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Person
ISNI: 
0000 0001 1063 921X
Name: 
Griselda Pollock (British art historian)
Griselda Pollock (Brits kunsthistorica)
Griselda Pollock (südafrikanisch-britische Kunsthistorikerin und Publizistin)
Pollock, G.
Pollock, G. F. S.
Pollock, Griselda
ポロック, グリゼルダ
蒲樂克
Dates: 
1949-
Creation class: 
article
Computer file
cre
Language material
Text
txt
Creation role: 
author
collaborator
contributor
editor
redactor
Related names: 
Bryant, Antony (1953-...)
Bryant, Antony (1953-)
Courtauld Institute of Art
Hesse, Eva (1936-1970)
Kolešnik, Ljiljana
Lichtenberg-Ettinger, Bracha (1948-....))
Mainz, Valerie (1951-)
Orton, Fred
Parker, Rozsika
Parker, Rozsika (1945- ))
Silverman, Maxim
Turvey Sauron, Victoria
Uhde, Wilhelm (1874-1947)
University of Leeds Affiliation (see also from)
University of London
Van Gogh, Vincent (1853-1890)
Vancouver Art Gallery
Wydawnictwo Axis Mundi
Zemans, Joyce
Zemans, Joyce (1940-...)
萩原, 弘子 (1951-)
Titles: 
Aesthetic Wit(h)nessing in the Era of Trauma
After-affects, after-images trauma and aesthetic transformation in the virtual feminist museum
Alice Anderson Alice Anderson's childhood rituals [exhibition], Freud museum, London, [14 April-5 June 2011]
Allo-thanatography or allo-auto-biography a few thoughts on one painting in Charlotte Salomon's Leben? oder Theater?, 1941 - 42
Art as compassion : Bracha L. Ettinger
Art in the age of Van Gogh : Dutch paintings from the Rijksmuseum, Amsterdam, October 24, 1998-February 14, 1999
AVANT-GARDE AND PARTISANS REVIEWED
Avant-garde gambits 1888-1893 : gender and the colour of art history
Avant-gardes and partisans reviewed
balada de Kastriot Rexhepi, La
Bluebeard's legacy death and secrets from Bartók to Hitchcock
Bracha Lichtenberg Ettinger artworking, 1985-1999 : [exposition, Palais des Beaux-Arts, Brussels, from February 25th till May 21th, 2000]
Concentrationary cinema : aesthetics as political resistance in Alain Resnais's Night and fog (1955)
Concentrationary memories totalitarian terror and cultural resistance
Conceptual odysseys passages to cultural analysis
Correct distance
Dangerous places: Ponar - an installation by Pam Skelton
Dealing with Degas : representations of women and the politics of vision
Differencing the canon, 1999;
Digital and other virtualities : renegotiating the image
Dziedzictwo Sinobrodego : śmierć i tajemnice od Bartóka do Hitchcocka
Encountering Eva Hesse
Encounters in the virtual feminist museum : time, space and the archive
Feministička likovna kritika i teorija likovnih umjetnosti : izabrani tekstovi
form :
Framing feminism : art and the women's movement, 1970-85
Generations & geographies in the visual arts : feminist readings
grace of time: narrativity, sexuality and a visual encounter in the virtual feminist museum, The
History versus mythology : reading Van Gogh for dutchness
Looking back to the future essays on art, life and death
Mary Cassatt: painter of modern women
Mary Kelly and Griselda Pollock in conversation at the Vancouver Art Gallery, June 1989
matrixial borderspace, The
Millet
Museums after modernism strategies of engagement
Old bones and cocktail dresses: Louise Bourgeois and the question of age
Old mistresses : women, art and ideology
Onna āto ideorogī
Paintings.
Psychoanalysis and the image : transdisciplinary perspectives
Regard et espace-de-bord matrixiels : essais psychanalytiques sur le féminin et le travail de l'art
sacred and the feminine, The : imagination and sexual difference
Sculpture 1960s-80s : works from the Hannah Wilke Collection & Archive, Los Angeles
Shisen to sai : Feminizumu de yomu bijutsushi
Stilled life: traumatic knowing, political violence, and the dying of Anna Frank
Studio, rituels d'enfance d'Alice Anderson
Sutapa Biswas [exhibition, Cafe Gallery Projects, Southwark Park, London, 26 May-20 June 2004 ; Angel Row Gallery, Nottingham, 18 September-6 November 2004 ; Harewood House, Leeds, 2 October-14 November 2004 ; Leeds City Art Gallery, 2 October-14 November 2004 ; Douglas F. Cooley Memorial Art Gallery, Reed College, Portland, Oregon, September - November 2005]
Theory, ideology, politics: Art history and its myths
Thinking sociologically: thinking aesthetically. Between convergence and difference with some historical reflections on sociology and art history.
Umjetničko djelo kao društvena činjenica : kritičke perspektive povijesti umjetnosti
Van Gogh
Vincent van Gogh and Dutch art : a study of van Gogh's notion of modern art with special reference to the critical and artistic revival of seventeenth century Dutch art in Holland & France in the nineteenth century
Vincent van Gogh and the Hague school
Vincent van Gogh : artist of his time
Vincent van Gogh in zijn Hollandse jaren : kijk op stad en land door Van Gogh en zijn tijdgenoten, 1870/1890
Vision and difference, 1988, c1987:
Vision and difference: femininity, feminism, and the histories of art
Vision and difference: feminism, femininity and the histories of art
Visual politics of psychoanalysis : art and the image in post-traumatic cultures
Vizualni studiji : umjetnost i mediji u doba slikovnog obrata
Work and the image. visual representations in changing histories
Work in modern times
女・アート・イデオロギー : フェミニストが読みなおす芸術表現の歴史
視線と差異 : フェミニズムで読む美術史
Contributed to or performed: 
THIRD TEXT -LONDON-
Notes: 
Typescript (photocopy). [London : University of London, Courtauld Institute of Art, 1987?] 30 cm
Thesis (M.A.)--Courtauld Institute of Art, 1972
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