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Person
ISNI: 
0000 0001 1450 6238
Name: 
Mark Padmore
Mark Padmore (artiste lyrique, membre du Hilliard Ensemble à partir de 1987)
Mark Padmore (British opera singer)
Mark Padmore (Brits operazanger)
Padmore, Marc
Padmore, Mark
Dates: 
1961-
Creation class: 
cre
Language material
Musical sound recording
Projected medium
Creation role: 
contributor
performer
singer
vocalist
Related names: 
Agnew, Paul (co-performer)
Bach, Johann Sebastian (1685-1750)
Berridge, Simon (co-performer)
Bickley, Sue (co-performer)
Birchall, Jeremy (co-performer)
Blaze, Robin (co-performer)
Bonner, Tessa (co-performer)
Brough, Harvey (co-performer)
Cave, Philip (co-performer)
Charlesworth, Stephen (co-performer)
Christie, William (1944-...)
Collegium Musicum 90
Cordier, David (co-performer)
Daniels, Charles (co-performer)
Davies, Simon (co-performer)
Duncan, Ruth (co-performer)
Dunkley, Sally (co-performer)
Gant, Andrew (co-performer)
George, Michael (1950-)
Gough, Alison (co-performer)
Gould, David (co-performer)
Greig, Donald (co-performer)
Gritton, Susan (1965-)
Händel, Georg Friedrich (1685-1759))
Harmonia mundi France
Harre-Jones, Robert (co-performer)
Harrold, Steven (co-performer)
Harvey, Peter (co-performer)
Herreweghe, Philippe
Hickox, Richard (1948-2008)
Hill, Adrian (co-performer)
Holton, Ruth (co-performer)
Jackson, Frances (co-performer)
Johnston, Robert (co-performer)
Lees, Michael (co-performer)
Les Arts florissants
Macdonald, Robert (co-performer)
Morgan, Ghislaine (co-performer)
Müller, Rufus (co-performer)
Nixon, Leigh (co-performer)
Peacock, Adrian (co-performer)
Piau, Sandrine (1965-...)
Pierard, Catherine (co-performer)
Platt, Rachel (co-performer)
Podger, Julian (co-performer)
Ponsford, Simon (co-performer)
Potter, John
Potter, John (co-performer)
Purcell, Henry (1659-1695)
Red Byrd (isMemberOf)
Roberts, Deborah (co-performer)
Robertson, Nicolas (co-performer)
Seers, Mary (co-performer)
Short, Nigel (co-performer)
Stamp, Alison (co-performer)
Steele, Francis (co-performer)
Taylor, Daniel (1969-)
The Hilliard ensemble (see also from)
The Tallis Scholars (isMemberOf)
Trevor, Caroline (co-performer)
Walker, Julian (co-performer)
Watkin, Toby (co-performer)
White, Jeremy (co-performer)
Wistreich, Richard (co-performer)
Woerner, Dominik
Titles: 
Airs d'opéras
Alfred.
amour de moy
[Arrangements. I wonder as I wander]
[Arrangements. Purcell, Henry. Let the night perish. Z 191]
As steals the morn... arias & scenes for tenor
At the mid hour of night
Before life and after
Briséïs
Britten 'Before life & after'
Cantatas
Cantates de Noël : BWV 122, 110 & 57
Cantates profanes BWV 207 & 214 ; Carolyn Sampson, S ; Ingeborg Danz, A ; Mark Padmore, T ; Peter Kooy, B ; Collegium vocale gent, ens. voc. et instr. ; Philippe Herreweghe, dir., 2005
Castor et Pollux
Cinquième acte
clemenza di Tito
complete anthems and services, The
Complete odes and welcome songs
Creation
Dioclesian
Don Giovanni highlights
Dont vient cela
Esther
evening hymn (4 min 25 s)
Fa la sol
fairy Queen
Garīgā mūzika.
Geistliche Chormusik
Giustino
Grainger edition
Hail, bright Cecilia
Hippolyte et Aricie
holy sonnets of John Donne, op. 35 (24 min 46 s)
Jephté
Job's curse (5 min 20 s)
Johannes-Passion
King Arthur
Lute songs
Masses
Matthäuspassion
Médée
Mesas
Messiah
miller of Dee
mon triste deplaisir, De
Motets pour Saint-Sulpice
Musiche sacre
Odes à sainte Cécile
Osterkantaten
Ottone in villa
pity of war songs and poems of wartime suffering
Premier acte
Prologue
Sail on, sail on
Samson
Saul HWV 53 ; oratorio in three acts
schöne Müllerin op. 25 D. 795
Schöpfung
Schwanengesang
Sedecia, Re di Gerusalemme
Serenade for tenor, horn & strings
Solomon
Songs by Schubert's friends and contemporaries
Stabat mater
There’s none to soothe
Tönet, ihr Pauken !
