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John Tomlinson
John Tomlinson (basso britannico)
John Tomlinson (britischer Opernsänger)
John Tomlinson (British opera singer)
John Tomlinson (Brits zanger)
Tomlinson, John
Tomlinson, John Rowland
1946 September 22-
Creation class: 
Musical sound recording
Nonmusical sound recording
Projected medium
Creation role: 
Related names: 
Aler, John
Barenboim, Daniel (1942-)
Bayreuther Festspiele
Berliner Philharmoniker
Decca record company
Haendel, Georg Friedrich
Handel, George Frideric (1685-1759)
Jones, Della (1946-)
Mozart, Wolfgang Amadeus (1756-1791)
National philharmonic orchestra Londres
Orchester der Bayreuther Festspiele
Philharmonia Orchestra (Londres)
Polydor international GmbH
Sinopoli, Giuseppe (1946-2001))
Veselka, Josef (1910-1992)
Wagner, Richard (1813-1883)
Wagner, Richard (1813-1883))
Warner music France
Weller, Walter (1939- ))
Acis and Galatea, HWV 49, Act II: Recitative: I rage, I rage, I rage, I melt, I burn! - Aria: O ruddier than the cherry
Ah tutti contenti (2 min 33 s)
Alcina opera in three acts
All we like sheep have gone astray (3 min 54 s)
Amadeus bande originale du film
And he shall purify (2 min 25 s)
And the glory of the Lord shall be revealed (2 min 51 s)
And with his stripes we are healed (1 min 53 s)
Behold, and see if there is any sorrow (2 min)
Billy Budd
Bluebeard's castle
Boris Godunov (sung in English): Boris Godunov, Prologue Scene 2: Coronation Scene: My soul is sad (Skorbit dusha!)
Bubak and Hungaricus (1 min 17 s)
But who may abide the day of his coming (4 min 45 s)
Cantata profana The wooden prince
Capuleti e i Montecchi, I
Capuleti e i Montecchi [opera in two acts]
Concerto pour piano n °20 en ré mineur, K 466
Così fan tutte extraits
Don Giovanni
Don Juan
enlèvement au Sérail
Entfuhrung aus dem Serail (Abduction from the Seraglio), K. 384: Act I: When a maiden takes your fancy (Wer ein Liebchen hat gefunden), Die
Entfuhrung aus dem Serail (Abduction from the Seraglio), K. 384: Act II: Duet: I'm going, but take my advice (Ich gehe, doche rate ich dir), Die
Entfuhrung aus dem Serail (Abduction from the Seraglio), K. 384: Act II: Duet: Vivat Bacchus! Long live Bacchus! (Vivat Bacchus! Bacchus lebe!), Die
Ercole amante
Ernani: Ernani, Act I: Scene: Can I believe it? (Che mai vegg'io!) - Cavatina: Vain illusion! When I believed her (Infelice! ? e tuo credivi)
Ev'ry valley shall be exalted
forza del destino
Gabriella di Vergy
Genevieve de Brabant (Sung in English): Genevieve de Brabant: Duet: We're public gaurdians bold and wary
Giulio Cesare in Egitto.
Great Operatic Arias
greek passion Řecké Pašije, The : opera in 4 acts : H372/II (Zürich version 1957-9)
Guglielmo Tell
Guillaume Tell.
Hallelujah (3 min 57 s)
If God be for us (4 min 41 s)
In a Persian Garden: In a Persian Garden: Myself when young
Julius Caesar
kékszakállú herceg vára
know that my Redeemer liveth (6 min 42 s), I
Knyaz Igor (Prince Igor): Act I: The Prince has drunk his fill? ? The sober life of boredom (Greshno tait)
Knyaz Igor (Prince Igor): Act II: Aria: Igor, listen (Zdorov li, Knaz?)
Knyaz Igor (Prince Igor): Act II: Aria: No rest, no slumber (Ni sna, ni otdikha)
Let all the angels of God worship him (1 min 30 s)
Lord gave the word (1 min 5 s)
Manon Lescaut highlights
Mary Stuart
Messe en ut mineur K 427
Messiah, The
Mikado, Act II: A more humane Mikado ? My object all sublime, The
Mozart arias
noces de Figaro
Nozze di Figaro-Non Piu Andrai Farfallone Amoroso, Le
O thou that tellest good tidings (5 min 30 s)
Oedipus rex
Pelléas et Mélisande.
