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Person
ISNI: 
0000 0001 0871 6781
Name: 
Daurando, Jon
Dooland, John
Douland, John
Dovland, Iohn
Dowland, ..
Dowland, J.
Dowland, Jh
Dowland, John
Džon Daulend
Ioannes Dowland
J. Dowland
John Dowland
John Dowland (1563-1626)
John Dowland (angielski kompozytor)
John Dowland (britisk komponist)
John Dowland (Brits componist (1563-1626))
John Dowland (brittisk kompositör)
John Dowland (compositore, cantante e liutista inglese)
John Dowland (englischer Komponist der Renaissance)
John Dowland (English Renaissance composer, lutenist, and singer)
Джон Доуленд
Доуленд, Дж
Доуленд, Джон
Џон Дауленд
Џон Доуленд
ג'ון דאולנד
דאולנד, ג'ון
จอห์น เดาว์แลนด์
ジョン・ダウランド
ダウランド, J
ダウランド, ジョン
约翰·道兰德
Dates: 
1563-1626
Creation class: 
Computer file
cre
Language material
Manuscript notated music
Musical sound recording
Nonmusical sound recording
Notated music
Projected medium
Text
Creation role: 
author
composer
contributor
lyricist
performer
Related names: 
Bach, Johann Sebastian (1685-1750)
Byrd, William (1539 or 40-1623)
Chappell, W. (1809-1888)
Chappell, William (1809-1888)
Dowland, John (1563?-1626)
Dowland, Robert (1591-1641; Beziehung familiaer; see also from)
Fellowes, Edmund H. (1870-1951)
Fellowes, Edmund Horace (1870-1951)
Firla, Bogdan
Harmonia mundi France
Holborne, Antony (ca. 1545-1602)
Johnson, Robert (ap 1583-1633)
Morley, Thomas (1557-1603?)
Naxos Digital Services
North, Nigel (1954- ))
Purcell, Henry (1659-1695)
Robinson, Thomas
Rooley, Anthony (1944-...)
Taylor, Daniel (1969-)
Warlock, Peter (1894-1930)
Wolff, Werner J.
Zohn, Andrew Eliot (1970-)
Titles: 
Air: Flow, my tears 1
Air: Flow, my tears 2
Air: Flow, my tears 3
Air for lute solo: My Lady Hunsdon's Puffe
Air "From Silent Night"
Airs Livre 1
Airs Livre 2
Airs Livre 3
Alemandas laúd la mayor
All People That On Earth Do Dwell ('The Old 100th')
All ye whom love or fortune hath betraide Chant, luth
All Ye Whom Love or Fortune Hath Betray'd
Allemandes Luth P 49
Allemandes Luth P 51
Allemandes Luth P 96
Almain a 2, BM Add. 10444
Almain (An unnamed Piece)
Almain, P. 49, An
Almain, P. 51
Almand, P. 96, An
Aloe, P. 68
Aria (Mrs Nichol's Almand)
As I went to Walsingham P deest
Awake, Sweet Love, Thou Art Return'd
Awake sweet love, thou art returnd Chant, luth
Away With the Self-Loving Lads
Away with these self-loving lads (The Saltire Singers, soprano: Patricia Clark, contralto: Jean Allister, tenor: Edgar Fleet, bass: Frederick Westcott, lute: Desmond Dupre)
Away with these selfe loving lads Chant, luth
Ayres for 4 Voices: Awake, sweet love
Ayres for 4 Voices: Burst forth, my tears (The Third Booke of Songes)
Battle Galliard
Behold a wonder here Chant, luth
Behold and have regard
Bonny Sweet Robin, P. 70
Book of Songs, Book 1: Come, Heavy Sleep
Book of Songs, Book 2: Fine Knacks for Ladies
Burst forth my teares Chant, luth
Burst Forth, My Tears
Can she excuse Luth P 42
Can she excuse Luth P 89
Can she excuse my wrongs Voix, luth
Can shee excuse my wrongs (1st Book of Songs, 1597), Anonymously transcribed for keyboard
Capitain Candishe his Galyard, P. 21
Captain Digorie Piper his galiard
Captain Digorie Piper's galliard Luth P 19
Captain Digorie Piper's galliard Luth P 88
Captain Digory Piper's Pavan and Galliard
Captaine Digorie Piper his Galiard, P. 19
Captaine Digorie Piper his galiard Violes de gambe (5), luth
Captaine Digorie Piper his Pavan, P. 8
Chamber music. Selections
Chants sérieux: ...In darkness let me dwell
Clear or cloudy
Cleare or cloudie sweet as Aprill showring
Comagain, NVE 33, M/T 32
Come Again, P. 60
Come again! Sweet love (counter-tenor: Russell Oberlin, lute: Joseph Iadone)
Come again: sweet love doth now invite
Come againe sweet love doth now envite
Come Away (Come Again)
Come away, come sweet love
Come away Luth P 60
Come heavy sleep
Come heavy sleepe
Come when I call or tarry till I come, dialogue for 2 voices, 3 viols, 5 part chorus & 2 lutes (Third Book of Songs)
Complaint P 63
Complainte, P. 63
Complete Lute Works, Volume 4 (Paul O'Dette)
Consort Music and Songs (Rose Consort of Viols feat. mezzo-soprano: Catherine King, lute: Jacob Heringman)
Coranto, P. 100
Courant
Courante "Mistris Winter's Jump"
Courantes Luth P 100
Courantes, violins (4), continuo, C minor
coy joy P 80
Coy Toy, P. 80, A
Coye Joye (P 80), A
Daphne was not so chaste as she was changing
Dear, If You Change, I'll Never Choose Again
Deare if you change Ile never chuse againe
Dowland: Fantasia
Dowland's Adew for Viol and Lute, P 13
Dowland's Adieu
Dowland's Almayne, Anonymously transcribed for keyboard
Dowland's first galliard Luth P 22
