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Person
ISNI: 
0000 0000 8169 7153
Name: 
Ann Murray
Ann Murray (artiste lyrique)
Ann Murray (irische Opernsängerin (Mezzosopran))
Ann Murray (Operatic soprano)
Ann Murray (zangeres uit Ierland)
ANNE MURRAY
Murray, Ann
Murray, Ann (mezzo-soprano)
Мюррей, Энн
Dates: 
1949-
Creation class: 
Computer file
cre
Musical sound recording
Projected medium
Creation role: 
contributor
performer
singer
vocalist
Related names: 
Ambrosian Opera Chorus
Augér, Arleen
Bach, Johann Sebastian
Emi music France
EMI records Ltd
English Chamber Orchestra
Harnoncourt, Nikolaus (1929-...)
Johnson, Graham (1950-)
Langridge, Philip (1939-2010)
McCarthy, John (1919?-2009)
Mozart, Wolfgang Amadeus (1756-1791)
Phonogram international
Titles: 
Acte V
Adriana Lecouvreur
Alcina
Ariodante opera in three acts
battaglia di Legnano
beggar's opera
Bowling green
Cantates BWV 64, BWV 190
Cenerentola, La
chant du rossignol
clemenza di Tito
Combattimento di Tancredi e Clorinda
Complete sacred choral music Das Geistliche Chorwerk
contes d'Hoffmann
Così fan tutte
Danses concertantes
Des Knaben Wunderhorn
Dido and Aeneas
Don Carlos
Don Giovanni
Dziesmas.
Famous opera arias
Gelobet seist du, Jesu Christ
Giulio Cesare in Egitto
Hänsel und Grètel
Ihr Gestirn, ihr hohen Lüfte
It takes a young girl
Italian secular cantatas
Kaddish Symphony no. 3 ; Chichester psalms ; Missa brevis
King Priam
Lamento della Ninfa
Lucia di Lammermoor
Madama Butterfly
Madrigali
Magnificat
Martyre de saint Sébastien
Masses
Matthäuspassion
Mein liebster Jesus ist verloren BWV 154 Erfreute Zeit im neuen Bunde BWV 83
Mentre vaga angioletta (10 min 17 s)
Messa di gloria
Messes
Midsummer Night's Dream Ein Sommernachtstraum, A
midsummernight's dream music to Shakespeare's play, A
Missa solemnis
Mitridate, rè di Ponto
noces de Figaro extraits, Les
Norma
Nothing but a breeze
nozze di Figaro
Ô nuit divine (8 min 03 s)
Ogni amante e guerrier (16 min 30 s)
Pesn' solov'â
Pulcinella
re pastore
Requiem
Rigoletto : selección
ritorno d'Ulisse in patria, Il
Roméo et Juliette
Schemelli Liederbuch
Schöpfung, Die
Serse
Sommernachtstraum
songs, The
Stabat Mater
Symphonies
Te Deum
Thaïs
Tod und das Mädchen
Tosca
Vocal music.
Vokālā mūzika.
Works.
Xerxes
XVIIIe siècle
You remember me
Zauberflöte
Contributed to or performed: 
¡España!
