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Person
ISNI: 
0000 0001 1700 1745
Name: 
Elder, Mark
Elder, Mark Philip
Elder, Mark Philipp
Elder, Mark Sir
Mark Elder
Mark Elder (britischer Dirigent)
Mark Elder (British conductor)
Mark Elder (Brits dirigent)
Mark Elder (chef d'orchestre)
PHILIP ELDER, MARK
Sir Mark Elder
מרק אלדר
マーク・エルダー
Dates: 
1947-
Creation class: 
Language material
Musical sound recording
Projected medium
Creation role: 
conductor
performer
Related names: 
Balsadonna, Renato (1966-...)
BBC symphony orchestra
Benjamin, George (1960-....))
City of Birmingham Symphony Orchestra
Donizetti, Gaetano (1797-1848)
Elgar, Edward (1857-1934)
English national opera (Londres)
English national opera Orchestra 1979-1993 (see also from)
Hallé (Musical group)
Hallé Choir
Hallé Orchestra
Hallé orchestra (Manchester, GB) Manchester, GB 2000-.... (see also from)
Hallé orchestra (Manchester)
Hamelin, Marc-André (1961-)
Naxos Digital Services
Orchestre Philharmonique Nice
Rochester Philharmonic Orchestra
Rochester philharmonic orchestra 1989-1998 (see also from)
Royal Opera House (Londyn). Orchestra
Royal opera house Londres, Orchestra
Salaman, Esther
Wiener Symphoniker
Titles: 
Adriana Lecouvreur
Antara
Arien zum Autofahren
Belisario
Bellini, Wagner
Bianca e Fernando
Bridgewater hall 10th anniversary
Brigg Fair
Cenerentola= (Cinderella), Gioachino Rossini : [libretto] ; accompanying texts by Philip Gossett, Arthur Jacobs, Mark Elder, Colin Graham]
Debussy preludes
Delius and his music
Don Juan ; Lieder ; Macbeth
Donizetti, G. Dom Sebastien, roi de Portugal [Opera] (Filianoti)
dream of Gerontius, The
Duke Bluebeard's Castle
Elgar's Nursery suite
English landscapes
Falstaff Romance for bassoon and orchestra ; Cello concerto ; Smoking cantata
Fantasio
Four last songs
French arias
Gamlet (Incidental music)
Gloriana
Götterdämmerung
Great proms performances editor's choice : the top ten discs of July 2010.
Gürzenich Orchester live
H.M.S. Gilbert & Sullivan H.M.S. Pinafore ; Pirates of Penzance ; the Mikado.
Hallé at 150 Sibelius symphony no. 3, etc., The
Hypothetically murdered Four Pushkin romances ; Five fragments ; Suite no. 1 for jazz band
Imelda de' Lambertazzi
Ireland, J. Mai-Dun ; The Forgotten Rite ; Satyricon Overture ; The Overlanders ; A London Overture ; Epic March (Halle Orchestra, Elder)
Jeux 12 preludes
King Roger
Kingdom, The
Koncerty.
Konzerte, Kl Orch, K 247
Król Roger
Linda di Chamounix
Madame Butterfly
Maria di Rohan
martyrs
Masses
mind of winter
Music of George Benjamin
Nessun dorma
Nielsen, C. Symphony No. 5 ; Flute Concerto ; Entrance March from Aladdin (Nicholson, Hall Orchestra, Elder)
Norma
Opera Rara highlights CD exclusive to readers of Opera
Operas.
Orchestral and Choral Music (English) (Halle Orchestra, Elder)
Orphée aux enfers.
Orpheus in the underworld (highlights)
Ouvertures
Piano concerto in C major, op. 39
Piano concerto live recording from the 1988 BBC promenade concert
pirata
Pohjolan tytär
Pomp and circumstance
Rigoletto
Rita : (Deux hommes et une femme)
Romeo & Juliet excerpts
Selections
Short ride in a fast machine The chairman dances ; Harmonium
Shostakovich Hamlet (1932 and 1954 versions) ; King Lear (1941 version)
Simon Boccanegra
Strauss, R. Lieder (Schwanewilms, Halle Orchestra, Elder)
Symphonies
theatre of memory
Tristan und Isolde
Unlocking your voice : freedom to sing
Verdi Otello (Sung in English)
Wagner, R. Preludes (Kampe, Halle Orchestra, Elder)
Walküre
wally... [etc.], La
Wasps.
Works.
Contributed to or performed: 
Act 1, Scene I; He! Ho! Waldhüter ihr
Act 1, Scene II; Recht so! Habt Dank!
Act 1, Scene III; Nicht Dank!
Act 1, Scene IV; O wundenwunder-voller heiliger Speer!
Act 1, Scene V; Die Wüste Schuf er sich zum Wonnegarten
Act 1, Scene V; Titurel, der fromme Held
Act 1, Scene VI; Weh! Weh!
