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Person
ISNI: 
0000 0001 1042 6097
Name: 
A. Davis
Andrew Davis
Andrew Davis (British conductor)
Andrew Davis (Brits dirigent)
Andrew Davis (claveciniste, organiste, chef d'orchestre)
Andrew Davis (direttore d'orchestra britannico)
Davis, Andrew
Davis, Andrew Frank
Davis, Andrew Frank (seras)
Davis, Andrew Frank (Sir)
Davis, Andrew Sir
Sir Andrew Davis
Дэвис, Эндрю
אנדרו דייוויס
اندرو دیویس
アンドルー・デイヴィス
Dates: 
1944-
Creation class: 
Computer file
cre
Language material
Musical sound recording
Projected medium
Creation role: 
arranger
conductor
contributor
originator
performer
Related names: 
BBC Symphony Orchestra
BBC Symphony Orchestra (London)
BBC symphony orchestra 1989-2000 (see also from)
British Broadcasting Corporation London Symphony Orchestra
CBS disques SA France
Elgar, Edward (1857-1934)
London Philharmonic
London Philharmonic Orchestra
London Symphony Orchestra
Lyric opera of Chicago Orchestra 2000-.... (see also from)
Naxos Digital Services
Philharmonia Orchestra (Londyn)
Toronto Symphony
Toronto Symphony Orchestra
Toronto Symphony orchestra 1975-1988 (see also from)
Warner music France
WEA Europe
Wilcock, Elizabeth
Titles: 
Adagios
Air and Variations ('the Harmonious Blacksmith') From Harpsichord Suite No.5
Andrew Davis plays the organ at Roy Thomson Hall
Anton Kuerti plays Beethoven.
Après un rêve
Arlésienne
Belshazzar's feast
Boutique fantasque
Capriccio
Carnaval des animaux
Chorale Prelude "Wachet auf, ruft uns die Stimme", BWV 645
Concertos
Coronation anthems
Cortège académique
coucou
crown of India, op. 66
Diva
Don Giovanni
Elephant man
Ermione : opera in two acts
evening with Maureen Forrester and Andrew Davis, An
Evgenij Onegin'
Froissart
gaîté parisienne
Gianni Schicchi
Gloria
Gretchen am Spinnrade
Hänsel und Gretel
Harmonious Blacksmith' from Harpsichord Suite #5, 'The
hear the water dreaming, I
Heldenleben Le [sic] vie d'un héros, Ein
In the Hall of the Mountain King: Alla marcia e molto marcato
In the South
Instrumental music.
Introduction and Allegro for Strings (excerpt)
IV. In the Hall of the Mountain King (In der Halle des Bergkönigs) Alla marcia e molto marcato
Jazzbo Brown from Porgy and Bess
Jenufa : an opera in three acts
Koncerty.
lac des cygnes
Lark Ascending, The
Lebedinoe ozero
Liebe der Danae
Ludions
Magnificat
Marimba spiritual
martin-pêcheur (2 min 52 s)
mask of time, The
Meditation : classics for relaxation.
Messiah
Morgen
Music for the Kings and Queens of England
Nelson mass
New Irish Tune / New Scotch Tune / Round O (Rondeau) from 'Abdelazer'
Orchestra music.
Pelléas et Mélisande.
Peter Grimes
Piano concerto no. 3 in C major, op. 26
Pikovaâ dama
planets
Pomp and Circumstance March no. 1 (excerpt)
Pomp and circumstance marches
portrait of Kiri Te Kanawa
poule
Prelude and Fugue in D major from 'Well-Tempered Clavier, Book One'
Prelude, Fugue et Variation, op. 18
Príhody lisky Bystrousky
Raging Bull
Requiem
Royal Palace Oper in einem Akt
Ruhe meine Seele
Rule, Britannia !
Salome
Samson et Dalila
Ŝelkunčik
Shchelkunchik.
Sinfonien
Skazka o Care Saltane
Slovanské tance
Sonata in A major, L.428 (K.209)
Songe d'une nuit d'été
Songs
starlight express
Suite from the opera The cunning little vixen ; Taras Bulba ; rhapsody for orchestra
Symphonies
Symphony no. 1: Andante. Nobilmente e semplice (excerpt)
Symphony no. 4 in G major
Toccata and Fugue in D minor, BWV 565
Tosca
Transport de joie d'une âme devant la gloire du Christ qui est sienne (L'Ascension)
traviata
Trumpet Tune
Valse Lente from La Boutique F (Excerpt)
Variations of "America"
Variations on an original theme
Vier letzte Lieder
vol du bourdon (1 min 22 s)
Werke
Works.
young person's guide to the orchestra
Your rockaby
Zueignung
Евгений Онегин
Contributed to or performed: 
100 CHRISTMAS MASTERWORKS
100 Essential Christmas Songs
40 Most Beautiful Violin Classics
5 Military Marches, op. 39, “Pomp and Circumstance”: No. 1 in D major
5 Military Marches, op. 39, “Pomp and Circumstance”: No. 2 in A minor
5 Military Marches, op. 39, “Pomp and Circumstance”: No. 3 in C minor
5 Military Marches, op. 39, “Pomp and Circumstance”: No. 4 in G major
5 Military Marches, op. 39, “Pomp and Circumstance”: No. 5 in C major
Adagio for Guitar and Strings
Adagio for Organ and Strings
Adagio for Strings and Organ
Advent
Air on the G String
Air on the G String from 'Orchestral Suite #3'
Also sprach Zarathustra, op. 30
Also sprach Zarathustra, op. 30: Das Grablied (The Song of the Grave)
Also sprach Zarathustra, op. 30: Das Tanzlied (The Dance Song)
Also sprach Zarathustra, op. 30: Der Genesende (The Convalescent)
Also sprach Zarathustra, op. 30: Nachtwandlerlied (Song of the Night Wanderer)
Also sprach Zarathustra, op. 30: Von den Freuden und Leidenschaften (Of Joys and Passions)
Also sprach Zarathustra, op. 30: Von den Hinterweltlern (Of the Back-Worlds-Men)
Also sprach Zarathustra, op. 30: Von der grossen Sehnsucht (Of the Great Longing)
Also sprach Zarathustra, op. 30: Von der Wissenchaft (Of Science)
Alternative cadenza for the Violin Concerto
Amen (chorus)
Andante festivo, JS 34b
Andrew Davis conducts Dvořák
Appalachia / The Song of the High Hills
Appalachia: [Introduction I.] Molto moderato – Tranquillo –
Appalachia: [Introduction II.] Poco più vivo ma moderato –
Appalachia: [Song.] L’istesso tempo – Misterioso lento – Lento – Più mosso
Appalachia: [Theme.] Andante –
Appalachia: [Variation I.] Un poco più – Moderato –
Appalachia: [Variation II.] Più vivo –
Appalachia: [Variation III.] Molto moderato – Poco più mosso – Lento – Moderato (molto ritmico) –
Appalachia: [Variation IV.] Con moto – Un poco più tranquillo –
Appalachia: [Variation IX.] Allegro alla marcia – Adagio –
Appalachia: [Variation V.] Giocoso. Allegro moderato – Meno mosso. Più tranquillo –
Appalachia: [Variation VI.] Lento e molto tranquillo – Misterioso. Più mosso – Un poco meno –
Appalachia: [Variation VII.] Andante con grazia – Calando –
Appalachia: [Variation VIII.] Lento sostenuto e tranquillo – Un poco più – Tempo I –
Appalachia: [Variation X.] Marcia. Molto lento maestoso –
Arlésienne Suite no. 1: Adagietto, L'
Arlésienne Suite no. 1: Carillon, L'
Arlésienne Suite no. 1: II. Minuet, Allegro giocoso, L'
Arlésienne Suite no. 1: Prélude, L'
Arlésienne Suite No. 2, Farandole, Part 1, L'
Arlésienne Suite No. 2, Farandole, Part 2, L'
Arlésienne Suite No. 2, Farandole, Part 3, L'
Arlésienne Suite No. 2, Farandole, Part 4, L'
Arlésienne Suite No. 2, Farandole, Part 5, L'
Arlésienne Suite no. 2: I. Pastorale, L'
Arlésienne Suite no. 2: II. Intermezzo, L'
Arlésienne Suite no. 2: III. Menuetto, L'
Arlésienne Suite no. 2: IV. Farandole, L'
Arrival of the Queen of Sheba
Arrival of the Queen of Sheba from 'Solomon'
Ascension
Banner of Saint George: Epilogue (March). "It comes from the misty ages". Maestoso, alla Marcia - Largamente e grandioso, The
Banner of Saint George: Scene 1. "Forth from the palace, beautiful as day". Allegretto - Più mosso - Animato - [ ] - A tempo [Più mosso] - Poco lento -, The
Banner of Saint George: Scene 1. "The women of Sylenë rend their hair". Allegretto - Andantino -, The
Banner of Saint George: Scene 1. "Within Sylenë’s walls no sound is heard". Andantino - Animato - Tempo I -, The
Banner of Saint George: Scene 1. “O calm your hearts [she cries] O still your fears”. Allegro -, The
Banner of Saint George: Scene 2. "Hark! ’tis the ringing hoof of steed". Allegro - [ ] -, The
Banner of Saint George: Scene 2. "Loud cry the people, Haste! the dragon comes!”. [ ] - Tempo I - L’istesso tempo - Andantino - Animato - Più lento, The
Banner of Saint George: Scene 2. "Without a fear beside the dragon’s tarn". Andante - Tranquillo - L’istesso tempo -, The
Baroque Album, The
Baroque Favorites
BBC Music, Volume 1, Number 1: Tchaikovsky: Symphony no. 6 (Pathétique) / Britten: Sinfonia da requiem
BBC Music, Volume 1, Number 3: Carl Nielsen: Symphony no. 2 “The Four Temperaments”, op. 16 / Jean Sibelius: Symphony no. 5 in E flat, op. 82
BBC Music, Volume 16, Number 11: Symphony no. 5 / Mass in G minor
BBC Music, Volume 18, Number 12: Rachmaninov: Rhapsody on a Theme by Paganini (BBC Symphony Orchestra feat. conductor: Sir Andrew Davis, piano: Simon Trpčeski) / Tchaikovsky: Symphony No. 3 'Polish' (BBC Philharmonic feat. conductor: Gianandrea Noseda)
BBC Music, Volume 18, Number 14: Mozart: Violin Concerto no. 4 / Korngold: Violin Concerto
BBC Music, Volume 19, Number 10: Vaughan Williams / Parry
BBC Music, Volume 2, Number 1: Symphonie Fantastique
BBC Music, Volume 24, Number 1: Britten & Brahms: Violin Concertos
BBC Music, Volume 7, Number 11: Fantasia on a Theme by Thomas Tallis / Belshazzar's Feast
Beatitudes / Introduction and Allegro / God Save the Queen, The
Beatitudes, F 28: 1. The Mount of Olives, The
Beatitudes, F 28: 10. And death shall have no dominion, The
Beatitudes, F 28: 11. Ninth Beatitude, The
Beatitudes, F 28: 12. Epilogue. O blessed Jesu, The
Beatitudes, F 28: 2. First and Second Beatitudes, The
Beatitudes, F 28: 3. Easter, The
Beatitudes, F 28: 4. I got me flowers to strew thy way, The
Beatitudes, F 28: 5. Third Beatitude, The
Beatitudes, F 28: 6. The lofty looks of man shall be humbled, The
Beatitudes, F 28: 7. Fourth Beatitude, The
Beatitudes, F 28: 8. The Call, The
Beatitudes, F 28: 9. Fifth, Sixth, Seventh, and Eighth Beatitudes, The
Beatitudes, F 28: Interlude, The
Beatitudes, F 28: Prelude. A Troubled World; Allegro violento - Tranquillo, The
Beatitudes, F 28: Voices of the Mob, The
Belshazzar's Feast
Belshazzar's Feast: I. Thus spake Isaiah
Belshazzar's Feast: II. If I forget thee, O Jerusalem
Belshazzar's Feast: III. Babylon was a great city
Belshazzar's Feast: IV. Praise ye, the God of gold
Belshazzar's Feast: IX. Then sing aloud to God our strength
Belshazzar's Feast: V. Thus in Babylon, the mighty city
Belshazzar's Feast: VI. And in that same hour as they feasted
Belshazzar's Feast: VII. Then sing aloud to God our strength
Belshazzar's Feast: VIII. The trumpeters and pipers are silent
Beni Mora, op. 29 no. 1, H. 107: I. First Dance: Adagio – Vivace
Beni Mora, op. 29 no. 1, H. 107: II. Second Dance: Allegretto
Beni Mora, op. 29 no. 1, H. 107: III. Finale. In the street of the Ouled Naïls: Adagio - Allegro moderato
Benvenuto Cellini: "Les belles fleures...Entre l'amour et le devoir"
Bernstein : Candide (Cunegonde) Glitter and be gay
Birth of Nicolas from “Saint Nicolas Cantata, op. 42 no. 2”, The
Bohème: "Quando m'en vo soletta", La
boutique fantasque - Tarantella, La
Boutique fantasque: I. Overture, La
Boutique fantasque: II. Tarantelle, La
Boutique fantasque: III. Mazurka, La
Boutique fantasque: IV. Danse Cosaque, La
Boutique fantasque: V. Cancan, La
Boutique fantasque: VI. Valse lente, La
Boutique fantasque: VII. Nocturne, La
Boutique fantasque: VIII. Galop, La
Bride’s Tragedy, The
Brigg Fair
Brigg Fair: An English Rhapsody
Candide : Glitter and Be Gay
Canon
Canon in D
Caprice Viennois
Capuleti e i Montecchi: "Eccomi in lieta vesta", I
Carnival Overture, op. 92
Cello Concerto
Cello Concerto in E minor, op. 85: I. Adagio - Moderato
Cello Concerto in E minor, op. 85: II. Lento - Allegro molto
Cello Concerto in E minor, op. 85: III. Adagio
Cello Concerto in E minor, op. 85: IV. Allegro - Moderato - Allegro ma non troppo
Cello Concertos
Central Park in the Dark
Chanson de matin
Chanson de matin, op. 15 no. 2 (arr. Roger Turner)
Chanson de nuit
Chanson de nuit, op. 15 no. 1 (arr. Roger Turner)
Chant des Déportés, for chorus & orchestra, I/60
Child of Our Time: "How can I cherish my man in such days?", A
Chopin & Liszt: Piano Concerto No. 1
Chorus for the Allied Princes, WoO 95
Christmas
Cockaigne Overture "In London Town", op. 40
Cockaigne: Overture
Concerto for 4 Harpsichords and Strings in A minor, BWV 1065: I. Allegro
Concerto for 4 Harpsichords and Strings in A minor, BWV 1065: II. Largo
Concerto for 4 Harpsichords and Strings in A minor, BWV 1065: III. Allegro
Concerto for Cello and Orchestra: Con moto tranquillo – Becoming slower and slower –
Concerto for Cello and Orchestra: Meno mosso – Becoming slower –
Concerto for Cello and Orchestra: Quietly
Concerto for Cello and Orchestra: Rather slower, very quietly – Tempo I – Rather slower –
Concerto for Cello and Orchestra: Slow – Not quick; quietly –
Concerto for Cello and Orchestra: Slow – Quicker – Rather slower – Rather quicker – Very slow – Very quietly –
Concerto for Cello and Orchestra: With animation – Becoming slower –
Concerto for Double String Orchestra / Fantasia Concertante on a Theme of Corelli / Ritual Dances
Concerto for Double String Orchestra: I. Allegro con brio
Concerto for Double String Orchestra: II. Adagio cantabile
Concerto for Double String Orchestra: III. Allegro molto
