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Person
ISNI: 
0000 0001 2095 9719
Name: 
Abado, Klaudio
Abbado, Claudio
Abbado, Klaudio
Abbado Klawdïo
Claudio Abbado
Claudio Abbado (chef d'orchestre italien)
Claudio Abbado (direttore d'orchestra italiano)
Claudio Abbado (Italiaans politicus)
Claudio Abbado (Italian conductor)
Claudio Abbado (italienischer Dirigent)
Claudio Abbado (Italiensk dirigent)
Claudio Abbado (olasz karmester, zongoraművész)
Claudio Abbado (włoski dyrygent)
Claudiu Abbadu
Claudius Abbado
Klaudio Abado
Κλαούντιο Αμπάντο
Аббадо Клаудио
Клаудио Абадо
Клаудио Аббадо
Клаудіо Аббадо
Клаўдзіа Абада
Կլաուդիո Աբադո
אבאדו, קלאודיו
אבדו, קלאודיו
קלאודיו אבאדו
اببادو كلاۋدىيو
كلاوديو أبادو
کلودیو آبادو
클라우디오 아바도
アッバード, クラウディオ
アバド, クラウディオ
クラウディオ・アバド
克劳迪奥·阿巴多
Dates: 
1933-2014
Creation class: 
a
Computer file
cre
Kit
Language material
Musical sound recording
Notated music
Projected medium
Two-dimensional nonprojectable graphic
Creation role: 
composer
conductor
contributor
creator
performer
Related names: 
Abbado, Marcello (1926-; Beziehung familiaer; see also from)
Berliner Philharmoniker
Berliner Philharmoniker (see also from)
Berlins Filharmoniske Orkester
Brahms, Johannes (1833-1897)
Chicago Symphony Orchestra
Deutsche Grammophon
Deutsche Grammophon Gesellschaft
Gustav Mahler Jungendorchester (see also from)
London Symphony Orchestra
London symphony orchestra (see also from)
Mahler Chamber Orchestra (isMemberOf)
Mozart, Wolfgang Amadeus (1756-1791)
Orchestra Mozart (see also from)
Partsch, Erich Wolfgang (1959-)
Polydor international GmbH
Polygram, Division Polydor
Schubert, Franz
Teatro alla Scala (Milan, Italie) Milan, Italie Orchestra (see also from)
Verdi, Giuseppe (1813-1901)
Wiener Philharmoniker
石井, 勇 (1932-)
Titles: 
Aida
Arlésienne
Ballo in maschera, Un
Barber of Seville: La calunnia è un venticello, The
Barber of Seville: Largo al factotum, The
Barber of Seville: Ouverture, The
Barber of Seville: Una voce poco fa, The
Barbiere di Siviglia
Berlin Gala - Silvesterkonzert 1997, The
Boléro
Boris Godunov
Brandenburgisches Konzert
Capuleti e i Montecchi, I
Carmen.
Cenerentola, La
Cinderella: Della fortuna instabile
Cinderella: Siete voi / Questo è un nodo avviluppato
Cinderella: Sposa… / Signor, perdona / Nacqui all'affanno, al pianto
Claudio Abbado Conducts
Concerto voor piano en orkest, op. 54 in a kl.
Concertos
contredanses
Daphnis et Chloé
Decca Years, The
Des Knaben Wunderhorn
Don Carlos opéra en 5 actes
Don Giovanni
Don Juan
Elektra
gazza ladra
Great Opera: Excerpts
Guillaume Tell
Hebriden
Hongaarse dans
Italian Girl in Algiers: Ouverture, The
Italian Girl in Algiers: Quanta Roba! Quanti schivai! / Cruda sorte! Amor tiranno!, The
Italian Girl in Algiers: Se inclinassi a prender moglie, The
Italiana in Algeri
Kammermusik
Khovanshchina
Koncerty.
Konzerte, Kl Orch
Lohengrin opera in three acts
Lucia di Lammermoor
Luisa Miller
Macbeth
Meistersinger von Nürnberg
Messes
Miraculous Mandarin op. 19, The : op. 5
Nabucco
Nozze di Figaro, Le
Óperas
Otello
Ouverture
Parsifal
Pavane pour une infante défunte
Pelléas and Mélisande - Act 1: Interlude; Scene 3
Pelléas et Mélisande
Prélude à l'après-midi d'un faune
Pulcinella
quattro stagioni
Rapsodie espagnole
Requiem
Rhapsody on a theme of Paganini
Rigoletto
Romeo i Zul'etta
Rückert-Lieder
Serenade No.1 in D major, Op.11: V. Scherzo. Allegro - Trio
Sérénades
Shéhérazade
Simfonies
Simon Boccanegra.
Sinfonien
Slavanskij mars
Sonates
Stabat Mater Dolorosa
Suite
Symfonie.
Symphonies.
Symphony Edition, The
tableaux d'une exposition
Tannhäuser
Te Deum
Thieving Magpie: Ouverture, The
traviata
trovatore
Ungarische Tänze WoO1
Valse
vêpres siciliennes
viaggio a Reims, Il
Walküre
Werke
William Tell: Overture
Wolfgang Rihm
Works.
Wozzeck
Zauberflöte, Die
音楽の館
Contributed to or performed: 
"Dance of the Persian Slaves" from Khovanshchina
"Donna Diana": Overture
"Trumpet Overture", op. 101: Allegro vivace
“1812” Overture / Romeo and Juliet / Marche slave / The Tempest
“Dal labbro il canto estasiato vola”
“Emperor” Concerto
“Great” C major Symphony, The
“Surprise”, “London” & “Military” Symphonies / Cello & Trumpet Concertos
1.Satz. Kräftig. Entschieden.
10 Symphonien
111 Years of Deutsche Grammophon: The Collectors’ Edition 2, 01–02: Bizet: Carmen, Parts 1 & 2
111 Years of Deutsche Grammophon: The Collectors’ Edition 2, 03: Prokofieff: Klavierkonzert nr3 C‐dur / Ravel: Klavierkonzert G‐dur
111 Years of Deutsche Grammophon: The Collectors’ Edition 2, 42: Mozart: Klavierkonzerte no. 14 & 26 »Krönungskonzert«
111 Years of Deutsche Grammophon: The Collectors’ Edition, 01: Brahms: Hungarian Dances
1812 Overture / Romeo & Juliet
1812 Overture, op. 49
1812 Overture, Op. 49 (Finale)
1812 Overture, Op. 49: I. Largo - Andante - Allegro giusto
1812 Overture, Op. 49: II. Largo - Allegro vivace
2.Satz. Tempo Di Menuetto. Sehr Mässig.
21 Hungarian Dances
21 Hungarian Dances / Serenades Nos. 1 & 2
21 Ungarische Tänze
21 Ungarische Tänze · Hungarian Dances
21 Ungarische Tänze/Haydn-Variationen
23. Psalm As-dur D 706 Adagio, Der
3 Nocturnes: I. Nuages: Modéré - Un peu animé
3 Nocturnes: II. Fêtes: Animé et très rythmé - Modéré mais toujours
3 Nocturnes: III. Sirènes: Modérément animé
3. Satz. Comodo. Scherzando. Ohne Hast.
4 Symphonies
4. Satz. Sehr Langsam. Misterioso. Durchaus PPP - Text : Friedrich Nietzsche
5 Klavierkonzerte / Chorfantasie
5 Klavierkonzerte, Die
5 Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, Op. 4: 1. Seele, wie bist du schöner
5 Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, Op. 4: 2. Sahst du nach dem Gewitterregen den Wald
5 Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, Op. 4: 3. Über die Grenzen des All
5 Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, Op. 4: 4. Nichts ist gekommen
5 Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, Op. 4: 5. Hier ist Friede
5 Symphonien / Ouvertüren
5 Symphonies / 7 Overtures
5. Satz. Lustig Im Tempo Und Keck Im Ausdruck - Text: Des Knaben Wunderhorn.
6. Satz. Langsam. Ruhevoll. Empfunden.
7 "London" Symphonies
8 Symphonien
9 Symphonien / Ouvertüren
Abbado Edition: Stravinsky
Addio, speranza ad anima (Rigoletto)
Ah! Qual colpo inaspettato!
Aida
Aida - Ballettmusik Akt II
Aida "Gloria all'Egitto"
Aida (Querschnitt)
Aida / Act 1 - Se quel guerrier io fossi!..Celeste Aida
Aida, Act I: “Nume, custode e vindice”
Aida, Act I: Or di Vulcano… Su! del Nilo al sacro lido
Aida, Act I: Ritorna vincitor
Aida, Act I: Se quel guerrier io fossi!… Celeste Aida
Aida, Act II: “Gloria all’Egitto”
Aida, Act II: Ballet Music
Aida, Act II: Grand March
Aida, Act II: Quest’assisa ch’io vesto vi dica
Aida, Act III: “Ciel! mio padre!… Rivedrai le foreste imbalsamate”
Aida, Act III: Qui Radames verrà!… O Patria mia
Aida, Act IV: Immenso Fthà… O terra, addio
Aida, Act IV: La fatal pietra sovra me si chiuse
Aida: "Pur ti riveggo, mia dolce Aida ... Tu! Amonasro!"
Aida: "Se quel guerrier io fossi! ... Celeste Aida"
Aida: "Se quel guerrier io fossi!" ... "Celeste Aida"
Aida: »Gloria all’Egitto« (Chor und Triumphmarsch)
Aida: Act I - Romanza: Se quel guerrier io fossi!... Celeste Aida
Aida: Act I - Scena: Ritorna vincitor
Aida: Act II - Gran Finale II: Gloria all'Egitto, ad Iside
Aida: Act II - Marcia trionfale
Aida: Act II - Vieni, o guerriero vindice
Aida: Act IV - Finale ultimo: Immenso Fthà... O terra, addio
Aida: Atto I, Scene I. Romanza "Se quel guerrier io fassi...Celeste Aida!" (Ramades)
Aida: Celeste Aida
Aida: Gran finale II
Aida: Marcia Triofale
Aida: Ouverture
Aida: Preludio
Akademische Festouvertüre op. 80: Allegro - L'istesso tempo, un poco maestoso - Animato - Maestoso
Akademische Festouvertüre, op. 80
Alborada del Gracioso
Alexander Nevsky / Lieutenant Kijé
Alexander Nevsky / Lieutenant Kijé / Scythian Suite
Alexander Nevsky, op. 78: I. Russia Under the Mongol Yoke
Alexander Nevsky, op. 78: I. The Field of the Dead
Alexander Nevsky, op. 78: II. Song About Alexander Nevsky
Alexander Nevsky, op. 78: III. The Crusaders in Pskov
Alexander Nevsky, op. 78: IV. Arise, ye Russian People
Alexander Nevsky, op. 78: V. The Battle on the Ice
Alexander Nevsky, op. 78: VI. The Field of the Dead
Alexander Nevsky, op. 78: VII. Alexander's Entry into Pskov
Alfonso und Estrella, D.732: Schon, wenn es beginnt zu tragen... Und mein Herz will ihm nach
All'armi? ... Che ascolto! (I Lombardi)
Alt-Rhapsodie / Schicksalslied / Nänie / Gesang der Parzen
Alt-Rhapsodie, Op. 53
Altenberg Lieder, op. 4: No. 1. Seele, wie bist du schöner
Altenberg Lieder, op. 4: No. 2. Sahst du nach dem Gewitterregen den Wald
Altenberg Lieder, op. 4: No. 3. Über die Grenzen des All
Altenberg Lieder, op. 4: No. 4. Nichts ist gekommen
Altenberg Lieder, op. 4: No. 5. Hier ist Friede
Amo; ¡Ahi!, L'Amo E Mi È Piu Cara (I Capuleti E I Monteschi), L'
Andante B-Dur, KV 315
Andante und Rondo, D-Dur, KV 271a/271i: I., Andante
Andante und Rondo, D-Dur, KV 271a/271i: II. Rondo - Allegro
Aria F-Dur, KV 557
Arlesienne - Suite Nr. 1: 2. Minuetto, L'
Arlésienne Suite No. 1: Adagietto - adagio, L'
Arlésienne Suite No. 1: Carillon. Allegro molto - Andantino - Tempo I, L'
Arlésienne Suite No. 1: Prélude. Allegro deciso (Tempo di marcia) - Andantino - Andante molto, L'
Arlesienne Suite no. 2: Farandole, L'
Arlésienne Suite No. 2: Farandole. Allegro deciso (Tempo di marcia) - Allegro vivo e deciso, L'
Arlésienne Suite No. 2: Intermezzo. Andante moderato ma con moto - Allegro moderato, L'
Arlésienne Suite No. 2: Menuet. Andantino quasi allegretto, L'
Arlésienne Suite No. 2: Pastorale. Andante sostenuto assai - Andantino - Tempo I, L'
arredi festivi ... / Sperate, o figli ... / D'Egitto là sui lidi, Gli
Assedio di Corinto, L'
Atmosphères
Auf der Jagd
Auf der Jagd op. 373 (Polka)
Auf der Jagd, op. 373
Auf Ferienreisen
Auf Mozarts Spuren
Autoritratto nella notte
Bächlein, AV 118, Das
ballo in maschera / Act 3 - "Forse la soglia attinse" - "Ma se m'è forza perderti", Un
ballo in maschera, op. 272, Un
ballo in maschera, Un
ballo in maschera: "Forse la soglia attinse...Ma se m'e farza perditi", Un
Ballo in Maschera: Act I - Canzone: Di' tu fedele il flutto m'aspetta, Un
Ballo in Maschera: Act II - Duetto: Teco io sto, Un
ballo in maschera: Act II, Scene 1. Preludio, Un
Ballo in Maschera: Act III - Aria: Eri tu, che macchiavi quell'anima, Un
Ballo in Maschera: Act III - Scena e Romanza: Forse la soglia attinse... Ma se m'è forza perderti, Un
ballo in maschera: Preludio, Un
Banditen-Galopp aus "Prinz Methusalem" op. 378
Banditen-Galopp, op. 378
Bandits' Galop
barbier de Séville (extraits), Le
barbiere di Seviglia: Act I, V. Cavatina. "Una voce poco fa" (Rosina), Il
barbiere di Seviglia: Act I, VII. Duetto. "Dunque io son... tu non m'ingianni?" (Rosina, Figaro), Il
barbiere di Seviglia: Act II, Xi. Aria. "Contro un cor che accende amore" (Rosina, Conte), Il
Barbiere di Siviglia, Il
barbiere di Siviglia: "Largo al factotum", Il
barbiere di Siviglia: Act I, Scene I. Cavatina "Largo al factotum" (Figaro), Il
barbiere di Siviglia: All’ idea di quel metallo, Il
barbiere di Siviglia: Dunque io son, Il
barbiere di Siviglia: Overture, Il
barbiere di Siviglia: Sinfonia, Il
Barque sur l'Océan, Une
Bartók: : The Miraculous Mandarin / Two Portraits / Prokofiev: Scythian Suite
Bartók: The Miraculous Mandarin / Janáček: Sinfonietta
Bassoon Concerto in B-flat major, K. 191: I. Allegro
Bassoon Concerto in B-flat major, K. 191: II. Andante ma adagio
Bassoon Concerto in B-flat major, K. 191: III. Rondo. Tempo di minuetto
Bassoon Concerto in B-flat, K. 191: 1. Allegro
Bassoon Concerto in B-flat, K. 191: 2. Andante ma adagio
Bassoon Concerto in B-flat, K. 191: 3. Rondo (Tempo di menuetto)
Beethoven in Berlin: Das Silvesterkonzert
Berlin Album, The
Berlin Gala: A Salute to Carmen, The
Bildlos / Weglos
BIZET L'amour est un oiseau rebelle - 'Habanera' (Carmen)
Blue Danube, The
Bolero
Boléro / Daphnis et Chloé / Alborada del Gracioso
Boléro / La Valse / Prélude à l’après-midi d’un faune / Nocturnes
Boléro / Rapsodie espagnole / Ma mère l’oye / Pavane
Boléro: Tempo di Boléro, moderato assai
Boris Godunov
Boris Godunov: Opera in Four Acts With a Prologue: "A bell! A Funeral knell!" (Anatoly Kotcherga, Monks, Liliana Nichiteanu, Boyars) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: "A gnat was chopping wood" (Eugenia Gorochovskaya, Liliana Nichiteanu) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: "A humble monk" (Samuel Ramey, Anatoly Kotcherga) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: "Aaah! Boris" (Alexander Fedin, Anatoly Kotcherga, Philip Langridge) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: "Ah, it's you, glorious orator" (Liliana Nichiteanu, Anatoly Kotcherga, Philip Langridge) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: "Ah! Oh, it's you, my father" (Marjana Lipov?ek, Sergei Leiferkus) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: "And his age... and his age..." (Gleb Nikolsky, Helmut Wildhaber, Michail Krutikov) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: "Bring him over here!" (Tramps) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: "Can a humble and sinful man, praying for his dear ones" (Sergei Leiferkus, Sergei Larin) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: "Did you hear what the holy pilgrims said?" (Chorus, Wojciech Drabowicz, Michail Krutikov) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: "Do not complain, brother" (Samuel Ramey) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: "Domine, Domine, salvum fac" (Wojciech Drabowicz, Michail Krutikov, Tramps, Helmut Wildhaber, Gleb Nikolsky) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: "Enough! The beautiful lady is grateful" (Marjana Lipov?ek) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: "Exalted boyars!" (Albert Shagidullin) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: "Farewell, my son!" (Anatoly Kotcherga) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: "Flow, flow, bitter tears" (Alexander Fedin) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: "For a long time, honoured father" (Sergei Larin, Samuel Ramey) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: "Give me some fun" (Elena Zaremba, Helmut Wildhaber, Gleb Nikolsky) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: "Glory to Thee, Creator on high" (Chorus) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: "Glory!" (Chorus) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: "He was whispering: keep away, keep away" (Philip Langridge, Anatoly Kotcherga, Boyars) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: "Here, by the front entrance" (Philip Langridge, Anatoly Kotcherga) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: "Here's what happened at the town of Kazan" (Gleb Nikolsky) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: "Hey ho!" (Chorus, Helmut Wildhaber, Gleb Nikolsky, Tramps) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: "Hey, pss!" (Nannies, Anatoly Kotcherga, Alexander Fedin, Liliana Nichiteanu) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: "How long and agonizing" (Sergei Larin, Marjana Lipov?ek) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: "How old was the murdered Tsarevich?" (Sergei Larin, Samuel Ramey) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: "I arrived at night" (Samuel Ramey) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: "I caught a grey drake" (Elena Zaremba) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: "I have achieved absolute power" (Anatoly Kotcherga) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: "In Uglich, in the cathedral, in front of all the people" (Philip Langridge, Anatoly Kotcherga) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: "It's not a falcon flying in the heavens" (Tramps) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: "Just one final story" (Samuel Ramey) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: "Long live Tsar Boris Fyodorovich!" (Chorus, Mityukha, Police Officer) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: "Marina is bored. Oh, how bored!" (Marjana Lipov?ek) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: "My little tale is about this and that" (Eugenia Gorochovskaya, Liliana Nichiteanu) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: "My soul is sad" (Boris) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: "O Lord, strong and righteous" (Chorus, Sergei Larin, Samuel Ramey) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: "Oh, my turtledoves!" (Sergei Leiferkus, Sergei Larin, Marjana Lipov?ek) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: "Oh, that's enough, princess, my dear!" (Eugenia Gorochovskaya, Valentina Valente) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: "Oh, Tsarevich, I beg you" (Sergei Larin, Marjana Lipov?ek) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: "Once, in the evening" (Samuel Ramey) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: "Our little parrot was with the nannies" (Liliana Nichiteanu, Anatoly Kotcherga, Philip Langridge) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: "Phew! I feel terrible! Let me catch my breath" (Anatoly Kotcherga) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: "That crafty Jesuit, he has got me firmly in the grip" (Sergei Larin, Marjana Lipov?ek) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: "The sun and moon have grown dark" (Helmut Wildhaber, Gleb Nikolsky, Tramps) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: "The Tsarevich - quickly!" (Anatoly Kotcherga) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: "They are ringing for matins" (Samuel Ramey, Chorus, Sergei Larin) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: "Trrr, trrr - Iron cap" (Chorus, Alexander Fedin) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: "True believers! The boyar is implacable." (Albert Shagidullin) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: "Tsarevich, hide!" (Sergei Leiferkus, Sergei Larin) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: "Tsarevich!" (Sergei Leiferkus, Sergei Larin) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: "We are humble elders, honest monks" (Gleb Nikolsky, Helmut Wildhaber, Michail Krutikov, Sergei Larin, Elena Zaremba) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: "We, Dimitri Ivanovich" (Sergei Larin, Wojciech Drabowicz, Michail Krutikov) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: "Well then, what's wrong with you?" (Michail Krutikov) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: "Well, then? Let's go and vote, boyars" (Boyars) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: "What a shame that prince Shuisky isn't here" (Boyars, Philip Langridge) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: "What are you staring at me like that for" (Gleb Nikolsky, Michail Krutikov, Elena Zaremba, Sergei Larin) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: "What, is mass finished already?" (Chorus, Wojciech Drabowicz) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: "What? You impudent liar!" (Marjana Lipov?ek, Sergei Leiferkus) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: "What's the matter? Has a wild beast surprised a sitting hen?" (Anatoly Kotcherga, Valentina Valente, Eugenia Gorochovskaya, Liliana Nichiteanu) (Voic
Boris Godunov: Opera in Four Acts With a Prologue: "Who are you adandoning us to" (Chorus, Michail Krutikov) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: "Who are you adandoning us to" (Chorus, Wojciech Drabowicz, Michail Krutikov) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: "Why are you so pensive, comrade?" (Gleb Nikolsky, Sergei Larin, Elena Zaremba, Helmut Wildhaber) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: "Why don't you sing along?" (Gleb Nikolsky, Sergei Larin, Helmut Wildhaber, Elena Zaremba, Michail Krutikov) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: "With tender, ardent words of love" (Marjana Lipov?ek, Sergei Leiferkus) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: Act I, Scene 1: Introduction (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: Act II: "Where are you, my betrothed" (Valentina Valente, Liliana Nichiteanu) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: Act III, Scene 1: "By the sky-blue waters of the Vistula, under a shady willow" (Chorus, Marjana Lipov?ek) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: Act IV, Scene 1 (1869 Version): Introduction (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: March - Glory to you, Tsarevich" (Helmut Wildhaber, Gleb Nikolsky, Tramps) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: Polonaise - "I do not believe in your passion, sir" (Marjana Lipov?ek, Chorus) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: Prologue, Scene 1: Introduction (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: Scene 1 (1874 Version): Introduction (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: Scene 2: "At midnight, in the garden, by the fountain" (Sergei Larin) (Voice)
Boris Godunov: Opera in Four Acts With a Prologue: Scene 2: Introduction (Voice)
Boris Godunow: 1. Akt: 1. Bild (Auszug)
Brahms, Schoenberg, Beethoven
Brandenburg Concerto №1 in F major, BWV 1046: I. (Allegro)
Brandenburg Concerto №1 in F major, BWV 1046: II. Adagio
Brandenburg Concerto №1 in F major, BWV 1046: III. Allegro
Brandenburg Concerto №1 in F major, BWV 1046: IV. Menuetto - Trio I - Polacca - Trio II
Brandenburg Concerto №2 in F major, BWV 1047: I. (Allegro)
Brandenburg Concerto №2 in F major, BWV 1047: II. Andante
Brandenburg Concerto №2 in F major, BWV 1047: III. Allegro assai
Brandenburg Concerto №3 in G major, BWV 1048: I. (Allegro)
Brandenburg Concerto №3 in G major, BWV 1048: II. Adagio
Brandenburg Concerto №3 in G major, BWV 1048: III. Allegro
Brandenburg Concerto №4 in G major, BWV 1049: I. Allegro
Brandenburg Concerto №4 in G major, BWV 1049: II. Andante
Brandenburg Concerto №4 in G major, BWV 1049: III. Presto
Brandenburg Concerto №5 in D major, BWV 1050: I. Allegro
Brandenburg Concerto №5 in D major, BWV 1050: II. Affettuoso
Brandenburg Concerto №5 in D major, BWV 1050: III. Allegro
Brandenburg Concerto №6 in B-flat major, BWV 1051: I. (Allegro)
Brandenburg Concerto №6 in B-flat major, BWV 1051: II. Adagio ma non tanto
Brandenburg Concerto №6 in B-flat major, BWV 1051: III. Allegro
Brandenburg Concertos 1-6
Brennende Liebe
Bühnenmusik: Die Weihe des Hauses / Leonore Prohaska
Burning Love
Cäcilie
Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": IV. Aria "Betracht dies Herz" (Der Engel)
canto sospeso: "Meine lieben Eltern!" / "Die Tore öffnen sich" / "Leb wohl, Mutter" / "Lieber Onkel!" / "Nach wenigen Stunden" / "Mein lieber Kamerad!", letter (feat. Rundfunkchor Berlin), Il
canto sospeso: I. Webernien (feat. Rundfunkchor Berlin), Il
canto sospeso: II. "...muoio per un mondo" (feat. Rundfunkchor Berlin), Il
canto sospeso: III. "...mi portano a Kessariani per l'esecuzione" (feat. Rundfunkchor Berlin), Il
canto sospeso: IV. Orchestra (feat. Rundfunkchor Berlin), Il
canto sospeso: IX. "...non ho paura della morte..." (feat. Rundfunkchor Berlin), Il
canto sospeso: Sofia, Zentralgefängnis 22. Juli 1942 / "Papa!" / "Liebe Mama, Papa und Schwesterchen!" / "Mein verehrter Vater!", letter excerpts (feat. Rundfunkchor Berlin), Il
canto sospeso: V. "...se il cielo fosse carta" (feat. Rundfunkchor Berlin), Il
canto sospeso: VIa. "...le porte s'aprono" (feat. Rundfunkchor Berlin), Il
canto sospeso: VIb. "Com'è duro dire addio per sempre" (feat. Rundfunkchor Berlin), Il
canto sospeso: VII. "...addio mamma" (feat. Rundfunkchor Berlin), Il
canto sospeso: VIII. Orchestra (feat. Rundfunkchor Berlin), Il
Capuleti e i Montecchi, I
Capuleti e i Montecchi: Ouverture, I
Carmen
Carmen - Flower Song
Carmen - Gypsy Song
Carmen - L'Amour Est Un Oiseau Rebelle
Carmen - Les Voici, Voici Le Quadrille
Carmen - Prélude
Carmen - Toreador Song
Carmen : Acte I, Nº 1. Introduction « Sur la place chacun passe » (Les Soldats, Moralès)
Carmen : Acte I, Nº 2. Marche et Chœur des Gamins « Avec la garde montante » (Chœur des Gamins)
Carmen : Acte I, Nº 3. Chœur et Scène « La cloche a sonné » (Les Jeunes Gens, Les Soldats, Les Cigarières)
Carmen : Acte I, Nº 5. Scène « Carmen, sur tes pas, nous nous pressons tous » (Les Jeunes Gens, Les Cigarières, Don José)
Carmen : Acte I, Nº 7. Chœur « Au secours ! » (Les Cigarières, Zuniga, Les Soldats)
Carmen : Acte I, Nº 9. Chanson (Séguedille) et Duo « Près des remparts de Séville » (Carmen, Don José)
Carmen : Acte I. « Dites‐moi, brigadier ? » (Zuniga, Don José)
Carmen : Acte I. « L’amour est un oiseau rebelle » (Havanaise) (Carmen, Chœur)
Carmen : Acte I. « Mais nous ne voyons pas la Camencita » (Chœur, Carmen)
Carmen : Acte I. « Mais nous ne voyons pas la Carmencita. » (Les Soldats, Les Jeunes Gens)
Carmen : Acte I. « Monsieur le brigadier ? » (Micaëla, Don José) / Nº 6: Duo « Parle‐moi de ma mère ! » (Don José, Micaëla)
Carmen : Acte I. « Quand je vous aimerai ? » / Nº 4: Havanaise « L’amour est un oiseau rebelle » (Carmen, Chœur)
Carmen : Acte I. « Regardez donc cette petite » (Moralès, Les Soldats, Micaëla)
Carmen : Acte II, Nº 11. Chanson « Les tringles des sistres tintaient » (Carmen, Mercédès, Frasquita)
Carmen : Acte II, Nº 13. Couplet (Air du Toréador) « Votre toast… je peux vous le rendre » (Escamillo, tout le monde, Pastia, Zuniga, Carmen) / Nº 13 bis. Chœur « Toréador, en garde » (Chœur, Frasquita, Pastia, Dancaïre, Remendado)
Carmen : Acte II, Nº 14. Quintette « Nous avons en tête une affaire. » (Dancaïre, Frasquita, Mercédès, Remendado, Carmen)
Carmen : Acte II, Nº 15. Chanson « Amoureuse…ce n’est pas une raison » (Dancaïre, Remendado, Frasquita, Mercédès, Carmen) / « Halte‐là ! Qui va là ? » (Don José, Mercédès, Frasquita, Dancaïre, Carmen)
Carmen : Acte II, Nº 16. Duo « Je vais danser en votre honneur » (Carmen, Don José)
Carmen : Acte II, Nº 17. Finale « Holà ! Carmen ! Holà ! » (Zuniga, Don José, Carmen, Dancaïre, Remendado, Les Bohémiens)
Carmen : Acte II. « Non ! Tu ne m’aimes pas ! » (Carmen, Don José)
Carmen : Acte II. « Tout est bien alors » (Carmen, Zuniga) / Nº 12. Chœur et Ensemble « Vivat ! vivat le toréro ! » (Chœur, Zuniga, Mercédès, Frasquita, Escamillo, Carmen, Andrès, Pastia)
Carmen : Acte II. « Votre toast… je peux vous le rendre » (Escamillo, Frasquita, Mercédès, Carmen, Andrès, Zuniga, Chœur)
Carmen : Acte II. « Vous avez quelque chose à nous dire » (Zuniga, Pastia, Frasquita, Andrès, Mercédès, Carmen)
Carmen : Acte II. Entr’acte
Carmen : Acte III, Nº 18. Introduction « Ecoute, compagnon, écoute » (Les Contrebandiers, Frasquita, Mercédès, Carmen, Don José, Dancaïre, Remendado)
Carmen : Acte III, Nº 19. Trio « Mêlons ! » « Mêlons ! » « Coupons ! » (Frasquita, Mercédès)
Carmen : Acte III, Nº 20. Morceau d’ensemble « Quant au douanier, c’est notre affaire » (Carmen, Mercédès, Frasquita, Les Bohémiennes, Les Bohémiens, Dancaïre, Remendado)
Carmen : Acte III, Nº 21. Air « Je dis que rien ne m’épouvante » (Micaëla)
Carmen : Acte III, Nº 23. Finale « Holà, José ! » (Carmen, Escamillo, Dancaïre, Don José, Les Contrebandiers, Les Contrebandières)
Carmen : Acte III, Nº 24. Chœur « À deux cuartos » (Des Marchandes, Des Marchands, Un Soldat, Andrès, Un Bohémien)
Carmen : Acte III, Nº 25. Chœur et Scène « Les voici, voici le quadrille » (Chœur)
Carmen : Acte III, Nº 26. Duo finale « C’est toi ? » / « C’est‐moi. » (Carmen, Don José, Chœur)
Carmen : Acte III. « Eh bien, j’avais raison. » (Dancaïre, Carmen, Remendado, Frasquita, Mercédès, Don José)
Carmen : Acte III. « Halte ! Nous allons nous arrêter ici… » (Dancaïre, Remendado, Don José, Carmen)
Carmen : Acte III. « Halte ! Quelqu’un est là qui cherche à se cacher. » (Remendado, Carmen, Dancaïre, Don José, Micaëla, Chœur)
Carmen : Acte III. « Mais… je ne me trompe pas… » (Micaëla, Escamillo, Don José) / Nº 22. Duo « Je suis Escamillo, toréro de Grenade. » (Escamillo, Don José)
Carmen : Acte III. « Nous y sommes » (Le Guide, Micaëla)
Carmen : Acte III. « Parlez encore, parlez, mes belles » (Frasquita, Mercédès, Carmen)
Carmen : Acte III. « Si tu m’aimes, Carmen » (Escamillo, Carmen, Frasquita, Mercédès)
Carmen : Acte III. Air des cartes « Carreau, pique … la mort ! » (Carmen)
Carmen : Acte III. Entr’acte
Carmen : Prélude
Carmen (highlights)
Carmen / L’Arlésienne suites / Symphony in C
Carmen Highlights
Carmen Suite no. 1 - Entracte II: Andantino quasi allegretto
Carmen Suite no. 1 - Prelude: Allegro giocoso
Carmen Suite No. 1: I. Prélude: Allegro giocoso
Carmen Suite No. 1: II. Entr'acte: Allegro moderato
Carmen Suite No. 1: III. Entr'acte: Andantino quasi allegretto
Carmen Suite No. 1: IV. Entr'acte: Allegro vivo
Carmen-Suite Nr. 1: Prélude
Carmen, Act I Scene 6: Parle-moi de ma mère! (Micaëla, Don José)
Carmen, Act III Scene 6: Je suis Escamillo, torero de Grenade (Escamillo, Don José)
Carmen, WD 31: Overture (Prelude)
Carmen: "La fleur que tu m'avais jetée"
Carmen: "La fleur qui tu m'avais jette"
Carmen: »Avec la garde montante« (Marsch und Chor der Gassenjungen)
Carmen: »Les voici! Voici la quadrille« (Einzug des Toreros)
Carmen: Act I, IV. Havanaise. "L'amour est un oiseau rebelle" (Carmen, Chœur)
Carmen: Act I, IX. Chanson (Séguedille) et Duo. "Près des remparts de Séville" (Carmen, Don José)
Carmen: Act II, XI. Chanson. "Les triangles des sistres tintaient" (Carmen, Mercédès, Frasquita)
Carmen: Act II. Air de la fleur “La fleur que tu m’avais jetée” (Don José)
Carmen: La fleur que tu m'avais jetée
CBS Great Performances, Volume 72: Piano Concerto no. 3
Cenerentola, La
Cenerentola: Finale II, Rondo. "Nacqui all'affanno e al pianto", La
Ch'io mi scordi di te - Non temer, amato bene, KV 505
Chamber Concerto: I. Thema scherzoso con variazioni: Motto
Chamber Concerto: I. Thema scherzoso con variazioni: Thema scherzoso
Chamber Concerto: I. Thema scherzoso con variazioni: Variation I
Chamber Concerto: I. Thema scherzoso con variazioni: Variation II: Langsames walzertempo
Chamber Concerto: I. Thema scherzoso con variazioni: Variation III: Kräftig bewegt
Chamber Concerto: I. Thema scherzoso con variazioni: Variation IV: Sehr rasch
Chamber Concerto: I. Thema scherzoso con variazioni: Variation V: (Tempo primo)
Chamber Concerto: II. Adagio
Chamber Concerto: III. Rondo ritmico con introduzione: Introduzione: Coda
Chamber Concerto: III. Rondo ritmico con introduzione: Introduzione: Introduzione
Chamber Concerto: III. Rondo ritmico con introduzione: Introduzione: Rondo ritmico
Che m'ami, deh, ripetimi (Rigoletto)
Chi non ode e chi non vede: Aria: “Chi non ode e chi non vede”
Chi non ode e chi non vede: Aria. Presto: “Cadrò contento”
Chi non ode e chi non vede: Largo stentato: “Miseri affetti miei”
Chi non ode e chi non vede: Largo: “Tu dovresti, Amor tiranno”
Chi non ode e chi non vede: Recitativo: “Di costei parlo”
Chi non ode e chi non vede: Recitativo: “Ma dove io mi rivolgo?”
