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Person
ISNI: 
0000 0000 8015 9986
Name: 
Bott, Catherine
Catherine Bott
Catherine Bott (britische Sängerin)
Catherine Bott (British soprano)
Catherine Bott (Brits zangeres)
קתרין בוט
キャサリン・ボット
Dates: 
1952-
Creation class: 
cre
Musical sound recording
Notated music
Projected medium
Creation role: 
contributor
editor
performer
singer
vocalist
Related names: 
Ainsley, John Mark (1963-...)
Bach, Johann Sebastian (co-author)
Blow, John (co-author)
Danino, Nina (co-author)
Decca record company
Ekstrand, Jon (co-author)
George, Michael (1950-...)
Grant, Simon
Harle, John (co-author)
Haydn, Joseph (co-author)
Jarre, Maurice (co-author)
King, Andrew (1953-...)
Lazarev, Aleksandr (co-performer)
Monteverdi, Claudio (co-author)
New London consort
Nyman, Michael (co-author)
Oswald von Wolkenstein (co-author)
Pickett, Philip (1950-...)
Pickett, Philip (co-performer)
Polygram, Division Barclay
Praetorius, Michael (co-author)
Purcell Quartet
Purcell, Henry (1659-1695)
Purcell, Henry (co-author)
Robson, Christopher (1953-...)
Saint-Preux (co-performer)
Salisbury Cathedral. Choristes
Stradella, Alessandro (co-author)
Vivaldi, Antonio (co-author)
Warbeck, Stephen (co-author)
Wistreich, Richard
Titles: 
Amy souffre's
Anchor che col partire
Arde coracon
Arianna a Naxos
Awake sweet love
Basse danse; Content desir
BBC Music, Volume 5, Number 6: Renaissance Love Songs
Bess of Bedlam
Book of proverbs Four proverbs
Burn, My Brain Consumes to Ashes, I
Carmina burana
Cease of Cupid to Complain
Christmas oratorio
Combattimento di Tancredi e Clorinda
Come Again
Come away, come sweet love
Comment qu'a moy
Dido and Aeneas
Douce dame jlie
Fairy Queen
Fantasia
From Rosy Bow'rs
Gloria
grant desir, Le
Hamlet.
Hark! hark! the lark music for Shakespeare's company.
I'll Sail Upon the Dog-Star
Indian Queen
janine et blanc, Le
Johannes Passion
Knightly passions the songs
L'incoronazione di Poppea
last opera, The
Let All Be Gay
Let the Dreadful Engines
Life original motion picture soundtrack
Little Buddha
Love's but the Frailty of the Mind
Lysander I Pursue in Vain
Mad Maudlin
Mad songs
Magnificat a Bach Christmas
Martin menoit son porceau
Matthäuspassion
Morpheus, Thou Gentle God
Music for a while
Music on the floor
Must Then a Faithful Lover Go
new Heaven, A
No soy yo quien veis vivir
Noises, sounds & sweet airs
Not All My Torments
O passi sparsi
Oh! Take Him Gently From the Pile
Orfeo [et al.][Dok. dźw.]/ Monteverdi. - London, England, L' : Decca Music Group, c2002.
Popular dances of the Renaissance
Psyche
Purcell miscellany
Reason, What Art Thou?
Requiem
Restless in Thought
rival queens opera arias and duets, The
Runaway train
San Giovanni Battista
Shakespeare in love from the Miramax motion picture
Silencium songs of the spirit
Sunshine original motion picture score
Sweet is the song music of the troubadours & trouvères
Sweeter than roses
sylvan and oceanic delights of Posilipo, The
Symphonies
Tant que vivre
Temenos [a film by Nina Danino]
Teresica hermana
Time stands still
Tom of Bedlam
tous biens playne, De
Triosonātes
Venus & Adonis
Vespro della Beata Vergine 1610
Visitatio Holy Week in Cividale del Friuli
Vivaldi in furore
Vocal music.
Vrai deau d'amour
Weihnachts-Oratorium
Werke
While I With Wounding Grief
Contributed to or performed: 
All'ombra di sospetto, Cantata para Voz, Flauta y Continuo, RV 678, I. All'ombra di sospetto
All'ombra di sospetto, Cantata para Voz, Flauta y Continuo, RV 678, II. O quanti amanti
Archiropoiete
Aria a 2: Il vostro maggio
Descent of Aquero, The
Dido & Aeneas
Dido and Aeneas: Act I. “Ah! Belinda, I am prest with torment”
Dido and Aeneas: Act I. “See, your royal guest appears”
Dido and Aeneas: Act I. “Whence could so much virtue spring?”
