-flat major: IV. Finale: Presto
Symphony No.3 in E flat major, op.55 "Eroica" - I. Allegro con brio
Symphony No.3 in E flat major, op.55 "Eroica" - II. Marcia funebre: Adagio assai
Symphony No.3 in E flat major, op.55 "Eroica" - III. Scherzo: Allegro vivace
Symphony No.3 in E flat major, op.55 "Eroica" - IV. Finale: Allegro molto
Symphony of Psalms: I Exaudi orationem meam, Domine
Symphony of Psalms: II Expectans expectavi Dominum
Symphony of Psalms: III Alleluia, laudate Dominum
Tapiola, op. 112
Tchaikovsky: Violin Concerto / Brahms: Hungarian Dances
Te Deum
Te Deum: I. Te Deum
Te Deum: I. Te Deum (Hymne)
Te Deum: II. Tibi omnes
Te Deum: II. Tibi omnes (Hymne)
Te Deum: III. Dignare
Te Deum: III. Dignare (Prière)
Te Deum: IV. Christe Rex gloriae (Hymne)
Te Deum: IV. Christe, rex gloriae
Te Deum: V. Te ergo quaesumus
Te Deum: V. Te ergo quaesumus (Prière)
Te Deum: VI. Judex crederis
Te Deum: VI. Judex crederis (Hymne et prière)
Then Shall the Eyes of the Blind Be Opened / He Shall Feed His Flock / Come Unto Him
There Were Shepherds: Recitativo / And Lo, The Angel Of The Lord: Accompagnato (Soprano) / And The Angel Said Unto Them: Recitativo / And Suddenly There Was With The Angel: Accompagnato (Soprano) / Glory To God: Chorus
Thou Shalt Break Them
Tosca
Tosca: "Vissi d'arte, vissi d'amore"
Tosca: “E lucevan le stelle”
Tosca: Ah, quegli occhi - Qual occhio al mondo
Tosca: Atto I. “Ah, quegli occhi…” (Tosca, Cavaradossi)
Tosca: Atto I. “Ah! Finalmente” (Angelotti)
Tosca: Atto I. “Dammi i colori!” (Cavaradossi)
Tosca: Atto I. “E sempre lava!” (Sagrestano, Cavaradossi)
Tosca: Atto I. “E' buona la mia Tosca” (Cavaradossi, Angelotti)
Tosca: Atto I. “Ed io venivo” (Tosca, Scarpia)
Tosca: Atto I. “Gente là dentro!” (Cavaradossi, Angelotti, Tosca)
Tosca: Atto I. “Mario! Mario! Mario!” (Tosca, Cavaradossi)
Tosca: Atto I. “Mia gelosa!” (Cavaradossi, Tosca)
Tosca: Atto I. “Or tutto è chiaro…” (Scarpia, Tosca, Sagrestano)
Tosca: Atto I. “Recondita armonia” (Cavaradossi, Sagrestano)
Tosca: Atto I. “Sommo giubilo, Eccellenza!” (Sagrestano, Coro)
Tosca: Atto I. “Tre sbirri… Una carrozza” (Scarpia, Spoletta, Coro)
Tosca: Atto I. “Un tal baccano in chiesa!” (Scarpia, Sagrestano, Spoletta)
Tosca: Atto II. “E qual via scegliete?” (Scarpia, Tosca)
Tosca: Atto II. “Ed or fra noi parliam da buoni amici” (Scarpia, Tosca)
Tosca: Atto II. “Floria… Amore…” (Cavaradossi, Tosca)
Tosca: Atto II. “Ha più forte sapore” (Scarpia, Sciarrone, Spoletta)
Tosca: Atto II. “Meno male!” (Scarpia, Spoletta, Cavaradossi)
Tosca: Atto II. “Nel pozzo del giardino” (Scarpia, Cavaradossi, Tosca, Sciarrone)
Tosca: Atto II. “Orsù, Tosca, parlate” (Scarpia, Tosca, Cavaradossi, Sciarrone)
Tosca: Atto II. “Ov’è Angelotti?” (Scarpia, Cavaradossi, Spoletta, Tosca)
Tosca: Atto II. “Sciarrone: che dice il Cavalier?” (Scarpia, Sciarrone, Tosca, Cavaradossi)
Tosca: Atto II. “Se la giurata fede” (Scarpia, Tosca)
Tosca: Atto II. “Tosca è un buon falco!” (Scarpia, Sciarrone)
Tosca: Atto II. “Tosca, finalmente mia!” (Scarpia, Tosca)
Tosca: Atto II. “Vedi, le man giunte” (Tosca, Scarpia, Spoletta)
Tosca: Atto II. “Vissi d’arte” (Tosca, Scarpia)
Tosca: Atto III. “Come è lunga l’attesa!” (Tosca)
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi)
Tosca: Atto III. “Franchigia a Floria Tosca…” (Cavaradossi, Tosca)
Tosca: Atto III. “Io de’ sospiri” (Un pastore)
Tosca: Atto III. “L’ora!” (Carceriere, Cavaradossi, Tosca)
Tosca: Atto III. “Mario Cavaradossi?” (Carceriere, Cavaradossi)
Tosca: Atto III. “O dolce mani” (Cavaradossi)
Tosca: Atto III. “Presto, su! Mario! Mario!” (Tosca, Sciarrone, Spoletta)
Tosca: Atto III. “Senti… l’ora è vicina” (Tosca, Cavaradossi)
Tosca: Atto III. Introduzione
Tragic Overture, in D minor, Op. 81
Traviata: È strano... Ah, fors' e lui... Sempre libera, La
Tristan und Isolde: Isoldes Liebestod
Tristan und Isolde: Vorspiel
Tristia H. 119, Op.18: La mort d'Ophélie. Ballade
Tristia H. 119, Op.18: Marche funèbre pour la dernière scène d'Hamlet
Tristia H. 119, Op.18: Méditation religieuse