Troyens grand opera in five acts, Les
Vespro della Beata Vergine
Viderunt omnes V. Notum fecit H.10
Vocal music.
War requiem
Weihnachtsoratorium Christmas oratorio : BWV 248
Weinen, Klagen
Werke
What becomes
Winter words
Winterreise
Works.
Zoroastre
Contributed to or performed: 
"Mit Fried und Freud": Cantatas 8, 125, 138
"Wir danken dir, Gott": Cantatas 29, 119 & 120
Abschied nach Wien 1813
Alceste: Act IV. Song "Enjoy the Sweet Elysian Grove"
Allegro, il Penseroso, ed il Moderato: Part III. Duet "As Steals the Morn", L'
As steals the Morn... Arias & Scenes for Tenor
At the mid hour of night
Auf dem Strom, op. posth. 119, D.943
Away With These Self-Loving Lads
Bleuet
Brigg Fair
Britten Abroad
Britten: Serenade for Tenor, Horn and Strings / Nocturne / Finzi: Dies Natalis
Celestiall Witchcraft – The Private Music of Henry and Charles, Princes of Wales
Children, The
clemenza di Tito, La
Come Again! Sweet Love
Come, Heavy Sleep
Creation, The
Creation: Part One. The First Day: Aria "Now vanish before the holy beams" (Uriel) - Chorus "Despairing, cursing rage", The
Creation: Part One. The First Day: Recitative "In the beginning God created the heaven and the earth" (Raphael, Uriel) - Chorus "And the spirit of God", The
Creation: Part One. The Fourth Day: Trio and Chorus "The heavens are telling the glory of God" (Gabriel, Uriel, Raphael), The
Creation: Part Two. The Fifth Day: Trio "Most beautiful appear, with verdure young adorn'd" (Gabriel, Uriel, Raphael) - Chorus "The Lord is great", The
Creation: Part Two. The Sixth Day: Chorus and Trio "Achieved is the glorious work" (Gabriel, Uriel, Raphael), The
Curlew: I. The Curlew, The
Curlew: II. Pale brows, still hands, The
Curlew: III. I cried when the moon, The
Curlew: V. I wander by the edge, The
Dancer, The
den kleinen Radioapparat, An
Des Müllers Wanderlied
Dibdin: The Ephesian Matron; The Brickdust Man; The Grenadier
die ferne Geliebte, op. 98: No. 1. Auf dem Hügel sitz' ich, spähend, An
die ferne Geliebte, op. 98: No. 2. Wo die Berge so blau, An
die ferne Geliebte, op. 98: No. 3. Leichte Segler in den Höhen, An
die ferne Geliebte, op. 98: No. 4. Diese Wolken in den Höhen, An
die ferne Geliebte, op. 98: No. 5. Es kehret der Maien, es blühet die Au, An
die ferne Geliebte, op. 98: No. 6. Nimm sie hin denn, Diese Lieder, An
Dies Natalis, op. 8: I. Intrada
Dies Natalis, op. 8: II. Rhapsody
Dies Natalis, op. 8: III. The Rapture
Dies Natalis, op. 8: IV. Wonder
Dies Natalis, op. 8: V. The Salutation
Dirge for Two Veterans
Disparu, Le
Dowland: Lute Songs / Britten: Nocturnal
End, The
Erwartung, Die
Es rauschen die Winde, S. 294
Esther: Act I, Scene 2: Air "Tune Your Harps"
Evening Hymn, An
Fischermädchen, op. 33 no. 10, Das
Flow, My Tears
Frühlingstraum
Gesang der Geister, op. 88
Grainger Edition, Volume 3: Works for Chorus and Orchestra, The
Greis, Hob. XXVc:5, Der
Hail! Bright Cecilia, Z 328: I. Symphony. Maestoso - Canzona. Allegro - Adagio - Allegro - Grave
Hail! Bright Cecilia, Z 328: II. Hail! Bright Cecilia (soloists and choir)
Hail! Bright Cecilia, Z 328: III. Hark! hark! Each Tree (alto, bass)
Hail! Bright Cecilia, Z 328: IV. 'Tis Nature's Voice (alto)
Hail! Bright Cecilia, Z 328: IX. The airy Violin (alto)
Hail! Bright Cecilia, Z 328: V. Soul of the World! (choir)
Hail! Bright Cecilia, Z 328: VI. Thou tun'st this World (soprano)
Hail! Bright Cecilia, Z 328: VII. With that sublime Celestial Lay (alto, alto, bass)
Hail! Bright Cecilia, Z 328: VIII. Wondrous Machine! (bass)
Hail! Bright Cecilia, Z 328: X. In vain the Am'rous flute (alto, tenor)
Hail! Bright Cecilia, Z 328: XI. The fife and all the Harmony of War (alto)
Hail! Bright Cecilia, Z 328: XII. Let these among themselves contest (bass, bass)
