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Person
ISNI: 
0000 0001 1752 0422
Name: 
Harijs Pārčs
Harry Partch
Harry Partch (Amerikaans componist (1901-1974))
Harry Partch (composer from the United States)
Harry Partch (compositeur américain)
Harry Partch (compositore statunitense)
Harry Partch (kompozytor amerykański)
Harry Partch (US-amerikanischer Komponist)
Partch, Harry,
Partch, Harry (American composer, musical instrument maker, and musician, 1901-1974)
Χάρυ Παρτς (Αμερικανός συνθέτης)
Парч, Гарри
Хари Парч
هری پرچ
แฮร์รี พาตช์
해리 파치
ハリー・パーチ
Dates: 
1901-1974
Creation class: 
cre
Language material
Musical sound recording
Notated music
Projected medium
Text
Creation role: 
author
composer
conductor
lyricist
performer
Related names: 
Cage, J. Music of changes
Garvey, John
Gate 5 Ensemble
Harry Partch Ensemble
Kalm, Stephen
Li, Bai (701-762)
McGeary, Thomas (1948)
Mitchell, Danlee
Naxos Digital Services
Osborne, Robert (19..-.... artiste lyrique)
Pierce, Freda
Recorded Anthology of American Music, Inc
Tudor, David (1926-1996))
Wendlandt, William
Titles: 
17 Lyrics of Li Po
Adapted Guitar
Adapted Viola
am a Peach Tree, I
And on the Seventh Day, Petals Fell in Petaluma (excerpt)
Arrest, Trial and Judgement (Joy in the Marketplace!)
Barstow eight hitchhiker inscriptions from a highway railing at Barstow, California : [1968 version]
Barstow: Eight Hitchhikers' Inscription From a Highway Railing at Barstow, California
Barstow Récitant et/ou baryton, choeur d'hommes, ensemble instrumental
Bass Marimba
Before the Cask of Wine (2)
Beginning of a Web, The
Bewitched (Members of the University of Illinois Musical Ensemble feat. conductor: John Garvey), The
Bewitched: Prologue. The Lost Musicians Mix Magic, The
Bewitched: Scene 1. Three Undergrads Become Transfigured in a Hong Kong Music Hall, The
Bewitched: Scene 10. The Cognoscenti Are Plunged Into a Demonic Descent While at Cocktails / Epilogue, The
Bewitched: Scene 2. Excercises in Harmony and Counterpoint Are Tried in a Court of Ancient Ritual, The
Bewitched: Scene 3. The Romancing of a Pathological Liar Comes to an Inspired End, The
Bewitched: Scene 4. A Soul Tormented by Contemporary Music Finds a Humanizing Alchemy, The
Bewitched: Scene 5. Visions Fill the Eyes of a Defeated Basketball Team in the Shower Room, The
Bewitched: Scene 6. Euphoria Descends a Sausalito Stairway, The
Bewitched: Scene 7. Two Detectives on the Trail of a Tricky Culprit Turn in Their Badges, The
Bewitched: Scene 8. A Court in Its Own Contempt Rises to a Motherly Apothesis, The
Bewitched: Scene 9. A Lost Political Soul Finds Himself Among the Voteless Women of Paradise, The
Bitter music : collected journals, essays, introductions, and librettos
Bless this home
Boo
By the Great Wall
By the Rivers of Babylon (137th Psalm)
Cage, J. Atlas eclipticalis ; Lecture on the Weather ; Suite for Violin and American Gamelan ; Partch, H.: Barstow (Mosko)
Castor And Pollux
Castor & Pollux - A Dance for the Twin Rhythms of Gemini from Plectra & Percussion Dances:
Castor & Pollux, A Dance for the Twin Rhythms of Gemini: I. Castor
Castor & Pollux, A Dance for the Twin Rhythms of Gemini: II. Pollux
Castor & Pollux (Harmonic Canon II)
Chorus Four
Chorus of Shadows
Chorus one
Chorus Three, in Part
Chorus two
Chromelodeon I / Blo-Boy
Chromelodeon II
Chromelodeons I & II
Cloud Chamber Bowls
Cloud-Chamber Music
Coda
Come Away, Death From December, 1942
Crane, The
Crossing Great Salt Lake, U-take
Cry From Another Darkness
Crychord
Daphne of the dunes
Dark brother
December, 1942
Delusion of the Fury: A Ritual of Dream and Delusion
Diamond Marimba
Did I Ever Ride Freights? Huh!