Dido and Aeneas: Act II. “Behold, upon my bending spear”
Dido and Aeneas: Act III. “Thy hand Belinda” / “When I am laid in earth”
Dido and Aeneas: Act III. “Your counsel all is urg’d in vain”
Dido and Aeneas: Thy Hand Belinda...When I am Laid
Doogal
Elizabethan & Jacobean Consort Music
Epilogue
Fin, La
Firts Memoir
Fourth Memoir
Gloria / Nulla in mundo pax sincera / Nisi Dominus / Cantatas
Houwa at the Site of Apparition
Indian Queen, The
King Arthur: Fairest Isle
Lungi dal vago volto, Cantata para Voz, Violín y Continuo, RV 680, I. Lungi dal vago volto
Lungi dal vago volto, Cantata para Voz, Violín y Continuo, RV 680, II. Allegreza mio core
Morning Prayer
Noises, sounds & Sweet airs: ’Tis a custom in the afternoon
Noises, sounds & Sweet airs: Alas, poor milan
Noises, sounds & Sweet airs: At last i left them
Noises, sounds & Sweet airs: At this hour lie at my mercy
Noises, sounds & Sweet airs: Be’t to fly, to swim
Noises, sounds & Sweet airs: Behold, sir king
Noises, sounds & Sweet airs: Coragio, bully-monster
Noises, sounds & Sweet airs: Full many a lady i have eyed
Noises, sounds & Sweet airs: How lush and lusty the grass
Noises, sounds & Sweet airs: I have made you mad
Noises, sounds & Sweet airs: If by your art, my dearest father
Noises, sounds & Sweet airs: My tricksy spirit
Noises, sounds & Sweet airs: Riches, poverty, and use of service
Noises, sounds & Sweet airs: Sir, she is mortal
Noises, sounds & Sweet airs: Sometime like apes
Noises, sounds & Sweet airs: The fringed curtains of thine eye
Noises, sounds & Sweet airs: There’s nothing ill can dwell
Noises, sounds & Sweet airs: This damned witch scyorax
Noises, sounds & Sweet airs: Ye elves
Noises, sounds & Sweet airs: You do look, my son, in a moved sort
Opening
Requiem, op. 48: I. Introït et Kyrie
Requiem, op. 48: II. Offertoire
Requiem, op. 48: III. Sanctus
Requiem, op. 48: IV. Pie Jesu
Requiem, op. 48: V. Agnus Dei
Requiem, op. 48: VI. Libera me
Requiem, op. 48: VII. In paradisum
Rosebush, The
San Giovanni Battista
Second Memoir
Sinfonia Antarctica / Toward the Unknown Region
Sinfonia Antartica (Symphony no. 7): I. Prelude: Andante Maestoso
Sinfonia Antartica (Symphony no. 7): V. Epilogue: Alla marcia, moderato (non troppo allegro)
Soho Square
Spring Grotto
Temenos
Third Memoir
Vengo a voi, luci adorate, Cantata para Soprano y Orquesta, RV 682, I. Vengo a voi, luci adorate
Vengo a voi, luci adorate, Cantata para Soprano y Orquesta, RV 682, II. Portando in sen l'ardor
Vespers: Concerto: Audi coelum
Virgin's Calling, The
Virgin's Clearing, The
Virgin's Hollow, The
Virgin's Passage, The
Virgin's Time, The
Virgin's Wheeping, The
Weihnachts-Oratorium, BWV 248: Teil I, VII. Choral (Soprano) con Recitativo (Basso) "Er ist auf Erden kommen arm"
Weihnachts-Oratorium, BWV 248: Teil III, XXIX. Aria duetto (Soprano, Basso) "Herr, dein Mitleid"
Weihnachts-Oratorium, BWV 248: Teil IV, XL. Recitativo (Basso) con Chorale (Soprano) "Wohlan, dein Name soll allein"
Weihnachts-Oratorium, BWV 248: Teil IV, XXXIX. (Soprano) "Flößt, mein Heiland, flößt dein Namen"
Weihnachts-Oratorium, BWV 248: Teil IV, XXXVIII. Recitativo (Basso) con Chorale (Soprano) "Immanuel, o süßes Wort"
Weihnachts-Oratorium, BWV 248: Teil V, LI. Aria Terzetto (Soprano, Alto, Tenore) "Ach, wenn wird die Zeit erscheinen"
Weihnachts-Oratorium, BWV 248: Teil VI, LVI. Recitativo (Soprano) "Du Falscher, suche nur den Herrn zu fällen"
Weihnachts-Oratorium, BWV 248: Teil VI, LVII. Aria (Soprano) "Nur ein Wink von seinen Händen"
Weihnachts-Oratorium, BWV 248: Teil VI, LXIII. Recitativo (Soprano, Alto, Tenore, Basso) "Was will der Höllen Schrecken nun"
You Really Got Me
Notes: 
Sources: 
VIAF DNB LC LNB NKC NLP NUKAT RERO SUDOC WKD
IPDA
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