Dowland's Galliard, P. 20 (guitars: Monika Rost, Jürgen Rost)
Dowland's Tears
Dowlands adew for Master Oliver Cromwell Violes de gambe (5), luth
Downvain
Dr. Case's pavan P 12
dream Luth P 75
Dream, P. 75, A
Dye not before thy day
Earl of Essex Galliard, The
earl of Essex, his Galliard Luth P 42a
Earle of Essex Galiard, The
Earle of Essex galiard Violes de gambe (5), luth
Extraits
Fancy No.1
Fancy No.2
Fancy (P 5), A
Fancy (P 6), A
Fancy, P. 72, A
Fancy, P. 73, A
fantaisie Luth Sol majeur
Fantaisies Luth P 1
Fantaisies Luth P 5
Fantaisies Luth P 6
Fantaisies Luth P 7
Fantaisies Luth P 71
Fantaisies Luth P 72
Fantaisies Luth P 73
Fantaisies Luth P 74
Fantasia, A
Fantasia in G minor, P. 71
Fantasia no. 7, P. 7
Fantasia, P. 1
Fantasias, lute (1610)
Fantasias, lute, no. 7
Fantasías sol mayor
Fantasie, P. 1a, A
Fantasies, lute, P. 1, G major
Fantasies, lute, P. 5, D minor
Fantasies, lute, P. 6, G minor
Fantasies, lute, P. 7, G minor
Fantasies, lute, P. 73, G major
Far from triumphing court - Lady if you so spite me - In darkness let me dwell (counter-tenor: Russell Oberlin, lute: Joseph Iadone)
Farewell fancy
Farewell fantasia, P. 3
Farewell fantasia, P. 4
Farewell 'In Nomine', P. 4
Farewell too fair
Farewell too faire
Farewell unkind farewell
Farwell
Fine knacks for ladies (The Saltire Singers, soprano: Patricia Clark, contralto: Jean Allister, tenor: Edgar Fleet, bass: Frederick Westcott, lute: Desmond Dupre)
First Booke of Consort Lessons: Captaine Piper's Pavan / Galliard to Captaine Piper's Pavan (feat. The Morley Consort), The
First Booke of Consort Lessons: Galliard Can Shee Excuse, The
First Booke of Consort Lessons: Lachrimae Pavane (arr. Thomas Morley) (feat. The Morley Consort), The
First Booke of Consort Lessons: My Lord Chamberlain his Galliard, P 37 (feat. The Morley Consort), The
First Booke of Songes: Come again: Sweet love doth now invite
First Booke of Songs or Ayres, No. 1: "Unquiet Thoughts", The
First Booke of Songs or Ayres, No. 10: "Think'st Thou Then by Thy Feigning?", The
First Booke of Songs or Ayres, No. 11: "Come away, come, sweet love", The
First Booke of Songs or Ayres, No. 12: "Rest Awhile You Cruel Cares", The
First Booke of Songs or Ayres, No. 13: "Sleep, Wayward Thoughts", The
First Booke of Songs or Ayres, No. 14: "All Ye, Whom Love or Fortune", The
First Booke of Songs or Ayres, No. 15: "Wilt Thou Unkind Thus Reave Me?", The
First Booke of Songs or Ayres, No. 16: "Would My Conceit", The
First Booke of Songs or Ayres, No. 17: "Come Again: Sweet Love Doth Now Invite", The
First Booke of Songs or Ayres, No. 18: "His Golden Locks", The
First Booke of Songs or Ayres, No. 19: "Awake, Sweet Love", The
First Booke of Songs or Ayres, No. 2: "Who Ever Thinks or Hopes of Love", The
First Booke of Songs or Ayres, No. 20: "Come, Heavy Sleep", The
First Booke of Songs or Ayres, No. 21: "Away With These Self-Loving Lads", The
First Booke of Songs or Ayres, No. 3: "My Thoughts Are Wing'd With Hopes", The
First Booke of Songs or Ayres, No. 4: "If My Complaints Could Passions Move", The
First Booke of Songs or Ayres, No. 5: "Can She Excuse My Wrongs?", The
First Booke of Songs or Ayres, No. 6: "Now, o now I needs must part", The
First Booke of Songs or Ayres, No. 7: "Deare, If You Change", The
First Booke of Songs or Ayres, No. 8: "Burst Forth My Tears", The
First Booke of Songs or Ayres, No. 9: "Go Crystal Tears", The
Fitzwilliam Virginal Book No. 121: Pavana Lachrimae (arr. William Byrd), The
Flatt Pavin, The
Flow, my teares
Flow my tears
Flow not so fast ye fountains (counter-tenor: Russell Oberlin, lute: Joseph Iadone)
Flow not so fast yee fountaines
Forlorn hope fancy P 2
Forlorne Hope Fancy
Forlorne Hope Fancye (P 2)
Fortuna Jo. Doulande
Fortune Luth P 62
Fortune My Foe; Objections Against the Immortality of the Soul
Fortune My Foe, P. 62
Fortune my foe Voix (1), luth No 25
Frog Gailliard (Now, o now I need must part), Transc. for keyboard by Thomas Morley, The
Frog Galliard: Favourites
frog galliard Luth P 23
frog galliard Luth P 23a
Frog Galliard, P. 23a, The
Frogg galliard
Frogge, Transc. for keyboard by John Wilbye, The
From silent night, true register of moanes
From silent night, true register of moans
Gagliarda, P. 103
Gaillard (on a galliard by Daniel Bacheler) for lute in C minor, P. 28, A
Gaillarde
Gaillardes Luth P 103
Gaillardes Luth P 104
Gaillardes Luth P 27
Gaillardes Luth P 28
Gaillardes Luth P 30
Gaillardes Luth P 31
Gaillardes Luth P 35
Gaillardes Luth P 76
Gaillardes Luth P 82
Gaillardes Luth P 92
Gallardas laúd do menor
Galliard a 5
Galliard: Can she excuse (2)
Galliard for Four Voices and Lute "Can She Excuse My Wrongs"