Do-Lo-Do-Lo - Doom! Phoebus Bids Farewell. The Indian Runners Bring News. The Final Song and Dance, Gone, Man, Gone! Wi the Descending Moan of the Siren Phoebus Plunges Wildly Into Nothingness.
Douglas Moore: Come Away, Death
Dream, A
Dreamer That Remains, The
Eighth Epilogue - The Producer Finally Silences the Instruments. Final Epilogue: "The Highest Goodness Is Like Water."
Eleven Intrusions: I. Study on Olympos' Pentatonic
Eleven Intrusions: II. Study on Archytas' Enharmonic
Eleven Intrusions: III. The Rose
Eleven Intrusions: IV. The Crane
Eleven Intrusions: IX. Soldiers - War - Another War
Eleven Intrusions: V. The Waterfall
Eleven Intrusions: VI. The Wind
Eleven Intrusions: VII. The Street
Eleven Intrusions: VIII. Lover
Eleven Intrusions: X. Vanity
Eleven Intrusions: XI. Cloud-Chamber Music
Emergence of the Spirit
Enclosure 5
Encounter in the Field, An
End of Scene Four and Coda
End of Scene Three and All of Chorus Four
Entr'acte, An
Eucal Blossom
Even Wild Horses, Dance Music for an Absent Drama: Act I Scene 1. A Decent and Honorable Mistake (Samba)
Even Wild Horses, Dance Music for an Absent Drama: Act I, Scene 2. Rhythm of the Womb - Melody of the Grave (Heartbeat Rhythm)
Even Wild Horses, Dance Music for an Absent Drama: Act I, Scene 3. Happy Birthday to You! (Afro-Chinese Minuet)
Even Wild Horses, Dance Music for an Absent Drama: Act II, Scene 1. "Nor These Lips Upon Your Eyes" (Rumba)
Even Wild Horses, Dance Music for an Absent Drama: Act II, Scene 2. "Hunger, Thirst, Shouts, Dance!" (Ñañiga)
Even Wild Horses, Dance Music for an Absent Drama: Act II, Scene 3. "Land of Darkness and of Whirlwinds" (Slow, Fast, Wild!)
Even Wild Horses, Dance Music for an Absent Drama: Act III, Scene 1. "Had I Not Once a Lovely Youth?" (Conga)
Even Wild Horses, Dance Music for an Absent Drama: Act III, Scene 2. "Let Us Contemplate Undazed the Endless Reaches of My Innocence" (Tahitian Dance)
Even wild horses dance music for an absent drama ; (version 1952)
Frank Zappa's classical selection [the dissonant classics that informed and inspired Zappa].
From Scene One: Hymn to Dionysus: Holy Joy and Get Religion
From Scene Two: Hymn to Dionysus: Glory to the Male Womb
From Scene Two: Hymn to Dionysus: What the Majority Believes
Genesis of a music : an account of a creative work, its roots and its fulfillments
Genesis of a music, monophony : the relation of its music to historic and contemporary trends ; its philosophy, concepts, and principles ; its relation to historic and proposed intonations and its application to musical instruments, by Harry Partch. With a foreword by Otto Luening,...
Gourd Tree & Cone Gong
Hand Instruments, Partch in Epilogue
Harmonic Cannon I
Harmonic Cannon II
Harmonic Cannon III (Blue Rainbow)
Harmonic Canon I
Harry Partch Collection - Vol.1, The
Harry Partch Collection, Volume 1, The
Harry Partch Collection, Volume 2, The
Harry Partch Collection, Volume 3, The
Heavenly Daze
Historic speech-music recordings from the Harry Partch Archives
In the Springtime on the South Side of the Yangtze Kiang
Instrumental music.
