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Person
ISNI: 
0000 0000 8411 0979
Name: 
Clifford Grant
Clifford Grant (artiste lyrique)
Clifford Grant (Australian opera singer)
Clifford Grant (zanger uit Australië)
Grant, Clifford
Grant, Clifford Scantlebury
Dates: 
1930-
Creation class: 
audio-visual
cre
Musical sound recording
Projected medium
Creation role: 
contributor
narrator
performer
Related names: 
Alldis, John (1929-)
Bonynge, Richard (1930-...)
Bonynge, Richard (1930-)
Davies, Ryland (09.02.1943-)
Davis, Colin (1927-)
Davis, Colin (1927-2013)
John Alldis choir Londres
Mozart, Wolfgang Amadeus (1756-1791)
Norman, Jessye (1945-...)
Norman, Jessye (1945-)
Sutherland, Joan (1926-)
Sutherland, Joan (1926-2010)
Tear, Robert (1939-2011)
Tourangeau, Huguette (1940-)
Verdi, Giuseppe
Wagner, Richard (1813-1883)
Watson, Lillian (1947-...)
Watson, Lillian (1947-)
Wegner, John
Titles: 
Apostles
Ave verum corpus, K. 618
Barbe-Bleue
Belle Hélène
Contes d'Hoffmann
coronation of Poppea [Enregistrement sonore], The ; Dame Janet Baker, MS ; Robert Ferguson, T ; Anne Collins, MS ; Katherine Pring, MS ; Clifford Grant, B ; John Brecknock, T... [et al.] ; Sadler's wells opera chorus, choeur ; Sadler's wells opera orchestra, orch. ; Raymond Leppard, dir., 2010
corsaro, Il
Così fan tutte
Don Giovanni highlights
Esclarmonde
Exsultate, jubilate
Fille du tambour-major
Gaîté parisienne
Geneviève de Brabant
Grande-duchesse de Gerolstein
Hugonoci
huguenots
Huon de Bordeaux.
Kyrie
Lakmé
lombardi alla prima crociata
Lucia di Lammermoor
Madrigali guerrieri, et amorosi
Madrigaux.
mariage aux lanternes
Messe en ut m, K. 427, "Grande Messe"
Messes
Missa brevis
Missa en ut M, K 257, Credo-Messe
Missa solemnis en ut m, K 139
Mozart Edition. 15 : Opera buffa
noces de Figaro sélection
Non so piú cosa son (2 min 49 s)
Norma: Atto II, Scena II. Recitativo "Guerrieri! a voi venirne" (Oroveso, Coro)
Norma: Atto II, Scena II. Scena "Ah! del Tebro al giogo indegno" (Oroveso, Coro)
nozze di Figaro
O mon cher amant, je te jure (3 min 28 s)
oca del Cairo
OEuvre pour orgue
Offertorium de venerabili sacramento
Óperas
oracolo [a music drama in one act (based on The cat and the cherub of C.B. Fernald) by Camillo Zanoni.] Reminiscences of the music from James Bernard Fagan's play The prayer of the sword., L'
Orphée aux Enfers
papillon
Périchole
Requiem, K. 626
Ricevete, o padrocina (1 min 05 s)
Rigoletto
Ring des Nibelungen.
rivalità di tre donne per un solo amante, La
Robinson Crusoé
Schauspieldirektor, Der
Sonates d'eglise
sposo deluso
Sull' aria (2 min 35 s)
Symphonie en mi bémol M, K 161 a
Thamos, König in Aegypten
Tosca opera in three acts
twilight of the gods Götterdämmurung, The
Valse des rayons (4 min 31 s)
Veni, Sancte Spiritus K 47
Verdi edition. Decca 028948030460
Vesperae solennes de confessore, K. 339
Voi che sapete (2 min 51 s)
Walkure (Die) (The Valkyrie) (Sung in English)
Zaide.
