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Person
ISNI: 
0000 0001 0916 0957
Name: 
Langidge, Philip
Langridge, Ph
Langridge, Philip
Langridge, Philip Gordon
Philip Langridge
Philip Langridge (britischer Opern- und Oratoriensänger)
Philip Langridge (British opera singer)
Philip Langridge (Brits zanger)
Dates: 
1939-2010
Creation class: 
cre
Language material
Musical sound recording
Nonmusical sound recording
Projected medium
Creation role: 
contributor
creator
performer
singer
vocalist
Related names: 
Britten, Benjamin (1913-1976)
Britten, Edward Benjamin (1913-1976)
Concentus musicus Wien
Decca record company
Equiluz, Kurt (1929-...)
Harnoncourt, Nikolaus (1929-...)
London Philharmonic Orchestra
Monteverdi, Claudio (1567-1643)
Mozart, Wolfgang Amadeus (1756-1791)
Murray, Ann (1943-; Beziehung familiaer; see also from)
Palmer, Felicity (1944-...)
Sachs, Nelly (1891-1970)
Schubert, Franz (1797-1828)
Shirley-Quirk, John (1931- ))
Tear, Robert (1939-2011)
Teldec Schallplatten GmbH
Zehetmair, Thomas (1961- ))
Ziesak, Ruth
Titles: 
Acis and Galatea
Anthems
Au jardin des aveux : French songs and duets.
beggar's opera., The
Behold, a virgin
Billy Budd
bodas de Fígaro, Las
Boréades
borgomastro di Saardam, Il
Boris Godunov
Canticles I-V The heart of the matter
child of our time
clemenza di Tito, La
Combattimento di Tancredi e Clorinda
Complete songs
Concerto for piano and nine players Eight poems of Li-Po ; Sonata for piano ; Mr Bear squash-you-all-flat
Curlew river
Dido & Aeneas
Dona nobis pacem Sancta civitas
enfance du Christ
enfant et les sortilèges, L'
Folk song arrangements
For St. Cecilia
Gestorte Gluck D 309 (2 min 20 s), Das
Gloriana
Gurrelieder
Hern Josef von Spaun, Assessor in Linz (4 min 46 s), An
Hochzeit des Figaro Highlights
holy sonnets of John Donne op. 35
Idomeneo
incoronazione di Poppea
Jenufa : an opera in three acts
Jephtha
King Priam
Kleine Dreigroschenmusik
Król Roger
Lady Macbeth of Mtsensk
Lamento della ninfa
Ledi Makbet Mcenskogo uezda
Liederen.
Liedler
Madrigali
Magnificat D-dur, BWV 243
Matthäus-Passion
Mentre vaga angioletta (10 min 17 s)
Messiah, The
Minotaur, The
Moses und Aron.
Nachstuck D 672 (5 min 46 s)
Nieszpory Marii Panny
nozze di Figaro, Le
Oedipus Rex
Ogni amante è guerrier (16 min 30 s)
Opéra. WCJ 5144253952
Osud
Peter Grimes
Punch and Judy
Quem vidistis pastores (10 min 22 s)
rake's progress, The
ritorno di Tobia
Roméo et Juliette
Samson
Sängers Morgenlied
Schöpfung
Sehnsucht der Liebe
Siebengesang
Sol sol la sol fa mi
St Nicolas Christ's Nativity ; Psalm 150
Szymanowski.
tabarro
Tagebuch eines Verschollenen ; Sinfonietta
Te Deum
tempest
turn of the screw., The
tyme of youthe is to be spent
Vespro della Beata Vergine
Vocal music.
Vokālā mūzika.
Werke
Werther
Works.
