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Person
ISNI: 
0000 0001 2118 1099
Name: 
B. Britten
Baron Britten of Aldeburgh
Bendžamin Britn
Bendžamins Britens (angļu komponists, diriģents un pianists)
Beniaminus Britten
Benjamin Britten
Benjamin Britten (angol zeneszerző, karmester, zongorista)
Benjamin Britten (Brits dirigent (1913-1976))
Benjamin Britten (brytyjski kompozytor i pianista)
Benjamin Britten (compositeur, chef d'orchestre, altiste et pianiste britannique)
Benjamin Britten (compositore, direttore d'orchestra e pianista britannico)
Benjamin Britten (englischer Komponist)
Benjamin Britten (English composer, conductor, and pianist)
Britens, Bendžamins
Britten, ..
Britten, B.
Britten, Bendžamin
Britten, Bendzhamin
Britten, Benjamin,
Britten, Benjamin (componist, dirigent, pianist)
Britten Benjamin Edvard
Britten, Benjamin (English composer, 1913-1976)
Britten, Edward B.
Britten, Edward Benjamin
Britten, Edward Benjamin (componist, dirigent, pianist)
Britten, Edward Benjamin (Vollstaendiger Name)
Britŭn, B.
Britŭn, Bendzhamin
Buriten, Benjamin
Edward Benjamin Britten
Edward Benjamin Britten (Komposer Inggris)
Μπέντζαμιν Μπρίτεν
Бенджамин Бриттен
Бенджамин Бритън
Бенджамін Бріттен
Бенџамин Бритен
Бенџамин Бритн
Бриттен
Бриттен, Б
Бриттен, Бенджамин
Բենջամեն Բրիտտեն
בנג'מין בריטן
בריטן, בנג'מין
بنجامين بريتن
بنجامین بریتن
벤저민 브리튼
ブリテン
ブリテン, ベンジャミン
ブリトン, B
ベンジャミン・ブリテン
斑傑文·布烈頓
本杰明·布里顿
班傑明·布瑞頓
Dates: 
1913-1976
Creation class: 
a
bm
c
Computer file
cre
Kit
Language material
Manuscript language material
Manuscript notated music
Musical sound recording
Nonmusical sound recording
Notated music
Projected medium
Text
Creation role: 
adapter
arranger
author
composer
conductor
contributor
creator
editor
librettist
musician
performer
Related names: 
Auden, W. H. (1907-1973)
Auden, Wystan Hugh (1907-1973)
Bedford, Steuart
Boosey & Hawkes
Britten, Benjamin (1913-1976)
Decca record company
English Chamber Orchestra
English opera group (see also from)
For 4 sopranos
Langridge, Philip
London Symphony Orchestra
Naxos Digital Services
Papandopulo, Boris
Pears, Peter
Pears, Peter (1910-1986; Beziehung familiaer; see also from)
Pears, Peter (1910-1986)
Phipps, Martin (1968-; Beziehung familiaer; see also from)
Portugal. Instituto Português do Património Cultural. Departamento de Musicologia
Schubert, Franz (1797-1828)
Shirley-Quirk, John
Shirley-Quirk, John (1931-...)
Thomson, Bryden (1928-1991)
Zeitouni, Jean-Marie
Zhembrovskyy, Alexander
三省堂
Titles: 
1967 Recording Of "The Burning Fiery Furnace": 1I. Culshaw Reflects On Recording Techniques, The
1967 Recording Of "The Burning Fiery Furnace": 1II. The Burning Fiery Furnace & The Angel, The
1967 Recording Of "The Burning Fiery Furnace": 1III. End Credits, The
1967 Recording Of "The Burning Fiery Furnace": II. The Opening Procession, The
1967 Recording Of "The Burning Fiery Furnace": IX. The Instrumental Procession Re-Take & James Blades Re-Visited, The
1967 Recording Of "The Burning Fiery Furnace": V. The Village Speaks, The
1967 Recording Of "The Burning Fiery Furnace": VIII. James Blades & The Percussion, The
1967 Recording Of "The Burning Fiery Furnace": X. The God Of Gold, The
2 Insect Pieces: I. The Grasshopper
2 Insect Pieces: II. The Wasp
2 Two-Part Songs: I. I Lov'd a Lass
2 Two-Part Songs: II. Lift Boy
5 Flower Songs, op. 47: I. To Daffodils
5 Flower Songs, op. 47: II. The Succession of the Four Sweet Months
5 Flower Songs, op. 47: III. Marsh Flowers
5 Flower Songs, op. 47: IV. The Evening Primrose
5 Flower Songs, op. 47: V. Ballad of Green Broom
6 Hölderlin Fragments, op. 61: I. Menschenbeifall
6 Hölderlin Fragments, op. 61: II. Die Heimat
6 Hölderlin Fragments, op. 61: III. Sokrates und Alcibiades
6 Hölderlin Fragments, op. 61: IV. Die Jugend
6 Hölderlin Fragments, op. 61: V. Hälfte des Lebens
6 Hölderlin Fragments, op. 61: VI. Die Linien des Lebens
6 Metamorphoses after Ovid, op. 49: I. Pan
6 Metamorphoses after Ovid, op. 49: II. Phaeton
6 Metamorphoses after Ovid, op. 49: III. Niobe
6 Metamorphoses after Ovid, op. 49: IV. Bacchus
6 Metamorphoses after Ovid, op. 49: V. Narcissus
6 Metamorphoses after Ovid, op. 49: VI. Arethusa
A. M. D. G. (Ad Majorem Dei Gloriam), for chorus, Op. 17: God's Grandeur
A. M. D. G. (Ad Majorem Dei Gloriam), for chorus, Op. 17: Heaven-Haven
A. M. D. G. (Ad Majorem Dei Gloriam), for chorus, Op. 17: O deus, ego amo te
A. M. D. G. (Ad Majorem Dei Gloriam), for chorus, Op. 17: Prayer 1
A. M. D. G. (Ad Majorem Dei Gloriam), for chorus, Op. 17: Prayer 2
A. M. D. G. (Ad Majorem Dei Gloriam), for chorus, Op. 17: Rosa Mystica
A. M. D. G. (Ad Majorem Dei Gloriam), for chorus, Op. 17: The Soldier
A. M. D. G. BTC 865
A.M.D.G.: Prayer I
A.M.D.G.: Prayer II
À une raison
Advance democracy
Albert Herring BTC 1009 Church yard's agog with a crowd of folk
Albert Herring BTC 1009 Tickling a trout
Albert Herring BTC 1009 Virtue, says Holy Writ
Albert Herring. Come along, darling, come follow me quick!
Albert Herring, op. 39: Act I, Scene I. "Beggin' your pardon" (Superintendent Budd)
Albert Herring, op. 39: Act I, Scene I. "Doctor Jessop's midwife" (Florence)
Albert Herring, op. 39: Act I, Scene I. "Flor-ence!...tell the midwife!" (Lady Billows)
Albert Herring, op. 39: Act I, Scene I. “I hope we’re not too early, Florence?” (Miss Wordsworth)
Albert Herring, op. 39: Act I, Scene I. Interlude
Albert Herring, op. 39: Act I, Scene I. "Is this all you can bring?" (Lady Billows)
Albert Herring, op. 39: Act I, Scene I. "Now then! Notebook, Florence!" (Lady Billows)
Albert Herring, op. 39: Act I, Scene I. "Right! We'll have him!" (Lady Billows)
Albert Herring, op. 39: Act I, Scene I. "Stuffy!" (Lady Billows)
Albert Herring, op. 39: Act I, Scene I. "The first suggestion on my list" (Vicar)
Albert Herring, op. 39: Act I, Scene II. "Bounce me high" (Kids)
Albert Herring, op. 39: Act I, Scene II. "Good morning, young man" (Florence)
Albert Herring, op. 39: Act I, Scene II. "He's much too busy" (Albert)
Albert Herring, op. 39: Act I, Scene II. "Meet me at a quarter past eight" (Sid)
Albert Herring, op. 39: Act I, Scene II. "Shop! Hi! Albert!" (Sid)
Albert Herring, op. 39: Act I, Scene II. "Tickling a trout" (Sid)
Albert Herring, op. 39: Act I, Scene II. "We bring great news to you" (Lady Billows)
Albert Herring, op. 39: Act II, Scene I. "As representing the local Council" (Mayor)
Albert Herring, op. 39: Act II, Scene I. "Er-humph! Er-humph! I'm no great shakes" (Superintendent Budd)
Albert Herring, op. 39: Act II, Scene I. "For three precious weeks" (Florence)
Albert Herring, op. 39: Act II, Scene I. "Here they are dears!" (Miss Wordsworth)
Albert Herring, op. 39: Act II, Scene I. "I'm full of happiness" (Lady Billows)
Albert Herring, op. 39: Act II, Scene I. Interlude
Albert Herring, op. 39: Act II, Scene I. "Isn't he here?" (Florence)
Albert Herring, op. 39: Act II, Scene I. "My flowers are few" (Harry)
Albert Herring, op. 39: Act II, Scene I. "My heart leaps up with joy" (Miss Wordsworth)
Albert Herring, op. 39: Act II, Scene I. "Quickly, quickly, come along!" (Miss Wordsworth)
Albert Herring, op. 39: Act II, Scene I. "Well tried, Albert!" (Vicar)
Albert Herring, op. 39: Act II, Scene II. "Albert the Good!" (Albert)
Albert Herring, op. 39: Act II, Scene II. "Heaven helps those who help themselves!" (Albert)
Albert Herring, op. 39: Act II, Scene II. "You oughtn't to whistle!" (Nancy)
Albert Herring, op. 39: Act III. "Albert...!" (All)
Albert Herring, op. 39: Act III. "Albert's come back to stay" (Nancy, Sid, Emmie, Cis, Harry)
Albert Herring, op. 39: Act III. "Fools! Fools! Blundering fools!" (Lady Billows)
Albert Herring, op. 39: Act III. "Give me a decent murder with a corpse!" (Superintendent Budd)
Albert Herring, op. 39: Act III. "Have you found him?" (Mum)
Albert Herring, op. 39: Act III. "I can't remember everything" (Albert)
Albert Herring, op. 39: Act III. "I'm hungry, I'm tired" (Sid)
Albert Herring, op. 39: Act III. "I'm sorry about that" (Albert)
Albert Herring, op. 39: Act III. "In the midst of life is death" (All)
Albert Herring, op. 39: Act III. Introduction
Albert Herring, op. 39: Act III. "Is she asleep?" (Emmie)
Albert Herring. Op. 39 (wybór)
Albert Herring What would Missus Herring say
Alla Marcia, for string quartet
Alpine Suite for Recorder Trio: I. Arrival at Zermatt
Alpine Suite for Recorder Trio: II. Swiss Clock (Romance)
Alpine Suite for Recorder Trio: III. Nursery Slopes
Alpine Suite for Recorder Trio: IV. Alpine Scene
Alpine Suite for Recorder Trio: V. Moto Perpetuo: Down the Piste
Alpine Suite for Recorder Trio: VI. Farewell to Zermatt
AMDG: God's Grandeur
AMDG: Heaven-Haven
AMDG: O deus, ego amo te
AMDG: Prayer I
AMDG: Prayer II
AMDG: Rosa Mystica
AMDG: The Soldier
American overture BTC 897
American Overture, op. 27, An
Antiphon BTC 1057
Antiphon, op. 56b
Antiphonen op. 56b
Arethusa (feat. oboe: George Caird)
Arethusa (feat. oboe: Joy Boughton)
Arethusa (feat. oboe: Nicholas Daniel)
Arrangements [Purcell, Henry. Chaconnes. Cordes (4). Z 730. Sol mineur] Quatuor à cordes ou orchestre à cordes BTC 1015
Arrangements [Purcell, Henry. Evening hymn. Z 193] Voix élevée, piano BTC 958
Arrangements [Purcell, Henry. Job's curse. Z 191] Voix élevée, piano BTC 1017
Arrangements [Purcell, Henry. Lord, what is man ?. Z 192] Voix élevée ou moyenne, piano BTC 981
As It Is, Plenty
ash grove BTC 890
Ash Grove (feat. tenor: Ian Bostridge, piano: Julius Drake), The
Ash Grove, for voice & piano (Folk Songs, Vol. 1), The
At the mid hour of night BTC 1067
Aube
Avenging and bright BTC 1063
Bacchus (feat. oboe: George Caird)
Bacchus (feat. oboe: Joy Boughton)
Bacchus (feat. oboe: Nicholas Daniel)
Ballad of heroes BTC 860
Ballad of Heroes, for high voice, chorus & orchestra, Op. 14: 1. Funeral March
Ballad of Heroes, for high voice, chorus & orchestra, Op. 14: 2. Scherzo
Ballad of Heroes, for high voice, chorus & orchestra, Op. 14: 3. Recitative and Choral
Ballad of Heroes, op. 14: I. Funeral March
Ballad of Heroes, op. 14: II. Scherzo: Dance of Death
Ballad of Heroes, op. 14: III. Recitative and Choral
Ballad of Little Musgrave and Lady Barnard, for male chorus & piano
ballad of little Musgrave and Lady Barnard, The
ballades Voix (2), piano BTC 816
Ballads (2), for 2 voices & piano: 1. Mother Comfort
Ballads (2), for 2 voices & piano: 2. Underneath the Abject Willow
Ballads, voices (2), piano. Mother Comfort
Ballads, voices (2), piano. Underneath the abject willow
Balulalow
BBC Music, Volume 21, Number 4: War Requiem (BBC Scottish Symphony)
Before Life & After (tenor: Mark Padmore piano: Roger Vignoles)
Beggar's Opera: Act 1, "And now our scene changes..." / no. 19 "Fill ev'ry glass", The
Beggar's Opera: Act 1, "But to be sure, sir..." / no. 24 "The gamesters and lawyers are jugglers alike" / no. 25 "At the tree I shall suffer with pleasure", The
Beggar's Opera: Act 1, "Dear Mrs Coaxer, you're welcome!" / no. 22 "Youth's the season made for joys", The
Beggar's Opera: Act 1, "I know as well as any of the fine ladies..." / no. 6 "Virgins are like the fair flower in its lustre", The
Beggar's Opera: Act 1, "It is your own choice..." / no. 23 "Before the barn-door crowing", The
Beggar's Opera: Act 1, no. 1 "Through all the employments of life", The
Beggar's Opera: Act 1, no. 10 "I, like a ship in storms, was tossed", The
Beggar's Opera: Act 1, no. 11 "A fox may steal your hens, sir", The
Beggar's Opera: Act 1, no. 12 "O ponder well, be not severe" / no. 13 "The turtle thus with plaintive crying", The
Beggar's Opera: Act 1, no. 14 (Melodrama) "Now I am a wretch indeed!" / "Pretty Polly say", The
Beggar's Opera: Act 1, no. 15 "My heart was so free", The
Beggar's Opera: Act 1, no. 16 "Were I laid on Greenland's coast", The
Beggar's Opera: Act 1, no. 17 "O! what pain it is to part!", The
Beggar's Opera: Act 1, no. 18 "The miser thus a shilling sees", The
Beggar's Opera: Act 1, no. 2 "'Tis woman seduces all mankind", The
Beggar's Opera: Act 1, no. 21 "If the heart of a man is depressed with cares", The
Beggar's Opera: Act 1, no. 4 "If Love the virgin's heart invade", The
Beggar's Opera: Act 1, no. 5 "A Maid is like the golden ore", The
Beggar's Opera: Act 1, no. 7 "Our Polly is a sad slut!", The
Beggar's Opera: Act 1, no. 8 "Can love be controlled by advice?", The
Beggar's Opera: Act 1, "Success attend you!" / no. 20 "Let us take the road", The
Beggar's Opera: Act 1, "The girl shows such a readiness..." / no. 9 "O Polly, you might have toyed and kissed"", The
Beggar's Opera: Act 1, Women are bitter bad judges... / no. 3 "If any wench Venus' girdle wear", The
beggar's opera BTC 1018
Beggar's Opera: Introduction "If poverty be a title to poetry", The
Beggar's Opera: Introduction, Overture, The
Beggar's Opera, Realised Britten, op. 43, Act 1: A fox may steal your hens, sir, The
Beggar's Opera, Realised Britten, op. 43, Act 1: A maid is like the golden ore, The
Beggar's Opera, Realised Britten, op. 43, Act 1: "And Now Our Scene Changes...Fill Ev'ry Glass", The
Beggar's Opera, Realised Britten, op. 43, Act 1: Can love be controll'd by advice, The
Beggar's Opera, Realised Britten, op. 43, Act 1: I know as well...Virgins are like the fair flower in its lustre, The
Beggar's Opera, Realised Britten, op. 43, Act 1: I, like a ship in storms, was tossed, The
Beggar's Opera, Realised Britten, op. 43, Act 1: If Love the virgin's heart invade, The
Beggar's Opera, Realised Britten, op. 43, Act 1: My heart was so free, The
Beggar's Opera, Realised Britten, op. 43, Act 1: Now I am a wretch indeed...Pretty Polly say, The
Beggar's Opera, Realised Britten, op. 43, Act 1: O ponder well...The turtle thus with plaintive cryingbe not severe, The
Beggar's Opera, Realised Britten, op. 43, Act 1: O! what pain it is to part!, The
Beggar's Opera, Realised Britten, op. 43, Act 1: Our Polly is a sad slut, The
Beggar's Opera, Realised Britten, op. 43, Act 1: The girl shows...O Polly, you might have toyed..., The
Beggar's Opera, Realised Britten, op. 43, Act 1: The miser thus a shilling sees, The
Beggar's Opera, Realised Britten, op. 43, Act 1: Through all the employments of life, The
Beggar's Opera, Realised Britten, op. 43, Act 1: 'Tis woman seduces all mankind, The
Beggar's Opera, Realised Britten, op. 43, Act 1: Were I laid on Greenland's coast, The
Beggar's Opera, Realised Britten, op. 43, Act 1: Women are bitter bad judges...If any wench Venus' girdle wear, The
Beggar's Opera, Realised Britten, op. 43, Act 2: But to be sure...The gamesters...At the tree I shall, The
Beggar's Opera, Realised Britten, op. 43, Act 2: Dear Mrs Coaxer, you're welcome...Youth's the season, The
Beggar's Opera, Realised Britten, op. 43, Act 2: Fortune be with you, Lucy, The
Beggar's Opera, Realised Britten, op. 43, Act 2: If the heart of a man is depressed with cares, The
Beggar's Opera, Realised Britten, op. 43, Act 2: Is then his fate decreed, sir?, The
Beggar's Opera, Realised Britten, op. 43, Act 2: It is the pleasure...How cruel are the traitors, The
Beggar's Opera, Realised Britten, op. 43, Act 2: It is your own choice...Before the barn door crowing, The
Beggar's Opera, Realised Britten, op. 43, Act 2: No pow'r on earth can e'er divide, The
Beggar's Opera, Realised Britten, op. 43, Act 2: Noble Captain...Man may escape from rope and gun gunwelcome once more, The
Beggar's Opera, Realised Britten, op. 43, Act 2: O Macheath!...Thus when the swallow, The
Beggar's Opera, Realised Britten, op. 43, Act 2: Really, Miss Peachum, you expose yourself...Cease..., The
Beggar's Opera, Realised Britten, op. 43, Act 2: Shall I not claim my own?...How happy could I be..., The
Beggar's Opera, Realised Britten, op. 43, Act 2: Success attend you...Let us take the road, The
Beggar's Opera, Realised Britten, op. 43, Act 2: The first time at the looking-glass, The
Beggar's Opera, Realised Britten, op. 43, Act 2: Thus when a good housewife sees a rat, The
Beggar's Opera, Realised Britten, op. 43, Act 2: When you censure the age, The
Beggar's Opera, Realised Britten, op. 43, Act 2: Why how now, Madam Flirt?, The
Beggar's Opera, Realised Britten, op. 43, Act 3: A curse attends a woman's love, The
Beggar's Opera, Realised Britten, op. 43, Act 3: And Macheath, at liberty and at large...The modes..., The
Beggar's Opera, Realised Britten, op. 43, Act 3: And those two good old friends, The
Beggar's Opera, Realised Britten, op. 43, Act 3: Bring us then more liquor!...What Gudgeons are we..., The
Beggar's Opera, Realised Britten, op. 43, Act 3: But all scores have a reckoning, The
Beggar's Opera, Realised Britten, op. 43, Act 3: But perhaps he hath a heart...Among the men coquets, The
Beggar's Opera, Realised Britten, op. 43, Act 3: Come, sweet lass, let's banish sorrow, The
Beggar's Opera, Realised Britten, op. 43, Act 3: Dear, dear father...When my hero in court appears, The
Beggar's Opera, Realised Britten, op. 43, Act 3: Dear, sir, mention not my education...When young at the bar..., The
Beggar's Opera, Realised Britten, op. 43, Act 3: In the days of my youth, The
Beggar's Opera, Realised Britten, op. 43, Act 3: Jealousy, rage, love and fear...I'm like a skiff, The
Beggar's Opera, Realised Britten, op. 43, Act 3: O cruel, cruel case, The
Beggar's Opera, Realised Britten, op. 43, Act 3: Oh sir, if Peachum's heart...When he holds up, The
Beggar's Opera, Realised Britten, op. 43, Act 3: Ourselves, like the great, The
Beggar's Opera, Realised Britten, op. 43, Act 3: Thus gamesters united in friendship, The
Beggar's Opera, Realised Britten, op. 43, Act 3: Thus I stand like the Turk, The
Beggar's Opera, Realised Britten, op. 43, Act 3: Ungrateful Macheath!, The
Beggar's Opera, Realised Britten, op. 43, Act 3: We are ready, sir...The charge is prepared, The
Beggar's Opera, Realised Britten, op. 43, Act 3: What do I see! Oh! Macheath...Hither, dear husband, The
Beggar's Opera, Realised Britten, op. 43, Act 3: Which way shall I turn me, The
Beggar's Opera, Realised Britten, op. 43, Act 3: Would I might be hanged!, The
Beggar's Opera, Realised Britten, op. 43, Prologue: If poverty be a title to poetry, The
Beggar's Opera, Realised Britten, op. 43, Prologue: Overture, The
Begone, dull care!
belle est au jardin d'amour, for voice & piano (Folk Songs, Vol. 2), La
Benjamin Britten in conversation with Donald Mitchell: Composing
Benjamin Britten in conversation with Donald Mitchell: Dreams
Benjamin Britten in conversation with Donald Mitchell: Map-reading
Benjamin Britten in conversation with Donald Mitchell: Opera
Benjamin Britten in conversation with Donald Mitchell: Teaching
berceuses Pianos (2) BTC 802
Best of Britten, The
Beware ! BTC 47
Beware!, early songs (3) for medium voice & piano: 1. Beware!
Beware!, early songs (3) for medium voice & piano: 2. O that I had ne'er been married
Beware!, early songs (3) for medium voice & piano: 3. Epitaph: The Clerk
Billy Budd: Act 2, Scene 3, Farewell Scene (excerpt)
Billy Budd: Act 3, Coda, Vivace - Valse, Divertissement
Billy Budd: Act 3, Scene 2, Adagio
Billy Budd: Act I: Prologue
Billy Budd: Act I Scene 1: "Billy Budd, king of the birds!"
Billy Budd: Act I Scene 1: "Christ, the poor chap, the poor little runt!"
Billy Budd: Act I Scene 1: "Come along, kid!"
Billy Budd: Act I Scene 1: "I heard, your honour!"
Billy Budd: Act I Scene 1: "Pull, my bantams"
Billy Budd: Act I Scene 1: "Send for John Claggart!"
Billy Budd: Act I Scene 1: "Vere! Vere! - Officers and men..."
Billy Budd: Act I, Scene I. "Billy Budd, king of the birds!"
Billy Budd: Act I, Scene I. "Boat Ahoy!"
Billy Budd: Act I, Scene I. "Christ! the poor chap"
Billy Budd: Act I, Scene I. "Come along kid! Come along!"
Billy Budd: Act I, Scene I. "First man forward!"
Billy Budd: Act I, Scene I. "Guard boat! Indomitable!"
Billy Budd: Act I, Scene I. "I hear, your honour!"
Billy Budd: Act I, Scene I. "I heard, your honour!"
Billy Budd: Act I, Scene I. "Pull, me bantams!"
Billy Budd: Act I, Scene I. "Pull, my bantams!"
Billy Budd: Act I, Scene I. "Starry Vere we call him"
Billy Budd: Act I, Scene I. "What's that? What's those whistles?"
Billy Budd: Act I, Scene I. "Your name?"
Billy Budd: Act I, Scene II. "Ay, at Spithead..."
Billy Budd: Act I, Scene II. "Boy!"
Billy Budd: Act I, Scene II. "Gentlemen, the King!"
Billy Budd: Act I, Scene II. "We are, sir. Claggart is an able one"
Billy Budd: Act I, Scene III. "Billy!... Hist! Billy Budd!"
Billy Budd: Act I, Scene III. "Blow her away."