Galliard for lute in F major/G minor, P. 103 (guitars: Monika Rost, Jürgen Rost)
Galliard, for lute in G minor, P. 104
Galliard in F minor, P. 76
Galliard in G minor, P. 22 "Dowland's First Galliard"
Galliard on "Awake sweet love", P. 24
Galliard, P. 27, A
Galliard, P. 30
Galliard, P. 35, A
Galliard, P. 82, A
Galliard, P. 92 (on Awake sweet love, set by Fr. Cutting)
Galliard "Shall I Strive"
Galliard (“Sleep wayward thoughts”)
Galliard to Lachrimae (P 46)
Galliard to Piper's Pavan
Galliard (upon Walsingham), P. 31, A
Galliarda
Galliards, lute, P. 104, G minor
Galliards, lute, P. 21
Galliards, lute, P. 26, G minor
Galliards, lute, P. 28, C minor
Galliards, lute, P. 29, C minor
Galliards, lute, P. 31, G minor
George Whitehead's Almand
Gigues Luth P 78
Giles Hobie's galliard Luth P 29
Go christall teares
Go Crystal Tears
Go from my window P 64
Go From My Window (Setting of a Ballad)
Go, Nighly Cares
Go, Nightly Cares
Goe nightly cares, the enemy to rest
Greensleeves Francis Cutting
Greensleevs - Lute Solo
Hasellwood's galliard P 84
Hasellwoods Galliard, P. 84
Heart that's broken and contrite
His golden locks time hath to silver turnd
His Golden Locks Time Hath to Silver Turned
Humble Complaint of a Sinner ("Where righteousness doth say"), The
Humor say what makst thou heere
If my complaints could passions move (The Saltire Singers, soprano: Patricia Clark, contralto: Jean Allister, tenor: Edgar Fleet, bass: Frederick Westcott, lute: Desmond Dupre)
If My Complaints Should Passions Move
If that a sinner's sighs
If that a sinners sighes
In darkness let me dwell "The seven shades of melancholy"
In this trembling shadow (The Saltire Singers, soprano: Patricia Clark, contralto: Jean Allister, tenor: Edgar Fleet, bass: Frederick Westcott, lute: Desmond Dupre)
In this trembling, trembling shadow
Instrumental music. Selections
It was a time when silly bees could speake
jeune fillette, P. 93, Une
Jig], [A
John Dowland Collection, The
John Dowland's Galliard, P. 21 (guitars: Monika Rost, Jürgen Rost)
John Dowland The Collected Works (The Consort of Musicke, feat. conductor: Anthony Rooley)
Julian Bream Edition (disc 3: Dances of Dowland)
Katherine Darcy's Galliard
King of Denmark his Gailiard (Arr.: Narciso Yepes), The
King of Denmark, his Galliard (P 40), The
King of Denmark's Galiard, The
King Of Denmark's Galliard, The
King of Denmarks Galiard, The
King of Denmarks galiard Violes (5), luth
Lachrimae (alternative version)
Lachrimae and Galliard "Can She Excuse" (set by William Randall)
Lachrimae Antiquae (Flow My Teares)
Lachrimae Antiquae (Flow My Tears)
Lachrimae antiquae novae Violes de gambe (5), luth
Lachrimae Antiquae Pavan
Lachrimae antiquea novae
Lachrimae. Earl of Essex galliard
Lachrimae (feat. lute: Paul O'Dette)
Lachrimae Gementes a 5
Lachrimae. King of Denmark's galliard
Lachrimae Luth P 15
Lachrimae. M. Henry Noell his galiard
Lachrimae. M. Nicho. Gryffith his galiard
Lachrimae. M. Thomas Collier his galiard
Lachrimæ, or Seaven Teares: Lachrimae Amantis
Lachrimæ, or Seaven Teares: Lachrimae Antiquae Novae
Lachrimæ, or Seaven Teares: Lachrimae Coactae
Lachrimæ, or Seaven Teares: Lachrimae Gementes
Lachrimæ, or Seaven Teares: Lachrimae Tristes
Lachrimæ, or Seaven Teares: Lachrimae Verae
Lachrimæ or Seaven Teares, with divers other pavans
Lachrimae Pavan, for keyboard or lute (from "Lachrimae")
Lachrimæ Pavan, P. 15
Lachrimae Pavan (Paduana Lachrimae), Transc. for keyboard by Giles Farnaby
Lachrimae Pavan (Paduana Lachrimae), Transc. for keyboard by Melchior Schild
Lachrimae Pavan (Paduana Lachrimae), Transc. for keyboard by Willian Byrd
Lachrimae Pavane (Flow My Tears)
Lachrimae Pavin for Keyboard or Lute
Lachrimae. Selections
Lachrimae. Semper Dowland semper dolens
Lachrimae. Sir John Souch his galiard
Lachrymae pavan
Lady Hunsdon's Puffe, P. 54
Lady, if you so spite me
Lady Laiton's Almain, P. 48, The
Lady Laiton's almain P 48a
Lady Laitons Almone, The
Lady Rich, Her Galliard
Lady Russell's Pavan, P. 17, The
Lamentatio Henrici Noel: I. The Lamentation of a sinner
Lamentatio Henrici Noel: II. Domine ne in furore
Lamentatio Henrici Noel: III. Miserere mei Deus
Lamentatio Henrici Noel: IV. The humble sute of a sinner
Lamentatio Henrici Noel: V. The Complaint of a sinner
Lamentatio Henrici Noel: VI. De profundis
Lamentatio Henrici Noel: VII. Domine exaudi
Langton's Galliard, P. 33
Lasso vita mia, mi fa morire
Lord hear my prayer, hark the plaint
Lord, in thy wrath reprove mee not
Lord Strang's march P 65
Lord, to thee I make my moan
Lord Willoughbies His Galliard
Lord Willoughby's Welcome Home
Loth to depart P 69
Loth to Departe, P. 69