Worthy the lamb
Wozzeck
Zápisník zmizelého
Contributed to or performed: 
198x-xx-xx: Princess Ida: [unknown location]
5 Poems, Op. 53: I. Lauds
5 Poems, Op. 53: II. O lurcher-loving collier
5 Poems, Op. 53: III. What's in your mind, my dove, my coney
5 Poems, Op. 53: IV. Eyes look into the well
5 Poems, Op. 53: V. Carry her over the water
Abaris (Les Boréades): Contredanses tres vives
Adoration, H 57
Aimons-nous
Alte Liebe rostet nie, D. 477
Am See, D. 124
Am Strome, D. 539
Arpège
Au jardin des aveux: French Songs and Duets
Auden Songs: On This Island / Cabaret Songs / Five Poems / Fish in the Unruffled Lakes
Auf der Riesenkoppe, D. 611
Barcarola, La
Beggar's Opera: Act 2, "Fortune, be with you Lucy", The
Beggar's Opera: Act 2, "It is the pleasure of all you fine men..." / no. 28 "How cruel are the traitors", The
Beggar's Opera: Act 2, "Noble Captain, you are welcome once more" / no. 26 "Man may escape from rope and gun", The
Beggar's Opera: Act 2, "O Macheath! I will stay with thee till death..." / no. 32 "Thus when the swallow", The
Beggar's Opera: Act 2, "Really, Miss Peachum, you expose yourself" / no. 34 "Cease your funning", The
Beggar's Opera: Act 2, "Shall I not claim my own?" / no. 33 "How happy I could be with either", The
Beggar's Opera: Act 2, "Such language, brother!" / no. 30 "When you can censure the age", The
Beggar's Opera: Act 2, no. 27 "Thus when a good woman sees a rat", The
Beggar's Opera: Act 2, no. 29 "The first time at the looking-glass", The
Beggar's Opera: Act 2, no. 31 "Is then his fate decreed, sir?", The
Beggar's Opera: Act 2, no. 35 "Why how now, Madam Flirt!", The
Beggar's Opera: Act 2, no. 36 "No power on earth can e'er divide", The
Beggar's Opera: Act 3, "And Macheath, at liberty and at large..." / no. 40 "The modes of the Court", The
Beggar's Opera: Act 3, "And those two good old friends", The
Beggar's Opera: Act 3, "Bring us then more liquor!" / no. 41 "What Gudgeons are we men!", The
Beggar's Opera: Act 3, "But all scores have a reckoning", The
Beggar's Opera: Act 3, "But perhaps he hath a heart not capable of it" / no. 45 "Among the men coquets we find", The
Beggar's Opera: Act 3, "Dear sir, mention not my education..." / no. 37 "When young at the bar", The
Beggar's Opera: Act 3, "Dear, dear father, sink the evidence..." / no. 49 "When my hero in court appears", The
Beggar's Opera: Act 3, "Jealously, rage, love and fear..." / no. 43 "I'm like a skiff on the ocean tossed", The
Beggar's Opera: Act 3, "Oh sir, if Peachum's heart is hardened..." / no. 50 "When he holds up his hand", The
Beggar's Opera: Act 3, "We are ready, sir, to conduct you to the Old Bailey!" / no. 52 "The charge is prepared", The
Beggar's Opera: Act 3, "What do I see! Oh! Macheath again in custody!!" / no. 47 "Hither, dear husband, turn your eyes", The
Beggar's Opera: Act 3, no. 38 "Ungrateful Macheath!", The
Beggar's Opera: Act 3, no. 39 "Thus gamesters united in friendship", The
Beggar's Opera: Act 3, no. 42 "In the days of my youth", The
Beggar's Opera: Act 3, no. 44 "A curse attends a woman's love", The
Beggar's Opera: Act 3, no. 46 "Come, sweet lass", The
Beggar's Opera: Act 3, no. 48 "Which way shall I turn me", The
Beggar's Opera: Act 3, no. 51 "Ourselves, like the great", The
Beggar's Opera: Act 3, no. 53 "O cruel, cruel case!", The
Beggar's Opera: Act 3, no. 54 "Would I might be hanged!", The
Beggar's Opera: Act 3, no. 55 "Thus I stand like the Turk", The
Beitrag zur fünfzigjährigen Jubelfeier des Herrn von Salieri, D. 407: Gütigster, Bester!