Act 1, Scene VII; Wo bist du her
Act 1, Scene VIII; Vom Bade Kehrt Der König Heim
Act 1, Scene X; Den sündigen Welten
Act 1, Scene X; Nun achte wohl, und lass mich sehn
Act 1, Scene XI; Mein Sohn, Amfortas
Act 1, Scene XII; Die Weihgefässes göttlicher Gehalt
Act 1, Scene XII; Nehmet hin meinen Leib
Act 1, Scene XIII; Wein Und Brot
Act 1, Scene XV; Was stehst du doch da
Act 1; Interlude
Act 1; Interlude II
Act 1; Prelude
Act 2, Scene I; Prelude
Act 2, Scene II; Die Zeit ist da
Act 2, Scene III; Ach! Ach!
Act 2, Scene IV; Hier war das Tosen! Hier, hier!
Act 2, Scene IX; Wehe! Wehe!
Act 2, Scene V; Komm! Holder Knabe!
Act 2, Scene VI; Parsifal!
Act 2, Scene VII; Dies alles ... hab' ich nun geträumt
Act 2, Scene VIII; Ich Sah Das Kind An Seiner Mutter Brust
Act 2, Scene X; Amfortas! Dei Wunde!
Act 2, Scene XI; Gelobter Held!
Act 2, Scene XI; Nun such ich ihn
Act 2, Scene XII; Vergeh, unseliges Weib!
Act 3, Scene I; Prelude
Act 3, Scene II; Von dorther kam das Stöhnen
Act 3, Scene III; Heil dir, mein Gast!
Act 3, Scene IV; Erkennst du ihn
Act 3, Scene IV; Heil mir, dass ich dich wiederfinde!
Act 3, Scene IV; O Herr. War es ein Fluch
Act 3, Scene IX; Ja! Wehe!
Act 3, Scene V; Nicht so!
Act 3, Scene VI; Du siehst, das ist nicht so
Act 3, Scene VI; Du wuschest mir die Füsse
Act 3, Scene VI; Wie dünkt mich doch die Aue heut so schön!
Act 3, Scene VII; Mittag, die Stund' ist da
Act 3, Scene VIII; Geleiten Wir In Bergenden Schrein
Act 3, Scene X; Enthüllet den Gral!
Act 3, Scene XI; Höchsten Heiles Wunder!
Andrea Chénier: Come un bel di cli maggio
At the Speed of Stillness
BBC Music, Volume 14, Number 13: Strauss: Four Last Songs / Mozart: Piano Concerto no. 20 / Prokofiev: Romeo and Juliet (excerpts)
BBC Music, Volume 16, Number 6: The Hallé 150th Anniversary
BBC Music, Volume 2, Number 2: Duke Bluebeard’s Castle
BBC Music, Volume 5, Number 2: October Revolution
Bluebeard’s Castle, Fifth Door: Expansive Domains
Bluebeard’s Castle, First Door: The Torture Chamber
Bluebeard’s Castle, Fourth Door: The Garden of Flowers
Bluebeard’s Castle, Prologue: Auguries of Darkness and Desire
Bluebeard’s Castle, Second Door: The Armoury
Bluebeard’s Castle, Seventh Door
Bluebeard’s Castle, Sixth Door: The Lake of Tears
Bluebeard’s Castle, The Arrival
Bluebeard’s Castle, Third Door: The Treasury
Cantata for the 20th Anniversary of The October Revolution (excerpt)
Cantata for the 20th Anniversary of the October Revolution, op. 74: Interlude
Cantata for the 20th Anniversary of the October Revolution, op. 74: Introduction
Cantata for the 20th Anniversary of the October Revolution, op. 74: Marching in Close Ranks
Cantata for the 20th Anniversary of the October Revolution, op. 74: Philosophers
Cantata for the 20th Anniversary of the October Revolution, op. 74: Revolution
Cantata for the 20th Anniversary of the October Revolution, op. 74: Symphony
Cantata for the 20th Anniversary of the October Revolution, op. 74: The Constitution
Cantata for the 20th Anniversary of the October Revolution, op. 74: The Pledge
Cantata for the 20th Anniversary of the October Revolution, op. 74: Victory
Celestial Map of the Sky, A
Cello Concerto in E minor, op. 85: I. Adagio moderato
Cello Concerto in E minor, op. 85: II. Lento - Allegro molto
Cello Concerto in E minor, op. 85: III. Adagio
Cello Concerto in E minor, op. 85: IV. Allegro, ma non troppo
Chanson de Matin, op. 15 no. 2
Cockaigne (in London Town), op. 40
Debussy Preludes, The
Dream of Gerontius, op. 38, The
Dream of Gerontius: But hark! – Low-born clods of brute earth, The
Dream of Gerontius: But hark! a grand mysterious harmony, The
Dream of Gerontius: Dispossessed, aside thrust, The
Dream of Gerontius: I can no more, The
Dream of Gerontius: I see not those false spirits, The
Dream of Gerontius: I went to sleep, The
Dream of Gerontius: Introduction, The
Dream of Gerontius: It is a member of that family, The
Dream of Gerontius: Jesu, Maria - I am near to death, The
Dream of Gerontius: Jesu! by that shuddering dread, The
Dream of Gerontius: Kyrie eleison - Holy Mary, pray for him, The
Dream of Gerontius: My work is done, The
Dream of Gerontius: Praise to His Name! – Take me away, The
Dream of Gerontius: Praise to the Holiest, The
Dream of Gerontius: Prelude, The
Dream of Gerontius: Proficiscere, anima Christiana, The
Dream of Gerontius: Rouse thee, my fainting soul, The
Dream of Gerontius: Sanctus fortis, Sanctus Deus, The
Dream of Gerontius: Softly and gently, The
Dream of Gerontius: There was a mortal – Praise to the Holiest, The
Dream of Gerontius: Thy judgement now is near, The
Duc d'Albe, Le
En saga: Symphonic Poem, op. 9
Enigma Variations / Serenade for Strings / Cockaigne / Chanson de Matin
Enigma Variations: I. C.A.E
Enigma Variations: II. H.D.S.-P
Enigma Variations: III. R.B.T
Enigma Variations: IV. W.M.B.
