sort by
approximate search
1shortlisttitle datasearch history  
results search [or] ISN:0000000110718102 | 1 hits
Person
ISNI: 
0000 0001 1071 8102
Name: 
Blow (John)
Blow, John (Dr)
Ioannes Blow
John Blow
John Blow (angol barokk zeneszerző és orgonista)
John Blow (Brits componist (1649-1708))
John Blow (compositeur britannique)
John Blow (engelsk komponist og organist)
John Blow (englischer Komponist)
John Blow (English composer)
John Blow (organista e compositore inglese)
Τζον Μπλόου
Джон Блоу (английский барочный композитор и органист)
ג'ון בלואו
존 블로
ジョン・ブロウ
Dates: 
1648 vai 9-1708
Creation class: 
cre
Language material
Musical sound recording
Notated music
Creation role: 
author
composer
lyricist
performer
Related names: 
Croft, William (1678-1727)
Deller, Alfred (1912-1979)
Händel, Georg Friedrich (1685-1759)
Harmonia mundi France
Lewis, Anthony (1915-1983)
Locke, Matthew (1621-1677)
Naxos Digital Services
Pickett, Philip (1950-)
Purcell, Henry (1659-1695)
Shaw, H. Watkins (1911-1996)
Shaw, Harold Watkins (1911-1996)
Stour music festival chamber orchestra
Supraphon (1969- )
Wood, Bruce
Titles: 
Ah, heav'n! What is't I hear?
Ah ! Heav'n what isn't I hear
Ah, Heaven, what is't I hear
Aires, harpsichord, MB 23, D minor
Aires, harpsichord, MB 41, D minor
Aires, harpsichord, MB 64, G minor
Aires, harpsichord, MB 80, A minor
Alman (from Suite no. 1 in D minor)
Almands, harpsichord, MB 1, C major
Almands, harpsichord, MB 22, D minor
Almands, harpsichord, MB 29, D minor
Almands, harpsichord, MB 62, G minor
Amphion Anglicus. Ah heav'n! What is't I hear?
Amphion Anglicus. And is my Cavalier return'd?
Amphion Anglicus: Cloe found Amintas lying all in Tears
Amphion Anglicus: Epilogue "Sing, sing, Ye Muses"
Amphion Anglicus. Happy the man who, languishing
Amphion Anglicus: Loving above Himself (Poor Celadon)
Amphion Anglicus. O Venus, daughter of the mighty Jove
Amphion Anglicus: Poor Celadon, he sighs in vain (Loving above himself)
Amphion Anglicus. Selections
Amphion Anglicus. Septimius and Acme
Amphion Anglicus: Shepherds, Deck your Crooks
Amphion Anglicus: Why weeps Asteria?
Anthems. Selections (Musica Britannica)
Arise, O Lord Voix (4), choeur à 4 voix, cordes, bc
As on his deathbed gasping Strephon lay
Awake, awake my lyre
Awake, awake, utter a song
beheld, and lo, a great multitude Voix (4), choeur à 4 voix, ensemble à cordes, basse continue, I
beheld, and lo, in the midst of the throne Voix (4), choeur à 4 voix, esnemble à cordes, basse continue, I
Behold, O God, our defender (1685)
Behold, O God, our defender (1689)
Birth of Jove
Blessed be the Lord my strength Ré majeur
Blessed is the man that feareth the Lord Voix (5), choeur à 4 voix, ensemble instrumental, basse continue
Blessed is the man that hath not walked (um 1680)
Blessed Is the Man That Hath Not Walked (Verse Anthem, 1680-3)
Bring shepherds, bring the kids
Chaconne in F
Chaconnes Clavecin S 56 Fa majeur
Chaconnes Cordes, basse continue Sol majeur
Chaconnes, harpsichord, MB 46, F major
Chaconnes, harpsichord, MB 71, G minor
Chaconnes, violins (2), viola, continuo, G major
Chloe found Amyntas
Cloe found Amintas lying
Cloe Found Amyntas Lying
Corants, harpsichord, MB 2, C major