Berliner Requiem: I. Grosser Dankchoral, Das
Berliner Requiem: II. Ballade vom ertrunkenen Mädchen, Das
Berliner Requiem: III. Grabschrift, Das
Berliner Requiem: IV. Erster Bericht über den Unbekannten Soldaten unter dem Triumphbogen, Das
Berliner Requiem: VI. Grosser Dankchoral, Das
Billy Budd
Bitter Withy, The
Blow out, you bugles, H 132
Boire à l'ombre
Bononcini: Stabat Mater / Lotti: Crucifixus / Caldara: Crucifixus
Boyhood's End
British Music Collection: The Beggar’s Opera, The
Canticle I, op. 40 "My Beloved Is Mine"
Canticle II, op. 51 "Abraham and Isaac"
Canticle III, op. 55 "Still Falls the Rain"
Canticle IV, op. 86 "Journey of the Magi"
Canticle V, op. 89 "The Death of St Narcissus"
Canticles I-V / The Heart of the Matter
Caravane, La
Chandos Anthem No. 2, HWV 247 "In the Lord put I my trust": Air
Chandos Anthem No. 5a, HWV 250a "I will magnify thee": Air
Chandos Anthem No. 5a, HWV 250a "I will magnify thee": Chorus
Child of Our Time / The Knot Garden, A
Child of Our Time, A
Child of Our Time: A Spiritual, A
Child of Our Time: General Ensemble, A
Child of Our Time: Scena (Bass Solo & Chorus), A
Child of Our Time: Scena (Solo Quartet), A
Child of Our Time: Tenor Solo, A
Child of Our Time: The Boy Sings in His Prison, A
Children and Sir Nameless, The
clemenza di Tito, K. 621: Act 2 "Se all'impero, amici Dei" (Tito), La
clemenza di Tito, La
clemenza di Tito: "Se all’impero, amici Dei", La
Cloche, La
Danse macabre
Dass sie hier gewesen!, D. 775
Death in Venice
Dies natalis / Intimations of Immortality
Dies natalis, op. 8: 1. Intrada
Dies natalis, op. 8: 2. Rhapsody - Recitativo stromentato
Dies natalis, op. 8: 3. The Rapture - Danza
Dies natalis, op. 8: 4. Wonder - Arioso
Dies natalis, op. 8: 5. The Salutation - Aria
Duets: My heart adorn'd with thee
Eight Folk Song Arrangements for High Voice and Harp: Bird Scarer's Song
Eight Folk Song Arrangements for High Voice and Harp: Bonny at Morn
Eight Folk Song Arrangements for High Voice and Harp: Bugeilio'r Gwenith Gwyn
Eight Folk Song Arrangements for High Voice and Harp: Dafydd y Garreg Wen
Eight Folk Song Arrangements for High Voice and Harp: Lemady
Eight Folk Song Arrangements for High Voice and Harp: Lord! I Married Me a Wife
Eight Folk Song Arrangements for High Voice and Harp: She's Like the Swallow
Eight Folk Song Arrangements for High Voice and Harp: The False Knight upon the Road
Einsiedelei, D. 563, Die
English Song
English Song Series, Volume 11: Complete Folk-Song Arrangements / Complete Part-Songs for Women's Voices, The
English Song Series, Volume 13: Folk Song Arrangements, Volume 2, The
English Song Series, Volume 6: Vedic Hymns / Four Songs for Voice and Violin / Humbert Wolfe Songs, The
English Song Series, Volume 7: Seven Sonnets of Michelangelo / The Holy Sonnets of John Donne / Winter Words, The
Entra l'uomo allor che nasce (Aria di Abramo), D. 33 no. 1
Erinnerungen, D. 98
Fish in the unruffled lakes
foggy, foggy dew, The
For St. Cecilia, op. 30: 1. Delightful Goddess, in whose fashionings
For St. Cecilia, op. 30: 2. Changed is the age
For St. Cecilia, op. 30: 3. How came you, lady of fierce martyrdom
For St. Cecilia, op. 30: 4. How smilingly the saint among her friends
For St. Cecilia, op. 30: 5. Wherefore we bid you to the full concent
Four Hymns: I. Lord! Come away!
Four Hymns: II. Who is this fair one?