Tristia, op. 18: 1. Méditation religieuse (after Thomas Moore)
Tristia, op. 18: 2. La Mort d'Ophélie - Ballade (after Shakespeare)
Trojans, Act 4: Nuit d’ivresse (Love Duet), The
Trovatore (Der Troubadour): Squilli, echeggi, Il
Trovatore (Der Troubadour): Vedi! Le fosche notturne, Il
trovatore, Il
trovatore: “L’onda de’ suoni mistici – Di quella pira”, Il
trovatore: Act II. “Vedi! le fosche notturne spoglie”, Il
Trovatore: Di quella pira, Il
Troyens à Carthage: Prélude à l'Acte II, Les
Troyens à Carthage: Prelude from Part II, Act 3, Les
Troyens, H. 133a: Act I. No. 1 Chorus "Ha, Ha! Après dix ans" (Chorus of the Trojan People), Les
Troyens, H. 133a: Act I. No. 10 Aria "Non, je ne verrai pas la déplorable fête" (Cassandre), Les
Troyens, H. 133a: Act I. No. 11 Finale (Trojan March) "De mes sens éperdus" (Cassandre, Chorus), Les
Troyens, H. 133a: Act I. No. 2 Recitative and Aria "Les Grecs ont disparu!" (Cassandre), Les
Troyens, H. 133a: Act I. No. 2 Recitative and Aria "Malheureux roi!" (Cassandre), Les
Troyens, H. 133a: Act I. No. 3 Cavatina "Reviens à toi, vierge adorée!" (Chorèbe) / "Pauvre âme égarée!" (Chorèbe) / "Si tu m'aimes, va-t'en" (Cassandre) ... "Quitte-nous dès ce soir" (Cassandre, Chorèbe), Les
Troyens, H. 133a: Act I. No. 3 Duet "C'est lui!" (Cassandre), Les
Troyens, H. 133a: Act I. No. 4 March and Hymn "Dieux protecteurs de la ville éternelle" (Chorus), Les
Troyens, H. 133a: Act I. No. 5 Gauntelet Combat / Wrestlers' Dance, Les
Troyens, H. 133a: Act I. No. 6 Pantomime (Chorus, Cassandre), Les
Troyens, H. 133a: Act I. No. 7 Recitative "Du peuple et des soldats" (Aeneas), Les
Troyens, H. 133a: Act I. No. 8 Octet and Double Chorus "Châtiment effroyable!" (Priam, Panthée, Chorèbe, Énée, Helenus, Cassandre, Ascagne, Hécube, Chorus), Les
Troyens, H. 133a: Act I. No. 9 Recitative and Chorus "Que la déesse nous protège" (Énée, Priam) / "À cet objet sacré formez cortège, enfants" (All), Les
Troyens, H. 133a: Act II, Scene 1. No. 12 Scene and Recitative. Introduction, Les
Troyens, H. 133a: Act II, Scene 1. No. 13 Recitative and Chorus "Quelle espérance encor est permise" (Énée, Panthée, Ascagne, Chorèbe) / "Le salut des vaincus est de n'en plus attendre" (Énée, Chorèbe, Panthee, Chorus), Les
Troyens, H. 133a: Act II, Scene 1. No. 13 Scene and Recitative "Ô lumiere de Troie!" (Énée) / "Ah!...fuis, fils de Vénus" (Ghost of Hector), Les
Troyens, H. 133a: Act II, Scene 2. No. 14 Chorus "Ha, puissante Cybèle" (Trojan Chorus), Les
Troyens, H. 133a: Act II, Scene 2. No. 15 Recitative and Chorus "Tous ne périront pas" (Cassandre) / "Ô digne sœur d'Hector" (Chorus), Les
Troyens, H. 133a: Act II, Scene 2. No. 16 Finale "Complices de sa gloire" (Chorus, Cassandre, Greek Chef) / "Le trésore! Le trésore!" (A Group of Greeks), Les
Troyens, H. 133a: Act III. No. 17 Chorus "De Carthage les cieux" (Chorus of the Carthage People), Les
Troyens, H. 133a: Act III. No. 18 National Anthem "Gloire à Didon" (Chorus), Les
Troyens, H. 133a: Act III. No. 19 Recitative and Aria "Chers Tyriens" (Didon, Chorus), Les
Troyens, H. 133a: Act III. No. 19 Recitative and Aria "Nous avons vu finir sept ans à peine" (Didon), Les
Troyens, H. 133a: Act III. No. 20 Entry of the Builders, Les
Troyens, H. 133a: Act III. No. 21 Entry of the Sailors, Les
Troyens, H. 133a: Act III. No. 22 Entry of the Farm-Workers, Les
Troyens, H. 133a: Act III. No. 23 Recitative and Chorus "Peuple! tous les honneurs" (Didon, Chorus), Les
Troyens, H. 133a: Act III. No. 24 Recitative and Duet "Les chants joyeux" (Didon, Anna), Les
Troyens, H. 133a: Act III. No. 25 Recitative and Aria "Echappés à grand peine" (Iopas, Didon), Les
Troyens, H. 133a: Act III. No. 25 Recitative and Aria "Errante sur les mers" (Didon), Les
Troyens, H. 133a: Act III. No. 26 Trojan March (in the Minor Mode) "J'éprouve une soudaine et vive impatience" (Didon), Les
Troyens, H. 133a: Act III. No. 27 Recitative "Auguste reine, un peuple errant et malheureux" (Ascagne, Didon, Panthée), Les