Chi v'impose unirvi a noi? ... / Come dal ciel precipita
Children’s Classics
Chit-Chat Polka
Chopin: Piano Concerto No. 1 / Liszt: Piano Concerto No. 1
Choral Works
Chöre
Chöre und Ballettmusik
Cielo di stelle orbato (Simon Boccanegra)
Clarinet Concerto in A major, K. 622: I. Allegro
Clarinet Concerto in A major, K. 622: II. Adagio
Clarinet Concerto in A major, K. 622: III. Rondo. Allegro
Clarinet Concerto in A, K. 622: 1. Allegro
Clarinet Concerto in A, K. 622: 2. Adagio
Clarinet Concerto in A, K. 622: 3. Rondo (Allegro)
Clarinet Concerto: Adagio
Classical Symphony in D major, op. 25: I. Allegro
Classical Symphony in D major, op. 25: II. Larghetto
Claudio Abbado Conducts Tchaikovsky
Claudio Abbado dirige Mozart
Como una ola de fuerza y luz / .....sofferte onde serene... / Contrappunto dialettico alla mente
Complete Concerto Recordings
Complete Orchestral Works
Complete Symphonies, The
Complete Works for Piano & Orchestra
Con la presente il Dottor Bartolo
Concert in G, RV 577
Concert Overture “Othello”, op. 93
Concerto for Flute and Harp in C major, K. 299: I. Allegro
Concerto for Flute and Harp in C major, K. 299: II. Andantino
Concerto for Flute and Harp in C major, K. 299: III. Rondeau
Concerto for Flute No. 1 in G major, K. 285c/313: I. Allegro maestoso
Concerto for Flute No. 1 in G major, K. 285c/313: II. Adagio non troppo
Concerto for Flute No. 1 in G major, K. 285c/313: III. Rondo. Tempo di menuetto
Concerto for Flute, Harp and Orchestra in C, K. 299: 1. Allegro
Concerto for Flute, Harp and Orchestra in C, K. 299: 2. Andantino
Concerto for Flute, Harp and Orchestra in C, K. 299: 3. Rondo (Allegro)
Concerto for Piano and Orchestra in A minor, Op. 54: I. Allegro affettuoso
Concerto for Piano and Orchestra in A minor, Op. 54: II. Intermezzo. Andantino grazioso
Concerto for Piano and Orchestra in A minor, Op. 54: III. Allegro vivace
Concerto for Piano and Orchestra in G major: I. Allegramente
Concerto for Piano and Orchestra in G major: II. Adagio assai
Concerto for Piano and Orchestra in G major: III. Presto
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice
Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco
Concerto for Piano and Orchestra No. 1 in D Minor, Op. 15: I. Maestoso
Concerto for Piano and Orchestra No. 1 in D Minor, Op. 15: II. Adagio
Concerto for Piano and Orchestra No. 1 in D Minor, Op. 15: III. Rondo. Allegro Non Troppo
Concerto for Piano and Orchestra no. 1 in D‐flat major, op. 10: Allegro brioso – Poco più mosso – Tempo I – Meno mosso – Più mosso (Tempo I) – Animato –
Concerto for Piano and Orchestra no. 1 in D‐flat major, op. 10: Andante assai – Allegro scherzando – Poco più sostenuto –
Concerto for Piano and Orchestra no. 1 in D‐flat major, op. 10: Più mosso – Animato
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: I. Allegro maestoso
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: II. Romance. Larghetto
Concerto for Piano and Orchestra no. 1 in E minor, op. 11: III. Rondo. Vivace
Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: II. Quasi adagio
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: I. Allegro maestoso
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: II. Quasi adagio / III. Allegretto vivace - Allegro animato
Concerto for Piano and Orchestra no. 1 in E‐flat major, S. 124: IV. Allegro marziale animato
Concerto for Piano and Orchestra no. 1: I. Allegro moderato - Allegro
Concerto for Piano and Orchestra no. 1: II. Andante - Allegro - attacca:
Concerto for Piano and Orchestra no. 1: III. Allegro molto
Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: I. Allegro
Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: II. Andante
Concerto for Piano and Orchestra no. 15 in B-flat major, K. 450: III. Allegro
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: I. Allegro con brio
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: II. Adagio
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 19: III. Rondo. Molto allegro
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: 1. Allegro non troppo
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: 2. Allegro appassionato
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: 3. Andante – Più adagio
Concerto for Piano and Orchestra no. 2 in B-flat major, op. 83: 4. Allegretto grazioso — Un poco più presto
Concerto for Piano and Orchestra no. 2 in C minor, op. 18: I. Moderato - Piú vivo - Allegro - Maestoso (Alla marcia) - Moderato
Concerto for Piano and Orchestra no. 2 in C minor, op. 18: II. Adagio sostenuto
Concerto for Piano and Orchestra no. 2 in C minor, op. 18: III. Allegro scherzando - Moderato - Allegro scherzando - Presto - Moderato - Allegro scherzando - Alla breve. Agitato - Presto - Maestoso - Risoluto
Concerto for Piano and Orchestra no. 2: I. Allegro
Concerto for Piano and Orchestra no. 2: II. Adagio - Presto - Adagio
Concerto for Piano and Orchestra no. 2: III. Allegro molto - Presto
Concerto for Piano and Orchestra no. 22 in E-flat major, K. 482: I. Allegro
Concerto for Piano and Orchestra no. 22 in E-flat major, K. 482: II. Andante
Concerto for Piano and Orchestra no. 22 in E-flat major, K. 482: III. Allegro - Andantino cantabile - Primo tempo
Concerto for Piano and Orchestra no. 25 in C major, K. 503: I. Allegro maestoso
Concerto for Piano and Orchestra no. 25 in C major, K. 503: II. Andante
Concerto for Piano and Orchestra no. 25 in C major, K. 503: III. (Allegretto)
Concerto for Piano and Orchestra No. 3 in C major, Op. 26: I Andante. Allegro
Concerto for Piano and Orchestra no. 3 in C major, op. 26: I. Andante - Allegro
Concerto for Piano and Orchestra no. 3 in C major, op. 26: I. Andante – Allegro
Concerto for Piano and Orchestra No. 3 in C major, Op. 26: II. Andantino
Concerto for Piano and Orchestra no. 3 in C major, op. 26: II. Tema. Andantino – var I. L’istesso tempo – var II. Allegro – var III. Allegro moderato – var IV. Andantino meditativo – var V. Allegro giusto – Tema. L’istesso tempo
Concerto for Piano and Orchestra no. 3 in C major, op. 26: II. Thema. Andantino - Variation I. L'istesso tempo - Variation II. Allegro - Variation III. Allegro moderato - Variation IV. Andantino meditativo - Variation V. Allegro giusto - Thema. L'istesso tempo
Concerto for Piano and Orchestra No. 3 in C major, Op. 26: III. Allegro ma non troppo
Concerto for Piano and Orchestra no. 3 in C minor, op. 37: I. Allegro con brio
Concerto for Piano and Orchestra no. 3 in C minor, op. 37: II. Largo
Concerto for Piano and Orchestra no. 3 in C minor, op. 37: III. Rondo. Allegro
Concerto for Piano and Orchestra no. 3 in D minor, op. 30: Allegro ma non tanto
Concerto for Piano and Orchestra no. 3 in D minor, op. 30: Finale, Alla breve
Concerto for Piano and Orchestra no. 3 in D minor, op. 30: Intermezzo, Adagio
Concerto for Piano No. 17 in G major, K. 453 "Second Ployer": I. Allegro
Concerto for Piano No. 17 in G major, K. 453 "Second Ployer": II. Andante
Concerto for Piano No. 17 in G major, K. 453 "Second Ployer": III. Allegretto & Finale. Presto
Concerto for Piano no. 20 in D minor, K. 466: I. Allegro
Concerto for Piano no. 20 in D minor, K. 466: II. Romanze
Concerto for Piano no. 20 in D minor, K. 466: III. Rondo. Allegro assai
Concerto for Piano No. 21 in C major, K. 467 "Elvira Madigan": I. Allegro
Concerto for Piano No. 21 in C major, K. 467 "Elvira Madigan": II. Andante
Concerto for Piano No. 21 in C major, K. 467 "Elvira Madigan": III. Allegro vivace assai
Concerto for Piano no. 21 in C major, K. 467: I. Allegro
Concerto for Piano no. 21 in C major, K. 467: II. Andante
Concerto for Piano No. 25 in C major, K. 503: I. Allegro maestoso
Concerto for Piano No. 25 in C major, K. 503: II. Andante
Concerto for Piano No. 25 in C major, K. 503: III. Allegretto
Concerto for Piano no. 25 in C-flat major, K. 503: I. Allegro Maestoso
Concerto for Piano no. 25 in C-flat major, K. 503: II. Andante
Concerto for Piano no. 25 in C-flat major, K. 503: III. Allegretto
Concerto for Piano No. 26 in D major, K. 537: I. Allegro
Concerto for Piano No. 26 in D major, K. 537: II. Larghetto
Concerto for Piano No. 26 in D major, K. 537: III. Allegretto
Concerto for Piano no. 27 in B-flat major, K. 595: I. Allegro
Concerto for Piano no. 27 in B-flat major, K. 595: II. Larghetto
Concerto for Piano no. 27 in B-flat major, K. 595: III. Allegro
Concerto for Piano No. 9 in E-flat major, K. 271 "Jenamy": I. Allegro
Concerto for Piano No. 9 in E-flat major, K. 271 "Jenamy": II. Andantino
Concerto for Piano No. 9 in E-flat major, K. 271 "Jenamy": III. Rondeau. Presto - adagio & Menuetto. Cantabile - tempo primo
Concerto for Piano, Violin, Cello and Orchestra in C major, op.56 "Triple Concerto": I. Allegro
Concerto for Piano, Violin, Cello and Orchestra in C major, op.56 "Triple Concerto": II. Largo
Concerto for Piano, Violin, Cello and Orchestra in C major, op.56 "Triple Concerto": III. Rondo alla polacca
Concerto for Violin and Cello in A minor, op. 102: I. Allegro
Concerto for Violin and Cello in A minor, op. 102: II. Andante
Concerto for Violin and Cello in A minor, op. 102: III. Vivace non troppo
Concerto for Violin and Orchestra in D major, Op. 77: I. Allegro non troppo
Concerto for Violin and Orchestra in D major, Op. 77: II. Adagio
Concerto for Violin and Orchestra in D major, Op. 77: III. Allegro giocoso, ma non troppo vivace - Poco più presto
Concerto for Violin and Orchestra in E minor, Op. 64: I. Allegro molto appassionato
Concerto for Violin and Orchestra in E minor, Op. 64: II. Andante
Concerto for Violin and Orchestra in E minor, Op. 64: III. Allegretto non troppo - Allegro molto vivace
Concerto for Violin and Orchestra no. 1 in B-flat major, K. 207: I. Allegro moderato
Concerto for Violin and Orchestra no. 1 in B-flat major, K. 207: II. Adagio
Concerto for Violin and Orchestra no. 1 in B-flat major, K. 207: III. Presto
Concerto for Violin and Orchestra no. 1 in D major, op. 19: I. Andantino - Andante assai
Concerto for Violin and Orchestra no. 1 in D major, op. 19: II. Scherzo. Vivacissimo
Concerto for Violin and Orchestra no. 1 in D major, op. 19: III. Moderato - Allegro moderato - Moderato - Più tranquillo
Concerto for Violin and Orchestra no. 1 in D major, op. 35: I. Allegro moderato
Concerto for Violin and Orchestra no. 1 in D major, op. 35: II. Canzonetta. Andante
Concerto for Violin and Orchestra no. 1 in D major, op. 35: III. Finale. Allegro vivacissimo
Concerto for Violin and Orchestra No. 1 in G minor, Op. 26: I. Vorspiel. Allegro moderato - attacca:
Concerto for Violin and Orchestra No. 1 in G minor, Op. 26: II. Adagio
Concerto for Violin and Orchestra No. 1 in G minor, Op. 26: III. Finale. Allegro energico - Presto
Concerto for Violin and Orchestra no. 2 in D major, K. 211: I. Allegro moderato
Concerto for Violin and Orchestra no. 2 in D major, K. 211: II. Andante
Concerto for Violin and Orchestra no. 2 in D major, K. 211: III. Rondeau: Allegro
Concerto for Violin and Orchestra no. 3 in G major, K. 216: I. Allegro
Concerto for Violin and Orchestra no. 3 in G major, K. 216: II. Adagio
Concerto for Violin and Orchestra no. 3 in G major, K. 216: III. Rondeau: Allegro
Concerto for Violin and Orchestra no. 4 in D major, K. 218: I. Allegro aperto
Concerto for Violin and Orchestra no. 4 in D major, K. 218: II. Andante cantabile
Concerto for Violin and Orchestra no. 4 in D major, K. 218: III. Rondeau: Allegro grazioso
Concerto for Violin and Orchestra no. 5 in A major, K. 219: I. Allegro aperto
Concerto for Violin and Orchestra no. 5 in A major, K. 219: II. Adagio
Concerto for Violin and Orchestra no. 5 in A major, K. 219: III. Rondeau: Tempo di menuetto
Concerto in E major, op. 8 no. 1, RV 269 "La primavera": I. Allegro
Concerto in E major, op. 8 no. 1, RV 269 "La primavera": II. Largo
Concerto in E major, op. 8 no. 1, RV 269 "La primavera": III. Allegro
Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": I. Allegro
Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": II. Adagio molto
Concerto in F major, op. 8 no. 3, RV 293 "L'autunno": III. Allegro
Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": I. Allegro non molto
Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": II. Largo
Concerto in F minor, op. 8 no. 4, RV 297 "L'inverno": III. Allegro
Concerto in G minor, op. 8 no. 2, RV 315 "L'estate": I. Allegro non molto
Concerto in G minor, op. 8 no. 2, RV 315 "L'estate": II. Adagio - Presto
Concerto in G minor, op. 8 no. 2, RV 315 "L'estate": III. Presto
Concerto in G minor, RV 577: (Allegro)
Concerto in G minor, RV 577: Allegro
Concerto in G minor, RV 577: Largo non molto
Concerto no. 1 in E, RV 269: Allegro
Concerto no. 1 in E, RV 269: Allegro (Danza pastorale)
Concerto no. 1 in E, RV 269: Largo
Concerto No. 14 in E-flat major for Piano, K. 449: I. Allegro vivace
Concerto No. 14 in E-flat major for Piano, K. 449: II. Andantino
Concerto No. 14 in E-flat major for Piano, K. 449: III. Allegro ma non troppo
Concerto no. 17 in G major for Piano, K. 453: I. Allegro
Concerto no. 17 in G major for Piano, K. 453: II. Andante
Concerto no. 17 in G major for Piano, K. 453: III. Allegretto
Concerto No. 2 for Piano and Orchestra, in C minor, Op. 18: I. Moderato
Concerto No. 2 for Piano and Orchestra, in C minor, Op. 18: II. Adagio sostenuto
Concerto No. 2 for Piano and Orchestra, in C minor, Op. 18: III. Allegro scherzando
Concerto no. 2 in G minor, RV 315: Adagio - Presto - Adagio
Concerto no. 2 in G minor, RV 315: Allegro non molto
Concerto no. 2 in G minor, RV 315: Presto (Tempo impetuoso d'estate)
Concerto no. 3 in F, RV 293: Adagio molto
Concerto no. 3 in F, RV 293: Allegro (Ballo, e canto de' villanelli)
Concerto no. 3 in F, RV 293: Allegro (La caccia)
Concerto no. 4 in F minor, RV 297: Allegro
Concerto no. 4 in F minor, RV 297: Allegro non molto
Concerto no. 4 in F minor, RV 297: Largo
Concerto per piano e orch. op. 73 «Imperatore» / Trascrizione per piano e orch. del concerto op. 61
Concierto para Piano no. 1 / Concierto para Violín
Conciertos para piano y orquesta Nº 22 y 23
Confitebor tibi, Domine: Confessio et magnificentia opus eius
Confitebor tibi, Domine: Confitebor tibi, Domine
Confitebor tibi, Domine: Fidelia omnia mandata eius
Confitebor tibi, Domine: Gloria Patri
Confitebor tibi, Domine: Redemptionem misit populo suo
Confitebor tibi, Domine: Sanctum et terribile nomen eius
Confitebor tibi, Domine: Sicut erat in principio
Consecration of the House, overture for orchestra Op. 124
Conte! Ah! Che mai sento!, Il
Coriolan, op. 62: Overture. Allegro con brio
Creatures of Prometheus Op. 43: Overture, The
Creatures of Prometheus, Op. 43: No. 16. Finale. Allegretto, The
Credits
damoiselle élue / Iberia / Prélude à l’après-midi d’un faune, La
damoiselle élue: I. Début, La
damoiselle élue: II. Chœur «La damoiselle élue s’appuyait», La
damoiselle élue: III. La damoiselle: «Je voudrais qu’il fût déjà près de moi», La
damoiselle élue: IV. Chœur «La lumiere tressaillit», La
Daphis et Chloé - 1. Lever du Jour. Lent
Daphis et Chloé - 2. Pantomime. Lent - Très lent - Vif - Très lent
Daphis et Chloé - 3. Danse générale. Lent - Animé
Daphnis et Chloé - Part one. 1. Lent, Très modéré
Daphnis et Chloé - Part one. 10. Très modéré
Daphnis et Chloé - Part one. 11. Modérément animé, Très animé, Lent, Très agité
Daphnis et Chloé - Part one. 12. Modéré, Plus lent
Daphnis et Chloé - Part one. 13. Lent et très souple de mesure
Daphnis et Chloé - Part one. 2. Modéré
Daphnis et Chloé - Part one. 3. Un peu plus lent
Daphnis et Chloé - Part one. 4. Vif
Daphnis et Chloé - Part one. 5. (Vif)
Daphnis et Chloé - Part one. 6. Beaucoup moins vif
Daphnis et Chloé - Part one. 7. Vif, Plus modéré, Très modéré, Pesant
Daphnis et Chloé - Part one. 8. Assez lent - Animé, Vif
Daphnis et Chloé - Part one. 9. Lent, Moins lent, Très libre
Daphnis et Chloé - Part three. 20. Lent
Daphnis et Chloé - Part three. 21. (Lent)
Daphnis et Chloé - Part three. 22. Très lent
Daphnis et Chloé - Part three. 23. Lent, Animé, Lent, Animé
Daphnis et Chloé - Part three. 24. General Dance, Dance of Daphnis and Chloé, Dance of Dorcon, Final Dance
Daphnis et Chloé - Part two. 14. Même mouvement
Daphnis et Chloé - Part two. 15. Animé et très rude
Daphnis et Chloé - Part two. 16. Un peu moins animé
Daphnis et Chloé - Part two. 17. Très rude, Modéré, Animé, Assez lent, Animé, Lent
Daphnis et Chloé - Part two. 18. Assez animé
Daphnis et Chloé - Part two. 19. Lent, Plus animé
Daphnis et Chloé : Lever du jour
Daphnis et Chloé (Gesamtaufnahme) / Valses nobles et sentimentales
Daphnis et Chloé, Suite no. 2
Death and Transfiguration, op. 24
Debussy: Nocturnes / Ravel: Daphnis et Chloé Suite no. 2 / Pavane / Scriabin: Le Poème de l’exstase
Départ
der schönen blauen Donau, An
der schönen, blauen Donau / Kaiser-Walzer / Die Fledermaus, An
Des Knaben Wunderhorn
Des Knaben Wunderhorn: I. Revelge
Des Knaben Wunderhorn: II. Rheinlegendchen
Des Knaben Wunderhorn: III. Trost im Unglück
Des Knaben Wunderhorn: IV. Verlorne Müh
Des Knaben Wunderhorn: IX. Des Antonius von Padua Fischpredigt
Des Knaben Wunderhorn: V. Der Schildwache Nachtlied
Des Knaben Wunderhorn: VI. Das irdische Leben
Des Knaben Wunderhorn: VII. Lied des Verfolgten im Turm
Des Knaben Wunderhorn: VIII. Wer hat dies Liedlein erdacht?
Des Knaben Wunderhorn: X. Lob des hohen Verstandes
Des Knaben Wunderhorn: XI. Wo die schönen Trompeten blasen
Des Knaben Wunderhorn: XII. Der Tamboursg'sell
Des Knaben Wunderhorn: XIII. Urlicht
Destruction of Sennacherib, The
Deutsche Grammophon Collection: Dvořák: Concerto for Violin / Bruch: Concerto for Violin no. 1
Deutsche Grammophon Collection: Symphony no. 4 / Symphony no. 2 "Ucranian"
Deutsches Requiem, Op. 45, Ein
Deutsches Requiem, Op. 45: Denn alles Fleisch, es ist wie Gras, Ein
Deutsches Requiem, Op. 45: Denn wir haben hie keine bleibende Statt, Ein
Deutsches Requiem, Op. 45: Herr, lehre doch mich, Ein
Deutsches Requiem, Op. 45: Ihr habt nun Traurigkeit, Ein
Deutsches Requiem, Op. 45: Selig sind die Toten, die in dem Herrn sterben, Ein
Deutsches Requiem, Op. 45: Selig sind, die da Leid tragen, Ein
Deutsches Requiem, Op. 45: Wie lieblich sind Deine Wohnungnen, Ein
die Musik, D 547, An
dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene III. No. 2 Recitativo accompagnato "Ma qual mai s'offre, oh Dei" (Donna Anna, Don Ottavio), Il
Divertimento en ré majeur K. 251 "Nannerl septet" : I. Molto allegro
Divertimento en ré majeur K. 251 "Nannerl Septet" : II. Menuetto - Trio
Divertimento en ré majeur K. 251 "Nannerl Septet" : III. Andantino
Divertimento en ré majeur K. 251 "Nannerl Septet" : IV. Menuetto. Tema con variazioni
Divertimento en ré majeur K. 251 "Nannerl Septet" : V. Rondeau. Allegro assai
Divertimento en ré majeur K. 251 "Nannerl Septet" : VI. Marcia alla francese
Dixit Dominus / Confitebor tibi, Domine / Chi non ode e chi non vede / Salve Regina in A minor
Dixit Dominus: Dixit Dominus
Dixit Dominus: Dominare
Dixit Dominus: Dominus a dextris tuis
Dixit Dominus: Gloria Patri
Dixit Dominus: Juravit Dominus
Dixit Dominus: Tecum principium
Dixit Dominus: Virgam virtutis
Don Carlo
Don Carlo: Atto 2. Preludio
Don Carlos
Don Carlos: "Ecoute. Les portes du couvent ... Dieu, tu semas dans nos âmes"
Don Carlos: "Fontainebleau! Forêt immense et solitaire ... Je l'ai vue"
Don Carlos: "Fontainebleau! Foret immense et solitaire...Je l'ai vue"
Don Carlos: »Spuntato ecco il di d’esultanza«
Don Carlos: Act II, Scene 1 - Scène et Duo: Le voilà! C'est l'Infant
Don Carlos: Act IV, Scene 1 - Ah! Je ne verrai plus la Reine... O don fatal et déteste
Don Carlos: Act IV, Scene 2 - C'est mon jur suprême...
Don Carlos: Act IV, Scene 2 - Carlos, écoute... Ah! Je meurs l'âme joyeuse
Don Carlos: Act V - Scéne et Air: Toi qui sus le néant de grandeurs de cd monde
Don Carlos: Ballet der Königin
Don Carlos: Ce jour heureux est plein d'allégresse!
Don Giovanni
Don Giovanni, K. 527: Act I Scena IX: No. 7 Duettino: Là ci darem la mano" (Don Giovanni, Zerlina)
Don Giovanni, K. 527: Act I Scena XVI. No. 13 Finale I "Presto presto pria ch'ei venga" (Masetto, Zerlina) - Scena XVII. "Su svegliatevi, da bravi" (Don Giovanni, Servi)
Don Giovanni, K. 527: Act I, Scena I. No. 1 Introduzione "Notte e giorno faticar" (Leporello)
Don Giovanni, K. 527: Act I, Scena II. Recitativo "Leporello, ove sei?" (Don Giovanni, Leporello)
Don Giovanni, K. 527: Act I, Scena III. No. 2 Duetto "Fuggi, crudele, fuggi!" (Donna Anna, Don Ottavio)
Don Giovanni, K. 527: Act I, Scena III.Recitativo "Ah! del padre in periglio" (Donna Anna, Don Ottavio) - No. 2 Recitativo accompagnato "Ma qual mai s'offre, oh Dei" (Donna Anna, Don Ottavio)
Don Giovanni, K. 527: Act I, Scena IV. Recitativo "Orsù, spicciati presto" (Don Giovanni, Leporello)
Don Giovanni, K. 527: Act I, Scena IX. Recitativo "Alfin siam liberati" (Don Giovanni, Zerlina)
Don Giovanni, K. 527: Act I, Scena V. No. 3 Aria "Ah chi mi dice mai" (Donna Elvira)
Don Giovanni, K. 527: Act I, Scena V. No. 4 Aria "Madamina, il catalogo è questo" (Leporello)
Don Giovanni, K. 527: Act I, Scena V. Recitativo "Chi è là?"- "Stelle! che vedo!" (Donna Elvira, Don Giovanni, Leporello)
Don Giovanni, K. 527: Act I, Scena VI. Recitativo "In questa forma dunque" (Donna Elvira)
Don Giovanni, K. 527: Act I, Scena VII. Coro "Giovinette che fate all'amore" (Zerlina, Masetto, Coro di contadine e contadini)
Don Giovanni, K. 527: Act I, Scena VIII. No. 6 Aria "Ho capito, signor, sì!" (Masetto)
Don Giovanni, K. 527: Act I, Scena VIII. Recitativo "Manco male è partita" ( Don Giovanni, Leporello, Zerlina, Masetto)
Don Giovanni, K. 527: Act I, Scena X. No. 8 Aria "Ah fuggi il traditor" (Donna Elvira)
Don Giovanni, K. 527: Act I, Scena X. Recitativo "Fermati scellerato" (Donna Elvira, Zerlina, Don Giovanni)
Don Giovanni, K. 527: Act I, Scena XI. No. 9 Quartetto "Non ti fidar, oh misera" (Donna Elvira, Donna Anna, Don Ottavio, Don Giovanni)
Don Giovanni, K. 527: Act I, Scena XI. Recitativo "Mi par ch' oggi il demonio si diverta" (Don Giovanni, Don Ottavio, Donna Anna) - Scena XII. Recitativo "Ah, ti ritrovo ancor" (Donna Elvira)
Don Giovanni, K. 527: Act I, Scena XI. Recitativo "Povera sventurata!" (Don Giovanni)
Don Giovanni, K. 527: Act I, Scena XIII. No. 10 Aria "Or sai chi l'onore" (Donna Anna)
Don Giovanni, K. 527: Act I, Scena XIII. No. 10 Recitativo accompagnato "Don Ottavio, son morta!" (Donna Anna, Don Ottavio)
Don Giovanni, K. 527: Act I, Scena XIV. Recitativo "Come mai creder deggio" (Don Ottavio)
Don Giovanni, K. 527: Act I, Scena XIX. "Bisogna aver coraggio" (Donna Elvira, Don Ottavio, Donna Anna, Leporello, Don Giovanni)
Don Giovanni, K. 527: Act I, Scena XV. No. 11 Aria "Fin ch'han dal vino" (Don Giovanni)
Don Giovanni, K. 527: Act I, Scena XV. Recitativo "Io deggio ad ogni patto" (Leporello, Don Giovanni)
Don Giovanni, K. 527: Act I, Scena XVI. No. 12 Aria "Batti, batti, oh bel Masetto" (Zerlina)
Don Giovanni, K. 527: Act I, Scena XVI. Recitativo "Guarda un po'!" (Masetto, Don Giovanni, Zerlina)
Don Giovanni, K. 527: Act I, Scena XVI. Recitativo "Masetto: senti un po'!" (Zerlina, Masetto)
Don Giovanni, K. 527: Act I, Scena XVIII. "Tra quest' arbori celata" (Zerlina, Don Giovanni, Masetto)
Don Giovanni, K. 527: Act I, Scena XX. "Riposate, vezzose ragazze" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Don Giovanni, Leporello, Masetto)
Don Giovanni, K. 527: Act II, Scena I. No. 14 Duetto "Eh via buffone, non mi seccar" (Don Giovanni, Leporello)
Don Giovanni, K. 527: Act II, Scena I. Recitativo "Leporello" / "Signore"
Don Giovanni, K. 527: Act II, Scena II. No. 15 Terzetto "Ah taci, ingiusto core" (Donna Elvira, Leporello, Don Giovanni)
Don Giovanni, K. 527: Act II, Scena II. Recitativo "Amico che ti par?" (Don Giovanni, Leporello) / Scena III. "Eccomi a voi!" (Donna Elvira, Don Giovanni, Leporello)
Don Giovanni, K. 527: Act II, Scena III. Canzonetta "Deh, vieni alla finestra!" (Don Giovanni)
Don Giovanni, K. 527: Act II, Scena III. Recitativo "V'è gente alla finestra" (Don Giovanni)
Don Giovanni, K. 527: Act II, Scena IV. No. 17 Aria "Meta di voi qua vadano" (Don Giovanni)
Don Giovanni, K. 527: Act II, Scena IX. No. 20 Aria "Ah pietà, signori miei" (Leporello)
Don Giovanni, K. 527: Act II, Scena IX. Recitativo "Dunque quello sei tu" (Zerlina, Donna Elvira, Don Ottavio, Masetto)
Don Giovanni, K. 527: Act II, Scena ultima. "Ah! dove è il perfido" (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello)
Don Giovanni, K. 527: Act II, Scena V. Recitativo "Zitto! Lascia ch'io senta" (Don Giovanni, Masetto) / Scena VI. Recitativo "Ahi! ahi! la testa mia!" (Masetto Zerlina)
Don Giovanni, K. 527: Act II, Scena VI. No. 18 Aria "Vedrai, carino" (Zerlina)
Don Giovanni, K. 527: Act II, Scena VII. Recitativo "Di molte faci il lume" (Leporello, Donna Elvira)
Don Giovanni, K. 527: Act II, Scena VII/VIII. No. 19 Sestetto "Sola, sola, in buio loco" (Donna Elvira, Leporello, Don Ottavio, Donna Anna, Zerlina, Masetto)
Don Giovanni, K. 527: Act II, Scena X. No. 21 Aria "Il mio tesoro intanto" (Don Ottavio)
Don Giovanni, K. 527: Act II, Scena X. Recitativo "Ferma, perfido, ferma" (Donna Elvira, Masetto, Zerlina, Don Ottavio)
Don Giovanni, K. 527: Act II, Scena XI. No. 22 Duetto "O statua gentilissima" (Leporello, Don Giovanni, Il Commendatore)
Don Giovanni, K. 527: Act II, Scena XI. Recitativo "Ah, ah, ah, ah, questa è buona" (Don Giovanni, Leporello, Il Commendatore)
Don Giovanni, K. 527: Act II, Scena XII. No. 23 Recitativo accompagnato "Crudele! - Ah no, mio bene!" (Donna Anna)
Don Giovanni, K. 527: Act II, Scena XII. Recitativo "Ah, si segua il suo passo" (Don Ottavio)
Don Giovanni, K. 527: Act II, Scena XII. Recitativo "Calmatevi, idol mio" (Don Ottavio, Donna Anna)
Don Giovanni, K. 527: Act II, Scena XII. Rondo "Non mi dir, bell'idol mio" (Donna Anna)
Don Giovanni, K. 527: Act II, Scena XIII. No. 24 Finale II "Già la mensa è preparata" (Don Giovanni, Leporello)
Don Giovanni, K. 527: Act II, Scena XIV. Recitativo "L'ultima prova dell'amor mio" (Don Giovanni, Leporello, Donna Elvira)
Don Giovanni, K. 527: Act II, Scena XV. "Don Giovanni, a cenar teco" (Il Commendatore, Don Giovanni, Leporello, Coro)
Don Giovanni, K. 527: Ouverture. Andante - allegro molto
Don Giovanni, K. 540a: Act I, Scena XIV. No. 10a Aria "Dalla sua pace" (Don Ottavio)
Don Giovanni, K. 540c-1: Act II, Scena X. Aria "Mi tradì quell' alma ingrata" (Donna Elvira)
Don Giovanni, K. 540c-1: Act II, Scena X. No. 21b Recitativo accompagnato "In quali eccessi, o Numi" (Donna Elvira)
Don Juan, op 20
Don Juan, op. 20
Don Juan, op. 20 / Till Eulenspiegel, op. 28 / Death and Transfiguration, op. 24
Donna Diana Ouvertüre
Double Concerto
Double Concerto / Piano Quartet, op. 60
Double Concerto for Flute and Oboe: I. Calmo, con tenerezza
Double Concerto for Flute and Oboe: II. Allegro corrente
Double Concerto in A minor, op. 102: I. Allegro
Double Concerto in A minor, op. 102: II. Andante
Double Concerto in A minor, op. 102: III. Vivace non troppo
Double Concerto in A minor, op. 102: III. Vivace non troppo – Poco meno allegro – Tempo I
Du bist die Ruh, D 776
E dessa! ... Un detto, un sol (Don Carlos)
E il sol dell'anima (Rigoletto)
Egmont, op. 84: I. Lied: “Die Trommel gerühret!”. Vivace
Egmont, op. 84: II. Entr’acte Music I. Andante - Allegro con brio
Egmont, op. 84: III. Entr’acte Music II. Larghetto
Egmont, op. 84: IV. Lied: “Freudvoll und leidvoll”. Andante con moto - Allegro assai vivace
Egmont, op. 84: IX. Victory Symphony. Allegro con brio
Egmont, Op. 84: Ouvertüre. Sostenuto, ma non troppo – Allegro
Egmont, op. 84: Overture. Sostenuto, ma non troppo - Allegro
Egmont, op. 84: V. Entr’acte Music III. Allegro - Marcia. Vivace
Egmont, op. 84: VI. Entr’acte Music IV. Poco sostenuto e risoluto - Larghetto - Andante agitato
Egmont, op. 84: VII. Clärchen’s Death. Larghetto
Egmont, op. 84: VIII. Melodrama. Poco sostenuto
Ellens Zweiter Gesang, D 838 “Jäger, ruhe von der Jagd!”