Hail! Bright Cecilia, Z 328: XIII. (choir, alto, alto, tenor, bass)
Herbst, op. 30 no. 1
Holy Sonnets of John Donne, op. 35: At the round earth's imagined corners, The
Holy Sonnets of John Donne, op. 35: Batter my heart, The
Holy Sonnets of John Donne, op. 35: Death, be not proud, The
Holy Sonnets of John Donne, op. 35: O might those sighes and teares, The
Holy Sonnets of John Donne, op. 35: Oh my blacke Soule!, The
Holy Sonnets of John Donne, op. 35: Oh, to vex me, The
Holy Sonnets of John Donne, op. 35: Since she whom I loved, The
Holy Sonnets of John Donne, op. 35: Thou hast made me, The
Holy Sonnets of John Donne, op. 35: What if this present, The
Hotelzimmer 1942
If My Complaints Could Passions Move
In Damascus
In Damascus: I. A little while ago
In Damascus: II. And what if you weep alone
In Damascus: III. Two days agro
In Damascus: IV. Here and now in Damascus
In Damascus: IX. On all my travels, I'd take a book
In Damascus: V. The many faces of Damascus
In Damascus: VII. Soon, we will be free
In Damascus: VIII. I don't think any nations
In Damascus: X. My heart is a black lump of coal
In Damascus: XI. My country
In Darkness Let Me Dwell
Jabberwocky
Jephtha: Act II, Scene II. Air "His Mighty Arm"
Jephtha: Act II, Scene II. Recitative "Heav'n Smiles Once More"
Jephtha: Act III, Scene I. Air "Waft Her, Angels"
Job's Curse
Johannes-Passion - St John Passion - Passion selon Saint Jean
Johannes-Passion, BWV 245: Part I: Aria: Ach, mein Sinn (Tenor)
Johannes-Passion, BWV 245: Part I: Recitative: Auf dass das Wort erfullet wurde (Evangelist, Jesus)
Johannes-Passion, BWV 245: Part I: Recitative: Derselbige Junger war dem Hohenpriester bekannt (Evangelist, Ancilla, Petrus, Jesus, Servus)
Johannes-Passion, BWV 245: Part I: Recitative: Die Schar aber und der Oberhauptmann (Evangelist)
Johannes-Passion, BWV 245: Part I: Recitative: Jesus ging mit seinen Jungern (Evangelist, Jesus) - Jesum von Nazareth (Chorus) - Recitative: Jesus spricht ze ihnen (Evangelist, Jesus) - Jesum von Naza
Johannes-Passion, BWV 245: Part I: Recitative: Simon Petrus aber folgete Jesu nach (Evangelist)
Johannes-Passion, BWV 245: Part I: Recitative: Und Hannas sandte ihn gebunden (Evangelist) - Bist du nicht seiner Junger einer (Chorus) - Recitative: Er leugnete aber und sprach (Evangelist, Petrus, S
Johannes-Passion, BWV 245: Part II: Aria: Erwage, wie sein blutgefarbter Rucken (Tenor)
Johannes-Passion, BWV 245: Part II: Arioso: Mein Herz, indem die ganze Welt (Tenor)
Johannes-Passion, BWV 245: Part II: Chorale: Da sprach Pilatus zu ihm (Evangelist, Pilatus, Jesus) - Nicht diesen, sondern Barrabam (Chorus) - Recitative: Barrabas aber war ein Morder (Evangelist)
Johannes-Passion, BWV 245: Part II: Recitative: Allda kreuzigten sei ihn (Evangelist) - Schreibe nicht: der Juden Konig (Chorus) - Recitative: Pilatus antwortet (Evangelist, Pilatus)
Johannes-Passion, BWV 245: Part II: Recitative: Da fuhreten sie Jesum (Evangelist, Pilatus) - Ware dieser nicht ein Ubeltater (Chorus)
Johannes-Passion, BWV 245: Part II: Recitative: Darnach bat Pilatum Joseph von Arimathia (Evangelist)
Johannes-Passion, BWV 245: Part II: Recitative: Die Juden aber schrieen und sprachen (Evangelist) - Lassest du diesen los (Chorus) - Recitative: Da Pilatus das Wort horete (Evangelist, Pilatus) - Weg
Johannes-Passion, BWV 245: Part II: Recitative: Die Juden aber, dieweil es der Rusttag war (Evangelist)
Johannes-Passion, BWV 245: Part II: Recitative: Die Kriegsknechte aber (Evangelist) - Lasset uns den nicht zerteilen (Chorus) - Recitative: Auf dass erfullet wurde die Schrift (Evangelist, Jesus)
Johannes-Passion, BWV 245: Part II: Recitative: Und die Kriegsknechte flochten eine Krone (Evangelist) - Sei gegrusset, lieber Judenkonig (Chorus) - Recitative: Und gaben ihm Backenstreiche (Evangelis