Contributed to or performed: 
99 Most Essential Opera Classics, The
Apostles, op. 49: Part 1: I. The Calling of the Apostles: And it came to pass in those days, The
Apostles, op. 49: Part 1: I. The Calling of the Apostles: In the Mountain — Night: Morning Psalm, The
Apostles, op. 49: Part 1: I. The Calling of the Apostles: In the Mountain — Night: The Dawn, The
Apostles, op. 49: Part 1: I. The Calling of the Apostles: In the Mountain — Night: The Lord hath chosen them, The
Apostles, op. 49: Part 1: II. By the Wayside, The
Apostles, op. 49: Part 1: III. By the Sea of Galilee: And straightaway Jesus constrained his disciples, The
Apostles, op. 49: Part 1: III. By the Sea of Galilee: Fantasy: This shall ye have of mine hand, The
Apostles, op. 49: Part 1: III. By the Sea of Galilee: In Caesarea Philippi: And I will give unto thee, The
Apostles, op. 49: Part 1: III. By the Sea of Galilee: In Caesarea Philippi: When Jesus came into the parts of Caesarea Philippi, The
Apostles, op. 49: Part 1: III. By the Sea of Galilee: In Capernaum: Turn you to the stronghold, The
Apostles, op. 49: Part 1: III. By the Sea of Galilee: In the Tower of Magdala, The
Apostles, op. 49: Part 2: Introduction, The
Apostles, op. 49: Part 2: IV. The Betrayal: And it came to pass, The
Apostles, op. 49: Part 2: IV. The Betrayal: Hail, Master!, The
Apostles, op. 49: Part 2: IV. The Betrayal: In the Place of the High Priest: Then Judas, which had betrayed him, The
Apostles, op. 49: Part 2: IV. The Betrayal: The Temple: Without the temple, The
Apostles, op. 49: Part 2: IV. The Betrayal: Then gathered the Chief Priests and Pharisees, The
Apostles, op. 49: Part 2: V. Golgotha, The
Apostles, op. 49: Part 2: VI. At the Sepulchre, The
Apostles, op. 49: Part 2: VII. The Ascension: Give us one heart, The
Apostles, op. 49: Part 2: VII. The Ascension: We trusted that it had been He, The
Apostles, op. 49: Prologue, The
Lakmé, Act 2: Par les dieux inspirée… Où va la jeune Indoue (Bell Song)
Lucia di Lammermoor, Act 2: Chi mi frena in tal momento (Sextet)
Lucia di Lammermoor: Chi mi frena in tal momento?
Marriage of Figaro: Act 4. “Gente, gente, all’armi, all’armi” - Finale (Count, Countess, Figaro, Basilio, Curzio, Antonio, Bartolo, Susanna, Cherubino, …), The
Mass No. 10 for Soloists, Chorus & Orchestra in C major, K. 257 "Missa brevis", "Credo Messe": I. "Kyrie"
Mass No. 10 for Soloists, Chorus & Orchestra in C major, K. 257 "Missa brevis", "Credo Messe": II. "Gloria"
Mass No. 10 for Soloists, Chorus & Orchestra in C major, K. 257 "Missa brevis", "Credo Messe": III. "Credo in unum Deum"
Mass No. 10 for Soloists, Chorus & Orchestra in C major, K. 257 "Missa brevis", "Credo Messe": VI. "Benedictus"
Mass No. 10 for Soloists, Chorus & Orchestra in C major, K. 257 "Missa brevis", "Credo Messe": VII. "Agnus Dei"
Norma
Norma, Act 1: Casta diva (Cavatina)
Norma: Atto I, Scena I. Cabaletta "Ah! bello a me ritorna" (Norma, Oroveso, Coro)
Norma: Atto I, Scena I. Coro d'introduzione "Ite sul colle, o Druidi" (Oroveso, Coro)
Norma: Atto I, Scena I. Recitativo "Fine al rito" (Norma, Oroveso, Coro)
Norma: Atto I, Scena I. Recitativo "Sediziose voci" (Norma, Oroveso, Coro)
Norma: Atto II, Scena III. Coro "Guerra! Guerra!" (Coro, Oroveso, Norma)
Norma: Atto II, Scena III. Finale "All'ira vostra" (Norma, Pollione, Oroveso, Coro)
Norma: Atto II, Scena III. Finale "Deh! non volerli vittime" (Norma, Oroveso, Coro, Pollione)