Pesnya Mefistofelya v pogrebke Auerbakha (Mephistopheles's Song in Auerbach's Cellar), "Song of the Flea": Mephistopheles's Song in Auerbach's Cellar (Pesnya Mefistofelya v pogrebke Auerbakha)
Petite Messe solennelle original version
Pifa (1 min 11 s)
Pirates of Penzance: The Pirates of Penzance, Act II: When a felon's not engaged in his employment, The
Punch and Judy
Rejoice greatly, o daughter of Zion (4 min 48 s)
Requiem, K 626
Rheingold., Das
Ring des Nibelungen.
roi de Lahore, Le
Rosenkavalier highlights, Der
rossignol, Le
Rusalka, Act I: Ah! You young girls are all the same (Okh, toto vse vi devky molodiye)
Samson et Dalila.
Samson, HWV 57: Samson, HWV 57, Act II: Aria: Honour and arms scorn such a foe
Sappho : opera in three acts
Sérénade pour instruments à vents, K 361
Simon Boccanegra: Simon Boccanegra, Prologue: Scene: A last farewell I bid you (A te l'estremo addio) - My soul is torn with suffering (Il lacerato spirito)
Sinfonien, op. 125
Sonnambula, La
Stabat mater
Surely he hath borne our griefs (2 min 23 s)
Symphony (3 min 22 s)
Thou shalt break them (2 min 6 s)
Thy rebuke hath broken his heart (1 min 50 s)
Tosca extraits
Traviata highlights, La
Walküre, Die
Why do the nations so furiously rage (2 min 56 s)
Worthy is the Lamb that was slain (7 min 31 s)
Zaide, K 344
Contributed to or performed: 
Acis und Galatea
Ah, des cris de victoire!
Ame timide
Aux troppes du Sultan
Billy Budd
Bluebeard's Castle
Bluebeard's Castle: 1st Door: What's there? What's there?
Bluebeard's Castle: 2nd Door: Trembling seizes all my castle
Bluebeard's Castle: 2nd Door: What's there?
Bluebeard's Castle: 5th Door: Look! Brightness has filled my castle
Bluebeard's Castle: 6th Door: My last door will stay unopened
Bluebeard's Castle: 7th Door: Daybreak - when I found the first one
Bluebeard's Castle: 7th Door: Look upon the other woman
Bluebeard's Castle: 7th Door: Midnight - when I found the fourth one
Bluebeard's Castle: Opening: Tell me why you came here, Judith
Bluebeard's Castle: Opening: Will you enter? Look around you
Bluebeard's Castle: Prologue: Bluebeard's castle, a myth, a legend
Bluebeard’s Castle
bronze a vibré, Le
Capuleti e i Montecchi, I
Così fan tutte
Così fan tutte, K. 599: Terzettino "Soave sia il vento"
délire pieux, Un
Divertissement: Mélodie hindique
Divertissement: Valse avec saxophone
Don Giovanni, K. 527: Act II, Commendatore scene
Don Giovanni, KV 527: Act II, Scene IV. "Don Giovanni, a cena teco m'invitasti"
Duke Bluebeard’s Castle, op. 11: The Fifth Door - Bluebeard’s Kingdom (excerpt)
Echec au roi blanc!
Götterdämmerung, Dritter Aufzug/Act 3, Zweite Szene/Scene 2: Trauermusik (Orchester)
Handel: Hercules
Hercules, HWV 60: Act I, no. 13: Recitativo "Banish your fears! The noble" (Hercules, Lichas, Dejanira) / no. 14: Aria "Begone my fears, fly hence, away" (Dejanira)
Hercules, HWV 60: Act I, no. 17: Recitativo "Thanks to the powers above" (Hercules, Iole)
Hercules, HWV 60: Act I, no. 19: Recitativo "Now farewell, arms! From hence the tide of time" (Hercules) / no. 20: Aria "The god of battle quits the bloody field" (Hercules)
Hercules, HWV 60: Act II, no. 32: Recitativo "Yes, I congratulate your titles, swelled" (Dejanira, Hercules) / no. 33: Aria "Alcides' name in latest story" (Dejanira)
Hercules, HWV 60: Act III, no. 47: Recitativo "Great Jove! Relieve his pains!" (Hyllus, Hercules)
J'ai fui la chambre nuptiale!
