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Person
ISNI: 
0000 0001 1487 1403
Name: 
David Parry
David Parry (britischer Dirigent)
David Parry (Brits dirigent)
David Parry (chef d'orchestre britannique)
David Parry (English conductor)
Parry, David
Parry, David (musicien)
Дэвид Пэрри
デヴィッド・パリー
Dates: 
1949-
Creation class: 
Language material
Musical sound recording
Notated music
Projected medium
Creation role: 
conductor
performer
translator
Related names: 
Academy of St. Martin-in-the-Fields
Donizetti, Gaetano (1797-1848))
Ford, Bruce
Geoffrey Mitchell Choir
London Philharmonic Orchestra
Mitchell, Geoffrey
Naxos Digital Services
O'Neill, Dennis (1948-)
Peter Moores Foundation
Philharmonia Orchestra
Philharmonia Orchestra (London, England)
Rossini, Gioacchino (1792-1868)
Tomlinson, John (1946-)
Verdi, Giuseppe (1813-1901)
Titles: 
Adriana Lecouvreur
Alessandro nelle Indie
Arabella
bohème
Carmen.
Cenci, The : teatro di musica da Antonin Artaud : 1997
Concertos
Consiglio dei tre.
Country manners
crociato in Egitto, Il
Cross and crescent
elegy for war, An
Elisir d'amore
elixir of love, The
Emilia di Liverpool
end of the affair
Ermione
Fantasia on British sea songs
Fantasia on greensleaves (4 min 29 s)
Faust
Great operatic arias [Enregistrement sonore] ; London philharmonic orchestra ; David Parry, dir. Chandos CHAN 3161
Henri V suite
Kenny, Yvonne (19th Century Heroines)
Like a woman scorned--
Lucia di Lammermoor (Sung in English)
Margherita d'Anjou
Maria de Rudenz
Maria, regina d'Inghilterra
Marriage of Figaro (The) (Sung in English)
Mayr, J.S. Opera excerpts - Elisa ; Ginevra di Scozia ; L'amor coniugale ; Adelasia e Aleramo ; Elena ; Cora ; Alfredo il grande ; Fedra ; Medea in C.
Medea in Corinto.
Mercadante Emma d'Antiochia.
Montague, Diana Beautiful Image.
Mozart Idomeneo (Sung in English)
Nabucco.
On the pathway from Rossini to Verdi
Opera Arias (Mezzo-soprano) Larmore, Jennifer u Costa, M. ; Rossini, G. ; Mercadante, S. ; Arditi, L. ; Rossi, L. ; Pacini, G.
Opera Arias (Miricioiu) (Rossini Gala)
Opera Arias (Tenor) Matteuzzi, William - Rossini, G. ; Auber, D.-F. ; Carafa, M. ; Donizetti, G. ; Pacini, G. ; Adam, A. ; Offenbach, J.
Opera excerpts (Celebrating Offenbach)
Opera Rara Collection (The), Vol. 2
Opera Rara highlights CD exclusive to readers of Opera
Operas.
Orazi e Curiazi.
Otello
Pacini Carlo di Borgogna.
Pacini rediscovered
Pagliacci
Patterson, P. Little Red Riding Hood ; The 3 Little Pigs ; Blake, H.: The Snowman (Jarvis, London Philharmonic, D. Parry)
Paventa Insano - Arias and Ensembles
pirata, Il
Pomp & circumstance march No. 1 (5 min 48 s)
Puccini Tosca (Highlights) (Sung in English)
Queen of spades
Rare operatic ensembles
Romanziera e l'uomo nero (La)
Rosenkavalier.
Rosmonda d'Inghilterra [Opera] (Ford, Miricioiu, Fleming)
Rossini, G. Otello, ossia Il moro di Venezia [Opera] (Ford)
Rossini, G. Ricciardo e Zoraide [Opera] (Parry)
Scenes & overtures
Sir Thomas Allen, baritone.
Sometimes I dream
straniera, La
Thames diamond jubilee pageant the official CD
Tyrants and lovers
Vampyr : a soap opera
Verdi Trovatore (Il) (Sung in English)
Vert-vert [Operetta] (Stone)
violins of Saint-Jacques
Wally
Zaira.
Zoraida di Granata
Contributed to or performed: 
100 Kickass Classical Pieces
99 Most Essential Classical Pieces in Movies, The
99 Most Essential Opera Classics, The
Adagio for Strings
Adagio for Strings, Op. 11a
Adagio in G minor for Strings and Organ (after T. Albinoni)
Adagio in G Minor for Strings and Organ, "Albinoni's Adagio"
Adriana Lecouvreur: Adriana's Aria "Poor little flowers"
Adriana Lecouvreur: Adriana's Aria "See now, I am exhausted..." - "I am the humble servant of God's immortal art"
Ah! perfido! concert aria for soprano and orchestra, Op. 65
Alceste: Great Gods! Cruel Fortune Has Cursed Me
Alceste: Where Am I?