Billy Budd: Act I, Scene III. "Come here. Remember your promise"
Billy Budd: Act I, Scene III. "Dansker, old friend, glad to see you"
Billy Budd: Act I, Scene III. "Hi! You ... a... a...!"
Billy Budd: Act I, Scene III. "Over the water..."
Billy Budd: Act I, Scene III. "We're off to Samoa..."
Billy Budd: Act II Scene 1: "Don't like the French!"
Billy Budd: Act II Scene 1: "My compliments..."
Billy Budd: Act II Scene 1: "Oh, that's nothing"
Billy Budd: Act II Scene 2: "Billy! Hist, Billy Budd!"
Billy Budd: Act II Scene 2: "Blow her away..."
Billy Budd: Act II Scene 2: "Come here! Remember your promise"
Billy Budd: Act II Scene 2: "Come out of that!"
Billy Budd: Act II Scene 2: "Dansker, old friend"
Billy Budd: Act II Scene 2: "Here lads!"
Billy Budd: Act II Scene 2: "O beauty, o handsomeness"
Billy Budd: Act II, Scene I. "Deck ahoy!"
Billy Budd: Act II, Scene I. "I don't like the look of the mist..."
Billy Budd: Act II, Scene I. "O this cursed mist!"
Billy Budd: Act II, Scene I. "Oh, this cursèd mist!"
Billy Budd: Act II, Scene I. "There you are again, Master-at-arms"
Billy Budd: Act II, Scene I. "Volunteers! Call for boarding volunteers!"
Billy Budd: Act II, Scene I. "Who'll volunteer to board 'em"
Billy Budd: Act II, Scene I. "With great regret I must disturb your honour."
Billy Budd: Act II, Scene II. "Claggart, John Claggart, beware!"
Billy Budd: Act II, Scene II. "Gentlemen, William Budd here..."
Billy Budd: Act II, Scene II. "God o' mercy!"
Billy Budd: Act II, Scene II. "I accept their verdict."
Billy Budd: Act II, Scene II. "Master-at-Armas and foretopman..."
Billy Budd: Act II, Scene II. "Master-at-arms and foretopman"
Billy Budd: Act II, Scene II. "Poor fellow, who could save him?"
Billy Budd: Act II, Scene II. "William Budd, you are accused..."
Billy Budd: Act II, Scene III. "And farewell to ye, old Rights o' Man!"
Billy Budd: Act II, Scene III. "Here! Baby!"
Billy Budd: Act II, Scene III. Interlude
Billy Budd: Act II, Scene III. "Look!"
Billy Budd: Act II, Scene IV. "According to the Articles of War..."
Billy Budd: Act II, Scene IV. "Down all hands!"
Billy Budd: Act II, Scene IV. "Interlude"
Billy Budd: Act III, Scene 1: "All guns ready, Sir!"
Billy Budd: Act III, Scene 1: "Deck ahoy!"
Billy Budd: Act III, Scene 1: "I don't like the look of the mist"
Billy Budd: Act III, Scene 1: "Nay, nay, you're mistaken"
Billy Budd: Act III, Scene 1: "There are you again, Master-at-Arms"
Billy Budd: Act III, Scene 2: "Claggart, John Claggart, beware!"
Billy Budd: Act III, Scene 2: "God o'mercy!"
Billy Budd: Act III, Scene 2: "I accept their verdict"
Billy Budd: Act III, Scene 2: "Poor fellow, who could save him?"
Billy Budd: Act III, Scene 2: "William Budd, you are accused"
Billy Budd: Act III, Scene 2: "You wanted to see me"
Billy Budd: Act IV, Scene 1: "According to the Articles of War"
Billy Budd: Act IV, Scene 1: "And farewell to ye"
Billy Budd: Act IV, Scene 1: "Look!... Through the port comes the moonshine astray!"
Billy Budd: Act IV, Scene 1: "Starry Vere"
Billy Budd: Act IV, Scene 1: "We committed his body to the deep"
Billy Budd BTC 1038.1 Act 2 I had to strike down that Jemmy Legs
Billy Budd BTC 1038.1 Act 2 Jemmy Legs likes me
Billy Budd BTC 1038.1 Act 2 Look ! through the port comes the moonshine astray !
Billy Budd: Epilogue. "We committed his body to the deep."
Billy Budd: Look! Through the port comes the moon-shine astray! (Billy)
Billy Budd, opera, op. 50: Interlude and Sea Shanties
Billy Budd: Prologue "I am an old man..."
Bird Scarer's Song
Birds, The
birds Voix moyenne, piano BTC 631.1
birthday Hansel BTC 1163
Birthday Hansel, op. 89, A
Birthday Hansel, op. 92, A
Birthday song for Erwin BTC 974
Bitter Withy, The
Bonny At Morn
Bonny Earl o'Moray: arr. Benjamin Britten, The
bonny Earl o'Moray BTC 879
Bonny Earl o' Moray, for voice & piano (Folk Songs, Vol. 1), The
Boy Was Born - 2 Lullay, Jesu, A
Boy Was Born - 4 Jesu, as Thou Art Our Saviour, A
Boy Was Born - 5 The Three Kings, A
Boy Was Born - 6 In the Bleak Mid-winter, A
Boy Was Born - 7 Noel!, A
Boy was born BTC 753
Boy Was Born, choral variations for mixed voices, Op. 3: Theme. A Boy was Born, A
Boy Was Born, choral variations for mixed voices, Op. 3: Variation 1. Lullay, Jesu, A
Boy Was Born, choral variations for mixed voices, Op. 3: Variation 2. Herod, A
Boy Was Born, choral variations for mixed voices, Op. 3: Variation 3. Jesu, as Thou art our Saviour, A
Boy Was Born, choral variations for mixed voices, Op. 3: Variation 4. The Three Kings, A
Boy Was Born, choral variations for mixed voices, Op. 3: Variation 5. In the Bleak Mid-Winter, A
Boy Was Born, choral variations for mixed voices, Op. 3: Variation 6. Noël!, A
boy was born. Fassung 1955
boy was born, op. 3: A Boy Was Born (theme), A
boy was born, op. 3: Variation 6: Finale: Noel!, A
Boy Was Born, op. 3: Variation I. Lullay, Jesu, A
Boy Was Born, op. 3: Variation II. Herod, A
Boy Was Born, op. 3: Variation III. Jesu, as Thou art our Saviour, A
Boy Was Born, op. 3: Variation IV. The three kings, A
Boy Was Born, op. 3: Variation V. In the bleak mid-winter, A
Boy Was Born, op. 3: Variation VI (Finale). Noel!, A
Brisk Young Widow: Arr. Britten, A
brisk young widow BTC 1045
Britten at Aldeburgh
Britten: Choral Music (Corydon Singers)
Britten Conducts Britten: Operas I: Albert Herring · Billy Budd · Owen Wingrave · Peter Grimes
Britten Conducts Britten: Vol. IV
Britten: Historic recordings (1944-1953)
Britten on Film
Britten: Spring Symphony; Four Sea Interludes; Simple Symphony
Britten: The Canticles / A Birthday Hansel
Bugeilio'r gwenith gwyn BTC 1176
Bugeilio'r Gwenith Gwyn ("I Was Lonely and Forlorn")
building of the house BTC 1133
Building of the House, overture for chorus & orchestra, Op. 79, The
burning fiery furnace BTC 1125
Burning Fiery Furnace, op. 77: Adept in magic, The
Burning Fiery Furnace, op. 77: Bring them here before my Majesty, The
Burning Fiery Furnace, op. 77: By the Royal Command, The
Burning Fiery Furnace, op. 77: By the Royal Decree, The
Burning Fiery Furnace, op. 77: Good people, in His holy name, The
Burning Fiery Furnace, op. 77: Good people, we have shown you here, The
Burning Fiery Furnace, op. 77: Great King Of Babylon!, The
Burning Fiery Furnace, op. 77: Merodak! Lord of creation, The
Burning Fiery Furnace, op. 77: O all ye works of the Lord, The
Burning Fiery Furnace, op. 77: O King, Nebuchadnezzar, The
Burning Fiery Furnace, op. 77: O ye Winter and Summer, The
Burning Fiery Furnace, op. 77: Procession, The
Burning Fiery Furnace, op. 77: Salus aeterna, The
Burning Fiery Furnace, op. 77: Shadrach, Meshach, Abednego, The
Burning Fiery Furnace, op. 77: Sirs, what is this?, The
Burning Fiery Furnace, op. 77: The Stars Are Against Me!, The
Burning Fiery Furnace, op. 77: The waters of Babylon, The
Burning Fiery Furnace, op. 77: We do not lack enemies, The
Ca The Yowes
Cabaret Songs: No. 1. Tell me the truth about love
Cabaret Songs: No. 2. Funeral Blues
Cabaret Songs: No. 3. Johnny
Cabaret Songs: No. 4. Calypso
Canadian carnival BTC 870
Canadian Carnival, for orchestra, Op. 19
Cantata academica BTC 1095
Cantata Academica, (Carmen basiliense) op. 62: I. Bonorum summun omnium II: Quae bene beateque
Cantata Academica, (Carmen basiliense) op. 62: III. At huius caelestis...V: Tum vero Aeneas Sylvius virtus
Cantata Academica, (Carmen basiliense) op. 62: IX. Rhenana erga omnes. X: Ut instissime XI: O cives..
Cantata Academica, (Carmen basiliense) op. 62: VI: Et gubernacula. VII: Ut ad longaeva tempora
Cantata Academica, (Carmen basiliense) op. 62: VIII: Docendi ac discendi
Cantata Academica, (Carmen basiliense) op. 62: XII. Nos autem cuncti. XIII. Vigeatque academia libera
Cantata misericordium BTC 1114
Cantata misericordium, op. 69
Cantica per l'anno nuovo
Canticle I BTC 1011
Canticle I: My Beloved Is Mine, for high voice & piano, Op. 40
Canticle I: My Beloved is Mine, op.40 (feat. tenor: Ian Bostridge, piano: Julius Drake)
Canticle I, op. 40 "My Beloved Is Mine"
Canticle II: Abraham and Isaac, for alto, tenor & piano, Op. 51
Canticle II: Abraham and Isaac, op.51 (feat. countertenor: David Daniels, tenor: Ian Bostridge, piano: Julius Drake)
Canticle II BTC 1039
Canticle II, op. 51 "Abraham and Isaac"
Canticle III BTC 1049
Canticle III, op. 55 "Still Falls the Rain - the Raids, 1940, Night and Dawn"
Canticle III:Still Falls the Rain, for tenor, horn & piano, Op. 55
Canticle III: Still Falls the Rain, op.55 (feat. tenor: Ian Bostridge, horn: Timothy Brown, piano: Julius Drake)
Canticle IV BTC 1148
Canticle IV: Journey of the Magi, op.86 (feat. countertenor: David Daniels, tenor: Ian Bostridge, baritone: Christopher Maltman, piano: Julius Drake)
Canticle IV, op. 86 "The Journey of the Magi"
Canticle IV: The Journey of the Magi, for countertenor, tenor, baritone & piano, Op. 86
Canticle, no. 1-5
Canticle V BTC 1159
Canticle V, op. 89 "The Death of Saint Narcissus"
Canticle V, Op. 89: The Death of St Narcissus
Canticle V: The Death of Saint Narcissus, op.89 (feat. tenor: Ian Bostridge, harp: Aline Brewer)
Canticle V: The Death of Saint Narcissus, op. 89: Words by T.S. Eliot
Canticle V: The Death of St Narcissus, for tenor & harp, Op. 89
Canticles, Folksong Arrangements, The
Canticles I-V / The Heart of the Matter (Philip Langridge)
Canto di pescatore
Cello Sonata in C major, op. 65: I. Dialogo
Cello Sonata in C major, op. 65: II. Scherzo: pizzicato
Cello Sonata in C major, op. 65: III. Elegia
Cello Sonata in C major, op. 65: IV. Marcia
Cello Sonata in C major, op. 65: V. Moto perpetuo
Cello Suite no. 1, op. 72: 1. Fuga. Andante moderato
Cello Suite no. 1, op. 72: 2. Lamento. Lento rubato
Cello Suite no. 1, op. 72: 3. Serenata. Allegretto pizzicato
Cello Suite no. 1, op. 72: 4. Marcia. Alla marcia moderato
Cello Suite no. 1, op. 72: 5. Bordone. Moderato quasi recitativo
Cello Suite no. 1, op. 72: 6. Moto perpetuo e canto quarto. Presto
Cello Suite no. 1, op. 72: I. Canto Primo. Sostenuto e largamente
Cello Suite no. 1, op. 72: II. Canto secondo. Sostenuto
Cello Suite no. 1, op. 72: III. Canto terzo. Sostenuto
Cello Suite no. 2, op. 80: I. Declamato. Largo
Cello Suite no. 2, op. 80: II. Fuga. Andante
Cello Suite no. 2, op. 80: III. Scherzo. Allegro molto
Cello Suite no. 2, op. 80: IV. Andante lento
Cello Suite no. 2, op. 80: V. Ciaccona. Allegro
Cello Suite no. 3, op. 87: I. Introduzione
Cello Suite no. 3, op. 87: II. Marcia
Cello Suite no. 3, op. 87: III. Canto
Cello Suite no. 3, op. 87: IV. Barcarola
Cello Suite no. 3, op. 87: IX. Passacaglia
Cello Suite no. 3, op. 87: V. Dialogo
Cello Suite no. 3, op. 87: VI. Fuga
Cello Suite no. 3, op. 87: VII. Recitativo
Cello Suite no. 3, op. 87: VIII. Moto perpetuo
Cello Symphony, for cello & orchestra, Op. 68: 1. Allegro maestoso
Cello Symphony, for cello & orchestra, Op. 68: 2. Presto inquieto
Cello Symphony, for cello & orchestra, Op. 68: 3. Adagio
Cello Symphony, for cello & orchestra, Op. 68: 4. Passacaglia (Andante allegro)
Cello Symphony, for cello & orchestra, Op. 68: Cadenza
Cello Symphony, Op. 68: IV. Passacaglia: Andante-allegro
Cello Symphony / Sinfonia da Requiem
Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 1. Procession, A
Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 10. Deo gracias!, A
Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 11. Recession, A
Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 2. Wolcum Yole!, A
Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 3. There is no rose, A
Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 4. a. That yongë child, A
Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 4. b. Balulalow, A
Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 5. As dew in Aprille, A
Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 6. This little babe, A
Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 7. Interlude (Andante pastorale), A
Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 8. In freezing winter night, A
Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 9. Spring Carol, A
Ceremony of Carols, op. 28: I. Procession, A
Ceremony of Carols, op. 28: II. Wolcum Yole!, A
Ceremony of Carols, op. 28: III. There is no Rose, A
Ceremony of Carols, op. 28: IV. (a) That yongë child, A
Ceremony of Carols, op. 28: IV. (b) Balulalow, A
Ceremony of Carols, op. 28: IX. Spring Carol, A
Ceremony of Carols, op. 28: V. As dew in Aprille, A
Ceremony of Carols, op. 28: VI. This little babe, A
Ceremony of Carols, op. 28: VII. Interlude. Andante pastorale, A
Ceremony of Carols, op. 28: VIII. In freezing winter night, A
Ceremony of Carols, op. 28: Wolcom Yule!
Ceremony of Carols, op. 28: X. Deo gracias!, A
Ceremony of Carols, op. 28: XI. Recession, A
Ceremony of Carols : Wolkum Yole, A
Chamber music V BTC 678
Chanson d'automne
Chansons Françaises (4), for voice & orchestra: 1. Les Nuits de juin
Chansons Françaises (4), for voice & orchestra: 2. Sagesse
Chansons Françaises (4), for voice & orchestra: 3. L'Enfance
Chansons Françaises (4), for voice & orchestra: 4. Chanson d'automne
Character Pieces (3), for piano: 1. Poco allegro vivace
Character Pieces (3), for piano: 2. Poco andante grazioso
Character Pieces (3), for piano: 3. Poco presto e molto capriccioso
Charakterstücke, Kl (1930)
charm of lullabies BTC 1013
Charm of Lullabies, op. 41: I. Cradle Song, A
Charm of Lullabies, op. 41: II. The Highland Bales, A
Charm of Lullabies, op. 41: III. Sephestia's Lulaby, A
Charm of Lullabies, op. 41: IV. A Charm, A
Charm of Lullabies, op. 41: No. 1. A Cradle Song, A
Charm of Lullabies, op. 41: No. 2. The Highland Balou, A
Charm of Lullabies, op. 41: No. 3. Sephestia's Lullaby, A
Charm of Lullabies, op. 41: No. 4. A Charm, A
Charm of Lullabies, op. 41: No. 5. The Nurse's Song, A
Charm of Lullabies, op. 41: V. The Nurse's Song, A
Children and Sir Nameless, The
Children's Crusade, op. 82, The
Choral dances from Gloriana BTC 1042.2
Choral Dances from “Gloriana”: Country Girls
Choral Dances from “Gloriana”: Final Dance of Homage
Choral Dances from “Gloriana”: Rustics and Fishermen
Choral Dances from “Gloriana”: Time and Concord
Choral music. Selections
Chorale (after an old French carol)
Christ's Nativity: Christmas Suite For Chorus: Carol Of King Cnut
Christ's Nativity: Christmas Suite For Chorus: Christ's Nativity
Christ's Nativity: Christmas Suite For Chorus: New Prince, New Pomp
Christ's Nativity: Christmas Suite For Chorus: Preparations
Christ's Nativity: Christmas Suite For Chorus: Sweet Was The Song
Christ’s Nativity: I. Christ’s Nativity
Christ’s Nativity: II. Sweet was the Song
Christ’s Nativity: III. Preparations
Christ’s Nativity: IV. New Prince, New Pomp
Christ’s Nativity: V. Carol of King Cnut
Coal Face: 1. Andante: "A Sterile Landscape"
Coal Face: 10. "Making Up Coal Trains"
Coal Face: 11. Allegro: "Coal Mining Is the Basic Industry"
Coal Face: 12. Andante: "There Are the Miners"
Coal Face: 1I. Allegro: "Coal Mining Is the Basic Industry"
Coal Face: 1II. Andante: "There Are the Miners"
Coal Face: 2. "Coal Mining Is the Basic Industry of Britain"
Coal Face: 3. Andante: "The Chief Coal-Producing Centres"
Coal Face: 4. "Yorkshire and Lancashire"
Coal Face: 5. Moderato: "The Temp'rature Often Reaches"
Coal Face: 6. Andante: "The Seven and a Half Hour Shift"
Coal Face: 7. Ad Libitum Sempre: "One Thirty A.M."
Coal Face: 8. Allegro ma non troppo: "In Many Pits"
Coal Face: 9. Allegro molto: "The Shift Is Finished"
Coal Face: I. Andante: "A Sterile Landscape"
Coal Face: II. "Coal Mining Is the Basic Industry Of Britain"
Coal Face: III. Andante: "The Chief Coal-Producing Centres"
Coal Face: IV. "Yorkshire and Lancashire"
Coal Face: IX. Allegro molto: "The Shift Is Finished"
Coal Face: V. Moderato: "The Temp'rature Often Reaches"
Coal Face: VI. Andante: "The Seven and a Half Hour Shift"
Coal Face: VII. Ad Libitum Sempre: "One Thirty A.M."
Coal Face: VIII. Allegro ma non troppo: "In Many Pits"
Coal Face: X. "Making Up Coal Trains"
Collector's Edition, The
Come you not from Newcastle?, for voice & piano (Folk Songs, Vol. 3)
Company Of Heaven: 1I. Ye Watchers And Ye Holy Ones, The
company of heaven BTC 833
Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 1. 1. Chaos, The
Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 1. 2. The Morning Stars, The
Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 2. 3. Angels appear to Jacob, Elisha and Mary, The
Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 2. 4. Christ, the fair glory, The
Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 2. 5. War in Heaven, The
Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 3. 10. There came out also at this time, The
Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 3. 11. Ye watchers and ye holy ones, The
Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 3. 6. Heaven is here, The
Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 3. 7. A thousand, thousand gleaming fires, The
Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 3. 8. Funeral March for a Boy, The
Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 3. 9. Whoso dwelleth under the defence of the most High, The
Company Of Heaven: I. Chaos, The
Company Of Heaven: II. The Morning Stars, The
Company Of Heaven: III. Angels Appear To Jacob, Elisha and Mary, The
Company Of Heaven: IV. Christ, The Fair Glory, The
Company Of Heaven: IX. Whoso Dwelleth Under The Defence Of The Most High, The
Company of Heaven: Part 3 "Angels in Common Life, and at our Death": Whoso dwelleth under the defence of the most High, The
Company Of Heaven: V. War in Heaven, The
Company Of Heaven: VI. Heaven Is Here, The
Company Of Heaven: VII. A Thousand, Thousand Gleaming Fires, The
Company Of Heaven: VIII. Funeral March For A Boy, The
Company Of Heaven: X. There Came Out Also At This Time, The
Complete Works, The
Concerto for Piano, op. 13: I. Toccata
Concerto for Piano, op. 13: II. Waltz
Concerto for Piano, op. 13: III. Impromptu
Concerto for Piano, op. 13: III. Recitative and Aria
Concerto for Piano, op. 13: IV. March
Concertos, piano, orchestra, op. 13
Concertos Piano, orchestre BTC 852
Concertos, violin, orchestra, op. 15
Concertos, violin, viola, orchestra, B minor
Concertos Violon, alto, orchestre BTC 745 Si mineur
Concertos Violon, orchestre BTC 866
Concord
Corpus Christi Caral
Corpus Christi carol BTC 753.2
Courtly Dances From "Gloriana": Corante, The
Courtly Dances From "Gloriana": Galliard, The
Courtly Dances From "Gloriana": La Volta, The
Courtly Dances From "Gloriana": March (Finale), The
Courtly Dances From "Gloriana": Morris Dance, The
Courtly Dances From "Gloriana": Pavan, The
cradle song BTC 848
Cradle song BTC 928
Cradle Song ("Sleep, My Darling, Sleep")
Cradle song, soprano, alto, piano
Crocodile, The
Cuartetos cuerda, n. 1, op. 25 re mayor
Cuartetos cuerda, n. 2, op. 36 do mayor
Cuccù
Curlew River BTC 1116
Curlew River, op. 71: "A thousand leagues may sunder"
Curlew River, op. 71: "But first may I ask you"
Curlew River, op. 71: "Clear as a sky without a cloud"
Curlew River, op. 71: "Curlew River, smoothly flowing"
Curlew River, op. 71: "Ferryman, tell me, when did it happen"
Curlew River, op. 71: "Go your way in peace, mother"
Curlew River, op. 71: "Good souls, we have shown you here"
Curlew River, op. 71: "He whose life was full of promise"
Curlew River, op. 71: "Hoping, I wander'd on"
Curlew River, op. 71: "I am the ferryman"
Curlew River, op. 71: "I beg your pardon, living in this famous place"
Curlew River, op. 71: "I come from the Westland"
Curlew River, op. 71: "Ignorant man!"
Curlew River, op. 71: "Look! While you were listening to my story"
Curlew River, op. 71: "Near the Black Mountains there I dwelt"
Curlew River, op. 71: "Te lúcis ante términum"
Curlew River, op. 71: "The moon has risen"
Curlew River, op. 71: "Today is an important day"
Dafyd Y Garreg Wen (David Of The White Rock)
Dans les bois BTC 585
David Layton BTC 681
Dawtie's Devotion, song for voice & piano (discarded from "Who are these Children," Op. 84)
Deaf Woman's Courtship, The
Dear harp of my country ! BTC 1069
Dear Harp Of My Country! (Kate Tyrrel)
Death in Venice: Act 2, Scene 8. "Guardate, Signore!" (Hotel Barber)
Death in Venice: Act 2. "So it has come to this" (Aschenbach)
Death in Venice: Act I, Scene 1 (Munich). "I have always kept a close watch on my development"
Death in Venice: Act I, Scene 1 (Munich). "My mind beats on"
Death in Venice: Act I, Scene 1 (Munich). "Who's that?"
Death in Venice: Act I, Scene 2 (On the Boat to Venice). "Hey there, hey there, you!"
Death in Venice: Act I, Scene 2 (On the Boat to Venice). Overture "Venice"
Death in Venice: Act I, Scene 3 (The Journey to the Lido). "Ah Serenissima!"
Death in Venice: Act I, Scene 3 (The Journey to the Lido). "Mysterious gondola"
Death in Venice: Act I, Scene 4 (The First Evening at the Hotel). "How does such beauty come about?"
Death in Venice: Act I, Scene 4 (The First Evening at the Hotel). "So I am led to Venice once again"
Death in Venice: Act I, Scene 4 (The First Evening at the Hotel). "The Lido is so charming, is it not?"
Death in Venice: Act I, Scene 4 (The First Evening at the Hotel). "We are delighted to greet the Signore"
Death in Venice: Act I, Scene 5 (On the Beach). "Adziù! Adziù!"