Enigma Variations: IX. Nimrod
Enigma Variations: Theme
Enigma Variations: V. R.P.A.
Enigma Variations: VI. Ysobel
Enigma Variations: VII. Troyte
Enigma Variations: VIII. W.N
Enigma Variations: X. Intermezzo Dorabella
Enigma Variations: XI. G.R.S.
Enigma Variations: XII. B.G.N.
Enigma Variations: XIII. ***
Enigma Variations: XIV. Finale: E.D.U.
Falstaff / Cello Concerto / Romance for Bassoon / Smoking Cantata
Falstaff, Symphonic Study in C minor, op. 68: I.
Falstaff, Symphonic Study in C minor, op. 68: II.
Falstaff, Symphonic Study in C minor, op. 68: III.
Falstaff, Symphonic Study in C minor, op. 68: IV.
Falstaff, Symphonic Study in C minor, op. 68: IX.
Falstaff, Symphonic Study in C minor, op. 68: V.
Falstaff, Symphonic Study in C minor, op. 68: VI.
Falstaff, Symphonic Study in C minor, op. 68: VII.
Falstaff, Symphonic Study in C minor, op. 68: VIII.
Falstaff, Symphonic Study in C minor, op. 68: X.
Fantasia and Fugue in C minor, BWV 537, op. 86: Fantasia
Fantasia and Fugue in C minor, BWV 537, op. 86: Fugue
Fantasia on a Theme by Thomas Tallis
Fedora: Act II. Amor ti vieta di non amar
Five Fragments, Op.42: 1. Moderato
Five Fragments, Op.42: 2. Andante
Five Fragments, Op.42: 3. Largo
Five Fragments, Op.42: 4. Moderato
Five Fragments, Op.42: 5. Allegretto
Five Variants of 'Dives and Lazarus'
For the Fallen
Four Last Songs: 1. Frühling
Four Last Songs: 2. September
Four Last Songs: 3. Beim Schlafengehen
Four Last Songs: 4. Im Abendrot
Four Romances On Poems By Pushkin, Op.46: 1. Rebirth
Four Romances On Poems By Pushkin, Op.46: 2. Jealousy
Four Romances On Poems By Pushkin, Op.46: 3. Foreboding
Four Romances On Poems By Pushkin, Op.46: 4. Stanzas
Gotterdammerung
Gotterdammerung: Act I Scene 1: Jagt er auf Taten wonnig umher (Hagen, Gunther, Siegfried)
Gotterdammerung: Act I Scene 1: Nun hor', Hagen, sage mir, Held (Gunther, Hagen, Gutrune)
Gotterdammerung: Act I Scene 1: Wen ratst du nun zu frein (Gunther)
Gotterdammerung: Act I Scene 2: Begrusse froh, o Held (Gunther, Siegfried, Hagen)
Gotterdammerung: Act I Scene 2: Bluhenden Lebens labendes Blut (Siegfried, Gunther, Hagen, Gutrune)
Gotterdammerung: Act I Scene 2: Frisch auf die Fahrt! (Siegfried)
Gotterdammerung: Act I Scene 2: Hast du, Gunther, ein Weib? (Siegfried, Gunther)
Gotterdammerung: Act I Scene 2: Hier sitz' ich zur Wacht (Hagen)
Gotterdammerung: Act I Scene 2: Orchesterzwischenspiel (Entr'acte)
Gotterdammerung: Act I Scene 2: Wer ist Gibichs Sohn? (Siegfried, Gunther, Hagen)
Gotterdammerung: Act I Scene 2: Willkommen, Gast, in Gibichs Haus! (Gutrune, Siegfried, Gunther)
Gotterdammerung: Act I Scene 3: Altgewohntes Gerausch (Brunnhilde, Waltraute)
Gotterdammerung: Act I Scene 3: Blitzend Gewolk (Brunnhilde, Siegfried)
Gotterdammerung: Act I Scene 3: Brunhild! Ein Freier (Siegfried)
Gotterdammerung: Act I Scene 3: Hore mit Sinn, was ich dir sage! (Waltraute)
Gotterdammerung: Act I Scene 3: Jetzt bist du mein (Siegfried, Brunnhilde)
Gotterdammerung: Act I Scene 3: Welch banger Traume Maren meldest du Traurige mir (Brunnhilde, Waltraute)
Gotterdammerung: Act II Scene 1: Orchesterzwischenspiel (Entr'acte)
Gotterdammerung: Act II Scene 1: Schlafst du, Hagen, mein Sohn? (Alberich, Hagen)
Gotterdammerung: Act II Scene 2: Hoiho, Hagen! Muder Mann! (Siegfried, Hagen, Gutrune)
Gotterdammerung: Act II Scene 3: Hoiho! Hoihohoho! (Hagen, Vassals)
Gotterdammerung: Act II Scene 4: Achtest du so der eignen Ehre? (Siegfried, Brunnhilde, Chorus, Gunther, Gutrune, Hagen)
Gotterdammerung: Act II Scene 4: Betrug! Betrug! (Brunnhilde)
Gotterdammerung: Act II Scene 4: Gegrusst sei, teurer Held! (Gunther, Chorus)
Gotterdammerung: Act II Scene 4: Ha! Der Ring, an seiner Hand! (Brunnhilde)
Gotterdammerung: Act II Scene 4: Heil dir, Gunther! (Vassals)
