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Person
ISNI: 
0000 0001 0869 4148
Name: 
Robert Tear
Robert Tear (artiste lyrique et chef d'orchestre)
Robert Tear (britischer Opernsänger)
Robert Tear (Brits operazanger (1939-2011))
Robert Tear (Tenor singer and conductor)
Tear, Robert
Dates: 
1938-2011
Creation class: 
cre
Language material
Musical sound recording
Notated music
Projected medium
Creation role: 
contributor
lyricist
performer
singer
vocalist
Related names: 
Baker, Janet (1933-)
Beethoven, Ludwig van (1770-1827))
Britten, Benjamin (1913-1976)
Britten, Edward Benjamin (1913-1976)
Davis, Andrew (1944-)
Davis, Colin (1927-...)
Decca record company
Ediciones Altaya
EMI music France
Giulini, Carlo Maria (1914-2005)
London Symphony Orchestra
Mozart, Wolfgang Amadeus (1756-1791)
Palmer, Felicity (1944- ))
Palmer, Felicity (1944-)
Shirley-Quirk, John (1931-....))
Shirley-Quirk, John (1931-)
Sotin, Hans
Tizmoret ha-filharmonit ha-Yiśreʼelit
Tunnard (1973))
Watts, Helen (1927-2009)
Wenkel, Ortrun (1942-)
Titles: 
Acis and Galatea
Anna Bolena: Atto I, Scena II. "Ah! cosi nel di ridenti" (Percy)
AVE REGINA
bassarids Die Bassariden, The
Béatrice et Bénédict
Bel pastor dal cui bel guardo
Belshazzar [oratorio in three acts]
burning fiery furnace
[Concert program].
contes d'Hoffmann
Death in Venice
Dido and Aeneas
Dixit Dominus; Psalm 109 [i.e. 110]
Dolci miei sospiri
Eccoti in me, barbaro Nume
Elias
Entführung aus dem Serail, Die
Fugge il verno dei dolori
Gira il nemico insidioso
Glagolitic mass
Glagolská mše
Hippolyte et Aricie
Idomeneo, re di Creta
Indian queen
Johannespassion
King Priam
klagende Lied
la bellezza le dovute lodi ballo, De
Lady Macbeth of Mtsensk
Lass of Richmond Hill, The
Ledi Makbet Mcenskogo uezda
Lidia spina del mio core
Linden Lea
Lulu
Magnificat
Manon Lescaut
mask of time, The
Mass in b minor, BWV.232
Matthäuspassion
Mélodies
Messen, op. 123
Messes
Messiah, The
midsummer night's dream
Misas
Missa solemnis
Msze.
Music by Monteverdi
Nelsonmesse
Non cosí tost’io miro
nozze di Figaro, Le
O rosetta che rossetta
Ode for St. Cecilia's Day
Ohimè ch'io cado, ohimè ch'inciampo
On Wenlock edge;
Óperas
Parade
Parsifal
pastorella mia spietata e rigida
Paukenmesse
prodigal son
Pulcinella
Requiem
Rheingold, Das
Roméo et Juliette
Rosina. [from old catalog]
Samson Gesamtaufn.
Saul
Schauspieldirektor, Der
Schöpfung
Semele
Sì dolce è 'l tormento
Silent Noon
Sinfonien, op. 125
Sing solo tenor
Solomon
Songs of travel
Symphonies
Symphony no. 9 in D minor, op. 125 "Choral"
Three cheers for Pooh!
turn of the screw
Vespro della Beata Vergine
Victorian songs and ballads
War requiem
Water Mill, The
Weihnachts-Oratorium
Werke
Works.