Four Hymns: III. Come Love, come Lord
Four Hymns: IV. Evening Hymn
From Jewish Folk Poetry, op. 79a: No. 11. Happiness
From Jewish Folk Poetry, op. 79a: No. 2. Fussy Mymmy and Auntie
From Jewish Folk Poetry, op. 79a: No. 4. Before a Long Separation
From Jewish Folk Poetry, op. 79a: No. 6. The Deserted Father
From Jewish Folk Poetry, op. 79a: No. 7. A Song of Poverty
From Jewish Folk Poetry, op. 79a: No. 8. Winter
From Jewish Folk Poetry, op. 79a: No. 9. The Good Life
Geisternähe, D. 100
gestörte Glück, D. 309, Das
Gloriana
Gurrelieder
Gurrelieder: Dritter Teil. "Ein seltsamer Vogel ist so'n Aal" (Klaus-Narr)
Gurrelieder: III. Teil "Ein seltsamer Vogel ist so'n Aal" (Klaus-Narr)
Happy End: Teil 1: Lieder vom Höllenfeuer und Reue - II. Heisarmeelied III: Fürchte dich nicht
Happy End: Teil 1: Lieder vom Höllenfeuer und Reue - IV. Das Lied der Branntweinhändler
Happy End: Teil 1: Lieder vom Höllenfeuer und Reue - VI. Heilsarmeelied II: Bruder, gib dir eine Stoss
Happy End: Teil 2: Lieder von der Unschuld - VIII. Heilsarmeelied IV: In der Jugend gold'nem Schimmer
Happy End: Teil 3: Lieder der rivalisierenden Armeen - XIII. Hosiannah Rockefeller
Happy End: Teil 3: Lieder der rivalisierenden Armeen - XIV. Der kleine Leutnant des lieben Gottes II
Happy End: Teil 3: Lieder der rivalisierenden Armeen - XX. Heilsarmeelied I: Geht hinein in die Schlacht
Heart of the Matter: Epilogue, Fanfare, Song, The
Heart of the Matter: Prologue, Fanfare, Song, The
Heart of the Matter: Song, The
Heart's Assurance: Compassion, The
Heart's Assurance: Remember your lovers, The
Heart's Assurance: Song, The
Heart's Assurance: The Dancer, The
Heart's Assurance: The Heart's Assurance, The
Héloïse and Abelard
Herrn Josef von Spaun, Assessor in Linz (Epistel), D. 749, An
Holy Sonnets of John Donne, op. 35: Sonnet I: Thou hast made me, The
Holy Sonnets of John Donne, op. 35: Sonnet III: O might those sighes and teares, The
Holy Sonnets of John Donne, op. 35: Sonnet VI: Oh my blacke Soule!, The
Holy Sonnets of John Donne, op. 35: Sonnet VII: At the round earth's imagin'd corners, The
Holy Sonnets of John Donne, op. 35: Sonnet X: Death, be not proud, The
Holy Sonnets of John Donne, op. 35: Sonnet XIII: What if this present, The
Holy Sonnets of John Donne, op. 35: Sonnet XIV: Batter my heart, The
Holy Sonnets of John Donne, op. 35: Sonnet XIX: Oh, to vex me, The
Holy Sonnets of John Donne, op. 35: Sonnet XVII: Since she whom I lov'd, The
Hyperion Schubert Edition, Volume 4: Schubert & His Friends II, The
If it's ever Spring again
Intimations of Immortality, op. 29: I. There was a time when meadow, grove and stream
Intimations of Immortality, op. 29: II. The rainbow comes and gone
Intimations of Immortality, op. 29: III. Now, while the birds thus sing a joyous song
Intimations of Immortality, op. 29: IV. Ye blessèd Creatures, I have heard the call
Intimations of Immortality, op. 29: IX. And O, ye Fountains, Meadows, Hills and Groves
Intimations of Immortality, op. 29: V. Our birth is but a sleep and a forgetting
Intimations of Immortality, op. 29: VI. Earth fills her lap with pleasures of her own
Intimations of Immortality, op. 29: VII. O joy! that in our embers
Intimations of Immortality, op. 29: VIII. Then sing, ye Birds, sing, sing a joyous song!