Troyens, H. 133a: Act III. No. 28 Finale "J'ose à peine annoncer la terrible nouvelle!" (Narbal, Didon, Chorus) / "Reine! Je suis Énée!" (Énée, All) / "Annonce à nos Troyens l'entreprise nouvelle" (Énée, Didon) / "Des armes! des armes!" (All), Les
Troyens, H. 133a: Act IV, Scene 1. No. 29 Royal Hunt and Storm (Pantomime), Les
Troyens, H. 133a: Act IV, Scene 2. No. 30 Recitative "Dites, Narbal, qui cause vos alarmes?" (Anna, Narbal), Les
Troyens, H. 133a: Act IV, Scene 2. No. 31 Aria "De quels revers menaces-tu Carthage?" (Narbal), Les
Troyens, H. 133a: Act IV, Scene 2. No. 31 Aria and Cavatina "De quels revers menaces-tu Carthage" (Narbal, Anna), Les
Troyens, H. 133a: Act IV, Scene 2. No. 31 Cavatina "Vaine terreur" (Anna), Les
Troyens, H. 133a: Act IV, Scene 2. No. 32 March for the Entry of the Queen, Les
Troyens, H. 133a: Act IV, Scene 2. No. 33a Ballet: Dance of the Egyptian Dancing Girls, Les
Troyens, H. 133a: Act IV, Scene 2. No. 33b Ballet: Dance of the Slaves, Les
Troyens, H. 133a: Act IV, Scene 2. No. 33c Ballet: Dance of the Nubian Slave Girls, Les
Troyens, H. 133a: Act IV, Scene 2. No. 34 Scene and Iopas' Song "Assez, ma sœur" (Didon), Les
Troyens, H. 133a: Act IV, Scene 2. No. 34 Scene and Iopas' Song "Ô blonde Cérès" (Iopas), Les
Troyens, H. 133a: Act IV, Scene 2. No. 35 Recitative and Quintet "Ô pudeur! Tout conspire" (Didon, Énée, Anna, Iopas, Narbal), Les
Troyens, H. 133a: Act IV, Scene 2. No. 35 Recitative and Quintet "Pardonne Iopas" (Didon, Énée), Les
Troyens, H. 133a: Act IV, Scene 2. No. 36 Recitative and Septet "Mais bannissons ces tristes souvenirs" (Énée), Les
Troyens, H. 133a: Act IV, Scene 2. No. 36 Recitative and Septet "Tout n'est que paix et charme" (Didon, Énée, Ascagne, Anna, Iopas, Narbal, Panthée, Chorus), Les
Troyens, H. 133a: Act IV, Scene 2. No. 37 Duet "Nuit d'ivresse et d'extase infinie!" (Didon, Énée, Mercure), Les
Troyens, H. 133a: Act V, Scene 1. No. 38 Hylas' Song "Vallon sonore" (Hylas, Trojan Sentries), Les
Troyens, H. 133a: Act V, Scene 1. No. 39 Recitative and Chorus "Préparez tout, il faut partir enfin" (Panthée) / "Chaque jour voit grandir la colère des dieux" (Panthée, Trojan Chieftans, Chorus of Ghosts), Les
Troyens, H. 133a: Act V, Scene 1. No. 40 Duet "Par Bacchus! Ils sont fous avec leur Italie!" (Trojan Sentries), Les
Troyens, H. 133a: Act V, Scene 1. No. 41 Rectitative and Aria "Ah! Quand viendra l'instant des suprêmes adieux" (Énée), Les
Troyens, H. 133a: Act V, Scene 1. No. 41 Rectitative and Aria "Inutiles regrets!" (Énée), Les
Troyens, H. 133a: Act V, Scene 1. No. 42 Scene "Énée!" (Ghosts, Énée), Les
Troyens, H. 133a: Act V, Scene 1. No. 43 Scene and Chorus "Debout, Troyens, éveillez-vous, alerte!" (Énée) / "Alerte! Entendez-vous, amis, la voix d'Énée?" (Chorus), Les
Troyens, H. 133a: Act V, Scene 1. No. 44 "Italie!" (Énée, Trojans), Les
Troyens, H. 133a: Act V, Scene 1. No. 44 Duet and Chorus "Errante sur tes pas" (Didon, Énée), Les
Troyens, H. 133a: Act V, Scene 2. No. 45 Scene "Va, ma sœur, l'implorer" (Didon, Anna), Les
Troyens, H. 133a: Act V, Scene 2. No. 46 Scene "En mer, voyez! six vaisseaux!" (Chorus, Iopas, Didon, Anna, Narbal), Les
Troyens, H. 133a: Act V, Scene 2. No. 47 Monologue "Ah! Ah! Je vais mourir" (Didon), Les
Troyens, H. 133a: Act V, Scene 2. No. 48 Aria "Adieu, fière cité" (Didon), Les
Troyens, H. 133a: Act V, Scene 3. No. 49 Ceremony for the Dead "Dieux de l'oubli, dieux du Ténare" (Chorus of the Priests of Pluto) / "S'il faut enfin qu'Énée aborde en Italie" (Anna, Narbal, Chorus), Les
Troyens, H. 133a: Act V, Scene 3. No. 50 Scene "Pluton...semble m'être propice..." (Didon), Les
Troyens, H. 133a: Act V, Scene 3. No. 51 Chorus "Ah! au secours! au secours! la reine s'est frappée!" (All), Les
Troyens, H. 133a: Act V, Scene 3. No. 52 Imprecation "Rome...Rome...immortelle!" (Didon) / "Haine éternelle à la race d'Énée!" (Chorus), Les
Troyens, Les
Troyens, Nr. 48: "Adieu fière cité", Les
Troyens: “Hail, all hail to the Queen”, Les
Troyens: Act I: "Chorèbe..." - No. 3 Duo: "C'est lui!" - "Quitte-nous dès ce soir", Les
Troyens: Act I: No. 1 Choeur de la populace troyenne: "Ha! Ha! Après dix ans", Les