Gotterdammerung: Act II Scene 4: Helle Wehr! Heilige Waffe! (Siegfried, Brunnhilde, Chorus)
Gotterdammerung: Act II Scene 5: Auf Gunther, edler Gibichung! (Hagen, Gunther, Brunnhilde)
Gotterdammerung: Act II Scene 5: Dir hilft kein Hirn (Hagen, Gunther, Brunnhilde)
Gotterdammerung: Act II Scene 5: Orchesterzwischenspiel (Entr'acte)
Gotterdammerung: Act II Scene 5: So war' es Siegfrieds Ende! (Gunther)
Gotterdammerung: Act II Scene 5: Vertraue mir, betrog'ne Frau! (Hagen)
Gotterdammerung: Act II Scene 5: Welches Unholds List liegt hier verhohlen? (Brunnhilde, Hagen, Gunther)
Gotterdammerung: Act II: Vorspiel
Gotterdammerung: Act III Scene 1: Ein Albe fuhrte mich irr (Siegfried, 3 Rhinemaidens)
Gotterdammerung: Act III Scene 1: Frau Sonne sendet lichte Strahlen (Rhinemaidens)
Gotterdammerung: Act III Scene 1: Siegfried! Siegfried! Schlimmes wissen wir dir (3 Rhinemaidens, Siegfried)
Gotterdammerung: Act III Scene 1: Was leid ich doch das karge Lob? (Siegfried)
Gotterdammerung: Act III Scene 2: Brunnhilde, heilige Braut! (Siegfried)
Gotterdammerung: Act III Scene 2: Erratst du auch dieser Raben Geraun'? (Hagen)
Gotterdammerung: Act III Scene 2: Hoiho! (Hagen, Male Chorus, Siegfried)
Gotterdammerung: Act III Scene 2: In Leid zu dem Wipfel lauscht' ich hinauf (Siegfried)
Gotterdammerung: Act III Scene 2: Mime hiess ein murrischer Zwerg (Siegfried, Hagen)
Gotterdammerung: Act III Scene 2: Siegfrieds Trauermarsch (Siegfried's Funeral March)
Gotterdammerung: Act III Scene 2: Trink, Gunther, trink! (Siegfried, Gunther, Hagen)
Gotterdammerung: Act III Scene 3: Conclusion (Hagen)
Gotterdammerung: Act III Scene 3: Fliegt heim, ihr Raben! (Brunnhilde)
Gotterdammerung: Act III Scene 3: Hoiho! Hoiho! Wacht auf! (Hagen's Voice, Guntrune, Gunther)
Gotterdammerung: Act III Scene 3: Mein Erbe nun nehm' ich zu eigen (Brunnhilde)
Gotterdammerung: Act III Scene 3: Schweigt eures Jammers (Brunnhilde, Gutrune)
Gotterdammerung: Act III Scene 3: Siegfried, Siegfried erschlagen! (Gutrune)
Gotterdammerung: Act III Scene 3: Starke Scheite schichtet mir dort (Brunnhilde)
Gotterdammerung: Act III Scene 3: War das sein Horn? (Gutrune, Hagen, Gunther)
Gotterdammerung: Act III Scene 3: Wie Sonne lauter strahlt mir sein Licht (Brunnhilde)
Gotterdammerung: Act III: Vorspiel
Gotterdammerung: Hilf, Donner, tose dein Wetter (Vassals)
Gotterdammerung: Prologue: Einleitung
Gotterdammerung: Prologue: Es ragt die Burg, von Riesen gebaut (Third Norn)
Gotterdammerung: Prologue: Mehr gabst du, Wunderfrau (Siegfried, Brunnhilde)
Gotterdammerung: Prologue: Oh, heilige Gotter! (Siegfried)
Gotterdammerung: Prologue: Orchesterzwischenspiel (Entr'acte)
Gotterdammerung: Prologue: Siegfrieds Rheinfahrt (Siegfried's Rhine Journey)
Gotterdammerung: Prologue: Singe, Schwester, dir werf ich's zu" (First Norn)
Gotterdammerung: Prologue: Welch Licht leuchtet dort? (First Norn)
Gotterdammerung: Prologue: Zu neuen Taten, teurer Helde (Brunnhilde)
Grania and Diarmid, op. 42: Funeral March
Grania and Diarmid, op. 42: Introduction
Grania and Diarmid, op. 42: Song "There are seven that pull the thread"
Hallé, The
Horn Concerto / Alphabicycle Order
Horn Concerto: Andante con moto
Horn Concerto: Calmo
Horn Concerto: Freely
Horn Concerto: Più sostenuto
Horn Concerto: Poco sostenuto
Horn Concerto: Scorrevole
Horn Concerto: Sostenuto
Horn Concerto: Vigoroso
Hypothetically Murdered / Four Pushkin Romances / Five Fragments for Small Orchestra / Jazz Suite No. 1
Hypothetically Murdered Orch Ste, Op.31a, Act I (Part I): Gallop
Hypothetically Murdered Orch Ste, Op.31a, Act I (Part I): The Field (Landscape)
Hypothetically Murdered Orch Ste, Op.31a, Act I (Part I): Transition To The Field
Hypothetically Murdered Orch Ste, Op.31a, Act I (Part I): Transition To The Field Hospital