Arabella: Arabella and Mandryka's Duet "I'm very glad, Mandryka"
Arabella: Arabella and Zdenka's Duet "He's not the one who is right for me"
Arlesienne Suite no. 1: I. Prelude, L'
Ave Maria (after J.S. Bach)
Barber of Seville: Overture, The
Barwick Green
BBC Radio 4 Theme
Brandenburg Concerto No. 3 in G Major, BWV 1048: Allegro
Brandenburg Concerto no. 3 in G major, BWV 1048: I. Allegro
By The Sleepy Lagoon
Canon in D Major
Carmen
Carmen Suite No. 2: Habanera
Carmina Burana: O Fortuna
Chamber Symphony, op. 46a: I. Allegro moderato
Chamber Symphony, op. 46a: II. Presto. Scherzo and Trio
Chamber Symphony, op. 46a: III. Largo
Chamber Symphony, op. 46a: IV. Rondo - Finale. Allegro vivace e ritmico
Concerto Grosso no. 8 in G minor, op. 6 no. 8 "Christmas Concerto": II. Allegro
Concerto in A major, BWV 1055: I. Allegro
Concerto in A major, BWV 1055: II. Larghetto
Concerto in A major, BWV 1055: III. Allegro ma non tanto
Concerto in D major, BWV 1054: I. Allegro
Concerto in D major, BWV 1054: II. Adagio e piano sempre
Concerto in D major, BWV 1054: III. Allegro
Concerto in E major, BWV 1053: I. Allegro
Concerto in E major, BWV 1053: II. Siciliano
Concerto in E major, BWV 1053: III. Allegro
Concerto in F minor, BWV 1056: I. Allegro moderato
Concerto in F minor, BWV 1056: II. Largo
Concerto in F minor, BWV 1056: III. Presto
Concerto in G minor, BWV 1058: I. Allegro
Concerto in G minor, BWV 1058: II. Andante
Concerto in G minor, BWV 1058: III. Allegro assai
Consul: To This We've Come, The
Coventry - Meditation for String Orchestra
Crociato in Egitto: Act I. "Adriano! egli stesso!", Il
Crociato in Egitto: Act I. "Ah non ti son più cara", Il
Crociato in Egitto: Act I. "Ah si, tutti i miei voti", Il
Crociato in Egitto: Act I. "Ah, più sorridere", Il
Crociato in Egitto: Act I. "All'armi vi chiama", Il
Crociato in Egitto: Act I. "Armando d'Orville!", Il
Crociato in Egitto: Act I. "Armando! Armando!", Il
Crociato in Egitto: Act I. "Cessi o miei fidi", Il
Crociato in Egitto: Act I. "E Palmide... ella sola", Il
Crociato in Egitto: Act I. "Giovinetto Cavalier", Il
Crociato in Egitto: Act I. "Gran Profeta!", Il
Crociato in Egitto: Act I. "I doni d'Elmireno", Il
Crociato in Egitto: Act I. "Il brando invitto", Il
Crociato in Egitto: Act I. "Il contento ch'io provo", Il
Crociato in Egitto: Act I. "Invitto illustre Gran Maestro", Il
Crociato in Egitto: Act I. "Ite, superbi", Il
Crociato in Egitto: Act I. "L'angustia mia", Il
Crociato in Egitto: Act I. "Non sai quale incanto", Il
Crociato in Egitto: Act I. "Non v'è per noi più speme", Il
Crociato in Egitto: Act I. "O figlio dell'amore", Il
Crociato in Egitto: Act I. "Oh! come tutto intorno", Il
Crociato in Egitto: Act I. "Pace io reco", Il
Crociato in Egitto: Act I. "Palmide sventurata", Il
Crociato in Egitto: Act I. "Patria amata", Il
Crociato in Egitto: Act I. "Popoli dell'Egitto", Il
Crociato in Egitto: Act I. "Sogni e ridenti", Il
Crociato in Egitto: Act I. "Tu, degli illustri Cavalieri", Il
Crociato in Egitto: Act I. "Tutto d'intorno", Il
Crociato in Egitto: Act I. "Urridi vezzose", Il
Crociato in Egitto: Act I. "Và, già varcasti", Il
Crociato in Egitto: Act I. "Vedi il legno", Il
Crociato in Egitto: Act I. "Vincitor a questo petto", Il
Crociato in Egitto: Act II. "Ah, ch'io l'adoro", Il
Crociato in Egitto: Act II. "Ah, questo è l'ultimo", Il
Crociato in Egitto: Act II. "Ah! che fate", Il
Crociato in Egitto: Act II. "Aladin troppo ardente", Il
Crociato in Egitto: Act II. "Che miro?", Il
Crociato in Egitto: Act II. "Come dolce a lusingarmi", Il
Crociato in Egitto: Act II. "Con qual gioja", Il
Crociato in Egitto: Act II. "D'una madre disperata", Il