Irish song: The Rose of Tralee
King Herod and the Cock
Król Roger / Symphony no. 4 (Sinfonia concertante)
Lady Macbeth of Mtsensk
Lady Macbeth of the Mtsensk District, Act I Scene 1: Govorí! / Začém že tï uyezžáyes', khozyáin / Vot, pápa, posmotrí / Proščáy, Katerína / Katerína, poklyanís' na svyatóy ikóne / Čegó vstal?
Lady Macbeth of the Mtsensk District, Act II Scene 5: Slúšay, Sergéy, Sergéy! / Katerína !... Kto tam? / Tepér' šabáš
Liebeslauschen, D. 698
Liebesrausch, D. 179
Liebeständelei, D. 206
Liedler, D. 209, Der
Love at the Inn: Love calls through the summer night
Love went a-riding, H 115
Madrigali guerrieri, et amorosi, Libro ottavo, Canti amorosi: "Lamento della Ninfa"
Madrigali guerrieri, et amorosi, Libro ottavo, Canti guerrieri: "Ogni amante e guerrier
Mahagonny Songspiel, Teil I: 1. Auf nach Mahagonny: Allegro non troppo
Mahagonny Songspiel, Teil II: 3b. Wer in Mahagonny blieb: Allegro un poco moderato
Mahagonny Songspiel, Teil II: 4b. Benares Song: Moderato assai
Mahagonny Songspiel, Teil II: 5b. Gott in Mahagonny: Lento
Mahagonny Songspiel, Teil III: 6. Finale: Aber dieses ganze Mahagonny: Largo
Mass in C (Spaur-Messe), K. 258 / Vesperae solennes de confessore, K. 339
Mass no. 11, K. 258 "Spaurmesse": I. Kyrie
Mass no. 11, K. 258 "Spaurmesse": II. Gloria
Mass no. 11, K. 258 "Spaurmesse": III. Credo
Mass no. 11, K. 258 "Spaurmesse": V. Benedictus
Mass no. 11, K. 258 "Spaurmesse": VI. Agnus Dei
Merciless Beauty: I. Your eyen two
Merciless Beauty: II. So hath your beauty
Merciless Beauty: III. Since I from Love
Messiah
Messiah, Part 1: Comfort Ye
Messiah, Part 1: Ev'ry Valley
Messiah, Part 1: Nos. 2-3. Recitative & Air Tenor. "Comfort ye my people... Every valley shall be exalted"
Messiah, Part 2: No. 39. Arioso tenor. "Their sound is gone out"
Messiah, Part 2: Nos. 27-28. Recitative tenor & Chorus. "All they that see him... He trusted in God"
Messiah, Part 2: Nos. 31-32. Recitative & Air tenor. "He was cut off out of the land of the living..."
Messiah, Part 2: Nos. 34-35. Recitative Tenor & Chorus. "Unto Which of the Angels..."
Messiah, Part 2: Nos. 42-43. Recitative & Air tenor. "He that dwelleth in heaven..."
Messiah, Part 3: Nos. 49-51. Recitative alto, Duet alto & tenor, Chorus. "Then shall be brougt to pass..."
Mort du nombre, La
Mort du nombre, Le
Moses und Aron
Moses und Aron: Act I, Scene 2. "Du Sohn meiner Väter"
Moses und Aron: Act I, Scene 4. "Bringt ihr Erhörung... In der Wüste wird euch die Reinheit!"
Moses und Aron: Act II, Scene 1. "Vierzig Tage"
Moses und Aron: Act II, Scene 2. "Wo ist Moses?... Volk Israels!"
Moses und Aron: Act II, Scene 3. "Dieses Bild bezeugt... Götter, die ihr Seele schenket"
Moses und Aron: Act II, Scene 5. "Aron, was hast du getan?... Unvorstellbarer Gott!"
Nachtstück, D. 672
New Discoveries: What will you do, love?