Concerto for Orchestra / Music for Strings, Percussion and Celesta
Concerto for Orchestra, Sz 116: I. Introduzione
Concerto for Orchestra, Sz 116: II. Giuoco delle coppie
Concerto for Orchestra, Sz 116: III. Elegia
Concerto for Orchestra, Sz 116: IV. Intermezzo interrotto
Concerto for Orchestra, Sz 116: V. Finale
Concerto for Orchestra: I Intrada
Concerto for Orchestra: II Capriccio notturno e Arioso
Concerto for Orchestra: II Giuoco delle coppie
Concerto for Orchestra: III Elegia
Concerto for Orchestra: III Passacaglia, Toccata e Corale
Concerto for Orchestra: Introduzione
Concerto for Orchestra: IV Intermezzo interrotto
Concerto for Orchestra: V Finale
Concerto for Organ, Strings and Timpani in G minor: I. Andante
Concerto for Organ, Strings and Timpani in G minor: II. Allegro giocoso
Concerto for Organ, Strings and Timpani in G minor: III. Subito andante moderato
Concerto for Organ, Strings and Timpani in G minor: IV. Tempo allegro, molto agitato
Concerto for Organ, Strings and Timpani in G minor: V. Très calme - Lent
Concerto for Organ, Strings and Timpani in G minor: VI. Tempo de l'allegro initial
Concerto for Organ, Strings and Timpani in G minor: VII. Tempo introduction - Largo
Concerto for Violin and Orchestra, op. 47: I. Allegro moderato - [Cadenza] - Tempo I - Molto moderato e tranquillo - Largamente - Allegro molto - Moderato assai - [Cadenza] - Allegro moderato - Allegro molto vivace
Concerto for Violin and Orchestra, op. 47: II. Adagio di molto
Concerto for Violin and Orchestra, op. 47: III. Allegro, ma non tanto
Concerto for Violin and Orchestra, op. 61: I. Allegro
Concerto for Violin and Orchestra, op. 61: II. Andante
Concerto for Violin and Orchestra, op. 61: III. Allegro molto
Concerto for Violin and Orchestra: I. Allegro moderato – Tempo I, ma poco più mosso – Tempo giusto – Tempo I, ma molto rubato
Concerto for Violin and Orchestra: II. Rondo. Vivace – Un pochissimo meno mosso – Tempo I – In tempo, alla Valce Burlesca
Concerto for Violin and Orchestra: III. Lento – Tempo I – Poco lento – Tempo I, ma un poco meno mosso
Concerto for Violin, Cello and Orchestra: Quietly -
Concerto for Violin, Cello and Orchestra: Slowly and Quietly – Molto tranquillo, rather quicker – Rather slower – [Cadenza.] Quicker – Rather slower –
Concerto for Violin, Cello and Orchestra: Tempo I – Rather quicker, tranquillo – Quicker – Rather slower – Rather more lively –
Concerto for Violin, Cello and Orchestra: Very quietly – Molto tranquillo, tempo I – Very quietly, slow
Concerto for Violin, Cello and Orchestra: With moderate speed – Rather quicker – Rather quieter – Quicker – Quietly – Rather slower, molto tranquillo – Vigorously –
Concerto for Violoncello and Orchestra in B-flat major: I. Allegro moderato
Concerto for Violoncello and Orchestra in B-flat major: II. Adagio non troppo
Concerto for Violoncello and Orchestra in B-flat major: III. Rondo, allegro
Concerto for Violoncello and Orchestra in C major, Hob. VIIb:1: I. Moderato
Concerto for Violoncello and Orchestra in C major, Hob. VIIb:1: II. Adagio
Concerto for Violoncello and Orchestra in C major, Hob. VIIb:1: III. Allegro molto
Concerto for Violoncello, Strings and Continuo in A major, Wq. 172: I. Allegro
Concerto for Violoncello, Strings and Continuo in A major, Wq. 172: II. Largo con sordini
Concerto for Violoncello, Strings and Continuo in A major, Wq. 172: III. Allegro assai
Concerto grosso in A major, op. 6 no. 11, HWV 329
Concerto grosso in A minor, op. 6 no. 4, HWV 322
Concerto grosso in B-flat major, op. 6 no. 7, HWV 325
Concerto grosso in C minor, op. 6 no. 8, HWV 326
Concerto grosso in D major, op. 6 no. 5, HWV 323
Concerto grosso in D minor, op. 6 no. 10, HWV 328
Concerto grosso in E minor, op. 6 no. 3, HWV 321
Concerto grosso in F major, op. 6 no. 2, HWV 320
Concerto grosso in F major, op. 6 no. 9, HWV 327
Concerto grosso in G major, op. 6 no. 1, HWV 319
Concerto grosso in G minor, op. 6 no. 6, HWV 324
Concerto in A minor for Violin and Orchestra: I. Allegro moderato
Concerto in A minor for Violin and Orchestra: II. Andante sostenuto
Concerto in A minor for Violin and Orchestra: III. Finale. Allegro giocoso
Concerto in C major for Piano and Orchestra: I. Toccata. Allegro moderato - Poco animato - Tempo I - Poco animato -
Concerto in C major for Piano and Orchestra: II. Romanza. Lento - Poco più mosso - Poco animato - Tranquillo - Tempo I -
Concerto in C major for Piano and Orchestra: IIIa. Fuga chromatica, con Finale alla tedesca. Allegro - Fuga - Cadenza -
Concerto in C major for Piano and Orchestra: IIIb. Finale alla tedesca - Cadenza - Poco stringendo - Cadaneza - Lento - Largo sostenuto - Andante sostenuto
Concerto in D major, RV 93
Concerto in D major, RV 93: I. Allegro
Concerto in D major, RV 93: II. Largo
Concerto in D major, RV 93: III. Allegro
Concerto in D minor, SF. 935
Concerto in D minor, SF. 935: I. Andante Spicatto
Concerto in D minor, SF. 935: II. Adagio
Concerto in D minor, SF. 935: III. Presto
Concerto in Pieces (Purcell Variations): Theme and Variation I, Vivace maestoso
Concerto in Pieces (Purcell Variations): Variation II, Vivace scherzando
Concerto in Pieces (Purcell Variations): Variation III, Parlando alla breve
Concerto in Pieces (Purcell Variations): Variation IV, Largo recitativo
Concerto in Pieces (Purcell Variations): Variation IX, Intermezzo
Concerto in Pieces (Purcell Variations): Variation V, Allegretto capriccioso
Concerto in Pieces (Purcell Variations): Variation VI, Martellato feroce
Concerto in Pieces (Purcell Variations): Variation VII, Andante lamentoso
Concerto in Pieces (Purcell Variations): Variation VIII, Adagio lontano
Concerto in Pieces (Purcell Variations): Variation X, Finale fugato, Vivace
Concerto, op. 80: I. Allegro maestoso
Concerto, op. 80: II. Andante semplice
Concerto, op. 80: III. Allegro molto
Concertos / Symphonies
Concertos for One and Two Harpsichords, The
Concertos for Orchestra
Coronation March, op. 65
Crown of India, op. 66: No. 7. Interlude, The
Crown of India, op. 66: Tableau I "The Cities of Ind". Calcutta, Delhi, give your quarrel pause (India), The
Crown of India, op. 66: Tableau I "The Cities of Ind". Good John Company, reply (Calcutta), The
Crown of India, op. 66: Tableau I "The Cities of Ind". Illustrious Emperors (India), The
Crown of India, op. 66: Tableau I "The Cities of Ind". No. 1a. Introduction, The
Crown of India, op. 66: Tableau I "The Cities of Ind". No. 1b. Sacred measure, The
Crown of India, op. 66: Tableau I "The Cities of Ind". No. 2. Dance of Nautch Girls, The
Crown of India, op. 66: Tableau I "The Cities of Ind". No. 2a. India greets her Cities, The
Crown of India, op. 66: Tableau I "The Cities of Ind". No. 3. "Hail, Immemorial Ind!" (Agra), The
Crown of India, op. 66: Tableau I "The Cities of Ind". No. 3. Hail, Immemorial India! (Agra), The
Crown of India, op. 66: Tableau I "The Cities of Ind". No. 3a. Entrance of Calcutta, The
Crown of India, op. 66: Tableau I "The Cities of Ind". No. 3b. Entrance of Delhi, The
Crown of India, op. 66: Tableau I "The Cities of Ind". No. 4a. Introduction, The
Crown of India, op. 66: Tableau I "The Cities of Ind". No. 4b. March of the Mogul Emperors, The
Crown of India, op. 66: Tableau I "The Cities of Ind". No. 5. Entrance of John Company, The
Crown of India, op. 66: Tableau I "The Cities of Ind". No. 5a. Entrance of St. George, The
Crown of India, op. 66: Tableau I "The Cities of Ind". No. 6. The Rule of England (St. George), The
Crown of India, op. 66: Tableau I "The Cities of Ind". Stop! That place is mine (Delhi), The
Crown of India, op. 66: Tableau I "The Cities of Ind". Welcome Calcutta (India), The
Crown of India, op. 66: Tableau I "The Cities of Ind". Well dost thou say that East and West upbear (India), The
Crown of India, op. 66: Tableau II "Ave Imperator". Hail Festal Hour from out the Ages drawn (India), The
Crown of India, op. 66: Tableau II "Ave Imperator". Incessu patuit Imperator (India), The
Crown of India, op. 66: Tableau II "Ave Imperator". No. 10. March, The Crown of India (Chorus), The
Crown of India, op. 66: Tableau II "Ave Imperator". No. 10. March. The Crown of India (Chorus), The
Crown of India, op. 66: Tableau II "Ave Imperator". No. 10a. The Homage of Ind (Agra, Chorus), The
Crown of India, op. 66: Tableau II "Ave Imperator". No. 10a. The Homage of Ind (India), The
Crown of India, op. 66: Tableau II "Ave Imperator". No. 11. The Crowning of Delhi (Chorus), The
Crown of India, op. 66: Tableau II "Ave Imperator". No. 11. The Crowning of Delhi (India, Chorus), The
Crown of India, op. 66: Tableau II "Ave Imperator". No. 12. Ave Imperator! (Chorus), The
Crown of India, op. 66: Tableau II "Ave Imperator". No. 12. Ave Imperator! (India, Agra, Chorus), The
Crown of India, op. 66: Tableau II "Ave Imperator". No. 8a. Introduction, The
Crown of India, op. 66: Tableau II "Ave Imperator". No. 8b. Warriors' Dance, The
Crown of India, op. 66: Tableau II "Ave Imperator". No. 9. The Cities of Ind, The
Crown of India, The
Damnation of Faust: Hungarian March (excerpt), The
Danny Deever
Danube Waves
Des Knaben Wunderhorn: Rheinlegendchen
Des Knaben Wunderhorn: Wer hat dies Liedlein erdacht
Dinner Classics
Don Juan / Four Last Songs / Also sprach Zarathustra
Don Juan, op. 20
Don Pasquale: Quel guardo di cavaliere ... So anch'io la virtù magica
Don Quixote / Die Liebe der Danae
Double Concerto / Violin Concerto / Cello Concerto
Dream Children: Allegretto piacevole
Dream Children: Andante
Dream of Gerontius / Sea Pictures, The
Dream of Gerontius: Part I. Assistants: "Be merciful, be gracious' spare him, Lord" -, The
Dream of Gerontius: Part I. Assistants: "Kyrie eleïson" -, The
Dream of Gerontius: Part I. Assistants: "Rescue him, O Lord, in this his evil hour" -, The
Dream of Gerontius: Part I. Assistantst: "Go, in the name of Angels and Archangels", The
Dream of Gerontius: Part I. Gerontius: "I can no more; for now it comes again" -, The
Dream of Gerontius: Part I. Gerontius: "Jesu, Maria - I am near to death" -, The
Dream of Gerontius: Part I. Gerontius: "Novissima hora est; and I fain would sleep" -, The
Dream of Gerontius: Part I. Gerontius: "Rouse thee, my fainting soul, and play the man" -, The
Dream of Gerontius: Part I. Gerontius: "Sanctus fortis, Sanctus Deus" -, The
Dream of Gerontius: Part I. Prelude. Lento, mistico -, The
Dream of Gerontius: Part I. The Priest: "Proficiscere, anima Christiana, de hoc mundo!" -, The
Dream of Gerontius: Part II. Angel of the Agony: "Jesu! by that shuddering dread which fell on Thee" -, The
Dream of Gerontius: Part II. Angel: "…Praise to His Name!" -, The
Dream of Gerontius: Part II. Angel: "My work is done" -, The
Dream of Gerontius: Part II. Angel: "Softly and gently, dearly-ransom"d soul", The
Dream of Gerontius: Part II. Angel: "Thy judgment now is near" -, The
Dream of Gerontius: Part II. Choir of Angelicals: "Glory to Him, who evermore by truth and justice reigns" -, The
Dream of Gerontius: Part II. Choir of Angelicals: "Praise to the Holiest in the height" -, The
Dream of Gerontius: Part II. Demons: "Low-born clods of brute earth" -, The
Dream of Gerontius: Part II. Demons: "The mind bold and independent" -, The
Dream of Gerontius: Part II. Introduction. Soul of Gerontius: "I went to sleep; and now I am refresh"d" -, The
Dream of Gerontius: Part II. Soul of Gerontius: "But hard! upon my sense comes a fierce hubbub" -, The
Dream of Gerontius: Part II. Soul of Gerontius: "But hark! a grand, mysterious harmony" -, The
Dream of Gerontius: Part II. Soul of Gerontius: "I ever had believed" -, The
Dream of Gerontius: Part II. Soul of Gerontius: "I go before my Judge" -, The
Dream of Gerontius: Part II. Soul of Gerontius: "I see not those false spirits" -, The
Dream of Gerontius: Part II. Soul of Gerontius: "It is a member of that family" -, The
Dream of Gerontius: Part II. Soul of Gerontius: "Take me away, and in the lowest deep there let me be" -, The
Dream of Gerontius: Part II. Souls in Purgatory: "Lord, Thou hast been our refuge: in every generation" -, The
Dream of Gerontius: Prelude, Concert Version, The
Drottingholms-Musique no. 1
Easter
Egdon Heath
Elegy
Elegy for Brahms
Elegy, op. 58
Elizabeth: Enigma Variations: Nimrod
Empire March
En Saga / The Swan of Tuonela / Finlandia / The Oceanides / Tapiola
En Saga, op. 9
enfance du Christ, L'
Enigma Variations / Cockaigne / Introduction & Allegro / Serenade for String Orchestra
Enigma Variations / Cockaigne Overture / Introduction and Allegro / Serenade for Strings in E minor
Enigma Variations / Pomp and Circumstance
Enigma Variations / Pomp and Circumstance / Cello Concerto / Violin Concerto
Enigma Variations Op. 36
Enigma Variations, op. 36 / Pomp and Circumstance Marches, op. 39
Enigma Variations, op. 36 no. 1: C.A.E.