Corants, harpsichord, MB 30, D minor
Corants, harpsichord, MB 51, G major
Corants, harpsichord, MB 77, A minor
Cry Aloud and Spare Not (Verse Anthem, 1683)
Cry aloud, and spare not Voix (3), choeur à 4 voix, cordes, bc
Extraits
Fair Lover and His Black Mistress, The
Fairest work of happy nature
Fuga, de la Suite en Do
Fugue pour clavecin en sol mineur
Gavottes, harpsichord, MB 34, D minor
Gavottes, harpsichord, MB 4, C major
Gavottes, harpsichord, MB 49, G major
Gigues, harpsichord, MB 25, D minor
Gloria patri, qui creavit nos
glorious day is come: 1. Symphony, The
glorious day is come: 10. This that blest king and god-like prophet knew, The
glorious day is come: 11. And thus by Music's pow'r, The
glorious day is come: 2. The glorious day is come, that will for ever be, The
glorious day is come: 3. The spheres, those instruments divine, The
glorious day is come: 4. Couch'd by the pleasant Heliconian spring, The
glorious day is come: 5. And the first trumpet's part, The
glorious day is come: 6. The battle done, the loud alarms do cease, The
glorious day is come: 7. Excesses of pleasure now crowd on apace, The
glorious day is come: 8. Ah Heav'n! What is't I hear?, The
glorious day is come: 9. Music! celestial Music! what can be, The
Go, perjur'd man
God spake sometime in visions
God Spake Sometimes in Visions: Coronation Anthem for James II (1695)
Ground in G Minor
Ground pour 2 flûtes à bec alto et basse continue en do mineur
Ground pour flûte à bec alto et clavecin en ré mineur
Grounds Clavecin S 64 Sol majeur
Grounds, harpsichord, MB 16, C major
Grounds, harpsichord, MB 26, D minor
Grounds, harpsichord, MB 42, E minor
Grounds, harpsichord, MB 59, G major
Grounds, harpsichord, MB 61, G major
Grounds, violins (2), continuo, G minor
Harmonia Sacra: And Art Thou Griev'd
Harpsichord music. Selections
Hear my voice, O God Voix (4), choeur à 4 voix, ensemble à cordes, basse continue
Help, father Abram
How doth the city sit solitary
Hunting almand
If I my Celia could persuade
If I my Cella could persuade
It grieves me when I see what fate
Jesus, seeing the multitudes
kings of Tharsis Voix (3), choeur à 4 voix, cordes, bc
Lessons in a: Almand - Corant - Saraband - Jigg
Lessons in d: Ground - Round - Minuet
Lessons in g: Praeludium - Almand - Saraband - Ayre
Let my prayer come up
Let the righteous be glad
Let thy hand be strengthened
Lift up your heads, O ye gates Voix (6), choeur à 4 voix, ensemble à cordes, basse continue
little thought ("A Song on Ingratitude"), I
Lord, even the most mighty God
Lord Even the Most Mighty, The
Lord God is a sun and a shield Voix (3), choeur à 4 voix, ensemble à cordes, basse continue
Lord is king, and hath put on glorious apparel Voix (3), choeur à 4 voix, cordes, bc Sol mineur
Lord is King, and hath put on glorious Voix (3), choeur à 4 voix, ensemble à cordes, basse continue
Lord is my shepherd. Sinfonia
Lovely Selina
Lysander I pursue in vain
Mark how the lark and linnet sing
Marriage Ode
Minuets, harpsichord, MB 28, D minor
Minuets, harpsichord, MB 31, D minor
Morlake ground
Mortlack's Ground
Motets
My God, my god, look upon me
My trembling song, awake
No, Lesbia, no
No more the dear