Norma: Atto II, Scena III. Finale "Norma!.. deh! Norma, scòlpati!.." (Coro, Norma, Pollione, Oroveso)
Norma: Atto II, Scena III. Finale "Qual cor tradisti" (Norma, Pollione, Oroveso, Coro)
Norma: Atto II, Scena III. Recitativo "Nè compi il rito, o Norma?" (Oroveso, Norma, Clotilde, Coro, Pollione)
Norma: Atto II, Scena III. Scena "Squilla il bronzo del Dio!" (Coro, Oroveso, Norma)
nozze di Figaro, K. 492: Act I, Scene II. No. 3 Cavatina "Se vuol ballare, signor Contino" (Figaro) / Act I, Scene III. Recitativo "Ed aspettaste il giorno fissato a le sue nozze" (Bartolo, Marcellina), Le
nozze di Figaro, K. 492: Act I, Scene III. No. 4 Aria "La vendetta, oh, la vendetta" (Bartolo) / Act I, Scene IV. Recitativo "Tutto ancor non ho perso" (Marcellina, Susanna), Le
nozze di Figaro, K. 492: Act II, Scene XI. No. 16 Finale "Voi signor che giusto siete" (Marcellina, Basilio, Bartolo, Il Conte, Susanna, La Contessa, Figaro), Le
nozze di Figaro, K. 492: Act III, Scene VII. Recitativo "È decisa la lite" (Don Curzio, Marcellina, Figaro, Il Conte, Bartolo), Le
nozze di Figaro, K. 492: Act III, Scene VIII. No. 19 Sestetto "Riconosci in questo amplesso" / Act III, Scene VIII-IX. Recitativi "Eccovi, o caro amico... Io vi dico" (Marcellina, Bartolo, Susanna, Figaro, Antonio, Il Conte, Don Curzio), Le
nozze di Figaro, K. 492: Act IV, Scene Ultima. No. 29 Finale "Gente gente, all'armi all'armi!" (Il Conte, Figaro, Don Curzio, Basilio, Antonio, Bartolo, Susanna), Le
nozze di Figaro, K. 492: Act IV, Scene V. Recitativo "Nel padiglione a manca" (Barbarina) / Scene VI. Recitativo "È Barbarina..." (Figaro, Basilio, Bartolo) / Scene VII. Recitativo "Ha I diavoli nel corpo" (Basilio, Bartolo), Le
Rhinegold, The
Rhinegold: Scene 2: And I Should Possess It! (Wotan, Loge, Donner, Froh, Fricka, Fafner), The
Rhinegold: Scene 2: God of Light, Light of Spirit! (Fasolt, Wotan, Fafner, Freia), The
Rhinegold: Scene 2: Hear, Wotan: I'll Speak My Last Word! (Fafner, Wotan, Fasolt, Freia, Froh, Donner), The
Rhinegold: Scene 2: So I Promised I'd Tell You the Story (Loge, Wotan, Fasolt, Fafner), The
Rhinegold: Scene 2: Soft Sleep Closed Your Eyes (Fasolt, Wotan, Fafner), The
Rhinegold: Scene 2: To Me, Freia! Back from Her, Giant! (Froh, Donner, Fafner, Fasolt, Wotan), The
Rhinegold: Scene 2: What? How Am I Concerned in a Contract? (Loge, Wotan, Fricka, Froh, Donner, Fafner, Fasolt), The
Rhinegold: Scene 4: Far Too Loose You're Piling the Gold (Fafner, Loge, Wotan, Fricka, Donner), The
Rhinegold: Scene 4: Freia, the Fair One, See I No More (Fasolt, Fafner, Loge, Wotan, Freia, Fricka, Froh, Donner), The
Rhinegold: Scene 4: Stop, You Greedy One! (Fasolt, Fafner, Loge, Wotan), The
Rhinegold: Scene 4: Wait! Don't Touch Her Yet! (Fasolt, Wotan, Fafner, Loge, Froh), The
Schauspieldirektor, K. 486 (Erik Smith reconstruction): Akt I. No. 4 Schlußgesang "Jeder Künstler strebt nach Ehre" (Mlle Silberklang, Mme Herz, M. Vogelsang, Buff), Der
Siegfried: Act II Scene 1: Fafner! Fafner! You Dragon, Wake! (Wanderer, Alberich, Fafner)
Siegfried: Act II Scene 2: Ha Ha! At Last With My Call (Siegfried, Fafner)
Siegfried: Act II Scene 2: Who Are You, Youthful Hero (Fafner, Siegfried)
Valkyrie: Act I Scene 2: So the Norn Who Dealt You This Fate (Hunding, Sieglinde, Siegmund), The
Valkyrie: Act II Scene 5: Wehwalt! Wehwalt! (Hunding, Siegmund, Sieglinde, Brunnhilde, Wotan), The
Notes: 
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