Love Songs in Shakespeare's Time (Anthology of Renaissance & Medieval Music, disc 2)
lowest trees have tops
Lute music. Selections
Lute Songs, Lute Solos (Alfred Deller feat. lute: Robert Spencer)
Lvte Lessons (Nigel North)
M. Bucton his galiard
M. Bucton's Galliard
M. Buctons Galliard
M. George Whitehead his Almand
M. Giles Hobies Galiard, P. 29
M. Giles Hobies galiard Violes de gambe (5), luth
M. Giles Hoby his Galiard
M. Henry Noel his Galiard
M. Henry Noell his Galiard
M. John Langton's pavan Violes (5), luth
M. John Langtons Pavan, P. 14
M. Nicholas Gryffith his Galiard
M. Thomas Collier his Galiard with 2 Trebles
Master Piper's Pavan
Mauritius / Dowland Pavin
Me, me and none but me (The Saltire Singers, soprano: Patricia Clark, contralto: Jean Allister, tenor: Edgar Fleet, bass: Frederick Westcott, lute: Desmond Dupre)
Melancholy Galliard; King Henry VIII, Act III: Scene i
Melancholy galliard P 25
mia Barbara Luth P 95
mia Barbara: Pavan & Galliard, P. 95, La
Mignarda (Henry Noel's Galliard), P. 34
Mistress White's nothing, P. 56
Mistress White's Thing, P. 50
Mistresse Nichols Almand, P. 52
Monsieur's almain
Most High and Mightie Christianus the fourth King of Denmarke, his Galliard, P. 40, The
most high and mighty Christianus the fourth, King of Denmark, his galliard Luth P 40
most sacred Queen Elizabeth, her galliard P 41
most sacred Queen Elizabeth, her Galliard, The
most sacred Queene Elizabeth, her Galliard (P 41), The
Mounsieur's almaine P deest
Mourn! Mourn!
Mourne, mourne, day is with darknesse fled
Mr Dowland's Midnight, Almain for Lute, P 99
Mr George Whitehead his almand
Mr. Henry Noel his galiard Violes (5), luth
Mr. John Langton's pavan
Mr. Knight's galliard P 36
Mr. Langton's galliard P 33
Mr. Nicholas Gryffith his galiard
Mr. Thomas Collier his galiard
Mrs. Brigide Fleetwood's Pavan alias Solus Sine Sola, P. 11
Mrs. Clifton's almain P 53
Mrs. Nichols' almain Luth P 52
Mrs Nichols almand Violes (5), luth
Mrs. Nichols her Alman
Mrs. Norrish's delight P 77
Mrs Vaux's Galliard, P. 32
Mrs. Vaux's Gigge (P 57)
Mrs. Vaux's jig P 57
Mrs. White's nothing
Mrs. White's thing P 50
Mrs. Winter's jump P 55
Mrs. Winters Jumpp
Musical Banquet 1610: IX. Lady if you so spite me, A
Musical Banquet 1610: VIII. Far from the triumphing court, A
Musical Banquet 1610: X. In darkness let me dwell, A
Musique pour luth
must complaine, yet do enjoy D 78, I
Muzyka lutniowa (wybór)
My dear adieu, my sweet love farewell
My heart and tongue were twins F IV 56
My Heart & Tongue were Twinnes
My Lady Hunnsdon's Puffe (P 54)
My Lady Hunsdon's Allmande
My Lady Hunsdons allmande
My Lord Chamberlain Gaillard, P. 37
My Lord Chamberlain, his galliard P 37
My Lord Willobies Wellcome Home
My Lord Willoughby's Welcome Home (for two lutes)
My Lord Willoughby's welcome home Luth P 66
My Lord Willoughby's welcome home Luths (2) P 66a
My Lord Willoughby's Welcome Home, P. 66 (guitars: Monika Rost, Jürgen Rost)
My soul praise the Lord
My Thoughts Are Wing'd With Hopes
My thoughts are winged with hopes
Narration 20 : Adage 2100: "Les mots sont les médecins des âmes malades" / Musique: Now o now
Now cease my wandring eyes
Now, o now I needs must part Voix (4)
Now! Oh now I needs must part (The Saltire Singers, soprano: Patricia Clark, contralto: Jean Allister, tenor: Edgar Fleet, bass: Frederick Westcott, lute: Desmond Dupre)
O God of power omnipotent
O Lord consider my distresse
O Lord of whom I do depend
O Lord, turn not away thy face
O sweet woods, the delight of solitariness F II 28
O what hath overwrought my all amazed thought
Oh sweet woods
Orlando sleepeth P 61
Paduan
Paduana "La mia Barbara" (Consort Music), Transc. for keyboard by Paul Siefert
Part–songs, op. 42: I. Tears
Pavan in C major
Pavan Lachrimae Amantis
Pavan Lachrimae Antiquae Novae
Pavan Lachrimae Coactae
Pavan Lachrimae Gementes
Pavan Lachrimae Luth P 15
Pavan Lachrimae Tristes
Pavan Lachrimae Verae
Pavan, P. 16
Pavan, P. 18
"Pavana Doulant" (pub. Mylius, Frankfurt 1622)
Pavana Dowlandi Angli
Pavana & Galliarda, Transc. for keyboard by Thomas Morley
Pavana Lachrymae, set by Byrd
Pavana, P. 94
Pavane C Major à 4 (Hamburg 1621)
Pavanes Luth P 16
Pavanes Luth P 18
Pavanes Luth P 94
Pavanes Luth P deest
Pavanes Violes de gambe (5) Do majeur
Pavanna lacrima
Pavans, harpsichord, viols (4), C major
Pavin (P 18), A
Piece Without Title, P. 78, A
Pilgrimes solace. Love, those beams that breed
Pilgrimes Solace: No. 1. Disdaine me still, that I may ever love, A
Pilgrimes Solace: No. 10. From silent night, true register of moanes, A
Pilgrimes Solace: No. 11. Lasso vita mia mi fa morire, A
Pilgrimes Solace: No. 12. In This Trembling Shadow, A