Instruments Of Harry Partch, The
Introduction to King Oedipus
Introduction to the Bewitched
Intruder, The
Intrusions. Crane
Intrusions. Rose
Intrusions. Waterfall
Johann Krieger: Menuet From Partita in G
Just Guitars - Guitar Music by Harrison, Partch, Riley, Scholz and Schneider
King Oedipus: Antiphony
King Oedipus: Creon Scene
King Oedipus: Exit Oedipus - Dance-Pantomime
King Oedipus: Fifth Chorus
King Oedipus: Final Chorus
King Oedipus: First Chorus
King Oedipus: Fourth Chorus
King Oedipus: Herdsman Scene
King Oedipus: Incidental Music
King Oedipus: Instrumental Commentary
King Oedipus: Introduction
King Oedipus: Jocasta Scene
King Oedipus: Messenger Scene
King Oedipus: Oedipus Scene
King Oedipus: Opening Scene
King Oedipus: Second Chorus
King Oedipus: Third Chorus
King Oedipus: Tiresias Scene (Beginning)
King Oedipus: Tiresias Scene (Continued)
Kithara I
Kithara II
Koto
Leaving Carmel, Californi-el
Leaving Imlay, Neva-day
Leaving Little America, Wyo-ma
Letter, The
Long Departed Lover, The
Lord is my shepherd, The : spoken expression by Cantor Reuben Rinder of San Francisco (1932/43)
Lord is my shepherd, voice, chromolodeon, kithara
Lost Kid, The
Lover
Lyrics by Li Po
Marimba Eroica
Mazda Marimba
Microtonal Music for Guitar and Harp
Midnight Farewell (2), A
Misunderstanding, The
Music of changes John Cage
Music of Harry Partch, The
Musical account of Slim's transcontinental hobo trip (1943)
My heart keeps beating time
New Grove
Newband
Night of Sorrow, The
North Platte, Nebras-katte
Oedipus. Selections
On Ascending the Sin-Ping Tower
On Hearing the Flute at Lo-Cheng One Spring Night (2)
On Hearing the Flute in the Yellow Crane House
On Seeing Off Meng Hao-Jan
On The City Street
On the Ship of Spice-wood
Opening Epilogue (After Three Days of Rain). Ghosts, Undele, Oomph! (The Indian Ghosts dance Over Clarence's Body and Play on Liquor Bottles).
Opening Prologue, and Second Prologue, in Which the Instruments Attack the Producer, The
Partch Castor and Pollux, a Dance for the Twin Rhythms of Gemini ; Lebaron: Southern Ephemera ; Brown, E.: Archipelago (Newband)
Partch compositions
Partch In Epilogue
Partch in Prologue, Adapted Viola
Pilgrimage, The
Plectra and percussion dances Castor and Pollux
Plectra and percussion dances Even wild horses
Plectra and percussion dances. Ring around the moon
Pollux
Pray for Me Again - A STRANGE FEAR!
Psalms. By the rivers of Babylon
Quadrangularis Reversum
Quiet Hobo Meal, The
Revelation in the Courthouse Park - Chorus One
Ring Around the Moon, A Dance Fantasm for Here and Now: Phase Four. Mumbo jumbo, hocus pocus, hoity toity, hotsy totsy, acey deucy, hoochy-koochy (Look out! He's got a gun!)
Ring Around the Moon, A Dance Fantasm for Here and Now: Phase One. Well, bless my soul! (Well, bless my soul!)
Ring Around the Moon, A Dance Fantasm for Here and Now: Phase Three. Shake hands now, boys, and at the sound of the bell come out fighting!
Ring Around the Moon, A Dance Fantasm for Here and Now: Phase Two. One, Two, Three - X, Y, Z
Ring Around the World: Phase Four
Ring Around the World: Phase One
rose. The wind., The
Rotate the Body in All Its Planes - Ballad for Gymnasts
San Francisco
Santa Mystiana the Beautiful
Scene 1: Background for the Transfiguration of American Undergrads in a Hong Kong Music Hall
Scene 10: Background for the Demonic Descent of the Cognoscenti While Shouting Over Cocktails
Scene 2: Background for the Permutation of Exercises in Harmony and Counterpoint
Scene 3: Background for the Inspired Romancing of a Pathological Liar
Scene 4: Background for the Alchemy of a Soul Tormented by Contemporary Music
Scene 5: Background for the Visions of a Defeated Basketball Team in the Shower Room
Scene 6: Background for the Euphoria on a Sausalito Stairway
Scene 7: Background for the Transmutation of Detectives on the Trail of a Culprit
Scene 8: Background for the Apotheosis of a Court in Its Own Contempt
Scene 9: Background for a Political Soul Lost Among the Voteless Women of Paradise
Scene Four
Scene one
Scene Three
Scene two
Settings from Joyce's Finnegans wake
Settings from Lewis Carroll. O frabjous day!