Erlkönig, D 328
Exsultate, jubilate, KV 165: "Exsultate, jubilate"
Face de la chaleur
Fair Melusine, Op. 32, The
Falstaff
Falstaff: L'onore! Ladri!
Fanfare du Ballet "L'Eventail de Jeanne"
Fanfare for the Ballet “L’éventail de Jeanne”: Allegro moderato
Fantasie c-moll für Klavier, Chor und Orchester, Op. 80 (feat. piano: Evgeny Kissin)
Fantasie für Klavier, Chor und Orchester in c-Moll, Op. 80: I. Adagio
Fantasie für Klavier, Chor und Orchester in c-Moll, Op. 80: IIa. Finale. Allegro - Meno allegro - Allegro molto
Fantasie für Klavier, Chor und Orchester in c-Moll, Op. 80: IIb. Finale. Adagio, ma non troppo
Fantasie für Klavier, Chor und Orchester in c-Moll, Op. 80: IIc. Finale. Marcia, assai vivace - Allegro
Fantasie für Klavier, Chor und Orchester in c-Moll, Op. 80: IIe. Finale. Presto
Fantasma/Cantos
Fantasy for Piano, Choir, and Orchestra in C minor, op. 80 "Choral Fantasy": I. Adagio
Fantasy for Piano, Choir, and Orchestra in C minor, op. 80 "Choral Fantasy": II-i. Finale. Allegro - Meno allegro - Allegro molto
Fantasy for Piano, Choir, and Orchestra in C minor, op. 80 "Choral Fantasy": II-ii. Adagio ma non troppo
Fantasy for Piano, Choir, and Orchestra in C minor, op. 80 "Choral Fantasy": II-iii. Marcia, assai vivace - Allegro
Fantasy for Piano, Choir, and Orchestra in C minor, op. 80 "Choral Fantasy": II-iv. Allegretto, ma non troppo quasi andante con moto "Schmeichelnd hold un liblich klingen"
Fantasy for Piano, Choir, and Orchestra in C minor, op. 80 "Choral Fantasy": II-v. Presto
fatal pietra sovra me si chiuse (Aida), La
Festive March from "Mlada"
Feuervogel (Suite) / Le Sacre du Printemps, Der
Fidelio
Fidelio op. 72, Act 2: "Gott! Welch dunkel hier!" in des Lebens Frühlingstagen"
Fierrabras
Fierrabras, D796, Act 1 - Recitativ und Arie: "Was quälst du mich..."
Firebird (Concert Suite 1919), The
Firebird (Suite) / Le Sacre du Printemps, The
Fledermaus": Overture, "Die
fleur que tu m'avais jetée, La
fliegende Holländer: Die Frist ist um, Der
fliegende Holländer: Ouvertüre, Der
FLOTOW M'appari (Martha)
Flute & Harp Concerto / Sinfonia Concertante for Winds
Flute Concerto in D, K. 314: 1. Allegro aperto
Flute Concerto in D, K. 314: 2. Andante ma non troppo
Flute Concerto in D, K. 314: 3. Allegro
Flute Concerto no. 1 / Concerto for Flute and Harp / Clarinet Concerto
Flute Concerto no. 2 in D, K. 314: I. Allegro aperto
Flute Concerto no. 2 in D, K. 314: II. Andante ma non troppo
Flute Concerto no. 2 in D, K. 314: III. Rondeau (Allegro)
Forelle, D 550, Die
forza del destino: Ouverture. Sinfonia, La
forza del destino: Overture, La
Four Seasons, The
Freikugeln, op. 326
Freundliche Vision
Freut euch des Lebens, op. 340: Walzer
Frühlingsfeier
Fünf Stücke für Orchester, Op. 10: I. Sehr ruhig und zart
Fünf Stücke für Orchester, Op. 10: II. Lebhaft und zart bewegt
Fünf Stücke für Orchester, Op. 10: III. Sehr langsam und äußerst ruhig
Fünf Stücke für Orchester, Op. 10: IV. Fließend, äußerst zart
Fünf Stücke für Orchester, Op. 10: V. Sehr fließend
Gai nella notte densa (Otello)
gazza ladra, La
Geheimes, D 719
Gesang der Apollopriesterin
Gesang der Parzen, Op. 89
Geschöpfe des Prometheus, op. 43: Introduction. Allegro non troppo, Die
Geschöpfe des Prometheus, op. 43: No. 1: Poco adagio - Allegro con brio, Die
Geschöpfe des Prometheus, op. 43: No. 10: Pastorale. Allegro, Die
Geschöpfe des Prometheus, op. 43: No. 14: Allegretto, Die
Geschöpfe des Prometheus, op. 43: No. 15: Adagio - Allegro, Die
Geschöpfe des Prometheus, op. 43: No. 16: Finale. Allegretto, Die
Geschöpfe des Prometheus, op. 43: No. 9: Adagio - Allegro molto, Die
Geschöpfe des Prometheus, op. 43: Overture, Die
Gianni Schicchi: "O mio babbino caro"
Gianni Schicchi: O mio babbino caro
Giovanna, ho dei rimorsi (Rigoletto)
Grabstein für Stephan, op. 15c
Grande Messe en ut mineur K. 427 : Cum Sancto Spiritu
Grande Messe en ut mineur K. 427 : Domine (Allegro moderato)
Grande Messe en ut mineur K. 427 : Et incarnatus est
Grande Messe en ut mineur K. 427 : Gratias agimus tibi (Allegro)
Grande Messe en ut mineur K. 427 : I. Kyrie (Andante moderato)
Grande Messe en ut mineur K. 427 : II. Gloria : Gloria in Excelsis Deo (Allegro vivace)
Grande Messe en ut mineur K. 427 : III. Credo : Credo in unum Deum (Allegro maestoso)
Grande Messe en ut mineur K. 427 : IV. Sanctus
Grande Messe en ut mineur K. 427 : Jesu Christe (Adagio)
Grande Messe en ut mineur K. 427 : Laudamus Te (Allegro aperto)
Grande Messe en ut mineur K. 427 : Qui tollis (Largo)
Grande Messe en ut mineur K. 427 : Quoniam (Allegro)
Grande Messe en ut mineur K. 427 : V. Benedictus (Allegro comodo)
Grands Chœurs d’opéras, Les
Great Piano Concertos nos. 20, 21, 25 & 27
Gretchen am Spinnrade, D 118
Gruppe aus dem Tartarus, D 583
Gruppen
Guillaume Tell
Gurrelieder
Gurrelieder: Des Sommerwindes wilde Jagd (Melodram) "Herr Gänsefuß, Frau Gänsekraut" (Sprecher)
Gurrelieder: Des Sommerwindes wilde Jagd (Melodram) "Seht die Sonne" (Chor)
Gurrelieder: Des Sommerwindes wilde Jagd (Melodram) Orchester-Vorspiel
Gurrelieder: I. Teil "Du sendest mir einem Liebesblick" (Tove)
Gurrelieder: I. Teil "Du wunderliche Tove!" (Waldemar)
Gurrelieder: I. Teil "Es ist Mitternachtzeit" (Waldemar)
Gurrelieder: I. Teil "Nun dämpft die Dämm'rung jeden Ton" (Waldemar)
Gurrelieder: I. Teil "Nun sag' ich dir zum ersten Mal" (Tove)
Gurrelieder: I. Teil "O, wenn des Mondes Strahlen milde gleiten" (Tove)
Gurrelieder: I. Teil "Roß! Mein Roß! Was schleichst du so träg!" (Waldemar)
Gurrelieder: I. Teil "So tanzen die Engel vor Gottes Thron nicht" (Waldemar)
Gurrelieder: I. Teil "Sterne jubeln, das Meer, es leuchtet" (Tove)
Gurrelieder: I. Teil "Tauben von Gurre!" (Waldtaube)
Gurrelieder: I. Teil Orchestervorspiel
Gurrelieder: I. Teil Orchesterzwischenspiel
Gurrelieder: II. Teil "Herrgott, weißt du, was du tatest" (Waldemar)
Gurrelieder: III. Teil "Deckel des Sarges klappert und klappt" (Bauer)
Gurrelieder: III. Teil "Der Hahn erhebt den Kopf zur Kraht" (Waldemars Mannen)
Gurrelieder: III. Teil "Du strenger Richter droben" (Waldemar)
Gurrelieder: III. Teil "Ein seltsamer Vogel ist so'n Aal" (Klaus-Narr)
Gurrelieder: III. Teil "Erwacht, König Waldemars Mannen Wert!" (Waldemar)
Gurrelieder: III. Teil "Gegrüßt, o König, an Gurresees Strand!" (Waldemars Mannen)
Gurrelieder: III. Teil "Mit Toves Stimme flüstert der Wald" (Waldemar)
Hebrides, Op. 26 "Fingal's Cave", The
Hebrides, op. 26, The
Holländer / Lohengrin / Tannhäuser / Tristan (highlights)
Hongaarse dans Nr. 5
Horn Concerto in D, K. 412/514: 1. Allegro
Horn Concerto in D, K. 412/514: 2. Rondo (Allegro)
Horn Concerto in E-flat, K. 495: 1. Allegro moderato
Horn Concerto in E-flat, K. 495: 2. Romanza (Andante)
Horn Concerto in E-flat, K. 495: 3. Rondo (Allegro vivace)
Horn Concerto No. 3 in E-flat major, K. 447: I. Allegro
Horn Concerto No. 3 in E-flat major, K. 447: II. Romance. Larghetto
Horn Concerto No. 3 in E-flat major, K. 447: III. Allegro
Hungarian Dance #5, WoO 1/5
Hungarian Dance No. 5
Hungarian Dances Nos. 1 - 21 - No. 1 in G minor, No. 3 in F and No. 6 in D flat
Hungarian Dances, WoO 1: No. 1 in G minor: Allegro molto
Hungarian Dances, WoO 1: No. 10 in F major: Presto
Hungarian Dances, WoO 1: No. 11 in D minor: Poco andante
Hungarian Dances, WoO 1: No. 12 in D minor: Presto
Hungarian Dances, WoO 1: No. 13 in D major: Adnantino grazioso — Vivace
Hungarian Dances, WoO 1: No. 14 in D minor: Un poco Andante
Hungarian Dances, WoO 1: No. 15 in B-flat major: Allegretto grazioso
Hungarian Dances, WoO 1: No. 16 in F minor: Con moto
Hungarian Dances, WoO 1: No. 17 in F-sharp minor: Andantino vivace
Hungarian Dances, WoO 1: No. 18 in D major: Molto vivace
Hungarian Dances, WoO 1: No. 19 in B minor: Allegretto
Hungarian Dances, WoO 1: No. 2 in D minor: Allegro non assai — Vivace
Hungarian Dances, WoO 1: No. 20 in E minor: Poco allegretto — Vivace
Hungarian Dances, WoO 1: No. 21 in E minor: Vivace
Hungarian Dances, WoO 1: No. 3 in F major: Allegretto
Hungarian Dances, WoO 1: No. 4 in F-sharp minor: Poco sostenuto — Vivace
Hungarian Dances, WoO 1: No. 5 in G minor: Allegro — Vivace
Hungarian Dances, WoO 1: No. 6 in D major: Vivace
Hungarian Dances, WoO 1: No. 7 in F major: Allegretto — Vivo
Hungarian Dances, WoO 1: No. 8 in A minor: Presto
Hungarian Dances, WoO 1: No. 9 in E minor: Allegro ma non troppo
Idomeneo, rè di Creta, K. 366: Act III, Scene I. Recitativo "Solitudini amiche" (Ilia)
Idomeneo, rè di Creta, K. 366: Act III, Scene X. No. 29a Aria "D'Oreste, d'Aiace" (Elettra)
Ihr, in dem Weisheitstempel
Im Abendrot, D 799
Im Fluge
Images pour orchestre n°2 «Iberia»: I. Par les rues et par les chemins
Images pour orchestre n°2 «Iberia»: II. Les parfums de la nuit
Images pour orchestre n°2 «Iberia»: III. Le matin d’un jour de fete
Intermezzo Symphonique in modo classico in B minor
Italian Symphony no. 4 A-dur, op 90: Allegro vivace
Italian Symphony no. 4 A-dur, op 90: Andante con moto
Italian Symphony no. 4 A-dur, op 90: Con moto moderato
Italian Symphony no. 4 A-dur, op 90: Saltarello. Presto
Italiana in Algeri, L'
italiana in Algeri: "Vedi per tutta Italia", L'
Janáček: Sinfonietta / Hindemith: Symphonic Metamorphoses / Prokofiev: Chout
Jeu de cartes : Deuxième donne
Jeu de cartes : Première donne
Jeu de cartes : Troisième donne
Jeu de cartes: Deuxième donne. Alla breve - Marcia - Variazioni I-V - Coda - Marcia
Jeu de cartes: Première donne. Alla breve - Moderato assai - Tranquillo
Jeu de cartes: Troisième donne. Alla breve - Valse - Presto - Tempo del principio
Joshua
junge Nonne, D 828, Die
Kammermusik 1-7 / Der Schwanendreher
Kammermusik no. 1, op. 24, no. 1: I. Sehr schnell und wild
Kammermusik no. 1, op. 24, no. 1: II. Mässig schnelle Halbe. Sehr streng im Rhythmus
Kammermusik no. 1, op. 24, no. 1: III. Quartett. Sehr langsam und mit Ausdruck
Kammermusik no. 1, op. 24, no. 1: IV. Finale: 1921. Lebhaft
Kammermusik no. 2, op. 36, no. 1: I. Sehr lebhafte Achtel
Kammermusik no. 2, op. 36, no. 1: II. Sehr langsame Achtel - Etwa doppelt so schnell - Im ersten Zeitmass (doffelt so langsam)
Kammermusik no. 2, op. 36, no. 1: III. Kleines Potpourri. Sehr Lebhafte Viertel
Kammermusik no. 2, op. 36, no. 1: IV. Finale. Schnelle Viertel - Fugato. Ein Wenig Ruhiger - Im Hauptzeitmass
Kammermusik no. 3, op. 36, no.2: I. Majestätisch und stark. Mässig schnelle Achtel
Kammermusik no. 3, op. 36, no.2: II. Lebhaft und lustig - Ein wenig ruhiger
Kammermusik no. 3, op. 36, no.2: III. Sehr ruhige und gesmessen schreitende Viertel - Im gleichen ruhigen Zeitmass - Sehr ruhig
Kammermusik no. 3, op. 36, no.2: IV. Mässig bewegte Halbe. Munter, aber immer gemächlich
Kammermusik no. 4, op. 36, no. 3: I. Signal. Breite, majestätische Halbe - (original version)
Kammermusik no. 4, op. 36, no. 3: II. Sehr lebhaft
Kammermusik no. 4, op. 36, no. 3: III. Nachtstück. Massig schnelle Achtel
Kammermusik no. 4, op. 36, no. 3: IV. Lebhafte Viertel -
Kammermusik no. 4, op. 36, no. 3: V. So schnell wie möglich
Kammermusik no. 5, op. 36, no. 4: I. Schnelle Halbe
Kammermusik no. 5, op. 36, no. 4: II. Langsam
Kammermusik no. 5, op. 36, no. 4: III. Mässig schnell
Kammermusik no. 5, op. 36, no. 4: IV. Variante eines Militärmarsches
Kammermusik no. 6, op. 46, no. 1: I. Mässug schnell, majestätisch - Doppel so schnell
Kammermusik no. 6, op. 46, no. 1: II. Langsam - Sehr zart und ruhig - Im Hauptzeitmass - Sehr langsam
Kammermusik no. 6, op. 46, no. 1: III. Variationen. Mässig Schnell Bewegt - Gleiches Zeitmass - Ein Wenig Ruhiger - Langsam Bewegt - Sehr Langsam, Frei Im Zeitmass -
Kammermusik no. 6, op. 46, no. 1: IV. Lebhaft, wie früher
Kammermusik no. 7, op. 46, no. 2: I. Nicht zu schnell
Kammermusik no. 7, op. 46, no. 2: II. Sehr langsam und ganz ruhig
Kammermusik no. 7, op. 46, no. 2: III. quaver = 184
Kammersymphonie Nr. 1, op. 9: I. Langsam
Kammersymphonie Nr. 1, op. 9: II. Sehr rasch
Kammersymphonie Nr. 1, op. 9: III. Viel langsamer, aber doch fliessend
Kammersymphonie Nr. 1, op. 9: IV. Viel langsamer
Kammersymphonie Nr. 1, op. 9: V. Etwas bewegter
Karlheinz Stockhausen: Gruppen / György Kurtág: Grabstein für Stephan / Stele
Keqrops
Khovanshchina: Aria of Marfa "Sily potajnye"
Khovanshchina: Aria of Shaklovity "Spit streleckoe gnezdo"
Khovanshchina: Dance of the Persian Slave Girls
Khovanshchina: Dances of the Persian Slave Girls (Act 4)
Khovanshchina: Galitsin's Journey
Khovanshchina: Prelude
Khovanshchina: Prelude "Dawn over the River Moscow"
Khovanshchina: The Departure of Prince Golizyn
Kindertotenlieder No. 1: Nun will die Sonn' so hell aufgehn (feat. mezzo-soprano: Marjana Lipovšek)
Kindertotenlieder No. 2: Nun seh' ich wohl, warum so dunkle Flammen (feat. mezzo-soprano: Marjana Lipovšek)
Kindertotenlieder No. 3: Wenn dein Mütterlein (feat. mezzo-soprano: Marjana Lipovšek)
Kindertotenlieder No. 4: Oft denk' ich, sie sind nur ausgegangen (feat. mezzo-soprano: Marjana Lipovšek)
Kindertotenlieder No. 5: In diesem Wetter, in diesem Braus (feat. mezzo-soprano: Marjana Lipovšek)
Klarinettenkonzert / Klavierkonzert Nr. 21
Klavierkonzert G-Dur / Gaspard de la nuit / Sonatine
Klavierkonzert no. 1
Klavierkonzert no. 2 / Polonaise op. 44
Klavierkonzert Nr. 1 C-Dur, Op. 15: I. Allegro con brio
Klavierkonzert Nr. 1 C-Dur, Op. 15: II. Largo
Klavierkonzert Nr. 1 C-Dur, Op. 15: III. Rondo. Allegro [scherzando]
Klavierkonzert Nr. 2
Klavierkonzert Nr. 2 / Polonaise Nr. 5
Klavierkonzert Nr. 2 B-Dur, Op. 19: I. Allegro con brio
Klavierkonzert Nr. 2 B-Dur, Op. 19: II. Adagio
Klavierkonzert Nr. 2 B-Dur, Op. 19: III. Rondo. Molto allegro
Klavierkonzert Nr. 2 B-Dur, Op. 83: I. Allegro
Klavierkonzert Nr. 2 B-Dur, Op. 83: II. Allegro appassionato
Klavierkonzert Nr. 2 B-Dur, Op. 83: III. Andante
Klavierkonzert Nr. 2 B-Dur, Op. 83: IV. Allegretto grazioso
Klavierkonzert Nr. 21 C-Dur, KV 467 „Elvira Madigan”: II. Andante
Klavierkonzert Nr. 27 B-Dur, KV 595: 3. Allegro
Klavierkonzert Nr. 3 c-Moll, Op. 37: I. Allegro con brio
Klavierkonzert Nr. 3 c-Moll, Op. 37: II. Largo
Klavierkonzert Nr. 3 c-Moll, Op. 37: III. Rondo. Allegro
Klavierkonzert Nr. 4 G-Dur, Op. 58: I. Allegro moderato
Klavierkonzert Nr. 4 G-Dur, Op. 58: II. Andante con moto
Klavierkonzert Nr. 4 G-Dur, Op. 58: III. Rondo. Vivace
Klavierkonzert Nr. 5 Es-Dur, Op. 73: I. Allegro
Klavierkonzert Nr. 5 Es-Dur, Op. 73: II. Adagio un poco moto
Klavierkonzert Nr. 5 Es-Dur, Op. 73: III. Rondo, Allegro
Klavierkonzert nr.1 / H‐moll Sonate / Ungarische Rhapsodie nr.6 / Années de Pèlerinage (auszüge)
Klavierkonzert Nr.5 / Chorfantasie
Klavierkonzerte
Klavierkonzerte 1 & 2
Klavierkonzerte 21 & 27
Klavierkonzerte no. 14 & 26 »Krönungskonzert«
Klavierkonzerte nos. 17 & 21
Klavierkonzerte nos. 18 & 24
Klavierkonzerte nos. 2 & 3
Klavierkonzerte nos. 20 & 12
Klavierkonzerte Nos. 20 & 21
Klavierkonzerte nos. 23 & 24
Klavierkonzerte Nos. 25 & 27
Klavierkonzerte nos. 27 & 8
Klavierkonzerte Nos. 3 & 4
Klavierkonzerte Nr. 20 & 21
Klavierkonzerte Nr. 21 & 27
Klaviersonate C-dur, D 812 "Große Duo": I. Allegro moderato
Klaviersonate C-dur, D 812 "Große Duo": II. Andante
Klaviersonate C-dur, D 812 "Große Duo": III. Scherzo - Trio
Klaviersonate C-dur, D 812 "Große Duo": IV. Finale. Allegro moderato
Konzert für Klavier und Orchester no. 20 D-moll KV 466: I. Allegro
Konzert für Klavier und Orchester no. 20 D-moll KV 466: II. Romance
Konzert für Klavier und Orchester no. 20 D-moll KV 466: III. Rondo (Allegro assai)
Konzert für Klavier und Orchester Nr. 18 B-dur KV 456: 1. Allegro vivace
Konzert für Klavier und Orchester Nr. 18 B-dur KV 456: 2. Andante un poco sostenuto
Konzert für Klavier und Orchester Nr. 18 B-dur KV 456: 3. Allegro vivace
Konzert für Klavier und Orchester Nr. 2 & 3
Konzert für Klavier und Orchester Nr. 2 c-moll, Op. 18: Adagio sostenuto
Konzert für Klavier und Orchester Nr. 2 c-moll, Op. 18: Allegro scherzando
Konzert für Klavier und Orchester Nr. 2 c-moll, Op. 18: Moderato
Konzert für Klavier und Orchester Nr. 27 B-dur, KV 595: 1. Allegro (kadenz: Mozart)
Konzert für Klavier und Orchester Nr. 27 B-dur, KV 595: 2. Larghetto
Konzert für Klavier und Orchester Nr. 27 B-dur, KV 595: 3. Allegro (kadenzen: Mozart)
Konzert für Klavier und Orchester Nr. 3 d-moll, Op. 30: Allegro ma non tanto
Konzert für Klavier und Orchester Nr. 3 d-moll, Op. 30: Finale. Alla breve
Konzert für Klavier und Orchester Nr. 3 d-moll, Op. 30: Intermezzo. Adagio
Konzert für Klavier und Orchester Nr. 8 C-dur, KV 246 "Lützow-Konzert": 1. Allegro aperto (kadenz: Mozart)
Konzert für Klavier und Orchester Nr. 8 C-dur, KV 246 "Lützow-Konzert": 2. Andante (kadenz: Mozart)
Konzert für Klavier und Orchester Nr. 8 C-dur, KV 246 "Lützow-Konzert": 3. Rondeau. Tempo di Menuetto (kadenz: Mozart)
Konzert für Klavier und Orchester, op. 42: I. Andante
Konzert für Klavier und Orchester, op. 42: II. Molto allegro
Konzert für Klavier und Orchester, op. 42: III. Adagio
Konzert für Klavier und Orchester, op. 42: IV. Giocoso (Moderato) - Stretto
Konzert für Violine und Orchester D-dur op. 77: I. Allegro non troppo
Konzert für Violine und Orchester D-dur op. 77: II. Adagio
Konzert für Violine und Orchester D-dur op. 77: III. Allegro giocoso, ma non troppo vivace - Poco più presto
Konzert für Violine und Orchester e-Moll, Op. 64: I. Allegro molto appassionato
Konzert für Violine und Orchester e-Moll, Op. 64: II. Andante
Konzert für Violine und Orchester e-Moll, Op. 64: III. Allegretto non troppo - Allegro molto vivace
Konzertstück in F minor, Op. 79: Ia. Larghetto affettuoso - Allegro passionato - (London Symphony Orchestra feat. conductor: Claudio Abbado)
Konzertstück in F minor, Op. 79: Ib. Adagio - Tempo di Marcia - Più mosso - Presto gioioso (London Symphony Orchestra feat. conductor: Claudio Abbado)
Konzertstuck, Op. 134 (Introduction & allegro concertante for piano & orchestra) in D minor
Konzertstuck, Op. 92 (Introduction & allegro appassionato for piano & orchestra) in G major
L’Arlésienne / Symphonie en ut / Jeux d’enfants
L’Arlésienne-Suiten 1 & 2 / Carmen-Suite
L’Arlésienne, Suite no. 1: IV. Carillon (extract)
L’italiana in Algeri
L’italiana in Algeri: Overture
L`Arlésienne Suite No. 1: Minuetto. Allegro giocoso
Largo Al Factotum (The Barber of Seville)
Lassu risplendere piu lieta e bella (I Masnadieri)
Last Concert, The
Laudate pueri Dominum: A solis ortu
Laudate pueri Dominum: Excelsus super omnes
Laudate pueri Dominum: Gloria patri
Laudate pueri Dominum: Laudate pueri Dominum
Laudate pueri Dominum: Qui sicut Dominus
Laudate pueri Dominum: Sicut erat in principio
Laudate pueri Dominum: Suscitans a terra
Leichtes Blut (vocal version)
Leichtes Blut op. 319 (Polka)
Leichtes Blut, op. 319
Let Life Be Joyful
Libiamo ne' lieti calici (La Traviata)
Liebeshymnus, op. 32 no. 3
Liebeslied
Lieder with Orchestra
Lieutenant Kijé, op. 60: I. Kijé's Birth
Lieutenant Kijé, op. 60: II. Romance
Lieutenant Kijé, op. 60: III. Kijé's Wedding
Lieutenant Kijé, op. 60: IV. Troika
Lieutenant Kijé, op. 60: V. Kije's Burial
Light of Heart
Lohengrin
Lohengrin, Act 3: "In fernem Land, unnahbar euren Schritten"
Lohengrin, Act 3:"Mein lieber Schwan!"
Lohengrin: Act I. "Dank, König, dir, dass du zu richten kamst!"
Lohengrin: Act I. "Des Ritters will ich wahren"
Lohengrin: Act I. "Durch Gottes Sieg ist jetzt dein Leben mein"
Lohengrin: Act I. "Einsam in trüben Tagen"
Lohengrin: Act I. "Hört! Grafen, Edle, Freie von Brabant!"
Lohengrin: Act I. "Nun höret mich und achtet wohl"
Lohengrin: Act I. "Nun sei bedankt, mein lieber Schwan!"
Lohengrin: Act I. "Ohn' Antwort ist der Ruf verhallt!"
Lohengrin: Act I. "Seht hin! Sie naht, die hart Beklagte!"
Lohengrin: Act I. "Welch holde Wunder muss ich sehen?"
Lohengrin: Act I. "Wenn ich im Kampfe für dich siege"
Lohengrin: Act II. "Des Königs Wort und Will' tu' ich euch kund"
Lohengrin: Act II. "Du wilde Seherin, wie willst du doch"
Lohengrin: Act II. "Elsa!" - "Wer ruft?"
Lohengrin: Act II. "Erhebe dich, Genossin meiner Schmach!"
Lohengrin: Act II. "Euch Lüften, die mein Klagen"
Lohengrin: Act II. "Gesegnet soll sie schreiten"
Lohengrin: Act II. "In Frühn versammelt uns der Ruf"
Lohengrin: Act II. "Mein Held, entgegne kühn dem Ungetreuen!"
Lohengrin: Act II. "Nun hört, dem Lande will er uns entführen!"
Lohengrin: Act II. "O König! Trugbetörte Fürsten! Haltet ein!"
Lohengrin: Act II. "Ortrud, wo bist du?"
Lohengrin: Act II. "Was macht dich in so wilder Klage doch vergehn?"
Lohengrin: Act II. "Welch ein Geheimnis muss der Held bewahren?"
Lohengrin: Act II. "Zurück, Elsa! Nich länger will ich dulden" - "Heil! Heil dem König!"
Lohengrin: Act II. Introduction
Lohengrin: Act III. "Ach nein! Doch, dort - der Schwan! - der Schwan!"
Lohengrin: Act III. "Das süsse Lied verhallt; wir sind allein"
Lohengrin: Act III. "Heil König Heinrich!"
Lohengrin: Act III. "Höchstes Vertraun hast du mir schon zu danken"
Lohengrin: Act III. "In fernem Land, unnahbar euren Schritten"
Lohengrin: Act III. "Mein lieber Schwan!"
Lohengrin: Act III. "Mir schwankt der Boden! Welche Nacht!"
Lohengrin: Act III. "Treulich geführt ziehet dahin"
Lohengrin: Act III. "Was bringen die? Was tun sie kund?"
Lohengrin: Act III. "Wie hehr erkenn' ich unsrer Liebe Wesen!"
Lohengrin: Act III. Prelude
Lohengrin: Vorspiel Zum 1. Aufzug
Lontano
Lucia di Lammermoor: "Ardon gli incensi"
Lucia di Lammermoor: "Oh giusto cielo!"
Lucia di Lammermoor: "Ohimè! …sorge il tremendo fantasma"
Lucia di Lammermoor: "Spargi d'amaro pianto"
Luisa Miller: Ouverture. Sinfonia
Lulu Suite: 1. Rondo
Lulu Suite: 2. Ostinato
Lulu Suite: 3. Lulu's Song
Lulu Suite: 4. Variations
Lulu Suite: 5. Adagio
Lulu-Suite / Altenberg-Lieder / 3 Orchesterstücke
Lulu-Suite: I. Rondo. Andante (Introduzione) - Hymne. Sostenuto
Lulu-Suite: II. Ostinato. Allegro
Lulu-Suite: III. Lied der Lulu. Comodo
Lulu-Suite: IV. Variationen. Moderato (Grandioso - Grazioso - Funèbre - Affettuoso) - Thema: Subito tempo moderato
Lulu-Suite: V. Adagio. Sostenuto - Lento - Grave
Ma che vi fece... Sperai vicino, K.368: Andantino - Allegro
Ma lassù ci vedremo (Don Carlos)
Ma mère l'oye: Apothéose. Le jardin féerique
Ma mère l'oye: I. Tableau: Danse du rouet et scène
Ma mère l'oye: II. Tableau: Pavane de la Belle au bois dormant
Ma mère l'oye: III. Tableau: Les Entretiens de la Belle et de la Bête
Ma mère l'oye: IV. Tableau: Petit Poucet
Ma mère l'oye: Prélude: Très lent
Ma mère l'oye: V. Tableau: Laideronnette, Impératrice des pagodes
Macbeth
MacBeth: "Mi si affacia un pugnal?"
MacBeth: "O figli, o figli miei!...Ah, la paterna mano"
Macbeth: "O figli, o figli miei...Ah, la paterno mano"
Macbeth: "Vieni! T'affretta! - Or tutti sorgete"
Macbeth: »Che faceste? dite su!« (Chor der Hexen)
Macbeth: Atto 3. Ballabile. Ballett
Macbeth: Ballett, Allegro - Andante - Allegro
Macbeth: Ballett, Allegro vivacissimo
Macbeth: Ballett, Valzer, Allegro vivacissimo - Poco più mosso
Mahler
Mahler: Symphony No. 4 / Berg: Sieben Frühe Lieder
Manca la guida al piè: Aria: "Manca la guida al piè"
Manca la guida al piè: Recitativo: "È dover che luci"
March in B-flat major, op. 99 (arranged for chamber orchestra): Allegro
Marche en ré majeur n°2 K. 335
Marche en ré mineur n°1 K. 335
Marche Slave, op. 31: Moderato in modo di marcia funebre - Piu mosso: Allegro - Andante molto maestoso - Allegro risouto
Marche Slave, Op. 31: Moderato in modo di marcia funèbre - Più mosso. Allegro - Andante molto maestoso - Allegro risoluto
Masked Ball - Quadrille, A
Masonic Funeral Music for Orchestra in C minor, K. 479a/477
Mass in C minor, K. 427
Mass in C minor, K. 427: I. Kyrie. Andante moderato
Mass in E-flat major, D 950
Massa da Requiem - Ingemisco
Mathis der Maler - Symphonie / Symphonische Metamorphosen / Nobilissima Visione
Matthäus-Passion 01 - Chor 'Kommt, ihr Tochter' mit Choral 'O Lamm Gottes'
Matthäus-Passion 02 - Rezitativ 'Da Jesus diese Rede'
Matthäus-Passion 03 - Choral 'Herzliebster Jesu'
Matthäus-Passion 04 - Rezitativ 'Da versammleten sich the Hohenpriesters'
Matthäus-Passion 04a - Chor 'Ja nicht auf das Fest'
Matthäus-Passion 04b - Rezitativ 'Da nun Jesus war zu Bethanien'
Matthäus-Passion 04c - 'Wozu dienet dieser Unrat?'