Pilgrimes Solace: No. 13. If that a Sinners sighes be Angels foode, A
Pilgrimes Solace: No. 14. Thou mighty God, A
Pilgrimes Solace: No. 15. When Davids life by Saul was often sought, A
Pilgrimes Solace: No. 16. When the poore Criple by the poole did lye, A
Pilgrimes Solace: No. 17. Where Sinne sore wounding, A
Pilgrimes Solace: No. 18. My heart and tongue were twinnes, A
Pilgrimes Solace: No. 19. Up merry mates, to Neptunes prayse, A
Pilgrimes Solace: No. 2. Sweete stay a while, why will you rise?, A
Pilgrimes Solace: No. 20. Welcome blacke night, A
Pilgrimes Solace: No. 21. Cease these false sports, A
Pilgrimes Solace: No. 3. To aske for all thy love, and thy whole heart t'were madnesse, A
Pilgrimes Solace: No. 4. Love those beames that breede, A
Pilgrimes Solace: No. 5. Shall I strive with wordes to move, A
Pilgrimes Solace: No. 6. Were every thought an eye, A
Pilgrimes Solace: No. 7. Stay time a while thy flying, A
Pilgrimes Solace: No. 8. Tell me true Love where shall I seeke thy being, A
Pilgrimes Solace: No. 9. Goe nightly cares, the enemy to rest, A
Pilgrimes solace. Selections
Pilgrimes solace. Shall I strive with words to move?
Pilgrimes solace. Stay, time, a while thy passing
Pilgrimes solace. When David's life
Pilgrimmes Solace: In darkness let me dwell, A
Piper's Galliard; If Music and Sweet Poetry Agree
Piper's Galliard, P. 88
Piper's Pavan & Galliard, transcr. for keyboard by J. Bull & M. Peerson
Piper's Pavan, P. 8 (guitars: Monika Rost, Jürgen Rost), A
Pipers Pavan, A
Prélude et gaillarde
Prelude, lute, P. 98, G minor
Préludes Luth P 98
Preludium, P. 98
Psalm 100: All people that on earth do dwell
Put mee not to rebuke, O Lord
Queen Elizabeth her Galliard
Queen Elizabeth's Galliard
Queen Elizabeths Galliard
Queen's galliard P 97
Queene Elizabeth, her Galliard, P. 41
Queenes Galliard, P. 97, The
Resolution or Dowland's Adew for Master Oliver Cromwell, , P. 13
Rest a While, You Cruel Cares
Rest Awhile, You Cruel Cares
Rest awhile, you cruell cares
Right Honorable the Lady Rich, her Galliard, P. 43 & P. 43a, The
Right Honourable Ferdinando Earl of Derby, His Galliard, P. 44 & P. 44a, The
right honourable Robert, Earl of Essex, his galliard Luth P 42a
Right Honourable Robert, Earl of Essex, his Galliard (P 42a), The
Right Honourable the Lady Clifton's Spirit, P. 45, The
Right Honourable the Lady Cliftons Spirit (P 45), The
right honourable the Lady Rich, her galliard P 43a
right honourable the Lord Viscount Lisle, his galliard P 38
Rigth Honourable The Lord Viscount Lisle, His Galliard, P. 38, The
Robin P 70
Round battle galliard Luth P 39
Round Battle Galliard, P. 39, The
Rounde battell galyarde
saw my lady sweep, I
saw my lady weep (counter-tenor: Russell Oberlin, lute: Joseph Iadone), I
saw my lady weepe, I
Say, love, if ever thou didst find
Say, Love, if ever you didst find ?
Second Booke of Songs or Ayres, No. 1: "I Saw My Lady Weep", The
Second Booke of Songs or Ayres, No. 10: "O sweet woods", The
Second Booke of Songs or Ayres, No. 11: "If floods of tears", The
Second Booke of Songs or Ayres, No. 12: "Fine Knacks for Ladies", The
Second Booke of Songs or Ayres, No. 13: "Now cease my wand'ring eyes", The
Second Booke of Songs or Ayres, No. 14: "Come ye heavy states of night", The
Second Booke of Songs or Ayres, No. 15: "White as lilies was her face", The
Second Booke of Songs or Ayres, No. 16: "Woeful Heart With Grief Oppressed", The
Second Booke of Songs or Ayres, No. 17: "A shepherd in a shade", The
Second Booke of Songs or Ayres, No. 18: "Faction that ever dwells", The
Second Booke of Songs or Ayres, No. 19: "Shall I Sue, Shall I Seek for Grace?", The
Second Booke of Songs or Ayres, No. 2: "Flow My Tears", The
Second Booke of Songs or Ayres, No. 20: "Toss not my soul", The
Second Booke of Songs or Ayres, No. 21: "Clear or cloudy", The
Second Booke of Songs or Ayres, No. 22: "Humor say what mak'st thou here", The
Second Booke of Songs or Ayres, No. 3: "Sorrow, Stay", The
Second Booke of Songs or Ayres, No. 4: "Die not before thy day", The
Second Booke of Songs or Ayres, No. 5: "Mourn, day is with darkness fled", The
Second Booke of Songs or Ayres, No. 6: "Time's eldest son", The
Second Booke of Songs or Ayres, No. 7: "Then sit thee down", The
Second Booke of Songs or Ayres, No. 8: "When others sing Venite", The
Second Booke of Songs or Ayres, No. 9: "Praise blindness eyes", The
Semi Dolens (guitars: Monika Rost, Jürgen Rost)
Semper Dowland semper dolens, lute
Semper Dowland semper dolens Luth P 9
Semper Dowland semper dolens Violes de gambe (5), luth
Shall I strive with wordes to move
Shall I Strive With Words to Move?