Zauberflöte
Contributed to or performed: 
Abduction from the Seraglio: Pedrillo's Serenade (A Moorish Romance): In Mohrenland gefangen war, The
After this, Jesus knowing that all things
Agony, The
Alleluya Psallat
And they came to a place named Gethsemane
Anna Bolena: Atto I, Scena II (Conclusion) / Scena III (Beginning)
Anna Bolena: Atto I, Scena II. "Desta sì tosto" (Enrico, Anna, Percy, Rochefort, Hervey)
Anna Bolena: Atto I, Scena II. "Io sentil sulla mia mano" (Anna, Enrico, Hervey, Percey, Rochefort)
Anna Bolena: Atto I, Scena II. "Questo di per noi spuntato" (Tutti, Percy, Anna, Rochefort, Enrico)
Anna Bolena: Atto II, Scena I
Anna Bolena: Atto II, Scena I. "O mie fedeli" (Anna, Hervey, Coro)
Anna Bolena: Atto II, Scena II (Beginning)
Anna Bolena: Atto II, Scena II (Conclusion) / Scena III (Beginning)
Anna Bolena: Atto II, Scena II. "Ebben? Dinanzi ai guidici" (Coro, Hervey)
Anna Bolena: Atto II, Scena II. "Scostatevi..il Re giunge" (Hervey, Enrico, Anna, Percy)
Anna Bolena: Atto II, Scena II. "Stolta! Non sai.." (Enrico, Giovanna, Hervey, Coro)
Anna Bolena: Atto II, Scena III. "Cielo, a'miei lunghi spasimi" (Anna, Smeton, Percy, Rochefort, Coro)
Anna Bolena: Atto II, Scena III. "Coppia iniqua, l'estrema vendetta" (Anna, Smeaton, Percy, Rochefort, Coro)
Anna Bolena: Atto II, Scena III. "Tu pur dannato a morte" (Percy, Rochefort, Hervey)
Answer, op. 21 no. 4, The
Apostles, op. 49: Part 1: I. The Calling of the Apostles: And it came to pass in those days, The
Apostles, op. 49: Part 1: I. The Calling of the Apostles: In the Mountain — Night: Morning Psalm, The
Apostles, op. 49: Part 1: I. The Calling of the Apostles: In the Mountain — Night: The Dawn, The
Apostles, op. 49: Part 1: I. The Calling of the Apostles: In the Mountain — Night: The Lord hath chosen them, The
Apostles, op. 49: Part 1: II. By the Wayside, The
Apostles, op. 49: Part 1: III. By the Sea of Galilee: And straightaway Jesus constrained his disciples, The
Apostles, op. 49: Part 1: III. By the Sea of Galilee: Fantasy: This shall ye have of mine hand, The
Apostles, op. 49: Part 1: III. By the Sea of Galilee: In Caesarea Philippi: And I will give unto thee, The
Apostles, op. 49: Part 1: III. By the Sea of Galilee: In Caesarea Philippi: When Jesus came into the parts of Caesarea Philippi, The
Apostles, op. 49: Part 1: III. By the Sea of Galilee: In Capernaum: Turn you to the stronghold, The
Apostles, op. 49: Part 1: III. By the Sea of Galilee: In the Tower of Magdala, The
Apostles, op. 49: Part 2: Introduction, The
Apostles, op. 49: Part 2: IV. The Betrayal: And it came to pass, The
Apostles, op. 49: Part 2: IV. The Betrayal: Hail, Master!, The
Apostles, op. 49: Part 2: IV. The Betrayal: In the Place of the High Priest: Then Judas, which had betrayed him, The
Apostles, op. 49: Part 2: IV. The Betrayal: The Temple: Without the temple, The
Apostles, op. 49: Part 2: IV. The Betrayal: Then gathered the Chief Priests and Pharisees, The
Apostles, op. 49: Part 2: V. Golgotha, The
Apostles, op. 49: Part 2: VI. At the Sepulchre, The
Apostles, op. 49: Part 2: VII. The Ascension: Give us one heart, The
Apostles, op. 49: Part 2: VII. The Ascension: We trusted that it had been He, The
Apostles, op. 49: Prologue, The
Aria with Chorus: Nun schwanden
Aria: Auf starkem Fittiche
Aria: Mit Würd' und Hoheit
Aria: Nun beut die Flur
Aria: Nun scheint in vollem Glanze
Aria: Rollend in schäumenden Wellen
As I Walked Out
Ave Maria
Bach: Magnificat D-Dur, BWV 243 / Bruckner: Te Deum
Ballad of Heroes, op. 14: III. Recitative and Choral (Auden/Swingler)
Ballade de Jésus Christ
BBC Music, Volume 17, Number 10: Symphony No. 2 "Lobgesang"
Beata Progenies
Béatrice et Bénédict
Béatrice et Bénédict, Op. 27: Acte I, Scène 17 / Entr'acte
Béatrice et Bénédict, Op. 27: Acte I, Scènes 7 - 16
Béatrice et Bénédict, Op. 27: Acte II, Scènes 1 - 3
Béatrice et Bénédict, Op. 27: Acte II, Scènes 4 - 9
Béatrice et Bénédict, Op. 27: Ouverture / Acte I, Scènes 1 - 6
Beethoven: Missa Solemnis / Schubert: Symphony no. 4
Believe it or Not, op. 14 no. 7
Bells, op. 35: I. Allegro ma non tanto, The
Bells, op. 35: II. Lento, The
Bells, op. 35: III. Presto, The
Bells, op. 35: IV. Lento lugubre, The
Beloved Let Us Fly, op. 26 no. 5
Big Christmas Box
Blessed be Thou, Heavenly Queen
Brewer, The
British Composers: Britten: War Requiem / Bliss: Morning Heroes
British Composers: Britten: Winter Words etc.