Enigma Variations, op. 36 no. 10: Intermezzo: Dorabella
Enigma Variations, op. 36 no. 11: G.R.S.
Enigma Variations, op. 36 no. 12: B.G.N.
Enigma Variations, op. 36 no. 13: Romanza
Enigma Variations, op. 36 no. 14: Finale: E.D.U.
Enigma Variations, op. 36 no. 2: H.D.S.-P.
Enigma Variations, op. 36 no. 3: R.B.T.
Enigma Variations, op. 36 no. 4: W.M.B.
Enigma Variations, op. 36 no. 5: R.P.A.
Enigma Variations, op. 36 no. 6: Ysobel
Enigma Variations, op. 36 no. 7: Troyte
Enigma Variations, op. 36 no. 8: W.N.
Enigma Variations, op. 36: No. 9. Nimrod
Enigma Variations: Introduction
Enigma Variations: Variation 8, "W.N."; Variation 9, "Nimrod"
Ephany
Falstaff / Froissart / Romance for Bassoon / Grania and Diarmid (Incidental Music & Funeral March)
Falstaff, Symphonic Study in C minor, Op. 68: I. Falstaff and Prince Henry
Falstaff, Symphonic Study in C minor, Op. 68: II. Boar's Head, scherzo (fig. 55)
Falstaff, Symphonic Study in C minor, Op. 68: II. Boar's Head, scherzo (fig. 68)
Falstaff, Symphonic Study in C minor, Op. 68: II. Boar's Head, trio bassoon (fig. 62)
Falstaff, Symphonic Study in C minor, Op. 68: II. Boar's Head, trio laughter (fig. 63 + 3)
Falstaff, Symphonic Study in C minor, Op. 68: II. Eastcheap (fig. 19)
Falstaff, Symphonic Study in C minor, Op. 68: II. Eastcheap (fig. 25 + 2)
Falstaff, Symphonic Study in C minor, Op. 68: II. Eastcheep (fig. 17)
Falstaff, Symphonic Study in C minor, Op. 68: II. Gadshill (fig. 37)
Falstaff, Symphonic Study in C minor, Op. 68: II. Gadshill (fig. 41)
Falstaff, Symphonic Study in C minor, Op. 68: II. Gadshill (fig. 43)
Falstaff, Symphonic Study in C minor, Op. 68: II. Revelry (fig. 71 + 5)
Falstaff, Symphonic Study in C minor, Op. 68: II. Sleep (fig. 73)
Falstaff, Symphonic Study in C minor, Op. 68: III. Falstaff's March (fig. 81)
Falstaff, Symphonic Study in C minor, Op. 68: III. Falstaff's March (fig. 86)
Falstaff, Symphonic Study in C minor, Op. 68: III. The Battle of Gaultree Forest (fig. 90)
Falstaff, Symphonic Study in C minor, Op. 68: III. The Return through Gloucestershire (fig. 98)
Falstaff, Symphonic Study in C minor, Op. 68: Interlude. Gloucestershite, Shallow's Orchard (fig. 102)
Falstaff, Symphonic Study in C minor, Op. 68: Interlude. The Hurried Ride to London (fig. 109 + 4)
Falstaff, Symphonic Study in C minor, Op. 68: Interlude. The New King (fig. 107)
Falstaff, Symphonic Study in C minor, Op. 68: IV. King Henry's Progress (fig. 114)
Falstaff, Symphonic Study in C minor, Op. 68: IV. King Henry's Progress (fig. 122)
Falstaff, Symphonic Study in C minor, Op. 68: IV. King Henry's Progress (fig. 127)
Falstaff, Symphonic Study in C minor, Op. 68: IV. King Henry's Progress (fig. 131)
Falstaff, Symphonic Study in C minor, Op. 68: IV. King Henry's Progress (fig. 132)
Falstaff, Symphonic Study in C minor, Op. 68: IV. King Henry's Progress (fig. 134)
Falstaff, Symphonic Study in C minor, Op. 68: IV. King Henry's Progress (fig. 140)
Falstaff, Symphonic Study in C minor, Op. 68: IV. King Henry's Progress (fig. 141)
Falstaff: Dream Interlude
Falstaff: Ford’s Revenge (excerpt)
Fantasia Concertante on a Theme of Corelli: I. Adagio
Fantasia Concertante on a Theme of Corelli: II. Fugue
Fantasia for Piano, Chorus and Orchestra, op.80
Fantasia on a Theme
Fantasia on a Theme by Thomas Tallis
Fantasia on British Sea Songs
Fantasia on Greensleeves
Fantasy “The Rock”, op. 7
Fauré: Requiem op. 48 / Duruflé: Requiem op. 9
Fauré: Requiem, op. 48 / Duruflé: Requiem, op. 9
filles de Cadix, Les
Final Scene from Salome, Op. 54
Finlandia, op. 26
First Choral Symphony, op. 41, H. 155: I. Song and Bacchanal: Part 1. Solo "And as I sat, over the light blue hills". Allegretto
First Choral Symphony, op. 41, H. 155: I. Song and Bacchanal: Part 1. Solo "Beneath my palm trees, by the river side". Andante –
First Choral Symphony, op. 41, H. 155: I. Song and Bacchanal: Part 2. Chorus "Whence came ye, merry Damsels! whence came ye!"
First Choral Symphony, op. 41, H. 155: I. Song and Bacchanal: Part 5. Solo "Onward the tiger and the leopard pants". Poco animato – Più mosso / Part 6. Chorus "Bacchus, young Bacchus! good or ill betide". Andante maestoso
First Choral Symphony, op. 41, H. 155: II. Ode on a Grecian Urn: Chorus "Ah, happy, happy boughs! that cannot shed". [Tempo I] –
First Choral Symphony, op. 41, H. 155: II. Ode on a Grecian Urn: Chorus "Heard melodies are sweet, but those unheard". Tempo I – Poco animato – Tempo I –
First Choral Symphony, op. 41, H. 155: II. Ode on a Grecian Urn: Chorus "O Attic shape! fair attitude! with brede". [Tempo I] – Largo
First Choral Symphony, op. 41, H. 155: II. Ode on a Grecian Urn: Chorus "Thou still unravish’d bride of quietness". Molto adagio –
First Choral Symphony, op. 41, H. 155: II. Ode on a Grecian Urn: Chorus "Who are these coming to the sacrifice?". [Tempo I] –
First Choral Symphony, op. 41, H. 155: III. Scherzo: Part 1. Fancy. Chorus "Ever let the Fancy roam". Allegro –
First Choral Symphony, op. 41, H. 155: III. Scherzo: Part 2. Folly’s Song. Chorus "When wedding fiddles are a-playing". ♩= ♩(160) – Più mosso – Presto – Prestissimo
First Choral Symphony, op. 41, H. 155: IV. Finale: Part 1. Solo "Spirit here that reignest!". Senza misura (quasi Andante) / Part 2. Chorus "God of the golden bow". Lento – Chorus "Here Homer with his nervous arms". Più mosso –
First Choral Symphony, op. 41, H. 155: IV. Finale: Part 3. Solo "Then, through thy Temple wide, melodious swells". Andante sostenuto / Part 4. Chorus "Tis awful silence then again". Lento – Chorus "Thou biddest Shakespeare wave his hand". Vivace ma pesante – Molto pesante ma in tempo – Andante – Chorus "A silver trumpet Spenser blows". Animato – Poco lento –
First Choral Symphony, op. 41, H. 155: IV. Finale: Part 5. Solo "Next thy Tasso’s ardent numbers". [Poco lento] – Moderato – Poco più lento / Part 6. Chorus "But when Thou joinest with the Nine". Moderato maestoso – Allegro – Andante con moto –
First Choral Symphony, op. 41, H. 155: IV. Finale: Part 6. Chorus "Bards of Passion and of Mirth". Allegretto – Chorus "Thus ye live on high, and then". [Allegretto] – Poco meno mosso – Allegretto –
First Choral Symphony, op. 41, H. 155: IV. Finale: Part 7. Solo "Spirit here that reignest!". Senza misura (quasi Andante) – Chorus "Bards of Passion and of Mirth". Sempre andante e non animato
First Choral Symphony, op. 41, H. 155: Prelude. Invocation to Pan: Chorus "O Thou, whose mighty palace roof doth hang". Andante
Flute Concerto in D Minor: I. Allegro (Cadenza by David Carroll) (feat. flute: Jeanne Baxtresser)
Flute Concerto in D Minor: II. Andante (Cadenza by David Carroll) (feat. flute: Jeanne Baxtresser)
Flute Concerto in D Minor: III. Allegro di molto (Cadenza by David Carroll) (feat. flute: Jeanne Baxtresser)
For This Our Truest Interest Is (Tenor Solo)
For Unto Us a Child is Born from Handel's Messiah
Four Last Songs
Four Last Songs / Orchestral Songs
Four Last Songs: 1. Procris. Andante sostenuto
Four Last Songs: 2. Tired. Andante sostenuto - Pochissimo animando - Tempo I
Four Last Songs: 3. Hand, Eyes, and Heart. Andante tranquillo
Four Last Songs: 4. Menelaus. Andante moderato
Four Last Songs: Beim Schlafengehen (On Going to Sleep)
Four Last Songs: Four Last Songs: Beim Schlafengehen
Four Last Songs: Four Last Songs: Im Abendrot
Four Last Songs: Frühling
Four Last Songs: Frühling (Spring)
Four Last Songs: Im Abendrot (In Sunset's Glow)
Four Last Songs: September
Four Orchestral Pieces: I. Pensive Twilight. Andante con moto quasi Allegretto – [Poco animato] – Più tranquillo – A tempo – Steady time – Tempo I – Tempo I
Four Orchestral Pieces: II. Dance in the Sun. Allegro vivo – Poco più mosso – A tempo – Più lento – A tempo – [Poco più mosso] – [Tempo I] – Tempo I
Four Orchestral Pieces: III. From the Mountains of Home (In the Hills of Home). Lento – Molto tranquillo
Four Orchestral Pieces: IV. The Dance of Wild Irravel. Fast valse measure. Very rhythmical – Un poco più lento – Più vivo [Tempo I] – Vivo – [Vigorous and reckless] – Più lento – Tempo I – A tempo – [Più lento. Tranquillo] – [Animato]
Four Sea Interludes from "Peter Grimes", op. 33a: Dawn
Four Sea Interludes from "Peter Grimes", op. 33a: Moonlight
Four Sea Interludes from "Peter Grimes", op. 33a: Storm
Four Sea Interludes from "Peter Grimes", op. 33a: Sunday Morning
Froissart, Concert Overture, Op. 19
From Me Flows What You Call Time
Germania, WoO 94: Final Chorus from "Die gute Nachricht"
Gershwin Connection, The
Gianni Schicchi: "Oh! mio babbino caro"