Death in Venice: Act I, Scene 5 (On the Beach). "Ah, how peaceful to contemplate the sea"
Death in Venice: Act I, Scene 5 (On the Beach). "As one who strives to create beauty"
Death in Venice: Act I, Scene 5 (On the Beach). "Le bele fragole"
Death in Venice: Act I, Scene 5 (On the Beach). "The wind is from the West"
Death in Venice: Act I, Scene 6 (The Foiled Departure). "A thousand apologies to Signore"
Death in Venice: Act I, Scene 6 (The Foiled Departure). "Aou! Stagando, aou!"
Death in Venice: Act I, Scene 6 (The Foiled Departure). "I am become like one of my early heroes"
Death in Venice: Act I, Scene 6 (The Foiled Departure). "Naturally, Signore, I understand"
Death in Venice: Act I, Scene 6 (The Foiled Departure). "There you are, Signore, just in time"
Death in Venice: Act I, Scene 7 (The Games of Apollo). "Beneath a dazzling sky the sea"
Death in Venice: Act I, Scene 7 (The Games of Apollo). "First, the race!"
Death in Venice: Act I, Scene 7 (The Games of Apollo). "Measure to fight"
Death in Venice: Act I, Scene 7 (The Games of Apollo). "No boy, but Phoebus of the golden hair"
Death in Venice: Act I, Scene 7 (The Games of Apollo). "Phaedrus learned what beauty is"
Death in Venice: Act I, Scene 7 (The Games of Apollo). "See where Hyacinthus plays"
Death in Venice: Act I, Scene 7 (The Games of Apollo). "The boy, Tadzio, shall inspire me"
Death in Venice: Act I, Scene 7 (The Games of Apollo). "Try your skill"
Death in Venice: Act I, Scene 7 (The Games of Apollo). "Up and over"
Death in Venice: Act I, Scene 7 (The Games of Apollo). "Young discobolus"
Death in Venice: Act II, Scene 10 (The Strolling Players). "Fiorir rose in mezo al giasso"
Death in Venice: Act II, Scene 10 (The Strolling Players). "La mia nonna always used to tell me"
Death in Venice: Act II, Scene 10 (The Strolling Players). "One moment, if you please" / Scene 11 (The Travel Bureau)
Death in Venice: Act II, Scene 10 (The Strolling Players). "This way for the players, Signori!"
Death in Venice: Act II, Scene 12 (The Lady of the Pearls). "So - I didn't speak!"
Death in Venice: Act II, Scene 12 (The Lady of the Pearls). "So it is true, true, more fearful than I thought"
Death in Venice: Act II, Scene 13 (The Dream). "Receive the stranger god"
Death in Venice: Act II, Scene 14 (The Empty Beach). "Do what you will with me!"
Death in Venice: Act II, Scene 15 (The Hotel Barber's Shop). "Yes! A very wise decision, if I may say so"
Death in Venice: Act II, Scene 16 (The Last Visit to Venice). "Does beauty lead to wisdom, Phaedrus?"
Death in Venice: Act II, Scene 16 (The Last Visit to Venice). "Hurrah for the Piazza"
Death in Venice: Act II, Scene 17 (The Departure). "Ah, no!"
Death in Venice: Act II, Scene 17 (The Departure). "The wind still blows from the land"
Death in Venice: Act II, Scene 7 (The Games of Apollo). [Orchestral Introduction]
Death in Venice: Act II, Scene 7 (The Games of Apollo). "So it has come to this"
Death in Venice: Act II, Scene 8 (The Hotel Barber's Shop). "Guardate, Signore!"
Death in Venice: Act II, Scene 9 (The Pursuit). "And now I cannot let them out of sight"
Death in Venice: Act II, Scene 9 (The Pursuit). "Do I detect a scent?"
Death in Venice: Act II, Scene 9 (The Pursuit). "Gustav von Aschenbach, what is this path you have taken?"
Death in Venice: Act II, Scene 9 (The Pursuit). "Kyrie eleison"
Death in Venice BTC 1157
Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: Ah, Serenissima!
Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: Aou'! Stagando, aou'
Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: Children's games: Adziu, Adziu
Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: First, the race!
Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: Here will I stay, here dedicate my days
Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: Hey there, hey there, you!
Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: My mind beats on
Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: Mysterious gondola
Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: Naturally, Signore, I understand
Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: Overture: Venice
Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: Serenissima...Low-lying clouds, unending grey
Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: The boy, Tadzio, shall inspire me
Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: There is indeed in every artist's nature
Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: Was I wrong to come?
Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: We are delighted to greet the signore
Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: Who's that? A foreigner, a traveller no doubt
Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: Careful search now leads me to them
Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: Chaos, chaos and sickness
Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: Do I detect a scent?
Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: Fiorir rose in mezo al giasso
Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: Guardate, Signore!
Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: Hurrah for the Piazza
Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: In these last years
Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: Interlude: Ah, no!
Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: One moment, if you please
Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: Receive the stranger god
Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: So, it has come to this
Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: So it is true
Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: The empty beach: Do what you will with me
Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: The wind still blows from the land
Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: This way for the players, Signori
Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: Yes! A very wise decision
Deo gracias
Deo gratias
Deus in Adjutorium Meum (Psalm 70)
Diaphenia
Diary Sketch (feat. oboe: George Caird), The
Dirge, A
Diversions for Piano Left Hand and Orchestra, op. 21: Theme
Diversions for Piano Left Hand and Orchestra, op. 21: Variation I. Recitative
Diversions for Piano Left Hand and Orchestra, op. 21: Variation II. Romance
Diversions for Piano Left Hand and Orchestra, op. 21: Variation III. March
Diversions for Piano Left Hand and Orchestra, op. 21: Variation IV. Arabesque
Diversions for Piano Left Hand and Orchestra, op. 21: Variation IXa. Toccata I
Diversions for Piano Left Hand and Orchestra, op. 21: Variation IXb. Toccata II
Diversions for Piano Left Hand and Orchestra, op. 21: Variation V. Chant
Diversions for Piano Left Hand and Orchestra, op. 21: Variation VI. Nocturne
Diversions for Piano Left Hand and Orchestra, op. 21: Variation VII. Badinerie
Diversions for Piano Left Hand and Orchestra, op. 21: Variation VIII. Burlesque
Diversions for Piano Left Hand and Orchestra, op. 21: Variation X. Adagio
Diversions for Piano Left Hand and Orchestra, op. 21: Variation XI. Tarantella
Diversions, for piano, left hand & orchestra, Op. 21: Variation 1: Recitative
Diversions, for piano, left hand & orchestra, Op. 21: Variation 10: Adagio
Diversions, for piano, left hand & orchestra, Op. 21: Variation 11: Finale (Tarantella)
Diversions, for piano, left hand & orchestra, Op. 21: Variation 2: Romance
Diversions, for piano, left hand & orchestra, Op. 21: Variation 3: March
Diversions, for piano, left hand & orchestra, Op. 21: Variation 4: Arabesque
Diversions, for piano, left hand & orchestra, Op. 21: Variation 5: Chant
Diversions, for piano, left hand & orchestra, Op. 21: Variation 6: Nocturne
Diversions, for piano, left hand & orchestra, Op. 21: Variation 7: Badinerie
Diversions, for piano, left hand & orchestra, Op. 21: Variation 8: Burlesque
Diversions, for piano, left hand & orchestra, Op. 21: Variation 9: Toccata 1 - Toccata 2 - Cadenza
Divertimenti (3), for string quartet: 1. March
Divertimenti (3), for string quartet: 2. Waltz
Divertimenti (3), for string quartet: 3. Burlesque
Double Concerto for Violin and Viola in B minor: I. Allegro ma non troppo
Double Concerto for Violin and Viola in B minor: II. Rhapsody. Poco lento
Double Concerto for Violin and Viola in B minor: III. Allegro scherzando - Allegro non troppo
Double Concerto For Violin, Viola & Orchestra: I. Allegro Ma Non Troppo
Double Concerto For Violin, Viola & Orchestra: II. Rhapsody. Poco Lento
Double Concerto For Violin, Viola & Orchestra: III. Allegro Scherzando. Allegro Non Troppo
Down by the Salley Garden
duos
E.B.B. BTC 683
Early One Morning: Arr. Benjamin Britten
Early one morning BTC 1073
Eho! Eho!
Eight folk song arrangements
Elegies, string orchestra
Elegies, viola
Elegy, for solo viola
Elegy for Strings
Elegy for viola solo
Elegy for Violin and Orchestra
Enfance, L'
Epitaph BTC 404
Epitaph: The Clerk
est quelqu'un sur terre: Arr. Britten, Il
False Knight Upon The Road, The
Fancie
Fanfare for St. Edmondsbury
Fanfare for St. Edmundsbury
Fanfare "The Eagle has two Heads"
Fantasien Ob Vl Va Vc op. 2
Festival Te Deum, for trumpet, chorus & organ, Op. 32
Festival Te Deum, op. 32 (1944)
Fileuse
Fish in the unruffled lakes BTC 846
Fish in The Unruffled Lakes, Fish In The Unruffled Lake: Fish In the Unruffled Lakes
Fish in The Unruffled Lakes, Fish In The Unruffled Lake: Night Covers Up the Rigid Land
Fish in The Unruffled Lakes, Fish In The Unruffled Lake: The Sun Shines Down
Fish in The Unruffled Lakes, Fish In The Unruffled Lake: To Lie-flat On the Back
Fish in The Unruffled Lakes, Fish In The Unruffled Lake: Underneath the Abject Willow
Fish in The Unruffled Lakes, Fish In The Unruffled Lake: What's In Your Mind?
Five Flower Songs, op. 47: No. 1. To Daffodils
Five Flower Songs, op. 47: No. 2. The Succession of the Four Sweet Months
Five Flower Songs, op. 47: No. 3. Marsh Flowers
Five Flower Songs, op. 47: No. 4. The Evening Primrose
Five Flower Songs, op. 47: No. 5. Ballad of Green Broom
Five Waltzes: No. 1. Rather fast and nervous
Five Waltzes: No. 2. Quick, with wit
Five Waltzes: No. 3. Dramatic
Five Waltzes: No. 4. Rhythmic: not fast
Five Waltzes: No. 5. Variations: Quiet and simple; Flowing, slow and sad
Flower songs. Succession of the four sweet months
Foggy Foggy Dew: Arr. Benjamin Britten, The
foggy, foggy dew BTC 934
Foggy, Foggy Dew (feat. baritone: Christopher Maltman, piano: Julius Drake), The
Foggy, Foggy Dew, for voice & piano (Folk Songs, Vol. 3), The
Folk Song Arrangemens (British Isles): O can ye sew cushions?
Folk song arrangements (1943-1961), v. 1-3. Selections
Folk song arrangements (1943-1961), v. 1-5. Selections
Folk song arrangements (1943-1961), v. 1-6
Folk song arrangements (1943-1961), v. 2. Eho! Eho!
Folk song arrangements (1943-1961), v. 2. Il est quel'qu'un sur terre
Folk song arrangements (1943-1961), v. 2. Noël passée
Folk song arrangements (1943-1961), v. 2. Roi s'en va-t'en chasse
Folk song arrangements (1943-1961), v. 2. Selections
Folk song arrangements (1943-1961), v. 4
Folk song arrangements (1943-1961), v. 5. Brisk young widow
Folk song arrangements (1943-1961), v. 5. Ca' the yowes
Folk song arrangements (1976) Bonny at morn
Folk song arrangements (1976). Selections
Folk song arrangements Volume 1-6
Folk song arrangements Volume 1 British Isles
Folk song arrangements Volume 2 France
Folk song arrangements Volume 3 British Isles
Folk song arrangements Volume 4 Moore's Irish melodies
Folk song arrangements Volume 5 British Isles
Folk song arrangements Volume 6 England
Folk song arrangements (wybór)
Folksong Arrangements, Vol. I "British Isles", for voice & piano: O can ye sew cushions?
Folksong Arrangements, Vol. I "British Isles", for voice & piano: The trees they grow so high
Folksong Arrangements, Vol. II "France", for voice & piano: Eho! Eho!
Folksong Arrangements, Vol. II "France", for voice & piano: Fileuse, folksong for voice & piano (Folk Songs, Vol. 2)
Folksong Arrangements, Vol. II "France", for voice & piano: Quand j'étais chez mon père, for voice & piano (Folk Songs, Vol. 2)
Folksong Arrangements, Vol. II "France", for voice & piano Voici le printemps
Folksong Arrangements, Vol. III "British Isles", for voice & piano: Come you not from Newcastle?
Folksong Arrangements, Vol. III "British Isles", for voice & piano: O Waly, Waly
Folksong Arrangements, Vol. III "British Isles", for voice & piano Sweet Polly Oliver
Folksong Arrangements, Vol. III "British Isles", for voice & piano: The Foggy, Foggy Dew
Folksong Arrangements, Vol. III "British Isles", for voice & piano: The King is gone a-hunting
Folksong Arrangements, Vol. III "British Isles", for voice & piano: The Plough Boy
Folksong Arrangements, Vol. IV "Moore's Irish Melodies", for voice & piano: Dear Harp of my Country!
Folksong Arrangements, Vol. IV "Moore's Irish Melodies", for voice & piano How sweet the answer
Folksong Arrangements, Vol. IV "Moore's Irish Melodies", for voice & piano: Oft in the stilly night
Folksong Arrangements, Vol. IV "Moore's Irish Melodies", for voice & piano: The last rose of Summer
Folksong Arrangements, Vol. IV "Moore's Irish Melodies", for voice & piano The Minstrel Boy
Folksong Arrangements, Vol. V "British Isles", for voice & piano: Ca' the Yowes
Folksong Arrangements, Vol. V "British Isles", for voice & piano Early one morning
Folksong Arrangements, Vol. V "British Isles", for voice & piano: The Brisk Young Widow
Folksong Arrangements, Vol. V "British Isles", for voice & piano: The Lincolnshire Poacher
Forelle ("In einem Bächlein helle"), song for voice & piano, D. 550 (Op. 32), Die
Four Burns Songs, op. 92 no. 3 "A Birthday Hansel": Wee Willie
Four Burns Songs, op. 92 no. 4 "A Birthday Hansel": My Hoggie
Four Burns Songs, op. 92 no. 5 "A Birthday Hansel": Afton Water
Four Burns Songs, op. 92 no. 6 "A Birthday Hansel": The Winter
Four Cabaret Songs: Calypso
Four Cabaret Songs: Funeral Blues
Four Cabaret Songs: Johnny
Four Cabaret Songs: O Tell Me the Truth About Love
Four Sea Interludes from "Peter Grimes", Op.33a - 1. Dawn
Four Sea Interludes from "Peter Grimes", Op.33a - 2. Sunday Morning
Four Sea Interludes from "Peter Grimes", Op.33a - 3. Moonlight
Four Sea Interludes from "Peter Grimes", Op.33a - 4. Storm
Four Sea Interludes from 'Peter Grimes', op. 33a: I. Dawn: Lento e tranquillo
Four Sea Interludes from 'Peter Grimes', op. 33a: II. Sunday Morning: Allegro spiritoso
Four Sea Interludes from 'Peter Grimes', op. 33a: III. Moonlight: Andante comodo e rubato
Four Sea Interludes from 'Peter Grimes', op. 33a: IV. Storm: Presto con fuoco
Four Sea Interludes, Op. 33a: I. Dawn (Peter Grimes, interlude at the opening of Act II)
Four Sea Interludes / Young Person's Guide to the Orchestra / Simple Symphony
Fragment
Friday Afternoons, op. 7: No. 1. Begone, Dull Care!
Friday Afternoons, op. 7: No. 10. Jazz‐Man
Friday Afternoons, op. 7: No. 11. There Was a Monkey
Friday Afternoons, op. 7: No. 12. Old Abram Brown
Friday Afternoons, op. 7: No. 2. A Tragic Story
Friday Afternoons, op. 7: No. 3. Cuckoo!
Friday Afternoons, op. 7: No. 4. “Ee‐oh!”
Friday Afternoons, op. 7: No. 5. A New Year Carol
Friday Afternoons, op. 7: No. 6. I Mun Be Married on Sunday
Friday Afternoons, op. 7: No. 7. There Was a Man of Newington
Friday Afternoons, op. 7: No. 8. Fishing song
Friday Afternoons, op. 7: No. 9. The Useful Plough
Friday afternoons. Selections
From "Lucy"
Frühlingsnacht ("Uberm Garten durch die Lüfte"), song for voice & piano (Liederkreis), Op. 39/12
Gemini Variations, op. 73: Fugue - Molto moderato
Gemini Variations, op. 73: Theme - Maestoso
Gemini Variations, op. 73: Variation I - Prestissimo scherzando
Gemini Variations, op. 73: Variation II - Moderato
Gemini Variations, op. 73: Variation III - Allegro con brio
Gemini Variations, op. 73: Variation IV - Grazioso
Gemini Variations, op. 73: Variation IX - Fanfara - Allegro
Gemini Variations, op. 73: Variation V - Canone - Vivace
Gemini Variations, op. 73: Variation VI - Specchio I - Lento tranquillo
Gemini Variations, op. 73: Variation VII - Cadenza
Gemini Variations, op. 73: Variation VIII - Appassionato
Gemini Variations, op. 73: Variation X - Marcia - Lo stesso tempo (Allegro)
Gemini Variations, op. 73: Variation XI - Specchio II - Misterioso
Gemini Variations, op. 73: Variation XII - Romanza - Andante rubato
Gemini Variations, Twelve Variations and Fugue on an Epigram of Zoltàn Kodaly, op. 73
Germaine Greer: Britten
***Gesperrt***Peter Grimes
Gloriana: Act I - Scene 1: 1. Prelude
Gloriana: Act I - Scene 1: 2. The Tornament
Gloriana: Act I - Scene 1: 3. Recitative & Fight
Gloriana: Act I - Scene 1: 4. Entrance of the Queen
Gloriana: Act I - Scene 1: 5. Recitative
Gloriana: Act I - Scene 1: 6. The two Lords' Explanation
Gloriana: Act I - Scene 1: 7. Raleigh's Song
Gloriana: Act I - Scene 1: 8. Ensemble of Reconciliation
Gloriana: Act I - Scene 1: 9. Recitative & Final March
Gloriana: Act I - Scene 2: 1. Prelude & Dialogue
Gloriana: Act I - Scene 2: 2. The Queen's Song
Gloriana: Act I - Scene 2: 3. Cecil's Song of Government
Gloriana: Act I - Scene 2: 4. Recitative & Essex's Entry
Gloriana: Act I - Scene 2: 5. First Lute Song
Gloriana: Act I - Scene 2: 6. Second Lute Song
Gloriana: Act I - Scene 2: 7. The First Duet for the Queen & Essex
Gloriana: Act I - Scene 2: 8. Soliloquy & Prayer
Gloriana: Act II - Scene 1: 1. Prelude & Welcome
Gloriana: Act II - Scene 1: 2. The Masque
Gloriana: Act II - Scene 1: 3. Finale
Gloriana: Act II - Scene 2: 1. Prelude & Song
Gloriana: Act II - Scene 2: 2. Duet
Gloriana: Act II - Scene 2: 3. Double Duet
Gloriana: Act II - Scene 2: 4. Quartet
Gloriana: Act II - Scene 3: 1. Pavane
Gloriana: Act II - Scene 3: 10. Quartet
Gloriana: Act II - Scene 3: 11. March
Gloriana: Act II - Scene 3: 12. The Queen's Announcement
Gloriana: Act II - Scene 3: 13. Ensemble
Gloriana: Act II - Scene 3: 14. Coranto
Gloriana: Act II - Scene 3: 2. Conversation
Gloriana: Act II - Scene 3: 3. Galliard
Gloriana: Act II - Scene 3: 4. Conversation & the Queen's Entrance
Gloriana: Act II - Scene 3: 5. Lavolta
Gloriana: Act II - Scene 3: 6. Conversation
Gloriana: Act II - Scene 3: 7. Morris dance
Gloriana: Act II - Scene 3: 8. Recitative
Gloriana: Act II - Scene 3: 9. The Queen's Burlesque
Gloriana: Act III - Scene 1: 1. Prelude & Chatter
Gloriana: Act III - Scene 1: 2. Essex's Intrusion
Gloriana: Act III - Scene 1: 3. The Second Duet of the Queen & Essex
Gloriana: Act III - Scene 1: 4. The Dressing-Table Song
Gloriana: Act III - Scene 1: 5. The Entrance of Cecil
Gloriana: Act III - Scene 1: 6. Cecil's Report
Gloriana: Act III - Scene 1: 7. Discussion
Gloriana: Act III - Scene 1: 8. The Queen's Decision
Gloriana: Act III - Scene 2: Ballad - Rondo
Gloriana: Act III - Scene 3: 1. Prelude & Verdict
Gloriana: Act III - Scene 3: 2. Cecil's Warning
Gloriana: Act III - Scene 3: 3. The Queen's Dilemma
Gloriana: Act III - Scene 3: 4. Trio
Gloriana: Act III - Scene 3: 5. Lady Essex's Pleading
Gloriana: Act III - Scene 3: 6. Penepole Rich's Pleading
Gloriana: Act III - Scene 3: 7. Epilogue
Gloriana BTC 1042 Act 1 Caution is better, sweet Highness
Gloriana, op. 53, Act 1 Scene 1: Fanfare
Gloriana, op. 53, Act 1 Scene 1: I. Prelude
Gloriana, op. 53, Act 1 Scene 1: II. The Tornament
Gloriana, op. 53, Act 1 Scene 1: III. Recitative & Fight
Gloriana, op. 53, Act 1 Scene 1: IV. Entrance of the Queen
Gloriana, op. 53, Act 1 Scene 1: IX. Recitative & Final March
Gloriana, op. 53, Act 1 Scene 1: V. Recitative
Gloriana, op. 53, Act 1 Scene 1: VI. The two Lords' Explanation
Gloriana, op. 53, Act 1 Scene 1: VII. Raleigh's Song
Gloriana, op. 53, Act 1 Scene 1: VIII. Ensemble of Reconciliation
Gloriana, op. 53, Act 1 Scene 2: 1I. The Queen's Song
Gloriana, op. 53, Act 1 Scene 2: 1II. Cecil's Song of Government
Gloriana, op. 53, Act 1 Scene 2: 1III. Recitative & Essex's Entry
Gloriana, op. 53, Act 1 Scene 2: 1IV. First Lute Song
Gloriana, op. 53, Act 1 Scene 2: 1V. Second Lute Song
Gloriana, op. 53, Act 1 Scene 2: 1VI. The First Duet for the Queen & Essex
Gloriana, op. 53, Act 1 Scene 2: 1VII. Soliloquy & Prayer
Gloriana, op. 53, Act 1 Scene 2: X. Prelude & Dialogue
Gloriana, op. 53, Act 2 Scene 1: 1IX. The Masque
Gloriana, op. 53, Act 2 Scene 1: 1VIII. Prelude & Welcome
Gloriana, op. 53, Act 2 Scene 1: 20. Finale
Gloriana, op. 53, Act 2 Scene 2: 2I. Prelude & Song
Gloriana, op. 53, Act 2 Scene 2: 2II. Duet
Gloriana, op. 53, Act 2 Scene 2: 2III. Double Duet
Gloriana, op. 53, Act 2 Scene 2: 2IV. Quartet
Gloriana, op. 53, Act 2 Scene 3: 2IX. Lavolta
Gloriana, op. 53, Act 2 Scene 3: 2V. Pavane
Gloriana, op. 53, Act 2 Scene 3: 2VI. Conversation
Gloriana, op. 53, Act 2 Scene 3: 2VII. Galliard
Gloriana, op. 53, Act 2 Scene 3: 2VIII. Conversation & the Queen's Entrance
Gloriana, op. 53, Act 2 Scene 3: 30. Conversation
Gloriana, op. 53, Act 2 Scene 3: 3I. Morris dance
Gloriana, op. 53, Act 2 Scene 3: 3II. Recitative
Gloriana, op. 53, Act 2 Scene 3: 3III. The Queen's Burlesque
Gloriana, op. 53, Act 2 Scene 3: 3IV. Quartet
Gloriana, op. 53, Act 2 Scene 3: 3V. March
Gloriana, op. 53, Act 2 Scene 3: 3VI. The Queen's Announcement
Gloriana, op. 53, Act 2 Scene 3: 3VII. Ensemble
Gloriana, op. 53, Act 2 Scene 3: 3VIII. Coranto
Gloriana, op. 53, Act 3 Scene 1: 3IX. Prelude & Chatter
Gloriana, op. 53, Act 3 Scene 1: 40. Essex's Intrusion
Gloriana, op. 53, Act 3 Scene 1: 4I. The Second Duet of the Queen & Essex
Gloriana, op. 53, Act 3 Scene 1: 4II. The Dressing-Table Song
Gloriana, op. 53, Act 3 Scene 1: 4III. The Entrance of Cecil
Gloriana, op. 53, Act 3 Scene 1: 4IV. Cecil's Report
Gloriana, op. 53, Act 3 Scene 1: 4V. Discussion
Gloriana, op. 53, Act 3 Scene 1: 4VI. The Queen's Decision
Gloriana, op. 53, Act 3 Scene 2: 4VII. Ballad: Rondo
Gloriana, op. 53, Act 3 Scene 3: 4IX. Cecil's Warning
Gloriana, op. 53, Act 3 Scene 3: 4VIII. Prelude & Verdict
Gloriana, op. 53, Act 3 Scene 3: 50. The Queen's Dilemma
Gloriana, op. 53, Act 3 Scene 3: 5I. Trio
Gloriana, op. 53, Act 3 Scene 3: 5II. Lady Essex's Pleading
Gloriana, op. 53, Act 3 Scene 3: 5III. Penepole Rich's Pleading
Gloriana, op. 53, Act 3 Scene 3: 5IV. Epilogue
Gloriana. Soliloquy and prayer
Gloriana (suita). Op. 53a
Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a: 1. The Tournament
Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a: 2. The Lute Song
Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a: 3. The Courtly Dances. Coranto
Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a: 3. The Courtly Dances. Galliard
Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a: 3. The Courtly Dances. Lavolta
Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a: 3. The Courtly Dances. March
Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a: 3. The Courtly Dances. Morris Dance
Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a: 3. The Courtly Dances. Pavane
Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a: 4. Gloriana moritura
Gloriana - The Courtly Dances: Corante
Gloriana - The Courtly Dances: La Volta
Gloriana - The Courtly Dances: March (Finale)
Gloriana - The Courtly Dances: Pavan
God Save The Queen: Arr. Benjamin Britten
Golden Vanity: A Vaudeville for boys & piano, op. 78, After the old English ballad: Casting his clothes off, he dived into the sea, The
Golden Vanity: A Vaudeville for boys & piano, op. 78, After the old English ballad: Then up spake the cabin-boy, The
Golden Vanity: A Vaudeville for boys & piano, op. 78, After the old English ballad: There was a ship came from the North Country, The
Golden Vanity: A Vaudeville for boys & piano, op. 78, After the old English ballad: They laid him on the deck, The
Golden Vanity, op. 78: I. There was a ship came from the North Country, The
Golden Vanity, op. 78: II. Then up spake the cabin-boy, The
Golden Vanity, op. 78: III. Casting his clothes off, he dived into the sea, The
Golden Vanity, op. 78: IV. They laid him on the deck, The
Greensleeves (feat. tenor: Ian Bostridge, piano: Julius Drake)
Greensleeves, folk song
Guía De Orquesta Para Jóvenes
Guide de l'orchestre pour les jeunes: fugue avec l'orchestre au complet
Guide de l'orchestre pour les jeunes: Thème A, l'orchestre au complet
Guide de l'orchestre pour les jeunes: Thème B, la famille des bois
Guide de l'orchestre pour les jeunes: Thème C, la famille des cuivres
Guide de l'orchestre pour les jeunes: Thème D, la famille des cordes
Guide de l'orchestre pour les jeunes: Thème E, la famille des percussions
Guide de l'orchestre pour les jeunes: Thème F, l'orchestre au complet
Guide de l'orchestre pour les jeunes: Variation A, flûtes et piccolo
Guide de l'orchestre pour les jeunes: Variation B, hautbois
Guide de l'orchestre pour les jeunes: Variation C, clarinette
Guide de l'orchestre pour les jeunes: Variation D, bassons
Guide de l'orchestre pour les jeunes: Variation E, violons
Guide de l'orchestre pour les jeunes: Variation F, altos
Guide de l'orchestre pour les jeunes: Variation G, violoncelles
Guide de l'orchestre pour les jeunes: Variation H, contrebasses
Guide de l'orchestre pour les jeunes: Variation I, harpe
Guide de l'orchestre pour les jeunes: Variation J, cors
Guide de l'orchestre pour les jeunes: Variation K, trompettes
Guide de l'orchestre pour les jeunes: Variation L, trombones et tuba
Guide de l'orchestre pour les jeunes: Variation M, percussions
Gully, song for voice & piano (discarded from "Who are these Children," Op. 84), The
Halfte des Lebens
Heart Of The Matter: I. Prologue: Fanfare: Song: "Where Are the Seeds Of Universal Fire", The
Heart Of The Matter: II. Reading: "The Earth Of My Heart Was Broken: Fanfare, The
Heart Of The Matter: III. Song: "We Are the Darkness", The
Heart Of The Matter: IV. Reading: "In Such a Heat Of the Earth", The
Heart of the Matter: Reading 1, Fanfare, The
Heart of the Matter: Reading 2, The
Heart of the Matter: Reading 3, The
Heart of the Matter: Reading 4, The
Heart Of The Matter: V. Canticle III: "Still Falls the Rain", The
Heart Of The Matter: VI. Reading: "I See Christ's Wounds Weep in the Rose On the Wall", The
Heart Of The Matter: VII. Epilogue: Fanfare: Song: "So, Out Of the Dark", The
Heigh Ho! Heigh Ho!: Trans. Rogers, Arr. Britten
Heimat, Die
Hi-ho!