Seventeen Lyrics by Li Po: A Midnight Farewell
Seventeen Lyrics by Li Po: Before the Cask of Wine
Seventeen Lyrics by Li Po: I Am a Peach Tree
Seventeen Lyrics by Li Po: The Intruder
Soldiers - War - Another War
Son in Search of His Father's Face, A
Sophocles' King Oedipus : music-dance-drama : based on the version by W.B. Yeats, for 4 intoners-actors, other actors, singing voices, dancers, 11 musicians
Spoils of War
Street, The
Study on Archytas' Enharmonic
Study on Olympos' Pentatonic
Summer, 1955; a collection of small compostions written or rewritten in summer, 1955.
Surrogate Kithara
There are rides on the highway at Green River
Time of Fun Together
To Hell With the Game! Rain! Rain! The Highest Goodness Is Like Water.
Two Settings from Joyce's "Finnegan's Wake": No. 1. Isobel
Two Settings from Joyce's "Finnegan's Wake": No. 2. Annah the Allmaziful
Two studies on ancient greek scales
U.S. Highball (Kronos Quartet)
Ulysses at the Edge of the World
Ulysses Departs From the Edge of the World
US Highball (A Musical Account of Slim's Transcontinental Hobo Trip)
Vanity
Verses 1 to 17
Verses 17 to 34
Vocal music. Selections
Wait for the next drag
Water Criers and Lead-In Lines, O What Could He Do but Pick Her Up?
Water Criers, and Lead-In Lines, Witch for Water. The Aldermen's Fugue on No. Wanda the Water Witch
Water Criers. Intervening Dialog. We'll Sue You for a Million!
Water Criers. The Baseball Game Is Called on Account of Rain!
Water Criers. Visitors From Strange and Foreign Places: The Singer From Spoleto, and an Alabama Mockingbird - Dear Old Alabama.
Waterfall, The
wayward; a collection of musical compositions based on the spoken and written words of hobos and other characters, the result of my wanderings in the western part of the United States from 1935 to 1941., The
Wayward: I. U.S. Highball-A Musical Account of a Transcontinental Hobo Trip, The
Wayward: II. San Francisco-A Setting of the Cries of Two Newsboys on a Foggy Night in the Twenties, The
Wayward: III. The Letter, The
Wayward: IV. Barstow-Eight Hitchhiker Incriptions From a Highway Railing at Barstow, California, The
We Really Love Each Other. In 43 Whines to the Octave.
Wind, The
Windsong
With a Man of Leisure
Words for music perhaps le "new art" de Yeats
Works. Selections (New World Records)
world of Harry Partch. [Sound recording], The
Y.D. fantasy
Zymo-Xyl
Contributed to or performed: 
Am a Peach Tree, I
Before the Cask of Wine
Dreamer That Remains, The
Gravikords, Whirlies & Pyrophones
Harry Partch: U.S. Highball
Intruder, The
Just West Coast
Letter
Midnight Farewell, A
Music of John Cage and Harry Partch, The
Rose, The
Street, The
Tom Waits' Jukebox: The Songs That Inspired the Man
Tomato Sampler, The
Ulysses at the Edge of the World
Uncut: Tom Waits’ Jukebox
Waterfall, The
Wind, The
Notes: 
Durations on container; program notes by Ben Johnston, discography, and bibliography (4p.) bound in
With: Cage, J. Music of changes
Sources: 
VIAF BNC BNE DNB JPG LC NKC NLI NLP NUKAT RERO SELIBR SUDOC WKD
BLSA
BOWKER
CDR
NTA
TEL