Night covers up the rigid land
Night covers up the rigid land, Op. 14 No. 2: I. Lay your sleeping head, my love
Night covers up the rigid land, Op. 14 No. 2: I. Night covers up the rigid land
Nocturne, Op. 60: I. On a poet's lips I slept
Nocturne, Op. 60: II. Below the thunders of the upper deep
Nocturne, Op. 60: III. Encinctured with a twine of leaves
Nocturne, Op. 60: IV. Midnight's bell goes ting, ting, ting, ting
Nocturne, Op. 60: V. But that night when on my bed I lay
Nocturne, Op. 60: VI. She sleeps on soft, last breaths; but no ghost looms
Nocturne, Op. 60: VII. What is more gentle than a wind in summer
Nocturne, Op. 60: VIII. When most I wink, then do mine eyes best see
nozze di Figaro, K. 492: Act III. "Riconosci in questo amplesso", Le
Nozze di Figaro, Le
On this Island, Op. 11: I. Let the florid music praise
On this Island, Op. 11: II. Now the leaves are falling fast
On this Island, Op. 11: III. Seascape
On this Island, Op. 11: IV. Nocturne
On this Island, Op. 11: V. As it is, plenty
Orchestral Arrangements: Come You not From Newcastle
Orchestral Arrangements: Little Sir William
Orchestral Arrangements: O Can Ye Sew Cushions
Orchestral Arrangements: O Waly, Waly
Orchestral Arrangements: Oliver Cromwell
Orchestral Arrangements: The Bonny Earl o’ Moray
Orchestral Arrangements: The Plough Boy
Orchestral Arrangements: The Salley Gardens (orchestration for strings, bassoon and harp)
Orchestral Songs, Volume 1, The
Orchestral Works, Volume 6: A Royal Night of Variety / The Pageant of London / Berceuse / Chant d'espérance / Serenade / Orchestral Songs
Peter Grimes: Act II. Here’s Your Sea Boots
Pleurs d'or
Puisqu'ici-bas
Punch and Judy
Quo Vadis: IV. Night hath no wings
Quo Vadis: IX. To find the western path
Quo Vadis: V. O timely happy, timely wise
Quo Vadis: VIII. They are at rest
Rake's Progress, The
Réveil
Riders to the Sea / Epithalamion / Merciless Beauty
Sancta Civitas / Dona nobis pacem
Sancta Civitas: Heaven and earth are full of Thy glory (Poco animato)
Sängers Morgenlied, D. 163
Sängers Morgenlied, D. 165
Sāvitri / The Dream-City
Sāvitri: Greeting to thee, my loving Sāvitri! (Satyavan)
Sāvitri: Love to the lover (Satyavan)
Sāvitri: Once I knew maya : Now she is forgot (Sāvitri)
Sāvitri: Sāvitri! Is it thou? (Satyavan)
Sāvitri: Sāvitri! Sāvitri! Mine arm is pow’rless (Satyavan)
Sāvitri: The forest is to me a mirror (Sāvitri)
Sehnsucht der Liebe, D. 180
Sérénade
Serenade for Tenor, Horn and Strings / Nocturne / Phaedra
Serenade for Tenor, Horn and Strings, Op. 31: I. Prologue
Serenade for Tenor, Horn and Strings, Op. 31: II. Pastoral
Serenade for Tenor, Horn and Strings, Op. 31: III. Nocturne
Serenade for Tenor, Horn and Strings, Op. 31: V. Dirge
Serenade for Tenor, Horn and Strings, Op. 31: VI. Hymn
Serenade for Tenor, Horn and Strings, Op. 31: VII. Sonnet
Serenade for Tenor, Horn and Strings, Op. 31: VIII. Epilogue
Serenade for Tenor, Horn, and Strings, Op. 31: IV. Elegy
Sérénade italienne
Serenade, op. 31 - Elegy “O Rose, thou art sick!”