Hypothetically Murdered Orch Ste, Op.31a, Act I (Part II): Finale To Act I: Dance of the Temporary Victors
Hypothetically Murdered Orch Ste, Op.31a, Act I (Part II): March
Hypothetically Murdered Orch Ste, Op.31a, Act I (Part II): Polka
Hypothetically Murdered Orch Ste, Op.31a, Act I (Part II): The River Bed
Hypothetically Murdered Orch Ste, Op.31a, Act II: Dance
Hypothetically Murdered Orch Ste, Op.31a, Act II: Intro To Act II (Petrushka)
Hypothetically Murdered Orch Ste, Op.31a, Act II: Petrushka (Garmoshka)
Hypothetically Murdered Orch Ste, Op.31a, Act II: Storm
Hypothetically Murdered Orch Ste, Op.31a, Act II: The Arrival Of The Lorry
Hypothetically Murdered Orch Ste, Op.31a, Act II: Transition To The Kitchen (Jugglers and Waitresses)
Hypothetically Murdered Orch Ste, Op.31a, Act II: Waitresses
Hypothetically Murdered Orch Ste, Op.31a, Act III: Adagio
Hypothetically Murdered Orch Ste, Op.31a, Act III: Bacchanalia Of John Von Kronstadt and Paraskeva Piatnitsa
Hypothetically Murdered Orch Ste, Op.31a, Act III: Paradise I: The Flight Of The Cherubim
Hypothetically Murdered Orch Ste, Op.31a, Act III: Paradise II: The Flight Of The Angels
Hypothetically Murdered Orch Ste, Op.31a, Act III: The Archangel Gabriel's Number
Hypothetically Murdered Orch Ste, Op.31a, Act III: Waltz
In Memoriam
Introduction and Allegro for Strings, Op. 47
Jupiter, the Bringer of Jollity
Kingdom, op. 51: I. In the Upper Room. ''Men and brethren'', The
Kingdom, op. 51: I. In the Upper Room. ''O ye priests!'', The
Kingdom, op. 51: I. In the Upper Room. ''Seek first the Kingdom of God'', The
Kingdom, op. 51: II. At the Beautiful Gate. ''The singers are before the altar'', The
Kingdom, op. 51: III. Pentecost. ''And suddenly there came from heaven'', The
Kingdom, op. 51: III. Pentecost. ''And when the day of Pentecost'', The
Kingdom, op. 51: III. Pentecost. ''I have prayed for thee'', The
Kingdom, op. 51: III. Pentecost. ''Repent and be baptized'', The
Kingdom, op. 51: IV. The Sign of Healing. ''And as they spake'', The
Kingdom, op. 51: IV. The Sign of Healing. ''The sun goeth down", The
Kingdom, op. 51: IV. The Sign of Healing. ''Then they that gladly received his word'', The
Kingdom, op. 51: IV. The Sign of Healing. ''Unto you that fear his name'', The
Kingdom, op. 51: Prelude, The
Kingdom, op. 51: V. The Upper Room. ''Our Father'', The
Kingdom, op. 51: V. The Upper Room. ''The voice of Joy'', The
Kingdom, op. 51: V. The Upper Room. ''Thou, Almighty Lord", The
Kingdom, The
Lohengrin
Lohengrin, WWV 75, Act I: Act I Scene 1: Dank, König, dir, daß du zu richten kamst! (Friedrich, All The Men, The King, Herald)
Lohengrin, WWV 75, Act I: Act I Scene 1: Hört, Grafen, Edle, Freie von Brabant! (Herald, Brabantines, The King, Saxons and Thuringians)
Lohengrin, WWV 75, Act I: Act I Scene 1: Prelude
Lohengrin, WWV 75, Act I: Act I Scene 2: Des Ritters will ich wahren (Elsa, All The Men, The King, Herald)
Lohengrin, WWV 75, Act I: Act I Scene 2: Einsam in trüben Tagen hab ich zu Gott gefleht (Elsa, All The Men, The King, Friedrich, Brabantines)
Lohengrin, WWV 75, Act I: Act I Scene 2: Seht hin! Sie naht, die hart Beklagte! (All The Men, The King, Elsa)
Lohengrin, WWV 75, Act I: Act I Scene 3: Durch Gottes Sieg ist jetzt dein Leben mein (Lohengrin, The King, Men, Women, Elsa, Friedrich, Ortrud)
Lohengrin, WWV 75, Act I: Act I Scene 3: Nun höret mich und achtet wohl (Herald, All The Men, Lohengrin, Friedrich, The King, Elsa, Ortrud, All The Women)
Lohengrin, WWV 75, Act I: Act I Scene 3: Nun sei bedankt, mein lieber Schwan! (Lohengrin, Men, Women, The King, Elsa)
Lohengrin, WWV 75, Act I: Act I Scene 3: Welch holde Wunder muß ich sehn! (Men, Women, Lohengrin, Brabantine Nobles, Friedrich, The King)