Shall I sue (counter-tenor: Russell Oberlin, lute: Joseph Iadone)
Shall I Sue, Shall I Seek for Grace?
Shall I sue, shall I seeke for grace ?
shame at mine unworthiness, I
Shepherd in a Shade, A
shepherd in a shade his plaining made
Shoemaker's Wife, P. 58, The
Sir Henry Guilforde, his Almain
Sir Henry Guilforde his almaine
Sir Henry Umpton's Funeral
Sir Henry Umptons funerall
Sir John Langton, his Pavin (P 14)
Sir John Langton's pavan Luth P 14a
Sir John Smith, his almain P 47
Sir John Smith's Almain
Sir John Souch his galiard Violes de gambe (5), luth
Sir John Souch his Galliard, P. 26
Sir John Souch's galliard Luth P 26
Sir Robert Sidney, His Galliard
Sir Thomas Monson, His Pavin And Galliard
Sleep, Wayward Thoughts
Sleepe wayward thoughts
Sleeping
Solus cum sola, P. 10
Solus cum sola pavan (Lute works), Anonymously transcribed for keyboard
Song and Galliard
Songs, lute accompaniment. Selections
Songs or ayres, 1st-3rd book
Songs or ayres, 1st book. All ye whom love or fortune hath betraide
Songs or ayres, 1st book. Awake sweet love, thou art returnd
Songs or ayres, 1st book. Away with these self-loving lads
Songs or ayres, 1st book. Away with these selfe loving lads
Songs or ayres, 1st book. Burst forth my teares
Songs or ayres, 1st book. Can she excuse my wrongs
Songs or ayres, 1st book. Now, O now I needs must part
Songs or ayres, 1st book. Selections
Songs or ayres, 1st book. Thinkst thou then by thy fayning
Songs or ayres, 1st book. Unquiet thoughts
Songs or ayres, 1st book. Who ever thinks or hopes of love for love
Songs or ayres, 1st book. Would my conceit that first enforst my woe
Songs or ayres, 2nd book. Come ye heavy states of night
Songs or ayres, 2nd book. Faction, that ever dwells in court
Songs or ayres, 2nd book. If fluds of teares could clense my follies past
Songs or ayres, 2nd book. Praise blindnesse eies, for seeing is deceit
Songs or ayres, 2nd book. Selections
Songs or ayres, 2nd book. Time's eldest son, Old Age
Songs or ayres, 2nd book. Tosse not my soule
Songs or ayres, 3rd book. Behold a wonder here
Songs or ayres, 3rd book. By a fountain where I lay
Songs or ayres, 3rd book. Come when I cal, or tarie til I come
Songs or ayres, 3rd book. Fie on this feigning
Songs or ayres, 3rd book. It was a time when silly bees
Songs or ayres, 3rd book. Lend your ears to my sorrow, good people
Songs or ayres, 3rd book. Selections
Songs or ayres, bok 1. Who ever thinks or hopes of love
Songs or ayres, bok 2
Songs or ayres, bok 3
Songs or ayres. Ks. 1-3 (wybór)
Songs or Ayres, libro 1º
Songs or Ayres, libro 2º
Songs or Ayres, libro 3º
Sorrow, come
Sorrow sorrow stay, lend true repentant teares
Squires Galliard
Stay, love, if ever thou did'st find (The Saltire Singers, soprano: Patricia Clark, contralto: Jean Allister, tenor: Edgar Fleet, bass: Frederick Westcott, lute: Desmond Dupre)
Stay time a while thy flying
Susanna Galliard
Suzanna galliard P 91
Sweet Robyne
Sweet stay a while, why will you rise ?