Burden and Carol
Bushes and Briars (voice & piano)
By the Grave, no. 21 no. 2
Canterbury Pilgrims: The Haberdasher and His Fraternity. The Merchant, The
Canticle I: My beloved is mine, Op. 40
Canticle II: Abraham and Isaac, Op. 51
Canticle III: Still falls the rain, Op. 55
Captain’s Apprentice, The
Chanson de quête
Choral Symphony
Chorus with Soloists: Die Himmel erzhalen
Chorus with Trio: Singt dem Herren
Chorus: Stimmt an die Saiten
Chorus: Vollendet ist das grosse Werk
Concerto: Audi, coelum
Concerto: Duo Seraphim
Crist and Sainte Marië
Cuckoo, The
Decet huius cunctis horis
Deposuit potentes
Deus in adjutorium meum intende
Duet and Chorus: Von deiner Güt'
Duet for 2 Tenors in E-flat major, K. 384A/389 (Erik Smith completion): "Welch ängstliches Beben"
Duet: Holde Gattin
English Lyrics: Set II, I. "O mistress mine"
English Lyrics: Set II, II. "Take, o take those lips away"
English Lyrics: Set II, III. "No longer mourn for me"
English Lyrics: Set II, IV. "Blow, blow, thou winter wind"
English Lyrics: Set II, V. "When icicles hang by the wall"
English Lyrics: Set IV, I. "Thine eyes still shine for me"
English Lyrics: Set IV, II. "When lovers meet again"
English Lyrics: Set IV, III. "When we two parted"
English Lyrics: Set IV, IV. "Weep you no more"
English Lyrics: Set IV, V. "There be none of beauty's daughters"
English Lyrics: Set IV, VI. "Bright Star"
English Lyrics: Set IX, VII. "There"
English Lyrics: Set V, VII. "A Welsh lullaby"
English Lyrics: Set VI, I. "When comes my Gwen"
English Lyrics: Set VI, II. "And yet I love her till I die"
English Lyrics: Set VI, III. "Love is a bable"
English Lyrics: Set VII, I. "On a time the amorous Silvy"
English Lyrics: Set VIII, III. "Marian"
English Lyrics: Set VIII, V. "Looking backward"
English Lyrics: Set X, V. "From a city Windows"
Entführung aus dem Serail, K. 384: Akt I, Szene X. No. 7 Terzett "Marsch, marsch, marsch! Trollt euch fort" (Osmin, Belmonte, Pedrillo), Die
Entführung aus dem Serail, K. 384: Akt II, Szene IX. No. 16 Quartett "Ach Belmonte! Ach mein Leben!" (Konstanze, Belmonte, Pedrillo, Blonde), Die
Entführung aus dem Serail, K. 384: Akt II, Szene IX. No. 16 Quartett "Wenn unsrer Ehre wegen" (Konstanze, Belmonte, Pedrillo, Blonde), Die
Entführung aus dem Serail, K. 384: Akt II, Szene VII. No. 13 Arie "Frisch zum Kampfe!" (Pedrillo), Die
Entführung aus dem Serail, K. 384: Akt II, Szene VIII. No. 14 Duett "Vivat Bacchus! Bacchus lebe!" (Pedrillo, Osmin), Die
Entführung aus dem Serail, K. 384: Akt III, Szene IV. No. 18 Romanze "In Mohrenland gefangen war" (Pedrillo, Belmonte), Die
Entführung aus dem Serail, K. 384: Akt III, Szene IX. No. 21a Vaudeville "Nie werd'ich deine Huld verkennen" / Akt III, Szene IX. No. 21b Chor der Janitscharen "Bassa Selim lebe lange", Die
Et exultavit
Foggy, Foggy Dew, The
Folk Song Arrangements: Ca' the Yowes
Folk Song Arrangements: Come you not from Newcastle?
Folk Song Arrangements: La belle est au jardin d'amour
Folk Song Arrangements: Le roi s'en va-t'en chasse
Folk Song Arrangements: Little Sir William
Folk Song Arrangements: O can ye sew cushions?