Magic Flute, The
Manon Lescaut: Atto Terzo. " Presto! In fila!" / "No! pazzo son!" (Sergente, Des Grieux, Commandante, coro)
Manon Lescaut: Atto Terzo. "All'armi! All'armi!" (Lescaut, Des Grieux, Manon, Sergente, Commandante)
Messiah, HWV 56: V. Accompagnato (Bass) "Thus Saith the Lord of Hosts"
Messiah, HWV 56: X. Accompagnato (Bass) "For Behold, Darkness Shall Cover"
Messiah, HWV 56: XI. Air (Bass) "The People That Walked in Darkness"
Messiah, HWV 56: XL. Air (Bass) "Why Do the Nations So Furiously Rage"
Messiah, HWV 56: XLVII. Recitative (Bass) "Behold, I Tell You a Mystery"
Messiah, HWV 56: XLVIII. Air (Bass) "The Trumpet Shall Sound"
Messiah: The People That Walked in Darkness
Ministre du roi notre maître
moi je veux bannir, De
nozze di Figaro, K. 492: Act IV. "Ah tutti contenti", Le
nozze di Figaro, Le
O Sitâ, ma bien aimée
O Timour!
On parle de partir!
Orfeo: Atto quarto. "Qual onor di te" / "O dolcissimi lumi" / "Rotto haila legge", L'
Orfeo: Atto terzo. "O tu, ch'inanzi morte" (Caronte), L'
Punch and Judy
Qu'il soit lui!
Quel est celui qui vient?
Repose, ô belle amoureuse
Roi De Lahore, Le
Roi des rois de la terre!
Roi, l'amour profanant
Rosenkavalier (highlights), Der
Sauve-nous, puissant Indra!
Seule! Je reste seule
sieben Todsünden: I. Faulheit (Sloth), Die
sieben Todsünden: II. Stolz (Pride), Die
sieben Todsünden: III. Zorn (Anger), Die
sieben Todsünden: IV. Völlerei (Gluttony), Die
sieben Todsünden: V. Unzucht (Lust), Die
sieben Todsünden: VI. Habsucht (Covetousness), Die
sieben Todsünden: VII. Neid (Envy), Die
Sitâ, voici venir une heure fortunée
Symphony no. 14
Symphony no. 14, op. 135: I. De profundis (Lorca). Adagio
Symphony no. 14, op. 135: III. Loreley (Apollinaire). Allegro molto
Symphony no. 14, op. 135: IX. O Delvig, Delvig! (Küchelbeker). Andante
Symphony no. 14, op. 135: VI. Madam, look! (Apollinaire). Allegretto
Symphony no. 14, op. 135: VII. In the Santé Prison (Apollinaire). Adagio
Symphony no. 14, op. 135: VIII. The Zaporozhian Cossacks´ Answer to the Sultan of Constantinople (Apollinaire). Allegro
Symphony no. 14, op. 135: XI. Conclusion (Rilke). Moderato
Symphony No. 9 in D minor, Op. 125 "Choral": IV. Presto—Allegro ma non troppo—Vivace—Adagio cantabile—Allegro—Allegro moderato—Allegro
Symphony no. 9 in D minor, op. 125: IVa. Presto - Presto "O Freude, nicht diese Tone!" -
Symphony no. 9 in D minor, op. 125: IVb. Allegro assai
Tout fuit! Tout!
traviata: Atto II, Scena II. “Avrem lieta di maschere la notte” – “Noi siamo zingarelle” (Flora, Marchese, Dottore, tutti), La
Voices in Harmony
Voici la nuit!
Voici le paradis!
Wagner: Parsifal
Walkure - Act 1, Die
Walküre, Act III, Scene 3: “In festen Schlaf”, Die