Matthäus-Passion 04d - Rezitativ 'Da das Jesus merkete'
Matthäus-Passion 05 - Rezitativ 'Du lieber Heiland du'
Matthäus-Passion 06 - Arie 'Buss' und Reu' '
Matthäus-Passion 07 - Rezittaiv 'Da ging hin der Zwolfen einer'
Matthäus-Passion 08 - Arie 'Blute nur, du liebes Herz!'
Matthäus-Passion 09 - Rezitativ 'Aber am ersten Tage'
Matthäus-Passion 09a - Chor 'Wo willst du'
Matthäus-Passion 09b - Rezitativ 'Er sprach'
Matthäus-Passion 09c - Chor 'Herr, bin ich's'
Matthäus-Passion 10 - Choral 'Ich bin's, ich sollte bussen'
Matthäus-Passion 11 - Rezitativ 'Er antwortete und sprach'
Matthäus-Passion 12 - Rezitativ 'Wiewohl mein Herz'
Matthäus-Passion 13 - Arie 'Ich will dir mein Herze schenken'
Matthäus-Passion 14 - Rezitativ 'Und da sie den Lobgesang'
Matthäus-Passion 15 - Choral 'Erkenne mich, mein Huter'
Matthäus-Passion 16 - Rezitativ 'Petrus aber antwortete'
Matthäus-Passion 17 - Choral 'Ich will hier bei dir stehen'
Matthäus-Passion 18 - Rezitativ 'Da kam Jesus'
Matthäus-Passion 19 - Rezitativ 'O Schmerz!' mit Choral 'Was ist die Ursach'
Matthäus-Passion 20 - Arie 'Ich will bei meinem Jesu wachen' mit Chor So schlafen unsre Sünden ein'
Matthäus-Passion 21 - Rezitativ 'Und ging hin ein wenig'
Matthäus-Passion 22 - Rezitativ 'Der Heiland fällt vor seinem Vater nieder'
Matthäus-Passion 23 - Arie 'Gerne will ich mich bequemen'
Matthäus-Passion 24 - Rezitativ 'Und er kam zu seinen Jungern'
Matthäus-Passion 25 - Choral 'Was mein Gott will'
Matthäus-Passion 26 - Rezitativ 'Und er kam'
Matthäus-Passion 27 - Duett 'So ist mein Jesus' mit Chor 'Lass ihn, haltet'
Matthäus-Passion 27a - Chor 'Sind Blitze, sind Donner'
Matthäus-Passion 28 - Rezitativ 'Und siehe, einer aus denen'
Matthäus-Passion 29 - Choral 'O Mensch, bewein' dein' Sunde grob'
Matthäus-Passion 30 - Arie 'Ach, nun ist mein Jesus hin!' mit Chor 'Wo ist denn dein Freund hingegangen'
Matthäus-Passion 31 - Rezitativ 'Die aber Jesum gegriffen hatten'
Matthäus-Passion 32 - Choral 'Mir hat die Welt truglich gericht'
Matthäus-Passion 33 - Rezitativ 'Und wiewohl viel falsche Zeugen'
Matthäus-Passion 34 - Rezitativ 'Mein Jesus schweigt'
Matthäus-Passion 35 - Arie 'Geduld! Geduld!': Verhör von Kaiphas und Pilatus - Interrogatorio di Caifa e Pilato
Matthäus-Passion 36 - Rezitativ 'Unde de Hohepriester'
Matthäus-Passion 36a - Chor 'Er ist des Todes Schuldig'
Matthäus-Passion 36b - Rezitativ 'Da speieten sie aus in sein Angesicht'
Matthäus-Passion 36c - Chor 'Weissage uns, Christe'
Matthäus-Passion 37 - Choral 'Wer hat dich so geschlagen'
Matthäus-Passion 38 - Rezitativ 'Petrus aber sass draussen im Palast'
Matthäus-Passion 38a - Chor 'Wahrlich, du bist auch einer von denen'
Matthäus-Passion 38b - Rezitativ 'Da hub er an'
Matthäus-Passion 39 - Arie 'Erbame dich'
Matthäus-Passion 40 - Choral 'Bin ich gleich von dir gewichen'
Matthäus-Passion 41 - Rezittaiv 'Des Morgens aber hielten'
Matthäus-Passion 41a - Chor 'Was gehet uns das an?'
Matthäus-Passion 41b - Rezitativ 'Und er warf die Silberlinge'
Matthäus-Passion 42 - Arie 'Gebt mir meinen Jesum wider!'
Matthäus-Passion 43 - Rezitativ 'Sie hielten aber einen Rat'
Matthäus-Passion 44 - Choral 'Befiehl du deine Wege'
Matthäus-Passion 45 - Rezitativ 'Auf das Fest aber hatte'
Matthäus-Passion 45a - Chor 'LaB ihn kreuzigen!'
Matthäus-Passion 46 - Choral 'Wie wunderbarlich ist doch diese Strafe!'
Matthäus-Passion 47 - Rezitativ 'Der Landpfleger sagte'
Matthäus-Passion 48 - Rezitativ 'Er hat uns allen wohlgetan'
Matthäus-Passion 49 - Arie 'Aus Liebe will mein Heiland sterben'
Matthäus-Passion 50 - Rezitativ 'Sie schrien aber noch mehr'
Matthäus-Passion 50a - Chor 'Lass ihn kreuzigen!'
Matthäus-Passion 50b - 'Da aber Pilatus sahe'
Matthäus-Passion 50c - Chor 'Sein Blut komme uber uns'
Matthäus-Passion 50d - Rezitativ 'Da gab er ihnen Barabbam los'
Matthäus-Passion 51 - Rezitativ 'Erbarm es Gott!'
Matthäus-Passion 52 - Arie 'Konnen Tranen meiner Wangen'
Matthäus-Passion 53 - Rezitativ 'Da nahmen die Kriegsknechte'
Matthäus-Passion 53a - Chor 'Gegrusset seist du, Judenkonig!'
Matthäus-Passion 54 - Choral 'O Haupt voll Blut und Wunden'
Matthäus-Passion 55 - Rezitativ 'Und da sie ihn verspottet hatten'
Matthäus-Passion 56 - Rezitativ 'Ja freilich will in uns das Fleisch und Blut'
Matthäus-Passion 57 - Arie 'Komm, süsses Kreuz, so will ich sagen'
Matthäus-Passion 58 - Rezitativ 'Und da sie an die Stätte kamen'
Matthäus-Passion 58a - Chor 'Der du Tempel Gottes'
Matthäus-Passion 58b - Chor 'Andern hat er geholfen'
Matthäus-Passion 58c - Rezittaiv 'Desgleichen schmaheten ihn'
Matthäus-Passion 59 - Rezitativ 'Ach, Golgatha, unsel'ges Golgatha!'
Matthäus-Passion 60 - Arie 'Sehet, Jesus hat die Hand'
Matthäus-Passion 61 - Rezitativ 'Und von der sechsten Stunde'
Matthäus-Passion 61a - Chor 'Der rufet den Elias'
Matthäus-Passion 61b - Rezitativ 'Und bald lief einer unter ihnen'
Matthäus-Passion 61c - Chor 'Halt! Lass sehen'
Matthäus-Passion 62 - Choral 'Wenn ich einmal soll scheiden'
Matthäus-Passion 63 - Rezitative 'Und siehe da'
Matthäus-Passion 63a - Chor 'Wahrlich, dieser ist Gottes Sohn gewesen'
Matthäus-Passion 63b - Rezitativ 'Und es waren viel Weiber da'
Matthäus-Passion 64 - Rezitativ 'Am Abend, da es kühle war'
Matthäus-Passion 65 - Arie 'Mache dich, mein Herze, rein'
Matthäus-Passion 66 - Chor 'Herr, wir haben gedacht'
Matthäus-Passion 66 - Rezitativ 'Und Joseph nahm den Leib'
Matthäus-Passion 66b - Rezittaiv 'Pilatus sprach zu ihnen'
Matthäus-Passion 67 - Rezitativ 'Nun ist der Herr zur Ruh gebracht' mit Chor 'Mein Jesu, gute Nacht'
Matthäus-Passion 68 - Chor 'Wir setzen uns mit Tränen nieder'
Matthäus-Passion BWV 244
Meeresstille und glückliche Fahrt, op. 27
Meeresstille und glückliche Fahrt, Op.112: Glückliche Fahrt: Allegro vivace
Meeresstille und glückliche Fahrt, Op.112: Meeresstille: Poco sostenuto
Meistersinger Von Nurnberg: Prelude to Act I, Die
Meistersinger von Nürnberg: Wahn! Wahn! Überall Wahn!, Die
Meistersinger von Nürnberg: Was duftet doch der Flieder, Die
Meistersinger von Nürnberg: Wie duftet doch der Flieder, Der
Memnon, D 541
Mendelssohn, Bruch: Violinkonzerte / Kreisler: Caprice Viennois / Liebesleid / Liebesfreud
Mendelssohn, Bruch: Violinkonzerte / Kreisler: Caprice Viennois, Liebesleid, Liebesfreud
Menuet antique
Mer / L’Après-midi d’un faune / Syrinx, La
Mer / Symphony no. 2 in C minor "Resurrection", La
Mer, L.109: I. De l'aube á midi sur la mer. Très lent, La
Mer, L.109: II. Jeux de vagues. Allegro (dans un rythme très souple), La
Mer, L.109: III. Dialogue du vent et de la mer. Animé et tumultueux, La
Messa di Requiem: Kyrie Eleison
Messe Es-Dur, D 950
Messe G-dur / Requiem für Mignon
Messe G-dur D 167: Agnus
Messe G-dur D 167: Benedictus
Messe G-dur D 167: Credo
Messe G-dur D 167: Gloria
Messe G-dur D 167: Kyrie
Messe G-dur D 167: Sanctus
Messe Nr. 6 Es-Dur, D 950: I. Kyrie. "Kyrie eleison" Andante con moto
Messe Nr. 6 Es-Dur, D 950: II. Gloria. "Cum Sancto spiritu" Moderato
Messe Nr. 6 Es-Dur, D 950: II. Gloria. "Domine Deus" Andante con moto
Messe Nr. 6 Es-Dur, D 950: II. Gloria. "Gloria in excelsis Deo" Allegro moderato e maestoso
Messe Nr. 6 Es-Dur, D 950: II. Gloria. "Quoniam tu solus sanctus" Tempo I
Messe Nr. 6 Es-Dur, D 950: III. Credo. "Credo in unum Deum" Moderato
Messe Nr. 6 Es-Dur, D 950: III. Credo. "Et incarnatus est" Andante
Messe Nr. 6 Es-Dur, D 950: III. Credo. "Et resurrexit" Tempo I
Messe Nr. 6 Es-Dur, D 950: IV. Sanctus. "Osanna in excelsis" Allegro, ma non troppo
Messe Nr. 6 Es-Dur, D 950: IV. Sanctus. "Sanctus, Sanctus, Sanctus Dominus" Adagio
Messe Nr. 6 Es-Dur, D 950: V. Benedictus. "Benedictus, qui venit" Andante
Messe Nr. 6 Es-Dur, D 950: V. Benedictus. "Osanna in excelsis" Allegro, ma non troppo
Messe Nr. 6 Es-Dur, D 950: VI. Agnus Dei. "Agnus Dei, qui tollis peccata mundi" Allegro molto moderato
Messe Nr. 6 Es-Dur, D 950: VI. Agnus Dei. "Agnus Dei, qui tollis peccata mundi" Andante con moto
Messe Nr. 6 Es-Dur, D 950: VI. Agnus Dei. "Dona nobis pacem" Andante
Messe Nr. 6 Es-Dur, D 950: VI. Agnus Dei. "Dona nobis pacem" Andantino
mia letizia infondere, La
Mia speranza adorata! - A non sai qual pena sia, KV 416
Mia speranza adorata... Ah, non sai qual pena, K. 416
Midsummer Night's Dream / Symphony no. 4 in A major "Italian", A
Midsummer Night's Dream, Op. 21, A
Midsummer Night's Dream: Incidental Music, op. 61: Fairy March, A
Midsummer Night's Dream: Incidental Music, op. 61: Finale. Allegro di molto: 'Through the house give glimmering', A
Midsummer Night's Dream: Incidental Music, op. 61: No. 1. Scherzo, A
Midsummer Night's Dream: Incidental Music, op. 61: No. 2. L'istesso Tempo: 'How now, spirit, whither wander you?', A
Midsummer Night's Dream: Incidental Music, op. 61: No. 3. Song with Chorus, A
Midsummer Night's Dream: Incidental Music, op. 61: No. 4. Andante: 'What thous seest when thou dost wake?', A
Midsummer Night's Dream: Incidental Music, op. 61: No. 5. Intermezzo. Allegro Apassionato: 'This is thy negligence', A
Midsummer Night's Dream: Incidental Music, op. 61: No. 7. Notturno, A
Midsummer Night's Dream: Incidental Music, op. 61: No. 8. Andante: 'And now I have the boy', A
Midsummer Night's Dream: Incidental Music, op. 61: No. 9. Wedding March, A
Midsummer Night's Dream: Overture, op. 21, A
Miraculous Mandarin, op. 19: Beginning, The
Miraculous Mandarin, op. 19: First Seduction Game: The Shabby Old Rake, The
Miraculous Mandarin, op. 19: His Longing Stilled, the Mandarin's Wounds Begin to Bleed; He Becomes Weaker and Dies, The
Miraculous Mandarin, op. 19: Second Seduction Game, The
Miraculous Mandarin, op. 19: She Flees From Him; He Chases Her Wildly, The
Miraculous Mandarin, op. 19: Suddenly the Mandarin's Head Disappears. The Tramps Drag Him Out, One Stabs Him Three Times. He Almost Collapses, But Draws Himself Up and Leaps at the Girl, The
Miraculous Mandarin, op. 19: The Curtain Rises, The
Miraculous Mandarin, op. 19: The Drag the Mandarin to the Centre of the Room and Hang Him on a Lamp Hook. The Lamp Falls to the Floor - Goes Out. The Mandarin's Body Begins to Glow., The
Miraculous Mandarin, op. 19: The Girl's Dance, The
Miraculous Mandarin, op. 19: The Mandarin Enters - Encounter With the Girl, The
Miraculous Mandarin, op. 19: The Mandarin Stumbles, But Catches the Girl; They Fight. The Tramps Leap Out, Seize the Mandarin, Rob Him and Suffocate Him With Pillows, The
Miraculous Mandarin, op. 19: The Shy Youth Appears at the Door, The
Miraculous Mandarin, op. 19: The Tramps Take Him Down. He Falls to the Floor and at Once Leaps at the Girl. They Embrace, The
Miraculous Mandarin, op. 19: Third Seduction Game, The
Miserere ... Quel suon, quelle preci (Il Trovatore)
Missa da Requiem: I. Requiem e Kyrie: Kyrie eleison
Missa da Requiem: I. Requiem e Kyrie: Requiem Aternam
Missa da Requiem: II. Sequenza: Confutatis / Dies irae
Missa da Requiem: II. Sequenza: Dies irae
Missa da Requiem: II. Sequenza: Ingemisco
Missa da Requiem: II. Sequenza: Lacrymosa
Missa da Requiem: II. Sequenza: Liber scriptus / Dies irae
Missa da Requiem: II. Sequenza: Mors stupebit
Missa da Requiem: II. Sequenza: Quid sum miser
Missa da Requiem: II. Sequenza: Recordare
Missa da Requiem: II. Sequenza: Rex tremendae
Missa da Requiem: II. Sequenza: Tuba mirum
Missa da Requiem: III. Offertorio: Domine Jesu Christe
Missa da Requiem: III. Offertorio: Hostias
Missa da Requiem: IV. Sanctus
Missa da Requiem: V. Agnus Dei
Missa da Requiem: VI. Lux Aeterna
Missa da Requiem: VII. Libera me: Dies irae
Missa da Requiem: VII. Libera me: Libera me, Domine
Missa da Requiem: VII. Libera me: Requiem aeternam
Missa S. Emidio / Salve Regina in F minor / Manca la guida al piè / Laudate pueri Dominum
Missa S. Emidio: Gloria: Cum Sancto Spiritu. Amen
Missa S. Emidio: Gloria: Domine Deus
Missa S. Emidio: Gloria: Gloria in excelsis Deo
Missa S. Emidio: Gloria: Gratias agimus tibi
Missa S. Emidio: Gloria: Laudamus te
Missa S. Emidio: Gloria: Qui sedes ad dexteram Patris
Missa S. Emidio: Gloria: Qui tollis peccata mundi (I)
Missa S. Emidio: Gloria: Qui tollis peccata mundi (II)
Missa S. Emidio: Gloria: Quoniam to solus Sanctus
Missa S. Emidio: Kyrie: Christe eleison
Missa S. Emidio: Kyrie: Kyrie eleison
Morgen!, op. 27 no. 4
Mozart / Schubert / Beethoven / Wagner
Mozart: Arias / Strauss: Orchestral Songs
Mozart: Horn Concerto no. 3 / Bassoon Concerto / Oboe Concerto / Haydn: Trumpet Concerto
Mozart: Klarinettenkonzert / Debussy: Première Rapsodie / Takemitsu: Fantasma/Cantos
Mozart: Piano Concertos K 503 & K 466
Musikalischen Opfer, BWV 1079: Fuga (Ricercata) a 6 voci
Mussorgsky
Mussorgsky orch. Ravel: Pictures at an Exhibition / Stravinsky: Pétrouchka
Mussorgsky: Boris Godunov
Mussorgsky: Pictures at an Exhibition / Ravel: Rapsodie Espagnole / La Valse
Muzik zu J. W. von Goethes Trauerspiel »Egmont«, Op. 84: 1. Lied (Klärchen) »Die Trommel gerühret«. Vivace (feat. soprano: Cheryl Studer)
Muzik zu J. W. von Goethes Trauerspiel »Egmont«, Op. 84: 2. Zwischenaktmusik I. Allegro con brio (feat. speaker: Bruno Ganz)
Muzik zu J. W. von Goethes Trauerspiel »Egmont«, Op. 84: 4. Lied (Klärchen) »Freudvoll und leidvoll«. Andante con moto — Allegro assai vivace (feat. soprano: Cheryl Studer)
Muzik zu J. W. von Goethes Trauerspiel »Egmont«, Op. 84: 5. Zwischenaktmusik III. Allegro — Marcia. Vivace (feat. speaker: Bruno Ganz)
Muzik zu J. W. von Goethes Trauerspiel »Egmont«, Op. 84: 6. Zwischenaktmusik IV. Poco sostenuto e risoluto — Larghetto — Andante agitato
Muzik zu J. W. von Goethes Trauerspiel »Egmont«, Op. 84: 7. Musik, Klärchens Tod bezeichnend. Larghetto (feat. speaker: Bruno Ganz)
Muzik zu J. W. von Goethes Trauerspiel »Egmont«, Op. 84: 8. Melodram (Egmont) »Süßer Schlaf! Du kommst wie ein reines Glück«. Poco sostenuto (feat. speaker: Bruno Ganz)
Muzik zu J. W. von Goethes Trauerspiel »Egmont«, Op. 84: 9. Siegessymphonie. Allegro con brio
Muzik zu J. W. von Goethes Trauerspiel »Egmont«, Op. 84: Ouvertüre. Sostenuto, ma non troppo — Allegro
Nabucco: »Gli arredi festivi«
Nabucco: »Va, pensiero, sull’ali dorate" (Chor der Gefangenen)
Nabucco: Ouverture. Sinfonia
Nabucco: Va pensiero
Nabucco: Va, pensiero, sull'ali dorate
Nacht und Träume, D 827
Name–Day, op. 115: Overture in C major. Maestoso - Allegro assai
Nanie, op. 82
Nehmt meinen Dank, ihr holden Gönner, KV 383
New Pizzicato Polka
New Year's Concert 1988
Night on Bald Mountain
Night on the Bare Mountain / Joshua / Salammbo / The Destruction of Sennacherib / Oedipus in Athens / Khovanshchina / Scherzo / Triumphal March, A
No hay caminos, hay que caminar... Andrej Tarkovskij
Nobilissima Visione: I. "Einleitung und Rondo", Sehr langsam - Rondo. Mässig schnell
Nobilissima Visione: II. "Marsch und Pastorale", Lebhaft - Langsam
Nobilissima Visione: III. "Passacaglia", Feierlich bewegt
Nocturnes / Daphnis et Chloé / Pavane pour une infante défunte
Nocturnes / Prélude à l’après-midi d’un faune / Images
Nono: Il canto sospeso / Mahler: Kindertotenlieder
Noonday Witch, op. 108, The
Notations: I. Fantasque - modéré
Notations: II. Très vif - Strident
Notations: III. Très modéré
Notations: IV. Rythmique
nozze de Figaro: Overture, Le
nozze di Figaro, K. 492: Act IV, Scene X. No. 28 Recitativo "Giunse alfin il momento" - Aria "Deh vieni non tardar" (Susanna), Le
nozze di Figaro, K.492: Act 1 - "Cinque... dieci... venti...", Le
nozze di Figaro, K.492: Act 1 - "La vendetta, oh, la vendetta", Le
nozze di Figaro, K.492: Act 1 - "Non più andrai", Le
nozze di Figaro, K.492: Act 1 - "Se vuol ballare, signor Contino", Le
nozze di Figaro, K.492: Act 1 - Giovani liete, fiori spargete, Le
nozze di Figaro, K.492: Act 2 - "Porgi amor", Le
nozze di Figaro, K.492: Act 2 - "Susanna, or via, sortite", Le
nozze di Figaro, K.492: Act 2 - "Venite... inginocchiatevi...", Le
nozze di Figaro, K.492: Act 2 - "Voi signor, che giusto siete", Le
nozze di Figaro, K.492: Act 3 - "Che soave zeffiretto" - "Piegato è il foglio...", Le
nozze di Figaro, K.492: Act 3 - "Crudel! perchè finora", Le
nozze di Figaro, K.492: Act 3 - "E decisa la lite", Le
nozze di Figaro, K.492: Act 3 - "E Susanna non vien!" - "Dove sono i bei momenti", Le
nozze di Figaro, K.492: Act 3 - "Hai già vinta la causa" - "Vedrò mentr'io sospiro", Le
nozze di Figaro, K.492: Act 3 - "Riconosci in questo amplesso", Le
nozze di Figaro, K.492: Act 4 - "Aprite un po' quegli occhi", Le
nozze di Figaro, K.492: Act 4 - "Deh vieni, non tardar", Le
nozze di Figaro, K.492: Act 4 - "Gente, gente, all'armi", Le
nozze di Figaro, K.492: Act 4 - "L'ho perduta... me meschina!", Le
nozze di Figaro, K.492: Overture, Le
nozze di Figaro, Le
nozze di Figaro: Act I. Ah, son perduto! - Susanna, il ciel vi salvi!, Le
nozze di Figaro: Act I. Basilio, in traccia tosto di figaro volate, Le
nozze di Figaro: Act I. Bravo, signor Padrone!, Le
nozze di Figaro: Act I. Cinque... Dieci... Venti... Trenta..., Le
nozze di Figaro: Act I. Cos'è questa commedia?, Le
nozze di Figaro: Act I. Cosa sento! Tosto andate, Le
nozze di Figaro: Act I. Cosa stai misurando, Le
nozze di Figaro: Act I. Ed aspettaste il giorno fissato a le sue nozze, Le
nozze di Figaro: Act I. Evviva!... E voi non applaudite?, Le
nozze di Figaro: Act I. Giovani liete, fiori spargete, Le
nozze di Figaro: Act I. La vendetta, oh, la vendetta, Le
nozze di Figaro: Act I. Non piu andrai, farfallone amoroso, Le
nozze di Figaro: Act I. Non so più cosa son, cosa faccio..., Le
nozze di Figaro: Act I. Or bene, ascolta, e taci, Le
nozze di Figaro: Act I. Se a caso madama la notte ti chiama, Le
nozze di Figaro: Act I. Se vuol ballare, signor contino, Le
nozze di Figaro: Act I. Tutto ancor non ho perso, Le
nozze di Figaro: Act I. Va' là, vecchia pedante, Le
nozze di Figaro: Act I. Via, resti servita, madama brillante, Le
nozze di Figaro: Act II. Ah! Signore... Cosa e' stato?, Le
nozze di Figaro: Act II. Aprite, presto, aprite, Le
nozze di Figaro: Act II. Bravo! Che bella voce!, Le
nozze di Figaro: Act II. Che novità! Non fu mai vostra usanza, Le
nozze di Figaro: Act II. Conoscete, signor figaro, Le
nozze di Figaro: Act II. Dunque, voi non aprite?, Le
nozze di Figaro: Act II. Esci, omai, garzon malnato, Le
nozze di Figaro: Act II. Oh guarda il demonietto!, Le
nozze di Figaro: Act II. Porgi, amor, qualche ristoro, Le
nozze di Figaro: Act II. Quante buffonerie! - Chi picchia alla mia porta?, Le
nozze di Figaro: Act II. Quanto duolmi, Susanna, Le
nozze di Figaro: Act II. Signore, cos'è quel stupore?, Le
nozze di Figaro: Act II. Signori, di fuori son già i suonatori, Le
nozze di Figaro: Act II. Susanna, or via, sortite, Le
nozze di Figaro: Act II. Susanna, son morta, Le
nozze di Figaro: Act II. Tutto e' come io lasciai, Le
nozze di Figaro: Act II. Venite... Inginocchiatevi..., Le
nozze di Figaro: Act II. Vieni, cara Susanna, Le
nozze di Figaro: Act II. Voi che sapete che cosa e' amor, Le
nozze di Figaro: Act II. Voi signor, che giusto siete, Le
nozze di Figaro: Act II. Vostre dunque saran queste carte, Le
nozze di Figaro: Act III. Amanti costanti, seguaci d'onor, Le
nozze di Figaro: Act III. Andate, amici, Le
nozze di Figaro: Act III. Andiamo, andiam, bel paggio, Le
nozze di Figaro: Act III. Che imbarazzo e' mai questo! - Via, fatti core, Le
nozze di Figaro: Act III. Che soave zeffiretto, Le
nozze di Figaro: Act III. Crudel! Perchè finora farmi languir così, Le
nozze di Figaro: Act III. Dove sono i bei momenti, Le
nozze di Figaro: Act III. E perchè fosti meco stamattina sì austera? - Ehi Susanna, ove vai?, Le
nozze di Figaro: Act III. E susanna non vien!, Le
nozze di Figaro: Act III. E' decisa la lite, Le
nozze di Figaro: Act III. Ecco la marcia... Andiamo - la marcia, Le
nozze di Figaro: Act III. Eccovi, o caro amico, Le
nozze di Figaro: Act III. Eh già, solita usanza, Le
nozze di Figaro: Act III. Hai già vinta la causa!, Le
nozze di Figaro: Act III. Io vi dico, signor - Cosa mi narri!, Le
nozze di Figaro: Act III. Piegato e' il foglio, Le
nozze di Figaro: Act III. Queste sono, madama, le ragazze del loco - Eh cospettaccio! E' questo l'uffiziale - Signor... Se trattenete tutte queste ragazze, Le
nozze di Figaro: Act III. Ricevete, o padroncina, Le
nozze di Figaro: Act III. Riconosci in questo amplesso, Le
nozze di Figaro: Act III. Vedrò mentr'io sospiro, Le
nozze di Figaro: Act IV. Aprite un po' quegli occhi, Le
nozze di Figaro: Act IV. Barbarina, cos'hai? - Madre - Figlio - Presto, avvertiam, Le
nozze di Figaro: Act IV. Deh vieni, non tardar, o gioia bella, Le
nozze di Figaro: Act IV. Ecco qui la mia Susanna, Le
nozze di Figaro: Act IV. Gente, gente, all'armi, all'armi, Le
nozze di Figaro: Act IV. Giunse alfin il momento, Le
nozze di Figaro: Act IV. Il capro e la capretta, Le
nozze di Figaro: Act IV. In quegli anni in cui val poco, Le
nozze di Figaro: Act IV. L'ho perduta... Me meschina!, Le
nozze di Figaro: Act IV. Nel padiglione a manca - È barbarina... Chi vo là? - Ha I diavoli, Le
nozze di Figaro: Act IV. Oh susanna, susanna, quanta pena mi costi!, Le
nozze di Figaro: Act IV. Pace, pace, mio dolce tesoro - Non la trovo, Le
nozze di Figaro: Act IV. Perfida! E in questa forma meco mentia?, Le
nozze di Figaro: Act IV. Pian pianin le andrò più presso, Le
nozze di Figaro: Act IV. Signora, ella mi disse -- madama, voi tremate, Le
nozze di Figaro: Act IV. Tutto è disposto, Le
nozze di Figaro: Act IV. Tutto è tranquillo e placido, Le
nozze di Figaro: Appendix: Al desio di chi t'adora, Le
nozze di Figaro: Appendix: Un moto di gioia, Le
nozze di Figaro: Highlights, Le
nozze di Figaro: Non so più cosa son, cosa faccio, Le
nozze di Figaro: Overture, Le
nozze di Figaro: Sinfonia, La
Nozze di Figaro: Voi Che Sapete, Le
Nutcracker - Suite, op. 71a: I. Ouverture miniature. Allegro giusto, The
Nutcracker - Suite, op. 71a: II. Danses caractéristiques: a) Marche Tempo di marcia viva, The
Nutcracker - Suite, op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante non troppo, The
Nutcracker - Suite, op. 71a: II. Danses caractéristiques: c) Danse russe. Trépak. Molto vivace, The
Nutcracker - Suite, op. 71a: II. Danses caractéristiques: d) Danse arabe. Allegretto, The
Nutcracker - Suite, op. 71a: II. Danses caractéristiques: e) Danse chinoise. Allegro moderato, The
Nutcracker - Suite, op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai, The
Nutcracker - Suite, op. 71a: III. Valse des fleurs. Tempo di valse, The
O patria ... / O tu, Palermo
O terra, addio (Aida)
Oboe Concerto in C major, K. 314: I. Allegro aperto
Oboe Concerto in C major, K. 314: II. Adagio non troppo
Oboe Concerto in C major, K. 314: III. Rondo. Allegretto
Oboe Concerto Movement (Allegro) in F, K. 293 (Robert Levin)
Oboenkonzert C-Dur, KV 285d/314: I. Allegro aperto
Oboenkonzert C-Dur, KV 285d/314: II. Adagio ma non troppo
Oboenkonzert C-Dur, KV 285d/314: III. Rondo. Tempo di menuetto
Oboenkonzert Nr.1 d-Moll: I. Allegro
Oboenkonzert Nr.1 d-Moll: II. Grazioso
Oboenkonzert Nr.1 d-Moll: III. Rondo Allegro
Octet in E-flat major, Op. 20: III. Scherzo
Oedipus in Athens: Chorus of People in the Temple
Oh belle a questa misera (I Lombardi)
Oiseau de feu : Berceuse, L'
Oiseau de feu : Danse infernale du roi Kachtcheï, L'
Oiseau de feu : Final, L'
Oiseau de feu : Introduction - L'Oiseau de feu et sa danse, L'
Oiseau de feu : Ronde des princesses, L'
Oiseau de feu : Variation de l'oiseau de feu, L'
On Holiday
On the Wing
Opening
Opera Gold
Opernchöre
Orchestral Music
Orchestral Works
Otello: »Fuoco di gioia« (Feuerchor)
Ouvertüre Coriolan, Op. 62: Allegro con brio
Ouverture de Féerie
Ouvertüre Leonore II, Op. 72: Adagio - Allegro
Ouvertüre Leonore III, Op. 72a
Ouverture solennelle “1812”, op. 49
Ouverture Solonnelle "1812": Largo - Allegro vivace
Ouverture Solonnelle "1812": Largo - Andante - Allegro giusto
Ouvertüren
Ouvertüren & Vorspiele
Ouvertüren, Die
Ouvertures
Overture "A Midsummer Night's Dream", op. 21
Overtüre "Die Weihe des Hauses" op. 124
Overture "Fidelio" Op. 72b: I. Allegro
Overture "Fidelio" Op. 72b: II. Adagio
Overture "Fidelio" Op. 72b: III. Presto
Overtüre "König Stephan" op. 117
Overture "Le carnaval romain", Op. 9
Overture "Leonore I" Op 138: I. Andante con moto
Overture "Leonore I" Op 138: II. Allegro con brio
Overture "Leonore II" Op. 72: I. Adagio
Overture "Leonore II" Op. 72: II. Allegro
Overture "Leonore II" Op. 72: III. Adagio
Overture "Leonore II" Op. 72: IV. Presto
Overture "Leonore III" Op. 72a: I. Adagio
Overture "Leonore III" Op. 72a: II. Allegro
Overture "Leonore III" Op. 72a: III. Presto
Overture "The Fair Melusine", op. 32
Overture Fidelio, op. 72b
Overture for Wind Instruments, Op. 24
Overture for Wind Instruments, op. 24 (für Harmoniemusik)
Overture from "L'Italina in Algeri"
Overture from "La Cenerentola"
Overture Genoveva, op. 81
Overture in C major, "Trumpet Overture", Op. 101
Overture Leonore I, op. 138
Overture Leonore II, op. 72
Overture Leonore III, op. 72a
Overture Manfred, op. 115
Overture on Hebrew Themes, op. 34b: Un poco allegro
Overture to "Il mondo della luna", Hob. XXVIII:7
Overtures
Overtures, The
Overtures: The Barber of Seville / William Tell
Paganini Rhapsody / Piano Concerto no. 2
Parsifal, Act 2: "Amfortas! Die Wunde!"