Lohengrin, WWV 75, Act I: Act I Scene 3: Wenn ich im Kampfe für dich siege (Lohengrin, Elsa)
Lohengrin, WWV 75, Act II: Act II Scene 1: Du wilde Seherin, wie willst du doch (Friedrich, Ortrud)
Lohengrin, WWV 75, Act II: Act II Scene 1: Erhebe dich, Genossin meiner Schmach! (Friedrich, Ortrud)
Lohengrin, WWV 75, Act II: Act II Scene 1: Was macht dich in so wilder Klage doch vergehn? (Ortrud, Friedrich)
Lohengrin, WWV 75, Act II: Act II Scene 2: Elsa! (Ortrud, Elsa)
Lohengrin, WWV 75, Act II: Act II Scene 2: Euch Lüften, die mein Klagen (Elsa, Ortrud, Friedrich)
Lohengrin, WWV 75, Act II: Act II Scene 2: Ortrud, wo bist du? (Elsa, Ortrud, Friedrich)
Lohengrin, WWV 75, Act II: Act II Scene 3: Des Königs Wort und Will' tu' ich euch kund (Herald, Men)
Lohengrin, WWV 75, Act II: Act II Scene 3: In Früh'n vesammelt uns der Ruf (Nobles, Soldiers)
Lohengrin, WWV 75, Act II: Act II Scene 3: Nun hört! Dem Lande will er uns entführen? (Brabantine Nobles, Friedrich, Pages)
Lohengrin, WWV 75, Act II: Act II Scene 4: Gesegnet soll sie schreiten (Nobles, Soldiers, Men, Women)
Lohengrin, WWV 75, Act II: Act II Scene 4: Zurück, Elsa! Nicht länger will ich dulden - Scene 5: Heil! (Ortrud, Pages, Men, Elsa, Women, Brabantines, The King, Lohengrin, The King's Followers)
Lohengrin, WWV 75, Act II: Act II Scene 5: Mein Held, entgegne kühn dem Ungetreuen! (The King, Men, Lohengrin, Friedrich, Elsa, Women, Pages)
Lohengrin, WWV 75, Act II: Act II Scene 5: O König! Trugbetörte Fürsten! Haltet ein! (Friedrich, The King, Men, Women, Pages, Lohengrin)
Lohengrin, WWV 75, Act II: Act II Scene 5: Welch ein Geheimnis muß der Held bewahren? (The King, Men, Friedrich, Ortrud, Elsa)
Lohengrin, WWV 75, Act III: Act III Scene 1: Prelude
Lohengrin, WWV 75, Act III: Act III Scene 1: Treulich geführt, ziehet dahin (Men, Women, 8 Ladies)
Lohengrin, WWV 75, Act III: Act III Scene 2: Ach nein! (Elsa, Lohengrin)
Lohengrin, WWV 75, Act III: Act III Scene 2: Das süße Lied verhallt (Lohengrin, Elsa)
Lohengrin, WWV 75, Act III: Act III Scene 2: Höchstes Vertrauen hast du mir schon zu danken (Lohengrin, Elsa)
Lohengrin, WWV 75, Act III: Act III Scene 2: Wie hehr erkenn' ich unsrer Liebe Wesen! (Lohengrin, Elsa)
Lohengrin, WWV 75, Act III: Act III Scene 3: Heil König Heinrich! (All The Men, The King)
Lohengrin, WWV 75, Act III: Act III Scene 3: In fernem Land, unnahbar euren Schritten (Lohengrin, Men, Women)
Lohengrin, WWV 75, Act III: Act III Scene 3: Mein lieber Schwan! (Lohengrin, The King, Men, Women, Ortrud, Elsa)
Lohengrin, WWV 75, Act III: Act III Scene 3: Mir schwankt der Boden! Welche Nacht! (Elsa, Men, Women, Lohengrin)
Lohengrin, WWV 75, Act III: Act III Scene 3: Was bringen die? (All The Men, The King, Brabantine Nobles, Brabantines, Lohengrin, Women)
Lyric Movement for Viola and Small Orchestra
Mars, the Bringer of War
Mer / Préludes, La
Mer: I. De l'aube à midi sur la mer, La
Mer: II. Jeux de vagues, La
Mer: III. Dialogue du vent et de la mer, La
Mercury, the Winged Messenger
Neptune, the Mystic
Neptune, the Mystic (original ending)
Oceanides, op. 73, The
Oceanides: Tone Poem, op. 73, The
Original Finale to Enigma Variations
Pastoral Symphony / Fantasia on a Theme by Thomas Tallis / Five Variants of 'Dives and Lazarus' / Overture: The Wasps
Pastoral Symphony: Lento
Pastoral Symphony: Lento moderato
Pastoral Symphony: Moderato pesante
Pastoral Symphony: Molto moderato
Piano Concerto in C major, op. 39: I. Prologo e introito (Allegro, dolce e solenne)
Piano Concerto in C major, op. 39: II. Pezzo giocoso (Vivacemente, ma senza fretta)
Piano Concerto in C major, op. 39: IIIa. Pezzo serioso: Introductio (Andante sostenuto, pensoso)
Piano Concerto in C major, op. 39: IIIb. Pezzo serioso: Prima pars (Andante, quasi adagio)