Johannes-Passion, BWV 245: Part II: Recitative: Und neiget das Haupt (Evangelist)
Johannes-Passion, BWV 245: Part II: Recitative: Und siehe da, der Vorhang im Tempel zerriss (Evangelist)
Johannes-Passion, BWV 245: Part II: Recitative: Und von Stund an nahm sie der Junger (Evangelist, Jesus)
King Arthur
Kleine geistliche Konzerte, SWV 285 "O süßer, O freundlicher"
Kleine geistliche Konzerte, SWV 291 "Schaffe mir, Gott, ein reines Herz"
Kleine geistliche Konzerte, SWV 316 "Wann unsre Augen schlafen ein"
Kleine geistliche Konzerte, SWV 392 "Der Herr schauet vom Himmel"
Lied für XXX
Lindenbaum, Der
Lonely Desert-Man Sees the Tents of the Happy Tribes, The
Lutheran Masses, Volume 1
Lutheran Masses, Volume 2
Magnificat in E-flat major, BWV 243a: VI. (Duetto: Alto, Tenore) "Et misericordia"
Mass in A major, BWV 234: I. Kyrie
Mass in A major, BWV 234: II. Gloria
Mass in A major, BWV 234: VI. Cum Sancto Spiritu
Mass in F major, BWV 233: I. Kyrie
Mass in F major, BWV 233: II. Gloria
Mass in F major, BWV 233: VI. Cum Sancto Spiritu (Presto)
Mass in G major, BWV 236: I. Kyrie
Mass in G major, BWV 236: II. Gloria (Vivace)
Mass in G major, BWV 236: V. Quoniam (Adagio)
Mass in G major, BWV 236: VI. Cum Sancto Spiritu
Mass in G minor, BWV 235: I. Kyrie
Mass in G minor, BWV 235: II. Gloria
Mass in G minor, BWV 235: V. Qui tollis
Mass in G minor, BWV 235: VI. Cum Sancto Spiritu
Matthäus-Passion, BWV 244: Erster Teil: [Nr. 2] Recitativo / Accompagnato: »Da Jesus diese Rede vollendet hatte« [Evangelist, Jesus]
Matthäus-Passion, BWV 244: Erster Teil: [Nr. 4] Recitativo: »Da versammleten sich die Hohenpriester« [Evangelist] / Chori: »Ja nicht auf das Fest« [Chor I und II] / Recitativo: »Da nun Jesus war zu Bethanien« [Evangelist] / Chorus: »Wozu dienet dieser Unrat« [Chor I] / Recitativo / Accompagnato: »Da das Jesus merkete« [Evangelist, Jesus]
Matthäus-Passion, BWV 244: Erster Teil: [Nr. 7] Recitativo: »Da ging hin der Zwölfen einer« [Evangelist, Judas]
Matthäus-Passion, BWV 244: Erster Teil: [Nr. 9] Recitativo: »Aber am ersten Tage der sußen Brot« [Evangelist] / Chorus: »Wo willst du, dass wir dir bereiten« [Chor I] / Recitativo I Accompagnato: »Er sprach: Gehet hin in die Stadt« [Evangelist, Jesus] / Recitativo: »Und sie wurd en sehr betrubt« [Evangelist] / Chorus: »Herr, bin ich's« [Chor I]
Messiah, HWV 56: Part I, II. Accompagnato (Tenor) "Comfort ye, my people, saith your God"
Messiah, HWV 56: Part I, III. Air (Tenor): "Every valley shall be exalted"
Messiah, HWV 56: Part II, XXIV. Accompagnato (Tenor) "All they that see Him laugh Him to scorn" / XXV. Chorus "He trusted in God that He would deliver Him"
Messiah, HWV 56: Part II, XXVI. Accompagnato (Tenor) "Thy rebuke hath broken His heart" / XXVII. Arioso (Tenor) "Behold and see, if there be any sorrow" / XXVIII. Accompagnato (Soprano I): "He was cut off out of the land of the living"
Messiah, HWV 56: Part II, XXXb. Recitative (Tenor) "Unto which of the angels said He at any time" / XXXI. Chorus "Let all the angels of God worship Him"
Messiah, HWV 56: Part II, XXXVIIb. Recitative (Tenor) "He that dwelleth in heaven shall laugh them to scorn" / XXXVIII. Air (Tenor) "Thou shalt break them with a rod of iron"
Messiah, HWV 56: Part III, XLIIIb. Recitative (Alto) "Then shall be brought to pass the saying that is written" / XLIV. Duet (Alto & Tenor) "O Death, where is thy sting?" / XLV. Chorus "But thanks be to God who giveth us the victory"
Miller of Dee, The
Morning Hymn, A
Müller, Der
Müllers Blumen
Müllers trockne Blumen
Must Complain, I
Nocturne for Tenor, Seven Obbligato Instruments & Strings, op. 60: I. On a poet's lips I slept