Parsifal, Act 2: "Nur eine Waffe taugt"
Parsifal: Ja, Wehe! Wehe! Weh' über mich!
Parsifal: Nein! Laßt ihn unenthüllt!
Passacaglia für Orchester, Op. 1
Pavane pour une Infante Défunte
Pelléas et Mélisande
Pelléas et Mélisande - Concert Suite: Acte I. Une forêt
Pelléas et Mélisande - Concert Suite: Acte II, scène 1. Une fontaine dans le parc
Pelléas et Mélisande - Concert Suite: Acte III, scène 2. Les souterrains du château / Acte IV, scène 2. Un appartement dans le château
Pelléas et Mélisande - Concert Suite: Acte V. Une chambre dans le château
Pelléas et Mélisande : Acte III : "S'ils s'embrassent, petit père ?"
Pelléas et Mélisande : Acte III : "Viens, nous allons nous asseoir ici"
Pelléas et Mélisande : Acte IV : "Maintenant que le Père de Pelléas"
Pelléas et Mélisande : Acte IV : "Pelléas part ce soir"
Pelléas et Mélisande : Acte IV : Interlude
Pelléas et Mélisande : Acte V : "Attention... attention !"
Pelléas et Mélisande : Acte V : "Ce n'est pas de cette petite blessure"
Pelléas et Mélisande : Acte V : "Non, non, nous n'avons pas été coupables"
Pelléas et Mélisande : Acte V : "Qu'avez-vous fait ?"
Pelléas et Mélisande-Suite / Prélude à l'après-midi d'un faune / 3 Nocturnes
Pelléas et Mélisande: Cinquième Acte,. «Attention; je crois qu'elle s'éveille»
Pelléas et Mélisande: Cinquième Acte,. «Attention... attention. Il faut parler à voix basse, maintenant»
Pelléas et Mélisande: Cinquième Acte,. «Ce n'est pas de cette petite blessure qu'elle peut mourir»
Pelléas et Mélisande: Cinquième Acte,. «Mélisande, as-tu pitié de moi comme j'ai pitié de toi?»
Pelléas et Mélisande: Cinquième Acte,. «Non, non, nous n'avons pas été coupables»
Pelléas et Mélisande: Cinquième Acte,. «Qu'avez-vous fait?»
Pelléas et Mélisande: Cinquième Acte,. «Qu'y a-t-il?»
Pelléas et Mélisande: Deuxième Acte, Scène 1. «Cʼest au bord dʼune fontaine»
Pelléas et Mélisande: Deuxième Acte, Scène 1. «Vous ne savez pas où je vous ai menée?»
Pelléas et Mélisande: Deuxième Acte, Scène 1. Interlude
Pelléas et Mélisande: Deuxième Acte, Scène 2. «Ah! Ah! Tout va bien»
Pelléas et Mélisande: Deuxième Acte, Scène 2. «Voyons, donne-moi ta main»
Pelléas et Mélisande: Deuxième Acte, Scène 2. Interlude
Pelléas et Mélisande: Deuxième Acte, Scène 3. «Oui, cʼest ici, nous y sommes»
Pelléas et Mélisande: Premier Acte, Scène 1. «Je ne pourrai plus sortir de cette forêt»
Pelléas et Mélisande: Premier Acte, Scène 1. «Je suis perdu aussi»
Pelléas et Mélisande: Premier Acte, Scène 1. «Pourquoi pleures-tu?»
Pelléas et Mélisande: Premier Acte, Scène 2. «Quʼen dites-vous?»
Pelléas et Mélisande: Premier Acte, Scène 2. «Voici ce quʼil écrit à son frère Pelléas»
Pelléas et Mélisande: Premier Acte, Scène 2. Interlude
Pelléas et Mélisande: Premier Acte, Scène 3. «Hoé! Hisse Hoé!»
Pelléas et Mélisande: Premier Acte, Scène 3. «Il fait sombre dans les jardins»
Pelléas et Mélisande: Quatrième Acte, Scène 1. «Où vas-tu?»
Pelléas et Mélisande: Quatrième Acte, Scène 2. «Maintenant que le père de Pelléas est sauvé»
Pelléas et Mélisande: Quatrième Acte, Scène 2. «Ne mettez pas ainsi votre main à la gorge»
Pelléas et Mélisande: Quatrième Acte, Scène 2. «Oh! Cette pierre est lourde»
Pelléas et Mélisande: Quatrième Acte, Scène 2. «Pelléas part ce soir»
Pelléas et Mélisande: Quatrième Acte, Scène 2. Interlude
Pelléas et Mélisande: Quatrième Acte, Scène 4. «C'est le dernier soir»
Pelléas et Mélisande: Quatrième Acte, Scène 4. «Nous sommes venus ici il y a bien longtemps»
Pelléas et Mélisande: Quatrième Acte, Scène 4. «On dirait que ta voix a passé sur la mer au printemps»
Pelléas et Mélisande: Quatrième Acte, Scène 4. «Quel est ce bruit?»
Pelléas et Mélisande: Troisième Acte, Scène 1. «Je les tiens dans les mains»
Pelléas et Mélisande: Troisième Acte, Scène 1. «Mes longs cheveux descendent jusquʼau seuil de la tour»
Pelléas et Mélisande: Troisième Acte, Scène 1. «Prenez garde; par ici, par ici»
Pelléas et Mélisande: Troisième Acte, Scène 1. «Que faites-vous ici?»
Pelléas et Mélisande: Troisième Acte, Scène 3. Interlude
Pelléas et Mélisande: Troisième Acte, Scène 3. Interlude / «Ah! Je respire enfin!»
Pelléas et Mélisande: Troisième Acte, Scène 4. «Qu'ils s'embrassent, petit père?»
Pelléas et Mélisande: Troisième Acte, Scène 4. «Viens, nous allons nous asseoir ici, Yniold»
Pensando a me! ... E dolce raggio celeste dono ( I Vespri Sicilani)
Perpetuum mobile
Peter and the Wolf (finale)
Peter and the Wolf / Classical Symphony / Overture on Hebrew Themes / March
Peter and the Wolf, Op. 67
Peter and the Wolf, op. 67 - Narration in English, Text Adapted by Sting - Early One Morning Peter Opened the Gate... Andantino
Peter and the Wolf, op. 67 - Narration in English, Text Adapted by Sting - Just Then a Duck Came Waddling Round. L’Istesso Tempo
Peter and the Wolf, op. 67: “Early one morning Peter opened the gate …” Andantino
Peter and the Wolf, op. 67: “Grandfather came out.” Poco più andante - Andantino, come prima - Andante
Peter and the Wolf, op. 67: “Just then … out of the woods came the hunters.” Allegro moderato - Andante - Moderato - Poco più mosso (Allegro moderato) - Sostenuto - L’istesso tempo - Poco più mosso - Andante - Allegro
Peter and the Wolf, op. 67: “Just then a duck came waddling around.” L’istesso tempo
Peter and the Wolf, op. 67: “Let me tell you a story.”
Peter and the Wolf, op. 67: “Meanwhile, Peter made a lasso with his rope, carefully letting it down.” Poco meno mosso - Moderato (meno mosso)
Peter and the Wolf, op. 67: “No sooner had Peter gone, than a big grey wolf came out of the forest.” Andante molto - Nervoso - Allegro - Meno mosso - Andante - Allegretto - Moderato
Peter and the Wolf, op. 67: “On a branch of a big tree sat a little bird, Peter’s friend.” Allegro - Andantino, come prima
Peter and the Wolf, op. 67: “Peter, in the meantime, stood behind the closed gate …” Andantino, come prima - Vivo - Andante molto - Vivo - Andante
Peter and the Wolf, op. 67: “Suddenly something caught Peter’s attention: he noticed a cat …” Moderato - Allegro, ma non troppo - Moderato
Pétrouchka : Scene I. Danse russe
Pétrouchka : Scene I. Fête populaire de la semaine grasse - Le tour de passe-passe
Pétrouchka : Scene II. Chez Pétrouchka
Pétrouchka : Scene III. Chez le Maure - Danse de la Ballerine
Pétrouchka : Scene III. Valse: La Ballerine et le Maure - Pétrouchka
Pétrouchka : Scene IV. Apparition du double de Pétrouchka
Pétrouchka : Scene IV. Danse de cochers et des palefreniers
Pétrouchka : Scene IV. Danse de nounous
Pétrouchka : Scene IV. Fête populaire de la semaine grasse (vers le soir)
Pétrouchka : Scene IV. L'Ours et un paysan
Pétrouchka : Scene IV. La Police et le charlatan
Pétrouchka : Scene IV. La Rixe: Le Maure et Pétrouchka
Pétrouchka : Scene IV. Les Déguisés
Pétrouchka : Scene IV. Mort de Pétrushka
Pétrouchka : Scene IV. Un marchand fêtard avec deux tziganes
Pétrouchka (version originale de 1911) (London Symphony Orchestra feat. piano: Leslie Howard, conductor: Claudio Abbado)
Piano concert in A, op. 54: I. Allegro affettuoso
Piano concert in A, op. 54: II. Intermezzo. Andantino grazioso
Piano concert in A, op. 54: III. Allegro vivace
Piano Concerto / Piano Quintet
Piano Concerto for the left hand
Piano Concerto in A minor, op. 54: I. Allegro affettuoso
Piano Concerto in a Minor, Op. 54: II. Intermezzo
Piano Concerto in A minor, op. 54: II. Intermezzo. Andantino grazioso
Piano Concerto in A minor, op. 54: III. Allegro vivace
Piano Concerto No. 1
Piano Concerto no. 1 / Sonata in B minor / Hungarian Rhapsody no. 6 / Années de Pèlerinage (excerpts)
Piano Concerto no. 1 / The Nutcracker Suite (for two pianos)
Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito
Piano Concerto no. 1 in B-flat minor, op. 23: II. Andante semplice - Prestissimo - Tempo I
Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco
Piano Concerto No. 1 in D minor, Op. 15: I. Maestoso - Poco più moderato
Piano Concerto No. 1 in D minor, Op. 15: II. Adagio
Piano Concerto No. 1 in D minor, Op. 15: III. Rondo (Allegro non troppo - Più animato - Tempo I)
Piano Concerto No. 1 in E Minor, Op. 11: II. Romance (Larghetto) [Excerpt]
Piano Concerto no. 1 in E-flat major, S. 124: IIb. Allegretto vivace - Allegro animato
Piano Concerto No. 1, Op. 10: I. Allegro brioso
Piano Concerto no. 12 in A, KV 414: I. Allegro
Piano Concerto no. 12 in A, KV 414: II. Andante
Piano Concerto no. 12 in A, KV 414: III. Rondeau. Allegretto
Piano Concerto no. 14 in E-flat major, K 449: I. Allegro vivace
Piano Concerto no. 14 in E-flat major, K 449: II. Andantino
Piano Concerto no. 14 in E-flat major, K 449: III. Allegro ma non troppo
Piano Concerto no. 16 in D, KV 451: I. Allegro assai
Piano Concerto no. 16 in D, KV 451: II. Andante
Piano Concerto no. 16 in D, KV 451: III. Rondeau. Allegro di molto
Piano Concerto no. 19 in F, KV 459: I. Allegro vivace
Piano Concerto no. 19 in F, KV 459: II. Allegretto
Piano Concerto no. 19 in F, KV 459: III. Allegro assai
Piano Concerto No. 2
Piano Concerto no. 2 / Rhapsody on a Theme of Paganini
Piano Concerto No. 2 in B-flat major, Op. 19: I. Allegro con brio - Cadenza: Beethoven
Piano Concerto No. 2 in B-flat major, Op. 19: II. Adagio
Piano Concerto No. 2 in B-flat major, Op. 19: III. Rondo: Molto allegro
Piano Concerto no. 2 in B-flat major, op. 83: I. Allegro non troppo
Piano Concerto no. 2 in B-flat major, op. 83: II. Allegro appassionato
Piano Concerto no. 2 in B-flat major, op. 83: III. Andante
Piano Concerto no. 2 in B-flat major, op. 83: IV. Allegro grazioso - un poco più presto
Piano Concerto no. 2 in C minor, op. 18
Piano Concerto no. 2 in F minor, op. 21: I. Maestoso
Piano Concerto no. 2 in F minor, op. 21: II. Larghetto
Piano Concerto no. 2 in F minor, op. 21: III. Allegro vivace
Piano Concerto No. 20 in D Minor, K.466: 1. Allegro
Piano Concerto No. 20 in D Minor, K.466: 2. Romance
Piano Concerto No. 20 in D Minor, K.466: 3. Rondo (Allegro Assai)
Piano Concerto no. 21 in C major, K. 467: 2. Andante
Piano Concerto no. 21 In C, K. 467: 2. Andante
Piano Concerto no. 23 in A, K. 488: I. Allegro
Piano Concerto no. 23 in A, K. 488: II. Adagio
Piano Concerto no. 23 in A, K. 488: III. Allegro assai
Piano Concerto no. 24 in C minor, K. 491: I. Allegro
Piano Concerto no. 24 in C minor, K. 491: II. Larghetto
Piano Concerto no. 24 in C minor, K. 491: III. (Allegretto)
Piano Concerto no. 26 in D major, K 537 "Coronation": I. Allegro
Piano Concerto no. 26 in D major, K 537 "Coronation": II. Larghetto
Piano Concerto no. 26 in D major, K 537 "Coronation": III. Allegretto
Piano Concerto no. 26, "Coronation", 2nd mvmt, Larghetto
Piano Concerto no. 27 in B-flat major, K. 595: 1. Allegro
Piano Concerto no. 27 in B-flat major, K. 595: 2. Larghetto
Piano Concerto no. 27 in B-flat major, K. 595: 3. Allegro
Piano Concerto no. 3 / Violin Concerto no. 1 / Lieutenant Kijé
Piano Concerto No. 3 in C minor, Op. 37: I. Allegro con brio - Cadenza: Beethoven
Piano Concerto No. 3 in C minor, Op. 37: II. Largo
Piano Concerto No. 3 in C minor, Op. 37: III. Rondo: Allegro
Piano Concerto No. 3, Op. 37: III. Rondo. Allegro
Piano Concerto no. 4 in G major, op. 58
Piano Concerto No. 4 in G major, Op. 58: I. Allegro moderato
Piano Concerto No. 4 in G major, Op. 58: II. Andante con moto
Piano Concerto No. 4 in G major, Op. 58: III. Rondo. Vivace
Piano Concerto no. 5 “Emperor” / Choral Fantasy
Piano Concerto no. 5 in E-flat major, Op. 73 “Emperor”: I. Allegro
Piano Concerto no. 5 in E-flat major, Op. 73 “Emperor”: II. Adagio un poco mosso [Attacca:]
Piano Concerto no. 5 in E-flat major, Op. 73 “Emperor”: III. Rondo. Allegro
Piano Concerto No.1 / Meerestille und glückliche Fahrt / Choral Fantasy
Piano Concerto nos. 25 & 27
Piano Concertos (Die Klavierkonzerte) / Tragic Overture / Haydn Variations, The
Piano Concertos / Menuet antique / Le Tombeau de Couperin / Fanfare
Piano Concertos no. 21 & 23
Piano Concertos nos. 1 & 2 / Two Portraits
Piano Concertos nos. 1 & 3
Piano Concertos nos. 15 & 22
Piano Concertos nos. 16 & 20
Piano Concertos nos. 2 & 3
Piano Concertos nos. 2, 3
Piano Concertos Nos. 21 & 27
Piano Concertos nos. 23 & 24
Piano Concertos nos. 25 & 19
Piano Concertos nos. 27 & 20
Piano Concertos nos. 9 & 17
Piano Concertos, The
Pictures at an Exhibition / La Valse
Pictures at an Exhibition / Night on Bald Mountain / Sennacherib / Salammbô / Oedipus / Joshua
Pictures at an Exhibition: 8. Catacombae
Pictures at an Exhibition: Cum mortuis in lingua mortua
Pictures at an Exhibition: Cum mortuis in lingua mortua. Andante non troppo, con lamento
Pictures at an Exhibition: I. Gnomus
Pictures at an Exhibition: II. Il vecchio castello
Pictures at an Exhibition: II. The Old Castle. Andante
Pictures at an Exhibition: III. Tuileries
Pictures at an Exhibition: III. Tuileries Gardens. Allegretto non troppo, capriccioso
Pictures at an Exhibition: IV. Bydło
Pictures at an Exhibition: IV. Bydło. Sempre moderato, pesante
Pictures at an Exhibition: IX. La Cabane de Baba-Yaga sur des pattes de poule
Pictures at an Exhibition: IX. The Hut on Chicken's Legs ("Baba Yaga"). Allegro con brio, feroce - Andante mosso - Allegro molto
Pictures at an Exhibition: Promenade
Pictures at an Exhibition: Promenade. Allegro giusto, nel modo russico - Senza allegrezza, ma poco sostenuto
Pictures at an Exhibition: Promenade. Moderato comodo e con delicatezza
Pictures at an Exhibition: Promenade. Moderato non tanto, pesante
Pictures at an Exhibition: Promenade. Tranquillo
Pictures at an Exhibition: V. Ballet des petits poussins dans leurs coques
Pictures at an Exhibition: V. Ballet of the Unhatched Chicks. Scherzino: Vivo leggiero
Pictures at an Exhibition: VI. Samuel Goldenberg and Schmuyle. Andante
Pictures at an Exhibition: VI. Samuel Goldenberg et Schmuyle
Pictures at an Exhibition: VII. Limoges. Le Marché
Pictures at an Exhibition: VII. The Limoges Market. Allegretto vivo, sempre scherzando
Pictures at an Exhibition: VIII. Catacombae. Sepulchrum Romanum - Cum mortuis in lingua mortua
Pictures at an Exhibition: VIII. The Catacombs: Sepulchrum romanum. Largo
Pictures at an Exhibition: X. La Grande Porte de Kiev
Pictures at an Exhibition: X. The Great Gate of Keiv
Pictures at an Exhibition: X. The Great Gate of Kiev. Allegro alla breve. Maestoso. Con grandezza
Pictures at an Exhibition/ Bolero / Rapsodie espagnole
Piece for Orchestra, op. 6 no. 1: Präludium. Langsam
Piece for Orchestra, op. 6 no. 2: Reigen. Anfangs etwas zögernd - Leicht beschwingt
Piece for Orchestra, op. 6 no. 3: Marsch. Mässiges Marschtempo
Piefke- und Pufke-Polka, op. 235
Pierre et le loup / Symphonie classique
Poemas sinfónicos n.º 3,4 y 6 / Concierto para piano n.º 1
Poème de L'Extase, op. 54, Le
Prélude à l'après-midi d'un faune
Prélude à l’après-midi d’un faune
Première Rhapsodie
Prokofieff: Klavierkonzert Nr. 3 C-Dur / Ravel: Klavierkonzert G-Dur
Prokofiev: Alexandr Nevski / Suite escita / El teniente Kijé / Shostakovich: Suite de jazz n.º 2 / Concierto n.º 1 para piano
Prokofiev: Klavierkonzert / Ravel: Klavierkonzert G-dur / Gaspard de la Nuit
Prokofiev: Peter & The Wolf, Op. 67 - And Now, This Is How Things Stood
Prokofiev: Peter & The Wolf, Op. 67 - And There, Imagine The Triumphant Procession
Prokofiev: Peter & The Wolf, Op. 67 - Early One Morning, Peter Opened The Gate
Prokofiev: Peter & The Wolf, Op. 67 - Grandfather Came Out
Prokofiev: Peter & The Wolf, Op. 67 - In The Meantime
Prokofiev: Peter & The Wolf, Op. 67 - Just Then A Duck Came Waddling Around
Prokofiev: Peter & The Wolf, Op. 67 - Just Then The Hunters Came Out Of The Woods
Prokofiev: Peter & The Wolf, Op. 67 - Meanwhile Peter Made A Lasso
Prokofiev: Peter & The Wolf, Op. 67 - Musical March
Prokofiev: Peter & The Wolf, Op. 67 - No Sooner Had Peter Gone
Prokofiev: Peter & The Wolf, Op. 67 - On The Branch Of A Big Tree
Prokofiev: Peter & The Wolf, Op. 67 - Suddenly Something Caught Peter's Attention
Prokofiev: Peter & The Wolf, Symphony #1
Prokofiev: Piano Concerto No. 3 / Ravel: Piano Concerto / Ravel: Gaspard de la nuit
Prokofiev: Symphony #1 In D, Op. 25, "Classical" - 1. Allegro
Prokofiev: Symphony #1 In D, Op. 25, "Classical" - 2. Larghetto
Prokofiev: Symphony #1 In D, Op. 25, "Classical" - 3. Gavotta
Prokofiev: Symphony #1 In D, Op. 25, "Classical" - 4. Finale
Prométhée, poème du feu
Prometheus
Prometheus Overture, op. 43
Prometheus S 99
Prometheus, D 674
Prometheus: The Myth in Music
Pulcinella / Jeu de cartes
Pulcinella: I. Ouverture: Allegro moderato
Pulcinella: I. Ouverture. Allegro moderato
Pulcinella: II. Serenata: Larghetto
Pulcinella: II. Serenata. Larghetto "Mentre l'erbetta pasce l'agnella"
Pulcinella: III. Scherzino: Allegro
Pulcinella: III. Scherzino. Allegro
Pulcinella: IV. Allegro
Pulcinella: IX. Allegro (alla breve)
Pulcinella: IX. Allegro (alla breve). "Con queste paroline"
Pulcinella: Poco più vivo
Pulcinella: Poco più vivo. "Benedetto, maledetto"
Pulcinella: V. Andantino
Pulcinella: VI. Allegro
Pulcinella: VI. Allegro. "Gnora crediteme ch'accossì è"
Pulcinella: VII. Allegretto
Pulcinella: VII. Allegretto: "Contento forse vivere"
Pulcinella: VII. Allegretto. "Contento forse vivere"
Pulcinella: VIII. Allegro assai
Pulcinella: X. Larga (Trio). "Sento dire no'ncè pace"
Pulcinella: X. Largo (Trio) - Allegro - Presto (Duetto)
Pulcinella: X. Largo (Trio): "Sento dire no' ncè pace" / Allegro "Chi disse cà la femmena" / Presto (Duetto) "Ncè sta quaccuna po" / "Una te fa la nzemprece" - Larghetto
Pulcinella: XI. Allegro - alla breve
Pulcinella: XII. Tarantella
Pulcinella: XIII. Andantino
Pulcinella: XIII. Andantino. "Se tu m'ami"
Pulcinella: XIV. Allegro
Pulcinella: XV. Gavotta con due variazioni
Pulcinella: XV. Gavotta con due variazioni. Allegro moderato
Pulcinella: XVI. Vivo
Pulcinella: XVII. Tempo di minuetto
Pulcinella: XVII. Tempo di minuetto. Molto moderato (Trio). "Pupillette, fiammette d'amore"
Pulcinella: XVIII. Allegro assai
puritani: "Ah! Tu sorridi e asciughi il pianto!", I
puritani: "O rendetemi la speme", I
puritani: "Vien, diletto, è in ciel la Luna", I
Qual mare, qual terra da me t'ha diviso (I Masnadieri)
quattro stagioni, Le
Qui nel bosco? Solingo? Smarrita? (I Masnadieri)
Rachmaninov: Rhapsody On A Theme Of Paganini, Op. 43
Radetzky March
Rapsodie Espagnole - Feria
Rapsodie Espagnole - Habanera
Rapsodie Espagnole - Malaguerna
Rapsodie Espagnole - Prélude
Rapsodie espagnole: I. Prélude à la nuit. Très modéré
Rapsodie espagnole: II. Malagueña. Assez vif
Rapsodie espagnole: III. Habanera. Assez lent e d'un rythme las
Rapsodie espagnole: IV. Feria. Assez animé
Requiem
Requiem in D minor, K. 626 (Süßmayr completion): I. Introitus: "Requiem aeternam"
Requiem in D minor, K. 626 (Süßmayr completion): II. "Kyrie eleison"
Requiem in D minor, K. 626 (Süßmayr completion): IIIa. Sequenz: "Dies irae"
Requiem in D minor, K. 626 (Süßmayr completion): IIIb. Sequenz: "Tuba mirum"
Requiem in D minor, K. 626 (Süßmayr completion): IIIc. Sequenz: "Rex tremendae"
Requiem in D minor, K. 626 (Süßmayr completion): IIId. Sequenz: "Recordare"
Requiem in D minor, K. 626 (Süßmayr completion): IIIf. Sequenz: "Lacrimosa"
Requiem in D minor, K. 626 (Süßmayr completion): IVa. Offertorium: "Domine Jesu"
Requiem in D minor, K. 626 (Süßmayr completion): IVb. Offertorium: "Hostias"
Requiem in D minor, K. 626 (Süßmayr completion): V. "Sanctus"
Requiem in D minor, K. 626 (Süßmayr completion): VI. "Benedictus"
Requiem in D minor, K. 626 (Süßmayr completion): VII. "Agnus Dei"
Requiem in D minor, K. 626 (Süßmayr completion): VIII. Communio: "Lux aeterna"
Requiem in D minor, K. 626: I. Introitus: Requiem
Requiem in D minor, K. 626: II. Kyrie
Requiem in D minor, K. 626: III. Sequentia: Confutatis
Requiem in D minor, K. 626: III. Sequentia: Dies Irae
Requiem in D minor, K. 626: III. Sequentia: Lacrimosa
Requiem in D minor, K. 626: III. Sequentia: Recordare
Requiem in D minor, K. 626: III. Sequentia: Rex tremendae
Requiem in D minor, K. 626: III. Sequentia: Tuba Mirum
Requiem in D minor, K. 626: IV. Offertorium: Domine Jesu
Requiem in D minor, K. 626: IV. Offertorium: IV. Offertorium - Hositas
Requiem in D minor, K. 626: V. Sanctus
Requiem in D minor, K. 626: VI. Benedictus
Requiem in D minor, K. 626: VII. Agnus Dei
Requiem in D minor, K. 626: VIII. Communio: Lux aeterna
Rhapsody on a Theme of Paganini, Op. 43
Rhapsody on a Theme of Paganini, op. 43: Introduction. Allegro vivace
Rhapsody on a Theme of Paganini, op. 43: Tema. L’istesso tempo
Rhapsody on a Theme of Paganini, Op. 43: Theme & Variation No. 2
Rhapsody on a Theme of Paganini, op. 43: Var. I. (Precedente)
Rhapsody on a Theme of Paganini, op. 43: Var. II. L’istesso tempo
Rhapsody on a Theme of Paganini, op. 43: Var. III. L’istesso tempo
Rhapsody on a Theme of Paganini, op. 43: Var. IV. Piú vivo
Rhapsody on a Theme of Paganini, op. 43: Var. IX. L’istesso tempo
Rhapsody on a Theme of Paganini, op. 43: Var. V. Tempo precedente
Rhapsody on a Theme of Paganini, op. 43: Var. VI. L’istesso tempo
Rhapsody on a Theme of Paganini, op. 43: Var. VII. Meno mosso, a tempo moderato
Rhapsody on a Theme of Paganini, op. 43: Var. VIII. Tempo I
Rhapsody on a Theme of Paganini, op. 43: Var. X
Rhapsody on a Theme of Paganini, op. 43: Var. XI. Moderato
Rhapsody on a Theme of Paganini, op. 43: Var. XII. Tempo di minuetto
Rhapsody on a Theme of Paganini, op. 43: Var. XIII. Allegro
Rhapsody on a Theme of Paganini, op. 43: Var. XIV. L’istesso tempo
Rhapsody on a Theme of Paganini, op. 43: Var. XIX. L’istesso tempo
Rhapsody on a Theme of Paganini, op. 43: Var. XV. Piú vivo. Scherzando
Rhapsody on a Theme of Paganini, op. 43: Var. XVI. Allegretto
Rhapsody on a Theme of Paganini, op. 43: Var. XVII
Rhapsody on a Theme of Paganini, op. 43: Var. XVIII. Andante cantabile - A tempo vivace
Rhapsody on a Theme of Paganini, op. 43: Var. XX. Un poco piú vivo
Rhapsody on a Theme of Paganini, op. 43: Var. XXI. Un poco piú vivo
Rhapsody on a Theme of Paganini, op. 43: Var. XXII. Un poco piú vivo (alla breve)
Rhapsody on a Theme of Paganini, op. 43: Var. XXIII. L’istesso tempo
Rhapsody on a Theme of Paganini, op. 43: Var. XXIV. A tempo un poco meno mosso
Rhapsody on a Theme of Paganini, Op. 43: Variation No. 1
Rhapsody on a Theme of Paganini, Op. 43: Variation No. 10
Rhapsody on a Theme of Paganini, Op. 43: Variation No. 11
Rhapsody on a Theme of Paganini, Op. 43: Variation No. 12
Rhapsody on a Theme of Paganini, Op. 43: Variation No. 13
Rhapsody on a Theme of Paganini, Op. 43: Variation No. 14
Rhapsody on a Theme of Paganini, Op. 43: Variation No. 15
Rhapsody on a Theme of Paganini, Op. 43: Variation No. 16
Rhapsody on a Theme of Paganini, Op. 43: Variation No. 17
Rhapsody on a Theme of Paganini, Op. 43: Variation No. 18
Rhapsody on a Theme of Paganini, Op. 43: Variation No. 19
Rhapsody on a Theme of Paganini, Op. 43: Variation No. 20
Rhapsody on a Theme of Paganini, Op. 43: Variation No. 21
Rhapsody on a Theme of Paganini, Op. 43: Variation No. 22
Rhapsody on a Theme of Paganini, Op. 43: Variation No. 23
Rhapsody on a Theme of Paganini, Op. 43: Variation No. 24
Rhapsody on a Theme of Paganini, Op. 43: Variation No. 3
Rhapsody on a Theme of Paganini, Op. 43: Variation No. 4
Rhapsody on a Theme of Paganini, Op. 43: Variation No. 5
Rhapsody on a Theme of Paganini, Op. 43: Variation No. 6
Rhapsody on a Theme of Paganini, Op. 43: Variation No. 7
Rhapsody on a Theme of Paganini, Op. 43: Variation No. 8
Rhapsody on a Theme of Paganini, Op. 43: Variation No. 9
Ride of the Valkyries
Rinaldo, op. 50: 1. Zu dem Strande, zu der Barke!
Rinaldo, op. 50: 2. Stell her der goldnen Tage Paradiese noch einmal.
Rinaldo, op. 50: 3. Nein! nicht länger ist zu säumen.
Rinaldo, op. 50: 4. Zurück nur, zurück.
Rinaldo, op. 50: 5. Zum zweitenmale seh' ich die Holde.
Rinaldo, op. 50: 6. Und umgewandelt seh' ich die Holde.
Rinaldo, op. 50: 7. Segel schwellen.
Rinvenirlo Lo Sapro (I Capuleti E I Monteschi)
Romeo & Juliet: excerpts
Romeo and Juliet - Suite: Aubade
Romeo and Juliet - Suite: Dance
Romeo and Juliet - Suite: Dance of the girls with lilies
Romeo and Juliet - Suite: Dance with mandolins
Romeo and Juliet - Suite: Death of Tybalt
Romeo and Juliet - Suite: Montagues and Capulets
Romeo and Juliet - Suite: Morning dance
Romeo and Juliet - Suite: The fight
Romeo and Juliet - Suite: The quarrrel
Romeo and Juliet (Fantasy Overture after Shakespeare)
Romeo and Juliet (Fantasy Overture after Shakespeare): Andante non tanto quasi Moderato - Allegro giusto - Moderato assai
Romeo and Juliet (Fantasy Overture): after Shakespeare
Romeo and Juliet Fantasy Overture
Romeo and Juliet Suite no. 1, op. 64bis: VI. Romeo and Juliet
Romeo and Juliet, Ballet in 4 Acts, op. 64: At Juliet's Bedside
Romeo and Juliet, Ballet in 4 Acts, op. 64: Dance of the Five Couples
Romeo and Juliet, Ballet in 4 Acts, op. 64: Dance of the Young Girls With the Lilies
Romeo and Juliet, Ballet in 4 Acts, op. 64: Dance With Mandolins
Romeo and Juliet, Ballet in 4 Acts, op. 64: Death of Juliet
Romeo and Juliet, Ballet in 4 Acts, op. 64: Interlude
Romeo and Juliet, Ballet in 4 Acts, op. 64: Juliet's Funeral
Romeo and Juliet, Ballet in 4 Acts, op. 64: Masks
Romeo and Juliet, Ballet in 4 Acts, op. 64: Morning Serenade
Romeo and Juliet, Ballet in 4 Acts, op. 64: The Fight
Romeo and Juliet, Ballet in 4 Acts, op. 64: The Nurse
Romeo and Juliet, Ballet in 4 Acts, op. 64: The Quarrel
Romeo and Juliet, Ballet in 4 Acts, op. 64: The Street Awakens
Romeo and Juliet, Suite no. 1 for Orchestra, op. 64 bis: Tybalt's Death
Romeo and Juliet, Suite no. 2 for Orchestra, op. 64 ter: Juliet the Young Girl
Romeo and Juliet, Suite no. 2 for Orchestra, op. 64 ter: Romeo and Juliet Before Parting
Romeo and Juliet, Suite no. 2 for Orchestra, op. 64 ter: The Montagues and the Capulets
Romeo and Juliet, Suite no. 3 for Orchestra, op. 101: Morning Dance
Romeo and Juliet, Suite no. 3 for Orchestra, op. 101: Romeo at the Fountain
Romeo und Julia / Der Schut
Romeo y Julieta
Rosamunde (complete recording)
Rosamunde Ouvertüre, D 644 "Die Zauberharfe"
Rosamunde, D 797: IIIb. Romanze “Der Vollmond strahlt”
Rosamunde, D. 797: Entr’acte Nr. 3
Rosamunde, Princess of Cyprus, D.797: I. Entr'acte after Act I
Rosamunde, Princess of Cyprus, D.797: II. Ballet Music
Rosamunde, Princess of Cyprus, D.797: IIIa. Entr'acte after Act II
Rosamunde, Princess of Cyprus, D.797: IIIb. Romance: "Der Vollmond strahlt auf Bergeshöh'n"
Rosamunde, Princess of Cyprus, D.797: IV. Chorus of Spirits: "In der Tiefe wohnt das Licht"
Rosamunde, Princess of Cyprus, D.797: IX. Ballet Music
Rosamunde, Princess of Cyprus, D.797: V. Entr'acte after Act III
Rosamunde, Princess of Cyprus, D.797: VI. Shepherds' melody
Rosamunde, Princess of Cyprus, D.797: VII. Shepherds' Chorus: "Hier auf den Fluren...."