1. Introducción. Imagen del caos
100 Best Ballet
12 Irish Songs, WoO 154 no. 2: "O harp of Erin"
12 Irish Songs, WoO 154 no. 7: "From Garyone, my happy home"
12 Irish Songs, WoO 154 no. 8: "Save me from the grave and wise"
12 Songs of Various Nationalities, WoO 157 no. 2: "The soldier"
12 Songs of Various Nationalities, WoO 157 no. 3: "Charlie is my darling"
12 Songs of Various Nationalities, WoO 157 no. 6: "A health to the brave"
12. Recitativo: "In vollem Glanze steiget jetzt"
13. Coro con solistas: "Die Himmel erzählen die Ehre Gottes"
18. Trío: "In holder Anmut stehn"
19. Coro con solistas: "Der Herr ist gro in seiner Macht"
2. Aria con coro: "Nun schwanden vor dem heiligen Strahle"
21. Recitativo: "Nun oeffnet sich der Erde Schoss"
22. Aria: "Nun scheint in vollem Glanze der Himmel"
24. Aria: "Mit Würd' und Hoheit angetan"
25 Irish Songs, WoO 152 no. 13 "Musing on the roaring ocean"
25 Irish Songs, WoO 152 no. 14. Dermot and Shelah
25 Irish Songs, WoO 152 no. 16 "Hide not thy anguish"
25 Irish Songs, WoO 152 no. 17 "In vain to this desert my fate I deplore"
25 Irish Songs, WoO 152 no. 22 "From Garyone, my happy home"
25 Irish Songs, WoO 152 no. 23 "A wand’ring gypsey, Sirs, am I"
25 Irish Songs, WoO 152 no. 24. The Traugh Welcome
25 Irish Songs, WoO 152 no. 25 "O harp of Erin"
25 Irish Songs, WoO 152 no. 5. On the Massacre of Glencoe
25 Irish Songs, WoO 152 no. 7 "His boat comes on the sunny tide"
25 Irish Songs, WoO 152 no. 8 "Come draw we round a cheerful ring"
27. Trío: "Zu dir, o Herr blickt alles"
28. Coro: "Vollendet ist das grosse Werk"
3 geistliche Chöre, op. 37: 3. Regina coeli
32. Dúo: "Holde Gattin, dir zur Seite"
34. Coro final con solistas: "Singt dem Herren alle Stimmen"
5 Lieder, op. 105: 1. Wie melodien zieht es mir- like melodies flowing- comme des melodies cela passe
5 Lieder, op. 105: 2. Immer leiser wird mein schlummer- ever softer grows my slumber- mon sommeil se fait toujours plus leger
5 Lieder, op. 105: 3. Klage- lament-plainte
5 Lieder, op. 105: 4. Auf dem kirchhofe- in the churchyard- au cimetiere
5 Lieder, op. 105: 5. Verrat- betrayel- trahison
6. Aria: "Rollend in schaeumenden Wellen"
8. Aria: "Nun beut die Flur das frische Grün"
Abandonnée, L'
Abend, op. 64 no. 2, Der
Abschied, D. 475
Absence
Ach, I Dunno
Adieux de l'hôtesse arabe
Alphorn, AV 29
Aria for Soprano & Orchestra in B-flat major, K. 317b/146: "Kommet her, ihr frechen Sünder"
Arrow and the Song, The
Attente, L'
Au jardin des aveux: French Songs and Duets
Au rossignol
Augenlied, D. 297
Ave Maria
aveu, op. 13 no. 3, L'
Banks of Green Willow, The
Barcarola, La
Bard of Armagh, The
Beautiful City of Sligo, The
Beggar's Opera: Act 2, "Fortune, be with you Lucy", The
Beggar's Opera: Act 2, "It is the pleasure of all you fine men..." / no. 28 "How cruel are the traitors", The
Beggar's Opera: Act 2, "Noble Captain, you are welcome once more" / no. 26 "Man may escape from rope and gun", The
Beggar's Opera: Act 2, "O Macheath! I will stay with thee till death..." / no. 32 "Thus when the swallow", The
Beggar's Opera: Act 2, "Really, Miss Peachum, you expose yourself" / no. 34 "Cease your funning", The
Beggar's Opera: Act 2, "Shall I not claim my own?" / no. 33 "How happy I could be with either", The
Beggar's Opera: Act 2, "Such language, brother!" / no. 30 "When you can censure the age", The
Beggar's Opera: Act 2, no. 27 "Thus when a good woman sees a rat", The
Beggar's Opera: Act 2, no. 29 "The first time at the looking-glass", The
Beggar's Opera: Act 2, no. 31 "Is then his fate decreed, sir?", The
Beggar's Opera: Act 2, no. 35 "Why how now, Madam Flirt!", The
Beggar's Opera: Act 2, no. 36 "No power on earth can e'er divide", The
Beggar's Opera: Act 3, "And Macheath, at liberty and at large..." / no. 40 "The modes of the Court", The
Beggar's Opera: Act 3, "And those two good old friends", The
Beggar's Opera: Act 3, "Bring us then more liquor!" / no. 41 "What Gudgeons are we men!", The
Beggar's Opera: Act 3, "But all scores have a reckoning", The
Beggar's Opera: Act 3, "But perhaps he hath a heart not capable of it" / no. 45 "Among the men coquets we find", The
Beggar's Opera: Act 3, "Dear sir, mention not my education..." / no. 37 "When young at the bar", The
Beggar's Opera: Act 3, "Dear, dear father, sink the evidence..." / no. 49 "When my hero in court appears", The
Beggar's Opera: Act 3, "Jealously, rage, love and fear..." / no. 43 "I'm like a skiff on the ocean tossed", The