Hode christus
Hölderlin-Fragmente Hälfte des Lebens
Holiday Diary, op. 5: I. Early Morning Bath
Holiday Diary, op. 5: II. Sailing
Holiday Diary, op. 5: III. Fun-Fair
Holiday Diary, op. 5: IV. Night
Holiday Diary, suite for piano, Op. 5: 1. Early morning bathe
Holiday Diary, suite for piano, Op. 5: 2. Sailing
Holiday Diary, suite for piano, Op. 5: 3. Funfair
Holiday Diary, suite for piano, Op. 5: 4. Night
Holly and the Ivy: Coll.-sharp, arr. Britten, The
holly and the ivy Voix élevée, piano
Holy Sonnets (9) of John Donne, for voice & piano, Op. 35: 1. Oh my blacke soule, The
Holy Sonnets (9) of John Donne, for voice & piano, Op. 35: 2. Batter my heart, The
Holy Sonnets (9) of John Donne, for voice & piano, Op. 35: 3. O might those sighes and teares, The
Holy Sonnets (9) of John Donne, for voice & piano, Op. 35: 4. Oh, to vex me, The
Holy Sonnets (9) of John Donne, for voice & piano, Op. 35: 5. What if this present, The
Holy Sonnets (9) of John Donne, for voice & piano, Op. 35: 6. Since she whom I loved, The
Holy Sonnets (9) of John Donne, for voice & piano, Op. 35: 7. At the round earth's imagined corners, The
Holy Sonnets (9) of John Donne, for voice & piano, Op. 35: 8. Thou hast made me, The
Holy Sonnets (9) of John Donne, for voice & piano, Op. 35: 9. Death, be not proud, The
Holy Sonnets of John Donne, op. 35: At the round earth's imagin'd corners, The
Holy Sonnets of John Donne, op. 35: I. Oh, my blacke Soule!, The
Holy Sonnets of John Donne, op. 35: II. Batter my heart, The
Holy Sonnets of John Donne, op. 35: III. Oh might those sighes and teares, The
Holy Sonnets of John Donne, op. 35: IV. Oh, to vex me, The
Holy Sonnets of John Donne, op. 35: IX. Death, be not proud, The
Holy Sonnets of John Donne, op. 35: V. What if this present, The
Holy Sonnets of John Donne, op. 35: VI. Since she whom I loved, The
Holy Sonnets of John Donne, op. 35: VII. At the round earth's imagined corners, The
Holy Sonnets of John Donne, op. 35: VIII. Thou hast made me, The
How sweet the answer BTC 1065
hymn of Saint Columba
Hymn of St. Columba, 'Regis regum rectissimi', A
Hymn of St. Columba (Regis regum rectissimi), for chorus & organ
Hymn to Saint Cecilia
Hymn to Saint Peter
Hymn to St. Cecilia (1942), op. 27: I cannot grow
Hymn to St. Cecilia (1942), op. 27: In a garden shady
Hymn to St. Cecilia (1942), op. 27: O ear whose creatures
Hymn to St. Cecilia, for chorus, Op. 27: 1. In a garden shady this holy lady
Hymn to St. Cecilia, for chorus, Op. 27: 2. I cannot grow
Hymn to St. Cecilia, for chorus, Op. 27: 3. O ear whose creatures cannot wish to fail
Hymn to St. Cecilia, op. 27: I. In a Garden Shady
Hymn to St. Cecilia, op. 27: II. I Cannot Grow
Hymn to St. Cecilia, op. 27: III. O Ear Whose Creatures Cannot Wish to Fall
Hymn to St. Cecilia, op. 27: IV. O Cry Created as the Bow of Sin
Hymn to St. Peter, for trumpet, chorus & organ, Op. 56a
Hymn to St. Peter op. 56a, A
Hymn to the Virgin, for double chorus, A
If it's ever spring again
If thou wilt ease thine heart BTC 917
Illuminations, op. 18: A Une Raison, Les
Illuminations, op. 18: Aube, Les
Illuminations, op. 18: I. Fanfare, Les
Illuminations, op. 18: II. Villes, Les
Illuminations, Op. 18: IIIa. Phrase (Richard Hickox feat. conductor David Hill), Les
Illuminations, op. 18: IIIb. Antique, Les
Illuminations, op. 18: IV. Royauté, Les
Illuminations, op. 18: IX. Départ, Les
Illuminations, op. 18: V. Marine, Les
Illuminations, op. 18: VI. Interlude, Les
Illuminations, op. 18: VII. Being beauteous, Les
Illuminations, op. 18: VIII. Parade, Les
illuminations, song cycle for high voice & strings, Op. 18: 1. Fanfare, Les
illuminations, song cycle for high voice & strings, Op. 18: 2. Villes, Les
illuminations, song cycle for high voice & strings, Op. 18: 3a. Phrase, Les
illuminations, song cycle for high voice & strings, Op. 18: 3b. Antique, Les
illuminations, song cycle for high voice & strings, Op. 18: 4. Royauté, Les
illuminations, song cycle for high voice & strings, Op. 18: 5. Marine, Les
illuminations, song cycle for high voice & strings, Op. 18: 6. Interlude, Les
illuminations, song cycle for high voice & strings, Op. 18: 7. Being Beauteous, Les
illuminations, song cycle for high voice & strings, Op. 18: 8. Parade, Les
illuminations, song cycle for high voice & strings, Op. 18: 9. Départ, Les
In Memoriam Dennis Brain (c1958), In Memorium Dennis Brain (c1958): Allegro
In Memoriam Dennis Brain (c1958), In Memorium Dennis Brain (c1958): Introduction
Instrumental music. Selections (The complete music for string quartet)
Interlude
Introduction and Rondo alla burlesca, op. 23 no. 1: I. Grave
Introduction and Rondo alla burlesca, op. 23 no. 1: II. Allegro moderato, ma con spirito
Introduktion und Rondo alla burlesca, Kl 1 2 op. 23, 1
Irish reel
Jesu, as Thou art our Saviour
Johnson over Jordan Suite: I. Ouverture (Andante maestoso)
Johnson over Jordan Suite: II. Introduction and Incinerator's Dance: a. (Lento)
Johnson over Jordan Suite: II. Introduction and Incinerator's Dance: b. Single Clerk (Allegro)
Johnson over Jordan Suite: II. Introduction and Incinerator's Dance: c. Incinerator's Dance
Johnson over Jordan Suite: III. Spider Dance, Spider and the Fly (Lento quasi Blues)
Johnson Over Jordan (Suite): Incinerators' Ballet
Johnson over Jordan Suite: IV. Approach of Death and Finale: a. (Poco lento)
Johnson over Jordan Suite: IV. Approach of Death and Finale: b. Funeral Music
Johnson over Jordan Suite: IV. Approach of Death and Finale: c. End Music (Andante poco lento)
Johnson Over Jordan (Suite): Overture
Johnson Over Jordan (Suite): The Spider and the Fly
Joy Of Grief, The
Jubilate Deo (1934)
Jubilate Deo, for chorus & organ in C major
Jubilate Deo in C (1961)
Jubilate Deo in E-flat
Jugend, Die
King Arthur. Selections
King Herod and the cock
King's Stamp, Part 1: Allegretto: Messenger Boy, The
King's Stamp: Part 1, Allegro moderato: Stamp Factory - Machine Starts, The
King's Stamp: Part 1, Allegro molto alla marcia, The
King's Stamp, Part 1: Allegro: Opening Door, The
King's Stamp, Part 1: Lento ma non troppo: Entry To Lithograph Works, The
King's Stamp: Part 2, Allegretto: Parliament - The Stamp Bill, The
King's Stamp, Part 2: Allegretto: Train Sequence, The
King's Stamp: Part 2, Allegro moderato alla marcia, The
King's Stamp, Part 2: Minuet: Andante Lento, The
Koncerty. Skrzypce, orkiestra. Nr 1. Op. 15
Konsert, piano, orkester, op. 13
Konsert, violin, orkester, op. 15
Konzert für Violine und Orchester op.15 - 1. Moderato con moto
Konzerte, Kl Orch op. 13
Konzerte, Vl Orch, op. 15
Konzerte, Vl Va Orch (1932)
Kvartett, stråkar, nr 2, op. 36, C-dur
Kvartett, stråkar, nr 3, op. 94
Lachrymae. Allegro con moto
Lachrymae Alto, orchestre à cordes Op. 48a
Lachrymae Alto, piano Op. 48
Lachrymae, op. 48 (Reflections on a song of Dowland)
Lachrymae, op. 48a (Reflections On A Song Of John Dowland)
Lachrymae, reflections on a song of Dowland, for viola & string orchestra, Op. 48a
Lachrymae: Reflections on a song of Dowland, op. 48
Lacrymae, op. 48a
last rose of summer BTC 1071
Last Rose Of Summer, The
Lemady BTC 1174
Let's make an opera
Let the Florid Music Praise!
Lift Boy
Lilian BTC 619
Lincolnshire poacher BTC 1093
Lincolnshire Poacher, The
Linien des Lebens, Die
Little Idyll, A
Little Sir William: Arr. Britten
Little Sir William BTC 880
Little Sir William, for voice & piano (Folk Songs, Vol. 1)
Little Sweep / A Boy Was Born, The
Little Sweep—A Children's Opera in three scenes Op. 45: Scene One: A January Morning: I. The Sweep's Song: "Sweep! Sweep!" (Audience Song I) (Audience, Clem & Black Bob), The
Little Sweep—A Children's Opera in three scenes Op. 45: Scene One: A January Morning: II. Quartet: "Sweep this chimney!" (Miss Baggott, Rowan, Clem & Black Bob), The
Little Sweep—A Children's Opera in three scenes Op. 45: Scene One: A January Morning: III. Duet: "Now, little white boy!" (Black Bob & Clem), The
Little Sweep—A Children's Opera in three scenes Op. 45: Scene One: A January Morning: IIIa. Hide and Seek: "Juliet! Juliet!" (Children), The
Little Sweep—A Children's Opera in three scenes Op. 45: Scene One: A January Morning: IV. Shanty: "Pull the rope gently" (Children), The
Little Sweep—A Children's Opera in three scenes Op. 45: Scene One: A January Morning: IX. Sammy's Bath: "The kettles are singing" (Audience Song II) (Audience, Rowan & Sam), The
Little Sweep—A Children's Opera in three scenes Op. 45: Scene One: A January Morning: V. Ensemble: "Is he wounded?" (Sam & Children), The
Little Sweep—A Children's Opera in three scenes Op. 45: Scene One: A January Morning: VI. Marching Song: "Sooty tracks upon the sheet" (Children, Miss Baggott, Black Bob & Clem), The
Little Sweep—A Children's Opera in three scenes Op. 45: Scene One: A January Morning: VII. Trio: "Sam! Sam!" (Black Bob, Clem & Miss Baggott), The
Little Sweep—A Children's Opera in three scenes Op. 45: Scene One: A January Morning: VIII. Aria: "Run, poor sweepboy" (Rowan & Children), The
Little Sweep—A Children's Opera in three scenes Op. 45: Scene Three: The Next Morning: XV. Aria: "Soon the coach will carry you away" (Juliet), The
Little Sweep—A Children's Opera in three scenes Op. 45: Scene Three: The Next Morning: XVI. Ensemble: "Morning, Sammy" (Children & Sam), The
Little Sweep—A Children's Opera in three scenes Op. 45: Scene Three: The Next Morning: XVII. Trio And Ensemble: "Ready, Alfred?" (Tom, Alfred, Miss Baggott, Rowan & Children), The
Little Sweep—A Children's Opera in three scenes Op. 45: Scene Three: The Next Morning: XVIII. Finale: Coaching Song: "The Horses Are Champing" (Audience Song IV) (Omnes and Audience), The
Little Sweep—A Children's Opera in three scenes Op. 45: Scene Two: Later: X. Ensemble: "O why do you weep" (Rowan, Sam & Children), The
Little Sweep—A Children's Opera in three scenes Op. 45: Scene Two: Later: XI. Pantomine and, The
Little Sweep—A Children's Opera in three scenes Op. 45: Scene Two: Later: XII. Scena: "Ah! … Blackguards!" (Miss Baggott), The
Little Sweep—A Children's Opera in three scenes Op. 45: Scene Two: Later: XIII. Finale: "Help! Help! She's collapsed!" (Miss Baggott, Rowan & Children), The
Little Sweep—A Children's Opera in three scenes Op. 45: Scene Two: Later: XIV. The Night Song: "The owl, wide-winging" (Audience Song III) (Audience), The
Little Sweep, children's opera, Op. 45: Scene 1. 1. The Sweep's Song: Sweep! Sweep! (Audience Song 1), The
Little Sweep, children's opera, Op. 45: Scene 1. 2. Quartet: Sweep this chimney, The
Little Sweep, children's opera, Op. 45: Scene 1. 3. Duet: Now, little white boy!, The
Little Sweep, children's opera, Op. 45: Scene 1. 3a. Hide and Seek: Juliet! Juliet!, The
Little Sweep, children's opera, Op. 45: Scene 1. 4. Shanty: Pull the rope gently, The
Little Sweep, children's opera, Op. 45: Scene 1. 5. Ensemble: Is he wounded?, The
Little Sweep, children's opera, Op. 45: Scene 1. 6. Marching Song: Sooty tracks upon the sheet, The
Little Sweep, children's opera, Op. 45: Scene 1. 7. Trio: Sam! Sam!, The
Little Sweep, children's opera, Op. 45: Scene 1. 8. Aria: Run, poor sweepboy, The
Little Sweep, children's opera, Op. 45: Scene 1. 9. Sammy's Bath: The kettles are singing (Audience Song 2), The
Little Sweep, children's opera, Op. 45: Scene 2. 10. Ensemble: O why do you weep..., The
Little Sweep, children's opera, Op. 45: Scene 2. 11. Pantomime and, The
Little Sweep, children's opera, Op. 45: Scene 2. 12. Scene: Ah!... Blackguards, The
Little Sweep, children's opera, Op. 45: Scene 2. 13. Finale: Help! Help! She's collapsed!, The
Little Sweep, children's opera, Op. 45: Scene 2. 14. The Night Song: The owl, wide-winging (Audience Song 3), The
Little Sweep, children's opera, Op. 45: Scene 3. 15. Aria: Soon the coach will carry you away, The
Little Sweep, children's opera, Op. 45: Scene 3. 16. Ensemble: Morning, Sammy, The
Little Sweep, children's opera, Op. 45: Scene 3. 17. Trio and Ensemble: Ready, Alfred?, The
Little Sweep, children's opera, Op. 45: Scene 3. 18. Finale: Coaching Song: The Horses and champing (Audience Song 4), The
Little Sweep (Let's make an opera), op. 45: Ah!...Blackguards!, The
Little Sweep (Let's make an opera), op. 45: Coaching song: The horses are champing, The
Little Sweep (Let's make an opera), op. 45: Help! Help! She's collapsed!, The
Little Sweep (Let's make an opera), op. 45: Is he wounded?, The
Little Sweep (Let's make an opera), op. 45: Morning, Sammy! Lovely weather, The
Little Sweep (Let's make an opera), op. 45: Now, little white boy!, The
Little Sweep (Let's make an opera), op. 45: O why do you weep, The
Little Sweep (Let's make an opera), op. 45: Pull the rope gently until he is free!, The
Little Sweep (Let's make an opera), op. 45: Ready, Alfred?, The
Little Sweep (Let's make an opera), op. 45: Run, poor sweep-boy, The
Little Sweep (Let's make an opera), op. 45: Soon the coach will carry you away, The
Little Sweep (Let's make an opera), op. 45: Sooty tracks, The
Little Sweep (Let's make an opera), op. 45: Sweep! Sweep!, The
Little Sweep (Let's make an opera), op. 45: Sweep this chimney, The
Little Sweep (Let's make an opera), op. 45: The kettles are singing, The
Little Sweep (Let's make an opera), op. 45: The owl, wide-winging through the sky, The
Lone dog
Lord ! I married me a wife BTC 1172
Lov'd a Lass, I
Love From A Stranger, Love From A tranger: I. Title Music
Love From A Stranger, Love From A tranger: II. Traffic Music
Love From A Stranger, Love From A tranger: III. Brighton
Love From A Stranger, Love From A tranger: IV. Love Music
Love From A Stranger, Love From A tranger: V. Channel Crossing
Love From A Stranger, Love From A tranger: VI. End Titles
Lucy
Lullabies, pianos (2)
Master Kilby BTC 1082
Masterpiece: Britten
Masterpieces, The
Matinées musicales, op. 24: I. March
Matinées musicales, op. 24: II. Nocturne
Matinées musicales, op. 24: IV. Pantomime
Matinées musicales, op. 24: V. Moto perpetuo (solfeggi e gorgheggi)
Matinées musicales (Rossini Suite No.2), for orchestra, Op. 24: March
Matinées musicales (Rossini Suite No.2), for orchestra, Op. 24: Moto perpetuo
Matinées musicales (Rossini Suite No.2), for orchestra, Op. 24: Nocturne
Matinées musicales (Rossini Suite No.2), for orchestra, Op. 24: Pantomime
Matinées musicales (Rossini Suite No.2), for orchestra, Op. 24: Waltz
Matinées Musicales (Second suite of five movements from Rossini), Op.24: III. Waltz
May
Mazurka elegiaca, op. 23 no. 2
Men Behind the Meters: Allegro moderato: 1935 Sequence
Men Behind the Meters: Andantino: "I Dreamt That I Dwelt in Marble Halls"
Men Behind the Meters: Title Music
Men of Goodwill, variations on a carol for orchestra
Men of Goodwill: Variations on a Christmas Carol
Menschenbeifall
Messen op. 63
Metamorphoses (6) after Ovid, for oboe solo, Op. 49: 1. Pan (Senza misura)
Metamorphoses (6) after Ovid, for oboe solo, Op. 49: 2. Phaeton (Vivace ritmico)
Metamorphoses (6) after Ovid, for oboe solo, Op. 49: 3. Niobe (Andante)
Metamorphoses (6) after Ovid, for oboe solo, Op. 49: 4. Bacchus (Allegro pesante)
Metamorphoses (6) after Ovid, for oboe solo, Op. 49: 5. Narcissus (Lento piacevole)
Metamorphoses (6) after Ovid, for oboe solo, Op. 49: 6. Arethusa (Largamente)
Midsummer Night's Dream, A : opéra
Midsummer night's dream. Bottom's dream
midsummer night's dream Injurious Hermia
Midsummer Night's Dream, op. 64, Act 1: "Is all our company her?", A
Midsummer Night's Dream, op. 64, Act 2: "I have a reas'nable good ear in music", A
Midsummer Night's Dream, op. 64, Act 3: "Helena! Hermi! Demetrius! Lysander!", A
Midsummer Night's Dream, op. 64, Act 3: "My gentle Robin, see'st thou this sweet sight?", A
Midsummer Night's Dream, op. 64: Act I. "Be it on lion, bear, or wolf, or bull" (Oberon, Demetrius, Helena), A
Midsummer Night's Dream, op. 64: Act I. "Come, now a roundel, and a fairy song" (Tytania), A
Midsummer Night's Dream, op. 64: Act I. "Fair love, you faint with wand'ring in the wood" (Lysander, Hermia), A
Midsummer Night's Dream, op. 64: Act I. "How now, my love" (Lysanda, Hermia), A
Midsummer Night's Dream, op. 64: Act I. "Is all our company here?" (Rustics), A
Midsummer Night's Dream, op. 64: Act I. "Oberon is passing fell and wrath" (Fairies, Oberon, Tytania), A
Midsummer Night's Dream, op. 64: Act I. "Over hill, over dale" (Fairies, Puck), A
Midsummer Night's Dream, op. 64: Act I. "Stay, though thou kill me, sweet Demetrius" (Helena, Demetrius, Lysanda, Hermia), A
Midsummer Night's Dream, op. 64: Act I. "Through the forest I have gone" (Puck), A
Midsummer Night's Dream, op. 64: Act I. "Welcome, wanderer!" (Oberon), A
Midsummer Night's Dream, op. 64: Act I. "Well, go thy way" (Oberon, Puck), A
Midsummer Night's Dream, op. 64: Act I. "What thou seest when thou dost awake" (Oberon), A
Midsummer Night's Dream, op. 64: Act I. "You spotted snakes with double toungue" (Yaogd;), A
Midsummer Night's Dream, op. 64: Act II. "Are we all met?" (Rustics, Puck), A
Midsummer Night's Dream, op. 64: Act II. "Be kind and courteous to this gentleman" (Tytania), A
Midsummer Night's Dream, op. 64: Act II. "Flower of this purple dye" (Oberon, Puck, Lysander, Helena, Detrius, Hermia), A
Midsummer Night's Dream, op. 64: Act II. "Hail, mortal, hail!" (Fairies, Bottom, Tytania), A
Midsummer Night's Dream, op. 64: Act II. "How now, mad spirit" (Oberon, Puck, Demetrius, Hermia), A
Midsummer Night's Dream, op. 64: Act II. "I have a reas'nable good ear in music" (Bottom, Tytania), A
