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Person
ISNI: 
0000 0000 8376 3003
Name: 
Batthishill, J.
Batthishill, Jonathan
Battishall, Johnathan
Battishill
Battishill, J.
Battishill, Jonathan
Battishill, Jonathan (Mr)
Johnathan Battishall
Jonathan Batthishill
Jonathan Battishill
Jonathan Battishill (Brits organist (-1801))
Jonathan Battishill (English composer, keyboardist and tenor)
Dates: 
1738-1801
Creation class: 
cre
Language material
Musical sound recording
Notated music
Creation role: 
author
composer
creator
performer
Related names: 
Arnold, John (co-author)
Cunningham, John (1729-1773)
Hilton, John (1599-1657)
Knight, Charles (co-author)
Lawes, William (1602-1645)
Neary, Martin (co-performer)
Pearsall, Robert Lucas (1795-1856)
Pirro, André (co-author)
Purcell, Henry (1659-1695)
Ravenscroft, Thomas (1592?-1635?)
Ravenscroft, Thomas (co-author)
Rimbault, Edward Francis (co-author)
Rolt, Richard (1724 or 1725-1770)
Smith, John Stafford (1750-1836)
The Hilliard ensemble
The Hilliard ensemble (isRelatedTo)
Warren, Edmund Thomas (co-author)
Weckerlin, Jean-Baptiste (co-author)
West, John E. (1863-1929)
West, John Ebenezer (1863-1929)
Wilson, John (1595-1674)
Titles: 
Almena : an English opera. As it is performed at the Theatre-Royal in Drury-Lane
Amidst the myrtles : quintet, or chorus, for mixed voices
Anglican chant, A minor
Call to remembrance
Cathedral chants of the XVI, XVII, XVIII centuries, edited by Edward F. Rimbault
Cathédrales du monde
Chamber Music (Baroque) (Pfeiffer-Trompeten-Consort)
charms of Silvia, The
collection of Catches, canons and glees for three, four, five, six and nine voices never before published, selected by Thomas Warren, A
collection of songs for three and four voices never before publish'd... Book I, A
collection of songs for three and four voices never before published, 1783?:, A
Echos d'Angleterre. Mélodies populaires de l'Angleterre, de l'Ecosse, de l'Irlande et du Pays de Galles, avec paroles anglaises et traduction française par Louis Gallet. Transcrites avec accompagnement de piano par J. B. Wekerlin
Epitaph, The
Essex harmony... from the works of the most eminent masters principally published for the use of all musical societies, catch-clubs, etc., both in town and country... by John Arnold.... 1. A choice collection of the most celebrated songs and catches for 2, 3, 4 and 5 voices, The
Essex harmony... from the works of the most eminent masters principally published for the use of all musical societies, catch-clubs, etc., both in town and country... by John Arnold.... 2. An entire new collection of the most celebrated songs and catches, canzonets, canons and glees for 2, 3, 4, 5 and 9 voices, The
Farces.
fourth collection of Catches, canons and glees for three, four, five and eight voices, most humbly inscrib'd to the noblemen and gentlemen of the Catch-club at St-Albans tavern by... Tho.s Warren, A
Glees. A selection of forty-four compositions... originally composed or for this work arranged for soprano as well as other voices to catch of which is added an ad libitum piano-forte accompaniment by the editor. Part. I
Kate of Aberdeen
Les trésors de la musique sacrée anglaise
O Lord look down from Heaven
singing club, The
solemn musick, A
Sylvia Blushes When I Woo Her
Two pieces... [pour orgue], composed by Jonathan Battishill
Брайан Хесфорд, орган Рижского домского собора
Contributed to or performed: 
Croft The Burial Service
Singing Club (The Hilliard Ensemble feat. director: Paul Hillier), The
Notes: 
Sources: 
VIAF DNB LC LNB N6I NKC NLI WKD
BLSA
CDR
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