Beggar's Opera: Act 3, "Oh sir, if Peachum's heart is hardened..." / no. 50 "When he holds up his hand", The
Beggar's Opera: Act 3, "We are ready, sir, to conduct you to the Old Bailey!" / no. 52 "The charge is prepared", The
Beggar's Opera: Act 3, "What do I see! Oh! Macheath again in custody!!" / no. 47 "Hither, dear husband, turn your eyes", The
Beggar's Opera: Act 3, no. 38 "Ungrateful Macheath!", The
Beggar's Opera: Act 3, no. 39 "Thus gamesters united in friendship", The
Beggar's Opera: Act 3, no. 42 "In the days of my youth", The
Beggar's Opera: Act 3, no. 44 "A curse attends a woman's love", The
Beggar's Opera: Act 3, no. 46 "Come, sweet lass", The
Beggar's Opera: Act 3, no. 48 "Which way shall I turn me", The
Beggar's Opera: Act 3, no. 51 "Ourselves, like the great", The
Beggar's Opera: Act 3, no. 53 "O cruel, cruel case!", The
Beggar's Opera: Act 3, no. 54 "Would I might be hanged!", The
Beggar's Opera: Act 3, no. 55 "Thus I stand like the Turk", The
Believe Me If All Those Endearing Young Charms
Beltà crudele "Amori scendete"
Berceuse (Sur un vieil air)
Boléro
British Music Collection: The Beggar’s Opera, The
Callejeo
Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": III. Recitativo "Geliebte Seel'" (Der Engel)
Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": IV. Aria "Betracht dies Herz" (Der Engel)
Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": VI. Duetto "Jesu, was hab ich getan?" (Der Engel, Die Seele)
Cantata on the Holy Grave of Christ for Soloists, Choir & Orchestra in C major, K. 35a/42 "Grabmusik": VII. Recitativo "O lobenswerter Sinn!" (Der Engel)
Cantata: Lucrezia
Ce que je suis sans toi
Chanson d'avril
Chanson de la rose, La
Chanson perpetuelle, op. 37
Chanson, SN 2
charme, op. 2 no. 2, Le
cigale, op. 13 no. 4, La
clemenza di Tito K621, Act I, Scene 9: 9. Aria: Parto, parto, ma tu ben mio (Sesto), La
clemenza di Tito, K. 621: Act 1 "Parto, ma tu ben mio" (Sesto), La
clemenza di Tito, La
clemenza di Tito: "Parto, ma tu ben mio", La
Cloche, La
Coccinelle, La
Colibri, Le
colibri, op. 2 no. 7, Le
Coming Home
Contes d'Hoffmann, Les
contes d’Hoffmann: Act IV. Belle nuit, ô nuit d’amour (Barcarolle) (Nicklausse, Giulietta, Chorus), Les
contes d’Hoffmann: Barcarolle, Les
Corazón de mujer
Cork Leg, The
Coronation Mass, K. 317 / Missa Solemnis, K. 337
Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene XIV No. 18 Finale. Andante "Ah, che tutta in un momento" (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo)
Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene XV No. 18 Finale. "Eccovi il medico" (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo)
Così fan tutte ossia La scuola degli amanti, K. 588: Act I, Scene XV No. 18 Finale. Allegro "Si mora sì, si mora" (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo)
Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene I Recitativo "Andate là, che siete" (Despina, Firodiligi, Dorabella)
Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene II No. 20 Duetto. Andante "Prenderò quel brunettino" (Fiordiligi, Dorabella)
Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene IV No. 21 Duetto con Coro. Andante "Secondate, aurette amiche" (Ferrando, Guglielmo, Chor)
Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene IV No. 22 "La mano a me date" (Don Alfonso, Ferrando, Guglielmo, Despina)
Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene Ultima No. 31 Finale. Andante "Sani e salvi agli amplessi" (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo, Chor)
Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene V No. 23 Duetto "Il core vi dono, bell'idolo mio" (Dorabella, Guglielmo)
Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene X No. 28 Aria. Allegretto vivace "È amore un ladroncello" (Dorabella)
Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene X Recitativo "Ora vedo che siete" (Despina, Dorabella, Fiordiligi)
Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene XVI No. 31 Finale. Andante "Benedetti i doppi coniugi" (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo, Chor)
Così fan tutte ossia La scuola degli amanti, K. 588: Act II, Scene XVII No. 31 Finale. Allegro "Miei signori, tutto è fatto" (Despina, Fiordiligi, Dorabella, Ferrando, Don Alfonso, Guglielmo, Chor)
Cosi fan tutte, K 588: Act I: (d) "Ah, guarda, sorella" ...