Troyens: Act I: No. 10 Air: "Non, je ne verrai pas", Les
Troyens: Act I: No. 11 Final: Marche troyenne: "De mes sens éperdus...", Les
Troyens: Act I: No. 2 Récitatif et air: "Les Grecs ont disparu" - "Malheureux roi!", Les
Troyens: Act I: No. 4 Marche et hymne: "Dieux protecteurs", Les
Troyens: Act I: No. 5 Combat de ceste - Pas de lutteurs, Les
Troyens: Act I: No. 6 Pantomime: "Andromaque et son fils!", Les
Troyens: Act I: No. 7 Narration: "Du peuple et des soldats", Les
Troyens: Act I: No. 8 Ottetto et double choeur: "Châtiment effroyable!", Les
Troyens: Act I: No. 9 Récitatif et choeur: "Que la déesse" - "A cet objet sacré", Les
Troyens: Act II: No. 12 Scène et récitatif: Introduction - "O lumière de Troie!" - "Ah!... fuis, fils de Vénus", Les
Troyens: Act II: No. 13 Récitatif et choeur: "Quelle espérance" - "Le salut des vaincus", Les
Troyens: Act II: No. 14 Choeur-prière: "Ah! Puissante Cybèle", Les
Troyens: Act II: No. 15 Récitatif et choeur: "Tous ne périront pas" - "O digne soeur d'Hector", Les
Troyens: Act II: No. 16 Final: "Complices de sa gloire" - "Le trésor! le trésor!", Les
Troyens: Act III: No. 17 Choeur: "De Carthage les cieux", Les
Troyens: Act III: No. 18 Chant national: "Gloire à Didon", Les
Troyens: Act III: No. 19 Récitatif et air: "Nous avons vu finir" - "Chers Tyriens", Les
Troyens: Act III: No. 20 Entrée des constructeurs, Les
Troyens: Act III: No. 21 Entrée des matelots, Les
Troyens: Act III: No. 22 Entrée des laboureurs, Les
Troyens: Act III: No. 23 Récitatif et choeur: "Peuple!" - "Gloire à Didon", Les
Troyens: Act III: No. 24 Récitatif et duo: "Les chants joyeux" - "Sa voix fait naître dans mon sein", Les
Troyens: Act III: No. 25 Récitatif et air: "Echappés à grand peine" - "Errante sur les mers", Les
Troyens: Act III: No. 26 Marche troyenne dans le mode triste - "J'éprouve une soudaine et vive impatience", Les
Troyens: Act III: No. 27 Récitatif: "Auguste reine, un peuple", Les
Troyens: Act III: No. 28 Final: "J'ose à peine annoncer" - "Annonce à nos Troyens" - "Des armes! des armes!", Les
Troyens: Act iV, No 29 - Chasse Royale et Orage, Les
Troyens: Act IV: No. 29 Chasse royale et orage - Pantomime, Les
Troyens: Act IV: No. 30 Récitatif: "Dites Narbal, qui cause", Les
Troyens: Act IV: No. 31 Air et duo: "De quel revers" - "Vaine terreur!", Les
Troyens: Act IV: No. 32 Marche pour l'entrée de la reine, Les
Troyens: Act IV: No. 33 Ballet: a) Pas des almées, Les
Troyens: Act IV: No. 33 Ballet: b) Danse des esclaves, Les
Troyens: Act IV: No. 33 Ballet: c) Pas d'esclaves nubiennes, Les
Troyens: Act IV: No. 34 Scène et chant d'Iopas: "Assez, ma soeur" - "O blonde Cérès", Les
Troyens: Act IV: No. 35 Récitatif et quintette: "Pardonne, Iopas" - "O pudeur!", Les
Troyens: Act IV: No. 36 Récitatif et septuor: "Mais bannissons" - "Tout n'est que paix", Les
Troyens: Act IV: No. 37 Duo: "Nuit d'ivresse et d'extase", Les
Troyens: Act IV. Marche pour l’entree de la reine, Les
Troyens: Act V: No. 38 Chanson d'Hylas: "Vallon sonore", Les
Troyens: Act V: No. 39 Récitatif et choeur: "Préparez tout" - "Chaque jour voit grandir la colère", Les
Troyens: Act V: No. 40 Duo: "Par Bacchus! ils sont fous", Les
Troyens: Act V: No. 41 Récitatif mesuré et air: "Inutiles regrets" - "Ah! quand viendra", Les
Troyens: Act V: No. 42 Scène: "Enée!...", Les
Troyens: Act V: No. 43 Scène et choeur: "Debout, Troyens" - "Alerte!", Les
Troyens: Act V: No. 44 Duo et choeur: "Errante sur tes pas" - "Italie!", Les
Troyens: Act V: No. 45 Scène: "Va, ma soeur, l'implorer", Les
Troyens: Act V: No. 46 Scène: "En mer, voyez!" - "Dieux immortels!", Les
Troyens: Act V: No. 47 Monologue: "Ah! Ah! He vais mourir...", Les
Troyens: Act V: No. 48 Air: "Adieu, fière cité", Les
Troyens: Act V: No. 49 Cérémonie funèbre: "Dieux de l'oubli" - "S'il faut enfin qu' Enée", Les
Troyens: Act V: No. 50 Scène: "Pluton... semble m'être propice", Les
Troyens: Act V: No. 51 Choeur: "Ah! au secours!" - No. 52 Imprécation: "Rome... Rome.. immortelle", Les
Turn of the Screw, The
Uranus, the Magician
Valse Triste