Rosamunde, Princess of Cyprus, D.797: VIII. Chorus of Huntsmen: "Wie lebt sich's so fröhlich im Grünen"
Rosenband, op. 36 no. 1, Das
Rossini Overtures
ROSSINI Una voce poco fa (Il Barbiere di Siviglia)
Rossini: 6 Overtures / Verdi: 3 Preludes
Rossinissimo!
Rückert Lieder No. 3: Ich bin der Welt abhanden gekommen (feat. mezzo-soprano: Marjana Lipovšek)
Rückert-Lieder No. 1: Blicke mir nicht in die Lieder
Rückert-Lieder No. 2: Liebst du um Shönheit
Rückert-Lieder No. 3: Ich bin der Welt abhanden gekommen
Rückert-Lieder No. 4: Ich atmet' einen linden Duft
Rückert-Lieder No. 5: Um Mitternacht
Ruins of Athens, incidental music Op. 113: Overture, The
Russian Night, A
Ruy Blas, Op. 95
Ruy Blas, op. 95: Overture to Victor Hugo's play
Sacrae symphoniae: "Jubilate Deo"
Sacrae symphoniae: "Miserere mei Deus"
Sacre du printemps : Part I. Danse de la terre, Le
Sacre du printemps : Part I. Introduction, Le
Sacre du printemps : Part I. Jeu des cités rivales - Cortège du Sage - Adoration de la terre - Le Sage, Le
Sacre du printemps : Part I. Jeu du rapt, Le
Sacre du printemps : Part I. Les Augures printaniers - Danses des adolescentes, Le
Sacre du printemps : Part I. Rondes printanières, Le
Sacre du printemps : Part II. Action rituelle des ancêtres, Le
Sacre du printemps : Part II. Cercles mystérieuse des adolescentes, Le
Sacre du printemps : Part II. Glorification de l'Elue - Evocation des ancêtres, Le
Sacre du printemps : Part II. Introduction, Le
Sacre du printemps (The Rite of Spring), Ballet in 2 Parts for Orchestra: Sacrificial Dance: The Chosen Victim, Le
Sacre du printemps / Jeu de cartes, Le
Sacre du printemps / Pulcinella, Le
Sacre du printemps / The Firebird / Pétrouchka / Pulcinella / Jeu de cartes, Le
Sacre du Printemps; Part II: Sacrifical Dance. The Chosen Victim, Le
Sacre du printemps: Première partie. L’Adoration de la terre: V. Jeux des cités rivales, Le
Sacre du printemps: Première partie. L’Adoration de la terre: VI. Cortège du sage, Le
Sacre du printemps: Première partie. L’Adoration de la terre: VII. Le sage, Le
Sacre du printemps: Seconde partie. Le Sacrifice: XI. Glorification de l’élue, Le
Sacre du printemps: Seconde partie. Le Sacrifice: XII. Évocation des ancêtres, Le
Salammbô: Chorus of Priestesses
Salve Regina in A minor: Ad te clamamus
Salve Regina in A minor: Eia ergo
Salve Regina in A minor: O clemens, o pia
Salve Regina in A minor: Salve Regina
Salve Regina in C minor: I. Salve Regina
Salve Regina in C minor: II. Ad te clamamus
Salve Regina in C minor: III. Eia ergo
Salve Regina in C minor: IV. Et Jesum benedictum
Salve Regina in C minor: V. O clemens, o pia
Salve Regina in F minor: Ad te clamamus
Salve Regina in F minor: Eia ergo
Salve Regina in F minor: Et Jesum benedictum
Salve Regina in F minor: O clemens, o pia
Salve Regina in F minor: Salve Regina
Samuel Beckett - What is the Word, op. 30b
Saraste: Concert Fantasy On Themes From Bizet's Carmen, Op. 25
scal di seta-Die seidene Leiter - Ouvertüre, La
scala di seta: Overture, La
Scena ed aria »Ah! Perfido« per soprano ed orchestra, Op. 65 (feat. soprano: Cheryl Studer)
Scene and Aria for Soprano and Orchestra, Op. 65 "Ah! perfido" (live)
Scenes from Goethe's "Faust"
Scenes from Goethe's Faust, WoO 3: Part I: I Garden Scene "Du kanntest mich, o kleiner Engel"
Scenes from Goethe's Faust, WoO 3: Part I: II Gretchen before the Image of the Mater Dolorosa "Ach neige"
Scenes from Goethe's Faust, WoO 3: Part I: III Scene in the Cathedral "Wie anders, Gretchen, war dir's"
Scenes from Goethe's Faust, WoO 3: Part I: Overture
Scenes from Goethe's Faust, WoO 3: Part II: IVa Ariel. Sunrise "Die ihr dies Haupt umschwebt"
Scenes from Goethe's Faust, WoO 3: Part II: IVb Ariel. Sunrise "Täler grüner, Hügel schwellen"
Scenes from Goethe's Faust, WoO 3: Part II: IVc Ariel. Sunrise "Des Lebens Pulse schlagen frisch-lebendig"
Scenes from Goethe's Faust, WoO 3: Part II: IVd Ariel. Sunrise "So ist es also"
Scenes from Goethe's Faust, WoO 3: Part II: Va Midnight "Ich heiße der Mangel"
Scenes from Goethe's Faust, WoO 3: Part II: Vb Midnight "Vier sah ich kommen, drei nur geh'n"
Scenes from Goethe's Faust, WoO 3: Part II: Vc Midnight "Die Nacht scheint tiefer tief hereinzudringen"
Scenes from Goethe's Faust, WoO 3: Part II: VI Faust's Death "Herbei, herbei! Herein, herein!"
Scenes from Goethe's Faust, WoO 3: Part III: VII Faust's Transfiguration I "Waldung, sie schwankt heran"
Scenes from Goethe's Faust, WoO 3: Part III: VII Faust's Transfiguration II "Ewiger Wonnebrand"
Scenes from Goethe's Faust, WoO 3: Part III: VII Faust's Transfiguration IIIa "Wie Felsenabgrund mir zu Füßen"
Scenes from Goethe's Faust, WoO 3: Part III: VII Faust's Transfiguration IIIb "Welch ein Morgenwölkchen"
Scenes from Goethe's Faust, WoO 3: Part III: VII Faust's Transfiguration IVa "Gerettet ist das edle Glied"
Scenes from Goethe's Faust, WoO 3: Part III: VII Faust's Transfiguration IVb "Gerettet ist das edle Glied"
Scenes from Goethe's Faust, WoO 3: Part III: VII Faust's Transfiguration V "Hier ist die Aussicht frei"
Scenes from Goethe's Faust, WoO 3: Part III: VII Faust's Transfiguration VI "Dir, der Unberührbaren"
Scenes from Goethe's Faust, WoO 3: Part III: VII Faust's Transfiguration VII "Alles Vergängliche ist nur ein Gleichnis"
Scherzo in B-Flat
Scherzo in B-flat major
Schicksalslied, op. 54
Schoenberg: Ein Überlebender aus Warschau / Webern: Orchesterwerke
schöne Müllerin, D 795: X. “Tränenregen”, Die
Schumann: Piano Concerto, Op. 54 / Brahms: Piano Concerto, Op. 15
Schwager Kronos, D 369, An
Schwanengesang, D 957: IV. “Ständchen”
Schwanengesang, D 957: IX. “Ihr Bild”
Sciarrino: Autoritratto nella notte / Ligeti: 6 Bagatellen / Doppelkonzert / Schoenberg: Kammersymphonie Nr. 1
Scythian Suite, op. 20: I. The Adoration Of Veless And Ala
Scythian Suite, op. 20: II. The Enemy God
Scythian Suite, op. 20: III. Night
Scythian Suite, op. 20: IV. The Glorious Depature
Se quel guerrier!...Celeste Aida
Sechs Stücke für Orchester, Op. 6: I. Etwas bewegt
Sechs Stücke für Orchester, Op. 6: II. Bewegt
Sechs Stücke für Orchester, Op. 6: III. Zart bewegt
Sechs Stücke für Orchester, Op. 6: IV. Langsam (marcia funebre)
Sechs Stücke für Orchester, Op. 6: V. Sehr langsam
Sechs Stücke für Orchester, Op. 6: VI. Zart bewegt
Semiramide: Overture
Sempre libera
Sérénade n° 9 en ré majeur "Posthorn" K. 320 : I. Adagio maestoso - allegro con spirito
Sérénade n° 9 en ré majeur "Posthorn" K. 320 : Ii. Minuetto. Allegretto & Trio
Sérénade n° 9 en ré majeur "Posthorn" K. 320 : Iii. Concertante. Andante grazioso
Sérénade n° 9 en ré majeur "Posthorn" K. 320 : Iv. Rondeau. Allegro ma non troppo
Sérénade n° 9 en ré majeur "Posthorn" K. 320 : V. Andantino
Sérénade n° 9 en ré majeur "Posthorn" K. 320 : Vi. Minuetto & Trio i & Trio ii
Sérénade n° 9 en ré majeur "Posthorn" K. 320 : Vii. Finale. Presto
Serenade no. 1
Serenade no. 1 in D major, op. 11: 1. Allegro molto
Serenade no. 1 in D major, op. 11: 2. Scherzo. Allegro non troppo — Trio. Poco più moto
Serenade no. 1 in D major, op. 11: 3. Adagio non troppo
Serenade no. 1 in D major, op. 11: 4. Menuetto I — Menuetto II
Serenade no. 1 in D major, op. 11: 5. Scherzo. Allegro — Trio
Serenade no. 1 in D major, op. 11: 6. Rondo. Allegro
Serenade no. 2 in A major, op. 16: 1. Allegro moderato
Serenade no. 2 in A major, op. 16: 2. Scherzo. Vivace — Trio
Serenade no. 2 in A major, op. 16: 3. Adagio non troppo
Serenade no. 2 in A major, op. 16: 4. Quasi Menuetto — Trio
Serenade no. 2 in A major, op. 16: 5. Rondo. Allegro
Serenade No. 9 for Orchestra in D major, K. 320 "Posthorn": I. Adagio maestoso - allegro con spirito
Serenade No. 9 for Orchestra in D major, K. 320 "Posthorn": V. Andantino
Serenade No. 9 for Orchestra in D major, K. 320 "Posthorn": VII. Finale. Presto
Serenade No.1 in D major, Op.11: I. Allegro molto
Serenade No.1 in D major, Op.11: II. Scherzo. Allegro non troppo - Trio. Poco più moto
Serenade No.1 in D major, Op.11: III. Adagio non troppo
Serenade No.1 in D major, Op.11: IV. Menuetto I - Menuetto II
Serenade No.1 in D major, Op.11: VI. Rondo. Allegro
Serenade No.2 in A major, Op.16: I. Allegro moderato
Serenade No.2 in A major, Op.16: II. Scherzo. Vivace
Serenade No.2 in A major, Op.16: III. Adagio non troppo
Serenade No.2 in A major, Op.16: V. Rondo. Allegro
Serenade No.2 in A major, Op.16: VI. Quasi menuetto
Serenade Nr. 1 D-dur op. 11: I. Allegro molto
Serenade Nr. 1 D-dur op. 11: II. Scherzo. Allegro non troppo – Trio. Poco più moto
Serenade Nr. 1 D-dur op. 11: III. Adagio non troppo
Serenade Nr. 1 D-dur op. 11: IV. Menuetto I – Menuetto II
Serenade Nr. 1 D-dur op. 11: V. Scherzo. Allegro – Trio
Serenade Nr. 1 D-dur op. 11: VI. Rondo. Allegro
Shéhérazade: "Asie"
Shéhérazade: "L'indifférent"
Shéhérazade: "La flute enchantée"
Shéhérazade: I. "Asie"
Shéhérazade: II. La Flûte enchantée
Shéhérazade: III. "L'indifférent"
Sieben frühe Lieder: 1. Nacht
Sieben frühe Lieder: 2. Schilflied
Sieben frühe Lieder: 3. Die Nachtigall
Sieben frühe Lieder: 4. Traumgekrönt
Sieben frühe Lieder: 5. Im Zimmer
Sieben frühe Lieder: 6. Liebesode
Sieben frühe Lieder: 7. Sommertage
Sieben frühe Lieder: I. Nacht
Sieben frühe Lieder: II. Schilflied
Sieben frühe Lieder: III. Die Nachtigall
Sieben frühe Lieder: IV. Traumgekrönt
Sieben frühe Lieder: V. Im Zimmer
Sieben frühe Lieder: VI. Liebesode
Sieben frühe Lieder: VII. Sommertage
Siège de Corinthe, Le
signor Bruschino, Il
Silvesterkonzert 1995 MENDELSSOHN Ein Sommernachtstraum
Silvia, D 891, An
Simon Boccanegra
Simon Boccanegra: Act I, Scene I. "Come in quest'ora" (Amelia)
Simon Boccanegra: Act I, Scene II. "Cielo di stelle orbato" (Gabriele, Amelia)
Simon Boccanegra: Act I, Scene III. "Vieni a mirar la cerula" (Amelia)
Simon Boccanegra: Act I, Scene IV. "Ah!" - "Che fia?" (Amelia, Gabriele)
Simon Boccanegra: Act I, Scene V. "Propizio e giunge!" (Gabriele, Fiesco)
Simon Boccanegra: Act I, Scene VI. "Paolo" - "Signor" (Simon, Paolo - Amelia)
Simon Boccanegra: Act I, Scene VII. "Orfanella il tetto umile" (Amelia, Simon)
Simon Boccanegra: Act I, Scene VIII.-IX. "Il vuoi! Scordasti ch mi devi" (Paolo, Pietro)
Simon Boccanegra: Act I, Scene X.-XII. "Messeri, il re di Tartari" (Simon, Coro, Paolo, Pietro - Gabriele, Fiesco)
Simon Boccanegra: Act I, Scene X.-XII. "Plebe, Patrizi, Popolo" (Simon, Amelia, Pietro, Paolo, Gabriele, Fiesco, Coro)
Simon Boccanegra: Act II, Scene I.-III. "Quei due vedesti? (Paolo, Pietro - Fiesco)
Simon Boccanegra: Act II, Scene IV."Udisti?" - "Vil disegno" (Paolo, Gabriele)
Simon Boccanegra: Act II, Scene V."O inferno! Amelia qui!" (Gabriele)
Simon Boccanegra: Act II, Scene VI."Tu qui?" - "Amelia" (Amelia, Gabriele)
Simon Boccanegra: Act II, Scene VII."Figlia" - "Si afflitto, o padre mio" (Simon, Amelia)
Simon Boccanegra: Act II, Scene VIII.-IX. "Ei dorme! Quale Sento ritegno?" (Gabriele - Amelia, Simon)
Simon Boccanegra: Act II, Scene VIII.-IX. "Perdon, Amelia. Indomito geloso" (Gabriele, Simon, Amelia)
Simon Boccanegra: Act III, Scene I.-II. "Eviva il Doge" (Coro, Capitano, Fiesco, Paolo)
Simon Boccanegra: Act III, Scene III. "Cittadini! per ordine de Doge" (Capitano)
Simon Boccanegra: Act III, Scene III. "M'ardon le tempia..." (Simon, Fiesco)
Simon Boccanegra: Act III, Scene III. "Piango, perche mi parla" (Fiesco, Simon)
Simon Boccanegra: Act III, Scene IV. "Chi veggo!" - "Vien..." (Amelia, Simon, Gabriele, Fiesco, Coro)
Simon Boccanegra: Atto II. "O inferno! Amelia qui!" (Gabriele Adorno)
Simon Boccanegra: Prologue, Scene I.-IV. "All'alba tutti qui verrete" (Pietro, Coro, Paolo)
Simon Boccanegra: Prologue, Scene I.-IV. "Che dicesti?" (Paolo, Pietro - Simon)
Simon Boccanegra: Prologue, Scene I.-IV. "L'atra magion vedete?" (Paolo, Coro, Pietro)
Simon Boccanegra: Prologue, Scene V. "A te l'estreme addio" (Fiesco - Coro)
Simon Boccanegra: Prologue, Scene VI.-VII. "O de' Fieschi implacata" (Simon, Fiesco, Coro)
Simon Boccanegra: Prologue, Scene VI.-VII. "Suona ogni labbro il mio nome..." (Simon, Fiesco)
Sinfonia Concertante in B-flat major, Hob. I:105: I. Allegro
Sinfonia Concertante in B-flat major, Hob. I:105: II. Andante
Sinfonia Concertante in B-flat major, Hob. I:105: III. Allegro con spirito
Sinfonia Concertante in E-flat major, K. 364 (320d): I. Allegro maestoso
Sinfonia Concertante in E-flat major, K. 364 (320d): II. Andante
Sinfonia Concertante in E-flat major, K. 364 (320d): III. Presto
Sinfonia concertante in E-flat, K. 297b: 1. Allegro
Sinfonia concertante in E-flat, K. 297b: 2. Adagio
Sinfonia concertante in E-flat, K. 297b: 3. Andantino con variazione
Sinfonia N. 6 “Tragica”
Sinfonia n. 6 in si minore op. 74 "Patetica"
Sinfonia n.6 in La minore “Tragica”: I. Allegro, energico, ma non troppo - Heftig, aber markig
Sinfonia n.6 in La minore “Tragica”: II. Scherzo - Wuchtig
Sinfonia n.6 in La minore “Tragica”: III. Andante moderato
Sinfonia n.6 in La minore “Tragica”: IV. Finale - Allegro moderato - Allegro energico
Sinfonia No. 4 Op. 36 / Romeo y Julieta
Sinfonietta / Tagebuch eines Verschollenen
Sinfonietta: I. Allegretto
Sinfonietta: I. Allegretto - Allegro - Maestoso
Sinfonietta: I. Allegretto: Allegro
Sinfonietta: II. Andante
Sinfonietta: II. Andante - Allegretto
Sinfonietta: II. Andante: Allegretto
Sinfonietta: III. Moderato
Sinfonietta: IV. Allegretto
Sinfonietta: V. Andante con moto
Six Symphonies / The Nutcracker Suite / Romeo and Juliet / The Tempest, The
Six Symphonies, The
Slavonic March, op. 31
sonnambula: "Ah! Non credea mirarti", La
sonnambula: "Ah! Non giunge uman pensiero", La
sonnambula: "Ah! Se una volta solo rivederlo potessi", La
St. John's Night on the Bare Mountain
St. John's Night on the Bare Mountain / Excerpts from Khovanshchina
Stabat Mater
Stabat Mater / Violin Concerto / Salve Regina in C minor
Stabat Mater: Aria (Contralto). Allegro. "Quae moerebat et dolebat"
Stabat Mater: Aria (Contralto). Andantino. "Eia, Mater, fons amoris"
Stabat Mater: Aria (Contralto). Largo. "Fac, ut portem Christi mortem"
Stabat Mater: Aria (Soprano). A tempo giusto. "Vidit suum dulcem natum"
Stabat Mater: Aria (Soprano). Andante amoroso. "Cuius animam gementem"
Stabat Mater: Duetto. A tempo giusto. "Sancta Mater, istud agas"
Stabat Mater: Duetto. Allegro (ma non troppo). "Inflammatus et accensus"
Stabat Mater: Duetto. Allegro. "Fac, ut ardeat cor meum"
Stabat Mater: Duetto. Grave. "Stabat Mater dolorosa"
Stabat Mater: Duetto. Larghetto. "O quam tristis et afflicta"
Stabat Mater: Duetto. Largo – Allegro. "Quis est homo, qui non fleret"
Stabat Mater: Duetto. Largo assai – Presto assai. "Quando corpus morietur"
Stabat Mater: I. Duet: Stabat mater dolorosa
Stabat Mater: II. Aria (soprano): Cuius animam gementem
Stabat Mater: III. Duet: O quam tristis et afflicta
Stabat Mater: IV. Aria (contralto): Quae moerebat et dolebat
Stabat Mater: IX. Duet: Sancta mater, istud agas
Stabat Mater: V. Duet: Quis est homo, qui non fleret
Stabat Mater: VI. Aria (soprano): Vidit suum dulcem natum
Stabat Mater: VII. Aria (contralto): Eia, mater, fons amoris
Stabat Mater: VIII. Duet: Fac, ut ardeat cor meum
Stabat Mater: X. Aria (contralto): Fac, ut portem Christi mortem
Stabat Mater: XI. Duet: Inflammatus et accensus
Stabat Mater: XII. Duet: Quando corpus morietur — Amen
Stele: I. Adagio
Stele: II. Lamentoso disperato, con moto
Stele: III. Molto sostenuto
Suite from "Chout", op. 21b: I. The buffoon and his wife
Suite from "Chout", op. 21b: II. Dance of the wives
Suite from "Chout", op. 21b: III. The buffoons kill their wives
Suite from "Chout", op. 21b: IV. Dance of the buffoons' daughters
Suite from "Chout", op. 21b: IX. Final dance
Suite from "Chout", op. 21b: V. In the merchant's bedroom
Suite from "Chout", op. 21b: VI. The young wife becomes a goat
Suite from "Chout", op. 21b: VII. The burial of the goat
Suite from "Chout", op. 21b: VIII. Quarrel between the buffoon and the merchant
Symphonic Metamorphoses on Themes by Carl Maria von Weber: I. Allegro
Symphonic Metamorphoses on Themes by Carl Maria von Weber: II. Turandot, Scherzo: Moderato - Lebhaft
Symphonic Metamorphoses on Themes by Carl Maria von Weber: III. Andantino
Symphonic Metamorphoses on Themes by Carl Maria von Weber: VI. Marsch
Symphonie "Mathis der Maler": I. "Engelkonzert", Ruhig bewegt
Symphonie "Mathis der Maler": II. "Grablegung", Sehr langsam
Symphonie "Mathis der Maler": III. "Versuchung des heiligen Antonius", Sehr langsam, frei im Zeitmass - Sehr lebhaft
Symphonie 1 c-moll
Symphonie B-dur Hob. I:98: I. Adagio - Allegro
Symphonie B-dur Hob. I:98: II. Adagio cantabile
Symphonie B-dur Hob. I:98: III. Menuetto. Allegro
Symphonie B-dur Hob. I:98: IV. Finale. Presto
Symphonie classique, op. 25: III. Gavotta. Non troppo allegro
Symphonie classique, op. 25: IV. Finale. Molto vivace
Symphonie concertante pour violon, alto et orchestre en mi bémol majeur K. 364 : I. Allegro maestoso
Symphonie concertante pour violon, alto et orchestre en mi bémol majeur K. 364 : II. Andante
Symphonie concertante pour violon, alto et orchestre en mi bémol majeur K. 364 : III. Presto
Symphonie Fantastique
Symphonie fantastique Op. 14: 1. Rêveries - Passions. Largo - Allegro agitato e appassionato assai - Religiosamente
Symphonie fantastique Op. 14: 2. Un bal. Valse. Allegro non troppo
Symphonie fantastique Op. 14: 3. Scène aux champs. Adagio
Symphonie fantastique Op. 14: 4. Marche au supplice. Allegretto non troppo
Symphonie fantastique Op. 14: 5. Songe d'une nuit du Sabbat - Dies Irae - Ronde du Sabbat - Dies Irae et Ronde du Sabbat ensemble. Larghetto - Allegro
Symphonie Fantastique: I. Rêveries - Passions: Largo - Allegro agitato e appassionato assai
Symphonie Fantastique: II. A Ball
Symphonie Fantastique: II. Un bal: Valse - Allegro non troppo
Symphonie Fantastique: III. Scène aux champs: Adagio
Symphonie Fantastique: IV. March to the Scaffold
Symphonie Fantastique: IV. Marche au supplice: Allegretto non troppo
Symphonie Fantastique: V. Songe d'une nuit du Sabbat: Dies irae
Symphonie Fantastique: V. Songe d'une nuit du Sabbat: Dies irae et Ronde du Sabbat ensemble
Symphonie Fantastique: V. Songe d'une nuit du Sabbat: Larghetto - Allegro
Symphonie Fantastique: V. Songe d'une nuit du Sabbat: Ronde du Sabbat
Symphonie G-dur Hob. I:100 "Militär Sinfonie": I. Adagio - Allegro
Symphonie G-dur Hob. I:100 "Militär Sinfonie": II. Allegretto
Symphonie G-dur Hob. I:100 "Militär Sinfonie": III. Menuet. Moderato
Symphonie G-dur Hob. I:100 "Militär Sinfonie": IV. Finale. Presto
Symphonie n°23 en ré majeur K. 181 : I. Allegro spiritoso
Symphonie n°23 en ré majeur K. 181 : II. Andantino grazioso
Symphonie n°23 en ré majeur K. 181 : III. Presto assai
Symphonie n°36 en ut majeur "Linz" K. 425 : I. Adagio - Allegro spiritoso
Symphonie n°36 en ut majeur "Linz" K. 425 : II. Andante
Symphonie n°36 en ut majeur "Linz" K. 425 : III. Menuetto - Trio
Symphonie n°36 en ut majeur "Linz" K. 425 : IV. Presto
Symphonie No. 1
Symphonie no. 1 / Symphonie no. 10 - Adagio
Symphonie No. 1 C-Dur, Op. 21: I. Adagio molto - Allegro con brio
Symphonie No. 1 C-Dur, Op. 21: II. Andante cantabile con moto
Symphonie No. 1 C-Dur, Op. 21: III. Menuetto. Allegro molto e vivace
Symphonie No. 1 C-Dur, Op. 21: III. Menuetto. Allegro molto e vivace - Trio
Symphonie No. 1 C-Dur, Op. 21: IV. Adagio - allegro molto e vivace
Symphonie No. 1 C-Dur, Op. 21: IV. Finale. Adagio - Allegro molto e vivace
Symphonie No. 1 c-moll, Op. 11: IV. Allegro con fuoco
Symphonie No. 1 D-dur
Symphonie No. 1 in D
Symphonie No. 1 in D: I. Langsam. Schleppend. Wie ein Naturlaut – Im Anfang sehr gemächlich
Symphonie No. 1 in D: II. Kräftig bewegt, doch nicht zu schnell – Trio. Recht gemächlich
Symphonie No. 1 in D: III. Feierlich und gemessen, ohne zu schleppen
Symphonie No. 1 in D: IV. Stürmisch bewegt
Symphonie No. 10 fis-moll: a. Adagio. Andante
Symphonie No. 10 fis-moll: b. Andante come prima
Symphonie No. 10 fis-moll: c. (Bratschen)
Symphonie No. 10 fis-moll: d. Ziffer 24
Symphonie No. 10 fis-moll: e. a tempo
Symphonie No. 2 "Lobgesang"
Symphonie No. 2 D-Dur, Op. 36: I. Adagio molto - Allegro con brio
Symphonie No. 2 D-Dur, Op. 36: II. Larghetto
Symphonie No. 2 D-Dur, Op. 36: III. Scherzo. Allegro
Symphonie No. 2 D-Dur, Op. 36: III. Scherzo. Allegro - Trio
Symphonie No. 2 D-Dur, Op. 36: IV. Allegro molto
Symphonie No. 2 in C minor, "Resurrection": I. Allegro maestoso
Symphonie No. 2 in C minor, "Resurrection": I. Sehr langsam beginnend
Symphonie No. 2 in C minor, "Resurrection": I. Sehr mäßig und zurückhaltend
Symphonie No. 2 in C minor, "Resurrection": II. Andante moderato. Sehr gemächlich
Symphonie No. 2 in C minor, "Resurrection": III. Scherzo: In ruhig fliessender Bewegung
Symphonie No. 2 in C minor, "Resurrection": IV. "Urlicht". Sehr feierlich, aber schlicht "O Röschen rot!"