Folk Song Arrangements: O Waly, Waly
Folk Song Arrangements: Oliver Cromwell
Folk Song Arrangements: Quand j'étais chez mon père
Folk Song Arrangements: Sweet Polly Oliver
Folk Song Arrangements: The Ash Grove
Folk Song Arrangements: The Bonny Earl o' Moray
Folk Song Arrangements: The Brisk Young Widow
Folk Song Arrangements: The Foggy, Foggy Dew
Folk Song Arrangements: The Lincolnshire Poacher
Folk Song Arrangements: The Minstrel Boy
Folk Song Arrangements: The Plough Boy
Folk Song Arrangements: The Salley Gardens
Folk Song Arrangements: The trees they grow so high
Folksongs & Ballads
Fountains, op. 26 no. 11, The
Geordie
Glagolitic Mass: III. Slava
Glagolitic Mass: IV. Vĕruju
Glagolitic Mass: V. Svet
Glagolitic Mass: VI. Agneče Božij
Gloria
Gloria Patri
Hail, Mary full of grace
Heavens Are Telling, The
Himmel erzählen die Ehre Gottes (Die Schöpfung), Die
HMV Collection: Sampler No. 2, The
Hodie Christus natus est
How Cold the Wind Doth Blow (or The Unquiet Grave)
Hulanka
Hymnus: Ave maris stella
Idomeneo
In die nativitas
In memoriam Dylan Thomas: Do not go gentle into that good night
In Nativitate Domine
Jesus said: Father, forgive them
Joseph and Mary (voice & piano)
Joseph Haydn - The Creation
klagende Lied, Das
Knot Garden: Act I "Confrontation". "Ca - ca - Caliban" (Dov, Mel, Thea, Mangus, Faber, Flora), The
Knot Garden: Act I "Confrontation". "Do, do not, do not torment me" (Mel, Dov, Flora, Faber, Thea, Denise), The
Knot Garden: Act I "Confrontation". "If you think we're waxworks, you ought to pay" (Dov, Mel, Flora), The
Knot Garden: Act II "Labyrinth". "Fear! What do I fear?" (Thea, Denise, Faber, Flora, Dov, Mel), The
Knot Garden: Act II "Labyrinth". "Flora: Flora, love; stop crying" (Dov, Flora), The
Knot Garden: Act II "Labyrinth". "I was born in a big town" (Dov, Mel), The
Knot Garden: Act III "Charade". "Enough! Enough!" (Magnus, Dov, Mel, Faber, Thea, Flora, Denise), The
Knot Garden: Act III "Charade". "Goodbye island: goodbye cave" (Flora-Miranda, Mangus-Prospero, Faber-Ferdinand, Dov-Ariel, Mel-Caliban), The
Knot Garden: Act III "Charade". "Mei! O crude, o obscene" (Denise, Mel-Caliban, Mel, Dov), The
Knot Garden: Act III "Charade". "Ugh-ugh-ugh. - Whatever is that?" (Mel-Caliban, Flora-Miranda, Magnus-Prospero, Dov-Ariel), The
Krönungsmesse, K. 317: I. Kyrie
Krönungsmesse, K. 317: II. Gloria
Krönungsmesse, K. 317: III. Credo
Krönungsmesse, K. 317: V. Benedictus
Krönungsmesse, K. 317: VI. Agnus Dei
Lady Macbeth of Mtsensk, Op. 29: Act I, Scene II. "A nu-s, pozvól'te rúku-s" (Sergey, Katerina, Shabby Peasant, Boris)
Lady Macbeth of Mtsensk, Op. 29: Act I, Scene II. "Ay! Ay! Ay!" (Aksinya, Shabby Peasant, Porter, Chorus, Steward, Sergey)
Lady Macbeth of Mtsensk, Op. 29: Act I, Scene II. "Bárynya!" - "Ay!" - "Shto s tobóyu?" (Shabby Peasant, Aksinya, Katerina, Sergey)
Lady Macbeth of Mtsensk, op. 29: Act I, Scene II. “Ay! Ay! Ay!”
Lady Macbeth of Mtsensk, op. 29: Act I, Scene II. “Mnógo vy, muzhiki”
Lady Macbeth of Mtsensk, Op. 29: Act II, Scene IV. "Proshcháy, Kátya, proshcháy!" (Sergey, Boris, Katerina, Chorus, Shabby Peasant, Porter)
Lady Macbeth of Mtsensk, op. 29: Act II, Scene IV. “Proshcháy, Kátya, proshcháy!”
Lady Macbeth of Mtsensk, Op. 29: Act III, Scene VI. "U menyá bylá kumá" (Shabby Peasant)
Lady Macbeth of Mtsensk, op. 29: Act III, Scene VI. “Shto ty tut stoish? … Interlude”
Lady Macbeth of Mtsensk, Op. 29: Act III, Scene VII. "Váshe blagorodie!" - "Chevó tebyé?" (Shabby Peasant, Sergeant, Policemen)
Lady Macbeth of Mtsensk, op. 29: Act III, Scene VII. “Sózdan politséysky byl vo vrémya onó”
Lawyer, The
Let Me Rest Here Alone, op. 26 no. 9
Linden Lea
Litaniae Lauretanae, K. 195: I. Kyrie eleison
Litaniae Lauretanae, K. 195: II. Sancta Maria
Litaniae Lauretanae, K. 195: III. Salus infirmorum
Litaniae Lauretanae, K. 195: IV. Regina angelorum
Little Island, op. 14 no. 2, The
Maiden’s Lament, The
Majesty of the Divine Humiliation, The
Maria Zart, von edler Art
Mass in C major, Op. 86: Agnus Dei
Mass in C major, Op. 86: Benedictus
Mass in C major, Op. 86: Credo in unum Deum
Mass in C major, Op. 86: Et incarnatus est
Mass in C major, Op. 86: Gloria in excelsis Deo
Mass in C major, Op. 86: Kyrie
Mass in C major, Op. 86: Qui tollis peccata mundi
Mass in C major, Op. 86: Quoniam tu solus sanctus
Mass in C major, Op. 86: Sanctus Dominus Deus Sabaoth
Mass No. 12 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:12 "Theresienmesse": I. "Kyrie"