Valse triste (from the incidental music for "Kuolema", op. 44)
Valse Triste, op. 44 no. 1
Variationen und Fuge über ein Thema von Mozart, op. 132: Fuge
Variationen und Fuge über ein Thema von Mozart, op. 132: Thema
Variationen und Fuge über ein Thema von Mozart, op. 132: Variation I. L'istesso tempo
Variationen und Fuge über ein Thema von Mozart, op. 132: Variation II. Poco agitato
Variationen und Fuge über ein Thema von Mozart, op. 132: Variation III. Con moto
Variationen und Fuge über ein Thema von Mozart, op. 132: Variation IV. Vivace
Variationen und Fuge über ein Thema von Mozart, op. 132: Variation V. Quasi presto
Variationen und Fuge über ein Thema von Mozart, op. 132: Variation VI. Sostenuto
Variationen und Fuge über ein Thema von Mozart, op. 132: Variation VII. Andante grazioso
Variationen und Fuge über ein Thema von Mozart, op. 132: Variation VIII. Molto sostenuto
Variations on a Rococo Theme for Violoncello and Orchestra, op. 33: Moderato quasi Andante - Tema: Moderato semplice
Variations on a Rococo Theme for Violoncello and Orchestra, op. 33: Variazione I. Tempo del Tema
Variations on a Rococo Theme for Violoncello and Orchestra, op. 33: Variazione II. Tempo del Tema
Variations on a Rococo Theme for Violoncello and Orchestra, op. 33: Variazione III: Andante sostenuto
Variations on a Rococo Theme for Violoncello and Orchestra, op. 33: Variazione IV. Andante grazioso
Variations on a Rococo Theme for Violoncello and Orchestra, op. 33: Variazione V: Allegro moderato
Variations on a Rococo Theme for Violoncello and Orchestra, op. 33: Variazione VI: Andante
Variations on a Rococo Theme for Violoncello and Orchestra, op. 33: Variazione VII e Coda: Allegro vivo
Variations on an Original Theme, Op. 36 „Enigma-Variationen“: Andante
Variations on an Original Theme, Op. 36 „Enigma-Variationen“: I. (C.A.E.) L'istesso tempo
Variations on an Original Theme, Op. 36 „Enigma-Variationen“: II. (H.D.S-P.) Allegro
Variations on an Original Theme, Op. 36 „Enigma-Variationen“: III. (R.B.T.) Allegretto
Variations on an Original Theme, Op. 36 „Enigma-Variationen“: IV. (W.M.B.) Allegro di molto
Variations on an Original Theme, Op. 36 „Enigma-Variationen“: IX. (Nimrod) Adagio
Variations on an Original Theme, Op. 36 „Enigma-Variationen“: V. (R.P.A.) Moderato
Variations on an Original Theme, Op. 36 „Enigma-Variationen“: VI. (Ysobel) Andantino
Variations on an Original Theme, Op. 36 „Enigma-Variationen“: VII. (Tryte) Presto
Variations on an Original Theme, Op. 36 „Enigma-Variationen“: VIII. (W.N.) Allegretto
Variations on an Original Theme, Op. 36 „Enigma-Variationen“: X. (Dorabella) Allegretto
Variations on an Original Theme, Op. 36 „Enigma-Variationen“: XI. (G.R.S.) Allegro di molto
Variations on an Original Theme, Op. 36 „Enigma-Variationen“: XII. (B.G.N.) Andante
Variations on an Original Theme, Op. 36 „Enigma-Variationen“: XIII. (***) Romanza: Moderato
Variations on an Original Theme, Op. 36 „Enigma-Variationen“: XIV. (E.D.U.) Finale: Allegro
Venus, the Bringer of Peace
Vesperae solennes de confessore / Kyrie in D minor / Ave verum corpus / Exsultate, jubilate
Vesperae solennes de confessore, K. 339: I. Dixit Dominus Domino meo (Psalm 109/110)
Vesperae solennes de confessore, K. 339: II. Confitebor tibi, Domine (Psalm 110/111)
Vesperae solennes de confessore, K. 339: III. Beatus vir qui timet Dominum (Psalm 111/112)
Vesperae solennes de confessore, K. 339: IV. Laudate pueri Dominum (Psalm 112/113)
Vesperae solennes de confessore, K. 339: V. Laudate Dominum omnes gentes (Psalm 116/117)
Vesperae solennes de confessore, K. 339: VI. Magnificat anima mea (Luke 1, 46-55)
Vesperae solennes de confessore, KV 339; Laudate dominum
Vier letzte Lieder / Wesendonk-Lieder
Violin Concert: 2nd movement
Violin Concerto
Violin Concerto / Piano Concerto no. 3
Violin Concerto / Three Orchestral Pieces
Violin Concerto / Violin Romances
Violin Concerto in A minor, B. 96/B. 108, op. 53: Adagio ma non troppo
Violin Concerto in A minor, B. 96/B. 108, op. 53: Allegro ma non troppo - Quasi moderato