Nocturne for Tenor, Seven Obbligato Instruments & Strings, op. 60: II. Below the thunders of the upper deep
Nocturne for Tenor, Seven Obbligato Instruments & Strings, op. 60: III. Encinctured with a twine of leaves
Nocturne for Tenor, Seven Obbligato Instruments & Strings, op. 60: IV. Midnight's bell goes ting, ting, ting
Nocturne for Tenor, Seven Obbligato Instruments & Strings, op. 60: V. But that night when on my bed I lay
Nocturne for Tenor, Seven Obbligato Instruments & Strings, op. 60: VI. She sleeps on soft, last breaths
Nocturne for Tenor, Seven Obbligato Instruments & Strings, op. 60: VII. What is more gentle than a wind in summer?
Nocturne for Tenor, Seven Obbligato Instruments & Strings, op. 60: VIII. When most I wink, then do mine eyes best see
Now, O Now, I Needs Must Part
Ode, Z 343 "Why, why are all the Muses mute?": IX. Aria (Tenor) - Ritornello - Chorus "O how blest is the Isle to which Caesar is given"
On Wenlock Edge / Piano Quintet in C minor / Romance and Pastorale
On Wenlock Edge: I. On Wenlock Edge
On Wenlock Edge: I. On Wenlock Edge. Allegro moderato
On Wenlock Edge: II. From far from eve and morning. Andantino
On Wenlock Edge: II. From far, from eve and morning
On Wenlock Edge: III. Is my team ploughing?
On Wenlock Edge: III. Is my team ploughing? Andante sostenuto ma non troppo lento
On Wenlock Edge: IV. Oh when I was in love with you. Allegretto
On Wenlock Edge: IV. Oh, when I was in love with you
On Wenlock Edge: V. Bredon Hill
On Wenlock Edge: V. Bredon Hill. Moderato tranquillo
On Wenlock Edge: VI. Clun
On Wenlock Edge: VI. Clun. Andante tranquillo
Panis Angelicus, C.131
Paradies und die Peri, op. 50: Dritter Teil: No. 19. Dem Sang von ferne lauschend, Das
Paradies und die Peri, op. 50: Dritter Teil: No. 22. Und wie sie niederwärts sich schwingt, Das
Paradies und die Peri, op. 50: Dritter Teil: No. 23. Hinab zu jenem Sonnentempel, Das
Paradies und die Peri, op. 50: Dritter Teil: No. 25. Es fällt ein Tropfen, Das
Paradies und die Peri, op. 50: Erster Teil: No. 3. Rezitativ - Der hehre Engel, der die Pforte, Das
Paradies und die Peri, op. 50: Erster Teil: No. 5. So sann sie nach, Das
Paradies und die Peri, op. 50: Erster Teil: No. 7. Und einsam steht ein Jüngling, Das
Paradies und die Peri, op. 50: Erster Teil: No. 9. Die Peri sah das Mal der Wunde, Das
Paradies und die Peri, op. 50: Zweiter Teil: No. 10. Die Peri tritt mit schüchterner Gebärde, Das
Paradies und die Peri, op. 50: Zweiter Teil: No. 11. Ihr erstes Himmelshoffen schwand, Das
Paradies und die Peri, op. 50: Zweiter Teil: No. 12. Fort streift von hier das Kind der Lüfte, Das
Paradies und die Peri, op. 50: Zweiter Teil: No. 13. Die Peri weint, Das
Paradies und die Peri, op. 50: Zweiter Teil: No. 15. Verlassener Jüngling, Das
Paradies und die Peri, op. 50: Zweiter Teil: No. 16. O lass mich von der Luft durchdringen, Das
Paukenmesse. Credo: Et Resurrexit
Pilgrim’s Progress: Act I, Scene 2. The House Beautiful, The
Pilgrim’s Progress: Act IV, Scene 2. The Shepherds of the Delectable Mountains. "The Lord is my Shepherd" (Voice of a Bird), The
Pilgrim’s Progress: Act IV, Scene 2. The Shepherds of the Delectable Mountains. "Who so dwelleth…" (First Shepherd), The
Pilgrim’s Progress: Act IV, Scene 3. The Pilgrim Reaches the End of His Journey, The
Post, op. 76 no. 6, Die
Rastlose Liebe
Recitativo: Signor, Che Delle Stelle
Rinaldo
Rodelinda: Act III, Scene 6. Accompagnato "Fatto inferno"
Rodelinda: Act III, Scene 6. Aria "Pastorello d'un povero armento"
Sail on, sail on
Samson: Act I, Scene II. Air "Total Eclipse"
Samson: Act II, Scene II. Air "Your Charms to Ruin Led the Way"
Samson: Act II, Scene II. Recitative "Did Love Constrain Thee?"