Mass No. 12 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:12 "Theresienmesse": IIa. Gloria: "Gloria in excelsis Deo"
Mass No. 12 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:12 "Theresienmesse": IIb. Gloria: "Gratias agimus"
Mass No. 12 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:12 "Theresienmesse": IIc. Gloria: "Quoniam tu solus sanctus"
Mass No. 12 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:12 "Theresienmesse": IIIa. Credo: "Credo in unum Deum"
Mass No. 12 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:12 "Theresienmesse": IIIb. Credo: "Et incarnatus est" - "Et resurrexit"
Mass No. 12 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:12 "Theresienmesse": IV. "Sanctus"
Mass No. 12 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:12 "Theresienmesse": V. "Benedictus"
Mass No. 12 for Soloists, Chorus & Orchestra in B-flat major, Hob. XXII:12 "Theresienmesse": VI. "Agnus Dei"
Mass No. 3 in F minor: I. Kyrie
Mass No. 3 in F minor: II.Gloria
Mass No. 3 in F minor: III.Credo
Mass No. 3 in F minor: IV. Sanctus
Mass No. 3 in F minor: V. Benedictus
Mass No. 3 in F minor: VI. Agnus Dei
Melodya
Messiah
Messie Part 1: No. 1 Arioso: Comfort ye!, Le
Messie Part 1: No. 2 Aria: Ev'ry valley, Le
Messie Part 2: No. 25. Récitatif: All trusted in God, Le
Messie Part 2: No. 27. Récitatif: Thy rebuke hath broken His heart, Le
Messie Part 2: No. 28. Arioso: Behold, and see, Le
Messie Part 2: No. 29. Récitatif: He was cut off, Le
Messie Part 2: No. 30. Aria: But thou didst not leave, Le
Messie Part 2: No. 32. Récitatif: Unto which of the angels, Le
Messie Part 2: No. 36. Duo: How beautiful are the feet, Le
Messie Part 2: No. 40. Récitatif: He that dwelleth in heaven, Le
Messie Part 2: No. 41. Aria: Thou shalt break them, Le
Messie Part 3: No. 48. Duo: O death, where is thy sting?, Le
Missa in tempore belli, H XXII 9: Benedictus
Missa in tempore belli, H XXII 9: Credo
Missa solemnis, Op. 123: Agnus Dei
Missa solemnis, Op. 123: Credo in unum Deum
Missa solemnis, Op. 123: Dona nobis pacem
Missa solemnis, Op. 123: Et ascendit in cœlum
Missa solemnis, Op. 123: Et incarnatus est
Missa solemnis, Op. 123: Gloria in excelsis Deo
Missa solemnis, Op. 123: Kyrie
Missa solemnis, Op. 123: Kyrie II
Missa solemnis, Op. 123: Preludium-Benedictus
Missa solemnis, Op. 123: Qui tollis peccata mundi
Missa solemnis, Op. 123: Quoniam tu solus sanctus
Missa solemnis, Op. 123: Sanctus Dominus Deus Sabaoth
Moja Piesczotka
Morn of Life, op. 34 no. 10, The
Morning Dew, The
Muse, op. 34 no. 1, The
Narzeczony
Nativitate Domine, De
Nesciens mater
Niema Czego Trzeba
Night is Mornful, op. 26 no. 12
No Prophet I, op. 21 no. 11
Norma: Atto I, Scena I. "Me protegge, me diffende" (Pollione, Flavio, Coro)
Norma: Atto I, Scena I. "Svanir le voci!" (Pollione, Flavio)
Nova! nova!
Nowell, nowell: Out of your sleep
Nowell, nowell: Tidings true
nozze di Figaro (The Marriage of Figaro), opera, K. 492: Act 4. Finale. Contessa, perdono... Ah, tutti contenti, Le
nozze di Figaro, K. 492: Act I, Scene VI. Recitativo "Ah, son perduto!" (Cherubino, Susanna, Il Conte, Basilio), Le
nozze di Figaro, K. 492: Act I, Scene VII. No. 7 Terzetto "Cosa sento! tosto andante" (Il Conte, Basilio, Susanna) / Recitativo "Basilio, in traccia tosto di Figaro volate" (Il Conte, Susanna, Cherubino, Basilio), Le
nozze di Figaro, K. 492: Act I, Scene VIII. No. 8 Coro "Giovani liete" (Coro) / Recitativo "Cos'è questa commedia?" (Il Conte, Figaro, Susanna) / No. 9 Coro "Giovani liete" (Coro) / Recitativo "Evviva!" (Figaro, Susanna, Basilio, Cherubino, Il Conte), Le
nozze di Figaro, K. 492: Act II, Scene XI. No. 16 Finale "Voi signor che giusto siete" (Marcellina, Basilio, Bartolo, Il Conte, Susanna, La Contessa, Figaro), Le
nozze di Figaro, K. 492: Act IV, Scene Ultima. No. 29 Finale "Gente gente, all'armi all'armi!" (Il Conte, Figaro, Don Curzio, Basilio, Antonio, Bartolo, Susanna), Le
nozze di Figaro, K. 492: Act IV, Scene V. Recitativo "Nel padiglione a manca" (Barbarina) / Scene VI. Recitativo "È Barbarina..." (Figaro, Basilio, Bartolo) / Scene VII. Recitativo "Ha I diavoli nel corpo" (Basilio, Bartolo), Le
nozze di Figaro, K. 492: Act IV, Scene VII. No. 26 Aria "In quegli anni in cui val poco" (Basilio), Le
O Regina, Lux Divina
Oh Never Sing to Me Again, op. 4 no. 4
On Board a Ninety-Eight
On This Island, Op. 11: 1. Let the florid music praise!