Violin Concerto in A minor, B. 96/B. 108, op. 53: Finale: Allegro giocoso ma non troppo
Violin Concerto in B Minor, Op. 61: I. Allegro
Violin Concerto in B Minor, Op. 61: II. Andante
Violin Concerto in B Minor, Op. 61: III. Allegro molto
Violin Concerto in D major, Op. 35: I. Allegro moderato
Violin Concerto in D major, op. 35: II. Canzonetta
Violin Concerto in D major, op. 35: II. Canzonetta (Andante)
Violin Concerto in D major, op. 35: III. Allegro vivacissimo
Violin Concerto in D major, Op. 35: III. Finale. Allegro vivacissimo
Violin Concerto in D major, Op. 77: I. Allegro non troppo (cadenza: Joseph Joachim)
Violin Concerto in D major, Op. 77: II. Adagio
Violin Concerto in D major, Op. 77: III. Allegro giocoso, ma non troppo vivace - Poco più presto
Violin Concerto in D minor, op. 47: I. Allegro moderato
Violin Concerto in D minor, op. 47: II. Adagio di molto
Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto
Violin Concerto in D, op. 35: 1. Allegro moderato
Violin Concerto in D, op. 35: 2. Canzonetta (Andante) / 3. Finale (Allegro vivacissimo)
Violin Concerto in D: I Toccata
Violin Concerto in D: II Aria I
Violin Concerto in D: III Aria II
Violin Concerto in D: IV Capriccio
Violin Concerto K. 211 / Sinfonia Concertante K. 364
Violin Concerto no. 1 in B-flat major, K. 207: I. Allegro moderato
Violin Concerto no. 1 in B-flat major, K. 207: II. Adagio
Violin Concerto no. 1 in D major, op. 19: Andantino - Andante assai
Violin Concerto no. 1 in D major, op. 19: II. Scherzo: Vivacissimo
Violin Concerto no. 1 in D major, op. 19: Moderato - Allegro moderato - Moderato - Più tranquillo
Violin Concerto no. 2 in D major, K. 211: I. Allegro moderato
Violin Concerto no. 2 in D major, K. 211: II. Andante
Violin Concerto no. 2 in D major, K. 211: III. Rondeau: Allegro
Violin Concerto no. 2 in G minor, op. 63: Allegro moderato
Violin Concerto no. 2 in G minor, op. 63: Allegro, ben marcato
Violin Concerto no. 2 in G minor, op. 63: Andante assai - Allegretto - Andante assai
Violin Concerto no. 2 in G minor: II. Andante assai [excerpt]
Violin Concerto No. 3 / Violin Concerto No. 5
Violin Concerto no. 3 in B minor, op. 61: 1. Allegro non troppo
Violin Concerto no. 3 in B minor, op. 61: 2. Andantino quasi allegretto
Violin Concerto no. 3 in B minor, op. 61: 3. Molto moderato e maestoso
Violin Concerto no. 3 in G major, K. 216: I. Allegro
Violin Concerto no. 3 in G major, K. 216: II. Adagio
Violin Concerto no. 3 in G major, K. 216: III. Rondeau. Allegro
Violin Concerto no. 3 in G major, KV216: II. Adagio
Violin Concerto no. 4 in D major, K. 218: I. Allegro
Violin Concerto no. 4 in D major, K. 218: II. Andante cantabile
Violin Concerto no. 4 in D major, K. 218: III. Rondeau. Andante grazioso - Allegro ma non troppo
Violin Concerto no. 5 in A major, K. 219: I. Allegro aperto
Violin Concerto no. 5 in A major, K. 219: II. Adagio
Violin Concerto no. 5 in A major, K. 219: III. Rondeau: Tempo di Menuetto
Violin Concerto no. 5 in A minor, op. 37: 1. Allegro non troppo –
Violin Concerto no. 5 in A minor, op. 37: 2. Adagio –
Violin Concerto no. 5 in A minor, op. 37: 3. Allegro con fuoco
Violin Concerto, op. 53, B108: I. Allegro, ma non troppo – Quasi moderato –
Violin Concerto, op. 53, B108: II. Adagio, ma non troppo
Violin Concerto, op. 53, B108: III. Finale: Allegro giocoso, ma non troppo
Violin Concerto: I. Allegro cantabile, con anima - Molto vivace, con spirito
Violin Concerto: II. Largo. Allegretto placido
Violin Concerto: III. Allegro con brio. Presto
Violin Concertos
Violin Concertos (complete)
Violin Concertos nos. 1 & 2
Violin Concertos, The
Violinkonzert: I. Andante - Allegretto
Violinkonzert: II. Allegro - Adagio
Violinkonzerte
Violinkonzerte KV 207, 211 & 218
Viuextemps: Violin Concerto no. 5 / Saint-Saëns: Violin Concerto no. 3 / Ysaÿe: Sonata for Violin Solo no. 5
Voice of Christmas, The
WALTZ GOLD 100 Great Tracks
Waverley Overture, Op. 1
Waverley, op. 1
We Three Kings of Orient Are
Werther : « Je ne sais, si je veille »
Wesendonck Lieder: I. Der Engel
Wesendonck Lieder: II. Stehe still!