Midsummer Night's Dream, op. 64: Act II. "I see their knavery" (Bottom, Tytania, Fairies), A
Midsummer Night's Dream, op. 64: Act II. Introduction: the Wood, A
Midsummer Night's Dream, op. 64: Act II. "On the ground, sleep sound" (Fairies), A
Midsummer Night's Dream, op. 64: Act II. "Puppet? Why so?" (Hermia, Helena, Lysander, Demetrius), A
Midsummer Night's Dream, op. 64: Act II. "This is thy negligence" (Oberon, Puck), A
Midsummer Night's Dream, op. 64: Act II. "Up and down, up and down" (Puck, Lysander, Demetrius, Helena, Hermia), A
Midsummer Night's Dream, op. 64: Act III. "Asleep, my love?" (Flute/Thisby), A
Midsummer Night's Dream, op. 64: Act III. "Come, your Bergomask" (Theseus), A
Midsummer Night's Dream, op. 64: Act III. "Gentles, perchance you wonder at this show" (Quince/Prologue), A
Midsummer Night's Dream, op. 64: Act III. "Have you sent to Bottom's house?" (Rustics), A
Midsummer Night's Dream, op. 64: Act III. "Helena! - Hermia! - Demetrius! - Lysander!" (Demetrius, Lysander, Helena, Hermia), A
Midsummer Night's Dream, op. 64: Act III. "If we offend, it is with our good will" (Rustics), A
Midsummer Night's Dream, op. 64: Act III. "In this same interlude it doth befall" (Snout/Wall), A
Midsummer Night's Dream, op. 64: Act III. "My gentle Robin, see'st thou this sweet sight?" (Oberon, Puck, Tytania), A
Midsummer Night's Dream, op. 64: Act III. "Now, fair Hyppolyta" (Theseus, Hyppolyta, Lysander, Demerius, Helena, Hermia), A
Midsummer Night's Dream, op. 64: Act III. "Now the hungry lion roars" (Fairies, Puck, Oberon, Tytania), A
Midsummer Night's Dream, op. 64: Act III. "O grim-look'd night, o night with hue so black" (Bottom/Pyramus), A
Midsummer Night's Dream, op. 64: Act III. "O Wall, full often hast thou heard my moans" (Flute/Thisby, Bottom/Pyramus), A
Midsummer Night's Dream, op. 64: Act III. "Sweet Moon, I thank thee for thy sunny beams" (Bottom/Pyramus), A
Midsummer Night's Dream, op. 64: Act III. "This lanthorn doth the hornèd Moon present" (Starveling/Moonshine, Flute/Thisby, Snug/Lion), A
Midsummer Night's Dream, op. 64: Act III. "When my cue comes, call me" (Bottom), A
Midsummer Night's Dream, op. 64: Act III. "You, ladies, you whose gentle hearts do fear" (Snug/Lion), A
Midsummer Night's Dream, opera, Op. 64: Act 1. Be it on lion, bear, or wolf, or bull, A
Midsummer Night's Dream, opera, Op. 64: Act 1. Come, now a roundel and a fairy song, A
Midsummer Night's Dream, opera, Op. 64: Act 1. Fair love, you faint with wand'ring in the wood, A
Midsummer Night's Dream, opera, Op. 64: Act 1. How now my love?, A
Midsummer Night's Dream, opera, Op. 64: Act 1. Introduction: The wood, deepening twilight. Over hill, over dale, A
Midsummer Night's Dream, opera, Op. 64: Act 1. Is all our company here?, A
Midsummer Night's Dream, opera, Op. 64: Act 1. Oberon is passing fell and wrath, A
Midsummer Night's Dream, opera, Op. 64: Act 1. Stay, though thou kill me, sweet Demetrius, A
Midsummer Night's Dream, opera, Op. 64: Act 1. Through the forest have I gone, A
Midsummer Night's Dream, opera, Op. 64: Act 1. Welcome wanderer... I know a bank, A
Midsummer Night's Dream, opera, Op. 64: Act 1. Well, go thy way, A
Midsummer Night's Dream, opera, Op. 64: Act 1. What thou seest when thou dost wake, A
Midsummer Night's Dream, opera, Op. 64: Act 1. You spotted snakes with double tongue, A
Midsummer Night's Dream, opera, Op. 64: Act 2. Are we all met?, A
Midsummer Night's Dream, opera, Op. 64: Act 2. Be kind and courteous to this gentleman, A
Midsummer Night's Dream, opera, Op. 64: Act 2. Flower of this purple dye, A
Midsummer Night's Dream, opera, Op. 64: Act 2. Hail, mortal, hail!, A
Midsummer Night's Dream, opera, Op. 64: Act 2. How now, mad spirit?, A
Midsummer Night's Dream, opera, Op. 64: Act 2. I see their knavery, A
Midsummer Night's Dream, opera, Op. 64: Act 2. Introduction: The Wood, A
Midsummer Night's Dream, opera, Op. 64: Act 2. On the ground, sleep sound, A
Midsummer Night's Dream, opera, Op. 64: Act 2. Puppet? Why, so?, A
Midsummer Night's Dream, opera, Op. 64: Act 2. This is thy negligence, A
Midsummer Night's Dream, opera, Op. 64: Act 2. Up and down, up and down, A
Midsummer Night's Dream, opera, Op. 64: Act 3. Asleep, my love?, A
Midsummer Night's Dream, opera, Op. 64: Act 3. Come, your Bergomask, A
Midsummer Night's Dream, opera, Op. 64: Act 3. Gentles, perchance you wonder at this show, A
Midsummer Night's Dream, opera, Op. 64: Act 3. Have you sent to Bottom's house?, A
Midsummer Night's Dream, opera, Op. 64: Act 3. Helena! Hermia! Demetrius! Lysander!, A
Midsummer Night's Dream, opera, Op. 64: Act 3. If we offend, it is with our good will, A
Midsummer Night's Dream, opera, Op. 64: Act 3. In this same interlude it doth befall, A
Midsummer Night's Dream, opera, Op. 64: Act 3. Introduction: The wood, early next morning. My gentle Robin, seest thou this sweet sight?, A
Midsummer Night's Dream, opera, Op. 64: Act 3. Now the hungry lion roars, A
Midsummer Night's Dream, opera, Op. 64: Act 3. O grim-look'd night, O night with hue so black, A
Midsummer Night's Dream, opera, Op. 64: Act 3. O Wall, full often hast thou heard my moans, A
Midsummer Night's Dream, opera, Op. 64: Act 3. Sweet Moon, I thank thee for thy sunny beams, A
Midsummer Night's Dream, opera, Op. 64: Act 3. Theseus' palace. Now, fair Hippolyta, A
Midsummer Night's Dream, opera, Op. 64: Act 3. This lanthorn doth the hornèd moon present, A
Midsummer Night's Dream, opera, Op. 64: Act 3. When my cue comes, call me, A
Midsummer Night's Dream, opera, Op. 64: Act 3. You ladies, you whose gentle hearts do fear, A
Midsummer Night's Dream, opera, Op. 64: I have a reas'nable good ear in music, A
miller of Dee BTC 996
Miller Of Dee, The
Miniature Suite: I. Novelette
Miniature Suite: II. Menuetto
Miniature Suite: III. Romanza
Miniature Suite: IV. Gavotte
minstrel boy BTC 1066
Minstrel Boy, The
Missa Brevis, for boys' chorus & organ in D major, Op. 63: 1. Kyrie
Missa Brevis, for boys' chorus & organ in D major, Op. 63: 2. Gloria
Missa Brevis, for boys' chorus & organ in D major, Op. 63: 3. Sanctus
Missa Brevis, for boys' chorus & organ in D major, Op. 63: 4. Benedictus
Missa Brevis, for boys' chorus & organ in D major, Op. 63: 5. Agnus Dei
Missa Brevis in D major, op. 63: I. Kyrie
Missa Brevis in D major, op. 63: II. Gloria
Missa Brevis in D major, op. 63: III. Sanctus and Benedictus
Missa Brevis in D major, op. 63: IV. Agnus Dei
Missa brevis, op. 63: I. Kyrie eleison
Missa brevis, op. 63: II. Gloria in excelsis Deo
Moderato con molto moto
Mont Juic: Suite of Catalan Dances, op. 12: I. Lament: Andante Moderato
Mont Juic: Suite of Catalan Dances, op. 12: II. Allegro Molto
moth
Movement for Wind Sextet
Movements For a Clarinet Concerto (c1942): 1.
Movements For a Clarinet Concerto (c1942): 2.
Movements For a Clarinet Concerto (c1942): 3.
Movements for a Clarinet Concerto: I. Molto allegro
Movements for a Clarinet Concerto: II. Mazurka elegiaca
Movements for a Clarinet Concerto: III. Finale
Music for Voice and Piano
Musicians Discuss Benjamin Britten
Musik mit Oboe
Musique instrumentale. Extraits
Musique vocale
Narcissus (feat. oboe: George Caird)
Narcissus (feat. oboe: Joy Boughton)
Narcissus (feat. oboe: Nicholas Daniel)
Negroes - Music from GPO Film: 2. Allegro - "Then the Portuguese and Spaniards"
Negroes - Music from GPO Film: 3. Allegro ritmico - "At the Mouth of the Senegal"
Negroes - Music from GPO Film: 4. Andante con moto - "To Sail From Africa to Jamaica"
Negroes - Music from GPO Film: 5. Andante lento -"The More Advanced Thinkers in Europe"
Negroes - Music from GPO Film: 6. Andante con molto moto - "Still at Their Accustomed Hour"
Negroes - Music from GPO Film: 7. Allegro ritmico - "Coffee From the Blue Mountains"
Negroes - Music from GPO Film: Allegro appassionato - Title Music - 1. Allegro - "In the Middle Ages"
Negroes: Music from GPO Film: II. Allegro
Negroes: Music from GPO Film: III. Allegro ritmico
Negroes: Music from GPO Film: IV. Andante con moto
Negroes - Music from GPO Film: "The Slaves Were the Absolute Property of Their Masters"
Negroes: Music from GPO Film: V. Andante lento -"The More Advanced Thinkers in Europe"
Negroes: Music from GPO Film: VI. Andante con molto moto
Negroes: Music from GPO Film: VII. Allegro ritmico
New Year Carol, A
Night covers up the rigid land BTC 838
Night Mail: End Sequence
Night Mail: Percussion Sequence
Night Mail: Title Music
Night Piece (Notturno), for piano
Niobe (feat. oboe: George Caird)
Niobe (feat. oboe: Joy Boughton)
Niobe (feat. oboe: Nicholas Daniel)
Nocturnal after John Dowland, for guitar, Op. 70: 1. Musingly (Meditativo)
Nocturnal after John Dowland, for guitar, Op. 70: 2. Agitated (Molto agitativo)
Nocturnal after John Dowland, for guitar, Op. 70: 3. Restless (Inquieto)
Nocturnal after John Dowland, for guitar, Op. 70: 4. Uneasy (Ansioso)
Nocturnal after John Dowland, for guitar, Op. 70: 5. March-like (Quasi una marcia)
Nocturnal after John Dowland, for guitar, Op. 70: 6. Dreaming (Sognanti)
Nocturnal after John Dowland, for guitar, Op. 70: 7. Gently rocking (Cullante)
Nocturnal after John Dowland, for guitar, Op. 70: 8. Passacaglia (Misurato)
Nocturnal after John Dowland, for guitar, Op. 70: 9. Slow and quiet (Tranquillo)
Nocturnal after John Dowland, op. 70: I. Musingly
Nocturnal after John Dowland, op. 70: II. Very agitated
Nocturnal after John Dowland, op. 70: III. Restless
Nocturnal after John Dowland, op. 70: IV. Uneasy
Nocturnal after John Dowland, op. 70: IX. Slow and Quiet
Nocturnal after John Dowland, op. 70: V. March-like
Nocturnal after John Dowland, op. 70: VI. Dreaming
Nocturnal after John Dowland, op. 70: VII. Gently rocking
Nocturnal after John Dowland, op. 70: VIII. Passacaglia
Nocturne, for tenor, 7 instruments & strings, Op. 60: Below the thunders of the upper deep
Nocturne, for tenor, 7 instruments & strings, Op. 60: But that night when on my bed I lay
Nocturne, for tenor, 7 instruments & strings, Op. 60: Encinctured with a twine of leaves
Nocturne, for tenor, 7 instruments & strings, Op. 60: Midnight's bell goes ting, ting, ting, ting, ting
Nocturne, for tenor, 7 instruments & strings, Op. 60: On a poet's lips I slept
Nocturne, for tenor, 7 instruments & strings, Op. 60: She sleeps on soft, last breaths
Nocturne, for tenor, 7 instruments & strings, Op. 60: What is more gentle whan a wind in summer?
Nocturne, for tenor, 7 instruments & strings, Op. 60: When most I wink, then do my eyes best see
Nocturne, op. 60: I. On a poet's lips I slept
Nocturne, op. 60: II. Below the thunders of the upper deep
Nocturne, op. 60: III. Encinctured
Nocturne, op. 60: III. "Encintured With A Twine Of Leaves"
Nocturne, op. 60: IV. "Midnight's Bell Goes Ting, Ting, Ting"
Nocturne, op. 60: V. "But That Night When On My Bed I Lay"
Nocturne, op. 60: VI. "She Sleeps On Soft, Last Breaths"
Nocturne, op. 60: VII. "What Is More Gentle Than A Wind in Summer?"
Nocturne, op. 60: VIII. When most I wink, then do mine eyes best see
Nocturnes Ten Ensemble Streichorch op. 60
Nocturnes, tenor, orchestra, op. 60
Noel Passe, La
Noel Passée, La
Not even summer yet, song for high voice & piano
Now sleeps the crimson petal, song for tenor, horn & strings
Now the Leaves Are Falling Fast
Noye's Fludde, children's opera, Op. 59: Eternal Father, strong to save
Noye's Fludde, children's opera, Op. 59: I, God, that all this worlde hath wroughte
Noye's Fludde, children's opera, Op. 59: It is good for to be still
Noye's Fludde, children's opera, Op. 59: Lord Jesus, think on me
Noye's Fludde, children's opera, Op. 59: Now forty dayes are fullie gone
Noye's Fludde, children's opera, Op. 59: Now in the name of God I will begyne
Noye's Fludde, children's opera, Op. 59: Noye, heare I behette thee a heste
Noye's Fludde, children's opera, Op. 59: Noye, Noye, take thou thy company
Noye's Fludde, children's opera, Op. 59: Noye, take they wife anone
Noye's Fludde, children's opera, Op. 59: O, Lorde, I thanke thee lowde and still
Noye's Fludde, children's opera, Op. 59: Sir! Here are lions, lepardes, in
Noye's Fludde, children's opera, Op. 59: The spacious firmament on high
Noye's Fludde, children's opera, Op. 59: Wiffe, come in!
Noye's Fludde, children's opera, Op. 59: Wyffe, in this vessel we shall be kepte
Noye's Fludde, op. 59: I. Lord Jesus, think on me
Noye's Fludde, op. 59: II. I God, that all this worlde hath wroughte
Noye's Fludde, op. 59: III. Have done, you men and wemen all
Noye's Fludde, op. 59: IV. Now in the name of God I will begyne
Noye's Fludde, op. 59: IX. Noye, take thy wife anone
Noye's Fludde, op. 59, The Chester Miracle Play set to music: Ha! Children, me thinkes my botte removes
Noye's Fludde, op. 59, The Chester Miracle Play set to music: Have done, you men and wemen all
Noye's Fludde, op. 59, The Chester Miracle Play set to music: I God, that all this worlde hath wroughte
Noye's Fludde, op. 59, The Chester Miracle Play set to music: Lord Jesus, think on me
Noye's Fludde, op. 59, The Chester Miracle Play set to music: Now forty dayes are fullie gone
Noye's Fludde, op. 59, The Chester Miracle Play set to music: Now in the name of God I will begyne
Noye's Fludde, op. 59, The Chester Miracle Play set to music: Noye, heare I behette thee a heste
Noye's Fludde, op. 59, The Chester Miracle Play set to music: Noye, Noye, take thou thy company
Noye's Fludde, op. 59, The Chester Miracle Play set to music: Noye, take thy wife anone
Noye's Fludde, op. 59, The Chester Miracle Play set to music: The spacious firmament on high
Noye's Fludde, op. 59, The Chester Miracle Play set to music: Wiffe, come in! why standes thou their?
Noye's Fludde, op. 59: V. Noye, Noye, take thou thy company
Noye's Fludde, op. 59: VI. Wiffe, come in! why standes thou their?
Noye's Fludde, op. 59: VII. Ha! Children, me thinkes my botte removes
Noye's Fludde, op. 59: VIII. Now forty dayes are fullie gone
Noye's Fludde, op. 59: X. Noye, heare I behette thee a heste
Noye's Fludde, op. 59: XI. The spacious firmament on high
Noye's Fludde / The Golden Vanity
Nuits de juin
nurse's song BTC 1013, no 5
O can ye sew cushions ? BTC 878
O that I'd ne'er been married
O That I Had Ne'er Been Married
O The Sight Entrancing
O waly, waly BTC 1007
O Waly, Waly (feat. countertenor: David Daniels, piano: Julius Drake)
O Waly, Waly, for voice & piano (Folk Songs, Vol. 3)
O Why Did E're My Thought Aspire
Occasional overture BTC 998
Occasional Overture, for orchestra in C major, Op. 38 (withdrawn)
Occasional Overture, op. 27 "An American Overture"
Of a' the airts the wind can blaw BTC 456
Oft in the stilly night BTC 1070
Oh why did e'er my thoughts aspire BTC 637
Oliver Cromwell BTC 881
Oliver Cromwell, for voice & piano (Folk Songs, Vol. 1)
On The Frontier: The Clock On The Wall (Instrumental Arrangement by Daryl Runswick)
On this island BTC 836
On this island, op. 11: I. Let the Florid Music Praise!
On this island, op. 11: II. Now the Leaves Are Falling Fast
On this island, op. 11: III. Seascape
On this island, op. 11: IV. Nocturne
On this island, op. 11: V. As It Is, Plenty
On this Island, song cycle for voice & piano, Op. 11: 1. Let the florid music praise!
On this Island, song cycle for voice & piano, Op. 11: 2. Now the leaves are falling fast
On this Island, song cycle for voice & piano, Op. 11: 3. Seascape
On this Island, song cycle for voice & piano, Op. 11: 4. Nocturne
On this Island, song cycle for voice & piano, Op. 11: 5. As it is; plenty
Opéras
Orchestra music. Selections
Orchestra. Op. 34
Orchestral Works
Orchestrations [Schubert, Franz. Die Forelle. D 550]
Orkesterguide for ungdommen: Fuga
Orkesterguide for ungdommen: Tema
Orkesterguide for ungdommen: Variationer for messingblæsere
Orkesterguide for ungdommen: Variationer for slagtøj
Orkesterguide for ungdommen: Variationer for strygere og harpe
Orkesterguide for ungdommen: Variationer for træblæsere
Our Hunting Fathers, op. 8: I. Prologue
Our Hunting Fathers, op. 8: II. Rats Away!
Our Hunting Fathers, op. 8: III. Messalina
Our Hunting Fathers, op. 8: IV. Dance Of Death (Hawking For The Partridge)
Our Hunting Fathers, op. 8: V. Epilogue & Funeral March
Our Hunting Fathers (Peter Pears, Helen Watts Acc. Benjamin Britten)
Our Hunting Fathers, song cycle for high voice & orchestra, Op. 8: A. Rats Away!
Our Hunting Fathers, song cycle for high voice & orchestra, Op. 8: B. Messalina
Our Hunting Fathers, song cycle for high voice & orchestra, Op. 8: C. Dance of Death
Our Hunting Fathers, song cycle for high voice & orchestra, Op. 8: Epilogue and Funeral March
Our Hunting Fathers, song cycle for high voice & orchestra, Op. 8: Prologue
Owen Wingrave, op. 85, Act 1: At last it's out
Owen Wingrave, op. 85, Act 1: Coyle, I wish I had not come
Owen Wingrave, op. 85, Act 1: May God bless the Queen
Owen Wingrave, op. 85, Act 1: Oh, how unforeseen
Owen Wingrave, op. 85, Act 1: Prelude
Owen Wingrave, op. 85, Act 1: Sirrah! How dare you!
Owen Wingrave, op. 85, Act 1: You've got your maps there?
Owen Wingrave, op. 85, Act 1: Your sherry, Mrs. Coyle
Owen Wingrave, op. 85, Act 2: Ah, Owen, what shall I do?
Owen Wingrave, op. 85, Act 2: And with his friend young Lechmere played
Owen Wingrave, op. 85, Act 2: Come in...It's me, Lechmere
Owen Wingrave, op. 85, Act 2: I envy you, this fine old house
Owen Wingrave, op. 85, Act 2: Is that you, Coyle?
Owen Wingrave, op. 85, Act 2: Now you may save your scornful looks
Owen Wingrave, op. 85, Act 2: Paramore shall welcome woe!
