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Person
ISNI: 
0000 0001 0895 4878
Name: 
Fried, M.
Fried, Michael
Fried, Michael (kunst)
Michael Fried (American art critic)
Michael Fried (Amerikaans kunstcriticus)
Michael Fried (critico d'arte e storico dell'arte statunitense)
Michael Fried (US-amerikanischer Kunstkritiker und Hochschullehrer)
Фрид, Майкл
マイケル・フリード
Dates: 
1939-
Creation class: 
article
cre
Language material
text
txt
Creation role: 
author
contributor
librettist
writer of accompanying material
Related names: 
Brunet, Claire (1964-...)
Brunet, Claire (co-author)
Bürgi, Bernhard (1953-)
Caro, Anthony (1924-)
Caro, Anthony Alfred (1924-)
Devade, Marc (co-author)
Durand-Bogaert, Fabienne (co-author)
Gautier, Michel (co-author)
Harbison, John
Hickey, Dave (1940- ))
Kunstmuseum Basel
Lange, Christy
Lange, Christy (co-author)
Louis, Morris
Menzel, Adolph (1815-1905)
Moorhouse, Paul
Pittard, Yann (co-author)
Ray, Charles (1953-)
Rondeau, James
Sternfeld, Joel (1944-...)
Sternfeld, Joel Peter (1944-....))
Unguru, Sabetai (co-author)
Wagner, Anne
Yale University Press
Titles: 
2nd International Symposium on Visceral Perception in Gastroenterology 27-30 April 2006, Vitznau, Switzerland
Absorption and theatricality painting and beholder in the age of Diderot
After Caravaggio
Almayer's Face: On "Impressionism" in Conrad, Crane, and Norris
Another light : Gericault's romanticism and other essays
Another light Jacques-Louis David to Thomas Demand
Anri Sala catalogue réalisé à l'occasion de l'exposition... au Centre Pompidou, Galerie sud, 3 mai-6 août 2012
Anthony Caro
Apollonius of Perga's Conica text, context, subtext
Art and objecthood : essays and reviews
At first light
Barthes's Punctum
Between realisms: from Derrida to Manet
Boston collection, The
Charles Ray, Sculpture 1997 - 2014 [in conjunction with the Exhibition "Charles Ray. Sculpture 1997 - 2014", Kunstmuseum Basel, June 15 - September 28, 2014 ; The Art Institute of Chicago, May 17 - October 4, 2015]
Contre la théâtralité du minimalisme à la photographie contemporaine
Courbet's realism
Dejeuner sur l'herbe, Le
Edi Rama
Essays. Selections
Esthétique et origines de la peinture moderne
Flaubert's "gueuloir" on Madame Bovary and Salambô
Four honest outlaws : Sala, Ray, Marioni, Gordon
Frank Stella : an exhibition of recent paintings, Pasadena Art Museum, October 18 to November 20, 1966, Seattle Art Museum Pavilion, January 12 to February 12, 1967.
Frontiers in gastric emptying : proceedings of an International Symposium : held in Lausanne, Switzerland, September 26 to 28, 1993
Gustave Caillebotte and the fashioning of identity in Impressionist Paris
Histoire-critique d'une peinture
Jackson Pollock : blind spots : [exhibition Tate Gallery Liverpool, 30 June-18 October 2015, Dallas Museum of Art, 20 November 2015-20 March 2016]
Jeff Wall, Wittgenstein, and the everyday.
La place du spectateur
Le modernisme de Manet ou Le visage de la peinture dans les années 1860
Le moment Caravage
Le réalisme de Courbet
lugar del espectador estética y orígenes de la pintura moderna, El
Manet in his generation: the face of painting in the 1860s
Manet's modernism, or, the face of painting in the 1860s
MANET'S USE OF THE OLD MASTERS, 1859-1865
Menzel's realism: art and embodiment in nineteenth-century Berlin
Menzels Realismus Kunst und Verkörperung im Berlin des 19. Jahrhunderts
modernisme de Manet ou Le visage de la peinture dans les années 1860
moment of Caravaggio, The
Morris Louis
next bend in the road. -
Other hands : [poems]
PAINTING MEMORIES: ON THE CONTAINMENT OF THE PAST IN BAUDELAIRE AND MANET
Photographs 1974-1999
place du spectateur
Pourquoi la photographie a aujourd'hui force d'art
"Punctum" de Roland Barthes, El
Realism, writing, disfiguration on Thomas Eakins and Stephen Crane
Refracting vision essays on the writings of Michael Fried
REPRESENTING REPRESENTATION: ON THE CENTRAL GROUP IN COURBET'S 'STUDIO'
Response to Caroline A. Jones
Simple daylight : soprano and piano
Stephen Shore
STRUCTURE OF BEHOLDING IN COURBET'S 'BURIAL AT ORNANS', THE
Thomas Demand : animations.
Thoughts on Caravaggio
Three american painters Kenneth Noland, Jules Olitski, Frank Stella : Fogg Art Museum Havard University 21 April-30 May 1965
Three Poems
To the center of the earth, 1994:
Un oeil, une histoire 9 films, 9 historiens de l'art
Warum Photographie als Kunst so bedeutend ist wie nie zuvor
Why photography matters as art as never before
Words from Paterson
Works.
Writing back to modern art : after Greenberg, Fried and Clark
Contributed to or performed: 
CRITICAL INQUIRY
Notes: 
Sources: 
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