Cosi fan tutte, K 588: Act I: (f) "Sento, oh Dio, che questo piede" ...
Cosi fan tutte, K 588: Act I: (i) "Muoio d'affanno ... Di scrivermi ogni giorno" ...
Cosi fan tutte, K 588: Act I: (l) "Che vita maledetta" ...
Cosi fan tutte, K 588: Act I: (m) "Ah, scostati!" ...
Cosi fan tutte, K 588: Act I: (n) "Smanie implacabili che m'agitate" ...
Cosi fan tutte, K 588: Act I: (p) "Alla bella Despinetta" ...
Cosi fan tutte, K 588: Act I: (q) "Che sussurro! Che strepito!" ...
Così fan tutte, K 588: Prenderò quel brunettino
Cosi fan tutte, K. 588: Act I. "Soave sia il vento"
Così fan tutte: Highlights
Coulin, The
currutacas modestas, Las
Danny Boy
Dans la forêt du charme et de l'enchantement, op. 36 no. 2
Danse macabre
Des Baches Lied
Dido and Aeneas
Dido and Aeneas: Act I. "Ah! Belinda" (Dido, Belinda, Chorus)
Dido and Aeneas: Act I. "See, your royal guest appears" (Belinda, Aeneas, Dido, Chorus)
Dido and Aeneas: Act II. "Oft she visits this lov'd mountain (2nd Woman, Aeneas, Dido, Belinda)
Dido and Aeneas: Act III. "Thy hand, Belinda" (Dido)
Dido and Aeneas: Act III. "Your counsel all is urg'd in vain" (Dido, Belinda, Aeneas, Chorus)
Didone abbandonata “Vedi quanto adoro”, D. 510a
die Freunde, D. 654, An
Don Giovanni
Douce Mer
Duetto buffo di due gatti
Entra l'uomo allor che nasce (Aria di Abramo), D. 33 no. 2
España
Falling Star, The
Festival 90
Feuilles d'album: A une fleur
Feuilles d'album: Adieux à Suzon
Feuilles d'album: Guitare
Feuilles d'album: Le Grillon
Feuilles d'album: Rose d'amour
Feuilles d'album: Sonnet
finta semplice, K. 46a / KV 51: Act I, Scene I. No. 1 Coro. Allegro "Bella cosa è far l'amore!" (Giacinta, Ninetta, Fracasso, Simone), La
finta semplice, K. 46a / KV 51: Act I, Scene I. Recitativo "Ritiriamoci, amici!" (Giacinta, Fracasso, Ninetta, Simone), La
finta semplice, K. 46a / KV 51: Act I, Scene II. No. 3 Aria. Allegro grazioso - allegro - tempo primo - allegro "Marito io vorrei" (Giacinta), La
finta semplice, K. 46a / KV 51: Act I, Scene II. Recitativo "L'un de' patroni è alzato" (Giacinta, Ninetta, Fracasso), La
finta semplice, K. 46a / KV 51: Act I, Scene IX. No. 11 Finale. Un poco adagio - allegro - Allegro - andante - molto allegro - tempo più moderato "Dove avete la creanza?" (Rosina, Fracasso, Polidoro, Ninetta, Cassandro, Simone, Giacinta), La
finta semplice, K. 46a / KV 51: Act II, Scene II. Recitativo "Eh, quando sia mia sposa" (Giacinta, Simone), La
finta semplice, K. 46a / KV 51: Act II, Scene III. No. 14 Aria. Allegro comodo "Se a maritarmi arrivo" (Giacinta), La
finta semplice, K. 46a / KV 51: Act II, Scene III. Recitativo "Non mi marito più" (Giacinta, Polidoro), La
Four Cat’s Cradle Songs: Bai‐bai (Lullaby)
Four Cat’s Cradle Songs: Kot na pyechi (The cat on the stove)
Four Cat’s Cradle Songs: Spi, kot (Sleep, pussy)
Four Cat’s Cradle Songs: U koto, kota (Father cat has…)
frühen Gräber, op. 9 no. 4, Die
Galway Bay
Gesang der Geister, op. 88
Gloria in D, RV 589: II. Andante "Et in terra pax"