Owen Wingrave, op. 85, Act 2: There was a boy, a Wingrave born
Owl, The
Oxen, carol for female chorus & piano, The
Pan (feat. oboe: George Caird)
Pan (feat. oboe: Joy Boughton)
Pan (feat. oboe: Nicholas Daniel)
Passacaglia from Peter Grimes, op. 33b
Passacailles Orchestre Op. 33b
Paul Bunyan (1941). Selections
Paul Bunyan (1941). Tiny's song
Paul Bunyan (1974). Blues
Paul Bunyan, op. 17: Act I. Scene 1. Animal Trio (Fido, Moppet, Poppet)
Paul Bunyan, op. 17: Act I. Scene 1. Bunyan's Goodnight (1) (Paul Bunyan)
Paul Bunyan, op. 17: Act I. Scene 1. Bunyan's Goodnight (2) (Paul Bunyan)
Paul Bunyan, op. 17: Act I. Scene 1. Bunyan's Greeting (Voice of Paul Bunyan)
Paul Bunyan, op. 17: Act I. Scene 1. Bunyan's Welcome (Paul Bunyan)
Paul Bunyan, op. 17: Act I. Scene 1. Call of Lumberjacks (Lumberjacks' Chorus)
Paul Bunyan, op. 17: Act I. Scene 1. Cooks' Duet (Sam Sharkey, Ben Benny, Inkslinger, Paul Bunyan, Chorus)
Paul Bunyan, op. 17: Act I. Scene 1. Exit of Lumberjacks (Lumberjacks' Chorus)
Paul Bunyan, op. 17: Act I. Scene 1. Lumberjacks' Chorus (First Solo, Lumberjacks' Chorus, Second Solo, Third Solo, Fourth Solo, Chorus)
Paul Bunyan, op. 17: Act I. Scene 1. Quartet of Swedes (4 Swedes, Paul Bunyan, Chorus)
Paul Bunyan, op. 17: Act I. Scene 1. Second Ballad Interlude (Narrator, Inkslinger, Chorus)
Paul Bunyan, Op. 17: Act I. Scene 1. The Blues - Quartet of the Defeated (Paul Bunyan, The Defeated, Insklinger)
Paul Bunyan, op. 17: Act I. Scene 1. Western Union Boy's Song (Western Union Boy, Paul Bunyan, Hel Helson, Sam Sharkey, Ben Benny, Chorus)
Paul Bunyan, op. 17: Act I. Scene 2. Bunyan's Goodnight (3) (Paul Bunyan)
Paul Bunyan, op. 17: Act I. Scene 2. Bunyan's Return (Chorus)
Paul Bunyan, op. 17: Act I. Scene 2. Chorus Accusation (Cross, Inkslinger, Jen, Pete, Andy, Chorus)
Paul Bunyan, op. 17: Act I. Scene 2. Entrance of Chorus (Pete, Andy, Jen, Cross, John)
Paul Bunyan, op. 17: Act I. Scene 2. Food Chorus (Inkslinger, Sam Sharkey, Ben Benny, Chorus)
Paul Bunyan, Op. 17: Act I. Scene 2. Inkslinger's Regret (Inkslinger, Voice of Paul Bunyan, Chorus)
Paul Bunyan, op. 17: Act I. Scene 2. Inkslinger's Song (Inkslinger)
Paul Bunyan, op. 17: Act I. Scene 2. Slim's Song (Slim, Inkslinger, Fido, Moppet, Poppet, Chorus)
Paul Bunyan, op. 17: Act I. Scene 2. Tiny's Entrance (Ben, Sam, Cross, Andy, John)
Paul Bunyan, op. 17: Act I. Scene 2. Tiny's Song (Tiny, Inkslinger, Slim, Chorus)
Paul Bunyan, op. 17: Act II. Scene 1. Bunyan's Good Morning (Voice of Paul Bunyan)
Paul Bunyan, op. 17: Act II. Scene 1. Bunyan's Warning (Paul Bunyan)
Paul Bunyan, op. 17: Act II. Scene 1. Cats' Creed (Moppet, Poppet, Voice of Paul Bunyan, Cronies, Hel Helson)
Paul Bunyan, op. 17: Act II. Scene 1. Farmers' Exit (Cronies, Hel Helson)
Paul Bunyan, op. 17: Act II. Scene 1. Farmers' Song (John Shears, Second Solo, Chorus)
Paul Bunyan, op. 17: Act II. Scene 1. Fido's Sympathy (Fido)
Paul Bunyan, op. 17: Act II. Scene 1. Hymn (Paul Bunyan, Hel Helson, Tiny, Slim, Chorus)
Paul Bunyan, op. 17: Act II. Scene 1. Love Duet (Tiny, Slim, Chorus)
Paul Bunyan, op. 17: Act II. Scene 1. Mock Funeral March (Cronies, Hel Helson, Paul Bunyan, Chorus)
Paul Bunyan, op. 17: Act II. Scene 1. Shears's Song (John Shears, Farmer's Chorus, Paul Bunyan, Hel Helson)
Paul Bunyan, op. 17: Act II. Scene 1. The Fight (Chorus)
Paul Bunyan, op. 17: Act II. Scene 1. The Mocking of Hel Helson (Hel Helson, Heron, Moon, Wind, Beetie, Squirrel, Fido, Chorus)
Paul Bunyan, op. 17: Act II. Scene 1. Third Ballad Interlude (Narrator)
Paul Bunyan, op. 17: Act II. Scene 2. Bunyan's Farewell (Voice of Paul Bunyan)
Paul Bunyan, op. 17: Act II. Scene 2. Litany (Fido, Moppet, Poppet, Tiny, Slim, Paul Bunyan, Hel Helson, Inkslinger, Chorus)
Paul Bunyan, op. 17: Act II. Scene 2. The Christmas Party (Fido, Moppet, Poppet, Inkslinger, 3 Solos from Chorus, John Shears, Western Union Boy, Chorus)
Paul Bunyan, op. 17: First Ballad Interlude (Narrator)
Paul Bunyan, op. 17: Prologue. In the forest (4 Young Trees, 2 Wild Geese, Semichorus of Old Trees, Chorus)
Paul Bunyan, op. 17: Prologue. Ooh! Ooh! O how terrible to be as old fashioned as a tree
Paul Bunyan, operetta, Op. 17: 1. Introduction
Paul Bunyan, operetta, Op. 17: 2. Prologue. It isn't very often the conservatives are wrong... / But once in a while the odd thing
Paul Bunyan, operetta, Op. 17: 2. Prologue. No. No. We do not want life to be slow
Paul Bunyan, operetta, Op. 17: 2. Prologue. Ooh! Ooh! O how terrible to be as old fashined as a tree
Paul Bunyan, operetta, Op. 17: 2. Prologue. Since the birth of the earth
Paul Bunyan, operetta, Op. 17: 2. Prologue. You are all to leave here
Paul Bunyan, operetta, Op. 17: 2a. First Ballad Interlude: The cold wind blew through the crooked thorn
Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 10. Bunyan's Goodnight (2)
Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 10a. Second Ballad Interlude: The Spring came and the Summer and Fall
Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 3. Bunyan's Greeting
Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 3a. Call of Lumberjacks
Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 4. Lumberjack's Chorus: My birthplace was in Sweden
Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 4a. Bunyan's Welcome
Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 5. Quartet of Swedes: Swedish born and Swedish bred
Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 6. Western Union Boy's Song: A telegram from oversea
Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 7. Cooks' Duet: Sam for soups. Ben for beans
Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 8. Animal Trio: Ah! Miaou! The single creature lives a partial life
Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 8a. Bunyan's Goodnight (1)
Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 8b. Exit of Lumberjacks: Down the line... Timberr
Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 9. The Blues: Gold in the North came the blizzard to say
Paul Bunyan, operetta, Op. 17: Act 1. Scene 2. 11. Food Chorus: Do I look the sort of fellow
Paul Bunyan, operetta, Op. 17: Act 1. Scene 2. 12. Chorus Accusation: There now look what you have done
Paul Bunyan, operetta, Op. 17: Act 1. Scene 2. 12a. Slim's Song: In fair days and foul... I come from open spaces
Paul Bunyan, operetta, Op. 17: Act 1. Scene 2. 13. Bunyan's Return: Look, the Chief is back
Paul Bunyan, operetta, Op. 17: Act 1. Scene 2. 14. Inkslinger's Song: It was out in the sticks
Paul Bunyan, operetta, Op. 17: Act 1. Scene 2. 14a. Entrance of Chorus
Paul Bunyan, operetta, Op. 17: Act 1. Scene 2. 15. Tiny's Entrance
Paul Bunyan, operetta, Op. 17: Act 1. Scene 2. 15a. Tiny's Song: Ah!... Whether the sun shine upon children playing
Paul Bunyan, operetta, Op. 17: Act 1. Scene 2. 16. Inkslinger's Regret: All the little brooks of love
Paul Bunyan, operetta, Op. 17: Act 1. Scene 2. 17. Bunyan's Goodnight (3)
Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 18. Bunyan's Good Morning
Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 18a. Shears' Song: It has always been my dream
Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 18b. Bunyan's Warning
Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 19. Farmer's Song: The shanty-boy invades the wood
Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 19a. Farmers' Exit
Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 20. The Mocking of Hel Helson: Heron, heron winging by
Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 21. Fido's Sympathy: Why won't you tell me what's the matter?
Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 22. Cat's Creed: Let Man the romantic in vision espy
Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 23. The Fight: What is it? What's happening?
Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 23a. Love Duet: Move, move from the trysting stone
Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 23b. Mock Funeral March: Take away the body and lay it on ice
Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 23c. Hymn: O great day of discovery!
Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 24. Third Ballad Interlude: So Helson smiled and Bunyan smiled
Paul Bunyan, operetta, Op. 17: Act 2. Scene 2. 25. The Christmas Party. A telegram from Hollywood
Paul Bunyan, operetta, Op. 17: Act 2. Scene 2. 25. The Christmas Party. Carry her over the water
Paul Bunyan, operetta, Op. 17: Act 2. Scene 2. 25. The Christmas Party. Dear friends, with your leave
Paul Bunyan, operetta, Op. 17: Act 2. Scene 2. 25. The Christmas Party. Rah! Another slice of turkey
Paul Bunyan, operetta, Op. 17: Act 2. Scene 2. 25. The Christmas Party. We always knew that one day you
Paul Bunyan, operetta, Op. 17: Act 2. Scene 2. 25. The Christmas Party. Where we are is not very far
Paul Bunyan, operetta, Op. 17: Act 2. Scene 2. 26. Bunyan's Farewell
Paul Bunyan, operetta, Op. 17: Act 2. Scene 2. 27. Litany: The campfire embers are black and cold
Paul Bunyan, operetta, Op. 17: Appendix. Inkslinger's Love Song
Paul Bunyan, operetta, Op. 17: Appendix. Lullaby of Dream Shadows
Paul Bunyan, operetta, Op. 17: Appendix. Overture
Peace of Britain
Performer: Complete Decca Recordings: Bach · Debussy · Elgar · Mozart · Purcell · Schubert · Schumann, The
Peter Grimes: Act 1, Interlude 1. Dawn
Peter Grimes: Act 1, Scene 1. Good morning, good morning!
Peter Grimes: Act 1, Scene 1. I'll have to go from pub to pub
Peter Grimes: Act 1, Scene 1. Look! The storm come!
Peter Grimes: Act 1, Scene 2. For peace sake
Peter Grimes: Act 1, Scene 2. Loud man
Peter Grimes: Act 1, Scene 2. No, I mean love
Peter Grimes: Act 1, Scene 2. Pub conversation should depend
Peter Grimes: Act 1, Scene 2. There's been a landslide up the coast
Peter Grimes: Act 2, Scene 1. Now gossip is put on trial
Peter Grimes: Act 2, Scene 1. Now that the daylight fills the sky
Peter Grimes: Act 2, Scene 1. Shall we go and see Grimes in his hut?
Peter Grimes: Act 2, Scene 2. They listen to money
Peter Grimes: Act 3, Scene 1. Murder most foul it is
Peter Grimes: Act I: For peace sake … Old Joe has gone fishing …
Peter Grimes: Act I: I'll give you a hand …
Peter Grimes: Act I: Interlude I
Peter Grimes: Act I: Now the Great Bear and the Pleiades
Peter Grimes: Act I, Scene 2: Now the Great Bear and Pleiades
Peter Grimes: Act I Scene I: "And do you prefer the storm" (Balstrode)
Peter Grimes: Act I Scene I: "Hi! Give us a hand!" (Peter)
Peter Grimes: Act I Scene I: "I have to go from pub to pub" (Hobson)
Peter Grimes: Act I Scene I: "Let her among you without fault cast the first stone" (Ellen)
Peter Grimes: Act I Scene I: "Look, the storm cone!" (Balstrode)
Peter Grimes: Act I Scene I: "Oh! hang at open doors the net, the cork," (Women and Fishermen)
Peter Grimes: Act I Scene I: "What harbour shelters peace" (Peter)
Peter Grimes: Act I Scene II: "Have you heard? The cliff is down" (Keene)
Peter Grimes: Act I Scene II: Interlude II
Peter Grimes: Act I Scene II: "Now the Great Bear and Pleiades" (Peter)
Peter Grimes: Act I Scene II: "Old Joe has gone fishing" (Keene)
Peter Grimes: Act I Scene II: "Past time to close!" (Auntie)
Peter Grimes: Act I Scene II: "The bridge is down, we half swam over" (Hobson)
Peter Grimes: Act I Scene II: "We live and let live" (Balstrode)
Peter Grimes: Act II: In dreams I've built myself …
Peter Grimes, Act II: Interlude 3
Peter Grimes: Act II: Interlude III
Peter Grimes: Act II: Now that the daylight fills the sky
Peter Grimes: Act II Scene I: "Fool to let it come to this!" (Auntie)
Peter Grimes: Act II Scene I: "From the gutter, why should we trouble at their ribaldries?" (Nieces)
Peter Grimes: Act II Scene I: "Glitter of waves and glitter of sunlight" (Ellen)
Peter Grimes: Act II Scene I: Interlude IV. Passacaglia
Peter Grimes: Act II Scene I: "Let this be a holiday" (Ellen)
Peter Grimes: Act II Scene I: "Now is gossip put on trial," (Mrs Sedley, Boles, Rector, Keene, Swallow and Chorus)
Peter Grimes: Act II Scene I: "People!... No! I will speak!" (Boles)
Peter Grimes: Act II Scene I: "Swallow! Shall we go and see Grimes in his hut?" (Rector)
Peter Grimes: Act II Scene I: "This unrelenting work" (Ellen)
Peter Grimes: Act II Scene I: "We planned that their lives should have a new start" (Ellen)
Peter Grimes: Act II Scene I: "What is it?" (Chorus)
Peter Grimes: Act II Scene II: "Go there!" (Peter)
Peter Grimes: Act II Scene II: "Now!... Now!..." (Boles, Rector, Swallow, Keene and Chorus)
Peter Grimes: Act II Scene II: "Peter Grimes! Nobody here?" (Rector)
Peter Grimes: Act II: The whole affair gives Borough talk …
Peter Grimes: Act III: Grimes! … Steady. There you are. Nearly Home.
Peter Grimes: Act III: Interlude V
Peter Grimes: Act III: Mr Swallow …
Peter Grimes: Act III Scene I: "Assign your prettiness to me" (Swallow)
Peter Grimes: Act III Scene I: "Come along, Doctor!" (First Burgess)
Peter Grimes: Act III Scene I: "Embroidery in childhood was a luxury of idleness" (Ellen)
Peter Grimes: Act III Scene I: Interlude VI
Peter Grimes: Act III Scene I: "Mister Swallow! Mister Swallow!" (Mrs Sedley)
Peter Grimes: Act III Scene I: "Pah! Ahoy!" (Swallow and Keene)
Peter Grimes: Act III Scene I: "Who holds himself apart, lets his pride rise" (Chorus)
Peter Grimes: Act III Scene II: "Grimes! Grimes!" (Chorus, Peter)
Peter Grimes: Act III Scene II: "Peter, we've come to take you home" (Ellen)
Peter Grimes: Act III Scene II: "To those who pass the Borough" (Chorus)
Peter Grimes: Act III: To those who pass the Borough sounds betray
Peter Grimes, Akt III: "Grimes! Grimes!"
Peter Grimes, Akt III: "Peter, we’ve come to take you home"
Peter Grimes, op. 33, Act 1: Interlude II: The Storm
Peter Grimes, op. 33, Act 1: "We live and let live"
Peter Grimes, op. 33, Act 2: Interlude III: Sunday morning by the beach
Peter Grimes, op. 33, Act 2: Interlude IV: Passacaglia
Peter Grimes, op. 33, Act 2: "Let this be a holiday"
Peter Grimes, op. 33, Act 2: "Swallow! Shall we go"
Peter Grimes, op. 33, Act 2: "What is it?"
Peter Grimes, op. 33, Act 3: "Grimes! Grimes!"
Peter Grimes, op.33: Act 3 - Interlude IV: Evening (Moonlight)
Peter Grimes, op. 33, Act 3: Interlude V: Evening
Peter Grimes, op. 33, Act 3: Interlude VI: Fog
Peter Grimes, op. 33, Act 3: "Pah!"
Peter Grimes, op. 33: Act III, Scene 2. "Grimes!"
Peter Grimes, op. 33, Prologue: Interlude I: On the beach
Peter Grimes. Op. 33 (wybór)
Peter Grimes, opera, Op. 33: Act 1. Scene 1. And do you prefer the storm
Peter Grimes, opera, Op. 33: Act 1. Scene 1. Hi! Give us a hand!
Peter Grimes, opera, Op. 33: Act 1. Scene 1. I have to go from pub to pub
Peter Grimes, opera, Op. 33: Act 1. Scene 1. Interlude 2: Storm
Peter Grimes, opera, Op. 33: Act 1. Scene 1. Let her among you without a fault cast the first stone
Peter Grimes, opera, Op. 33: Act 1. Scene 1. Look! The storm cone!
Peter Grimes, opera, Op. 33: Act 1. Scene 1. Oh hang at open doors the net
Peter Grimes, opera, Op. 33: Act 1. Scene 1. They listen to money
Peter Grimes, opera, Op. 33: Act 1. Scene 1. What harbour shelters peace
Peter Grimes, opera, Op. 33: Act 1. Scene 2. Come on, boy!
Peter Grimes, opera, Op. 33: Act 1. Scene 2. Have you heard the cliff is down
Peter Grimes, opera, Op. 33: Act 1. Scene 2. Now the Great Bear and the Pleiades
Peter Grimes, opera, Op. 33: Act 1. Scene 2. Old Joe has gone fishing
Peter Grimes, opera, Op. 33: Act 1. Scene 2. Past time to close!
Peter Grimes, opera, Op. 33: Act 1. Scene 2. The bridge is down
Peter Grimes, opera, Op. 33: Act 2. Scene 1. Child you're not too young to know
Peter Grimes, opera, Op. 33: Act 2. Scene 1. Fool to let it come to this!
Peter Grimes, opera, Op. 33: Act 2. Scene 1. From the gutter
Peter Grimes, opera, Op. 33: Act 2. Scene 1. Glitter of waves and glitter of sunlight
Peter Grimes, opera, Op. 33: Act 2. Scene 1. Interlude 3: Sunday Morning
Peter Grimes, opera, Op. 33: Act 2. Scene 1. Interlude 4: Passacaglia
Peter Grimes, opera, Op. 33: Act 2. Scene 1. Now is gossip put on trial
Peter Grimes, opera, Op. 33: Act 2. Scene 1. O all ye works of the Lord
Peter Grimes, opera, Op. 33: Act 2. Scene 1. People...! No! I will speak!
Peter Grimes, opera, Op. 33: Act 2. Scene 1. This unrelenting work
Peter Grimes, opera, Op. 33: Act 2. Scene 1. We planned that their lives should have a new start
Peter Grimes, opera, Op. 33: Act 2. Scene 1. Whatever you say... Let her among you without fault
Peter Grimes, opera, Op. 33: Act 2. Scene 1. Wherefore, I pray and beseech you
Peter Grimes, opera, Op. 33: Act 2. Scene 2. Go there!
Peter Grimes, opera, Op. 33: Act 2. Scene 2. In dreams I've built myself some kindlier home
Peter Grimes, opera, Op. 33: Act 2. Scene 2. Now!... Now!
Peter Grimes, opera, Op. 33: Act 2. Scene 2. Peter Grimes! Nobody here?
Peter Grimes, opera, Op. 33: Act 3. Interlude 5: Moonlight
Peter Grimes, opera, Op. 33: Act 3. Scene 1. Assign your prettiness to me
Peter Grimes, opera, Op. 33: Act 3. Scene 1. Come along, Doctor
Peter Grimes, opera, Op. 33: Act 3. Scene 1. Embroidery in childhood was a luxury of idleness
Peter Grimes, opera, Op. 33: Act 3. Scene 1. Interlude 6
Peter Grimes, opera, Op. 33: Act 3. Scene 1. Mr Keene!
Peter Grimes, opera, Op. 33: Act 3. Scene 1. Mr Swallow, Mr Swallow
Peter Grimes, opera, Op. 33: Act 3. Scene 1. Who holds himself apart lets his pride rise
Peter Grimes, opera, Op. 33: Act 3. Scene 2. Grimes!... Steady. There you are
Peter Grimes, opera, Op. 33: Act 3. Scene 2. Peter, we've come to take you home
Peter Grimes, opera, Op. 33: Act 3. Scene 2. To those who pass the Borough
Peter Grimes, opera, Op. 33: Prologue. Interlude 1: Dawn
Peter Grimes, opera, Op. 33: Prologue. Peter Grimes, I here advise you!