Gigue
Giuditta: Meine Lippen, sie küssen so heiss
Gloria: I. Gloria
Gloria: II. Laudamus Te
Gloria: III. Domine Deus
Gloria: IV. Domine Fili unigenite
Gloria: V. Domine Deus, Agnus Dei
Gloria: VI. Qui sedes ad dexteram Patris
God Save the Queen (The National Anthem)
God's Tender Mercy Knows No Bounds (Soprano Solo)
Grania and Diarmid, Op. 42: Incidental Music / Funeral March
Guitar Concerto in D major
Guitar Concerto in D major: I. Allegro
Guitar Concerto in D major: II. Adagio
Guitar Concerto in D major: III. Allegro
Harmonious Blacksmith, The
Hear the Water Dreaming, I
Heldenleben (A Hero’s Life), op. 40: I. Der Held (The Hero), Ein
Heldenleben (A Hero’s Life), op. 40: II. Des Helden Widersacher (The Hero’s Enemies), Ein
Heldenleben (A Hero’s Life), op. 40: III. Des Helden Gefährtin (The Hero’s Companion), Ein
Heldenleben (A Hero’s Life), op. 40: IV. Des Helden Walstatt (The Hero’s Deeds of War), Ein
Heldenleben (A Hero’s Life), op. 40: V. Des Helden Friedenswerke (The Hero’s Works of Peace), Ein
Heldenleben (A Hero’s Life), op. 40: VI. Des Helden Weltflucht und Vollendung (The Hero’s Retirement from the World), Ein
Heldenleben; Intermezzo - Four Symphonic Interludes, Ein
Holy Week
Hunter in His Career, The
Imperial March, op. 32
Impromptu in 2 Keys and Promenade from Shall We Dance
In a Summer Garden
In der Halle des Bergkönigs
In the South (Alassio) (excerpt)
In the South (Alassio) op. 50: Overture (excerpt)
In the South (Alassio), op. 50
Indra, op. 13, H. 66: Allegro moderato — Poco meno mosso — Tempo I — Adagio — A tempo — Andante maestoso — Tempo I — Più mosso — Tempo I ma un poco lento — Più mosso — Vivace — Tempo I
Interlude from “The Crown of India”, op. 66
Intermezzo, op. 72: Four Symphonic Interludes: I. Reisefieber und Walzerszene (Travel Fever and Waltz Scene)
Intermezzo, op. 72: Four Symphonic Interludes: II. Träumerei am Kamin (Dreaming by the Fireside)
Intermezzo, op. 72: Four Symphonic Interludes: III. Am Spieltisch (At the Card Table)
Intermezzo, op. 72: Four Symphonic Interludes: IV. Fröhlicher Beschluss (Happy Ending)
Introduction and Allegro in G major, op. 47
Introduction and Allegro, F 117
Introduction and Allegro, op. 47: Allegro
Introduction and Allegro, op. 47: Introduction (moderato)
Introduction et allegro pour cordes, op. 47
Invocation, for Cello & Orchestra, op. 19/2, H. 75
Invocation, op. 19 no. 2, H. 75 (“A Song of the Evening”): Senza misura — Moderato — Poco meno mosso — A tempo — Poco meno mosso — A tempo — Animato — Senza misura — Con larghezza — Senza misura — Adagio — Pochetissimo meno adagio — Animato — Più mosso — Adagio — Senza misura
Irish Tune / Scotch Tune / Rondeau
Isle of the Dead, Symphonic poem, op.29, The
Japanese Suite, op. 33, H. 126: I. Prelude: Song of the Fisherman
Japanese Suite, op. 33, H. 126: II. Ceremonial Dance
Japanese Suite, op. 33, H. 126: III. Dance of the Marionette
Japanese Suite, op. 33, H. 126: IV. Interlude: Song of the Fisherman
Japanese Suite, op. 33, H. 126: V. Dance under the Cherry Tree
Japanese Suite, op. 33, H. 126: VI. Finale: Dance of the Wolves
Jerusalem
Jerusalem (excerpt)
Jesu Joy of Man's Desiring
Jeux d'enfants, op. 22: I. Marche (Trompette et tambour)
Jeux d'enfants, op. 22: II. Bercuese (La poupée)
Jeux d'enfants, op. 22: III. Impromptu (La toupie)
Jeux d'enfants, op. 22: IV. Duo (Petit mari, petite femme)
Jeux d'enfants, op. 22: V. Galop (Le bal, galop)
Job / Symphony no. 9
Job: Scene I: Introduction. Largo sostenuto - Allegro piacevole -L'istesso tempo - Doppio più lento - Andante con moto
Job: Scene I: Saraband of the Sons of God. [ ] - Largo sostenuto - Andante con moto - Largamente
Job: Scene I. Introduction
Job: Scene II: Satan's Dance of Triumph. Presto - Con fuoco - Moderato alla marcia - Presto
Job: Scene II. Saraband of the Sons of God
Job: Scene II. Satan's Dance of Triumph
Job: Scene III: Minuet of the Sons of Job and Their Wives. Andante con moto
Job: Scene III. Minuet of the Sons of Job and Their Wives
Job: Scene IV: Job's Dream. Lento moderato - Allegro
Job: Scene IV. Job's Dream
Job: Scene IX: Epilogue. Largo sostenuto
Job: Scene IX. Epilogue
Job: Scene V: Dance of the Three Messengers. Lento - Andante con moto - Lento
Job: Scene V. Dance of the Three Messengers
Job: Scene VI: Dance of Job's Comforters. Andante doloroso - Poco più mosso - Ancora più mosso - Tempo I - Andante maestoso
Job: Scene VI. Dance of Job's Comforters
Job: Scene VII: Elihu's Dance of Youth and Beauty. Andante tranquillo (Tempo rubato) - Allegretto
Job: Scene VII: Pavane of the Sons of the Morning. Andante con moto
Job: Scene VII. Elihu's Dance of Youth and Beauty
Job: Scene VII. Pavane of the Sons of the Morning
Job: Scene VIII: Altar Dance. Allegretto tranquillo - Lento
Job: Scene VIII: Galliard of the Sons of the Morning. Andante con moto - Largamente - Allegro pesante - Animato
Job: Scene VIII. Altar Dance
Job: Scene VIII. Galliard of the Sons of the Morning
Jupiter, the Bringer of Jollity
Karelia Suite, op. 11: I. Intermezzo. Moderato - Meno - Più moderato
Karelia Suite, op. 11: II. Ballade. Tempo di menuetto - Un poco più lento
Karelia Suite, op. 11: III. Alla marcia. Moderato - Poco largamente
King Olaf / The Banner of Saint George
King Solomon’s Espousals
Klavierkonzert Nr. 1 e-moll op. 11: 2. Romance: Larghetto (Anfang)
Konzert für 4 Cembali und Streicher A-moll, BWV 1065: 1. Allegro
Konzert für Cello Nr. 9 B-Dur, G 482: II. Adagio non troppo
Kuschelklassik 12
Lads of Wamphray, The
Lamentations of Jeremiah the Prophet (Part 1), The
Land of Hope and Glory
Lark Ascending (excerpt), The
Lark Ascending, The
Last Night of the Proms (The 100th Season)
Last Night of the Proms, The
Légende (edited by Sir Thomas Beecham)
Liebe der Danae, op. 83 - Symphonic Fragment, Die
Lied von der Erde / Rückert Lieder, Das
Lieder eines fahrenden Gesellen / Rückertlieder / 2 Lieder
Louise: "Depuis le jour"
Love
Marching Song of Democracy
Marimba Spiritual
Mars, the Bringer of War
Mask of Orpheus: Second Allegorical Flower of Reason / First Terrible Death / Second Whisper of Change, The
Masterpieces of Edvard Grieg
Mercury, the Winged Messenger
Messe de Minuit pour Noel: Agnus Dei
Messe de Minuit pour Noel: Credo
Messe de Minuit pour Noel: Gloria
Messe de Minuit pour Noel: Kyrie
Messe de Minuit pour Noel: Sanctus
Messiah
Messiah (Highlights)
Messiah: Part I. Accompagnato "And suddenly there was with the angel"
Messiah: Part I. Accompagnato "Comfort ye my people"
Messiah: Part I. Accompagnato "For behold darkness shall cover the earth"
Messiah: Part I. Accompagnato "Thus saith the Lord of Hosts"
Messiah: Part I. Air "But who may abide the day of His coming"
Messiah: Part I. Air "Ev'ry valley shall be exalted"
Messiah: Part I. Air "He shall feed His flock like a shepherd"
Messiah: Part I. Air "Rejoice greatly, O daughter of Zion"
Messiah: Part I. Air "The people that walked in darkness"
Messiah: Part I. Air & Chorus "O thou that tellest good tidings to Zion"
Messiah: Part I. Chorus "And He shall purify"
Messiah: Part I. Chorus "And the glory of the Lord shall be revealed"
Messiah: Part I. Chorus "For unto us a child Is born"
Messiah: Part I. Chorus "Glory to God in the highest"
Messiah: Part I. Chorus "His yoke is easy, his burthen is light"
Messiah: Part I. Pifa: Larghetto e mezzo piano
Messiah: Part I. Recitative "And lo, the Angel of the Lord"
Messiah: Part I. Recitative "And the angel said unto them"
Messiah: Part I. Recitative "Behold a airgin shall conceive"
Messiah: Part I. Recitative "Then shall the eyes of the blind be open'd"
Messiah: Part I. Recitative & Accompagnato "There were shepherds"
Messiah: Part I. Sinfony: Grave - Allegro moderato
Messiah: Part II. Accompagnato "All they that see Him, laugh Him to scorn"
Messiah: Part II. Accompagnato "He was cut off out of the land of the living"
Messiah: Part II. Accompagnato "Thy rebuke hath broken His heart"
Messiah: Part II. Air "But thou didst not leave His soul in hell"
Messiah: Part II. Air "How beautiful are the feet"
Messiah: Part II. Air "Thou art gone up on high"
Messiah: Part II. Air "Thou shalt break them"
Messiah: Part II. Air "Why do the Nations so furiously rage together?"
Messiah: Part II. Arioso "Behold and see if there be any sorrow"
Messiah: Part II. Arit "He was despised"
Messiah: Part II. Chorus "All we like sheep have gone astray"
Messiah: Part II. Chorus "And with his stripes we are healed"
Messiah: Part II. Chorus "Behold the Lamb of God"
Messiah: Part II. Chorus "Hallelujah!"