Symphonie No. 2 in C minor, "Resurrection": Va. Im Tempo des Scherzos. Wild herausfahrend
Symphonie No. 2 in C minor, "Resurrection": Vb. Langsam
Symphonie No. 2 in C minor, "Resurrection": Vc. Im Anfang sehr zurückgehalten
Symphonie No. 2 in C minor, "Resurrection": Vd. Wieder sehr breit
Symphonie No. 2 in C minor, "Resurrection": Ve. Maestoso. Sehr zurückhaltend
Symphonie No. 2 in C minor, "Resurrection": Vf. Wieder zurückhaltend
Symphonie No. 2 in C minor, "Resurrection": Vg. Langsam. Immer noch mehr zurückhaltend
Symphonie No. 2 in C minor, "Resurrection": Vh. Sehr langsam und gedehnt
Symphonie No. 2 in C minor, "Resurrection": Vi. Langsam. Misterioso
Symphonie No. 2 in C minor, "Resurrection": Vj. Etwas bewegter
Symphonie No. 2 in C minor, "Resurrection": Vk. Wieder etwas zurückhaltend
Symphonie no. 3
Symphonie No. 3 "Eroica" / Coriolan Ouvertüre
Symphonie no. 3 / Tragische Ouvertüre / Schicksalslied
Symphonie No. 3 d-moll
Symphonie No. 3 Es-Dur, Op. 55 "Eroica": I. Allegro con brio
Symphonie No. 3 Es-Dur, Op. 55 "Eroica": II. Marcia funebre. Adagio assai
Symphonie No. 3 Es-Dur, Op. 55 "Eroica": III. Scherzo. Allegro vivace
Symphonie No. 3 Es-Dur, Op. 55 "Eroica": III. Scherzo. Allegro vivace – Trio
Symphonie No. 3 Es-Dur, Op. 55 "Eroica": IV. Finale. Allegro molto
Symphonie No. 3 Es-Dur, Op. 55 "Eroica": IV. Finale. Allegro molto – Poco andante – Presto
Symphonie No. 3: Abteilung I: I, 3 Takte nach Ziffer 54. (Allegro moderato)
Symphonie No. 3: Abteilung I: I, Ziffer 13. Langsam. Schwer
Symphonie No. 3: Abteilung I: I, Ziffer 18. Tempo I
Symphonie No. 3: Abteilung I: I, Ziffer 29. a tempo
Symphonie No. 3: Abteilung I: I, Ziffer 43. Immer dasselbe Tempo (Marsch)
Symphonie No. 3: Abteilung I: I, Ziffer 62. Tempo I
Symphonie No. 3: Abteilung I: I. Kräftig. Entschieden
Symphonie No. 3: Abteilung II: II, Ziffer 14. Ganz plötzlich gemächlich. Tempo di Menuetto
Symphonie No. 3: Abteilung II: II, Ziffer 6. a tempo
Symphonie No. 3: Abteilung II: II. Tempo di Menuetto. Sehr mäßig
Symphonie No. 3: Abteilung II: III, 2 Takte vor Ziffer 17. Tempo I
Symphonie No. 3: Abteilung II: III, Ziffer 14. Sehr gemächlich (Posthorn)
Symphonie No. 3: Abteilung II: III, Ziffer 27. Wieder sehr gemächlich, beinahe langsam
Symphonie No. 3: Abteilung II: III, Ziffer 6. Wieder sehr gemächlich, wie zu Anfang
Symphonie No. 3: Abteilung II: III. Comodo. Scherzando. Ohne Hast
Symphonie No. 3: Abteilung II: IV, 6 Takte nach Ziffer 6. Più mosso subito
Symphonie No. 3: Abteilung II: IV. Sehr langsam. Misterioso. Durchaus ppp
Symphonie No. 3: Abteilung II: V. Lustig im Tempo und keck im Ausdruck
Symphonie No. 3: Abteilung II: VI, Ziffer 14. a tempo (Etwas bewegter)
Symphonie No. 3: Abteilung II: VI, Ziffer 21. Tempo I
Symphonie No. 3: Abteilung II: VI, Ziffer 25. Langsam. Tempo I
Symphonie No. 3: Abteilung II: VI, Ziffer 4. Nicht mehr so breit
Symphonie No. 3: Abteilung II: VI, Ziffer 9. Tempo I. Ruhevoll
Symphonie No. 3: Abteilung II: VI. Langsam. Ruhevoll. Empfunden
Symphonie No. 4
Symphonie no. 4 / Symphonie no. 2 "Kleinrussische"
Symphonie No. 4 B-Dur, Op. 60: I. Adagio – Allegro vivace
Symphonie No. 4 B-Dur, Op. 60: II. Adagio
Symphonie No. 4 B-Dur, Op. 60: III. Allegro moltoe vivace – Trio. Un poco meno allegro
Symphonie No. 4 B-Dur, Op. 60: III. Allegro vivace
Symphonie No. 4 B-Dur, Op. 60: IV. Allegro ma non troppo
Symphonie No. 4 G-dur: I. Bedächtig. Nicht eilen
Symphonie No. 4 G-dur: II. In gemächlicher Bewegung. Ohne Hast
Symphonie No. 4 G-dur: III. Ruhevoll
Symphonie no. 4 G-dur: IV. Sehr behaglich
Symphonie No. 4 in E flat major "Romantic"
Symphonie No. 4 in E flat major "Romantic": I. Bewegt, nicht zu schnell
Symphonie No. 4 in E flat major "Romantic": II. Andante quasi Allegretto
Symphonie No. 4 in E flat major "Romantic": III. Scherzo. Bewegt - Trio. Nicht zu schnell. Keinesfalls schleppend - Scherzo
Symphonie No. 4 in E flat major "Romantic": IV. Finale. Bewegt, doch nicht zu schnell
Symphonie No. 5
Symphonie no. 5 c-Moll, op. 67: I. Allegro con brio
Symphonie no. 5 c-Moll, op. 67: II. Andante con moto
Symphonie no. 5 c-Moll, op. 67: III. Allegro
Symphonie no. 5 c-Moll, op. 67: IV. Allegro - Presto
Symphonie No. 6 »Pastorale« · Chor-Fantasie · Meeresstille Und Glückliche Fahrt
Symphonie No. 6 / Rückert-Lieder
Symphonie No. 6 F-Dur, Op. 68 "Pastorale": I. Allegro ma non troppo "Erwachen heiterer Gefühle bei der Ankunft auf dem Lande"
Symphonie No. 6 F-Dur, Op. 68 "Pastorale": II. Andante molto mosso "Szene am Bach"
Symphonie No. 6 F-Dur, Op. 68 "Pastorale": III. Allegro "Lustiges Zusammensein der Landleute"
Symphonie No. 6 F-Dur, Op. 68 "Pastorale": IV. Allegro "Gewitter und Sturm"
Symphonie No. 6 F-Dur, Op. 68 "Pastorale": V. Allegretto "Hirtengesänge - Frohe und dankbare Gefühle nach dem Sturm"
Symphonie no. 6 F-Dur, op. 68 “Pastorale”: I. Angenehme, heitere Empfindungen welche bei der Ankunftauf dem Lande im Menschen erwachen. Allegro ma non troppo
Symphonie no. 6 F-Dur, op. 68 “Pastorale”: II. Szene am Bach. Andante molto mosso
Symphonie no. 6 F-Dur, op. 68 “Pastorale”: III. Lustiges Zusammensein der Landleute. Allegro
Symphonie no. 6 F-Dur, op. 68 “Pastorale”: IV. Donner, Sturm. Allegro
Symphonie no. 6 F-Dur, op. 68 “Pastorale”: V. Hirtengesang. Wohltätige, mit Dank an die Gottheit verbundene Gefühlenach dem Sturm. Allegretto
Symphonie no. 7
Symphonie No. 7 in E-Dur: I. Allegro moderato
Symphonie No. 7 in E-Dur: II. Adagio. Sehr feierlich und sehr langsam
Symphonie No. 7 in E-Dur: III. Scherzo. Sehr schnell - Trio. Etwas langsamer
Symphonie No. 7 in E-Dur: IV. Finale. Bewegt, doch nicht schnell
Symphonie no. 8
Symphonie No. 8 - Teil 2 - Allegro
Symphonie No. 8 - Teil 2 - Allegro deciso
Symphonie No. 8 - Teil 2 - Äußerst langsam
Symphonie No. 8 - Teil 2 - Fließend
Symphonie No. 8 - Teil 2 - Im Angang noch etwas gehalten
Symphonie No. 8 - Teil 2 - Moderato
Symphonie No. 8 - Teil 2 - Molto leggiero
Symphonie No. 8 - Teil 2 - Piu mosso
Symphonie No. 8 - Teil 2 - Poco Adagio
Symphonie No. 8 - Teil 2 - Schon etwas langsamer und immer noch mabiger
Symphonie No. 8 - Teil 2 - Sehr Langsam
Symphonie No. 8 - Teil 2 - Sehr langsam beginnend
Symphonie No. 8 - Teil 2 - Sempre l'istesso tempo
Symphonie No. 8 - Teil 2 - Una poenitentium
Symphonie No. 8 - Teil 2 - Unmerklich frischer werden
Symphonie No. 8 - Teil 2 - Wieder langsam
Symphonie No. 8 F-Dur, Op. 93: I. Allegro vivace e con brio
Symphonie No. 8 F-Dur, Op. 93: II. Allegretto scherzando
Symphonie No. 8 F-Dur, Op. 93: III. Tempo di menuetto
Symphonie No. 8 F-Dur, Op. 93: IV. Allegro vivace
Symphonie No. 8: Teil 2. Schlußszene aus Goethes "Faust II": 1. Poco Adagio
Symphonie No. 8: Teil 2. Schlußszene aus Goethes "Faust II": 10. "Höchste Herrscherin der Welt"
Symphonie No. 8: Teil 2. Schlußszene aus Goethes "Faust II": 11. "Dir, der Unberührbaren" - "Du schwebst zu Höhen"
Symphonie No. 8: Teil 2. Schlußszene aus Goethes "Faust II": 12. "Bei der Liebe", "Bei dem Bronn", "Bei dem hochgeweihten Orte"
Symphonie No. 8: Teil 2. Schlußszene aus Goethes "Faust II": 13. "Neige, neige, du Ohnegleiche"
Symphonie No. 8: Teil 2. Schlußszene aus Goethes "Faust II": 14. "Er überwächst uns schon", "Vom edlen Geisterchor umgeben"
Symphonie No. 8: Teil 2. Schlußszene aus Goethes "Faust II": 15. "Komm! hebe dich zu höhern Sphären", "Blicket auf zum Retterblick"
Symphonie No. 8: Teil 2. Schlußszene aus Goethes "Faust II": 16. "Alles Vergängliche"
Symphonie No. 8: Teil 2. Schlußszene aus Goethes "Faust II": 2. Più mosso (Allegro moderato)
Symphonie No. 8: Teil 2. Schlußszene aus Goethes "Faust II": 3. "Waldung, sie schwankt heran"
Symphonie No. 8: Teil 2. Schlußszene aus Goethes "Faust II": 4. "Ewiger Wonnebrand"
Symphonie No. 8: Teil 2. Schlußszene aus Goethes "Faust II": 5. 'Wie Felsenabgrund mir zu Füßen"
Symphonie No. 8: Teil 2. Schlußszene aus Goethes "Faust II": 6. "Gerettet ist das edle Glied' - 'Hände verschlinget"
Symphonie No. 8: Teil 2. Schlußszene aus Goethes "Faust II": 7. "Jene Rosen, aus den Händen"
Symphonie No. 8: Teil 2. Schlußszene aus Goethes "Faust II": 8. "Uns bleibt ein Erdenrest"
Symphonie No. 8: Teil 2. Schlußszene aus Goethes "Faust II": 9. "Ich spür' soeben", "Freudig empfangen wir", "Hier ist die Aussicht frei"
Symphonie No. 9
Symphonie No. 9 D-dur: Ia. Andante comodo
Symphonie No. 9 D-dur: Ib. Etwas frischer
Symphonie No. 9 D-dur: Ic. Tempo I
Symphonie No. 9 D-dur: Id. Mit Wut. Allegro risoluto
Symphonie No. 9 D-dur: Ie. Leidenschaftlich
Symphonie No. 9 D-dur: If. Schattenhaft
Symphonie No. 9 D-dur: Ig. Etwas fließender
Symphonie No. 9 D-dur: Ih. Wie von Anfang
Symphonie No. 9 D-dur: Ii. Schon ganz langsam
Symphonie No. 9 D-dur: IIa. Im Tempo eines gemaelichen Ländlers. Etwas täppisch und sehr derb
Symphonie No. 9 D-dur: IIb. Poco più mosso subito (Tempo II)
Symphonie No. 9 D-dur: IIc. Tempo III
Symphonie No. 9 D-dur: IId. a tempo II
Symphonie No. 9 D-dur: IIe. Tempo I
Symphonie No. 9 D-dur: IIf. Tempo II
Symphonie No. 9 D-dur: IIg. (8 Takte vor >> Tempo I subito<<)
Symphonie No. 9 D-dur: IIIa. Rondo-Burleske. Allegro assai. Sehr trotzig
Symphonie No. 9 D-dur: IIIb. L'istesso tempo
Symphonie No. 9 D-dur: IIIc. Sempre l'istesso tempo
Symphonie No. 9 D-dur: IIId. Sempre l'istesso tempo
Symphonie No. 9 D-dur: IIIe. (Klarinetten)
Symphonie No. 9 D-dur: IIIf. Tempo I subito
Symphonie No. 9 D-dur: IIIg. Più stretto
Symphonie No. 9 D-dur: IVa. Adagio. Sehr langsam und noch zurückhaltend
Symphonie No. 9 D-dur: IVb. Plötzlich wieder sehr langsam (wie zu Anfang) und etwas zögernd
Symphonie No. 9 D-dur: IVc. Molto adagio subito
Symphonie No. 9 D-dur: IVd. a tempo (Molto adagio)
Symphonie No. 9 D-dur: IVe. Stets sehr gehalten
Symphonie No. 9 D-dur: IVf. Fließender, doch durchaus nicht eilend
Symphonie No. 9 D-dur: IVg. Tempo I. Molto adagio
Symphonie No. 9 D-dur: IVh. Adagissimo
Symphonie No. 9 d-Moll, Op. 125: I. Allegro ma non troppo, un poco maestoso
Symphonie No. 9 d-Moll, Op. 125: II. Molto vivace
Symphonie No. 9 d-Moll, Op. 125: III. Adagio molto e cantabile
Symphonie No. 9 d-Moll, Op. 125: IV. Presto "Oh Freunde, nicht diese Töne!" - Allegro assai (Schlusschor über Schillers Ode "An die Freude")
Symphonie no.6 "Pastorale" / Overtüren "König Stephan", "Die Weihe des Hauses"
Symphonie Nr. 1 c‐moll: 1. Allegro
Symphonie Nr. 1 c‐moll: 2. Adagio
Symphonie Nr. 1 c‐moll: 3. Scherzo: Schnell: Trio: Langsamer
Symphonie Nr. 1 c‐moll: 4. Finale: Bewegt, feurig
Symphonie Nr. 1 D-Dur, D. 82: I. Adagio - Allegro vivace
Symphonie Nr. 1 D-Dur, D. 82: II. Andante
Symphonie Nr. 1 D-Dur, D. 82: III. Menuetto. Allegro
Symphonie Nr. 1 D-Dur, D. 82: IV. Allegro vivace
Symphonie Nr. 2 B-Dur, D. 125: I. Largo - Allegro vivace
Symphonie Nr. 2 B-Dur, D. 125: II. Andante
Symphonie Nr. 2 B-Dur, D. 125: III. Menuetto. Allegro vivace
Symphonie Nr. 2 B-Dur, D. 125: IV. Presto
Symphonie Nr. 3 D-Dur, D 200: I. Adagio maestoso - Allegro con brio
Symphonie Nr. 3 D-Dur, D 200: II: Allegretto
Symphonie Nr. 3 D-Dur, D 200: III. Menuetto. Vivace
Symphonie Nr. 3 D-Dur, D 200: IV. Presto vivace
Symphonie Nr. 3 in F-dur, op. 90: I. Allegro con brio
Symphonie Nr. 3 in F-dur, op. 90: II. Andante
Symphonie Nr. 3 in F-dur, op. 90: III. Poco Allegretto
Symphonie Nr. 3 in F-dur, op. 90: IV. Allegro
Symphonie Nr. 4 / Haydn-Variationen
Symphonie Nr. 4 / Symphonie Nr. 2 »Kleinrussische«
Symphonie Nr. 4 c-Moll, D 417 "Tragische": I. Adagio molto - Allegro vivace
Symphonie Nr. 4 c-Moll, D 417 "Tragische": II. Andante
Symphonie Nr. 4 c-Moll, D 417 "Tragische": III. Menuetto. Allegro vivace
Symphonie Nr. 4 c-Moll, D 417 "Tragische": IV. Allegro
Symphonie Nr. 4 e-Moll op. 98: 1. Allegro non troppo
Symphonie Nr. 4 e-Moll op. 98: 2. Andante moderato
Symphonie Nr. 4 e-Moll op. 98: 3. Allegro giocoso – Poco meno presto – Tempo I
Symphonie Nr. 4 e-Moll op. 98: 4. Allegro energico e passionato – Più Allegro
Symphonie Nr. 40 / Symphonie Nr. 41 "Jupiter"
Symphonie Nr. 5 B-Dur, D 485: I. Allegro
Symphonie Nr. 5 B-Dur, D 485: II. Andante con moto
Symphonie Nr. 5 B-Dur, D 485: III. Menuetto. Allegro molto - Trio
Symphonie Nr. 5 B-Dur, D 485: IV. Allegro vivace
Symphonie Nr. 5 c-moll, op. 67: I. Allegro con brio
Symphonie Nr. 5 c-moll, op. 67: II. Andante con moto
Symphonie Nr. 5 c-moll, op. 67: III. Allegro
Symphonie Nr. 5 c-moll, op. 67: IV. Allegro
Symphonie Nr. 5 D-dur op. 107 "Reformations-Symphonie" - IV. Choral "Ein' feste Burg ist unser Gott" - Andante con moto. Allegro maestoso
Symphonie Nr. 6 »Pathétique« / »Romeo & Julia«
Symphonie Nr. 6 C-Dur, D 589: I. Adagio - Allegro
Symphonie Nr. 6 C-Dur, D 589: II. Andante
Symphonie Nr. 6 C-Dur, D 589: III. Scherzo. Presto - Più lento
Symphonie Nr. 6 C-Dur, D 589: IV. Allegro moderato
Symphonie Nr. 7 A-dur, op. 92: I. Poco sostenuto - Vivace
Symphonie Nr. 7 A-dur, op. 92: II. Allegretto
Symphonie Nr. 7 A-dur, op. 92: III. Presto
Symphonie Nr. 7 A-dur, op. 92: IV. Allegro con brio
Symphonie Nr. 8 "Unvollendete" / Grand Duo
Symphonie Nr. 9
Symphonie Nr. 9 / Rosamunde: Ouvertüre (Die Zauberharfe)
Symphonien 4 & 5
Symphonien no. 3 "Eroica" & no. 4
Symphonien no. 3 "Scottish" / no. 5 "Reformation"
Symphonien no. 5 & no. 6 “Pastorale”
Symphonien nos. 1 & 2
Symphonien Nos. 1 & 5 "Reformation"
Symphonien Nr. 4 & 5
Symphonien Nr. 5 & 7
Symphonien Nrs. 1 & 2
Symphonien Nrs. 3 & 4 "Tragische"
Symphonien Nrs. 5 & 6
Symphonien, Die
Symphonien: No. 3 »Schottische · Scottish · Écossaise« / No. 4 »Italienische · Italian · Italienne«
Symphonies
Symphonies 93 & 101 "The Clock"
Symphonies n° 1 "Rêves d'hiver" et n° 2 "Petite Russie"
Symphonies no. 39 & 40
Symphonies No. 6 "Pastorale" & No. 8
Symphonies nos. 1 & 2
Symphonies Nos. 1, 10
Symphonies Nos. 2 & 4
Symphonies Nos. 2, 5
Symphonies nos. 3 & 4 "Tragic"
Symphonies Nos. 4 5 6
Symphonies nos. 4-6
Symphonies nos. 40, 41
Symphonies Nos. 5, 6 "Pastoral" & 9
Symphonies nos. 7 & 8
Symphonies, The
Symphonische Metamorphosen nach Themen von Carl Maria von Weber: I. Allegro
Symphonische Metamorphosen nach Themen von Carl Maria von Weber: II. "Turandot, Scherzo". Moderato - Lebhaft
Symphonische Metamorphosen nach Themen von Carl Maria von Weber: III. Andantino
Symphonische Metamorphosen nach Themen von Carl Maria von Weber: IV. Marsch
Symphony "Mathis der Maler" / Violin Concerto / Symphonic Metamorphoses on themes of Weber
Symphony in B-flat major, Hob. I:102: I. Largo
Symphony in B-flat major, Hob. I:102: II. Adagio
Symphony in B-flat major, Hob. I:102: III. Menuet. Allegro - Trio
Symphony in B-flat major, Hob. I:102: IV. Finale. Presto
Symphony in B-flat major, Hob. I:98: I. Adagio - Allegro
Symphony in B-flat major, Hob. I:98: II. Adagio cantabile
Symphony in B-flat major, Hob. I:98: III. Menuetto. Allegro
Symphony in B-flat major, Hob. I:98: IV. Finale. Presto
Symphony in C major, D 944 “The Great”: 1. Andante – Allegro ma non troppo
Symphony in C major, D 944 “The Great”: 2. Andante con moto
Symphony in C major, D 944 “The Great”: 3. Scherzo. Allegro vivace – Trio
Symphony in C major, D 944 “The Great”: 4. Finale. Allegro vivace
Symphony in D major, Hob. I:101 "The Clock": I. Adagio - Presto
Symphony in D major, Hob. I:101 "The Clock": II. Andante
Symphony in D major, Hob. I:101 "The Clock": III. Menuet. Allegretto - Trio
Symphony in D major, Hob. I:101 "The Clock": IV. Finale. Vivace
Symphony in D major, Hob. I:93: I. Adagio - Allegro assai
Symphony in D major, Hob. I:93: II. Largo cantabile
Symphony in D major, Hob. I:93: III. Menuetto. Allegro - Trio
Symphony in D major, Hob. I:93: IV. Finale. Presto ma non troppo
Symphony in D major, Hob. I:96 "The Miracle": I. Adagio - Allegro
Symphony in D major, Hob. I:96 "The Miracle": II. Andante
Symphony in D major, Hob. I:96 "The Miracle": III. Menuetto. Allegretto - Trio - Menuetto
Symphony in D major, Hob. I:96 "The Miracle": IV. Finale. Vivace (assai)
Symphony in E-flat major, Hob. I:103 "Drum Roll": I. Adagio - Allegro con spirito
Symphony in E-flat major, Hob. I:103 "Drum Roll": II. Andante più tosto Allegretto
Symphony in E-flat major, Hob. I:103 "Drum Roll": III. Menuet - Trio
Symphony in E-flat major, Hob. I:103 "Drum Roll": IV. Finale. Allegro con spirito
Symphony in G major, Hob. I:100 "Military": I. Adagio - Allegro
Symphony in G major, Hob. I:100 "Military": II. Allegretto
Symphony in G major, Hob. I:100 "Military": III. Menuet. Moderato
Symphony in G major, Hob. I:100 "Military": IV. Finale. Presto
Symphony № 1 in C minor, op. 68
Symphony No. 1
Symphony no. 1 "Winter Dreams" / The Nutcracker (Suite)
Symphony No. 1 / Symphony No. 10 - Adagio
Symphony no. 1 in C major,op. 21: I. Adagio molto – Allegro con brio
Symphony no. 1 in C major,op. 21: II. Andante cantabile con molto
Symphony no. 1 in C major,op. 21: III. Menuetto. Allegro molto e vivace – Trio
Symphony no. 1 in C major,op. 21: IV. Finale. Adagio – Allegro molto e vivace
Symphony No. 1 in C minor (Linz version, 1866): I. Allegro molto moderato
Symphony No. 1 in C minor (Linz version, 1866): II. Adagio
Symphony No. 1 in C minor (Linz version, 1866): III. Scherzo
Symphony No. 1 in C minor (Linz version, 1866): VI. Finale: Bewegt, feurig
Symphony No. 1 in C minor, Op. 11: I. Allegro
Symphony No. 1 in C minor, Op. 11: II. Andante
Symphony No. 1 in C minor, Op. 11: III. Menuetto
Symphony No. 1 in C minor, Op. 68: I. Un poco sostenuto - Allegro
Symphony No. 1 in C minor, Op. 68: II. Andante sostenuto
Symphony No. 1 in C minor, Op. 68: III. Un poco allegretto e grazioso
Symphony No. 1 in C minor, Op. 68: IV. Adagio - Più andante - Allegro non troppo, ma con brio
Symphony no. 1 in C minor: I. Allegro
Symphony no. 1 in C minor: II. Adagio
Symphony no. 1 in C minor: III. Scherzo. Schnell - Trio. Langsamer
Symphony no. 1 in C minor: IV. Finale. Bewegt, feurig
Symphony No. 1 in D major, op. 25 "Classical": I. Allegro
Symphony No. 1 in D major, op. 25 "Classical": II. Larghetto
Symphony No. 1 in D major, op. 25 "Classical": III. Gavotta: Non troppo allegro
Symphony No. 1 in D major, op. 25 "Classical": IV. Finale: Molto vivace
Symphony no. 1 in D major, op. 25 “Classical Symphony”: I. Allegro
Symphony no. 1 in D major: I Langsam. Schleppend
Symphony no. 1 in D major: II Kräftig Bewegt
Symphony no. 1 in D major: III Feierlich Und Gemessen, Ohne Zu Schleppen
Symphony no. 1 in D major: IV Sturmisch Bewegt
Symphony no. 1 in G minor, op. 13 "Winter Dreams": I. Dreams of a Winter Journey. Allegro tranquillo
Symphony no. 1 in G minor, op. 13 "Winter Dreams": II. Gloomy Land, Misty Land. Adagio cantabile ma non tanto
Symphony no. 1 in G minor, op. 13 "Winter Dreams": III. Scherzo. Allegro sherzando giocoso
Symphony no. 1 in G minor, op. 13 "Winter Dreams": IV. Finale. Andante lugubre - Allegro maestoso
Symphony no. 10 in F-sharp (Unfinished): Adagio
Symphony no. 2 / Academic Festival Overture
Symphony no. 2 / Academic Festival Overture / Alto Rhapsody
Symphony no. 2 / Overtures
Symphony No. 2 in B-flat major, Op. 52: "Er zählet unsre Tränen in der Zeit der Not"
Symphony No. 2 in B-flat major, Op. 52: "Lobe den Herrn, meine Seele"
Symphony No. 2 in B-flat major, Op. 52: Adagio religioso
Symphony No. 2 in B-flat major, Op. 52: Allegretto un poco agitato
Symphony No. 2 in B-flat major, Op. 52: I. Sinfonia. Maestoso con moto
Symphony No. 2 in B-flat major, Op. 52: II. "Alles was Odem hat, lobe den Herrn"
Symphony No. 2 in B-flat major, Op. 52: III. "Saget es, die ihr erlöset seid durch den Herrn"
Symphony No. 2 in B-flat major, Op. 52: IV. "Sagt es, die ihr erlöset seid"
Symphony No. 2 in B-flat major, Op. 52: IX. "Drum sing ich mit meinem Liede ewig dein Lob"
Symphony No. 2 in B-flat major, Op. 52: V. "Ich harrete des Herrn"
Symphony No. 2 in B-flat major, Op. 52: VI. "Stricke des Todes hatten uns umfangen"
Symphony No. 2 in B-flat major, Op. 52: VII. "Die Nacht ist vergangen"
Symphony No. 2 in B-flat major, Op. 52: VIII. "Nun danket alle Gott"
Symphony No. 2 in B-flat major, Op. 52: X. "Ihr Völker, bringet her dem Herrn Ehre und Macht"
Symphony no. 2 in B‐flat, op. 52, MWV A 18 “Hymn Of Praise”: II. “Alles was Odem hat, lobe den Herrn” – “Lobe den Herrn, meine Seele”
Symphony no. 2 in C minor, "Resurrection": I. Allegro maestoso [Totenfeier]. Mit durchaus emstem und feierlichem Ausdruck
Symphony no. 2 in C minor, "Resurrection": II. Andante moderato. Sehr gemächlich
Symphony no. 2 in C minor, "Resurrection": III. [Scherzo]. In ruhig fliessender Bewegung - attacca
Symphony no. 2 in C minor, "Resurrection": III. Scherzo: In ruhig fließender Bewegung
Symphony no. 2 in C minor, "Resurrection": III. Scherzo: Sehr getragen und gesangvoll
Symphony no. 2 in C minor, "Resurrection": III. Scherzo: Zum Tempo I zurückkehren
Symphony no. 2 in C minor, "Resurrection": IV. "Urlicht": Sehr feierlich, aber schlicht - "O Röslein rot!"
Symphony no. 2 in C minor, "Resurrection": IV. "Urlicht". Sehr feierlich, aber schlicht - "O Röschen rot!"
Symphony no. 2 in C minor, "Resurrection": V. Im Tempo des Scherzo
Symphony no. 2 in C minor, "Resurrection": V. Im Tempo des Scherzo: Etwas bewegter - "O glaube, mein Herz, o glaube"
Symphony no. 2 in C minor, "Resurrection": V. Im Tempo des Scherzo: Im Anfang sehr zurückgehalten
Symphony no. 2 in C minor, "Resurrection": V. Im Tempo des Scherzo: Langsam
Symphony no. 2 in C minor, "Resurrection": V. Im Tempo des Scherzo: Langsam ppp. Nicht schleppen. - "Wieder aufzublühn wirst du gesät"
Symphony no. 2 in C minor, "Resurrection": V. Im Tempo des Scherzo: Langsam. Misterioso - "Auferstehen, ja auferstehen wirst du gesät"
Symphony no. 2 in C minor, "Resurrection": V. Im Tempo des Scherzo: Mit Aufschwung, aber nicht eilen - "O Schmerz, du Alldurchdringer"
Symphony no. 2 in C minor, "Resurrection": V. Im Tempo des Scherzo: Molto ritenuto. Maestoso
Symphony no. 2 in C minor, "Resurrection": V. Im Tempo des Scherzo: Sehr langsam und gedehnt
Symphony no. 2 in C minor, "Resurrection": V. Im Tempo des Scherzo: Wieder sehr breit
Symphony no. 2 in C minor, "Resurrection": V. Im Tempo des Scherzo: Wieder zurückhaltend
Symphony no. 2 in C minor, "Resurrection": V. Im Tempo des Scherzo. Wild herausfahrend
Symphony no. 2 in C minor, op. 17 "Little Russian": I. Andante sostenuto - Allegro vivo - Andante sostenuto
Symphony no. 2 in C minor, op. 17 "Little Russian": I. Andante sostenuto – Allegro vivo
Symphony no. 2 in C minor, op. 17 "Little Russian": II. Andantino marziale, quasi moderato
Symphony no. 2 in C minor, op. 17 "Little Russian": III. Scherzo and Trio: Allegro molto vivace
Symphony no. 2 in C minor, op. 17 "Little Russian": III. Scherzo. Allegro molto vivace - Trio. L'istesso tempo
Symphony no. 2 in C minor, op. 17 "Little Russian": IV. Finale. Moderato assai - Allegro vivo - Presto
Symphony no. 2 in C minor, op. 17 "Little Russian": IV. Finale. Moderato assai – Allegro vivo
Symphony no. 2 in C minor: "Resurrection"
Symphony no. 2 in C, op. 61: I. Sostenuto assai - Un poco più vivace - Allegro ma non troppo - Con fuoco
Symphony no. 2 in C, op. 61: II. Sostenuto assai - Un poco più vivace - Allegro ma non troppo - Con fuoco
Symphony no. 2 in C, op. 61: III. Adagio espresssivo
Symphony no. 2 in C, op. 61: IV. Allegro molto vivace
Symphony no. 2 in D major, op. 36: I. Adagio molto – Allegro con brio
Symphony no. 2 in D major, op. 36: II. Larghetto
Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro
Symphony no. 2 in D major, op. 36: IV. Allegro molto
Symphony no. 2 in D major, op. 73: I. Allegro non troppo
Symphony no. 2 in D major, op. 73: II. Adagio non troppo
Symphony no. 2 in D major, op. 73: III. Allegretto grazioso
Symphony no. 2 in D major, op. 73: III. Allegretto grazioso (quasi andantino)
Symphony no. 2 in D major, op. 73: IV. Allegro con spirito
Symphony no. 2: I. Allegro maestoso (Totenfeier): Mit durchaus ernstem und feierlichem Ausdruck
Symphony no. 2: I. Allegro maestoso (Totenfeier): Schnell
Symphony no. 2: I. Allegro maestoso (Totenfeier): Sehr mäßig und zurückhaltend
Symphony no. 2: I. Allegro maestoso (Totenfeier): Tempo I
Symphony no. 2: I. Allegro maestoso (Totenfeier): Tempo sustenuto
Symphony no. 2: II. Andante moderato: Energisch bewegt
Symphony no. 2: II. Andante moderato: In Tempo I zurückkehren
Symphony no. 2: II. Andante moderato: Nicht eilen. Sehr gemächlich
Symphony no. 2: II. Andante moderato: Sehr gemächlich
Symphony no. 2: II. Andante moderato: Wieder ins Tempo zurückgehen. Tempo I
Symphony No. 25 in G minor, K. 173dB/183: I. Allegro con brio
Symphony No. 25 in G minor, K. 173dB/183: II. Andante
Symphony No. 25 in G minor, K. 173dB/183: III. Minuetto & Trio
Symphony No. 25 in G minor, K. 173dB/183: IV. Allegro
Symphony No. 25, KV 183 / Symphony No. 31, KV 297 "Paris" / Maurerische Trauermusik, KV 477 / Symphony, KV 320 "The Posthorn"
Symphony no. 29 in A major, K. 186a/201: I. Allegro moderato
Symphony no. 29 in A major, K. 186a/201: II. Andante
Symphony no. 29 in A major, K. 186a/201: III. Menuetto - Trio
Symphony no. 29 in A major, K. 186a/201: IV. Allegro con spirito
Symphony No. 3
Symphony no. 3 in A minor "Scottish", op. 56: 1. Andante con moto - Allegro un poco agitato
Symphony no. 3 in A minor "Scottish", op. 56: II. Vivace non troppo –
Symphony no. 3 in A minor "Scottish", op. 56: III. Adagio
Symphony no. 3 in A minor "Scottish", op. 56: IV. Allegro vivacissimo – Allegro maestoso assai
Symphony No. 3 in A minor "Scottish": I. Andante con moto - Allegro un poco agitato
Symphony No. 3 in A minor "Scottish": II. Scherzo: Vivace non troppo
Symphony No. 3 in A minor "Scottish": III. Adagio
Symphony No. 3 in A minor "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai
Symphony No. 3 in C minor, op. 44 ": I. Moderato
Symphony No. 3 in C minor, op. 44 ": II. Andante
Symphony No. 3 in C minor, op. 44 ": III. Allegro agitato
Symphony No. 3 in C minor, op. 44 ": VI. Andante mosso - Allegro agitato
Symphony no. 3 in D major, op. 29 "Polish": I. Introduzione. Moderato assai (Tempo di marcia funebre) - Allegro brillante
Symphony no. 3 in D major, op. 29 "Polish": II. Alla tedesca. Allegro moderato e semplice
Symphony no. 3 in D major, op. 29 "Polish": III. Andante elegiaco
Symphony no. 3 in D major, op. 29 "Polish": IV. Scherzo. Allegro vivo
Symphony no. 3 in D major, op. 29 "Polish": V. Finale. Allegro con fuoco (Tempo di Polacca)
Symphony no. 3 in D minor, Part II: II. A tempo (Wie im Anfang)
Symphony no. 3 in D minor, Part II: II. Ganz Plötzlig gemächlich. Tempo di Menuetto (14)
Symphony no. 3 in D minor, Part II: II. L’istesso tempo (3)
Symphony no. 3 in D minor, Part II: II. Tempo di Menuetto. Sehr mäßig
Symphony no. 3 in D minor, Part II: III. Comodo. Scherzando. Ohne Hast
Symphony no. 3 in D minor, Part II: III. Etwas Zurückhaltend: 6 Takte vor/before/avant (14)
Symphony no. 3 in D minor, Part II: III. Tempo I: 2 Takte vor (17)
Symphony no. 3 in D minor, Part II: III. Wieder sehr gemächlich, beinahe langsam (27)
Symphony no. 3 in D minor, Part II: III. Wieder sehr gemächlich, wie zu Anfang (6)
Symphony no. 3 in D minor, Part II: IV. Più mosso subito: 6 Takte nach (6)
Symphony no. 3 in D minor, Part II: IV. Sehr langsam. Misterioso. Durchaus ppp
Symphony no. 3 in D minor, Part II: V. Lustig im Tempo und keck im Ausdruck
Symphony no. 3 in D minor, Part II: VI. Langsam. Ruhevoll. Empfunden
Symphony no. 3 in D minor, Part II: VI. Langsam. Tempo I (25)
Symphony no. 3 in D minor, Part II: VI. Nicht mehr so breit (13)
Symphony no. 3 in D minor, Part II: VI. Nicht mehr so breit (4)
Symphony no. 3 in D minor, Part II: VI. Tempo I (21)
Symphony no. 3 in D minor, Part II: VI. Tempo I Ruhevoll (9)
Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio
Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre. Adagio assai
Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo. Allegro vivace – Trio
Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale. Allegro molto – Poco andante – Presto
Symphony no. 3: Erste Abteilung “Kräftig. Entschieden”: I. Kraftig. Entschieden
Symphony no. 3: Erste Abteilung “Kräftig. Entschieden”: II. Immer das gleiche Tempo
Symphony no. 3: Erste Abteilung “Kräftig. Entschieden”: III. Tempo I
Symphony no. 3: Erste Abteilung “Kräftig. Entschieden”: IV. Zeit lassen
Symphony no. 3: Erste Abteilung “Kräftig. Entschieden”: V. Zeit lassen
Symphony no. 3: Erste Abteilung “Kräftig. Entschieden”: VI. Immer dasselbe Tempo (Marsch)
Symphony no. 3: Erste Abteilung “Kräftig. Entschieden”: VII. Im alten Marschtempo (Allegro moderato): 3 Takte nach
Symphony no. 3: Erste Abteilung “Kräftig. Entschieden”: VIII. Tempo I
Symphony no. 3: VI. Langsam. Ruhevoll. Empfunden (conclusion)
Symphony No. 31 in D major, K. 300a/297 "Paris": I. Allegro assai
Symphony No. 31 in D major, K. 300a/297 "Paris": II. Andante
Symphony No. 31 in D major, K. 300a/297 "Paris": III. Allegro
Symphony No. 31 in D major, K. 300a/297 (second version) "Paris": III. Andante
Symphony No. 33 in B-flat major, K. 319: I. Allegro assai
Symphony No. 33 in B-flat major, K. 319: II. Andante moderato
Symphony No. 33 in B-flat major, K. 319: III. Menuetto - Trio
Symphony No. 33 in B-flat major, K. 319: IV. Allegro assai
Symphony no. 35 in D major, K. 385 "Haffner": II. Andante
Symphony no. 35 in D major, K. 385 "Haffner": III. Menuetto - Trio
Symphony no. 35 in D major, K. 385 "Haffner": III. Minuetto
Symphony no. 35 in D major, K. 385 "Haffner": IV. Finale. Presto
Symphony no. 38 in D major, K. 504 "Prague": I. Adagio - Allegro
Symphony no. 38 in D major, K. 504 "Prague": II. Andante
Symphony no. 38 in D major, K. 504 "Prague": III. Presto
Symphony no. 39 in E-flat major, K 543: I. Adagio-Allegro
Symphony no. 39 in E-flat major, K 543: II. Andante con moto
Symphony no. 39 in E-flat major, K 543: III. Menuetto. Allegretto - Trio
Symphony no. 39 in E-flat major, K 543: IV. Finale. Allegro
Symphony no. 4
Symphony no. 4 / Haydn Variations
Symphony no. 4 / Romeo and Juliet
Symphony No. 4 in A major "Italian": I. Allegro vivace
Symphony No. 4 in A major "Italian": II. Andante con moto
Symphony No. 4 in A major "Italian": III. Con moto moderato
Symphony No. 4 in A major "Italian": IV. Saltarello: Presto
Symphony no. 4 in A major, op. 90 “Italian”: I. Allegro vivace
Symphony no. 4 in A major, op. 90 “Italian”: II. Andante con moto
Symphony no. 4 in A major, op. 90 “Italian”: III. Con moto moderato
Symphony no. 4 in A major, op. 90 “Italian”: IV. Saltarello: Presto
Symphony no. 4 in A major, op. 90: I. Allegro vivace
Symphony no. 4 in A major, op. 90: II. Andante con moto
Symphony no. 4 in A major, op. 90: III. Con moto moderato
Symphony no. 4 in A major, op. 90: IV. Salterello. Presto
Symphony no. 4 in B-flat major, op. 60: I. Adagio – Allegro vivace
Symphony no. 4 in B-flat major, op. 60: II. Adagio
Symphony no. 4 in B-flat major, op. 60: III. Allegro molto e vivace – Trio: Un poco meno allegro
Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo
Symphony no. 4 in E minor, op. 98: I. Allegro non troppo
Symphony no. 4 in E minor, op. 98: II. Andante moderato
Symphony no. 4 in E minor, op. 98: III. Allegro giocoso
Symphony no. 4 in E minor, op. 98: IV. Allegro energico e pass
Symphony no. 4 in E-flat major, WAB 104: I. Bewegt, nicht zu schnell
Symphony no. 4 in E-flat major, WAB 104: II. Andante quasi Allegretto
Symphony no. 4 in E-flat major, WAB 104: III. Scherzo. Bewegt - Trio. Nicht zu schnell. Keinesfalls schleppend - Scherzo
Symphony no. 4 in E-flat major, WAB 104: IV. Finale. Bewegt, doch nicht zu schnell
Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima
Symphony no. 4 in F minor, op. 36: I. Andante sostenuto – Moderato con anima
Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzona
Symphony no. 4 in F minor, op. 36: III. Scherzo. Pizzicato ostinato
Symphony no. 4 in F minor, op. 36: III. Scherzo. Pizzicato ostinato – Allegro
Symphony no. 4 in F minor, op. 36: IV. Finale. Allegro con fuoco
Symphony No. 4 in G major: I. Bedächtig. Nicht eilen
Symphony No. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast
Symphony No. 4 in G major: III. Ruhevoll (Poco adagio)
Symphony No. 4 in G major: IV. Sehr behaglich "Wir genießen die himmlischen Freuden"
Symphony no. 40 in G minor with clarinets, K. 550: I. Allegro molto
Symphony no. 40 in G minor with clarinets, K. 550: II. Andante
Symphony no. 40 in G minor with clarinets, K. 550: III. Minuetto. Allegretto & Trio
Symphony no. 40 in G minor with clarinets, K. 550: IV. Allegro assai
Symphony no. 40 in G minor, K 550: I. Molto allegro
Symphony no. 40 in G minor, K 550: II. Andante
Symphony no. 40 in G minor, K 550: III. Menuetto. Allegretto - Trio
Symphony no. 40 in G minor, K 550: IV. Allegro assai
Symphony No. 41 in C major, K. 551 "Jupiter": I. Allegro vivace
Symphony No. 41 in C major, K. 551 "Jupiter": II. Andante cantabile
Symphony No. 41 in C major, K. 551 "Jupiter": III. Menuetto. Allegretto - Trio
Symphony no. 41 in C major, K. 551 "Jupiter": III. Minuetto. Allegretto & Trio
Symphony no. 41 in C major, K. 551 "Jupiter": IV. Allegro molto
Symphony No. 41 in C major, K. 551 "Jupiter": IV. Molto allegro
Symphony No. 5
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
Symphony no. 5 in C minor, op. 67: II. Andante con moto
Symphony no. 5 in C minor, op. 67: III. Scherzo. Allegro
Symphony no. 5 in C minor, op. 67: IV. Allegro - Presto
Symphony No. 5 in C-sharp minor
Symphony No. 5 in D minor, Op. 107 "Reformation": I. Andante - Allegro con fuoco
Symphony No. 5 in D minor, Op. 107 "Reformation": II. Allegro vivace
Symphony No. 5 in D minor, Op. 107 "Reformation": III. Andante
Symphony No. 5 in D minor, Op. 107 "Reformation": IV. Choral "Ein' feste Burg ist unser Gott"
Symphony No. 5 in E minor, Op. 64: I. Andante - Allegro con anima
Symphony no. 5 in E minor, op. 64: I. Andante – Allegro con anima
Symphony no. 5 in E minor, op. 64: II. Andante cantabile – Moderato con anima – Andante mosso – Allegro con troppo – Tempo
Symphony No. 5 in E minor, Op. 64: II. Andante cantabile, con alcuna licenza - Moderato con anima - Andante mosso - Allegro non troppo - Tempo I
Symphony No. 5 in E minor, Op. 64: III. Finale. Andante maestoso - Allegro vivace - Moderato vivace Moderato assai e molto molto maestoso - Presto
Symphony No. 5 in E minor, Op. 64: III. Valse. Allegro moderato
Symphony no. 5 in E minor, op. 64: IV. Finale. Andante maestoso – Allegro vivace
Symphony No. 5 inB-flat major: 1. Introduction. Adagio - Allegro
Symphony No. 5 inB-flat major: 2. Adagio. Sehr langsam
Symphony No. 5 inB-flat major: 3. Scherzo. Molto vivace (schnell)
Symphony No. 5 inB-flat major: 4. Finale. Adagio
Symphony no. 5, op. 64 / Voyevode, op. 78
Symphony no. 5: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt
Symphony No. 5: I. Trauermarsch. In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich schneller. Leidenschaftlich. Wild - Tempo I
Symphony No. 5: II. Stürmisch bewegt, mit größter Vehemenz - Bedeutend langsamer - Tempo I subito
Symphony no. 5: II. Stürmisch bewegt. Mit größter Vehemenz
Symphony No. 5: III. Scherzo. Kräftig, nicht zu schnell
Symphony no. 5: IV. Adagietto. Sehr langsam
Symphony no. 5: V. Rondo-Finale. Allegro - Allegro giocoso. Frisch
Symphony No. 5. V. Rondo-Finale. Allegro - Allegro giocoso. Frisch
Symphony No. 6
Symphony no. 6 "Pathetique" / Marche Slave
Symphony no. 6 “Pathétique” / Romeo and Juliet
Symphony No. 6 in A minor, I. Allegro energico, ma non troppo. Heftig, aber markig
Symphony No. 6 in A minor, II. Scherzo. Wuchtig
Symphony No. 6 in A minor, III. Andante moderato
Symphony No. 6 in A minor: I. Allegro energico, ma non troppo
Symphony No. 6 in A minor: II. Andante moderato
Symphony No. 6 in A minor: III. Scherzo. Wuchtig
Symphony No. 6 in A minor: IV. Finale. Allegro moderato - Allegro energico
Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo - Andante - Moderato mosso - Andante - Moderato assai
Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia
Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace
Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Finale. Adagio lamentoso – Andante
Symphony No. 6 in B minor, Op. 74: I. Adagio - Allegro non troppo - Andante - Moderatomosso - Andante - Moderato assai - Allegro vivo - Andante come prima - Andante mosso
Symphony No. 6 in B minor, Op. 74: II. Allegro con grazia
Symphony No. 6 in B minor, Op. 74: III. Allegro molto vivace
Symphony No. 6 in B minor, Op. 74: IV. Finale: Adagio lamentoso - Andante
Symphony no. 6 in F major, op. 68 "Pastorale": I. Allegro ma non troppo "Awakening of cheerful feelings upon arrival in the country"
Symphony no. 6 in F major, op. 68 "Pastorale": II. Andante molto mosso "Scene at the brook"
Symphony no. 6 in F major, op. 68 "Pastorale": III. Allegro "Happy gathering of country folk"
Symphony No. 6 in F major, Op. 68 "Pastorale": IV. Allegro "Thunderstorm"
Symphony no. 6 in F major, op. 68 "Pastorale": V. Allegretto "Shepherds' song: Cheerful and thankful feelings after the storm"
Symphony No. 7
Symphony no. 7 / Prometheus Overture
Symphony no. 7 / Symphony no. 8 / Die Geschöpfe des Prometheus
Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace
Symphony no. 7 in A major, op. 92: I. Poco sostenuto – Vivace
Symphony no. 7 in A major, op. 92: II. Allegretto
Symphony no. 7 in A major, op. 92: III. Presto
Symphony no. 7 in A major, op. 92: III. Presto - Assai meno presto
Symphony no. 7 in A major, op. 92: III. Presto - Assai meno presto (Trio)
Symphony no. 7 in A major, op. 92: IV. Allegro con brio
Symphony No. 7 in E minor: Ia. Langsam (Adagio)
Symphony No. 7 in E minor: Ib. Nicht schleppen
Symphony No. 7 in E minor: Ic. Allegro risoluto, ma non troppo
Symphony No. 7 in E minor: Id. a tempo
Symphony No. 7 in E minor: Ie.