Piano Concerto in C major, op. 39: IIIc. Pezzo serioso: Altera pars (Sommessamente)
Piano Concerto in C major, op. 39: IIId. Pezzo serioso: Ultima pars (A tempo)
Piano Concerto in C major, op. 39: IV. All' italiana (Tarantella) (Vivace; In un tempo)
Piano Concerto in C major, op. 39: V. Cantico (Largamente)
Piano Concerto No. 1 in D minor, Op. 15: I. Maestoso
Piano Concerto No. 1 in D minor, Op. 15: II. Adagio
Piano Concerto No. 1 in D minor, Op. 15: III. Rondo: Allegro non troppo
Piano Concerto No. 2 in B-flat major, Op. 83: I. Allegro non troppo
Piano Concerto No. 2 in B-flat major, Op. 83: II. Allegro apassionato
Piano Concerto No. 2 in B-flat major, Op. 83: III. Andante
Piano Concerto No. 2 in B-flat major, Op. 83: IV. Allegretto grazioso
Piano Concertos
Planets, The
Pluto, the Renewer
Pohjola's Daughter, op. 49
Postlude: Monsieur Croche
Prelude: Les Collines d'Anacapri
Preludes: ‘Les fées sont d’exquises danseuses’ (Book II, no. 4)
Preludes: Brouillards (Book II, No.1)
Preludes: Bruyères (Book II, no. 5)
Preludes: Canope (Book II, 10)
Preludes: Ce qu'a vu le vent d'Ouest (Book I, 7)
Preludes: Danseuses de Delphes (Book I, no. 1)
Preludes: Des pas sur la neige (Book I, no. 6)
Preludes: Feuilles mortes (Book II, 2)
Preludes: Feux d’artifice (Book II, no. 12)
Preludes: Général Lavine, excentric (Book II, 6)
Preludes: Hommage à S. Pickwick, Esq., P.P.M.P.C. (Book II, no. 9)
Preludes: La cathédrale engloutie (Book I, no. 10)
Preludes: La danse de Puck (Book I, 11)
Preludes: La fille aux cheveux de lin (Book I, 8)
Preludes: La Puerta del Vino (Book II, 3)
Preludes: La sérénade interrompue (Book I, no. 9)
Preludes: La terrasse des audiences du clair de lune (Book II, no. 7)
Preludes: Le vent dans la plaine (Book I, 3)
Preludes: Les collines d’Anacapri (Book I, no. 5)
Preludes: Les sons et les parfums tournent dans l'air du soir (Book I, 4)
Preludes: Les tierces alternées (Book II, 11)
Preludes: Minstrels (Book I, 12)
Preludes: Ondine (Book II, no. 8)
Preludes: Voiles (Book I, no. 2)
Proença (opening)
Proença / The Theatre of Memory
Proença: Ai, tantas vètz m'a trach nècis parlars
Proença: Amors vai com la beluja
Proença: Be'm degra de chantar tener
Proença: Clergue si fan pastor
Proença: Douç brais e crits
Proença: En brèu brisarà'l temps braus
Proença: Instrumental
Proença: L'apostòli'lh legat e'lh cardinal
Proença: L'aura amara
Proença: Quand lo rius de la fontana
Proença: Tot jorn contendi e'm baralh
Ride of the Valkyries, The
Rigoletto
Romance for Bassoon and Orchestra, op. 62
Romantic Piano Concerto, Volume 22: Piano Concerto, op. XXXIX, The
Saturn, the Bringer of Old Age
Serenade for String Orchestra in E minor, op. 20: I. Allegro piacevole
Serenade for String Orchestra in E minor, op. 20: II. Larghetto
Serenade for String Orchestra in E minor, op. 20: III. Allegretto - Come prima
Short Ride in a Fast Machine
Shropshire Lad, A
Shropshire Lad, Rhapsody for Orchestra, A
Smoking Cantata
Spirit of England for Soprano, Chorus and Orchestra, op. 80: For the Fallen, The
Spirit of England for Soprano, Chorus and Orchestra, op. 80: The Fourth of August, The
Spirit of England for Soprano, Chorus and Orchestra, op. 80: To Women, The
Suite No.1 for Jazz Band, Sans Op.E: 1. Waltz
Suite No.1 for Jazz Band, Sans Op.E: 2. Polka
Suite No.1 for Jazz Band, Sans Op.E: 3. Foxtrot (Blues)
Symphony no. 2 / Introduction and Allegro
Symphony no. 2 / The Oceanides / Pohjola's Daughter
Symphony no. 2 in D, op. 43: I. Allegretto
Symphony no. 2 in D, op. 43: II. Tempo andante, ma rubato
Symphony no. 2 in D, op. 43: III. Vivacissimo -
Symphony no. 2 in D, op. 43: IV. Finale: Allegro moderato
Symphony No. 2 in E flat major, Op. 63: I. Allegro vivace e nobilmente
Symphony No. 2 in E flat major, Op. 63: II. Larghetto
Symphony No. 2 in E flat major, Op. 63: III. Rondo: Presto