Gloria in D, RV 589: III. Allegro "Laudamus te"
Gloria in D, RV 589: IV. Adagio - Allegro "Gratias agimus tibi"
Gloria in D, RV 589: IX. Allegro "Qui sedes"
Gloria in D, RV 589: V. Largo "Domine Deus, Rex coelestis"
Gloria in D, RV 589: VI. Allegro "Domine Fili"
Gloria in D, RV 589: VII. Adagio "Domine Deus, Agnus Dei"
Gloria in D, RV 589: VIII. Allegro "Qui tollis"
Gloria in D, RV 589: X. Allegro "Quoniam"
Gloria in D, RV 589: XI. Allegro "Cum Sancto Spiritu"
Gortnamona
Great Choral Masterpieces, The
Greis, Hob. XXVc:5, Der
Guitares et mandolines
Gute Nacht
Handel: Lucrezia; Va tacito e nascosto / Mozart: Il tenero momento; Parto, parto; Lungi da te, mio bene
Have a Bonnet Trimmed With Blue, I
Hébé, op. 2 no. 6
Hornkonzerte 1 & 2 / Andante / “Alphorn”
How Sweet the Answer
Hyperion Schubert Edition, Volume 3: Schubert & His Friends I, The
Ich denke dein
In dem Schatten meiner Locken
incanto degli occhi, D. 990e, L'
Iphigenia, D. 573
Juditha Triumphans
Jüngling und der Tod, D. 545, Der
Klavierkonzrt Nr. 1 / Zwei Lieder, op. 91
Lark in the Clear Air, The
Last Rose of Summer, The
Lebensgefährten, Die
Leprehaun, The
Lieb Minna, D. 222
Lied der Desdemona
Lieder eines fahrenden Gesellen: Wenn mein Schatz Hochzeit macht
Liedesend, D. 473
Loin du pays
Lonely Waters
Lungi da te, mio bene ('Mitridate, rè di Ponto', Act 2)
Ma belle amie est morte
Ma vie a son secret
Madrigali guerrieri, et amorosi, Libro ottavo, Canti amorosi: "Lamento della Ninfa"
Madrigali guerrieri, et amorosi, Libro ottavo, Canti amorosi: "Mentre vaga angioletta"
Magnificat BWV 243 in D major, 2. Et exsultavit spiritus meus
Magnificat en ré majeur, pour solistes, choeur et orchestre, BWV 243 : Insertion D : « Virga jesse floruit » (soprano I, basse II) - Suscepit Israel (sopranos I & II, contralto)
maja dolorosa: ¡Ay majo de mi vida!, La
maja dolorosa: ¡Oh, muerte cruel!, La
maja dolorosa: De aquel majo amante, La
majo discreto, El
Marriage of Figaro - "Non so piu", The
Meeres Stille, op. 60 no. 3
Meeting of the Waters, The
Messa di Gloria - Gloria in Excelsis Deo
Minnelied, op. 8 no. 1
mirar de la maja, El
Misero pargoletto, D. 42 no. 1b
Missa in C major, K. 317 “Krönungsmesse”: 2. Gloria
Missa in C major, K. 317 “Krönungsmesse”: 3. Credo
Missa in C major, K. 317 “Krönungsmesse”: 5. Benedictus
Missa in C major, K. 317 “Krönungsmesse”: 6. Agnus Dei
Missa Solemnis in C major, K. 337: 2. Gloria
Missa Solemnis in C major, K. 337: 3. Credo
Missa Solemnis in C major, K. 337: 5. Agnus Dei
Missa Solemnis in D major, Op. 123: I. Kyrie
Monday, Tuesday
Mort du nombre, La
Mort du nombre, Le
morts, op. 17 no. 1, Les
Mother Machree
My true love hath my heart
Nacht und Träume, D. 827
Namenstagslied, D. 695
Next Market Day, The
Nocturne, op. 8 no. 1
Nos souvenirs, op. 8 no. 4
Nozze di Figaro, K. 492: "Voi che sapete" (Cherubino), Le
Nozze di Figaro, Le
nuit, op. 11 no. 1, La
O combats, o désordre extrême!, D. Anh. II/3 no. 2
O the Sight Entrancing
Oft in the Stilly Night