Messiah: Part II. Chorus "He trusted in God"
Messiah: Part II. Chorus "Let all the angels of God worship Him"
Messiah: Part II. Chorus "Let us break their bonds asunder"
Messiah: Part II. Chorus "Lift up your heads, O ye gates"
Messiah: Part II. Chorus "Surely, He hath borne our griefs"
Messiah: Part II. Chorus "The lord gave the word"
Messiah: Part II. Chorus "Their sound is gone out"
Messiah: Part II. Recitative "He that dwelleth in heaven"
Messiah: Part II. Recitative "Unto Which of the Angels"
Messiah: Part III. Accompagnato "Behold I tell you a mystery"
Messiah: Part III. Air "I know that my redeemer liveth"
Messiah: Part III. Air "If God be for us"
Messiah: Part III. Air "The trumpet shall sound"
Messiah: Part III. Chorus "But thanks be to God"
Messiah: Part III. Chorus "Since by man came death"
Messiah: Part III. Chorus "Worthy is the lamb that was slain - Amen"
Messiah: Part III. Duet "O death, where is thy sting"
Messiah: Part III. Recitative "Then shall be brought to pass the saying"
Moorside Suite, H. 173: 1. Scherzo. Allegro — Trio — Scherzo da capo al fine, A
Moorside Suite, H. 173: 2. Nocturne. Adagio, A
Moorside Suite, H. 173: 3. March. Allegro — Con larghezza, A
Morgen
Most Relaxing Album in the World… Ever!, The
Music Makers / The Spirit of England, The
Music Makers, op. 69: Chorus: “A breath of our inspiration”. Molto tranquillo — Poco animato — Allegretto — Poco più mosso — Poco più animato — Più allegro ma maestoso — Grandioso —, The
Music Makers, op. 69: Chorus: “But we, with our dreaming and singing”. Andantino — Chorus: “For we are afar with the dawning”. Come prima — Tempo I. Con fuoco — Allegro — Più lento —, The
Music Makers, op. 69: Chorus: “We are the music makers”. Larghetto — Come prima —, The
Music Makers, op. 69: Chorus: “We, in the ages lying”. Allegretto — Maestoso — (Giocoso) — Stringendo molto — Con fuoco — Maestoso — Poco animato — Moderato — Più lento —, The
Music Makers, op. 69: Chorus: “With wonderful deathless ditties”. Allegro — Animato — Vivace — Tempo I — Stringendo molto — Più lento —, The
Music Makers, op. 69: Contralto and Chorus: “And therefore to-day is thrilling”. Allegro molto — Maestoso — Nobilmente — Tranquillo — Lento espressivo —, The
Music Makers, op. 69: Contralto: “Great hail! we cry to the comers”. Allegro — Andantino — Poco più mosso — Chorus: “Oh men! it must ever be”. [Poco più mosso] — Contralto: “You shall teach us your song’s new numbers”. [Poco più mosso] — Poco più mosso — Contralto: “Yea, in spite of a dreamer who slumbers”. Molto lento — Più lento — Chorus: “We are the music makers”. Come prima, ma più lento, The
Music Makers, op. 69: Contralto: “They had no vision amazing”. Lento, quasi recitativo — Più lento — Lento — Contralto and Chorus: “But on one man’s soul it hath broken”. Solenne —, The
Music Makers, op. 69: Moderato e nobilmente — Tranquillo e cantabile — Tempo I — Più tranquillo —, The
Mystic Trumpeter, op. 18, H. 71: "Blow again, trumpeter!". Moderato – Poco allegro – Più allegro – Andante – Adagio – "O, how the immortal phantoms crowd around me!". Moderato ma agitato – Affrettando – Moderato – Allegro moderato – Presto – Prestissimo – Allegro agitato –, The
Mystic Trumpeter, op. 18, H. 71: "Blow again, trumpeter". Allegro – "O trumpeter!". Andante – Poco animato – Molto sostenuto – Andante maestoso –, The
Mystic Trumpeter, op. 18, H. 71: Allegro moderato – "Now, trumpeter, for thy close’. Andante – "O glad, exulting, culminating song!". Maestoso – Pochettino animato – Poco animato – Più mosso – Andante maestoso – Adagio – Andante, The
Mystic Trumpeter, op. 18, H. 71: Molto sostenuto – Allegro agitato – "Hark! some wild trumpeter’. Moderato – Lento – "Blow, trumpeter, free and clear". Poco allegro – Meno mosso – Adagio – Allegretto – Andante – Più lento – Molto adagio –, The
Neptune, the Mystic
neue Orpheus, Op. 16, Der
Nimrod
No.47 Worthy is the Lamb
Nocturne (Moderato) aus La Boutique Fantasque
Now That’s What I Call Music! 39
Nußknacker / Schwanensee, Der
Nußknacker: Akt I. I. Dekoration des Weihnachtsbaums, Der
Nußknacker: Akt I. II. Marsch, Der
Nußknacker: Akt II. III. Divertissement: a. Schokolade - Spanischer Tanz, Der
Nußknacker: Akt II. III. Divertissement: b. Kaffe - Arabischer Tanz, Der
Nußknacker: Akt II. III. Divertissement: c. Tee - Chinesischer Tanz, Der
Nußknacker: Akt II. III. Divertissement: d. Trepak - Russischer Tanz, Der
Nußknacker: Akt II. III. Divertissement: e. Tanz der Mirlitons, Der
Nußknacker: Akt II. III. Divertissement: f. Tanz Mutter Gigognes und der Marionetten, Der
Nußknacker: Akt II. III. Divertissement: IV. Blumenwalzer, Der
Nußknacker: Ouvertüre, Der
O Little Town Of Bethlehem
O Praise the Lord With One Consent
Oceanides, op. 73, The
Old Maid and the Thief: "What a Curse for a Woman is a Timid Man", The
On Hearing the First Cuckoo in Spring
On Hearing the First Cuckoo in Spring / The Walk to the Paradise Garden / Paris / Brigg Fair / Summer Night on the River
Once in Royal David’s City
Orchestral Set no. 1: Three Places in New England (version for large orchestra): I. The 'St Gaudens' in Boston Common. Very slowly - Più mosso - Più mosso - Meno mosso - Meno mosso - Più mosso - Più mosso - Meno mosso - Meno mosso - Più mosso - Meno mosso - Meno mosso
Orchestral Set no. 1: Three Places in New England (version for large orchestra): II. Putnam's Camp, Redding, Connecticut. Allegro- Gradually slower - Quasi largo - Andante animato - Poco meno mosso - Più mosso - Più mosso - Allegro moderato - Più mosso - Animato - Più mosso - Con fuoco
Orchestral Set no. 1: Three Places in New England (version for large orchestra): III. The Housatonic at Stockbridge. Adagio molto - Meno mosso - Più mosso e crescendo - Allegro moderato - Accelerando - Allegro con brio - Adagio molto
Orchestral Set no. 2: I. An Elegy to Our Forefathers
Orchestral Set no. 2: II. The Rockstrewn Hills Join in the People’s Outdoor Meeting
Orchestral Set no. 2: III. From Hanover Square North, at the End of a Tragic Day
Orchestral Songs: Befreit
Orchestral Songs: Morgen
Orchestral Songs: Muttertändelei
Orchestral Songs: Ruhe, meine Seele
Orchestral Songs: Wiegenlied
Orchestral Songs: Zueignung
Orchestral Suite No. 3 in D major, BWV 1068 "Air on a G String"
Orchestral Works 1: Symphonies nos. 1 and 2
Orchestral Works, Vol. 2
Orchestral Works, Volume 2: The Planets / Beni Mora / Japanese Suite
Orchestral Works, Volume 3: First Choral Symphony / The Mystic Trumpeter
Orchestral Works, Volume 4: Symphony “The Cotsworlds” / A Winter Idyll / Scherzo / Invocation / Indra / A Moorside Suite
Original Rock Meets Classic, The
Overture to Maskarade, FS 39
Overture, Elegy, and Rondo: I. Overture. Allegro – Dolce – Lento lamentoso – Tempo I – Tempo I (Allegro) – Energico – Poco largamente – A tempo – Più mosso – Con vivo
Overture, Elegy, and Rondo: II. Elegy. Lento – Più lento a tempo – Molto tranquillo
Overture, Elegy, and Rondo: III. Rondo. Allegro moderato – Vivo – Vivo – Poco più lento – Allargando – Più Lento – Andante – Tempo primo – Più mosso – Poco ritenuto – Tempo più vivace – Presto – Tempo poco largamente – Allargando – Maestoso – Vivace – Maestoso – Vivace – Poco più lento – Largamente – Molto vivace
Pachebel Kanon and other Baroque masterpieces by Bach - Albinoni - Handel
Pachelbel Canon and Other Digital Delights, The
Panic
Paris: The Song of a Great City
Passacaglia from "Peter Grimes", op. 33b
Pastoral Symphony (Symphony no. 3) I. Molto moderato, A
Pastoral Symphony (Symphony No. 3) II. Lento Moderato, A
Pastoral Symphony (Symphony no. 3) III. Moderato pesante - Presto, A
Pastoral Symphony (Symphony no. 3) IV. Lento - Moderato maestoso - Lento, A
Pavane, OP. 50
Peer Gynt Suite no. 1, op. 46: Anitra's Dance
Peer Gynt Suite No. 1, Op. 46: I. Morning Mood
Peer Gynt Suite No. 1, Op. 46: II. The Death of Åse
Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance
Peer Gynt Suite no. 1, op. 46: In the Hall of the Mountain King
Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King
Peer Gynt Suite no. 1, op. 46: Morning
Peer Gynt Suite no. 1, op. 46: the Death of Ase
Peer Gynt Suite no. 2, op. 55: Arabian Dance
Peer Gynt Suite No. 2, Op. 55: I. The Abduction of the Bride
Peer Gynt Suite No. 2, Op. 55: II. Arabian Dance
Peer Gynt Suite No. 2, Op. 55: III. Solveig's Lullaby
Peer Gynt Suite no. 2, op. 55: Ingrid's Lament
Peer Gynt Suite No. 2, Op. 55: IV. Peer Gynt's Return Home
Peer Gynt Suite no. 2, op. 55: Peer Gynt's Homecoming & Solvieg's Song
Peer Gynt Suite no. 2, op. 55: Solveig's Lullaby
Peer Gynt Suite No. 2, Op. 55: V. Solveig's Song
Peer Gynt, op. 23: Morning
Pelléas Et Mélisande: I - Prélude
Pelléas Et Mélisande: II - La Fileuse
Pelléas Et Mélisande: III - Sicilienne
Pelléas Et Mélisande: IV - Molto Adagio
Perfect Day
Perfect Day ’97
Perfect Day ’97 (female version)
Perfect Day ’97 (male version)
Phantasy / Four Orchestra Pieces / Overture, Elegy, and Rondo
Phantasy for Viola and Orchestra: Allegro vivace – Un poco più lento – Tempo I – Allegro moderato – Allegro vivace – Tempo più lento – Allegro – Più mosso – Poco largamente – Largamente molto
Phantasy for Viola and Orchestra: Lento semplice – Tempo I – Più mosso (Allegro moderato)
Phantasy for Viola and Orchestra: Poco lento. Largamente – Un pochettino più mosso – Allegro moderato molto ritmico – Tempo poco più tenuto – Agitato – Poco più lento – Meno mosso – Poco più mosso – Animato – Tempo I – Tempo of Introduction – Broadly
Piano Concerto in E-flat major: I. In tempo moderato
Piano Concerto in E-flat major: II. Lento espressivo - allegro - cadenza
Piano Concerto in E-flat major: III. Allegretto giocoso
Piano Concerto in G major: I. Allegramente
Piano Concerto in G major: II. Adagio assai
Piano Concerto in G major: III. Presto
Piano Concerto no. 1 in D minor: III. Rondo. Allegro non troppo [excerpt]
Piano Concerto no. 2 / Rhapsody-Paganini / Prelude
Piano Concerto no. 2 in B-flat: Andante
Piano Concerto No. 2 In C Minor, Op. 18: 1. Moderato
Piano Concerto No. 2 In C Minor, Op. 18: 2. Adagio Sostenuto
Piano Concerto No. 2 In C Minor, Op. 18: 3. Allegro
Piano Concerto no. 2: II. Allegro appassionato [excerpt]
Piano Concerto No. 3 in C major: I. Andante - Allegro
Piano Concerto No. 3 in C major: II. Theme and Variations. Andantino
Piano Concerto No. 3 in C major: III. Allegro ma non troppo
Piano Concerto no. 5 in E-flat major, op. 73 "Emperor" (Mvt. III)
Piano Concerto No.1 In D Minor, Op. 15: I Maestoso
Piano Concerto No.1 In D Minor, Op. 15: II Adagio
Piano Concerto No.1 In D Minor, Op. 15: III Rondo: Allegro Non Troppo
Piano Concerto No.2 In B-Flat Major, Op. 83: I Allegro Non Troppo
Piano Concerto No.2 In B-Flat Major, Op. 83: II Allegro Appassionato
Piano Concerto No.2 In B-Flat Major, Op. 83: III Andante
Piano Concerto No.2 In B-Flat Major, Op. 83: IV Allegretto Grazioso
Piano Concertos 1 & 2
Planets / A Somerset Rhapsody / Brook Green Suite, The
Planets / Egdon Heath, The
Planets / Simple Symphony, The
Planets, op. 32, H. 125: I. Mars, the Bringer of War, The
Planets, op. 32, H. 125: II. Venus, the Bringer of Peace, The
Planets, op. 32, H. 125: III. Mercury, the Winged Messenger, The
Planets, op. 32, H. 125: IV. Jupiter, the Bringer of Jollity, The
Planets, op. 32, H. 125: V. Saturn, the Bringer of Old Age, The
Planets, op. 32, H. 125: VI. Uranus, the Magician, The
Planets, op. 32, H. 125: VII. Neptune, the Mystic, The
Planets, Op. 32, The
Planets, op. 32: I. Mars, the Bringer of War, The
Planets, op. 32: II. Venus, the Bringer of Peace, The
Planets, op. 32: III. Mercury, the Winged Messenger, The
Planets, op. 32: IV. Jupiter, the Bringer of Jollity, The
Planets, op. 32: V. Saturn, the Bringer of Old Age, The
Planets, op. 32: VI. Uranus, the Magician, The
Planets, op. 32: VII. Neptune, the Mystic, The
Planets, The
Planets: Jupiter, the Bringer of Jollity, The
Planets. Jupiter, The
Polonia, op. 76
Pomp & Circumstance March No. 1 in D major
Pomp & Circumstance March No. 3 in C minor
Pomp & Circumstance March no. 4
Pomp & Circumstance March No. 4 in G major
Pomp and Circumstance
Pomp and Circumstance March No. 1 - Land of Hope and Glory (Conclusion)
Pomp and Circumstance March no. 1 in D major
Pomp and Circumstance March no. 1 in D, Land of Hope and Glory
Pomp and Circumstance March no. 4
Pomp and Circumstance Marches, op. 39: no. 1 in D manor
Pomp and Circumstance Marches, op. 39: no. 3 in C minor
Pomp and Circumstance Military Marches, op. 39: no. 2: Allegro molto
Pomp and Circumstance, op. 39: no. 1 in D major: Allegro, con molto fuoco
Pomp and Circumstance, op. 39: no. 1 in D major. Allegro, con molto fuoco
Pomp and Circumstance, op. 39: no. 2 in A minor: Allegro molto
Pomp and Circumstance, op. 39: no. 2 in A minor. Allegro molto
Pomp and Circumstance, op. 39: no. 3 in C minor: Con fuoco
Pomp and Circumstance, op. 39: no. 3 in C minor. Con fuoco
Pomp and Circumstance, op. 39: no. 4 in G major: Allegro marziale
Pomp and Circumstance, op. 39: no. 4 in G major. Allegro marziale
Pomp and Circumstance, op. 39: no. 5 in C major: Vivace
Pomp and Circumstance, op. 39: no. 5 in C major. Vivace
Pomp and Circumstance: March no. 1
Porgy and Bess: Summertime
Praise Him, All Ye That in This House Attend (Tenor Solo)
Praise the Lord
Prince Igor (Excerpts): Ouverture
Prince Igor (Excerpts): Polovtsian Dances
Prokofiev: Piano Concerto no. 3 / Ravel: Piano Concerto in G / Gershwin: Rhapsody in Blue
Real Music of Christmas Vol. 2, The
Requiem, op. 48 / Pavane, op. 50
Requiem, op. 48: I. Introit et Kyrie
Requiem, op. 48: II. Offertoire
Requiem, op. 48: III. Sanctus
Requiem, op. 48: IV. Pie Jesu
Requiem, op. 48: V. Agnus Dei
Requiem, op. 48: VI. Libera me
Requiem, op. 48: VII. In Paradisum
Requiem, op. 9: I. Introit
Requiem, op. 9: II. Kyrie
Requiem, op. 9: III. Domine Jesu Christe
Requiem, op. 9: IV. Sanctus
Requiem, op. 9: IX. In Paradisum
Requiem, op. 9: V. Pie Jesu
Requiem, op. 9: VI. Agnus Dei
Requiem, op. 9: VII. Lux aeterna
Requiem, op. 9: VIII. Libera me
Rhapsody in Blue
Ritual Dances from "The Midsummer Marriage" no. 3: The Earth in Autumn
Ritual Dances from "The Midsummer Marriage": I. Prelude
Ritual Dances from "The Midsummer Marriage": II. Transformation and Preparation for...