O give thanks unto the Lord, and call upon his name Voix (5), choeur à 4 voix, cordes, bc
O give thanks unto the Lord, for he is graci Voix (10), choeur à 4 voix, ensemble à cordes, basse continue
O how amiable are thy dwellings
O Lord God of my salvation
O Lord, I have sinned
O Lord, thou hast searched me out
O mighty God
O Nigrocella
O sing unto the Lord a new song. 3
O sing unto the Lord a new song : for he hath done marvellous things Voix (4), choeur à 4 voix, cordes, bc
O sing unto the Lord a new song ; let the congregation
O Sing Unto the Lord a New Song (Verse Anthem)
O that mine eyes would melt into a flood
O turn not those fine eyes away
Ode for Saint Cecilia's Day
Ode on the Death of Mr. Henry Purcell: But in the Close of the Night
Ode on the Death of Mr. Henry Purcell: "Mark how the Lark and Linnet Sing"
Ode on the Death of Mr. Henry Purcell: "So ceas'd the rival Crew when Purcell came"
Ode on the Death of Mr. Henry Purcell: The Heav'Nly Choir
Ode on the Death of Mr. Henry Purcell: "The Heav'nly Quire, who hear his Notes from High"
Ode on the Death of Mr. Henry Purcell: The Pow'r of Harmony Too Well They Knew
Ode on the Death of Mr. Henry Purcell: "We beg not Hell, our Orpheus to restore"
Ode on the Death of Mr. Henry Purcell: Ye Brethren of the Lyre
Of all the torments
Organ music. Selections
Overture, harpsichord, MB 69, G minor
Paratum cor meum
Peaceful is he, and most secure
Poor Celadon, he sighs
Praeludium in G
Préludes Clavecin S 69 Sol majeur
Preludes, harpsichord, MB 15, C major
Preludes, harpsichord, MB 57, G major
Preludes, harpsichord, MB 58, G major
Preludes, harpsichord, MB S1, C major
Purcell Ode / Songs from Amphion Anglicus (harpsichord & conductor: Gustav Leonhardt)
Queen's epicedium
Rondo, harpsichord, MB 27, D minor
Sabina has a thousand charms
Salvator mundi
Sappho to the Goddess of Beauty
Sarabands, harpsichord, MB 3, C major
Sarabands, harpsichord, MB 52, G major
Sarabands, harpsichord, MB 63, G minor
Self-Banished, The
Services, G major. Evening service
Shepherds deck your crooks
Sing, sing ye muses
Sing we merrily unto God our strength Voix (6), choeur à 6 voix, ensemble à cordes, basse continue
Sonata in A major: I. Slow
Sonata in A major: II. (untitled)
Sonata in A major: III. Brisk
Sonatas, violins (2), viola da gamba, continuo, A major
Sonatas, violins (2), viola da gamba, continuo, G major
Sonate pour 2 flûtes de voix, viole et basse continue en la majeur
Sonaten Vl 1 2 Bc A-Dur
Songs. Selections
Sound, sound the trumpet sullen years are past
Stay, stay gentle echo
Suite pour clavecin en sol majeur: I. Prelude
Suite pour clavecin en sol majeur: II. Almand
Suite pour clavecin en sol majeur: III. Gavot
Suite pour clavecin en sol majeur: IV. Morlake's Ground
Suites Clavecin No 2 S 5-7 Ré mineur
Suites Clavecin No 3 S 8-11 La mineur
Suites Clavecin No 6 S 19-21 Sol mineur
sullen years are past
Tell me no more
Theatre tune, MB 40
Trio sonatas, violins (2), continuo, A major
Trio sonatas, violins (2), continuo, G major
Tune, harpsichord, MB 24, D minor
Turn thee unto me
Venus & Adonis, Act I: "Adonis Will Not Hunt Today"
Venus & Adonis, Act I: "Hark, Hark the Rural Music Sounds"
Venus & Adonis, Act I: "Venus! Adonis!"