Ombre amene, amiche piante (La Serenata), D. 990f
Ouvre ton cœur
Papillons, Les
papillons, op. 2 no. 3, Les
Pâquerette, La
Parto, parto ('La clemenza di Tito', Act 1)
Pastel
Pastorale
Pax vobiscum, D. 551
Phil the Fluter's Ball
Piano Concerto no. 1 / Two Songs, op. 91
Pilgrim, Der
Pleurs d'or
pluie, op. 17 no. 2, La
Premier Jour de mai, Le
Prière
Priez pour paix
Psaume 130 “Du fond de l’abîme”
Puisqu'ici-bas
Pulcinella / Danses concertantes
Quartet no. 14 in D minor / Der Tod und das Mädchen (Lied)
Quatre poèmes d'Apollinaire: I. L'Anguille
Quatre poèmes d'Apollinaire: II. Carte-postale
Quatre poèmes d'Apollinaire: III. Avant le cinéma
Quatre poèmes d'Apollinaire: IV. 1904
Quell' innocente figlio (Aria dell' angelo), D. 17 no. 1
Quell' innocente figlio (Aria dell' angelo), D. 17 no. 2
re pastore, Il
Recitativo con coro: "Im Anfange schuf Gott Himmel und Erde"
Requiem
Requiem in D minor, K. 626: III. Sequenz: b) Tuba mirum
Requiem in D minor, K. 626: III. Sequenz: d) Recordare
Requiem in D minor, K. 626: IV. Offertorium: a) Domine Jesu Christe
Requiem in D minor, K. 626: VI. Benedictus
Requiem, op. 9 (third version): V. Pie Jesu
Requiem: III. Libera me: Agnus Dei
Réveil
reveil, op. 11 no. 2, Le
Rien de la nature, D. Anh. II/3 no. 1
Rigoletto
Rigoletto: Atto I, Scena II. "È il sol dell'anima" (Duca, Gilda, Ceprano, Borsa, Giovanna)
Rigoletto: Atto I, Scena II. "Giovanna, ho dei rimorsi" (Gilda, Giovanna, Duca)
Rigoletto: Atto I. "Gaultier Maldè... Caro nome" (Gilda, Borsa, Ceprano, Marullo)
ritorno d'Ulisse in Patria, Il
Rückweg, D. 476
Schuldigkeit des ersten Gebots in C major, K. 35: II. Parte I. Recitativo "Die Löblich' und gerechte bitte" (Gerechtigkeit, Christgeist, Barmherzigkeit), Die
Schuldigkeit des ersten Gebots in C major, K. 35: IV. Parte I. Recitativo "So vieler Seelen Fall" (Barmherzigkeit, Gerechtigkeit), Die
Schuldigkeit des ersten Gebots in C major, K. 35: V. Parte I. No. 2 Aria "Ein ergrimmter Löwe brüllet" (Barmherzigkeit) / Recitativo "Was glaubst du" (Barmherzigkeit, Gerechtigkeit, Christgeist), Die
Schuldigkeit des ersten Gebots in C major, K. 35: VII. Parte I. No. 3 Aria "Erwache, fauler Knecht" (Gerechtigkeit), Die
Schuldigkeit des ersten Gebots in C major, K. 35: VIII. Parte I. Recitativo "Er reget sich" (Christgeist, Barmherzigkeit, Gerechtigkeit), Die
Schuldigkeit des ersten Gebots in C major, K. 35: XIX. Parte I. No. 8 Terzetto "Laßt mir euer Gnade Schein" (Christgeist, Barmherzigkeit, Gerechtigkeit), Die
Sérénade
Serenade for Tenor, Horn and Strings / Nocturne / Phaedra
She Moved Thro' the Fair
Soir
Sombrero de tres picos: Danza del Corregidor, El
sombrero de tres picos: Farruca. The MIller's Dance, El
sombrero de tres picos: Introduction, El
Son fra l'onde, D. 78
Songs
Songs by Bizet
Songs by Gounod
Songs by Schubert's Friends and Contemporaries
Songs of Chausson, The
Sound the Trumpet
Spanisches Lied, op. 6 no. 1
Spanisches Liederbuch: Herr, was trägt der Boden hier? (Lord, what does the ground here bear?)