Wesendonck Lieder: III. Im Treibhaus
Wesendonck Lieder: IV. Schmerzen
Wesendonck Lieder: Schmerzen – Träume
Wesendonck Lieder: V. Träume
Wesendonk-Lieder / Tristan und Isolde: Vorspiel / Liebestod
What Child Is This
What Child Is This? (Greensleeves)
White Christmas
Why Do The Nations?: Aria (Bass)
Wonder as I Wander, I
Works for Flute, The
World's Ransoming / Confessions of Isobel Gowdie, The
World’s Ransoming, The
Your Tiny Hand Is Frozen
Zaïde, K. 336b/344 (fragment): Act I. No. 3 Aria "Ruhe sanft, mein holdes Leben" (Zaïde)
Zaide, K. 344: "Ruhe sanft, mein holdes Leben"
Zauberflöte - Highlights, Die
Zauberflöte (The Magic Flute), opera, K. 620: Overture, Die
Zauberflöte KV 620: 2. Akt. Nur stille, stille, stille – Die Strahlen der Sonne, Die
Zauberflöte, Die
Zauberflöte, K. 620: "Ach, ich fühl's", Die
Zauberflöte, K. 620: Act I, Scene I. Introduction "Zu Hilfe! Zu Hilfe!" (Tamino, Drei Damen) / Act I, Scene I. Monologue "Wo bin ich?" (Tamino), Die
Zauberflöte, K. 620: Act I, Scene I. Introduction "Zu Hilfe! Zu Hilfe!" (Tamino), Die
Zauberflöte, K. 620: Act I, Scene II. No. 2 Aria "Was hör' ich? Der Vogelfänger bin ich ja" (Papageno), Die
Zauberflöte, K. 620: Act I, Scene III. No. 2 Aria "He da!... Was da?" (Tamino, Papageno, Drei Damen), Die
Zauberflöte, K. 620: Act I, Scene IV. No. 3 Aria "Dies Bildnis ist bezaubernd schön" (Tamino), Die
Zauberflöte, K. 620: Act I, Scene VI. No. 4 Recitative and Aria "O zitt're nicht, mein lieber Sohn!" (Die Königin der Nacht) / Act I, Scene VII. Monologue "Ist's denn auch Wirklichkeit, was ich sah?" (Tamino), Die
Zauberflöte, K. 620: Act I, Scene VI. No. 4 Recitative and Aria "O zitt're nicht, mein lieber Sohn!" (Die Königin der Nacht), Die
Zauberflöte, K. 620: Act I, Scene VIII. No. 5 Quintet "Hm! Hm! Hm!" (Papageno, Tamino, Drei Damen), Die
Zauberflöte, K. 620: Act I, Scene VIII. No. 5 Quintet "Hm! Hm! Hm!" (Papageno, Tamino), Die
Zauberflöte, K. 620: Act I, Scene XII. No. 6 Trio "Du feines Täubchen, nur herein" (Monostatos, Pamina, Tamino), Die
Zauberflöte, K. 620: Act I, Scene XII. No. 6 Trio "Du feines Täubchen, nur herein" (Pamina, Tamino), Die
Zauberflöte, K. 620: Act I, Scene XIV. No. 7 Duet "Bei Männern, welche Liebe fühlen" (Pamina, Papageno), Die
Zauberflöte, K. 620: Act I, Scene XV. "Wo willst du kühner Fremdling hin?" (Sprecher, Tamino, Coro), Die
Zauberflöte, K. 620: Act I, Scene XV. Andante "Wie stark ist nicht dein Zauberton" (Tamino), Die
Zauberflöte, K. 620: Act I, Scene XV. No. 8 Finale "Zum Ziele führt dich diese Bahn" (Drei Knaben, Tamino), Die
Zauberflöte, K. 620: Act I, Scene XV. No. 8 Finale "Zum Ziele führt dich diese Bahn" (Tamino), Die
Zauberflöte, K. 620: Act I, Scene XV. Recitativo "Die Weisheitslehre dieser Knaben" (Tamino, Coro), Die
Zauberflöte, K. 620: Act I, Scene XV. Recitativo "Die Weisheitslehre dieser Knaben" (Tamino), Die
Zauberflöte, K. 620: Act I, Scene XVI. "Schnelle Füße, rascher Mut" (Pamina, Papageno, Monostatos, Coro), Die
Zauberflöte, K. 620: Act I, Scene XVI. "Schnelle Füße, rascher Mut" (Pamina, Papageno), Die
Zauberflöte, K. 620: Act I, Scene XVII. "Herr, ich bin zwar Verbrecherin" (Pamina, Sarastro, Monostatos, Tamino, Coro), Die
Zauberflöte, K. 620: Act I, Scene XVII. "Wenn Tugend und Gerechtigkeit" (Coro), Die
Zauberflöte, K. 620: Act I, Scene XVII. Allegro maestoso "Es lebe Sarastro!" (Coro, Pamina, Papageno), Die
Zauberflöte, K. 620: Act I, Scene XVII. Allegro maestoso "Es lebe Sarastro!" (Pamina, Papageno), Die
Zauberflöte, K. 620: Act II, Scene I. Aria with Choir "O Isis und Osiris" (Sarastro, Coro), Die
Zauberflöte, K. 620: Act II, Scene I. Dialogue "Ihr, in dem Weisheitstempel eingeweihten Diener" (Sarastro, Drei Priester)/ "Sarastro dankt euch" (Sarastro, Sprecher), Die