Samson: Act III, Scene I. Air "Thus When the Sun From's Wat'ry Bed"
Samson: Act III, Scene I. Recitative "Let But That Spirit" - Accompagnato "Then Shall I Make"
Saul
Saul, HWV 53, Original Version; edited by Paul McCreesh, Act 1: 1III. Air: Birth and Fortune I despise!
Saul, HWV 53, Original Version; edited by Paul McCreesh, Act 1: 2VII. Recitative: Imprudent Women!
Saul, HWV 53, Original Version; edited by Paul McCreesh, Act 1: 34: Recitative: 'Tis all in vain: 3V. Air: A Serpent in my Bosom warm'd - 3VI. Recitative: Has he escaped my Rage?
Saul, HWV 53, Original Version; edited by Paul McCreesh, Act 1: 3IX. Air: No, no cruel Father, no
Saul, HWV 53, Original Version; edited by Paul McCreesh, Act 1: 3VIII. Accompagnato: O Filial Piety!
Saul, HWV 53, Original Version; edited by Paul McCreesh, Act 1: IX. Air: O King, your Favours with Delight I take: X. Recitative: O early Piety!
Saul, HWV 53, Original Version; edited by Paul McCreesh, Act 2: 4III. Recitative: Ah! dearest Friend
Saul, HWV 53, Original Version; edited by Paul McCreesh, Act 2: 4IV. Air: But sooner Jordan's Stream, I swear
Saul, HWV 53, Original Version; edited by Paul McCreesh, Act 2: 4IX. Air: Sin not, o King, against the Youth
Saul, HWV 53, Original Version; edited by Paul McCreesh, Act 2: 4V. Recitative: O strange Vicissitude!
Saul, HWV 53, Original Version; edited by Paul McCreesh, Act 2: 4VII. Recitative: My Father comes: 4VIII. Recitative: Hast thou obey'd my Orders
Saul, HWV 53, Original Version; edited by Paul McCreesh, Act 2: 5I. Air: From Cities storm'd, and Battles won
Saul, HWV 53, Original Version; edited by Paul McCreesh, Act 2: 5II. Recitative: Appear, my Friend
Saul, HWV 53, Original Version; edited by Paul McCreesh, Act 2: 6VI. Accompagnato: The Time at length is come: 6VII. Recitative: Where is the Son of Jesse
Saul, HWV 53: Act I, IX. Air "O King, your favours with delight" (David) / X. Recitative "O early piety!" (Jonathan)
Saul, HWV 53: Act I, XIII. Air "Birth and fortune I despise!" (Jonathan)
Saul, HWV 53: Act I, XXVII. Recitative "Imprudent women!" (Jonathan, Michal)
Saul, HWV 53: Act I, XXXIV. Recitative "'Tis all in vain" (Jonathan) / XXXV. Air "A serpent in my bosom warm'd" (Saul) / XXXVI. Recitative "Has he escap'd my rage?" (Saul)
Saul, HWV 53: Act I, XXXIX. Air "No, cruel father, no!" (Jonathan)
Saul, HWV 53: Act I, XXXVIII. Accompagnato "O filial piety!" (Jonathan)
Saul, HWV 53: Act II, LI. Air "From cities storm'd" (Jonathan)
Saul, HWV 53: Act II, LII. Recitative "Appear my friend" (Jonathan, Saul)
Saul, HWV 53: Act II, LXVI. Accompagnato "The time at length is come" (Saul) / LXVII. Recitative "Where is the son of Jesse?" (Saul, Jonathan)
Saul, HWV 53: Act II, XLIII. Recitative "Ah! dearest friend" (Jonathan)
Saul, HWV 53: Act II, XLIV. Air "But sooner Jordan's stream" (Jonathan)
Saul, HWV 53: Act II, XLIX. Air "Sin not, O King" (Jonathan)
Saul, HWV 53: Act II, XLV. Recitative "O strange vicissitude!" (David, Jonathan)
Saul, HWV 53: Act II, XLVII. Recitative "My father comes" (Jonathan) / XLVIII. Recitative "Hast thou obey'd my orders" (Saul, Jonathan)
Saul, HWV 53: Act III. LXXIX. Air (Tenor) "O let it not in Gath be heard"
Say, Love if Ever Thou Didst Find
schöne Müllerin, Die
schöne Müllerin: Am Feierabend, Die
schöne Müllerin: Danksagung an den Bach, Die