Crociato in Egitto: Act II. "Deh, mira l'angelo", Il
Crociato in Egitto: Act II. "Di natura ed amista", Il
Crociato in Egitto: Act II. "Dove mi guidi tu?", Il
Crociato in Egitto: Act II. "Ecco, i nostri acciari a voi", Il
Crociato in Egitto: Act II. "Guidati sian que' perfidi", Il
Crociato in Egitto: Act II. "Il dì rinascerà", Il
Crociato in Egitto: Act II. "In sen del nostro possente nume", Il
Crociato in Egitto: Act II. "Ma, ciel se mai peri", Il
Crociato in Egitto: Act II. "Nel silenzio", Il
Crociato in Egitto: Act II. "O cielo clemente", Il
Crociato in Egitto: Act II. "O solinghi recessi", Il
Crociato in Egitto: Act II. "O tu divina fè", Il
Crociato in Egitto: Act II. "Or de' martiri la palma", Il
Crociato in Egitto: Act II. "Or perduto è Aladin", Il
Crociato in Egitto: Act II. "Ove, incauta, m'inoltre", Il
Crociato in Egitto: Act II. "Primiero sul tiranno", Il
Crociato in Egitto: Act II. "Quanti al gran piano", Il
Crociato in Egitto: Act II. "Rapito io sento il cor", Il
Crociato in Egitto: Act II. "Sollecita pietosa", Il
Crociato in Egitto: Act II. "Suona funerea", Il
Crociato in Egitto: Act II. "Tutto è finito", Il
Crociato in Egitto: Act II. "Tutto qui parla ognor", Il
Crociato in Egitto: Act II. "Udiste raccogliete", Il
Crociato in Egitto: Act II. "Udite or alto arcano", Il
Crociato in Egitto: Act II. "Verrai meco di Provenza", Il
Crociato in Egitto: Appendix. "Ah, come rapida", Il
Crociato in Egitto: Appendix. "Cara mano dell'amore", Il
Crociato in Egitto: Appendix. "D'un genio", Il
Crociato in Egitto: Appendix. "Da queste istante", Il
Crociato in Egitto: Appendix. "Ecco, i nostri acciari", Il
Crociato in Egitto: Appendix. "Eccome alfine", Il
Crociato in Egitto: Appendix. "Eccomi giunto omai", Il
Crociato in Egitto: Appendix. "Guidati sian que' perfidi", Il
Crociato in Egitto: Appendix. "Il tenero affetto", Il
Crociato in Egitto: Appendix. "L'aspetto adorabile", Il
Crociato in Egitto: Appendix. "La gloria celeste", Il
Crociato in Egitto: Appendix. "Miseri noi!", Il
Crociato in Egitto: Appendix. "Palpitò dolente", Il
Crociato in Egitto: Appendix. "Popoli dell'Egitto", Il
Crociato in Egitto: Appendix. "Primiero sul tiranno", Il
Crociato in Egitto: Appendix. "Queste destre", Il
Crociato in Egitto: Appendix. "Rassicurata de' suoi tiranno", Il
Crociato in Egitto: Appendix. "Ravvisa qual'alma", Il
Dam Busters March, The
Don Giovanni, Act I, Scene 20: Don’t Ever Place Your Trust in Him
Don Giovanni: Act I Finale (excerpt)
Don Giovanni: There Will My Arms Enfold You
Double Concerto for Flute, Piano and String Orchestra with Two Horns, WV 89, op. 63: I. Allegro moderato
Double Concerto for Flute, Piano and String Orchestra with Two Horns, WV 89, op. 63: II. Andante
Double Concerto for Flute, Piano and String Orchestra with Two Horns, WV 89, op. 63: III. Allegro con spirito (Rondo)
Double Concerto in D minor for Two Violins, BWV 1043: I. Vivace
Egmont, op. 84: Overture
End of the Affair: A Bargain and a Prayer "Nineteen forty-four. March. May. June", The
Ermione
Fidelio: Vile Murderer! Sadistic Swine! / Come Hope, You Faint and Distant Star
Finlandia, Op. 26
Finlandia, Op. 26 (from Die Hard 2)
Four Seasons, op. 8 "Spring": I. Allegro, The
Four Seasons, Op. 8, "Spring", RV 269: Allegro, The
Gloucestershire Rhapsody, A
Great Operatic Arias
Great Operatic Arias 2: Opera in English
Gypsy Song, op. 55: Songs My Mother Taught Me
Hungarian Dance No. 5 in G Minor
Immortal Hour: Act II: Midir's "Faery Song" "How beautiful they are", The
Indian Queen: Act I: Aerial Spirit's Solo "I attempt from love's sickness", The
Joshua: Achsah's Air "Oh! Had I Jubal's lyre"
Keyboard Concertos
King Arthur: Act V: Venus' Song "Fairest isle"