On This Island, Op. 11: 2. Now the leaves are falling fast
On This Island, Op. 11: 3. Seascape
On This Island, Op. 11: 4. Nocturne
On This Island, Op. 11: 5. As it is, plenty
On Wenlock Edge: I. "On Wenlock Edge"
On Wenlock Edge: II. "From far, from eve and morning"
On Wenlock Edge: III. "Is my team ploughing"
On Wenlock Edge: IV. "Oh, when I was in love with you"
On Wenlock Edge: V. "Bredon Hill"
On Wenlock Edge: VI. "Clun"
Pied Piper, op. 38 no. 4, The
Pity I Implore, op. 26 no. 8, The
Ploughman, The
Processional to Calvary
Psalmus 109: Dixit Dominus
Psalmus 112: Laudate, pueri, Dominum
Psalmus 121: Laetatus sum
Puer natus
Pulcinella - Ballet avec chante en un acte (after Pergolesi): Mentre L'Erbetta Pasce L'Agnella
Pulcinella - Ballet avec chante en un acte (after Pergolesi): Overture
Pulcinella - Ballet avec chante en un acte (after Pergolesi): Pupillette Fiammette D'Amore
Pulcinella - Ballet avec chante en un acte (after Pergolesi): Sento Dire No'nce Pace
Pulcinella - Ballet avec chante en un acte (after Pergolesi): Una Te Falan Zemprece
Quam pulchra es
Quest, op. 38 no. 6, The
Qui natus est
Quid petis o fili
Rachmaninov & Chopin Songs
Recitative: Aus Rosenwalken bricht
Recitative: Gleich öffnet
Recitative: In vollem Glanze
Recitative: Nun ist die erste Pflicht
Recitative: O glucklich Paar
Recitative: Representation of Chaos
Recitative: Und die Engel
Recitative: Und die himmlischen Heerscharen
Recitative: Und Gott macht das Firmament
Recitative: Und Gott sah jedes Ding
Recitative: Und Gott schuf
Recitative: Und Gott sprach
Requiem
Requiem (Grande Messe des Morts)
Requiem / Krönungsmesse / Coronation Mass / Exsulta, jubilate / Litany K. 195
Requiem / Symphonie fantastique
Requiem in D minor, K. 626
Requiem in D minor, K. 626 (Beyer edition): IIIb. Sequenz: "Tuba mirum"
Requiem in D minor, K. 626 (Beyer edition): IIId. Sequenz: "Recordare"
Requiem in D minor, K. 626 (Beyer edition): IVa. Offertorium: "Domine Jesu"
Requiem in D minor, K. 626 (Beyer edition): VI. "Benedictus"
Requiem Mass K.626 - Beyer Edition: Introitus - Requiem / Kyrie / Sequenz - Dies Irae / Sequenz - Tuba Mirum / Sequenz - Rex Tremendae / Sequenz - Recordare / Sequenz - Confutatis / Sequenz - Lacrimosa
Requiem Mass K.626 - Beyer Edition: Offertorium - Hostias / Sanctus / Benedictus / Agnus Dei / Communio
Réveillez-vous, Piccars
Rite of Spring / The Nightingale, The
Rolling in the Dew
Roméo et Juliette
Romeo et Juliette, op. 17: Part I. Recitatif et Scherzetto: "Beintôt de Roméo" - "Mab! la massagère" - "Bientôt la mort est souveraine"
Salley Gardens, The
Sally Gardens, The
Sancta Maria
Saviour’s Love, The
Searching for Lambs
Serenade for tenor, horn & strings / Our Hunting Fathers / Folksongs
Serenade for Tenor, Horn & Strings, Op. 31: Dirge - This Ae Nighte
Serenade for Tenor, Horn & Strings, Op. 31: Elegy - O Rose, Thou Art Sick
Serenade for Tenor, Horn & Strings, Op. 31: Epilogue
Serenade for Tenor, Horn & Strings, Op. 31: Hymn - Queen and Huntress Chaste and Fair
Serenade for Tenor, Horn & Strings, Op. 31: Nocturne - The Splendour Falls on Castle Walls
Serenade for Tenor, Horn & Strings, Op. 31: Pastoral - The Day’s Grown Old
Serenade for Tenor, Horn & Strings, Op. 31: Prologue
Serenade for Tenor, Horn & Strings, Op. 31: Sonnet - O Soft Embalmer of the Still Midnight
Serenade for tenor, horn and strings Op. 31: 1. Pastoral