Venus & Adonis, Act II: "Choose the Formal Fool"
Venus & Adonis, Act II: Gavatt
Venus & Adonis, Act II: "Mortals Below; Cupids Above"
Venus & Adonis, Act II: Sarabrand for the Graces
Venus & Adonis, Act II: The Act Tune [end]
Venus & Adonis: Act II. The Cupid's Lesson: You place such delightful care (Venus, Cupid) (Orchestra of the Age of Enlightenment, feat. director René Jacobs, soprano: Rosemary Joshua, countertenor: Robin Blaze)
Venus & Adonis, Act II: "The Insolent, the Arrogant"
Venus & Adonis, Act III: "Mourn for Thy Servant"
Venus & Adonis, Act III: "With Solemn Pomp Let Mourning Cupids Bear"
Venus & Adonis, Masque pour le divertissement du Roi : Act III Adonis, uncall'd for sighs
Venus & Adonis, Masque pour le divertissement du Roi : Ouverture
Venus & Adonis, Prologue: "Behold My Arrows and My Bow"
Venus and Adonis: Act I. Act Tune (Tune for the flutes)
Venus and Adonis: Act I. "Come follow the noblest game" / "Lachne has fast'ned first"
Venus and Adonis: Act I. Entry: A Dance by a Huntsman
Venus and Adonis: Act I. The Act Tune
Venus and Adonis: Act I. "Venus!" / "Hark, hark"
Venus and Adonis: Act II. A Dance of Cupids
Venus and Adonis: Act II. Act Tune
Venus and Adonis: Act II. "Call the Graces" / "Mortals below"
Venus and Adonis: Act II. The Graces' Dance / Gavott / Saraband for the Graces / A Ground
Venus and Adonis: Act II. "You place with such delightful care" / "The Insolent"
Venus and Adonis: Act III. "Adonis, uncall'd for sighs"
Venus and Adonis: Act III. "With solemn pomp"
Venus and Adonis: Overture
Venus and Adonis: Prologue. "Behold my arrows" / "Come shepherds all" / "Courtiers there is no faith in you"
Venus and Adonis: Prologue. Cupid's Entry
Venus and Adonis: Prologue. "In these sweet groves"
Verse in G minor (S8)
Verses Orgue No 14 La majeur
Verses Orgue No 16 Do majeur
Verses Orgue No 27 Ré mineur
Verses Orgue No 3 Sol majeur
Verses Orgue No 4 Sol majeur
Verses Orgue No 6 Ré mineur
Verses Orgue No 8 Sol mineur
Verses Orgue No 9 Ré mineur
Vocal music. Selections
Voluntaries, organ, MB 20, A major
Voluntaries, organ, MB 23, A minor
Voluntaries, organ, MB 28, G major
Voluntaries, organ, MB 29, G major
Voluntaries, organ, MB 3, C major
Voluntaries, organ, MB 30, A minor
Voluntaries, organ, MB 6, D minor
Voluntaries, organ. Selections
Voluntaries Orgue No 18 Ré mineur
Voluntary in C major
Was Glad (Verse Anthem, 1697), I
was glad when they said unto me, I
Welcome, welcome, every guest
What is't to us
When Israel came out of Egypt Voix (4), choeur à 4 voix, cordes, bc
When the Lord turned again Voix (4), choeur à 4 voix, cordes, bc
Whilst he abroad does like the sun display
Whilst on Septimnius’s panting breast (Septimnius and Acme, Ode from Catullus)
Why, Flavia
Why weeps Asteria ?
will cry unto thee, I
will hearken Voix (3), choeur à 4 voix, cordes, bc, I
Works. Selections
Contributed to or performed: 
100 Great Recordings - Renaissance, Baroque and Classical Masterpieces
2000 ans de Musique
2000 Jahre Musik (disc 4: Die Barock Revolution)
Awake My Lyre
Celtic Celebration, A
Century: La musique des siècles, Volume 12: L'Angleterre baroque
Chaconne
Choice Collection of Lessons and Ayres 1663-1756, A
Choir of King’s College, The
Choix de Deller, Le
Complete Vanguard Recordings, Volume 2: Music of Henry Purcell, The
Coronation Music for King James II
Countertenor Duets
Croft The Burial Service
Deller's Choice: A Concert of Music both Rare and Rewarding
Duos de Contre-Ténors
Excess of Pleasure (Palladian Ensemble), An
Excess of Pleasure, An
Joyas de la Música, Volume 13
London Collection: A Choice Collection / Held by the Ears, The
Lonely Shepherd: Cantatas by J. C. Pepusch (Bergen Barokk), The
Mad Lover, The
Music for Brass Septet, Volume 2
Music of the “Chapels Royal”
Musical Life of Samuel Pepys, The
Ode on the Death of Mr Henry Purcell (La Canzona feat. altos: Gérard Lesne & Steve Dugardin), An
Ode on the Death of Mr Henry Purcell, An
Ode on the Death of Mr. Henry Purcell
Odes to Saint Cecilia
Purcell Circle – The Mantle of Orpheus, The
Purcell Circle – the Mistress, The
Venus & Adonis
Notes: 
Sources: 
VIAF B2Q BAV DNB LAC LC LNB N6I NKC NLI NUKAT PTBNP SUDOC WKD
CDR
NTA
TEL