Kiss Me, Kate: Act I: Lilli Vanessi's Song (So in Love) "Strange, dear, but true, dear"
Land of Smiles: Love, What Has Given You This Magic Pow'r?, The
Lohengrin: When All My Hopes Departed"
Lost Generation
Lucia of Lammermoor
Má Vlast (My Fatherland): Vltava (The Moldau)
Magic Flute, K. 620: Overture, The
Maria regina d'Inghilterra
Marriage of Figaro, The
Marriage of Figaro: Act I. “All right, shut up and listen” (Susanna, Figaro), The
Marriage of Figaro: Act I. “Basilio, run and tell Figaro to come here” (Count, Susanna, Cherubino, Basilio), The
Marriage of Figaro: Act I. “Bravo, my lord and master!”, The
Marriage of Figaro: Act I. “But why did you wait till the day of the wedding” (Bartolo, Marcellina), The
Marriage of Figaro: Act I. “Fifteen, sixteen, twenty, thirty” (Figaro, Susanna), The
Marriage of Figaro: Act I. “God bless you!” (Figaro, Susanna, Basilio, Cherubino), The
Marriage of Figaro: Act I. “Good riddance, you old spinster” (Susanna, Cherubino), The
Marriage of Figaro: Act I. “Here’s an end to your life as a rover” (Figaro), The
Marriage of Figaro: Act I. “I bow to your grace” (Marcellina, Susanna), The
Marriage of Figaro: Act I. “I don’t know what it is that I’m feeling” (Cherubino), The
Marriage of Figaro: Act I. “It’s outrageous! Search the castle” (Count, Basilio, Susanna), The
Marriage of Figaro: Act I. “Now for vengeance, glorious vengeance!” (Bartolo), The
Marriage of Figaro: Act I. “Now I’m done for!” (Cherubino, Susanna, Count, Basilio), The
Marriage of Figaro: Act I. “Praise and adore him” (Chorus), The
Marriage of Figaro: Act I. “So all is not lost”, The
Marriage of Figaro: Act I. “So what is all this nonsense?” (Count, Figaro, Susanna), The
Marriage of Figaro: Act I. “So, little master, you’re dressed to go dancing” (Figaro), The
Marriage of Figaro: Act I. “Supposing one evening the Countess”, The
Marriage of Figaro: Act I. “Susanna, heaven bless you!” (Basilio, Susanna, Count), The
Marriage of Figaro: Act I. “What on earth are you measuring”, The
Marriage of Figaro: Act II. “Bravo, your voice is lovely!” (Countess, Susanna, Cherubino), The
Marriage of Figaro: Act II. “Come here, dear Susanna, and finish your story” (Countess, Susanna, Figaro), The
Marriage of Figaro: Act II. “Come out of there, Susanna!” (Count, Countess, Susanna), The
Marriage of Figaro: Act II. “Don’t worry, Cherubino” (Susanna, Cherubino), The
Marriage of Figaro: Act II. “Enough of this nonsense!” (Countess, Susanna, Cherubino, Count), The
Marriage of Figaro: Act II. “Everything as I left it” (Count, Countess), The
Marriage of Figaro: Act II. “Hear my prayer, humbly I beg you” (Countess), The
Marriage of Figaro: Act II. “How it grieves me, Susanna” (Countess, Susanna, Cherubino), The
Marriage of Figaro: Act II. “I cannot believe it” (Countess, Susanna, Count), The
Marriage of Figaro: Act II. “Kneel down and let me look at you” (Susanna), The
Marriage of Figaro: Act II. “Look at the little devil!” (Susanna), The
Marriage of Figaro: Act II. “Noble lord, we come for justice” (Marcellina, Basilio, Bartolo, Count, Countess, Figaro, Susanna), The
Marriage of Figaro: Act II. “Oh, my lord! My lord!” (Antonio, Count, Countess, Susanna, Figaro), The
Marriage of Figaro: Act II. “Out you come, you vile seducer” (Count, Countess), The
Marriage of Figaro: Act II. “So you’re proposing not to open it?” (Count, Countess), The
Marriage of Figaro: Act II. “Tell me what love is” (Cherubino), The
Marriage of Figaro: Act II. “The wedding procession is ready and waiting” (Figaro, Count, Susanna, Countess), The
Marriage of Figaro: Act II. “What does this mean?” (Count, Countess), The