Zauberflöte, K. 620: Act II, Scene I. Dialogue "Papageno! Wo denkst du, daß wir uns befinden?" (Tamino, Papageno, Sprecher, Zweiter Sprecher), Die
Zauberflöte, K. 620: Act II, Scene I. No. 10 Aria and Chorus "O Isis und Osiris!" (Sarastro), Die
Zauberflöte, K. 620: Act II, Scene I. No. 9 Marsch der Priester, Die
Zauberflöte, K. 620: Act II, Scene IV. No. 11 Duet "Bewahret euch vor Weibertücken" (Papageno, Tamino), Die
Zauberflöte, K. 620: Act II, Scene IV. No. 11 Duet "Bewahret euch vor Weibertücken" (Sprecher, Zweiter Sprecher) / Act II, Scene IV. Dialogue "He, Lichter Her!" (Papageno, Tamino), Die
Zauberflöte, K. 620: Act II, Scene IX - XII. Monologue "Morden soll ich?" (Pamina, Monostaatos, Sarastro), Die
Zauberflöte, K. 620: Act II, Scene V. No. 12 Quintet "Wie? Wie? Wie? Ihr an diesem Schreckensort?" (Drei Damen, Papageno, Tamino, Coro), Die
Zauberflöte, K. 620: Act II, Scene V. No. 12 Quintet "Wie? Wie? Wie? Ihr an diesem Schreckensort?" (Papageno, Tamino), Die
Zauberflöte, K. 620: Act II, Scene VI. Dialogue "Heil dir, Jüngling" (Sprecher, Zweiter Sprecher, Papageno, Pamina, Monostatos), Die
Zauberflöte, K. 620: Act II, Scene VII. No. 13 Aria "Alles fühlt der Liebe Freuden" (Monostatos), Die
Zauberflöte, K. 620: Act II, Scene VIII. Dialogue "Zurück! O weh!" (Die Königin der Nacht, Pamina, Monostatos), Die
Zauberflöte, K. 620: Act II, Scene VIII. No. 14 Aria "Der Hölle Rache kocht in meinem Herzen" (Die Königin der Nacht), Die
Zauberflöte, K. 620: Act II, Scene XII. No. 15 Aria "In diesen heil'gen Hallen kennt" (Sarastro), Die
Zauberflöte, K. 620: Act II, Scene XIII - XV. Dialogue "Hier seid ihr euch beide allein überlassen" (Sprecer, Zweiter Sprecher, Papageno, Tamino, Altes Weib), Die
Zauberflöte, K. 620: Act II, Scene XIX. Monologue "Nicht wahr, Tamino" (Papageno, Tamino), Die
Zauberflöte, K. 620: Act II, Scene XIX. No. 17 Aria "Ach, ich fühl's, es ist verschwunden" (Pamina), Die
Zauberflöte, K. 620: Act II, Scene XVI. No. 16 Trio "Seid uns zum zweiten Mal willkommen" (Drei Knaben), Die
Zauberflöte, K. 620: Act II, Scene XVII - XVIII. Dialogue "Tamino, wollen wir nicht speisen?" (Papageno, Pamina, Tamino), Die
Zauberflöte, K. 620: Act II, Scene XX. No. 18 Chorus "O Isis und Osiris, welche Wonne!" (Chor der Priester), Die
Zauberflöte, K. 620: Act II, Scene XXI. Dialogue "Prinz, dein Betragen war bis hieher männlich und gelassen" (Sarastro, Pamina, Tamino), Die
Zauberflöte, K. 620: Act II, Scene XXII - XXIII. Dialogue "Tamino! Tamino! Willst Du mich denn gänzlich verlassen?" (Papageno, Zwei Stimmen, Zweiter Sprecher), Die
Zauberflöte, K. 620: Act II, Scene XXII. No. 19 Trio "Soll ich dich, Teurer, nicht mehr sehn?" (Pamina, Sarastro, Tamino), Die
Zauberflöte, K. 620: Act II, Scene XXIII. No. 20 Aria "Ein Mädchen oder Weibchen wünscht Papageno sich!" (Papageno), Die
Zauberflöte, K. 620: Act II, Scene XXIV. Dialogue "Da bin ich schon, mein Engel!" (Altes Weib, Papageno, Zweiter Sprecher), Die
Zauberflöte, K. 620: Act II, Scene XXIX. "Papagena! Papagena!" (Papageno, Drei Knaben, Papagena), Die
Zauberflöte, K. 620: Act II, Scene XXVI. No. 21 Finale "Bald prangt, den Morgen zu verkünden" (Drei Knaben, Pamina), Die
Zauberflöte, K. 620: Act II, Scene XXVIII. "Der, welcher wandelt diese Straße voll Beschwerden" (Zwei Geharnischten, Tamino, Pamina), Die
Zauberflöte, K. 620: Act II, Scene XXVIII. "Wir wandelten durch Feuersgluten" (Pamina, Tamino, Coro), Die
Zauberflöte, K. 620: Act II, Scene XXX. "Nur stille! Stille! Die Strahlen der Sonne" (Monostatos, Königin, Damen) / Act II, Scene XXX. "Die Strahlen der Sonne vertreiben die Nacht" (Sarastro, Coro), Die
Zauberflöte, K. 620: Ouverture, Die
Zauberflöte, K. 620: Overture, Die
Zauberflöte: Highlights, Die
Notes: 
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