Sweet stay awhile! (The Saltire Singers, soprano: Patricia Clark, contralto: Jean Allister, tenor: Edgar Fleet, bass: Frederick Westcott, lute: Desmond Dupre)
Syrah
Tarleton's jig Luth P 81
Tarleton's Jig, P. 81 (possibly spurious)
Tarleton's Resurrection; My Lute Awake
Tarleton's riserrectione P 59
Tarletones Riserrectione
Tarletons Jigge
Tarletons Ressurection
Tell me, true love (The Saltire Singers, soprano: Patricia Clark, contralto: Jean Allister, tenor: Edgar Fleet, bass: Frederick Westcott, lute: Desmond Dupre)
Think'st thou then by thy feigning (The Saltire Singers, soprano: Patricia Clark, contralto: Jean Allister, tenor: Edgar Fleet, bass: Frederick Westcott, lute: Desmond Dupre)
Thinkst Thou Then by They Feigning
Third Booke of Songs or Ayres, No. 1: "Farewell too fair", The
Third Booke of Songs or Ayres, No. 10: "Love stood amazed", The
Third Booke of Songs or Ayres, No. 11: "Lend your ears to my sorrow", The
Third Booke of Songs or Ayres, No. 12: "By a fountain where I lay", The
Third Booke of Songs or Ayres, No. 13: "O what hath overwrought", The
Third Booke of Songs or Ayres, No. 14: "Farewell, unkind", The
Third Booke of Songs or Ayres, No. 15: "Weep you no more, sad fountains", The
Third Booke of Songs or Ayres, No. 16: "Fie on this feigning", The
Third Booke of Songs or Ayres, No. 17: "I must complain", The
Third Booke of Songs or Ayres, No. 18: "It was a time when silly bees", The
Third Booke of Songs or Ayres, No. 19: "The lowest trees have tops", The
Third Booke of Songs or Ayres, No. 2: "Time Stands Still", The
Third Booke of Songs or Ayres, No. 20: "What poor astronomers are they", The
Third Booke of Songs or Ayres, No. 21: "Come when I call", The
Third Booke of Songs or Ayres, No. 3: "Behold a wonder here", The
Third Booke of Songs or Ayres, No. 4: "Daphne was not so chaste", The
Third Booke of Songs or Ayres, No. 5: "Me, Me, and None but Me", The
Third Booke of Songs or Ayres, No. 6: "When Phoebus First Did Daphne Love", The
Third Booke of Songs or Ayres, No. 7: "Say Love If Ever Thou Did'st Find", The
Third Booke of Songs or Ayres, No. 8: "Flow Not So Fast, Ye Fountaines", The
Third Booke of Songs or Ayres, No. 9: "What if I never speed?", The
Thou mightie God
Time's eldest son
Time stands still
Unquiet Thoughts
Up merry mates Voix (4)
Vocal music. Selections (Metronome)
Volta, violins (4), continuo
Walsingham (P 67)
Weep you no more sad fountains (counter-tenor: Russell Oberlin, lute: Joseph Iadone)
Weepe you no more, sad fountaines
Welcome Home
Were every thought an eye G 145
What if a day Luth P 79
What if I never speed? (The Saltire Singers, soprano: Patricia Clark, contralto: Jean Allister, tenor: Edgar Fleet, bass: Frederick Westcott, lute: Desmond Dupre)
What if I never speede?
When Phoebus first did Daphne love (The Saltire Singers, soprano: Patricia Clark, contralto: Jean Allister, tenor: Edgar Fleet, bass: Frederick Westcott, lute: Desmond Dupre)
Where sin sore wounding (The Saltire Singers, soprano: Patricia Clark, contralto: Jean Allister, tenor: Edgar Fleet, bass: Frederick Westcott, lute: Desmond Dupre)
Where sinne sore wounding D 108
White as lilies
Who ever thinks or hopes of love for love Chant, luth
Willow Tree, The
Wilt thou unkind thus reave me of my hart
Wilt Thou Unkind Thus Reave Me of My Heart?
Wofull heart with griefe opressed
Work Fantasie
Works. Selections
Would My Conceit That First Enforc'd My Woe
Contributed to or performed: 
…Just Songs!
100 Great Recordings - Renaissance, Baroque and Classical Masterpieces
100 Popular Classics, Volume Two
101 Renaissance Masterpieces
111 More Classic Tracks
1528-1600: Renacimiento. Fantasías y lamentaciones
1605: Treason & Dischord: William Byrd and the Gunpowder Plot
16th Century English Harpsichord and Virginals Music
2000 ans de Musique
2013 Sampler
Agustin Barrios, John Dowland, Manuel Ponce
All ye, whom Love or Fortune hath betray'd
Alte Werk - 50 CD Collection, Das
Andrés Segovia and Friends
Anthology of Renaissance & Medieval Music
Antiquities
Art of Melancholy, The
Asturias: The Art of the Guitar
Awake Sweet Love
Awake, sweet love: Thou art return'd
Away with these self-loving lads
Ayres
Ayres & Lute-Lessons
BBC Music: Early Music
Best Classical Album in the World ...Ever!, The
Blame Not My Lute
Burst forth my tears
Centenary Celebration, A
Century: La musique des siècles, Volume 9: Chansons de la Renaissance
Classical Heritage of the Great Masters, The
Collected Works, The
Come again: sweet love doth now invite
Come Away, Come Sweet Love
Come Heavy Sleep
Come, heavy sleep
Complete Lute Works
Complete Lute Works, Vol. 1
Complete Lute Works, Vol. 2
Complete Lute Works, Vol. 3
Complete Lute Works, Vol. 4
Complete Lute Works, Vol. 5
Complete Music for Solo Lute
Complete Solo Lute Music, The
Consort Music
Consort Songs - Amsterdam Loeki Stardust Quartet with Conner Burrowes
Crystal Tears
Daar wordt aan de deur geklopt
Dances from Terpsichore, 1612 (The Parley of Instruments feat. director: Peter Holman)
Dances of the Renaissance
Dark is My Delight, The
Darum lieb' ich den Sommer: Gesellige Musik des 16. Jahrhunderd
Dear, if you change
Development of Western Music, an Anthology, Volume 1, The
Dowland - A Game of Mirrors
Dowland: A Dream
Dowland: Lute Songs / Britten: Nocturnal
Dowland: The First Booke of Songes
Dowland's Tears: Lute Music, Volume 2
Dreames and Imaginations: Elizabethan music for Voice and Consort of Viols