Marriage of Figaro: Act II. “You called, sir?” (Susanna, Count, Countess), The
Marriage of Figaro: Act III. “…the breezes…”, The
Marriage of Figaro: Act III. “And Susanna’s not here”, The
Marriage of Figaro: Act III. “As true-hearted lovers” (Chorus), The
Marriage of Figaro: Act III. “But I don’t understand” (Count, Susanna), The
Marriage of Figaro: Act III. “Come on, come on, Cherubino” (Barbarina, Cherubino), The
Marriage of Figaro: Act III. “Darling boy, let me embrace you” (Marcellina, Figaro, Bartolo, Curzio, Count, Susanna), The
Marriage of Figaro: Act III. “Don’t be afraid!” (Countess, Count, Susanna), The
Marriage of Figaro: Act III. “Gentle lady, may these presents” (Girls), The
Marriage of Figaro: Act III. “Hey, Susanna, how’s it going?” (Figaro, Susanna), The
Marriage of Figaro: Act III. “Hey, what did I tell you!” (Antonio, Countess, Susanna, Count, Cherubino), The
Marriage of Figaro: Act III. “How could you be so cruel”, The
Marriage of Figaro: Act III. “I must warn you, my lord” (Antonio, Count), The
Marriage of Figaro: Act III. “I remember his love so tender” (Countess), The
Marriage of Figaro: Act III. “Madam, with your permission” (Barbarina, Countess, Susanna), The
Marriage of Figaro: Act III. “Must I be made to suffer” (Count), The
Marriage of Figaro: Act III. “My lord, if you detain these lovely girls” (Figaro, Count, Countess, Susanna, Antonio), The
Marriage of Figaro: Act III. “Now I can hear them” (Figaro, Susanna, Count, Countess, Serving girls, Chorus), The
Marriage of Figaro: Act III. “That should do the trick!” (Susanna, Countess), The
Marriage of Figaro: Act III. “That’s amazing!” (Countess, Susanna), The
Marriage of Figaro: Act III. “The case is decided” (Curzio, Marcellina, Figaro, Count, Bartolo), The
Marriage of Figaro: Act III. “This is our little baby” (Marcellina, Bartolo, Susanna, Figaro), The
Marriage of Figaro: Act III. “This is very perplexing!” (Count), The
Marriage of Figaro: Act III. “You’ve won the case already”, The
Marriage of Figaro: Act IV. “At last, the moment I’ve longed for”, The
Marriage of Figaro: Act IV. “Barbarina, what’s happened?” (Figaro, Barbarina, Marcellina), The
Marriage of Figaro: Act IV. “Come quickly my beloved, I implore you” (Susanna), The
Marriage of Figaro: Act IV. “Everything’s ready; the hour of reckoning is at hand”, The
Marriage of Figaro: Act IV. “Here she is, my dear Susanna” (Count, Susanna, Figaro, Cherubino, Countess), The
Marriage of Figaro: Act IV. “I have lost it, I’m so stupid” (Barbarina), The
Marriage of Figaro: Act IV. “I surrender, my love” (Figaro, Susanna, Count), The
Marriage of Figaro: Act IV. “I’ll approach her, oh so softly” (Cherubino, Countess), The
Marriage of Figaro: Act IV. “Mother!” (Figaro, Marcellina), The
Marriage of Figaro: Act IV. “My lady, Marcellina says Figaro will be here” (Susanna, Marcellina), The
Marriage of Figaro: Act IV. “My lady, you are trembling” (Susanna, Countess, Figaro), The
Marriage of Figaro: Act IV. “Night shrouds the world in mystery” (Figaro, Susanna), The
Marriage of Figaro: Act IV. “Now we’re alone together” (Count, Countess, Figaro, Susanna), The
Marriage of Figaro: Act IV. “Quickly, bring your weapons!” (Count, Figaro, Basilio, Curzio, Antonio, Bartolo, Susanna, Cherubino, Barbarina, Marcellina), The
Marriage of Figaro: Act IV. “That’s Barbarina! Who goes there?” (Figaro, Basilio, Bartolo), The
Marriage of Figaro: Act IV. “The pavilion on the right” (Barbarina), The
Marriage of Figaro: Act IV. “Treachery! Now I see how she has deceived me!” (Figaro, Countess, Cherubino), The
Marriage of Figaro: Act IV. “You foolish slaves of Cupid” (Figaro), The
Marriage of Figaro: Hear My Prayer, I Humbly Beg You, The