Peter Grimes, opera, Op. 33: Prologue. The truth - the pity
Peter Grimes, opera, Op. 33: Prologue. You sailed your boat round the coast
Peter Grimes: Prologue: "Peter Grimes!" (Hobson)
Peter Grimes: Prologue: "Peter Grimes: I here advise you!" (Swallow)
Peter Grimes: Prologue: "The truth...the pity...and the truth" (Peter)
Peter Grimes: Prologue: "You sailed your boat round the coast" (Swallow)
Peter Grimes: Sea Interlude IV: Storm
Peter Grimes: Sea Interlude No.1 (Dawn)
Peter Grimes: Sea Interlude No.3 (Moonlight)
Peter Grimes. Selections
Petit Ramoneur, op. 45 : Interlude. Le Chant de la nuit, Le
Petit Ramoneur, op. 45 : Prologue – Scène 1. « Ramoneur ! Ramoneur ! Ramonez ici et ramonez là, … » (The Sweep’s Song), Le
Petit Ramoneur, op. 45 : Scène 1. Air « Cours mon petit gars ! », Le
Petit Ramoneur, op. 45 : Scène 1. Duet « Aouh ! Le visage blanc ! », Le
Petit Ramoneur, op. 45 : Scène 1. Ensemble « Il s’est fait mal ? », Le
Petit Ramoneur, op. 45 : Scène 1. Hide and Seek « Quarant‐six ! … Quarant‐sept ! … Quarante‐huit ! … », Le
Petit Ramoneur, op. 45 : Scène 1. Marching Song, Le
Petit Ramoneur, op. 45 : Scène 1. Quartet « Ramonez ici, vite, vite, puis passez au corridor ! », Le
Petit Ramoneur, op. 45 : Scène 1. Shanty « Tire la corde, vas‐y doucement, vas‐y ! », Le
Petit Ramoneur, op. 45 : Scène 1. Trio « Attends qu’on t’attrapera. Comme on t’écorchera ! », Le
Petit Ramoneur, op. 45 : Scène 2. Ensemble « Il pleure sa peine tout le long du jour. », Le
Petit Ramoneur, op. 45 : Scène 2. Finale « A l’aide, au secours ! A l’aide, au secours ! », Le
Petit Ramoneur, op. 45 : Scène 2. Le Bain de Sam, Le
Petit Ramoneur, op. 45 : Scène 2. Pantomime et scène, Le
Petit Ramoneur, op. 45 : Scène 3. Air « Bientôt la voiture t’emportera. », Le
Petit Ramoneur, op. 45 : Scène 3. Ensemble « Bonjour Sam », Le
Petit Ramoneur, op. 45 : Scène 3. Finale – Coaching Song, Le
Petit Ramoneur, op. 45 : Scène 3. Trio et ensemble « Tu y’es, Alfred ? », Le
Phaedra, dramatic cantata for mezzo-soprano, string orchestra, percussion & harpsichord, Op. 93: In May, in brilliant Athens
Phaedra, dramatic cantata for mezzo-soprano, string orchestra, percussion & harpsichord, Op. 93: My time's too short, your highness
Phaedra, dramatic cantata for mezzo-soprano, string orchestra, percussion & harpsichord, Op. 93: O Gods of wrath
Phaedra, Op. 63: I. Prologue - In May, in brilliant Athens
Phaedra, Op. 63: II. My lost and dazzled eyes
Phaedra, Op. 63: III. Venus resigned her altar to my new Lord
Phaedra, Op. 63: IV. Phaedra in all her madness stands before you
Phaedra, Op. 63: IX. Chills already dart along my boiling veins
Phaedra, Op. 63: V. The wife of Theseus loves Hippolytus
Phaedra, Op. 63: VI. Oh Gods of wrath
Phaedra, Op. 63: VII. Death to the unhappy's no catastrophe
Phaedra, Op. 63: VIII. My time's too short, your highness
Phaedra, op. 93: Oh Gods of wrath
Phaeton (feat. oboe: George Caird)
Phaeton (feat. oboe: Joy Boughton)
Phaeton (feat. oboe: Nicholas Daniel)
Phantasies, violins (2), violas (2), cello, F minor
Phantasy, for string quintet in F minor
Phantasy Quartet, for oboe & string trio in F minor, Op. 2
Phrase
Piano Concerto in D major, Op. 13: 1. Toccata
Piano Concerto in D major, Op. 13: 2. Waltz
Piano Concerto in D major, Op. 13: 3. Impromptu
Piano Concerto in D major, Op. 13: 4. March
Piano Concerto, op. 13: I. Toccata
Piano Concerto, op. 13: II. Waltz
Piano Concerto, op. 13: III. Impromptu
Piano Concerto, op. 13: IV. March
Pieces (2), for 2 pianos, Op. 23: Introduction
Pieces (2), for 2 pianos, Op. 23: No. 2 Mazurka elegiaca
Pieces (2), for 2 pianos, Op. 23: Rondo alla burlesca
pieces Piano BTC 692
pièces Piano, violon, alto
Playful Pizzacato
Playful Pizzicato
plough boy BTC 970
Plough Boy (feat. baritone: Christopher Maltman, piano: Julius Drake), The
Plough Boy, folksong for voice & piano (Folk Songs, Vol. 3), The
Plymouth town
Poèmes
Poet's Echo, op. 76: I. Echo ("Ekho"), The
Poet's Echo, op. 76: II. My Heart ("Ya dumal, serdtse pozabilo"), The
Poet's Echo, op. 76: III. Angel ("Angel"), The
Poet's Echo, op. 76: IV. The Nightingale and the Rose ("Solovyei i roza"), The
Poet's Echo, op. 76: V. Epigram (Epigramma), The
Poet's Echo, op. 76: VI. Lines Written During a Sleepless Night ("Stikhi sochinyonniye nochyu vo vremya bessonnitsi"), The
Poison Tree, A
poison tree BTC 770
Portraits Portrait Nr. 2
Praise We Great Men, for voices, chorus & orchestra: (Coda)
Praise We Great Men, for voices, chorus & orchestra: Praise we great men
Praise We Great Men, for voices, chorus & orchestra: Praise we the just
Präludien und Fugen, Streichorch, op. 29
Pray Goody
Prelude and Fugue for 18-Part String Orchestra, op. 29: Fugue. Allegro energico - Coda
Prelude and Fugue for 18-Part String Orchestra, op. 29: Prelude. Grave
Prelude and Fugue on a Theme of Vittoria: Fugue
Prelude and Fugue on a Theme of Vittoria: Prelude
Prelude & Fugue, for 18 strings, Op. 29
Prelude on "They Walk Alone"
Prince of the Pagodas, ballet, Op. 57: Act 1. Belle Epine and the Four Kings, The
Prince of the Pagodas, ballet, Op. 57: Act 1. Entry of the Four Winged Frogs, The
Prince of the Pagodas, ballet, Op. 57: Act 1. Entry of the Pages and the Four Kings, The
Prince of the Pagodas, ballet, Op. 57: Act 1. March and Courtiers' Dance, The
Prince of the Pagodas, ballet, Op. 57: Act 1. Prelude, The
Prince of the Pagodas, ballet, Op. 57: Act 1. The Fool and the Dwarf, The
Prince of the Pagodas, ballet, Op. 57: Act 1. The Kings and Belle Rose, The
Prince of the Pagodas, ballet, Op. 57: Act 1. The Kings bow before the Emperor, The
Prince of the Pagodas, ballet, Op. 57: Act 1. The Rage of the Kings, The
Prince of the Pagodas, ballet, Op. 57: Act 1. Variation of Princess Belle Epine, The
Prince of the Pagodas, ballet, Op. 57: Act 1. Variation of Princess Belle Rose and Pas de Deux, The
Prince of the Pagodas, ballet, Op. 57: Act 1. Variation of the King of the East, The
Prince of the Pagodas, ballet, Op. 57: Act 1. Variation of the King of the North, The
Prince of the Pagodas, ballet, Op. 57: Act 1. Variation of the King of the South, The
Prince of the Pagodas, ballet, Op. 57: Act 1. Variation of the King of the West, The
Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Belle Rose, exhausted, borne in by the Frogs, The
Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Coda, The
Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Entrée: Sea Horses, Fish Creatures and Waves, The
Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Introduction: Belle Rose borne in by the Frogs, The
Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Pas de deux: Male and Female Flames, The
Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Variation: Female Flame, The
Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Variation: Fish Creatures, The
Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Variation: Male Flame, The
Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Variation: Sea Horses, The
Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Waltz: Clouds, Stars and Moon, The
Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 2. Belle Rose hunts for the Prince, The
Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 2. Belle Rose in darkness, The
Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 2. Pas de deux: The Prince and Belle Rose, The
Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 2. The Pagodas, The
Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 2. The Salamander, The
Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 1. Appearance of Belle Rose and the Salamander, The
Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 1. Empress Belle Epine, The
Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 1. The Old Emperor, The
Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Apotheosis, The
Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Coda, The
Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Finale, The
Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Pas de caractère: The Emperor and the Fool, The
Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Pas de deux: Belle Rose and the Prince of the Pagodas, The
Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Pas de six: Entrée, The
Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Pas de trois, The
Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Transformation, The
Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Variation 1: Pas de deux, The
Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Variation 2: Girl's Solo, The
Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Variation 3: Boy's Solo, The
Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Variation 4: The Prince, The
Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Variation 5: Belle Rose, The
Prince of the Pagodas, op. 57, Act 1: Gavotte, The
Prince of the Pagodas, op. 57, Act 1: The Emperor: March, The
Prince of the Pagodas, op. 57, Act 1: Triumph of Belle Epine, The
Prince of the Pagodas, op. 57, Act 2 Scene 1: Air, The
Prince of the Pagodas, op. 57, Act 2 Scene 1: Fire, The
Prince of the Pagodas, op. 57, Act 2 Scene 1: Water, The
Prince of the Pagodas, op. 57, Act 2 Scene 2: Belle Rose in Pagoda-Land, The
Prince of the Pagodas, op. 57, Act 3 Scene 1: Belle Epine as Empress, The
Prince of the Pagodas, op. 57, Act 3 Scene 1: Transition, The
Prince of the Pagodas, op. 57, Act 3 Scene 2: The Pagoda Palace, The
Prince of the Pagodas, op. 57: Act I, The
Prince of the Pagodas, op. 57: Act II, The
Prince of the Pagodas, op. 57: Act III, The
Prince of the Pagodas: Prelude and Dances, op. 57b: 1. Prelude, The
Prince of the Pagodas: Prelude and Dances, op. 57b: 2. March and Gavotte, The
Prince of the Pagodas: Prelude and Dances, op. 57b: 3. The King of the East, The
Prince of the Pagodas: Prelude and Dances, op. 57b: 3. The King of the North, The
Prince of the Pagodas: Prelude and Dances, op. 57b: 3. The King of the South, The
Prince of the Pagodas: Prelude and Dances, op. 57b: 3. The King of the West, The
Prince of the Pagodas: Prelude and Dances, op. 57b: 4. Belle Epine, The
Prince of the Pagodas: Prelude and Dances, op. 57b: 4. Belle Rose, The
Prince of the Pagodas: Prelude and Dances, op. 57b: 5. Variation of Belle Rose, The
Prince of the Pagodas: Prelude and Dances, op. 57b: 5. Variation of the Prince, The
Prince of the Pagodas: Prelude and Dances, op. 57b: 6. Finale, The
prince of the pagodas Selección, The
Prince of the pagodas. Selections
Prithee
Prodigal Son: Ah - you people (Tempter), The
Prodigal Son: Father, may I speak to you? (Younger Son), The
Prodigal Son: Forgive my asking you (Tempter), The
Prodigal Son: Go, if you must go (Servants), The
Prodigal Son: I am father to you all (Father), The
Prodigal Son: My children, you have seen (Abbot), The
Prodigal Son: My son (Father), The
Prodigal Son: Nights are days (Parasites), The
Prodigal Son: Now - I have done what I said (Tempter), The
Prodigal Son: O sing unto the Lord (Servants), The
Prodigal Son, op. 81, The
Prodigal Son: Take your due portion (Father), The
Prodigal Son: Third Parable for Church Performance: Ah you people, The
Prodigal Son: Third Parable for Church Performance: Father, may I speak to you?, The
Prodigal Son: Third Parable for Church Performance: Forgive my asking you, The
Prodigal Son: Third Parable for Church Performance: Go, if you must go, The
Prodigal Son: Third Parable for Church Performance: I am father to you all, The
Prodigal Son: Third Parable for Church Performance: Jam lucis orto sidere, The
Prodigal Son: Third Parable for Church Performance: My children, you have seen, The
Prodigal Son: Third Parable for Church Performance: My son, The
Prodigal Son: Third Parable for Church Performance: Nights are days, The
Prodigal Son: Third Parable for Church Performance: Now, The
Prodigal Son: Third Parable for Church Performance: O sing unto the Lord, The
Prodigal Son: Third Parable for Church Performance: Take your due portion, The
Prodigal Son: Third Parable for Church Performance: The ceremony, The
Prodigal Son: Third Parable for Church Performance: Welcome, welcome stranger!, The
Prodigal Son: Third Parable for Church Performance: With joy I sowed, The
Prodigal Son: Third Parable for Church Performance: You are tired from a long journey, The
Prodigal Son: Third Parable for Church Performance: You have gambled and lost, The
Prodigal Son: Welcome, welcome, stranger! (Parasites), The
Prodigal Son: With joy I sowed (Younger Son), The
Prodigal Son: You are tired from a long journey (Tempter), The
Prodigal Son: You have gambled and lost (Tempter), The
Prodigal Son: You it was taught me (Son), The
Psalm 150 for voices & orchestra, op. 67
Psalm 150, Op. 67: Lively March - Lightly - Very Lively
Psalms Psalm 130
Psalms Psalm 150
Purcell Realizations: Evening Hymn
Purcell Realizations from Orpheus Britannicus: Duets (6), for 2 voices & piano: Lost is my quiet for ever
Purcell Realizations from Orpheus Britannicus: Duets (6), for 2 voices & piano: Man is for the woman made
Purcell Realizations from Orpheus Britannicus: Duets (6), for 2 voices & piano: Sound the Trumpet
Purcell Realizations from Orpheus Britannicus: Duets (6), for 2 voices & piano: What can we poor females do?
Purcell Realizations from Orpheus Britannicus: Songs (5), for voice & piano: 1. Let sullen discord smile
Purcell Realizations from Orpheus Britannicus: Songs (5), for voice & piano: 2. Why should men quarrel
Purcell Realizations from Orpheus Britannicus: Songs (5), for voice & piano: 3. So when the glittering Queen of Night
Purcell Realizations from Orpheus Britannicus: Songs (5), for voice & piano: 4. Thou tun'st this world
Purcell Realizations from Orpheus Britannicus: Songs (5), for voice & piano: 5a. 'tis holiday / 5b. Sound Fame thy brazen trumpet
Purcell Realizations from Orpheus Britannicus: Songs (5), for voice & piano: I attempt from love's sickness to fly
Purcell Realizations from Orpheus Britannicus: Songs (7), for voice & piano: Fairest Isle
Purcell Realizations from Orpheus Britannicus: Songs (7), for voice & piano: Hears not my Phyllis (The Knotting Song), song, Z. 371
Purcell Realizations from Orpheus Britannicus: Songs (7), for voice & piano: I'll sail upon the Dog-star
Purcell Realizations: In the Black Dismal Dungeon of Despair
Purcell Realizations: Let the Dreadful Engines
Quand j'étais chez mon père
Quartets, strings, no. 3, op. 94
Quartets, violins (2), viola, cello, no. 1, op. 25, D major
Quartets, violins (2), viola, cello, no. 2, op. 36, C major. 3. Chacony
Quartette Vl 1 2 Va Vc D-Dur
Quartettino, for string quartet: 1. Andante - Allegro molto e con fuoco
Quartettino, for string quartet: 2. Poco adagio ma con moto
Quartettino, for string quartet: 3. Allegro molto vivace
Quartettino: I. Andante
Quartettino: II. Poco adagio ma con moto
Quartettino: III. Allegro molto vivace
Quatre chansons françaises BTC 587
Quatre Chansons Françaises: I. Les Nuits de Juin
Quatre Chansons Françaises: II. Sagesse
Quatre Chansons Françaises: III. L'Enfance
Quatre Chansons Françaises: IV. Chanson d'Automne
Quatuors Cordes BTC 579 Fa majeur
Quatuors Cordes No 1 Op. 25 Ré majeur
Quatuors Cordes No 2 Op. 36 Do majeur
Quatuors Cordes No 3 Op. 94
Queen's Epicedium, for soprano or tenor & piano (Purcell Realization), The
rainbow, The
Rape of Lucretia: Act I, Scene 1. "Collatinus is politically astute", The
Rape of Lucretia: Act I, Scene 1. "Here the thirsty evening", The
Rape of Lucretia: Act I, Scene 1. "It is axiom among kings", The
Rape of Lucretia: Act I, Scene 1. "Maria was unmasked at a masked ball", The
Rape of Lucretia: Act I, Scene 1. "My horse! My horse!" / "Tarquinius does not wait", The
Rape of Lucretia: Act I, Scene 1. "Rome is now ruled by the Etruscan upstart", The
Rape of Lucretia: Act I, Scene 1. "Tarquinius does not dare", The
Rape of Lucretia: Act I, Scene 1. "There goes a happy man!", The
Rape of Lucretia: Act I, Scene 1. "Who reaches Heaven first", The
Rape of Lucretia: Act I, Scene 2. "Listen! I heard a knock", The
Rape of Lucretia: Act I, Scene 2. "The oatmeal slippers of sleep", The
Rape of Lucretia: Act I, Scene 2. "Their spinning-wheel unwinds", The
Rape of Lucretia: Act I, Scene 2. "Time treads upon the hand of women", The
Rape of Lucretia: Act II, Scene 1. Interlude "Here in this scene", The
Rape of Lucretia: Act II, Scene 1. "Lucretia!" / "What do you want?", The
Rape of Lucretia: Act II, Scene 1. "She sleeps as a rose", The
Rape of Lucretia: Act II, Scene 1. "The prosperity of the Etruscans", The
Rape of Lucretia: Act II, Scene 1. "Within this frail crublicle of light", The
Rape of Lucretia: Act II, Scene 2. Epilogue "Is that all?", The
Rape of Lucretia: Act II, Scene 2. "Flowers bring to every year", The
Rape of Lucretia: Act II, Scene 2. "Last night Tarquinius ravished me", The
Rape of Lucretia: Act II, Scene 2. "Lucretia! Lucretia!", The
Rape of Lucretia: Act II, Scene 2. "Oh what a lovely day!", The
Rape of Lucretia: Act II, Scene 2. "This dead hand lets fall", The
Rape of Lucretia: Act II, Scene 2. "We'll leave the orchids for Lucretia", The
Rape of Lucretia: Act II, Scene 2. "You were right", The
Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 1. Here the thirsty evening, The
Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 1. Interlude: Tarquinius does not wait, The
Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 1. It is an axiom among kings, The
Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 1. Lucretia! Lucretia!, The
Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 1. Rome is now ruled by the Etruscan upstart, The
Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 1. With you two arm in arm again, The
Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 2. It is better to desire, The
Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 2. None of the women move, The
Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 2. The oatmeal slippers of sleep, The
Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 2. Their spinning wheel unwinds, The
Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 1. Go, Tarquinius!, The
Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 1. Interlude: Here in this scene you see, The
Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 1. Lucretia!... What do you want?, The
Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 1. She sleeps as a rose, The
Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 2. Flowers bring to every year, The
Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 2. How hideous! Take them away!, The
Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 2. Is all this suffering and pain, The
Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 2. Oh! What a lovely day!, The
Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 2. This dead hand lets fall, The
Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 2. Too late, Junius, The
Rape of Lucretia. Flower song
rape of Lucretia Give him this orchid
Rape of Lucretia, op. 37: Act I, Scene I. "Collatinus is politically astute" (Male Chorus, Junius, Collatinus, Tarquinius), The
Rape of Lucretia, op. 37: Act I, Scene I. "Goodnight!....There goes a happy man!" (Collatinus, Tarquinius, Junius), The
Rape of Lucretia, op. 37: Act I, Scene I. "Here the thirsty ev'ning has drunk the wine of light" (Male Chorus), The
Rape of Lucretia, op. 37: Act I, Scene I. "It is an axiom among kings" (Female Chorus, Male Chorus), The
Rape of Lucretia, op. 37: Act I, Scene I. "Maria was unmasked at a masked ball" (Junius, Tarquinius, Collatinus, Male Chorus), The
Rape of Lucretia, op. 37: Act I, Scene I. "My horse! My horse!" (Tarquinius, Male Chorus), The
Rape of Lucretia, op. 37: Act I, Scene I. "Rome is now ruled by the Etruscan upstart" (Male Chorus), The
Rape of Lucretia, op. 37: Act I, Scene I. "Tarquinius does not dare" (Male Chorus), The
Rape of Lucretia, op. 37: Act I, Scene I. "Who reaches heaven first is the best philosopher" (Collatinus, Male Chorus, Junius, Tarquinius), The
Rape of Lucretia, op. 37: Act I, Scene II. "Listen! I heard a knock" (Lucretia, Bianca, Lucia), The
Rape of Lucretia, op. 37: Act I, Scene II. "Lucia runs to the door" (Female Chorus, Tarquinius, Male Chorus, Bianca, Lucia, Lucretia), The
Rape of Lucretia, op. 37: Act I, Scene II. "The oatmeal slippers of sleep" (Female Chorus, Male Chorus), The
Rape of Lucretia, op. 37: Act I, Scene II. "Their spinning wheel unwinds" (Female Chorus, Lucretia, Bianca, Lucia), The
Rape of Lucretia, op. 37: Act I, Scene II. "Time treads upon the hands of women" (Lucia, Bianca, Female Chorus, Lucretia), The
Rape of Lucretia, op. 37: Act II, Scene I. "Interlude: Here in this scene you see virtue" (Female Chorus, Male Chorus), The
Rape of Lucretia, op. 37: Act II, Scene I. "Lucretia!...What do you want?" (Tarquinius, Lucretia, Male Chorus, Female Chorus), The
Rape of Lucretia, op. 37: Act II, Scene I. "She sleeps as a rose" (Female Chorus), The
Rape of Lucretia, op. 37: Act II, Scene I. "The prosperity of the Etruscans" (Female Chorus, Male Chorus, Collatinus, Lucia, Junius, Bianca), The
Rape of Lucretia, op. 37: Act II, Scene I. "When Tarquinius desires" (Male Chorus), The
Rape of Lucretia, op. 37: Act II, Scene I. "Within this frail crucible of light" (Tarquinius, Female Chorus), The
Rape of Lucretia, op. 37: Act II, Scene II. "Epilogue: Is it all?" (Female Chorus, Male Chorus), The
Rape of Lucretia, op. 37: Act II, Scene II. "Flowers bring to every year" (Lucretia, Bianca), The
Rape of Lucretia, op. 37: Act II, Scene II. "Good morning my Lady" (Bianca, Lucia, Lucretia), The
Rape of Lucretia, op. 37: Act II, Scene II. "Last night Tarquinius ravished me" (Lucretia, Collatinus), The
Rape of Lucretia, op. 37: Act II, Scene II. "Never again must we two dare to part" (Collatinus, Lucretia), The
Rape of Lucretia, op. 37: Act II, Scene II. "Oh! What a lovely day!" (Lucia, Bianca), The
Rape of Lucretia, op. 37: Act II, Scene II. "This dead hand lets fall" (Collatinus, Junius, Bianca, Lucia, Female Chorus, Male Chorus), The
Rape of Lucretia, op. 37: Act II, Scene II. "You were right. Tarquinius took one of the horses" (Lucia, Bianca, Collatinus, Junius), The
Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: Collatinus is politically astute, The
Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: Here the thirsty evening, The
Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: It is an axiom among kings, The
Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: Listen! I heard a knock, The
Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: Maria was unmasked at a masked ball, The
Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: My horse! My horse! tarquinius does not wait, The
Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: Rome is now ruled by the Etruscan upstart, The
Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: Tarquinius does not dare, The
Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: The oatmeal slippers of sleep, The
Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: Their spinning-wheel unwinds, The
Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: There goes a happy man!, The
Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: Time treads upon the hands of women, The
Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: Who reaches heaven first, The
Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: Epilogue: Is it all?, The
Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: Flowers bring to every year, The
Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: Interlude: Here in this scene, The
Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: Last night Tarquinius ravished me, The
Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: Lucretia! Lucretia!, The
Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: Lucretia!...What do you want?, The
Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: Oh! What a lovely day!, The
Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: She sleeps as a rose, The
Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: The prosperity of the Etruscans, The
Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: This dead hand lets fall, The
Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: We'll leave the orchids for Lucretia, The
Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: Within this frail crucible of light, The
Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: You were right, The
Rape of Lucretia. Ride
Rape of Lucretia. Selections
Rape of Lucretia. Slumber song
Recitative & aria, piano, orchestra
red cockatoo BTC 847
Red Cockatoo, The
Reflection (1930)
Rehearsing War Requiem: Dies Irae: Rehearsal of end of movement
Rehearsing War Requiem: Dies Irae: Rehearsal of the opening section
Rehearsing War Requiem: Libera Me: Rehearsal of closing page
Rehearsing War Requiem: Offertorium (rehearsal)
Rehearsing War Requiem: Requiem Aeternam (rehearsal)
Rehearsing War Requiem: Sanctus (rehearsal)
Rejoice in the Lamb - 1
Rejoice in the Lamb - 2
Rejoice in the Lamb - 3
Rejoice in the Lamb - 4
Rejoice in the Lamb - 5
Rejoice in the Lamb - 6
Rejoice in the Lamb - 7
Rejoice in the Lamb - 8
Rejoice in the Lamb, festival cantata for trumpet, ATB soloists, chorus & organ, Op. 30: For H is a spirit and therefore he is God
Rejoice in the Lamb, festival cantata for trumpet, ATB soloists, chorus & organ, Op. 30: For I am under the same accusation with My Saviour
Rejoice in the Lamb, festival cantata for trumpet, ATB soloists, chorus & organ, Op. 30: For I will consider my Cat Jeoffry
Rejoice in the Lamb, festival cantata for trumpet, ATB soloists, chorus & organ, Op. 30: For the flowers are great blessings
Rejoice in the Lamb, festival cantata for trumpet, ATB soloists, chorus & organ, Op. 30: For the Mouse is a creature of great personal valour
Rejoice in the Lamb, festival cantata for trumpet, ATB soloists, chorus & organ, Op. 30: Hallelujah from the heart of God
Rejoice in the Lamb, festival cantata for trumpet, ATB soloists, chorus & organ, Op. 30: Rejoice in God, o ye Tongues
Rejoice in the Lamb—Festival Cantata Op. 30: For H is a spirit (bass & chorus) —
Rejoice in the Lamb—Festival Cantata Op. 30: For I am under the same accusation (chorus) —
Rejoice in the Lamb—Festival Cantata Op. 30: For I will consider my Cat Jeoffry (treble)
Rejoice in the Lamb—Festival Cantata Op. 30: For the flowers are great blessings (tenor)
Rejoice in the Lamb—Festival Cantata Op. 30: For the Mouse is a creature of great personal valour (alto)
Rejoice in the Lamb—Festival Cantata Op. 30: Hallelujah (chorus)
Rejoice in the Lamb—Festival Cantata Op. 30: Rejoice in God, O ye Tongues (chorus)
Rejoice in the Lamb, op. 30: For I will consider my cat Jeoffrey
Rescue Of Penelope, Part 1: Children Have Died Of Want, The
Rescue Of Penelope, Part 1: Eight Years Have Passed, The
Rescue Of Penelope, Part 1: Listen. The Voices Of The Gods, The
Rescue Of Penelope, Part 1: Long Suffering Odysseus, The
Rescue Of Penelope, Part 1: Worse Still, The Island, The
Rescue Of Penelope, Part 1: Yet Not All Reached Their Homes, The
Rescue Of Penelope, Part 1: Yet Some Trust in An End, The
Rescue Of Penelope, Part 1: Your Prayer Is Answered, Penelope, The
Rescue Of Penelope, Part 2: Bold: Telemachus, Watch The Shadow On The Wall!, The
Rescue Of Penelope, Part 2: How Loud The Spring Sounds All Of A Sudden, The
Rescue Of Penelope, Part 2: I, Athene, Rise To The Edge Of Night, The
Rescue Of Penelope, Part 2: Listen, Lords Of Ithaca, The
Rescue Of Penelope, Part 2: Now There Is Silence, The
Rescue Of Penelope, Part 2: Telemachus, Be Swift!, The
Rescue Of Penelope, Part 2: There It Is Before You, The
Rescue Of Penelope, Part 2: When I See The Sorrow Of Mortal Odysseus, The
Reveille (1937)
Rhapsody, for string quartet
Rhapsody, violins (2), viola, cello
Rich And Rare
Ride by nights, The
roi s'en va-t'en chasse, for voice & piano (Folk Songs, Vol. 2) Le roi s'en va-t'en chasse, Le
Romance
Rondo Concertante (1930): I. Allegro Molto
Rondo Concertante (1930): II. Lento
Rossini Suite, for boys' voices & chamber ensemble: 1. Allegro brillante
Rossini Suite, for boys' voices & chamber ensemble: 2. Allegretto
Rossini Suite, for boys' voices & chamber ensemble: 3. Allegretto
Rossini Suite, for boys' voices & chamber ensemble: 4. Bolero (Allegro moderato)
Rossini Suite, for boys' voices & chamber ensemble: 5. Allegro con brio
Russian funeral BTC 801
Russian Funeral: march for brass and percussion (1936)
Sacred and Profane: Eight Medieval Lyrics, op. 91: I. St. Godric's Hymn
Sacred and Profane: Eight Medieval Lyrics, op. 91: II. I Mon Waxe Wod
Sacred and Profane: Eight Medieval Lyrics, op. 91: III. Lenten is come
Sacred and Profane: Eight Medieval Lyrics, op. 91: IV. The Long Night
Sacred and Profane: Eight Medieval Lyrics, op. 91: V. Yif Ic of Luve Can
Sacred and Profane: Eight Medieval Lyrics, op. 91: VI. Carol
Sacred and Profane: Eight Medieval Lyrics, op. 91: VII. Ye that Pasen By
Sacred and Profane: Eight Medieval Lyrics, op. 91: VIII. A Death
Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91: 1. St Godric's Hymn
Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91: 2. I mon waxe sod
Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91: 3. Lenten is come
Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91: 4. The long night
Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91: 5. Yif ic of luve can
Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91: 6. Carol
Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91: 7. Ye that pasen by
Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91: 8. A death
Sacred and Profane, op. 91: No. 1. St. Godric's Hymn
Sacred and Profane, op. 91: No. 2. I mon waxe wod
Sacred and Profane, op. 91: No. 3. Lenten is come
Sacred and Profane, op. 91: No. 4. The long night
Sacred and Profane, op. 91: No. 5. Yif ic of luve can
Sacred and Profane, op. 91: No. 6. Carol
Sacred and Profane, op. 91: No. 7. Ye that pasen by
Sacred and Profane, op. 91: No. 8. A death
Sagesse
saggio di Roccapendula, Il
Sail on, sail on BTC 1064
Sailor-boy BTC 1083
Sailor-Boy, The
Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42: 1. Introduction
Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42: 2. The Birth of Nicolas
Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42: 3. Nicolas devotes himself to God
Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42: 4. He journeys to Palestine
Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42: 5. Nicolas comes to Myra and is chosen Bishop
Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42: 6. Nicolas from Prison
Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42: 7. Nicolas and the Pickled Boys
Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42: 8. His Piety and Marvellous Works
Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42: 9. The death of Nicolas
Saint Nicolas: I. Introduction
Saint Nicolas: II. The Birth of Nicolas
Saint Nicolas: III. Nicolas devotes himself to God
Saint Nicolas: IV. He journeys to Palestine
Saint Nicolas: IX. The Death of Nicolas
Saint Nicolas, op. 42: He comes to Myra and is chosen Bishop
Saint Nicolas, op. 42: He journeys to Palestine
Saint Nicolas, op. 42: His piety and marvellous works
Saint Nicolas, op. 42: Introduction
Saint Nicolas, op. 42: Nicolas and the Pickled Boys
Saint Nicolas, op. 42: Nicolas devotes himself to God
Saint Nicolas, op. 42: Nicolas from prison
Saint Nicolas, op. 42: The birth of Nicolas
Saint Nicolas, op. 42: The death of Nicolas
Saint Nicolas / Rejoice in the Lamb
Saint Nicolas: V. Nicolas comes to Myra and is chosen Bishop
Saint Nicolas: VI. Nicolas from Prison
Saint Nicolas: VII. Nicolas and the Pickled Boys
Saint Nicolas: VIII. His piety and marvellous works
Salley Garden, The
Salley gardens BTC 882
Salley Gardens (feat. baritone: Christopher Maltman, piano: Julius Drake), The
Salley Gardens, for voice & piano (Folk Songs, Vol. 1), The
Sally Gardens: Arr. Britten, The
Sally in Our Alley
saw three ships BTC 685, I
Scherzo for Recorder Quartet
Scherzos, recorders (4)
Scottish Ballad, for 2 pianos & orchestra, Op. 26
Scottish Ballad, op. 26, for two pianos and orchestra
Sea Interludes (4) from Peter Grimes, for orchestra, Op. 33a: Dawn
Sea Interludes (4) from Peter Grimes, for orchestra, Op. 33a: Moonlight
Sea Interludes (4) from Peter Grimes, for orchestra, Op. 33a: Passacaglia, for orchestra, Op. 33b (from "Peter Grimes")
Sea Interludes (4) from Peter Grimes, for orchestra, Op. 33a: Storm
Sea Interludes (4) from Peter Grimes, for orchestra, Op. 33a: Sunday Morning
Seascape
Sechs Hölderlin-Fragmente Op. 61
Second Lute Song of the Earl of Essex, The
Selections
Sellinger's Round: variations for keyboard, Variations on an Elizabethan Theme: Variation 4
Serenada. Głos, waltornia, instrumenty smyczkowe. Op. 31
Serenade for Tenor, Horn and Strings, op. 31: I. Prologue
Serenade for Tenor, Horn and Strings, op. 31: II. Pastoral
Serenade for Tenor, Horn and Strings, op. 31: III. Nocturne
Serenade for Tenor, Horn and Strings, op. 31: IV. Elegy
Serenade for Tenor, Horn and Strings, op. 31: V. Dirge
Serenade for Tenor, Horn and Strings, op. 31: VI. Hymn
Serenade for Tenor, Horn and Strings, op. 31: VII. Sonnet
Serenade for Tenor, Horn and Strings, op. 31: VIII. Epilogue
Serenade, for tenor, horn & strings, Op. 31: 1. Pastoral
Serenade for tenor, horn & strings, Op.31 - 1. Prologue
Serenade, for tenor, horn & strings, Op. 31: 2. Nocturne
Serenade for tenor, horn & strings, Op.31 - 2. Pastoral - The Day's Grown Old
Serenade, for tenor, horn & strings, Op. 31: 3. Elegy
Serenade for tenor, horn & strings, Op.31 - 3. Nocturne - The Splendour Falls on Castle Walls
Serenade, for tenor, horn & strings, Op. 31: 4. Dirge
Serenade for tenor, horn & strings, Op.31 - 4. Elegy - O Rose, Thou Art Sick
Serenade for tenor, horn & strings, Op.31 - 5. Dirge - This Ae Night
Serenade, for tenor, horn & strings, Op. 31: 5. Hymn
Serenade for tenor, horn & strings, Op.31 - 6. Hymn - Queen and Huntress Chaste and Fair
Serenade, for tenor, horn & strings, Op. 31: 6. Sonnet
Serenade for tenor, horn & strings, Op.31 - 7. Sonnet - O Soft Embalmer of the Still Midnight
Serenade for tenor, horn & strings, Op.31 - 8. Epilogue
Serenade For Tenor Horn & Strings, op.31 - Dirge (anon.)