Symphony No. 2 in E flat major, Op. 63: IV. Moderato e maestoso
Symphony no. 2, op. 14 "A Dedication to October"
Symphony no. 3 in C major, op. 52: I. Allegro moderato
Symphony no. 3 in C major, op. 52: II. Andantino con moto, quasi allagretto
Symphony no. 3 in C major, op. 52: III. Moderato - Allegro, ma non tanto
Symphony no. 4 in F minor: I. Allegro
Symphony no. 4 in F minor: II. Andante moderato
Symphony no. 4 in F minor: III. Scherzo: Allegro molto
Symphony no. 4 in F minor: IV. Finale con epilogo fugato: Allegro molto
Symphony no. 5 / Symphony no. 8
Symphony no. 5 in D Major: I. Preludio
Symphony no. 5 in D Major: II. Scherzo
Symphony no. 5 in D Major: III. Romanza
Symphony no. 5 in D Major: IV. Passacaglia
Symphony no. 5 in E-flat / Symphony no. 7 in C / En saga
Symphony no. 5 in E-flat, op. 82: I. Tempo molto moderato - Allegro moderato (ma poco a poco stretto) - Presto - Più presto
Symphony no. 5 in E-flat, op. 82: II. Andante mosso, quasi allegretto
Symphony no. 5 in E-flat, op. 82: III. Allegro molto
Symphony no. 6 in E minor / Symphony no. 4 in F minor
Symphony no. 6 in E minor: I. Allegro –
Symphony no. 6 in E minor: II. Moderato –
Symphony no. 6 in E minor: III. Scherzo: Allegro vivace –
Symphony no. 6 in E minor: IV. Epilogue: Moderato
Symphony no. 7 in C, op. 105: Adagio - Vivacissimo - Adagio - Allegro molto moderato - Vivace - Presto - Adagio
Symphony no. 8 in D Minor: I. Fantasia (Variazioni senza tema)
Symphony no. 8 in D Minor: II. Scherzo all marcia (per stromenti a fiato)
Symphony no. 8 in D Minor: III. Cavatina (per stromenti ad arco)
Symphony no. 8 in D Minor: IV. Toccata
Symphony no. 9
Symphony no. 9 in D: I. Andante comodo
Symphony no. 9 in D: II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb
Symphony no. 9 in D: III. Rondo-Burleske. Allegro assai. Sehr trotzig
Symphony no. 9 in D: IV. Adagio. Sehr langsam und noch zurückhaltend
Theatre of Memory: I., The
Theatre of Memory: II., The
Theatre of Memory: III., The
Theatre of Memory: IV., The
Theatre of Memory: V., The
Tristan und Isolde: Liebestod
Turandot: Act 3, Nessun dorma!
Uranus—The Magician
Venus, the Bringer of Peace
Voice in the Wilderness, op. 77, A
Wagner: Parsifal
Walk to the Paradise Garden, The
Wasps, The
Wasps: Act I. No. 1 "Bastard! Bloody lickspittle!", The
Wasps: Act I. No. 1 Overture, The
Wasps: Act I. No. 2 Introduction (Nocturne), The
Wasps: Act I. No. 3 Melodrama and Chorus, The
Wasps: Act I. No. 4 "Boys, your song brings tears to my eyes", The
Wasps: Act I. No. 4 The Wasps' Serenade, The
Wasps: Act I. No. 5 "Then all hell breaks loose", The
Wasps: Act I. No. 5 "When we buzz", The
Wasps: Act I. No. 6 "If you survive your sixtieth year", The
Wasps: Act I. No. 6 "Imagine how it feels", The
Wasps: Act I. No. 7 "So Sandra starts in", The
Wasps: Act I. No. 7 Melodrama and Chorus, The
Wasps: Act I. No. 8 Melodrama and Chorus, The
Wasps: Act II. No. 10 "Let the jury be seated", The
Wasps: Act II. No. 10 Melodrama and Chorus, The
Wasps: Act II. No. 11 "So, Wok, what's the evidence?", The
Wasps: Act II. No. 11 March Past of the Witnesses, The
Wasps: Act II. No. 12 Parabasis, The
Wasps: Act II. No. 9 "Well, I was in the depths of depression", The
Wasps: Act II. No. 9 Entr'acte and Introduction, The
Wasps: Act III. No. 13 "So, how do you like my new outfit?", The
Wasps: Act III. No. 13 Entr'acte, The
Wasps: Act III. No. 14 "His army cloak, his field canteen", The
Wasps: Act III. No. 15 "Great wine they had at that dinner!", The
Wasps: Act III. No. 15 "Out of my way", The
Wasps: Act III. No. 16 "Ta-ratata-ta", The
Wasps: Act III. No. 17 "I must be dreaming!", The
Wasps: Act III. No. 18 Chorus and Dance, The
Notes: 
Sources: 
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IPDA
NTA