Marriage of Figaro: Overture, The
Marriage of Figaro: That's Amazing! How Did He React?, The
Medea in Corinto
Medea in Corinto: Act I, Scene I. Introduzione "Perche temi? A te l'amante" (Handmaidens, Creusa) / Scene II. "Principessa, a te corriamo" (Evandro, Corinthians, Creonte, Creusa, Handmaidens, All)
Medea in Corinto: Act I, Scene II. Introduzione "Cede"
Medea in Corinto: Act I, Scene III. "Fosti grande allor che apristi" (Corinthians, Handmaidens)
Medea in Corinto: Act I, Scene III. Aria "Ah! Se amante, se guerriero" (Giasone)
Medea in Corinto: Act I, Scene III. Aria "Di gloria all'invito" (Giasone, Corinthians)
Medea in Corinto: Act I, Scene III. Aria "Ogni perigio alfine" (Giasone, Creonte, Creusa) / Scene IV. "Amico, la mia sorte" (Giasone, Tideo)
Medea in Corinto: Act I, Scene V. Aria "Come! ? Sen riede, e il passo" (Medea) / "Fermati! E ascolta" (Corinthians, Medea) / Scene VII. "Son sola" (Medea)
Medea in Corinto: Act I, Scene VII. Aria "Sommi dei, che I giuramenti" (Medea)
Medea in Corinto: Act I, Scene VIII. Aria "Sventurata Medea! Quale di lutto" (Ismene, Giasone) Scene IX. "Fermati" (Medea, Giasone)
Medea in Corinto: Act I, Scene VIII. Duet "Cedi al destin, Medea" (Giasone, Medea)
Medea in Corinto: Act I, Scene X. Aria "Alfine io vi riveggo" (Egeo)
Medea in Corinto: Act I, Scene X. Aria "Io ti lasciai, piangendo" (Egeo)
Medea in Corinto: Act I, Scene XI. "M'inganno ? Oh cielo! ? Egeo? ?" (Tideo, Egeo)
Medea in Corinto: Act I, Scene XII. Finale Primo "Dolce figliuol d'Urania" (Priests, Maidens, Corinthians)
Medea in Corinto: Act I, Scene XIII. Finale Primo "Cara figlia! Prence amato!" (Creonte, Giasone, Creusa, Medea, Egeo, Priests, Maidens, Corinthians)
Medea in Corinto: Act I, Scene XIII. Finale Primo "Scendi Imene: in piu bel giorno" (Priests, Maidens, Corinthians, Medea, Egeo, Giasone, Creusa, Creonte)
Medea in Corinto: Act I. Overture
Medea in Corinto: Act II, Scene I. "Amiche, cingete" (Handmaidens, Corinthians, All)
Medea in Corinto: Act II, Scene II. Aria "Caro albergo, in cui felice" (Creusa, All)
Medea in Corinto: Act II, Scene II. Aria "Dio d'amor, che il sen m'accendi" (Creusa, All)
Medea in Corinto: Act II, Scene III. Aria "Eccoti, o figlia, a' lari tuoi. Deponi" (Creonte, Creusa, Evandro)
Medea in Corinto: Act II, Scene IV. "Dove mi guidi? E quale" (Ismene, Medea)
Medea in Corinto: Act II, Scene IX. Duet "Ah! Si caro e dolce accento" (Giasone, Creusa)
Medea in Corinto: Act II, Scene IX. Duet "Non palpitar, mia vita" (Giasone, Creusa)
Medea in Corinto: Act II, Scene V. Aria "Ogni piacer e spento" (Medea, Subterranean Voices)
Medea in Corinto: Act II, Scene VI. "Amico, a te soltanto obbligo io porto" (Creonte, Tideo, Creusa) / Scene VII. "Padre, per poch'istanti"
Medea in Corinto: Act II, Scene VIII. "Sembra che alfine secondi" (Creusa, Giasone) / Scene IX. Duet "Creusa, idolo mio. Meco dividi" (Giasone, Creusa)
Medea in Corinto: Act II, Scene X. Aria "Avverse, inique stelle" (Egeo)
Medea in Corinto: Act II, Scene X. Aria "I dolci contenti" (Egeo)
Medea in Corinto: Act II, Scene X. Duet "Ma qual fioco rumor! ? Pallida luce" (Egeo) / Scene XI. "Egeo! Prence? (Medeo, Egeo)
Medea in Corinto: Act II, Scene XI. Duet "Se il sangue, la vita" (Egeo, Medea)
Medea in Corinto: Act II, Scene XII. Aria "Amor, per te penai" (Giasone, Voices from Within) / Scene XIII. "Che perfidia!" (Corinthians, Handmaidens, Giasone, All)
Medea in Corinto: Act II, Scene XII. Aria "Grazie, nume d'amore! E alfin compito" (Giasone)
Medea in Corinto: Act II, Scene XIV. "Ebbene, Evandro?" (Tideo, Evandro
Medea in Corinto: Act II, Scene XV. "Ismene? o cara Ismene!" (Medea, Ismene, Voices)