Symphony No. 7 in E minor: If. Subito Allegro
Symphony No. 7 in E minor: Ig. Adagio (Tempo der Einleitung)
Symphony No. 7 in E minor: Ih. Allegro come prima
Symphony No. 7 in E minor: IIa. Nachtmusik (Allegro moderato)
Symphony No. 7 in E minor: IIb. Sempre l'istesso Tempo (Nicht eilen)
Symphony No. 7 in E minor: IIc. empo
Symphony No. 7 in E minor: IId.
Symphony No. 7 in E minor: IIIa. Scherzo
Symphony No. 7 in E minor: IIIb. Trio
Symphony No. 7 in E minor: IIIc. Wieder wie zu Anfang
Symphony No. 7 in E minor: IVa. Nachtmusik (Andante amoroso)
Symphony No. 7 in E minor: IVb.
Symphony No. 7 in E minor: Va. Rondo-Finale. Allegro ordinario (Tempo I)
Symphony No. 7 in E minor: Vb. Gemessen! Nicht schnell (Tempo II)
Symphony No. 7 in E minor: Vc. Tempo I
Symphony No. 7 in E minor: Vd. Sempre l'istesso Tempo (Tempo I)
Symphony no. 7: I. Langsam (Adagio) – Allegro risoluto, ma non troppo
Symphony no. 7: II. Nachtmusik. Allegro moderato
Symphony no. 7: III. Scherzo. Schattenhaft – Trio
Symphony no. 7: IV. Nachtmusik. Andante amoroso
Symphony no. 7: V. Rondo-finale. Tempo I (Allegro ordinario)
Symphony no. 8 "Unfinished" / Grand Duo
Symphony no. 8 / Symphonic Poem “The Noonday Witch”
Symphony no. 8 in B minor, D 759 “Unfinished”: I. Allegro moderato
Symphony no. 8 in B minor, D 759 “Unfinished”: II. Andante con moto
Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil: A tempo / "imple superna gratia "
Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil: Allegro impetuoso / "veni creator spiritus"
Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil: Etwas drangend / "infirma nostri corporis"
Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil: Plotzlich sehr breit und leidenschaftlichen / "accende lumen sensibus"
Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil: Sehr fliebend / "infirma nostri corporis"
Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil: Tempo I
Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil: Veni Creator Spiritus
Symphony No. 8 in E-flat major “Symphony of a Thousand”: I. Teil: Wieder frisch / "gloria sit patri domino"
Symphony No. 8 in F major, op. 93: I. Allegro vivace e con brio
Symphony No. 8 in F major, op. 93: II. Allegretto scherzando
Symphony No. 8 in F major, op. 93: III. Tempo di menuetto
Symphony No. 8 in F major, op. 93: IV. Allegro vivace
Symphony no. 8 in F minor, op. 93: I. Allegro vivace e con brio
Symphony no. 8 in F minor, op. 93: II. Allegretto scherzando
Symphony no. 8 in F minor, op. 93: III. Tempo di menuetto
Symphony no. 8 in F minor, op. 93: IV. Allegro vivace
Symphony no. 8 In G major, op. 88: I. Allegro con brio
Symphony no. 8 in G major, op. 88: II. Adagio
Symphony no. 8 In G major, op. 88: III. Allegretto grazioso – Molto vivace
Symphony no. 8 In G major, op. 88: IV. Allegro ma non troppo
Symphony no. 8: II. Trio of Marias to “der neue Tag”
Symphony No. 8: Teil 1. Hymnus "Veni, creator spiritus": 1. "Veni, creator spiritus"
Symphony No. 8: Teil 1. Hymnus "Veni, creator spiritus": 2. "Imple superna gratia"
Symphony No. 8: Teil 1. Hymnus "Veni, creator spiritus": 3. "Infirma nostri corporis"
Symphony No. 8: Teil 1. Hymnus "Veni, creator spiritus": 4. Tempo I. (Allegro, etwas hastig)
Symphony No. 8: Teil 1. Hymnus "Veni, creator spiritus": 5. "Infirma nostri corporis"
Symphony No. 8: Teil 1. Hymnus "Veni, creator spiritus": 6. "Accende lumen sensibus"
Symphony No. 8: Teil 1. Hymnus "Veni, creator spiritus": 7. "Veni, creator spiritus"
Symphony No. 8: Teil 1. Hymnus "Veni, creator spiritus": 8. "Gloria sit Patri Domino"
Symphony No. 9
Symphony no. 9 / Rosamunde: Ouverture (The Magic Harp)
Symphony no. 9 / Symphony no. 10 (Adagio)
Symphony no. 9 in C major "Great", D. 944: 1. Andante - Allegro ma non troppo
Symphony no. 9 in C major "Great", D. 944: 2. Andante con moto
Symphony no. 9 in C major "Great", D. 944: 3. Scherzo. Allegro vivace
Symphony no. 9 in C major "Great", D. 944: 4. Allegro vivace
Symphony no. 9 in D major: I. Andante comodo
Symphony no. 9 in D major: II. Im Tempo eines gemaechlichen Laendlers. Etwas taeppisch und sehr derb.
Symphony no. 9 in D major: III. Rondo-Burleske. Allegro assai. Sehr trotzig.
Symphony no. 9 in D major: IV. Adagio. Sehr langsam und noch zurueckhaltend.
Symphony No. 9 in D minor
Symphony No. 9 in D minor "Unfinished", WAB 109 (Leopold Nowak edition): I. Feierlich, Misterioso
Symphony No. 9 in D minor "Unfinished", WAB 109 (Leopold Nowak edition): II. Scherzo: Bewegt, lebhaft - Trio: Schnell
Symphony No. 9 in D minor "Unfinished", WAB 109 (Leopold Nowak edition): III. Adagio: Langsam, ferierlich
Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo e un poco maestoso
Symphony No. 9 in D minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso
Symphony No. 9 in D minor, Op. 125 "Choral": II. Molto vivace - Presto
Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace – Presto
Symphony No. 9 in D minor, Op. 125 "Choral": III. Adagio molto e cantabile - Andante Moderato - Tempo I - Andante moderato - Adagio - Lo stesso tempo
Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile – Andante moderato
Symphony no. 9 in D minor, op. 125 "Choral": IV. Presto – Allegro assai
Symphony No. 9 in D minor, Op. 125 "Choral": IV. Recitative
Symphony no. 9 in D minor, op. 125 "Choral": V. Presto - O Freunde nicht diese Töne
Symphony no. 9 in E minor “From the New World”, op. 95: I. Adagio – Allegro molto
Symphony no. 9 in E minor “From the New World”, op. 95: III. Scherzo. Molto vivace
Symphony no. 9 in E minor “From the New World”, op. 95: IV. Allegro con fuoco
Symphony No. 9 in E minor, Op. 95 "From the New World"
Symphony No. 9, Op. 95 "New World": II. Largo
Symphony No.1 in C minor, (Version 1890/91 "Wiener Fassung"): IV. Finale. Bewegt, feurig
Symphony No.1 in C minor, Version 1890/91 "Wiener Fassung": I. Allegro
Symphony No.1 in C minor, Version 1890/91 "Wiener Fassung": II. Adagio
Symphony No.1 in C minor, Version 1890/91 "Wiener Fassung": III. Scherzo. Schnell - Trio. langsamer
Symphony No.5 / Variations on a Rococo Theme for Cello and Orchestra
Symphony No.5 in B flat major (Leopold Nowak): I. Introduction. Adagio - Allegro
Symphony No.5 in B flat major (Leopold Nowak): IV. Finale: Adagio - Allegro moderato
Tagesbuch eines Verschollenen: I. "Traf eine junge Zigeunerin"/"One day I met a gypsy girl" (Tenor)
Tagesbuch eines Verschollenen: II. "Ist sie noch immer da"/"That black-eyed gypsy girl" (Tenor)
Tagesbuch eines Verschollenen: III. "Wie der Glühwürmchen Spiel"/"Throug the twilight glow-worms" (Tenor)
Tagesbuch eines Verschollenen: IV. "Zwitschern im Nest schon die Schwalben"/"Already swallows are" (Tenor)
Tagesbuch eines Verschollenen: IX. " Sei willkommen, Jan"/" Welcome, my handsome one" (Alt, Tenor, Chor)
Tagesbuch eines Verschollenen: V. "Heut ist's schwer zu pflügen"/"Weary work is ploughing" (Tenor)
Tagesbuch eines Verschollenen: VI. "Heissa, ihr grauen Ochsen!"/"Hey, There my tawny oxen" (Tenor)
Tagesbuch eines Verschollenen: VII. "Wo ist das Pflöcklein hin"/"I've got a loose axie" (Tenor)
Tagesbuch eines Verschollenen: VIII. "Seht nicht, ihr Öchselein"/"Don't look; my Oxen" (Tenor)
Tagesbuch eines Verschollenen: X. "Gott dort oben, mag"/"Go all-powerful, God eternal" (Alt, Chor)
Tagesbuch eines Verschollenen: XI. "Vor der Heidin Wangen"/"From the rip'ning Cornfield" (Alt, Tenor)
Tagesbuch eines Verschollenen: XII. "Dunkler Erlenwald"/"Forest's shady height" (Tenor)
Tagesbuch eines Verschollenen: XII. "Leb denn wohl, Heimatland"/"Then farewell, dearest land" (Tenor)
Tagesbuch eines Verschollenen: XIII. Intermezzo erotico
Tagesbuch eines Verschollenen: XIV. "Sonn' ist aufgegangen"/"See how high the sun is!" (Tenor)
Tagesbuch eines Verschollenen: XIX. "Wie die Elster wegfliegt"/"See that thieving magpie" (Tenor)
Tagesbuch eines Verschollenen: XV. "Meine grauen Ochsen"/"Now my tawny oxen" (Tenor)
Tagesbuch eines Verschollenen: XVI. "Was hab' ich da getan?"/"What has come over me?" (Tenor)
Tagesbuch eines Verschollenen: XVII. "Flieh, wenn das Schicksal ruft"/"Who can escape his fate" (Tenor)
Tagesbuch eines Verschollenen: XVIII. "Nichts mehr denk ich"/"Nothing matters now" (Tenor)
Tagesbuch eines Verschollenen: XX. "Hab' ein Jüngferlein"/"Now she bears my child" (Tenor)
Tagesbuch eines Verschollenen: XXI. "Vater, dam Tag' fluch ich"/"Father, how wrong you were" (Tenor)
Tancredi: Overture
Tannehäuser und der Sängerkrieg auf der Wartburg: Wie Todesahnung Dämmrung deckt die Lande - O du mein holder Abendstern
Tannhäuser, opera, WWV 70, Wie Todesahnung Dämmrung deckt die Lande - O du mein holder Abendstern
Tannhauser: O! du mein holder Abendstern
Tantum ergo Es-dur D 962 Andante sostenuto (quasi adagio)
Tchaikovsky: Violin Concerto in D major / Sibelius: Violin Concerto in D minor
Te Deum
Te Deum, Op. 22 : Christe, rex gloriæ (Hymne) - Allegro non troppo
Te Deum, Op. 22 : Dignare (Prière) - Moderato quasi andantino
Te Deum, Op. 22 : Judex crederis (Hymne et prière) - Allegretto un poco maestoso
Te Deum, Op. 22 : Te Deum (Hymne) - Allegro moderato
Te Deum, Op. 22 : Te ergo quæsumus (Prière) - Andantino quasi adagio
Te Deum, Op. 22 : Tibi omnes (Hymne) - Andantino
te l'estremo addio ... / Il lacerato spirito, A
Tempest, op. 18 (Symphonic Fantasy after Shakespeare), The
Tempest, Op. 18 (Symphonic Fantasy after Shakespeare): Andante con moto - Allegro moderato - Andante con moto, The
Tempest, op. 18, The
tempo, a
Temporale
Three Pieces for Orchestra, Op. 6: I. Präludium. Langsam
Three Pieces for Orchestra, Op. 6: II. Reigen. Anfangs etwas zögernd - Leicht beschwingt
Three Pieces for Orchestra, Op. 6: III. Marsch. Mäßiges Marschtempo
Three Pieces from the "Lyric Suite": I. Andante amoroso
Three Pieces from the "Lyric Suite": II. Allegro misterioso
Three Pieces from the "Lyric Suite": III. Adagio appassionato
Till Eulenspiegel's Merry Pranks, op. 28
To the Memory of an Angel: I. Andante - Allegretto
To the Memory of an Angel: II. Allegro - Adagio
Tombeau de Couperin / Shéhérazade / Tzigane / Bolero, Le
Tombeau de Couperin: I. Prélude. Vif, Le
Tombeau de Couperin: II. Forlane. Allegretto, Le
Tombeau de Couperin: III. Menuet. Allegro moderato, Le
Tombeau de Couperin: IV. Rigaudon. Assez vif, Le
Tragische Ouvertüre, op. 81
traviata - E strano... Sempre libera, La
Traviata: "È strano ... Sempre libera", La
traviata: "È strano! è strano!", La
traviata: Act I. "Sempre libera", La
traviata: Atto 1. Preludio, La
traviata: Atto 3. Preludio, La
Traviata: Prelude, La
Tritsch-Tratsch-Polka op. 214 (mit den Wiener Sangerknaben)
Tritsch-Tratsch-Polka, op. 214
Triumphal March (The Capture of Kars)
Trois Nocturnes: I. Nuages. Modéré
Trois Nocturnes: II. Fêtes. Animé et très rythmé
Trois Nocturnes: III. Sirènes. Modérément animé
Trovatore: Vedi! le fosche notturne spoglie, Il
Trumpet Concerto in E-flat major, H 7E: I. Allegro
Trumpet Concerto in E-flat major, H 7E: II. Andante
Trumpet Concerto in E-flat major, H 7E: III. Finale. Allegro
turco in Italia: Overture, Il
Two Portraits, op. 5: 1. One Ideal. Andante
Two Portraits, op. 5: II. One Grotesque
Tzigane
Tzigane / Sheherazade
Überlebender aus Warschau, Op. 46, Ein
Valse: Poème chorégraphique: Mouvement de valse viennoise, La
Valses nobles et sentimentales: I. Modéré, très franc
Valses nobles et sentimentales: II. Assez lent, avec une expression intense
Valses nobles et sentimentales: III. Modéré
Valses nobles et sentimentales: IV. Assez animé
Valses nobles et sentimentales: V. Presque lent, dans un sentiment intime
Valses nobles et sentimentales: VI. Assez vif
Valses nobles et sentimentales: VII. Moins vif
Valses nobles et sentimentales: VIII. Épilogue, lent
Variationen für Orchester, Op. 30
Variationen über ein Thema von Joseph Haydn, op. 56a: Chorale St. Antoni: Andante
Variationen über ein Thema von Joseph Haydn, op. 56a: Finale: Andante
Variationen über ein Thema von Joseph Haydn, op. 56a: Variation I: Poco più animato
Variationen über ein Thema von Joseph Haydn, op. 56a: Variation II: Più vivace
Variationen über ein Thema von Joseph Haydn, op. 56a: Variation III: Con moto
Variationen über ein Thema von Joseph Haydn, op. 56a: Variation V: Vivace
Variationen über ein Thema von Joseph Haydn, op. 56a: Variation VI: Andante con moto
Variationen über ein Thema von Joseph Haydn, op. 56a: Variation VI: Vivace
Variationen über ein Thema von Joseph Haydn, op. 56a: Variation VII: Grazioso
Variationen über ein Thema von Joseph Haydn, op. 56a: Variation VIII: Presto non troppo
Verdi per due
Verdi: Arias
Verdi: Messa da Requiem
Verführung
Vesperae solennes de confessore for Soloists, Chorus & Orchestra in C major, K. 339: V. "Laudate dominum"
vespri siciliani: Ouverture, I
vespri siciliani: Overture, I
viaggio a Reims, Il
Vieni a mirar la cerula (Simon Boccanegra)
vier Jahreszeiten - Der Frühling: 2. Largo, Die
vier Jahreszeiten, Die
Vier letzte Lieder - Beim Schlafengehen
Vier Letzte Lieder - Frühling
Vier letzte Lieder - Im Abendrot
Vier letzte Lieder - September
Vin (Der Wein), Le
Violin Concerto
Violin Concerto / 3 Violin Sonatas / Piano Trio, op. 8
Violin Concerto / Double Concerto
Violin Concerto in A minor, Op. 82: I. Moderato
Violin Concerto in A minor, Op. 82: II. Andante
Violin Concerto in A minor, Op. 82: III. Allegro
Violin Concerto in B-flat major: I. Allegro
Violin Concerto in B-flat major: II. Largo
Violin Concerto in B-flat major: III. Allegro
Violin Concerto in D major, op. 35: I. Allegro moderato
Violin Concerto in D major, op. 35: II. Canzonetta. Andante
Violin Concerto in D major, op. 35: III. Finale. Allegro vivacissimo
Violin Concerto in D major, Op. 61: I. Allegro ma non troppo - Adagio
Violin Concerto in D major, Op. 61: II. Larghetto
Violin Concerto in D major, Op. 61: III. Rondo allegro
Violin Concerto in D major, op. 77: I. Allegro non troppo
Violin Concerto in D major, op. 77: II. Adagio
Violin Concerto in D major, op. 77: III. Allegro giocoso, ma non troppo vivace – Poco più presto
Violin Concerto in D, K. 271a: 1. Allegro maestoso
Violin Concerto in D, K. 271a: 2. Andante
Violin Concerto in D, K. 271a: 3. Rondo. Allegro
Violin Concerto in E minor: 2. Andante
Violin Concerto no. 1 in A minor, op. 99: I. Nocturne. Adagio
Violin Concerto no. 1 in A minor, op. 99: II. Scherzo. Allegro non troppo
Violin Concerto no. 1 in A minor, op. 99: III. Passacaglia. Andante
Violin Concerto no. 1 in A minor, op. 99: IV. Burlesca. Allegro con brio
Violin Concerto No. 2 in G minor, Op. 63: I. Allegro moderato
Violin Concerto No. 2 in G minor, Op. 63: II. Andante assai — Allegretto — Andante assai
Violin Concerto No. 2 in G minor, Op. 63: III. Allegro, ben marcato
Violin Concerto, Op. 35 / Violin Concerto No. 1, Op. 99
Violin Concertos
Violin Concertos / Overture on Hebrew Themes / March, The
Violin Concertos / Sinfonia Concertante, The
Violin Concertos, The
Violinkonzert / Akademische Festouvertüre
Violinkonzert Nr. 1 g-moll op. 26: 2. Adagio (Anfang)
Violinkonzerte
Vorrei spiegarvi, oh Dio! - Ah conte, partite!, KV 418
Voyevoda, symphonic ballad in A minor, op. 78: Allegro vivacissimo – Moderato – Allegro vivacissimo, The
Waldseligkeit
Walküre / Erster Aufzug - "Winterstürme wichen dem Wonnemond", Die
Walküre / Erster Aufzug: Winterstürme wichen dem Wonnemond, Die
Walküre: Leb wohl, du kühnes, herrliches Kind!, Die
Walküre: Wotan’s Farewell (excerpt), Die
Weihe des Hauses, op. 124: Ouvertüre, Die
Wein, Der
Wiegenlied, op. 41 no. 1
Wien Modern
Wien Modern II: Hommage à Andrei Tarkovsky
William Tell Overture (excerpt)
William Tell: Overture
Winterreise, D 911: XX. “Der Wegweiser”
Wozzeck
Wozzeck: Act 1, Scene 1. The Captain's room. "Langsam, Wozzeck, langsam!"
Wozzeck: Act 1, Scene 2. An open field outside the town. "Du, der Platz ist verflucht!" "Ach was!"
Wozzeck: Act 1, Scene 3. Marie's room. "Tschin Bum, Tschin Bum, Bum, Bum, Bum! Hörst Bub? Da kommen sie!"
Wozzeck: Act 1, Scene 4. The Doctor's study. "Was erleb ich, Wozzeck?"
Wozzeck: Act 1, Scene 5. Street before Marie's door. "Geh einmal vor Dich hin!"
Wozzeck: Act 2, Scene 1. Marie's room. "Was die Steine glänzen?"
Wozzeck: Act 2, Scene 2. Street in town. "Wohin so eilig"
Wozzeck: Act 2, Scene 3. Street before Marie's door. "Guten Tag, Franz"
Wozzeck: Act 2, Scene 4. Tavern garden. "Ich hab' ein Hemdlein an, das ist nicht mein"
Wozzeck: Act 2, Scene 5. Guardroom in the barracks. "Oh oh Andres! Andres! Ich kann nicht schlafen"
Wozzeck: Act 3, Scene 1. "Und kniete hin zu seinen Fuessen"
Wozzeck: Act 3, Scene 1. Marie's room. "Und ist kein Betrug"
Wozzeck: Act 3, Scene 2. Forest path by a pool. "Dort links geht's in die Stadt"
Wozzeck: Act 3, Scene 3. A low tavern. "Tanzt Alle"
Wozzeck: Act 3, Scene 4. Forest path by a pool. "Das Messer? Wo ist das Messer?"
Wozzeck: Act 3, Scene 5. Street before Marie's door. "Ringel, Ringel, Rosenkranz"
Wozzeck: Ringel, Ringel, Rosenkranz, Ringelreih'n!
You Millions, I Embrace You
Zaide, KV 344: Ruhe sanft, mein holdes Leben
Zauberflöte, Die
Zauberflöte, K. 620: Act I. "Dies Bildnis ist bezaubernd schön", Die
Zauberflöte, K.620 / Act 1 - "Dies Bildnis ist bezaubernd schön", Die
Zauberflöte, K.620, Act 1: "Die Weisheitslehre dieser Knaben", Die
Zauberflöte: Arie mit Chor: O Isis und Osiris, Die
Zauberflöte: Arie: Ach, ich fühl's, es ist verschwunden, Die
Zauberflöte: Arie: Alles fühlt der Liebe Freuden!, Die
Zauberflöte: Arie: Der Hölle Rache kocht in meinem Herz, Die
Zauberflöte: Arie: Der Vogelfänger bin ich ja, Die
Zauberflöte: Arie: Dies Bildnis ist bezaubernd schön, Die
Zauberflöte: Arie: Ein Mädchen oder Weibchen wünscht Papageno sich!, Die
Zauberflöte: Arie: In diesen heil'gen Hallen, Die
Zauberflöte: Bin ich nicht ein Narr, Die
Zauberflöte: Chor der Priester: O Isis und Osiris, Die
Zauberflöte: Da bin ich schon, mein Engel!, Die
Zauberflöte: Der, welcher wandert diese Straße voll Beschwerden, Die
Zauberflöte: Duett: Bei Männern, welche Liebe fühlen, Die
Zauberflöte: Duett: Bewahret euch vor Weibertücken, Die
Zauberflöte: Eine schreckliche Nacht!, Die
Zauberflöte: ERSTER AUFZUG. Introduktion: Zu Hilfe! Zu Hilfe!, Die
Zauberflöte: Es lebe Sarastro! Sarastro soll leben!, Die
Zauberflöte: Finale: Bald prangt, den Morgen zu verkünden, Die
Zauberflöte: Finale: Zum Ziele führt dich diese Bahn, Die
Zauberflöte: Freue dich und fasse Mut, schöner Jungling!, Die
Zauberflöte: Ha, ha, ha, Die
Zauberflöte: Heil dir, Jüngling! dein standhaft männliches Betragen, Die
Zauberflöte: Hier seid ihr euch beide allein überlassen, Die
Zauberflöte: Morden soll ich?, Die
Zauberflöte: Nicht wahr, Tamino, ich kann auch schweigen, Die
Zauberflöte: Nur stille, stille, stille, stille!, Die
Zauberflöte: Ouvertüre, Die
Zauberflöte: Papagena! Papagena! Papagena! Weibchen! Täubchen!, Die
Zauberflöte: Papageno!, Die
Zauberflöte: Prinz, dein Betragen war bis hieher männlich und gelassen, Die
Zauberflöte: Quintett: Hm, hm, hm, Die
Zauberflöte: Quintett: Wie? Wie? Wie? Ihr an diesem Schreckensort?, Die
Zauberflöte: Rezitativ und Arie: O zittre nicht, mein lieber Sohn!, Die
Zauberflöte: Schnelle Füße, rascher Mut, Die
Zauberflöte: Tamino, wollen wir nicht Speisen?, Die
Zauberflöte: Tamino! Tamino! Willst du mich denn gänzlich verlassen?, Die
Zauberflöte: Terzett: Du feines Täubchen, nur herein!, Die
Zauberflöte: Terzett: Seid uns zum zweitenmal willkommen, Die
Zauberflöte: Terzett: Soll ich dich, Teurer, nicht mehr sehn?, Die
Zauberflöte: Wie stark ist nicht dein Zauberton, Die
Zauberflöte: ZWEITER AUFZUG. Marsch der Priester, Die
Концерт №3 для фортепиано с оркестром ре минор, соч. 30
メンデルスゾーン:劇音楽「夏の夜の夢」(抜粋)&交響曲第4番「イタリア」
協奏曲集《四季》
Notes: 
Sources: 
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