Seven Sonnets of Michelangelo, op. 22: Sonetto LV: Tu sa' ch'io so, signior mie, che tu sai
Seven Sonnets of Michelangelo, op. 22: Sonetto XVI: Si come nella penna e nell'inchiostro
Seven Sonnets of Michelangelo, op. 22: Sonetto XXIV: Spirto ben nato, in cui si specchia e vede
Seven Sonnets of Michelangelo, op. 22: Sonetto XXX: Veggio co' be' vostri occhi un dolce lume
Seven Sonnets of Michelangelo, op. 22: Sonetto XXXI: A che piu debb'io mai l'intensa voglia
Seven Sonnets of Michelangelo, op. 22: Sonetto XXXII: S'un casto amor, s'una pieta superna
Seven Sonnets of Michelangelo, op. 22: Sonetto XXXVIII: Rendete a gli occhi miei, o fonte o fiume
Seven Sonnets of Michelangelo, op. 22: Sonnetto XVI: Sì come nella penna e nell'inchiostro
Songs for Achilles: Across the plain
Songs for Achilles: By the sea
Songs for Achilles: In the tent
Songs for Ariel: Come unto these yellow sands
Songs for Ariel: Full fathom five
Songs for Ariel: Where the bee sucks
St Nicolas, op. 42: I. Introduction
St Nicolas, op. 42: II. The Birth of Nicolas
St Nicolas, op. 42: III. Nicolas devotes himself to God
St Nicolas, op. 42: IV. He journeys to Palestine
St Nicolas, op. 42: IX. The Death of Nicolas
St Nicolas, op. 42: V. He comes to Myra and is chosen Bishop
St Nicolas, op. 42: VI. Nicolas from Prison
St Nicolas, op. 42: VII. Nicolas and the Pickled Boys
St Nicolas, op. 42: VIII. His Piety and Marvellous Works
St. Nicolas / Christ’s Nativity
Stabat Mater: X. Fac ut portem Christis mortem
Stabat Mater: XI. Fac me plagis vulnerari
Stravinsky: Oedipus Rex
sun shines down, The
Tagesbuch eines Verschollenen: I. "Traf eine junge Zigeunerin"/"One day I met a gypsy girl" (Tenor)
Tagesbuch eines Verschollenen: II. "Ist sie noch immer da"/"That black-eyed gypsy girl" (Tenor)
Tagesbuch eines Verschollenen: III. "Wie der Glühwürmchen Spiel"/"Throug the twilight glow-worms" (Tenor)
Tagesbuch eines Verschollenen: IV. "Zwitschern im Nest schon die Schwalben"/"Already swallows are" (Tenor)
Tagesbuch eines Verschollenen: IX. " Sei willkommen, Jan"/" Welcome, my handsome one" (Alt, Tenor, Chor)
Tagesbuch eines Verschollenen: V. "Heut ist's schwer zu pflügen"/"Weary work is ploughing" (Tenor)
Tagesbuch eines Verschollenen: VI. "Heissa, ihr grauen Ochsen!"/"Hey, There my tawny oxen" (Tenor)
Tagesbuch eines Verschollenen: VII. "Wo ist das Pflöcklein hin"/"I've got a loose axie" (Tenor)
Tagesbuch eines Verschollenen: VIII. "Seht nicht, ihr Öchselein"/"Don't look; my Oxen" (Tenor)
Tagesbuch eines Verschollenen: XI. "Vor der Heidin Wangen"/"From the rip'ning Cornfield" (Alt, Tenor)
Tagesbuch eines Verschollenen: XII. "Dunkler Erlenwald"/"Forest's shady height" (Tenor)
Tagesbuch eines Verschollenen: XII. "Leb denn wohl, Heimatland"/"Then farewell, dearest land" (Tenor)
Tagesbuch eines Verschollenen: XIV. "Sonn' ist aufgegangen"/"See how high the sun is!" (Tenor)
Tagesbuch eines Verschollenen: XIX. "Wie die Elster wegfliegt"/"See that thieving magpie" (Tenor)
Tagesbuch eines Verschollenen: XV. "Meine grauen Ochsen"/"Now my tawny oxen" (Tenor)
Tagesbuch eines Verschollenen: XVI. "Was hab' ich da getan?"/"What has come over me?" (Tenor)
Tagesbuch eines Verschollenen: XVII. "Flieh, wenn das Schicksal ruft"/"Who can escape his fate" (Tenor)