Medea in Corinto: Act II, Scene XV. Aria "Ah! Che tento?? Oh figli miei!" (Medea, Distant Voices
Medea in Corinto: Act II, Scene XV. Aria "Miseri pargoletti" (Medea, Voices)
Medea in Corinto: Act II, Scene XVI. "Quale orror mi comprende! Appena io posso" (Ismene)
Medea in Corinto: Act II, Scene XVII. Finale Secondo "Era tua sposa: ah! Trucida" (Corinthians, Giasone, Creonte) / Scene XVIII. "Ah! Signor?" (Giasone, Creonte) / Scene XIX. "Gran periglio?" (Evandro, Tideo)
Medea in Corinto: Appendix Act I, Scene III. Aria "Di gloria all'invito" (Giasone, Corinthians, Handmaidens)
Medea in Corinto: Appendix Act I, Scene X. Cabaletta "Ma forse eccedono" (Egeo)
Medea in Corinto: Appendix Act II, Scene XI. Duet "Ah! D'un alma generosa" (Medea, Egeo)
Medea in Corinto: Appendix Act II, Scene XV. Aria "Ah! Che tento? ? Oh figli miei!" (Medea, Voices from Off-Stage)
Medea in Corinto: Appendix Act II, Scene XV. Aria "Miseri pargoletti" (Medea, Voices)
Medea in Corinto: Appendix Act II, Scene XV. Aria I"smene ? o cara Ismene!" (Medea, Ismene, Distant Voices)
Mephistopheles: Death of Marguerita "To the moonlit waves they cast him"
Messa da Requiem: Dies irae - Tuba mirum
Messiah, HWV 56: Hallelujah Chorus
Messiah, HWV 56: Hallelujah Chorus, The
Mikado: Act II: Yum-Yum's Song "The sun, whose rays", The
Motherland
Nabucco: Chorus of the Hebrew Slaves "Va', pensiero, sull'ali dorate"
Nabucco: Chorus of the Hebrew Slaves (Va, pensiero, sull’ali dorate)
On the Beautiful Blue Danube, Op. 314
Orchestral Suite No. 3 in D Major, BWV 1068: Air
Orchestral Suite no. 3 in D major, BWV 1068: II. Air
Otello
Pagliacci: Nedda and Silvio's Duet "Nedda!" - "My fate is in your hands" - "Then will you say why you have enslaved me"
Pagliacci: Nedda's Aria "His eyes were flashing with anger" - "Through the air they soar"
Pavane, op. 50
Peer Gynt Suite no. 1, op. 46: I. Morning Mood
Peer Gynt Suite no. 1, op. 46: IV. In the Hall of the Mountain King
Peer Gynt, Op. 23: In the Hall of the Mountain King
Perichole: Act III, First Tableau. “You Don’t Have Looks, You Don’t Have Cash”, La
Peter Grimes: Embroidery Aria
Piano Concerto no. 21 in C major, K. 467: II. Andante
Planets, op. 32: IV. Jupiter, the Bringer of Jollity, The
Pomp and Circumstance, op. 39: I. Land of Hope and Glory
Pomp and Circumstance, Op. 39: Land of Hope and Glory
pont des soupirs: Ah, qu’il était doux mon beau rêve!, Le
Queen of Spades: Lisa's Aria "You need not close the windows just yet" - "Oh why am I so tearful", The
Queen of Spades: Lisa's Scene and Arioso "It's nearly midnight now", The
Radetzky March, op. 228
Radetzky March, Op. 228 (from Kate & Leopold)
Requiem, K. 626: Lacrimosa dies illa (from The Big Lebowski)
Requiem, K. 626: Part III, VI. Lacrimosa dies illa
Rodelinda: If My Pain, My Bitter Sighing
Rosenkavalier (highlights), Der
Rosenkavalier: Act I. “Ah, there he goes…” (Marschallin, Octavian), Der
Rosenkavalier: Act I. “Ah! You are back again!” (Marschallin, Octavian), Der
Rosenkavalier: Act I. “For time is a mysterious thing” (Marschallin, Octavian), Der
Rosenkavalier: Act I. “How are were! How you are!” (Octavian, Marschallin), Der
Rosenkavalier: Act I. “I'll go now, go to church, and pray” (Marschallin, Octavian), Der
Rosenkavalier: Act I. “My dearest love, why do you torture yourself” (Marschallin, Octavian), Der
Rosenkavalier: Act I. Introduction, Der
Rosenkavalier: Act II. “Here I am” (Ochs, Servants, Annina), Der
Rosenkavalier: Act II. “Here” (Ochs, Annina), Der
Rosenkavalier: Act II. “In this most wonderful and serious moment” (Sophie, Marianne, Footmen), Der
Rosenkavalier: Act II. “It is an honour, an enchantment” (Octavian, Sophie), Der