Ritual Dances from "The Midsummer Marriage": III. The First Dance: "The earth in autumn"
Ritual Dances from "The Midsummer Marriage": IV. The Second Dance: "The water in winter"
Ritual Dances from "The Midsummer Marriage": V. The Third Dance: "The air in spring"
Ritual Dances from "The Midsummer Marriage": VI. The Fourth Dance: "Fire in summer"
Rock, Fantasy, op.7, The
Romance for Bassoon and Orchestra, Op. 62
Romance no. 2 in F major, op. 50
Roméo et Juliette: "Ah, je veux vivre dans ce reve"
Roméo et Juliette: "Dieu! Quel frisson court dans mes veines"
Rondine: "Chi il bel sogno di Doretta", La
Rosenkavalier Suite / Bourgeois Gentilhomme Suite, op. 60 / Die Liebe der Danae, Symphonic Fragment, Der
Rossini, Respighi: La Boutique fantasque / Bizet: L'Arlésienne Suite no. 2, Jeux d'enfants
Royal Palace, Op. 17: "Ah, ah"
Royal Palace, Op. 17: "Arme Werber! Traurige Liebhaber!"
Royal Palace, Op. 17: "Dejanira, Janirade" (Tanz der Wasserfrau)
Royal Palace, Op. 17: "Ich brauche dich"
Royal Palace, Op. 17: "Ich schenke dir die ewige Natur"
Royal Palace, Op. 17: "Ich will Dejaniren essen"
Royal Palace, Op. 17: "Ihr kennt die Frauen nicht"
Royal Palace, Op. 17: "Kamelien meine Augenlider"
Royal Palace, Op. 17: "Teile die Orange des Himmels in vier"
Royal Palace, Op. 17: "Wir haben die Erde überrannt"
Royal Palace, Op. 17: "Wir müssen aber Orangeade trinken!"
Royal Palace, Op. 17: [Ballett]
Royal Palace, Op. 17: [Film]
Rückert Lieder: 'Ich atmet' einen linden Duft'
Rückert Lieder: 'Liebst du um Schönheit'
Rückert Lieder: Blicke mir nicht in die Lieder
Rückert Lieder: Ich bin der Welt abhanden gekommen
Rückert Lieder: Um Mitternacht
Ruhe, meine Seele!
Rule Britannia!
Rule, Britannia!
Ruslan and Ludmila: Overture
Salome (Höhepunkte) / Vier letzte Lieder / Malven
Salut d'amour
Salut d’amour, op. 12 (arr. Roger Turner)
Sancte Deus, P. 98
Saturn, the Bringer of Old Age
Scenes From the Saga of King Olaf: Epilogue. Soli and Chorus: “It is accepted”. Andante - [ ] -
Scenes From the Saga of King Olaf: Epilogue. Soli and Chorus: “Stronger than steel”. Più mosso - Animato - Andante (Tempo I)
Scenes From the Saga of King Olaf: Epilogue. Soli and Chorus. Recitative. Bass: "In the convent of Drontheim". Allegro -
Scenes From the Saga of King Olaf: Gudrun. Recitative. Bass: "How the Wraith of Odin old". Allegro -
Scenes From the Saga of King Olaf: Gudrun. Scene. Soprano: "On King Olaf’s bridal night". Adagio - Più mosso - Tempo I - Poco più mosso - [Tempo I] - Allegro - Allegro molto - [Tempo I]
Scenes From the Saga of King Olaf: Introduction. Recitative. Bass: "Summon now the God of Thunder". Allegro con fuoco - Poco meno mosso -
Scenes From the Saga of King Olaf: Introduction. Soli and Chorus: ‘There is [...] a wondrous book’. Andante -
Scenes From the Saga of King Olaf: King Olaf's Return. Recitative. Bass: "Tell how Olaf bore the Cross". Allegro moderato - Meno mosso - Più lento -
Scenes From the Saga of King Olaf: King Olaf's Return. Solo. Tenor: "And King Olaf heard the cry". Allegro - [ ] - Allegro - Allegro molto - Tranquillo - Più mosso - Moderato - Allegro - Poco più mosso - Tempo I
Scenes From the Saga of King Olaf: Sigrid. Olaf (Tenor): "Sigrid, hail! with royal hand". Meno mosso - Più animato - Più animato - Allegro con fuoco - [ ] - Meno mosso - [Allegro con fuoco]
Scenes From the Saga of King Olaf: Sigrid. Recitative. Bass: "Hark! she flies from Wendland forth". Allegretto -
Scenes From the Saga of King Olaf: Sigrid.Scene. Chorus: "Sigrid sits in her high abode". Allegro -
Scenes From the Saga of King Olaf: The Challenge of Thor. Chorus: "I am the God Thor". Moderato - Molto maestoso -
Scenes From the Saga of King Olaf: The Conversion. Chorus: "As leap the lights of winter". Allegro con fuoco - Moderato - Lento - [ ] - Animato -
Scenes From the Saga of King Olaf: The Conversion. Chorus: "Then o’er the blood-stained Horg-stone". L’istesso tempo - Lento - Allegretto - [ ] - Allargando al fine
Scenes From the Saga of King Olaf: The Conversion. Olaf (Tenor): "Behold me, my people, and answer and say". [ ] - Allegro - Più mosso - L’istesso tempo - Più mosso - [ ] -
Scenes From the Saga of King Olaf: The Conversion. Recitative. Bass: "Now the child of Ironbeard dead". Andantino -
Scenes From the Saga of King Olaf: The Conversion. Scene. Chorus: "King Olaf’s prows at Nidaros". Allegro moderato - Poco più mosso - L’istesso tempo - [ ] -
Scenes From the Saga of King Olaf: The Death of Olaf. Chorus: "King Olaf’s dragons take the sea". Allegro - Vivace – Più mosso - Poco a poco meno mosso -
Scenes From the Saga of King Olaf: The Wraith of Odin. Chorus (Ballad): "The guests were loud, the ale was strong". Allegro - L’istesso tempo - Molto sostenuto - [Tempo I]
Scenes From the Saga of King Olaf: The Wraith of Odin. Recitative. Bass: "Sisters, sing ye now the song". Allegro -
Scenes From the Saga of King Olaf: Thyri. Choral Recitative: "After Queen Gunhild’s death". Allegro moderato -
Scenes From the Saga of King Olaf: Thyri. Chorus (Ballad): "A little bird in the air". Allegro -
Scenes From the Saga of King Olaf: Thyri. Duet. Thyri (Soprano): "The gray land breaks to lively green". Allegro - Tranquillo -
Scenes From the Saga of King Olaf: Thyri. Olaf (Tenor): "Thyri, my beloved". Moderato - [ ] - Più tranquillo - Più mosso - Lento - [ ]
Scherzo capriccioso, op. 66
Scherzo, H. 192: Allegro — Allegretto — Andante — Allegro — Vivace
schlaue Füchslein (Auszug), Das
Sea Pictures, op. 37: 1. Sea-Slumber- Song. Andantino - Tranquillo - Tempo I - Tranquillo -
Sea Pictures, op. 37: 2. In Haven (Capri). Allegretto
Sea Pictures, op. 37: 3. Sabbath Morning at Sea. Moderato - Più mosso - Più mosso - Tempo I - Molto maestoso -
Sea Pictures, op. 37: 4. Where Corals Lie. Allegretto ma non troppo
Sea Pictures, op. 37: 5. The Swimmer. Allegro di molto - Largamente - Poco meno mosso - Tempo I - Largamente
Sea Symphony, A
Semele, HWV 58: Where'er you walk
Serenade no.1 in D major, op. 11: Scherzo
Sérénade pour cordes, op. 20: Allegro piacevole
Sinfonia Antarctica (Symphony no. 7) I. Prelude
Sinfonia Antarctica (Symphony no. 7) II. Scherzo
Sinfonia Antarctica (Symphony no. 7) III. Landscape
Sinfonia Antarctica (Symphony no. 7) IV. Intermezzo
Sinfonia Antarctica (Symphony no. 7) V. Epilogue
Sinfonia Antartica (Symphony no. 7): 1. Prelude. Andante maestoso - Largamente - Lento - Poco più mosso - Tempo I - Poco animato -
Sinfonia Antartica (Symphony no. 7): 2. Scherzo. Moderato - Poco animando - Moderato - Poco animato - Moderato scherzando - L'istesso tempo - Meno mosso
Sinfonia Antartica (Symphony no. 7): 3. Landscape. Lento - Andante sostenuto - Lento - Poco meno lento - Poco meno mosso-
Sinfonia Antartica (Symphony no. 7): 4. Intermezzo. Andante sostenuto - Allegretto - Pesante - Poco più lento - Tempo I tranquillo
Sinfonia Antartica (Symphony no. 7): 5. Epilogue. Alla marcia, moderato (non troppo allegro) - Lento - Allegro moderato - Andante maestoso
Sinfonia Antartica / Concerto for Two Pianos and Orchestra / Four Last Songs
Sir Eglamore
Sketches for Symphony no. 3, Elaborated by Anthony Payne, The
Sketches for Symphony no. 3, Elaborated by Anthony Payne: I. Allegro molto maestoso, The
Sketches for Symphony no. 3, Elaborated by Anthony Payne: II. Scherzo: Allegretto, The
Sketches for Symphony no. 3, Elaborated by Anthony Payne: III. Adagio solenne, The
Sketches for Symphony no. 3, Elaborated by Anthony Payne: IV. Allegro, The
Slavonic Dances for orchestra, B. 83 (Op. 46): No. 6 in D major (Sousedská)
Slavonic Dances, op. 46: No. 1 in C. Presto
Slavonic Dances, op. 46: No. 2 in E minor. Allegretto scherzando
Slavonic Dances, op. 46: No. 3 in A-flat. Poco allegro
Slavonic Dances, op. 46: No. 4 in F. Tempo di minuetto
Slavonic Dances, op. 46: No. 5 in A. Allegro vivace
Slavonic Dances, op. 46: No. 7 in C minor. Allegro assai
Slavonic Dances, op. 46: No. 8 in G minor. Presto
Sleepers Awake
Sonata No.6 in A major (feat. cello: Ofra Harnoy)
Song of the High Hills: In ruhigem fließendem Tempo – Tranquillo. Very quietly but not dragging – With vigour – Not too slow – Rather quicker – Slower. Maestoso (not hurried). With exultation –, The
Song of the High Hills: Tempo I – Più mosso ma tranquillo – With exultation (not hurried). Maestoso – Tempo I – Very slow, The
Song of the High Hills: Very slow (The wide far distance – The great solitude) – Slow and solemnly – Very quietly – Slow and very legato –, The
Song of the Night, op. 19 no. 1, H 74, A
Songs of a Wayfarer: I. Wenn mein Schatz Hochzeit macht
Songs of a Wayfarer: II. Ging heut morgen übers Feld
Songs of a Wayfarer: III. Ich hab ein glühend Messer
Songs of a Wayfarer: IV. Die zwei blauen Augen von meinem Schatz
Soprano
Sospiri
Souvenir of St. Pauls: Church Music from Elizabethan Times, A
Spirit of England, op. 80: I. The Fourth of August: Moderato e maestoso — “Now in thy splendour go before us”. Grandioso — “The cares we hugged drop out of vision”. Poco più mosso — “Among the nations nobliest chartered”. Lento — Tempo I — “She fights the fraud that feeds desire”. Più mosso — “Endure, O Earth! and thou, awaken”. Tempo I (poco più lento) — “O wronged, untameable, unshaken”. Più lento — “Now in thy splendour go before us”. Nobilmente e grandioso, come prima — Più lento, The
Spirit of England, op. 80: II. To Women: “Your hearts are lifted up”. Moderato — “Swift, swifter than those hawks of war”. Sempre animato — “And not a shot comes blind with death”. Più tranquillo — Tempo I — “Amid the thunder of the guns”. Animato — “Your hope, your dread, your throbbing pride”. Tempo I, molto largamente — [ ] — “Burningly offered up”. Tempo I, The
Spirit of England, op. 80: III. For the Fallen: “With proud thanksgiving”. Solenne — “Death august and royal”. Nobilmente — Allegro (tempo di Marcia) — “They went with songs to the battle”. Giusto ed accentato — “They shall not grow old”. Moderato (Tempo I) — “But where our desires are and our hopes profound”. Quasi recitativo — “As the stars that shall be bright when we are dust”. Sostenuto — “Moving in marches upon the heavenly plain”. Grandioso, The
String Serenade in E minor, op. 20: I. Allegro piacevole
String Serenade in E minor, op. 20: II. Larghetto
String Serenade in E minor, op. 20: III. Allegretto
Suite for Violin and Orchestra: I. Pastorale. Andante quasi allegretto