Duende
Early American Choral Music Volume 2
Early Music
Elizabethan Lute Songs
Elizabethan Songbook, An
English Lute Duets
English Orpheus, The
English Virginals Music
Englishman Abroad, An
Erasmus Van Rotterdam: Éloge de la Folie - Praise of Folly - Elogio de la Locura
Evening of Elizabethan Music, An
Fairest Isle
Fancyes, Dreams and Spirits: Lute Music, Volume 1
Fie On This Feigning
Fine Knacks For Ladies
First Booke of Songes
First Booke of Songes or Ayres
First Booke of Songs (1597), The
First Booke of Songs or Ayres, The
Fitzwilliam Virginal Book (Excerpts), The
Flora Gave Me Fairest Flowers
Flow my Tears
Flow My Tears and Other Lute Songs
Flow: Jazz and Renaissance - from Italy to Brazil
Fluyten Lust-Hof, Der
Fortune My Foe
Frog Galliard, The
Frogg Galliard, The
Genius of Andrés Segovia: Five Centuries of the Classical Guitar, The
Go crystal tears
Goe Nightly Cares
Great Music From The Court Of Elizabeth I
Guitar Classics
Heart's Ease: Music for viol consort from the late Tudor and early Stuart age - Fretwork
His golden locks
Honey From the Hive
Humori: Carnaval et Carême - Le théatre des humeurs
If My Complaints Could Passions Move
Imagination als heilsame Kraft
In Darkness let me dwell
Instruments of Classical Music, Vol. 10: The Guitar & Lute, The
Jacobean Lute Music
Jane Pickeringe's Lute Book
John Dowland, Songs For Tenor And Lute
Julian Bream Edition (disc 6: The Julian Bream Consort)
Julian Bream Edition, Volume 17: Two Loves
Julian Bream Edition, Volume 2: Lute Music from the Royal Courts of Europe
Julian Bream Edition, Volume 4: The Woods So Wild
Julian Bream Plays Dowland and Bach
Lachrimæ
Lachrimae (1604)
Lachrimae 1604
Lachrimae 1604 / Consortmusik
Lachrimae or Seaven Teares
Lachrimæ or Seaven Teares: 1604
Lachrimae or Seven Tears
Lachrimae or Seven Tears and Other Pavanes (Musica Antiqua Köln feat. conductor: Reinhard Goebel)
Lachrimae, or Seaven Teares
Life is Beautiful With ABC Classic FM
Love Those Beams
Lute in Dance and Dream, The
Lute Music From the Royal Courts of Europe
Lute Music of John Dowland
Lute Songs
Lute Songs, Lute Solos
Mad Dog
Masters of The Lute
Medieval – Renaissance
Medieval / Renaissance
Most Beautiful Melodies of Classical Music: Evening, The
Motion of the Heart & ¡Viva Frida!
Mounsiers Almaine
Mourn, day is with darkness fled
Music for a Great Castle
Music of the Renaissance
Music Through the Ages
Música del renacimiento
Musical Banquet
Musical Panorama of Shakespeare's England, A
Musicall Banquet (1610) (Nigel Rogers, Anthony Bailes & Jordi Savall), A
Musicke for the Lute
Musik für Elisabeth von Hessen: Aus dem Lautenbuch der Landgräfin anläßlich ihres 400ten Geburtstages (Ensemble Liuto Concertato feat. Renaissance lute: Lutz Kirchhof)
Musik Für Laute: I. England
Musique and Sweet Poetrie: Jewels from Europe around 1600
Musique de la Renaissance
My Favorite Albums
My Favorite Dowland
My Lady Rich
My thoughts are wing'd with hopes
My Thoughts Are Winged With Hopes
Naxos Classical Guitar
Non Stop Music
Norton Recorded Anthology of Western Music (concise version)
Now is the Merry Month of May: het Mooiste uit Renaissance en Barok
Now, O now: Ineeds must part
Nymphidia - The Court Of Faerie
Nymphidia: The Court of Faerie
Oiseau-Lyre: Medieval and Renaissance, L'
Orpheus in England
Parler et le Silence, Le
Passinge Mesures. Music of the English Virginalists, The
Pavans, Galliards and Almains: Lute Music, Volume 3
Pilgrimes Solace / Mr. Henry Noell Lamentations / Psalmes & Sacred Songs, A
Portrait
Queen's Galliard: Lute Music, Volume 4, The
Queenes Command: Masterpieces of Elizabethan Keyboard Music (Joseph Payne), The
Renaissance Album, The
Renaissance Favorites for Guitar
Renaissance Guitar, The
Rest awhile you cruel cares
Romantic Evening Music, CD 9: For Guitar
Rosa
Saints and Sinners: The Music of Medieval and Renaissance Europe
Saltarello
Saw My Lady Weep, I
Saw my Lady Weep: Dowland's Songs and Lachrimae, I
Say, Love, If Ever Thou Didst Find
Seaven Teares: Music of John Dowland
Second Booke of Songs
Selected Lute Music
Semper Dowland Semper Dolens
Shakespeare and English Music
Shall I Strive With Words To Move?
Shall I Sue
Showers of Harmonie: Dances & Songs of Renaissance England
Sleep, wayward thoughts
Some Glories of Elizabethan Music
Songs And Dances of the Renaissance & Baroque
Sorrow, Stay
Spirit of the Gambo: English consort and solo viol music, The
Sweet Stay Awhile
Sweete Musicke of Sundrie Kindes
Tears of the Muse
Think'st thou then by thy feigning?
Third Booke of Songs
To Ask For All Thy Love
Topping Tooters of the Town: Music of the London Waits 1580-1650, The
Trip to the San Diego Zoo, A
Two Loves
Two Renaissance Dance Bands / Monteverdi's Contemporaries (The Early Music Consort of London feat. conductor: David Munrow)
Unquiet thoughts
Variation on 'Robin is to the greenwood gone'
Very Best of Classical Chillout, The
Virginalists, The
Virtues and Vices (tenor: William Bastian, lute: Edward Martin)
Virtuose Gesänge
Watkins Ale: Music of the English Renaissance (The Baltimore Consort)
Weep You No More Sad Fountains
Weihnachts-CD 2013
Were Every Thought An Eye
When Phoebus First Did Daphne Love
Who ever thinks or hopes of love
Wilt Thou Unkind Thus Reave Me?
Wilt thou, unkind, thus reave me?
Works for Guitar
Would my conceit
ΑΝΑΓΕΝΝΗΣΙΑΚΗ ΜΟΥΣΙΚΗ
Notes: 
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