schöne Müllerin: Das Wandern, Die
schöne Müllerin: Der Jäger, Die
schöne Müllerin: Der Müller und der Bach, Die
schöne Müllerin: Der Neugierige, Die
schöne Müllerin: Des Baches Wiegenlied, Die
schöne Müllerin: Des Müllers Blumen, Die
schöne Müllerin: Die böse Farbe, Die
schöne Müllerin: Die liebe Farbe, Die
schöne Müllerin: Eifersucht und Stolz, Die
schöne Müllerin: Halt!, Die
schöne Müllerin: Mein!, Die
schöne Müllerin: Mit dem grünen Lautenbande, Die
schöne Müllerin: Morgengruß, Die
schöne Müllerin: Pause, Die
schöne Müllerin: Tränenregen, Die
schöne Müllerin: Trockne Blumen, Die
schöne Müllerin: Ungeduld, Die
schöne Müllerin: Wohin?, Die
Schwanengesang
Schwanengesang, D.957: Abschied
Schwanengesang, D.957: Am Meer
Schwanengesang, D.957: Aufenthalt
Schwanengesang, D.957: Das Fischermädchen
Schwanengesang, D.957: Der Atlas
Schwanengesang, D.957: Der Doppelgänger
Schwanengesang, D.957: Die Stadt
Schwanengesang, D.957: Die Taubenpost
Schwanengesang, D.957: Frühlingssehnsucht
Schwanengesang, D.957: Ihr Bild
Schwanengesang, D.957: In der Ferne
Schwanengesang, D.957: Kriegers Ahnung
Schwanengesang, D.957: Liebesbotschaft
Schwanengesang, D.957: Ständchen
Seefahrt, Die
Semele: Act II, Scene III. Air "Where'er You Walk"
Serenade for Tenor, Horn & Strings, op. 31: II. Pastoral
Serenade for Tenor, Horn & Strings, op. 31: III. Nocturne
Serenade for Tenor, Horn & Strings, op. 31: IV. Elegy
Serenade for Tenor, Horn & Strings, op. 31: V. Dirge
Serenade for Tenor, Horn & Strings, op. 31: VI. Hymn
Serenade for Tenor, Horn & Strings, op. 31: VII. Sonnet
Solomon
Songs by Schubert's Friends and Contemporaries
Sorrow, Stay!
St. Matthew Passion, BWV 244: Teil I, No. 11. "Er antwortete und sprach" (Evangelista)
St. Matthew Passion, BWV 244: Teil I, No. 16. "Petrus aber antwortete und sprach zu ihm" (Evangelista)
St. Matthew Passion, BWV 244: Teil I, No. 18. "Da kam Jesus mit ihnen zu einem Hofe" (Evangelista)
St. Matthew Passion, BWV 244: Teil I, No. 2. "Da Jesus diese Rede vollendet hatte" (Evangelista)
St. Matthew Passion, BWV 244: Teil I, No. 21. "Und ging hin ein wenig" (Evangelista)
St. Matthew Passion, BWV 244: Teil I, No. 24. "Und er kam zu seinen Jüngern" (Evangelista)
St. Matthew Passion, BWV 244: Teil I, No. 25. Choral "Was mein Gott will, das g'scheh allzeit"
St. Matthew Passion, BWV 244: Teil I, No. 26. "Und er kam und fand sie aber schlafend" (Evangelista)
St. Matthew Passion, BWV 244: Teil I, No. 28. "Und siehe, einer aus denen, die mit Jesu waren" (Evangelista)
St. Matthew Passion, BWV 244: Teil I, No. 7. "Da ging hin der Zwölfen einer" (Evangelista)
St. Matthew Passion, BWV 244: Teil II, No. 31. "Die aber Jesum gegriffen hatten" (Evangelista)
St. Matthew Passion, BWV 244: Teil II, No. 43. "Sie hielten aber einen Rat" (Evangelista)
St. Matthew Passion, BWV 244: Teil II, No. 47. "Der Landpfleger sagte" (Evangelista)
St. Matthew Passion, BWV 244: Teil II, No. 55. "Und da sie ihn verspottet hatten" (Evangelista)
St. Matthew Passion, BWV 244: Teil II, No. 68. Chorus "Wir setzen uns mit Tränen nieder"
Ständchen, op. 49 no. 6
Sterne, Die
Sterne, op. 96/1, D.939, Die
Tamerlano: Act I, Scene I. Aria "Forte e lieto"
Tamerlano: Act III, Scene X. Arioso "Figlia mia" - Accompagnato "Tu, spietato"
Tamerlano: Act III, Scene X. Recitative "Oh per me lieto, avventuroso giorno!"