Tagesbuch eines Verschollenen: XVIII. "Nichts mehr denk ich"/"Nothing matters now" (Tenor)
Tagesbuch eines Verschollenen: XX. "Hab' ein Jüngferlein"/"Now she bears my child" (Tenor)
Tagesbuch eines Verschollenen: XXI. "Vater, dam Tag' fluch ich"/"Father, how wrong you were" (Tenor)
Tempest, The
Tenor Aria / But Thou Didst Not Leave His Soul In Hell
Tenor Aria / Every Valley Shall Be Exalted
Tenor Aria / Thou Shalt Break Them
Tenor Arioso / Behold, And See If THere Be Any Sorrow
Tenor Recitative / All They That See Him Laugh Him to Scorn
Tenor Recitative / Comfort Ye My People
Tenor Recitative / He That Dwelleth in Heaven
Tenor Recitative / He Was Cut Off Out Of The Land of the Living
Tenor Recitative / Thy Rebuke Hath Broken His Heart
Thy hand in mine, H 124
To lie flat on the back
Turn of the Screw: Act Ii, Scene 1, “Why Did You Call Me…” (extract), The
Twelve Apostles, The
Twelve Humbert Wolfe Songs, op. 48: A little music
Twelve Humbert Wolfe Songs, op. 48: Betelgeuse
Twelve Humbert Wolfe Songs, op. 48: Envoi
Twelve Humbert Wolfe Songs, op. 48: In the street of lost time
Twelve Humbert Wolfe Songs, op. 48: Journey's end
Twelve Humbert Wolfe Songs, op. 48: Now in these fairylands
Twelve Humbert Wolfe Songs, op. 48: Persephone
Twelve Humbert Wolfe Songs, op. 48: Rhyme
Twelve Humbert Wolfe Songs, op. 48: The dream-city
Twelve Humbert Wolfe Songs, op. 48: The floral bandit
Twelve Humbert Wolfe Songs, op. 48: The thought
Twelve Humbert Wolfe Songs, op. 48: Things lovelier
Underneath the abject willow
Vesperae solennes de Confessore, K. 339: I. Dixit Dominus
Vesperae solennes de Confessore, K. 339: II. Confitebor
Vesperae solennes de Confessore, K. 339: III. Beatus vir
Vesperae solennes de Confessore, K. 339: VI. Magnificat
Vespro della Beata Vergine, SV 206: III. Psalmus 109: Dixit Dominus
Vespro della Beata Vergine, SV 206: IV. Concerto: Nigra sum
Vespro della Beata Vergine, SV 206: V. Psalmus 112: Laudate, pueri, Dominum
Vespro della Beata Vergine, SV 206: VII. Psalmus 121: Laetatus sum
Vespro della Beata Vergine, SV 206: VIII. Concerto: Duo Seraphim
Vespro della Beata Vergine, SV 206: X. Concerto: Audi, coelum
Vespro della Beata Vergine, SV 206: XIII. Hymnus: Ave maris stella
Vespro della Beata Vergine, SV 206: XV. Et exultavit
Vespro della Beata Vergine, SV 206: XXIV. Gloria Patri
Viens !
war ich, D. 174, Das
War Requiem, op. 66: I. Requiem aeternam
War Requiem, op. 66: II. Dies irae
War Requiem, op. 66: III. Offertorium
War Requiem, op. 66: V. Agnus Dei
War Requiem, op. 66: VI. Libera me
War Requiem, op. 66: VI. Libera me (excerpt)
War Requiem, op. 66: VI. Libera me (extract)
War Requiem: VI. Libera Me
What's On Your Mind
Where she lies asleep, H 114
Winter Words, op. 52: At Day-close in November
Winter Words, op. 52: At the Railway Station, Upway
Winter Words, op. 52: Before Life and After
Winter Words, op. 52: Midnight on the Great Western
Winter Words, op. 52: Proud Songsters
Winter Words, op. 52: The Choirmaster's Burial
Winter Words, op. 52: The Little Old Table
Winter Words, op. 52: Wagtail and Baby
Winter Words: VI. Proud Songsters
Winter Words: VII. At the Railway Station, Upway
Winter Words: VIII. Before Life and After
Wozzeck
Notes: 
Sources: 
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