Serenade for tenor, horn and strings Op. 31: 2. Nocturne
Serenade for tenor, horn and strings Op. 31: 3. Elegy
Serenade for tenor, horn and strings Op. 31: 4. Dirge
Serenade for tenor, horn and strings Op. 31: 5. Hymn
Serenade for tenor, horn and strings Op. 31: 6. Sonnet
Serenade for tenor, horn and strings Op. 31: Epilogue
Serenade for tenor, horn and strings Op. 31: Prologue
Seven Sonnets of Michelangelo, Op. 22: 1. Sì come nella penna e nell'inchiostro (XVI)
Seven Sonnets of Michelangelo, Op. 22: 2. A che più debb'io mai l'intensa voglia (XXXI)
Seven Sonnets of Michelangelo, Op. 22: 3. Veggio co' bei vostri occhi un dolce lume (XXX)
Seven Sonnets of Michelangelo, Op. 22: 4. Tu sa' ch'io so, signior mie, che tu sai (LV)
Seven Sonnets of Michelangelo, Op. 22: 5. Rendete a gli occhi miei, o fonte o fiume (XXXVIII)
Seven Sonnets of Michelangelo, Op. 22: 6. S'un casto amor, s'una pietà superna (XXXII)
Seven Sonnets of Michelangelo, Op. 22: 7. Spirto ben nato, in cui si specchia e vede (XXIV)
She’s Like the Swalllow
Silent Noon
So Thou liftest Thy divine petition
Solo and Chorus: Mit Staunen sieht das Wunderwerk
Songs
Songs of Travel / On Wenlock Edge / Orchestral Songs
Songs Of Travel: The Vagabond
Spiew Grobowy
Suite No. 1: I. Andante
Suite No. 1: II. Napolitana
Suite No. 1: III. Espanola
Suite No. 1: IV. Balalaika
Suite No. 2: I. Marche
Suite No. 2: II. Valse
Suite No. 2: III. Polka
Suite No. 2: IV. Galop
Symphony No. 2 "Lobgesang": Soprano & Tenor Duet "Drum sing' ich mit meinem Liede"
Symphony No. 2 "Lobgesang": Tenor Solo "Sagt es ... Er zählet unsre Tränen"
Symphony No. 2 "Lobgesang": Tenor Solo "Stricke des Todes hatten uns umfagen"
Symphony no. 9 “Choral”
Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto—Allegro ma non troppo—Vivace—Adagio cantabile—Allegro—Allegro moderato—Allegro
Symphony no. 9 in D minor, op. 125 “Choral”: Rezitativo: “O Freunde, nicht diese Töne!” – Allegro assai
Symphony no. 9 in D minor, op. 125: IV. Presto - Allegro assai
Te Deum: I. Te Deum laudamus
Te Deum: II. Te ergo quaesumus
Te Deum: III. Aeterna fac cum sanctis tuis
Te Deum: IV. Salvum fac populum tuum
Te Deum: V. In te Domine speravi
There is no rose of such virtue
To Be Sung of a Summer Night on the Water
To Her, op. 38 no. 2
To the Children, op. 26 no. 7
Tom Bowling
Trio and Chorus: Der Herr ist gross
Trio: In holder Anmut
Trio: Zu dir, O Herr
Truth Sent From Above, The
Twelve, The
Vaughan Williams: Folksong Arrangements of British Composers
Vespro della Beata Vergine (1610): I. Deus un adjutorium
Vespro della Beata Vergine (1610): II. Psalm 109 - Dixit Dominus
Vespro della Beata Vergine (1610): III. Concerto - Nigra sum
Vespro della Beata Vergine (1610): IV. Psalm 112 - Laudate pueri
Vespro della Beata Vergine (1610): IX. Concerto - Audi coelum
Vespro della Beata Vergine (1610): V. Concerto - Pulchra es
Vespro della Beata Vergine (1610): VI. Psalm 121 - Laetatus sum
Vespro della Beata Vergine (1610): VII. Concerto - Duo seraphim
Vespro della Beata Vergine (1610): VIII. Psalm 126 - Nisi Dominus
Vespro della Beata Vergine (1610): X. Psalm 147 - Lauda Jerusalem
Vespro della Beata Vergine (1610): XI. Sonata sopra 'Sancta Maria'
Vespro della Beata Vergine (1610): XII. Hymn - Ave Maris Stella
Vespro della Beata Vergine (1610): XIII. Magnificat
War Requiem, op. 66: I. Requiem aeternam. "What passing-bells for these who die as cattle?"