Suite for Violin and Orchestra: II. Intermezzo. Allegro molto vivace
Suite for Violin and Orchestra: III. Élégie. Adagio cantabile
Suite for Violin and Orchestra: IV. Finale. Allegro animato
Summer Night on the River
Superwoman: The Soundtrack to a Perfect Day
Swan of Tuonela, op. 22 no. 2, The
Symphonic Dances / The Isle of The Dead / The Rock
Symphonic Dances, op. 45: I. Non allegro
Symphonic Dances, op. 45: II: Andante con moto (Tempo di Valse)
Symphonic Dances, op. 45: II. Andante con moto (Tempo di valse)
Symphonic Dances, op. 45: III: Lento assai
Symphonic Dances, op. 45: III. Lento assai
Symphonic Dances,op. 45: I: Non allegro
Symphonic poem “The Isle of the Dead”, op. 29
Symphonie No. 8 G-Dur, Op. 88: III. Allegretto grazioso - Molto vivace
Symphonies No. 1 & 5 / Lt. Kijé Suite / Suite from The Love for Three Oranges
Symphonies nos. 1 & 2 / Overture "In the South" / Pomp & Circumstance Marches 1, 3 & 5
Symphonies nos. 1 and 2
Symphonies nos. 1-9 / In Nature / Serenade for Winds / Serenade for Strings
Symphonies Nos. 1, 2 & 3 / Excerpts from "Prince Igor" / In the Steppes of Central Asia
Symphonies Nos. 1, 2 & 3 / Overtures & Polovtsian Dances from "Prince Igor" / In the Steppes of Central Asia
Symphonies Nos. 4 & 5
Symphonies, The
Symphonisches Fragment aus Die Liebe der Danae: Molto vivace
Symphonisches Fragment aus Die Liebe der Danae: Più tranquillo
Symphony “The Cotswolds”, op. 8, H. 47 in F: I. Allegro con brio
Symphony “The Cotswolds”, op. 8, H. 47 in F: II. Elegy in memoriam William Morris. Molto adagio — Agitato — Più mosso — Più mosso — A tempo — Agitato — A tempo
Symphony “The Cotswolds”, op. 8, H. 47 in F: III. Scherzo. Presto — Allegretto — Presto — Poco meno mosso — Allegretto — Presto
Symphony “The Cotswolds”, op. 8, H. 47 in F: IV. Finale. Allegro moderato — Meno mosso — A tempo
Symphony fantastique, Op. 14: I. Daydream - Passions
Symphony fantastique, Op. 14: II. A Ball
Symphony fantastique, Op. 14: III. In the meadows
Symphony fantastique, Op. 14: IV. March to the Scaffold
Symphony fantastique, Op. 14: V. Sabbath Night's Dream
Symphony in D minor / Pelléas et Mélisande
Symphony In D Minor: I - Lento; Allegro Non Troppo
Symphony In D Minor: II - Allegretto
Symphony In D Minor: III - Allegro Non Troppo
Symphony no. 1 "A Sea Symphony" / Symphony no. 6
Symphony no. 1 “A Sea Symphony”: I. A Song for All Seas, All Ships
Symphony no. 1 “A Sea Symphony”: II. On the Beach at Night, Alone
Symphony no. 1 “A Sea Symphony”: III. Scherzo. The Waves
Symphony no. 1 “A Sea Symphony”: IV. The Explorers
Symphony no. 1 / Pomp and Circumstance Marches 1, 3 & 4
Symphony No. 1 in A flat major, Op. 55: Adagio
Symphony No. 1 in A flat major, Op. 55: Allegro molto
Symphony No. 1 in A flat major, Op. 55: Andante, Nobilimente e semplice
Symphony No. 1 in A flat major, Op. 55: Lento, allegro
Symphony no. 1 in A-flat major, op. 55: Allegro molto
Symphony no. 1 in A-flat major, op. 55: Andante: Nobilmente e semplice - Allegro
Symphony no. 1 in A-flat major, op. 55: III. Adagio
Symphony no. 1 in A-flat major, op. 55: Lento - Allegro
Symphony no. 1 in E-flat major: I. Adagio - Allegro - Andantino
Symphony no. 1 in E-flat major: II. Scherzo. Prestissimo - Trio. Allegro - Prestissimo
Symphony no. 1 in E-flat major: III. Andante
Symphony no. 1 in E-flat major: IV. Allegro molto vivo
Symphony no. 1 in G major, op. 4: I. Allegro assai
Symphony no. 1 in G major, op. 4: II. Larghetto
Symphony no. 1 in G major, op. 4: III. Finale. Allegro con brio
Symphony no. 1, op. 3 in C minor “Bells of Zlonice”: Adagio molto
Symphony no. 1, op. 3 in C minor “Bells of Zlonice”: Allegretto
Symphony no. 1, op. 3 in C minor “Bells of Zlonice”: Allegro
Symphony no. 1, op. 3 in C minor “Bells of Zlonice”: Finale. Allegretto
Symphony no. 1: I. Allegro - Più moto - Meno allegro - Largamente - Agitando
Symphony no. 1: II. Adagio molto (sostenuto) - Più moto - Animando ed accelerando - Allargando - Più moto - Tempo I (Adagio molto)
Symphony no. 1: III. Scherzo. Vivace - Trio - D.C.
Symphony no. 1: IV. Allegro molto - Poco più mosso - Allegro molto assai - Animando - Largamente e poco ritenuto - Allegro con fuoco
Symphony No. 10
Symphony No. 10 in E minor
Symphony no. 10 in E minor, op. 93: I. Moderato
Symphony no. 10 in E minor, op. 93: II. Allegro
Symphony no. 10 in E minor, op. 93: III. Allegretto - Largo - Più mosso
Symphony no. 10 in E minor, op. 93: IV. Andante - L'istesso tempo
Symphony no. 2
Symphony No. 2 "A London Symphony" & No. 8
Symphony no. 2 “A London Symphony”: Andante sostenuto
Symphony no. 2 “A London Symphony”: I. Lento - Allegro risoluto
Symphony no. 2 “A London Symphony”: II. Lento
Symphony no. 2 “A London Symphony”: III. Scherzo (Nocturne): Allegro vivace
Symphony no. 2 “A London Symphony”: IV. Andante con moto - Maestoso alla marcia - Epilogue: Andante sostenuto
Symphony No. 2 / In the South (Alassio)
Symphony no. 2 in B minor: I. Allegro - Animato assai
Symphony no. 2 in B minor: II. Scherzo. Prestissimo - Allegretto - Tempo 1
Symphony no. 2 in B minor: III. Andante
Symphony no. 2 in B minor: IV. Finale. Allegro
Symphony no. 2 in D major, op. 43: I. Allegretto
Symphony no. 2 in D major, op. 43: II. Tempo Andante Ma Rubato
Symphony no. 2 in D major, op. 43: III. Vivacissimo - Lento E Suave
Symphony no. 2 in D major, op. 43: III. Vivacissimo. Lento e suave (attacca)
Symphony no. 2 in D major, op. 43: IV. Finale: Allegro Moderato
Symphony no. 2 in E minor, op. 31: I. Moderato
Symphony no. 2 in E minor, op. 31: II. Lento. Tranquillo
Symphony no. 2 in E minor, op. 31: III. Allegro scherzando, ma moderato
Symphony no. 2 in E minor, op. 31: IV. Finale. Grave - Allegro molto, con fuoco
Symphony no. 2 in E-flat major, op. 63: I. Allegro vivace e nobilmente
Symphony no. 2 in E-flat major, op. 63: II. Larghetto
Symphony no. 2 in E-flat major, op. 63: III. Rondo - Presto
Symphony no. 2 in E-flat major, op. 63: IV. Moderato e maestoso
Symphony no. 2, op. 16: I. Allegro collerico
Symphony no. 2, op. 16: II. Allegro comodo e flemmatico
Symphony no. 2, op. 16: III. Andante melancolico
Symphony no. 2, op. 16: IV. Allegro sanguino
Symphony no. 2, op. 4 in B-flat: Allegro con moto
Symphony no. 2, op. 4 in B-flat: Finale. Allegro con fuoco
Symphony no. 2, op. 4 in B-flat: Poco adagio
Symphony no. 2, op. 4 in B-flat: Scherzo. Allegro con brio
Symphony no. 2: I. Andante moderato -
Symphony no. 2: II. Allegro - Meno allegro - Più animando - Tempo I - Più animato - Più animando - Più mosso - Meno allegro - Più animando - Tempo I - Animando - Più allegro
Symphony no. 2: III. Adagio cantabile - Animando - Andante - Allargando - Animando - Adagio cantabile
Symphony no. 2: IV. Lento maestoso - Più andante -
Symphony no. 2: V. Allegro molto vivace - Meno allegro - Allegro molto vivace - Meno allegro - Gradually faster
Symphony no. 3 “The Camp Meeting” / Symphony no. 4 / Orchestral Set no. 2
Symphony no. 3 “The Camp Meeting”: I. Old Folks Gatherin’
Symphony no. 3 “The Camp Meeting”: II. Children’s Day
Symphony no. 3 “The Camp Meeting”: III. Communion
Symphony no. 3 (1st movement) (excerpt)
Symphony No. 3 in A minor, Op. 56 "Scottish": I. Andante con moto - Allegretto un poco agitato
Symphony No. 3 in A minor, Op. 56 "Scottish": II. Vivace non troppo
Symphony No. 3 in A minor, Op. 56 "Scottish": III. Adagio
Symphony No. 3 in A minor, Op. 56 "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai
Symphony no. 3 in A minor: I. Moderato assai
Symphony no. 3 in A minor: II. Scherzo. Vivo - Trio. Moderato - Tempo 1
Symphony no. 3, op. 10 in E-flat: Adagio molto, tempo di marcia
Symphony no. 3, op. 10 in E-flat: Allegro moderato
Symphony no. 3, op. 10 in E-flat: Allegro vivace
Symphony no. 4 / Songs of a Wayfarer
Symphony No. 4 in E minor, Op. 98: I. Allegro non troppo
Symphony No. 4 in E minor, Op. 98: II. Andante moderato
Symphony No. 4 in E minor, Op. 98: III. Allegro giocoso
Symphony No. 4 in E minor, Op. 98: IV. Allegro energico e passionato
Symphony no. 4 in F minor: I. Allegro
Symphony no. 4 in F minor: II. Andante moderato
Symphony no. 4 in F minor: III. Allegro molto
Symphony no. 4 in F minor: IV. Finale con epilogo fugato - allegro molto
Symphony no. 4, op. 13 in D minor: Allegro
Symphony no. 4, op. 13 in D minor: Andante sostenuto e molto cantabile
Symphony no. 4, op. 13 in D minor: Finale. Allegro con brio
Symphony no. 4, op. 13 in D minor: Scherzo. Allegro feroce
Symphony no. 4: I. Prelude
Symphony no. 4: II. Comedy
Symphony no. 4: III. Fugue
Symphony no. 4: IV. Finale
Symphony no. 5 in D major: I. Preludio. Moderato
Symphony no. 5 in D major: II. Scherzo. Allegro
Symphony no. 5 in D major: III. Romanza. Lento
Symphony no. 5 in D major: IV. Passacaglia. Moderato
Symphony no. 5 in D: I. Preludio
Symphony no. 5 in D: II. Scherzo
Symphony no. 5 in D: III. Romanza
Symphony no. 5 in D: IV. Passacaglia
Symphony No. 5 in F major, Op. 76: I. Allegro ma non troppo
Symphony No. 5 in F major, Op. 76: II. Andante con moto
Symphony No. 5 in F major, Op. 76: III. Scherzo. Allegro scherzando
Symphony No. 5 in F major, Op. 76: IV. Finale. Allegro molto
Symphony No. 5. Prelùdio: Moderato (excerpt)
Symphony no. 6 / Fantasia on a Theme by Thomas Tallis / The Lark Ascending
Symphony No. 6 / Scherzo capriccioso / "American" Suite
Symphony no. 6 / The Lark Ascending / Fantasia on a Theme by Thomas Tallis
Symphony no. 6 in B minor (Pathétique), op. 74: I. Adagio - Allegro non troppo
Symphony no. 6 in B minor (Pathétique), op. 74: II. Allegro con grazia
Symphony no. 6 in B minor (Pathétique), op. 74: III. Allegro molto vivace
Symphony no. 6 in B minor (Pathétique), op. 74: IV. Finale: Adagio lamentoso
Symphony no. 6 in D major, op. 60: I. Allegro non tanto
Symphony no. 6 in D major, op. 60: II. Adagio
Symphony no. 6 in D major, op. 60: III. Scherzo (Furiant). Presto
Symphony no. 6 in D major, op. 60: IV. Finale. Allegro con spirito
Symphony no. 6 in E minor: I. Allegro
Symphony no. 6 in E minor: II. Moderato
Symphony no. 6 in E minor: III. Scherzo: Allegro vivace
Symphony no. 6 in E minor: IV. Epilogue: Moderato
Symphony No. 6. Allegro (excerpt)
Symphony no. 7, op. 70 in D minor: Allegro maestoso
Symphony no. 7, op. 70 in D minor: Finale. Allegro
Symphony no. 7, op. 70 in D minor: Poco adagio
Symphony no. 7, op. 70 in D minor: Scherzo. Vivace – Poco meno mosso
Symphony no. 8 in D minor: I. Fantasia (Variazioni Senza Tema)