Rosenkavalier: Act II. Introduction “A solemn day, a wondrous day” (Faninal, Marianne, Major-Domo), Der
Rosenkavalier: Act III. “Bliss is too deep to understand” (Octavian, Sophie, Faninal, Marschallin), Der
Rosenkavalier: Act III. “Bliss is too deep to understand” (Octavian, Sophie), Der
Rosenkavalier: Act III. “Leupold, let’s go” (Ochs, Annina, Children, Waiters, Landlord, Valzacchi, Musicians, Coachmen, Boots), Der
Rosenkavalier: Act III. “Marie Theres’, how good you are” (Octavian, Marschallin, Sophie), Der
Rosenkavalier: Act III. “Now or tomorrow; if not tomorrow, very soon” (Marschallin, Sophie, Octavian), Der
Rosenkavalier: Act III. “Oh God! The story was a masquerade and no more” (Sophie, Octavian, Marschallin), Der
Sailors Hornpipe
Salling By
Seascapes for Viola and Orchestra: I. Abandoned Lighthouse
Seascapes for Viola and Orchestra: II. Lonely Sail
Seascapes for Viola and Orchestra: III. Gathering Storm
Seascapes for Viola and Orchestra: IV. Summer Hail
Serenade no. 13 in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro
Serenade No. 13 in G Major, K. 525, "Eine Kleine Nachtmusik": Allegro (from There's Something About Mary)
Serenade No. 13 in G Major, K. 525, "Eine kleine Nachtmusik": I. Allegro
Sound of Music: Climb Ev'ry Mountain, The
String Quintet in E major, op. 13: Minuet
String Quintet in E Major, Op. 13: Minuet (from The Dark Knight)
Swan Lake Suite, Op. 20: Scéne
Symphony No. 40 in G Minor, K. 550: Allegro molto
Symphony no. 40 in G minor, K. 550: I. Allegro molto
Symphony no. 5 in C minor, op. 67 "Fate": Allegro con brio
Symphony No. 5 in C Minor, Op. 67, "Fate": Allegro con brio
Symphony No. 5 in C-Sharp Minor: IV. Adagietto
Symphony No. 5: Adagietto (from Death in Venice)
Symphony no. 5: IV. Adagietto
Symphony no. 9 in D minor, op. 125 "Choral": Ode an die Freude
Symphony no. 9 in E minor, op. 95 "From the New World": II. Largo
Symphony No. 9 in E Minor, Op. 95, "From the New World": Largo
Tales of Hoffman: Barcarolle, The
Tales of Hoffmann: Barcarolle (from Life Is Beautiful), The
Tannhäuser: Almighty Virgin
Thaïs: Méditation
Thieving Magpie: Overture (excerpt), The
Thieving Magpie: Spring Is Returning, The
Three Pieces for String Orchestra, WV 5, op. 6: I. Elegie im Stile Edward Griegs. Allegretto
Three Pieces for String Orchestra, WV 5, op. 6: II. Menuetto im alten Stil. Tempo di Menuetto
Three Pieces for String Orchestra, WV 5, op. 6: III. Pipa tanzt. Allegro moderato
Tosca
Tosca: Act III. Quickly Up! Mario!
tote Stadt: My Joy Lives in You, Die
Two Songs for My Children: I. Lullaby for Mark
Two Songs for My Children: II. Natalie’s Waltz
Valkyrie: Ride of the Valkyries, The
Violins of Saint-Jacques: Berthe's Song "How can I explain to you", The
Vocalise, op. 34
Walküre (The Valkyrie), Act 3: Ride of the Valkyries, Die
Walkürie (The Valkyrie), Act 3: Ride of the Valkyries [Concert Version], Die
Wally: Wally's Aria "I'll float into the distance", La
Well Tempered Chanson: I. Murka Metamorphoses
Well Tempered Chanson: II. Trans-Siberian Waltz
Well Tempered Chanson: III. 7:40 Samba
Well Tempered Chanson: IV. Baroken Love
Well Tempered Chanson: IX. Nostalgic Waltz
Well Tempered Chanson: V. Last Penny
Well Tempered Chanson: VI. Odessa Walk
Well Tempered Chanson: VII. Buenos Aires Bonbons
Well Tempered Chanson: VIII. Chicken Tarantella
Well Tempered Chanson: X. Buggy Bossa Nova
Well Tempered Chanson: XI. Semi-Cannonical Great Feud
Well Tempered Chanson: XII. Lament
Well Tempered Chanson: XIII. Murka Variations
Zauberflöte (The Magic Flute), K. 620: Overture, Die
Notes: 
Sources: 
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CDR
IPDA
NTA
SNDEXCH