War Requiem, op. 66: II. Dies irae "Move him into the sun...Pie Jesu"
War Requiem, op. 66: II. Dies irae. "Out there, we've walked quite friendly up to Death"
War Requiem, op. 66: III. Offertorium. "So Abram rose, and clave the wood, and went"
War Requiem, op. 66: V. Agnus Dei
War Requiem, op. 66: VI. Libera me. "It seemed that out of battle I escaped"
War Requiem, op. 66: VI. Libera me. "Let us sleep now...In paradisum"
Wee Cooper of Fife, The
Weihnachts-Oratorium
Weihnachts-Oratorium, BWV 248: Cantata #1: 2. Recitative, 'Es begab sich aber zu der Zeit'
Weihnachts-Oratorium, BWV 248: Cantata #1: 6. Recitative, 'Und sie gebar ihren ersten Sohn'
Weihnachts-Oratorium, BWV 248: Cantata #2: 11. Recitative, 'Und alsobald war da bei dem Engel'
Weihnachts-Oratorium, BWV 248: Cantata #2: 2. Recitative, 'Und es waren Hirten in derselben Gegend'
Weihnachts-Oratorium, BWV 248: Cantata #2: 4. Recitative, 'Und der Engel sprach zu ihnen'
Weihnachts-Oratorium, BWV 248: Cantata #2: 6. Aria, 'Frohe Hirten, eilt, ach eilet'
Weihnachts-Oratorium, BWV 248: Cantata #2: 7. Recitative, 'Und das habt zum Zeichen'
Weihnachts-Oratorium, BWV 248: Cantata #3: 11. Recitative, 'Und die Hirten kehrten wieder um'
Weihnachts-Oratorium, BWV 248: Cantata #3: 2. Recitative, 'Und da die Engel von ihnen gen Himmel fuhren'
Weihnachts-Oratorium, BWV 248: Cantata #3: 7. Recitative, 'Und sie kamen eilend und fanden beide'
Weihnachts-Oratorium, BWV 248: Cantata #4: 2. Recitative, 'Und da acht Tage um waren'
Weihnachts-Oratorium, BWV 248: Cantata #4: 6. Aria, 'Ich will nur dir zu Ehren leben'
Weihnachts-Oratorium, BWV 248: Cantata #5: 2. Recitative, 'Da Jesus geboren war zu Bethlehem'
Weihnachts-Oratorium, BWV 248: Cantata #5: 6. Recitative, 'Da das der König Herodes hörte'
Weihnachts-Oratorium, BWV 248: Cantata #5: 8. Recitative, 'Und ließ versammeln alle Hohenpriester'
Weihnachts-Oratorium, BWV 248: Cantata #5: 9. Trio, 'Ach, wann wird die Zeit ercheinen'
Weihnachts-Oratorium, BWV 248: Cantata #6: 10. Recitative, 'Was will der Hölle Schrecken nun'
Weihnachts-Oratorium, BWV 248: Cantata #6: 2. Recitative, 'Da berief Herodes die Weisen heimlich'
Weihnachts-Oratorium, BWV 248: Cantata #6: 5. Recitative, 'Als sie nun den König gehöret hatten'
Weihnachts-Oratorium, BWV 248: Cantata #6: 7. Recitative, 'Und Gott befahl ihnen im Traum'
Weihnachts-Oratorium, BWV 248: Cantata #6: 8. Recitative, 'So geht! Genug, mein Schatz geht nicht von hier'
Weihnachts-Oratorium, BWV 248: Cantata #6: 9. Aria, 'Nun mögt ihr stolzen Feinde schrecken'
When Jesus therefore saw His Mother
Winter Words, Op. 52: 1. At Day-close in November
Winter Words, Op. 52: 2. Midnight on the Great Western (or the Journeying Boy)
Winter Words, Op. 52: 3. Wagtail and Baby (A Satire)
Winter Words, Op. 52: 4. The Little Old Table
Winter Words, Op. 52: 5. The Choirmaster's Burial (or The Tenor Man's Story)
Winter Words, Op. 52: 6. Proud Songsters (Thrushes, Finches and Nightingales)
Winter Words, Op. 52: 7. At the Railway Station, Upway (or The Convict and Boy with the Violin)
Winter Words, Op. 52: 8. Before Life and After
Wiosna
Zauberflöte, K. 620: Act I, Scene XII. No. 6 Trio "Du feines Täubchen, nur herein" (Monostatos, Pamina, Tamino), Die
Zauberflöte, K. 620: Act I, Scene XVI. "Schnelle Füße, rascher Mut" (Pamina, Papageno, Monostatos, Coro), Die
Zauberflöte, K. 620: Act I, Scene XVII. "Herr, ich bin zwar Verbrecherin" (Pamina, Sarastro, Monostatos, Tamino, Coro), Die
Zauberflöte, K. 620: Act II, Scene VII. No. 13 Aria "Alles fühlt der Liebe Freuden" (Monostatos), Die
Zauberflöte, K. 620: Act II, Scene XXX. "Nur stille! Stille! Die Strahlen der Sonne" (Monostatos, Königin, Damen) / Act II, Scene XXX. "Die Strahlen der Sonne vertreiben die Nacht" (Sarastro, Coro), Die
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