Symphony no. 8 in D minor: II. Scherzo alla marcia (for wind instruments)
Symphony no. 8 in D minor: III. Cavatina (for strings)
Symphony no. 8 in D minor: IV. Toccata
Symphony no. 8, op. 88 in G: Adagio
Symphony no. 8, op. 88 in G: Allegro con brio
Symphony no. 8, op. 88 in G: Allegro ma non troppo
Symphony no. 9 in E minor I. Moderato maestoso
Symphony no. 9 in E minor II. Andante sostenuto
Symphony no. 9 in E minor III. Scherzo. Allegro pesante
Symphony no. 9 in E minor IV. Andante tranquillo - Poco animato
Symphony No. 9 in E minor: I. Moderato maestoso
Symphony no. 9 in E minor: I. Moderato maestoso - Tranquillo
Symphony No. 9 in E minor: II. Andante sostenuto
Symphony no. 9 in E minor: II. Andante sostenuto - Poco animando - Tempo I - Moderato tranquillo - Tempo I - Poco animato ma pesante - Moderato sostenuto - Tempo I
Symphony No. 9 in E minor: III. Scherzo. Allegro pesante
Symphony no. 9 in E minor: III. Scherzo. Allegro pesante - [ ] - Tempo del principio
Symphony No. 9 in E minor: IV. Andante tranquillo
Symphony no. 9 in E minor: IV. Andante tranquillo - Poco animato - Tempo I - Andante sostenuto - Tempo I - Poco animato - Poco animato - Andante sostenuto - Poco meno mosso - Poco animando - Ancora poco animando - Poco animato ma pesante - Largamente
Symphony no. 9, op. 95 in E minor “From the New World”: Adagio – Allegro molto
Symphony no. 9, op. 95 in E minor “From the New World”: Allegro con fuoco
Symphony no. 9, op. 95 in E minor “From the New World”: Largo
Symphony no. 9, op. 95 in E minor “From the New World”: Scherzo. Molto vivace
Symphony of Psalms: I. Psalm 38: 13-14 Exaudi orationem meam, Domine
Symphony of Psalms: II. Psalm 39: 2-4 Exspectans exspectavi Dominum
Symphony of Psalms: III. Psalm 150 Alleluia, laudate Dominum
Symphony: New England Holidays: I. Washington's Birthday. Very slowly - Faster and livelier - Slowly again - Slightly faster than first Tempo I - Allegro (In Quadrille and Lancer time) - Molto animando - Andante (cantabile) - Slower - Very slowly, A
Symphony: New England Holidays: II. Decoration Day (Edited by James B. Sinclair). Very slowly - Poco più moto - Un poco più moto - Poco animando - Più animando - Più animando - Slower - A little faster - Più mosso - Poco meno mosso - Meno mosso - Slowly (Maestoso) - Very slowly - Allegro (Quick-st, A
Symphony: New England Holidays: III. The Fourth of July. To Julian Myrick. Adagio molto - Andante - Allegretto - Più allegretto - Più mosso - Più moto - Più moto, Quick-step time - Con furore - Meno mosso - A tempo - Quick-step, Allegro con spirito - Allegro con fuoco - Meno mosso, A
Symphony: New England Holidays: IV. Thanksgiving and Forefathers's Day. To E.C.T. Adagio maestoso - Poco Adagio - Poco con spirito - Più moto - A little faster - Poco animando - Andante maestoso - A little hurried - Slow down - Meno mosso - Poco agitando - Slower - Adagio cantabile, con moto - Slig, A
Tapiola / En Saga / Finlandia / The Oceanides / The Swan of Tuonela
Tapiola, op. 112
Taras Bulba - I. The Death of Andrei / Moderato, quasi recitativo (Toronto Symphony Orchestra feat. cond. Andrew Davis)
Taras Bulba - II. The Death of Ostap / Moderato (Toronto Symphony Orchestra feat. cond. Andrew Davis)
Taras Bulba - III. The Prophecy and Death of Taras Bulba / Con moto (Toronto Symphony Orchestra feat. cond. Andrew Davis)
Tasmin Little Plays Haydn Wood, Samuel Coleridge-Taylor, Frederick Delius
Thais: Méditation
Thanksgiving Song
That God Is Great (Bass Solo)
Tintagel
Toccata and Fugue in D minor
Toward the Sea II: Cape Cod
Toward the Sea II: Moby Dick
Toward the Sea II: The Night
Tribute to Foster
Trumpet Concerto in G minor: I. Grave (feat. trumpet: John Cowell)
Trumpet Concerto in G minor: II. Allegro (feat. trumpet: John Cowell)
Trumpet Concerto in G minor: III. Largo (feat. trumpet: John Cowell)
Trumpet Concerto in G minor: IV. Finale (feat. trumpet: John Cowell)
Trumpet Voluntary
Trumpet Voluntary (feat. trumpet: Larry Weeks)
Unanswered Question, The
Uranus, the Magician
Valse lyrique, op. 96a
Valse triste, op. 44 no. 1
Variaciones Enigma, Op. 36: IX. Nimrod
Variations on a Theme by Frank Bridge, op. 10: Adagio
Variations on a Theme by Frank Bridge, op. 10: Aria Italiana
Variations on a Theme by Frank Bridge, op. 10: Bourrée Classique
Variations on a Theme by Frank Bridge, op. 10: Chant
Variations on a Theme by Frank Bridge, op. 10: Fugue and Finale
Variations on a Theme by Frank Bridge, op. 10: Funeral March
Variations on a Theme by Frank Bridge, op. 10: Introduction and Theme
Variations on a Theme by Frank Bridge, op. 10: March
Variations on a Theme by Frank Bridge, op. 10: Moto Perpetuo
Variations on a Theme by Frank Bridge, op. 10: Romance
Variations on a Theme by Frank Bridge, op. 10: Wiener Walzer
Variations on an Original Theme "Enigma", op. 36: Theme (Enigma). Andante
Variations on an Original Theme "Enigma", op. 36: Var. I. (C.A.E.) L'istesso tempo
Variations on an Original Theme "Enigma", op. 36: Var. II. (H.D.S-P.) Allegro
Variations on an Original Theme "Enigma", op. 36: Var. III. (R.B.T.) Allegretto
Variations on an Original Theme "Enigma", op. 36: Var. IV. (W.M.B.) Allegro di molto
Variations on an Original Theme "Enigma", op. 36: Var. IX. (Nimrod) Adagio
Variations on an Original Theme "Enigma", op. 36: Var. V. (R.P.A.) Moderato
Variations on an Original Theme "Enigma", op. 36: Var. VI. (Ysobel) Andantino
Variations on an Original Theme "Enigma", op. 36: Var. VII. (Troyte) Presto
Variations on an Original Theme "Enigma", op. 36: Var. VIII. (W.N.) Allegretto
Variations on an Original Theme "Enigma", op. 36: Var. X. (Dorabella) Intermezzo. Allegretto
Variations on an Original Theme "Enigma", op. 36: Var. XI. (G.R.S.) Allegro di molto
Variations on an Original Theme "Enigma", op. 36: Var. XII. (B.G.N.) Andante
Variations on an Original Theme "Enigma", op. 36: Var. XIII. (***) Romanza. Moderato
Variations on an Original Theme "Enigma", op. 36: Var. XIV. (E.D.U.) Finale. Allegro - Presto
Variations on an Original Theme ("Enigma"), op. 36: Enigma: Andante
Variations on an Original Theme ("Enigma"), op. 36: I. (C. A. E.): L'istesso tempo
Variations on an Original Theme ("Enigma"), op. 36: II. (H. D. S.-P.): Allegro
Variations on an Original Theme ("Enigma"), op. 36: III. (R. B. T.):Allegretto
Variations on an Original Theme ("Enigma"), op. 36: IV. (W. M. B.): Allegro di molto
Variations on an Original Theme ("Enigma"), op. 36: IX. (Nimrod): Adagio
Variations on an Original Theme ("Enigma"), op. 36: V. (R. P. A.): Moderato
Variations on an Original Theme ("Enigma"), op. 36: VI. (Ysobel): Andantino
Variations on an Original Theme ("Enigma"), op. 36: VII. (Troyte): Presto
Variations on an Original Theme ("Enigma"), op. 36: VIII. (W. N.): Allegretto
Variations on an Original Theme ("Enigma"), op. 36: XI. (G. R. S.):Allegro di molto
Variations on an Original Theme ("Enigma"), op. 36: XII. (B. G. N.): Andante
Variations on an Original Theme ("Enigma"), op. 36: XIII. Romanza (***): Moderato
Variations on an Original Theme ("Enigma"), op. 36: XIV. Finale (E. D. U.):Allegro - Presto
Variations on an Original Theme ("Enigma"), op.36: X. Intermezzo (Dorabella.): Allegretto
Venus, the Bringer of Peace
Very Best of the Love Album, The
Vesta's Fire (opera fragment), Hess 115: Scene 1: "Blick, Oh Herr, durch diese Bäume"
Violin Concerto / Interlude from The Crown of India / Polonia
Violin Concerto / Karelia Suite / Finlandia / Valse triste / Andante festivo / Valse lyrique / The Swan of Tuonela
Violin Concerto in D major
Violin Concerto in D major, op. 61: I. Allegro ma non troppo
Violin Concerto in D major, op. 61: II. Larghetto
Violin Concerto in D major, op. 61: III. Rondo. Allegro
Violin Concerto in D minor, op. 15: I. Moderato con moto
Violin Concerto in D minor, op. 15: II. Vivace
Violin Concerto in D minor, op. 15: III. Passacaglia: Andante lento
Violin Concerto no. 1, op. 77 in A minor - a-Moll la mineur, I Nocturne -Moderato
Violin Concerto no. 1, op. 77 in A minor - a-Moll la mineur, II Scherzo - Allegro
Violin Concerto no. 1, op. 77 in A minor - a-Moll la mineur, III Passacaglia - Andante - Cadenza
Violin Concerto no. 1, op. 77 in A minor - a-Moll la mineur, IV Burlesque -Allegro con brio
Violin Concerto no. 2, op. 129 in C-sharp minor - cis-Moll ut diese mineur, I Moderato
Violin Concerto no. 2, op. 129 in C-sharp minor - cis-Moll ut diese mineur, II Adagio
Violin Concerto no. 2, op. 129 in C-sharp minor - cis-Moll ut diese mineur, III Adagio - Allegro
Violin Concerto no. 4 in D major, K. 218: I. Allegro
Violin Concerto no. 4 in D major, K. 218: II. Andante cantabile
Violin Concerto no. 4 in D major, K. 218: III. Rondeau. Allegro grazioso - allegro ma non troppo
Violin Concerto: [Cadenza] –
Violin Concerto: Allegretto – Più moderato – Rather quicker –
Violin Concerto: Broadly
Violin Concerto: I. Andante - Allegretto
Violin Concerto: II. Allegro - Adagio - (Coda)
Violin Concerto: Slower -
Violin Concerto: Tempo I – Very broad – With vigour – Rather quicker – Rather slower – With vigour –
Violin Concerto: With moderate tempo – Rather quicker – Rather slower – Broad – Slower and very quietly – Vigorously – Maestoso –
Violin Concertos 1 & 2
Voice of Christmas, The
Walk to the Paradise Garden (from A Village Romeo and Juliet), The
Wasps - Overture, The
Wasps, Overture, The
Where riches is everlastingly
Winter Idyll, H. 31: Moderato maestoso — Più mosso — Allegro vivace — Andante maestoso — Tempo I — Con larghezza e ritenuto poco a poco al fine — Andante — Largo, A
With Cheerful Notes Let All the Earth
Works for Large Chorus and Orchestra
Wraith of Odin, The
Ye Boundless Realms of Joy
Young Person's Guide to the Orchestra / Variations on a Theme by Frank Bridge / Four Sea Interludes & Passacaglia from Peter Grimes, The
Young Person's Guide to the Orchestra, op. 34, The
Young Person's Guide to the Orchestra, op. 34: Variations and Fugue on a Theme by Purcell, The
Young Person's Guide to the Orchestra. Variations & Fuge on a Theme of Purcell. Fugue (excerpt), The
Young Person’s Guide to the Orchestra, The
Your Rockaby
Your Voices Raise, Ye Cherubim
Zadok the Priest (Coronation Anthem)
Zadok the priest (extr.)
Zadok the Priest: Coronation Anthem
Notes: 
Sources: 
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IPDA
NTA
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