Spanisches Liederbuch: Wunden trägst du… (Thou art wounded…)
Spanish Lady, The
Stolen Heart, The
Stuttering Lovers, The
Sweet Power of Song
Symphony no. 9 “Choral”
Symphony no. 9 in D minor, op. 125 “Choral”: IV. Presto
Tarentelle
Te Deum, H. 146: IX. Aeterna fac cum Sanctis
Te Deum, H. 146: V. Te per orbem terrarum
tenero momento ('Lucio Silla', Act 1), Il
Thaïs: Acte I, Scène II. "Ah ! ah ! ah ! ... Athanaël, c'est toi !" (Crobyle, Myrtale, Nicias, Athanaël)
Thaïs: Acte I, Scène II. "Ah ! ah ! ah ! ... Je vais donc te revoir" (Crobyle, Myrtale, Nicias, Athanaël)
Thaïs: Acte II, Scène II. "Celle qui vient est plus belle" (Crobyle, Myrtale)
Thaïs: Acte II, Scène II. "Suivez-moi tous, amis !" (Nicias, Chœur, Crobyle, Myrtale)
Three Songs from Shakespeare: Full fadom five
Three Songs from Shakespeare: Musick to hear
Three Songs from Shakespeare: Spring (When Dasies pied)
Tod und das Mädchen, D. 531, Der
Trois chansons de Shakespeare, op. 28: No. 2. Chanson d'amour
Trois chansons de Shakespeare, op. 28: No. 3. Chanson d'Ophelie
Trois lieder de Camille Mauclair, op. 27: No. 1. Les heures
Trois lieder de Camille Mauclair, op. 27: No. 2. Ballade
Trois lieder de Camille Mauclair, op. 27: No. 3. Les couronnes
Trost im Liede, D. 546
Two Songs for Alto With Viola and Piano, Op. 91: I. Gestillte Sehnsucht (Rückert). Adagio espressivo
Two Songs for Alto With Viola and Piano, Op. 91: II. Geistliches Wiegenlied (nach Lope de Vega von Geibel). Andante con moto
Um Mitternacht
Va tacito e nascosto ('Giulio Cesare in Egitto', Act 1)
Vergebliches Ständchen, op. 84 no. 4
Vieille Chanson
Viens !
Viola, D. 786
Vivaldi: Gloria / Bach: Magnificat
Walpurgisnacht, op. 74 no. 4
Will Walk With My Love, I
Young Maid Stood in Her Father's Garden, A
Zaïde, op. 19 no. 1
Zauberflöte, K. 620: Act I, Scene I. Introduction "Zu Hilfe! Zu Hilfe!" (Tamino, Drei Damen) / Act I, Scene I. Monologue "Wo bin ich?" (Tamino), Die
Zauberflöte, K. 620: Act I, Scene III. No. 2 Aria "He da!... Was da?" (Tamino, Papageno, Drei Damen), Die
Zauberflöte, K. 620: Act I, Scene VIII. No. 5 Quintet "Hm! Hm! Hm!" (Papageno, Tamino, Drei Damen), Die
Zauberflöte, K. 620: Act II, Scene V. No. 12 Quintet "Wie? Wie? Wie? Ihr an diesem Schreckensort?" (Drei Damen, Papageno, Tamino, Coro), Die
Zauberflöte, K. 620: Act II, Scene XXX. "Nur stille! Stille! Die Strahlen der Sonne" (Monostatos, Königin, Damen) / Act II, Scene XXX. "Die Strahlen der Sonne vertreiben die Nacht" (Sarastro, Coro), Die
zwei blauen Augen, Die
Zwerg, D. 771, Der
Notes: 
Sources: 
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NTA
SNDEXCH
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