Ten Blake Songs / On Wenlock Edge / The End / The Curlew
Ten Blake Songs: I. Infant Joy
Ten Blake Songs: II. A Poison Tree
Ten Blake Songs: III. The Piper
Ten Blake Songs: IV. London
Ten Blake Songs: IX. The Divine Image
Ten Blake Songs: V. The Lamb
Ten Blake Songs: VI. The Shepherd
Ten Blake Songs: VII. Ah, Sun-flower
Ten Blake Songs: VIII. Cruelty has a human heart
Ten Blake Songs: X. Eternity
There's none to soothe
To Ask for All Thy Love
trionfo del Tempo e del Disinganno: Part I. Aria "Urne voi", Il
Unquiet Thoughts
War Requiem
Weihnachtskantaten, BWV 122, 110, 57
Welcome to all the pleasures, Z 339: I. Symphony
Welcome to All the Pleasures, Z 339: II. Welcome to All the Pleasures (alto, tenor, bass, choir)
Welcome to all the pleasures, Z 339: III. Here the deities approve (alto)
Welcome to all the pleasures, Z 339: IV. While joys celestial (soprano, soprano, tenor)
Welcome to all the pleasures, Z 339: V. Then lift up your voices (bass, choir)
Welcome to all the pleasures, Z 339: VI. Beauty thou scene of love (tenor)
Welcome to all the pleasures, Z 339: VII. In a consort of voices (tenor, choir)
Wenn sie mich nur von weitem sieht
What if I Never Speed
Winter Words, op. 52: At Day-close in November
Winter Words, op. 52: At the Railway Station
Winter Words, op. 52: Before Life and after
Winter Words, op. 52: Midnight on the Great Western
Winter Words, op. 52: Proud Songsters
Winter Words, op. 52: The Choirmaster's Burial
Winter Words, op. 52: The little old Table
Winter Words, op. 52: Wagtail and Baby
Winterreise
Winterreise, D. 911, op. 89: I. Gute Nacht
Winterreise, D. 911, op. 89: II. Die Wetterfahne
Winterreise, D. 911, op. 89: III. Gefrorne Tränen
Winterreise, D. 911, op. 89: IV. Erstarrung
Winterreise, D. 911, op. 89: IX. Irrlicht
Winterreise, D. 911, op. 89: V. Der Lindenbaum
Winterreise, D. 911, op. 89: VI. Wasserflut
Winterreise, D. 911, op. 89: VII. Auf dem Flusse
Winterreise, D. 911, op. 89: VIII. Rückblick
Winterreise, D. 911, op. 89: X. Rast
Winterreise, D. 911, op. 89: XI. Frühlingstraum
Winterreise, D. 911, op. 89: XII. Einsamkeit
Winterreise, D. 911, op. 89: XIII. Die Post
Winterreise, D. 911, op. 89: XIV. Der greise Kopf
Winterreise, D. 911, op. 89: XIX. Täuschung
Winterreise, D. 911, op. 89: XV. Die Krähe
Winterreise, D. 911, op. 89: XVI. Letzte Hoffnung
Winterreise, D. 911, op. 89: XVII. Im Dorfe
Winterreise, D. 911, op. 89: XVIII. Der stürmische Morgen
Winterreise, D. 911, op. 89: XX. Der Wegweiser
Winterreise, D. 911, op. 89: XXI. Das Wirtshaus
Winterreise, D. 911, op. 89: XXII. Mut!
Winterreise, D. 911, op. 89: XXIII. Die Nebensonnen
Winterreise, D. 911, op. 89: XXIV. Der Leiermann
Wonder as I Wander, I
Zur Logenfeier
Notes: 
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