Serenade For Tenor Horn & Strings, op.31 - Elegy (Blake)
Serenade For Tenor Horn & Strings, op.31 - Hymn (Jonson)
Serenade For Tenor Horn & Strings, op.31 - Nocturne (Tennyson)
Serenade For Tenor Horn & Strings, op.31 - Pastoral (Cotton)
Serenade For Tenor Horn & Strings, op.31 - Sonnet (Keats)
Serenade, Michelangelo Sonnets, Winter Words
Serenade Op. 31, “Elegy” (X. F, S. 546) (tenor: Peter Pears, horn: Barry Tickwell, strings: London Symphony Orchestra, Benjamin Britten)
Serenade, tenor, horn, string orchestra, op. 31
Serenaden Ten Hr Streichorch op. 31
Settings of Gerard Manley Hopkins
Seven Sonnets / Music of Bali / British Folk Songs
Seven sonnets of Michelangelo BTC 876
Seven Sonnets of Michelangelo, op. 22: 1. Sonetto XVI: Si come nella penna e nell'inchiostro
Seven Sonnets of Michelangelo, op. 22: 2. Sonetto XXXI: A che piu debb'io mai l'intensa voglia
Seven Sonnets of Michelangelo, op. 22: 3. Sonetto XXX: Veggio co' be' vostri occhi un dolce lume
Seven Sonnets of Michelangelo, op. 22: 4. Sonetto LV: Tu sa' ch'io so, signior mie, che tu sai
Seven Sonnets of Michelangelo, op. 22: 5. Sonetto XXXVIII: Rendete a gli occhi miei, o fonte o fiume
Seven Sonnets of Michelangelo, op. 22: 6. Sonetto XXXII: S'un casto amor, s'una pieta superna
Seven Sonnets of Michelangelo, op. 22: 7. Sonetto XXIV: Spirto ben nato, in cui si specchia e vede
Seven sonnets of Michelangelo Ténor, piano Op. 22
She's like the swallow BTC 1173
Shepherd's Carol (1944), A
shepherd's carol BTC 960
Shepherd's Carol, for chorus, A
ship of Rio, The
shooting of his dear BTC 1056
Shooting Of His Dear, The
Simple Sym: Playful Pizzicato
Simple Symphony, for string orchestra, Op. 4: 1. Boisterous Bourrée
Simple Symphony, for string orchestra, Op. 4: 2. Playful Pizzicato
Simple Symphony, for string orchestra, Op. 4: 3. Sentimental Sarabande
Simple Symphony, for string orchestra, Op. 4: 4. Frolicsome Finale
Simple Symphony: Froliscome finale
Simple Symphony, op. 4: I. Boisterous Bourrée
Simple Symphony, op. 4: II. Playful Pizzicato
Simple Symphony, op. 4: III. Sentimental Saraband
Simple Symphony, op. 4: IV. Frolicsome Finale
Simple Symphony - Playful Pizzicato (Royal Bank Of Scotland)
Simple Symphony (unkown release)
Sinfonia da Requiem, for orchestra, Op. 20: 1. Lacrymosa
Sinfonia da Requiem, for orchestra, Op. 20: 2. Dies irae
Sinfonia da Requiem, for orchestra, Op. 20: 3. Requiem aeternam
Sinfonia da Requiem, op. 20: I. Lachrymosa. Andante ben misurato
Sinfonia da Requiem, Op. 20: I. Lacrymosa
Sinfonia da Requiem, op. 20: II. Dies irae. Allegro con fuoco
Sinfonia da Requiem, op. 20: III. Requiem aeternam. Andante molto tranquillo
Sinfonien Vc Orch op. 68
Sinfonietta, for chamber orchestra, Op. 1: 1. Poco presto ed agitato
Sinfonietta, for chamber orchestra, Op. 1: 2. Andante lento
Sinfonietta, for chamber orchestra, Op. 1: 3. Tarantella: Presto vivace
Sinfonietta, op. 1: I. Poco presto ed agitato
Sinfonietta, op. 1: II. Variations, Andante lento
Sinfonietta, op. 1: III. Tarantella, Presto vivace
Sinfonietten op. 1
Six Metamorphoses After Ovid: Anatomy of a Masterpiece
Six Metamorphoses after Ovid for Oboe Solo, op. 49: I. Pan - Senza misura
Six Metamorphoses after Ovid for Oboe Solo, op. 49: II. Phaeton - Vivace ritmico
Six Metamorphoses after Ovid for Oboe Solo, op. 49: III. Niobe - Andante
Six Metamorphoses after Ovid for Oboe Solo, op. 49: IV. Bacchus - Allegro paesante
Six Metamorphoses after Ovid for Oboe Solo, op. 49: V. Narcissus - Lento piacevole
Six Metamorphoses after Ovid for Oboe Solo, op. 49: VI. Arethusa - Largamente
Six Metamorphoses After Ovid, op. 49 for Oboe Solo: Arethusa
Six Metamorphoses After Ovid, op. 49 for Oboe Solo: Bacchus
Six Metamorphoses After Ovid, op. 49 for Oboe Solo: Narcissus
Six Metamorphoses After Ovid, op. 49 for Oboe Solo: Niobe
Six Metamorphoses After Ovid, op. 49 for Oboe Solo: Pan
Six Metamorphoses After Ovid, op. 49 for Oboe Solo: Phaeton
Sketch no. 1
Soirées musicales, op. 9: I. March
Soirées musicales, op. 9: II. Canzonetta
Soirées musicales, op. 9: III. Tirolese
Soirées musicales, op. 9: IV. Bolero
Soirées musicales, op. 9: V. Tarantella
Soirées Musicales (Rossini Suite 1), suite for orchestra, Op. 9: Bolero
Soirées Musicales (Rossini Suite 1), suite for orchestra, Op. 9: Canzonetta
Soirées Musicales (Rossini Suite 1), suite for orchestra, Op. 9: March
Soirées Musicales (Rossini Suite 1), suite for orchestra, Op. 9: Tarantella
Soirées Musicales (Rossini Suite 1), suite for orchestra, Op. 9: Tirolese
Sokrates und Alcibiades
soldier and the sailor BTC 1060
Soldier and The Sailor, The
Soldier, Won't You Marry Me?
Somnus
Sonata for cello & piano in C major, Op. 65: 1. Dialogo: Allegro
Sonata for cello & piano in C major, Op. 65: 2. Scherzo - Pizzicato: Allegretto
Sonata for cello & piano in C major, Op. 65: 3. Elegia: Lento
Sonata for cello & piano in C major, Op. 65: 4. Marcia: Energico
Sonata for cello & piano in C major, Op. 65: 5. Moto perpetuo: Presto
Sonatas, cello, piano, op. 65, C major. Marcia
Sonatas, cello, piano, op. 65, C major. Scherzo-pizzicato
Sonatas, violin, piano, op. 6
Sonatas, violoncello, piano, op. 65, C major
Sonaten Vc Kl op. 65
Sonates Violoncelle, piano Op. 65 Do majeur
Sonatina Romantica, for piano: Moderato
Sonatina Romantica, for piano: Nocturne
Sonatina romantica: I. Moderato
Sonatina romantica: II. Nocturne
Sonatina romantica: III. Burlesque
Sonatina romantica: IV. Toccata
Sonaty. Wiolonczela, fortepian. Op. 65. C-dur
Song BTC 454
Song: Take O Take Those Lips Away
Songs (2) by Thomas Hardy, for voice & piano: If it's ever spring again
Songs (2) by Thomas Hardy, for voice & piano: The Children and Sir Nameless
Songs (2) by W. H. Auden, for voice & piano: Night covers up the rigid land
Songs (2) by W. H. Auden, for voice & piano: To lie flat on the back
Songs and proverbs of William Blake BTC 1120
Songs and Proverbs of William Blake, op. 74: Prisons are built... The Chimney sweeper
Songs and Proverbs of William Blake, op. 74: The bird a nest... A poison tree
Songs and Proverbs of William Blake, op. 74: The hours of folly... Ah, Sun-flower
Songs and Proverbs of William Blake, op. 74: The pride of the peacock...London
Songs and Proverbs of William Blake, op. 74: The tygers of wrath... The Fly
Songs and Proverbs of William Blake, op. 74: Think in the morning... The Tyger
Songs and Proverbs of William Blake, op. 74: To see a World... Every night & every morn
Songs From "Friday Afternoons", op. 7: A New Year carol
Songs From "Friday Afternoons", op. 7: A tragic story
Songs From "Friday Afternoons", op. 7: Begone, dull care
Songs From "Friday Afternoons", op. 7: Cuckoo!
Songs From "Friday Afternoons", op. 7: Ee-Oh! (Anon)
Songs From "Friday Afternoons", op. 7: Fishing song
Songs From "Friday Afternoons", op. 7: I mun be married on Sunday
Songs From "Friday Afternoons", op. 7: Jazz-man
Songs From "Friday Afternoons", op. 7: Old Abram Brown
Songs From "Friday Afternoons", op. 7: The useful plough
Songs From "Friday Afternoons", op. 7: There was a man of Newington
Songs From "Friday Afternoons", op. 7: There was a monkey
Songs from the Chinese, op. 58: I: The Big Chariot
Songs from the Chinese, op. 58: II. The Old Lute
Songs from the Chinese, op. 58: III. The Autumn Wind
Songs from the Chinese, op. 58: IV. The Herd-Boy
Songs from the Chinese, op. 58: V. Depression
Songs from the Chinese, op. 58: VI. Dance Song
Songs & Proverbs of William Blake, op. 74: The Bird anest...A Poison Tree
Songs & Proverbs of William Blake, op. 74: To see a world...Every night and every morn
Songs. Selections
Sonnet LV
Sonnet XVI
Sonnet XXIV
Sonnet XXX
Sonnet XXXI
Sonnet XXXII
Sonnet XXXVIII
Sonnets (7) of Michelangelo, for voice & piano, Op. 22: 1. Sì come nella penna (16)
Sonnets (7) of Michelangelo, for voice & piano, Op. 22: 2. A che più debb'io mai (31)
Sonnets (7) of Michelangelo, for voice & piano, Op. 22: 3. Veggio co' bei vostri occhi (30)
Sonnets (7) of Michelangelo, for voice & piano, Op. 22: 4. Tu sa' ch'io so (55)
Sonnets (7) of Michelangelo, for voice & piano, Op. 22: 5. Rendete a gli occhi miei (38)
Sonnets (7) of Michelangelo, for voice & piano, Op. 22: 6. S'un casto amor (32)
Sonnets (7) of Michelangelo, for voice & piano, Op. 22: 7. Spirito ben nato (24)
Spider and the Fly, The
Spirit of the Lord (The World of the Spirit), The
Sport
Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 1. Introduction
Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 1. Spring, the sweet Spring
Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 1. The Driving Boy
Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 1. The Merry Cuckoo
Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 1. The Morning Star
Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 2. Out on the lawn I lie abed
Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 2. Waters above
Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 2. Welcome Maids of Honour
Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 3. Fair and fair
Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 3. Sound the flute
Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 3. When will my May come?
Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 4. Finale: London, to thee I do present
Spring Symphony, op. 44: 1I. Sound the flute!
Spring Symphony, op. 44: 1II. Finale: London, to thee I do present
Spring Symphony, Op. 44: Fair and Fair. Allegretto Grazioso
Spring Symphony, Op. 44: Finale. Moderato Alla Valse - Allegro Pesante
Spring Symphony, op. 44: I. Introduction: Shine out
Spring Symphony, op. 44: II. The merry cuckoo
Spring Symphony, op. 44: III. Spring, the sweet Spring
Spring Symphony, Op. 44: Introduction. Lento, Senza Rigore
Spring Symphony, op. 44: IV. The driving boy
Spring Symphony, op. 44: IX. When will my May come
Spring Symphony, Op. 44: Out on the Lawn I Lie in Bed. Adagio Molto Tranquillo
Spring Symphony, op. 44: Part 1: 1. Introduction: Shine Out
Spring Symphony, op. 44: Part 1: 2. The Merry Cuckoo
Spring Symphony, op. 44: Part 1: 3. Spring, the Sweet Spring
Spring Symphony, op. 44: Part 1: 4. The Driving Boy
Spring Symphony, op. 44: Part 1: 5. The Morning Star
Spring Symphony, op. 44: Part 2: 6. Welcome, Maids of Honour
Spring Symphony, op. 44: Part 2: 7. Waters Above!
Spring Symphony, op. 44: Part 2: 8. Out on the lawn I Lie in bed
Spring Symphony, op. 44: Part 3: 10. Fair and Fair
Spring Symphony, op. 44: Part 3: 11. Sound the Flute!
Spring Symphony, op. 44: Part 3: 9. When will my May Come?
Spring Symphony, op. 44: Part 4: 12. Finale: London, to Thee I do Present
Spring Symphony, Op. 44: Sound the Flute. Allegretto Molto Mosso
Spring Symphony, Op. 44: Spring, the Sweet Spring. Allegro Con Slancio
Spring Symphony, Op. 44: The Driving Boy. Allegro Molto
Spring Symphony, Op. 44: The Merry Cuckoo. Vivace
Spring Symphony, Op. 44: The Morning Star. Molto Moderato Ma Giocoso
Spring Symphony, op. 44: V. The morning star
Spring Symphony, op. 44: VI. Welcome Maids of Honour
Spring Symphony, op. 44: VII. Waters above!
Spring Symphony, op. 44: VIII. Out on the lawn I lie in bed
Spring Symphony, Op. 44: Waters Above. Molto Moderato E Tranquillo
Spring Symphony, Op. 44: Welcome Maids of Honour. Allegro Rubato
Spring Symphony, Op. 44: When Will My May Come. Allegro Impetuoso
Spring Symphony, op. 44: X. Fair and fair
Spring Symphony, op. 44: XII. Finale, "London, To Thee I Do Present The Merry Month of May" (in Russian)
St. Nicolas, op. 42: I. Introduction
St. Nicolas, op. 42: II. The Birth of Nicolas
St. Nicolas, op. 42: III. Nicolas devotes himself to God
St. Nicolas, op. 42: IV. He journeys to Palestine
St. Nicolas, op. 42: IX. The death of Nicolas
St. Nicolas, op. 42: V. He comes to Myra and is chosen Bishop
St. Nicolas, op. 42: VI. Nicolas from prison
St. Nicolas, op. 42: VII. Nicolas and the pickled boys
St. Nicolas, op. 42: VIII. His piety and marvellous works
Storia tragica
Stratton
Stream in The Valley, The
String orchestra music. Selections
String Orchestra. Op. 18
String Quartet in D major: 1. Allegro maestoso
String Quartet in D major: 2. Lento ed espressivo
String Quartet in D major: 3. Allegro giocoso
String Quartet in D major: I. Allegro maestoso
String Quartet in D major: II. Lento ed espressivo
String Quartet in D major: III. Allegro giocoso
String Quartet in F: I. Allegro vivace e con brio
String Quartet in F: II. Andante
String Quartet in F: III. Allegro vivace
String Quartet in F: IV. Allegro molto
String quartet music
String Quartet No. 1 in D major, Op. 25: 1. Andante sostenuto - Allegro vivo
String Quartet No. 1 in D major, Op. 25: 2. Allegretto con slancio
String Quartet No. 1 in D major, Op. 25: 3. Andante calmo
String Quartet No. 1 in D major, Op. 25: 4. Molto vivace
String Quartet no. 1 in D major, op. 25: I. Andante sostenuto - Allegro vivo
String Quartet no. 1 in D major, op. 25: II. Allegretto con slancio
String Quartet no. 1 in D major, op. 25: III. Andante calmo
String Quartet no. 1 in D major, op. 25: IV. Molto vivace
String Quartet No. 2 in C major, Op. 36: 1. Allegro calmo senza rigore
String Quartet No. 2 in C major, Op. 36: 2. Vivace
String Quartet No. 2 in C major, Op. 36: 3. Chacony (Sostenuto)
String Quartet no. 2 in C major, op. 36: I. Allegro calmo senza rigore
String Quartet no. 2 in C major, op. 36: II. Vivace
String Quartet no. 2 in C major, op. 36: III. Chacony
String Quartet No. 2, Op. 36: III. Chacony: Sostenuto
String Quartet No. 3, Op. 94: 1. Duets (With moderate movement)
String Quartet No. 3, Op. 94: 2. Ostinato (Very fast)
String Quartet No. 3, Op. 94: 3. Solo (Very calm)
String Quartet No. 3, Op. 94: 4. Burlesque (Fast, con fuoco)
String Quartet No. 3, Op. 94: 5. Recitative and Passacaglia (La Serenissima) (Slow)
String Quartet no. 3, op. 94: I. Duets: With Moderate Movement
String Quartet no. 3, op. 94: II. Ostinato: Very Fast
String Quartet no. 3, op. 94: III. Solo: Very Calm
String Quartet no. 3, op. 94: IV. Burlesque: Fast – con fuoco
String Quartet no. 3, op. 94: V. Recitative and Passacaglia (La serenissima)
Suite for Harp Solo, op. 83: I. Overture - Majestic
Suite for Harp Solo, op. 83: II. Toccata - Fast and gay
Suite for Harp Solo, op. 83: III. Nocturne - Slow and quiet
Suite for Harp Solo, op. 83: IV. Fugue - Lively
Suite for Harp Solo, op. 83: V. Hymn (St. Denio) - Slow and solemn
Suite for solo cello No. 1, Op. 72: 2. Fuga: Andante moderato
Suite for solo cello No. 1, Op. 72: 2. Lamento: Lento rubato
Suite for solo cello No. 1, Op. 72: 3. Serenanta: Allegretto (pizzicato)
Suite for solo cello No. 1, Op. 72: 4. Marcia: Alla marcia moderato
Suite for solo cello No. 1, Op. 72: 5. Bordone: Moderato quasi recitative
Suite for solo cello No. 1, Op. 72: 6. Moto perpetuo e Canto quarto: Presto
Suite for solo cello No. 1, Op. 72: Canto primo: Sostenuto e largamente
Suite for solo cello No. 1, Op. 72: Canto secondo: Sostenuto
Suite for solo cello No. 1, Op. 72: Canto terzo: Sostenuto
Suite for solo cello No. 2, Op. 80: 1. Declamato: Largo
Suite for solo cello No. 2, Op. 80: 2. Fuga: Andante
Suite for solo cello No. 2, Op. 80: 3. Scherzo: Allegro molto
Suite for solo cello No. 2, Op. 80: 4. Andante lento
Suite for solo cello No. 2, Op. 80: 5. Ciaccona: Allegro
Suite for solo cello No. 3, Op. 87: 1. Introduzione: Lento
Suite for solo cello No. 3, Op. 87: 2. Marcia: Allegro
Suite for solo cello No. 3, Op. 87: 3. Canto: Con moto
Suite for solo cello No. 3, Op. 87: 4. Barcarola: Lento
Suite for solo cello No. 3, Op. 87: 5. Dialogo: Allegretto
Suite for solo cello No. 3, Op. 87: 6. Fuga: Andante espressivo
Suite for solo cello No. 3, Op. 87: 7. Recitativo: Fantastico
Suite for solo cello No. 3, Op. 87: 8. Moto perpetuo: Presto
Suite for solo cello No. 3, Op. 87: 9. Passacaglia: Lento solenne
Suite for Violin and Piano, op. 6: I. March
Suite for Violin and Piano, op. 6: II. Moto perpetuo
Suite for Violin and Piano, op. 6: III. Lullaby
Suite for Violin and Piano, op. 6: Introduction -
Suite for Violin and Piano, op. 6: IV. Waltz
Suite, for violin & piano, Op. 6: 1. March: Allegro alla marcia
Suite, for violin & piano, Op. 6: 2. Moto perpetuo: Allegro molto e con fuoco
Suite, for violin & piano, Op. 6: 3. Lullaby: Lento tranquillo
Suite, for violin & piano, Op. 6: 4. Waltz: Alla valse: vivace e rubato
Suite, for violin & piano, Op. 6: Introduction: Andante maestoso
Suite From Death in Venice, Op. 88
Suite from King Arthur
Suite from The Prince of the Pagodas
Suite No. 3, op 87: Mournful song (Under the Apple Tree). Molto semplice - Autumn. Vivace - Street song (The Grey Eagle). Pesante - Grant Repose Together With the Saints. Lento
Suite on English folk tunes (A time there was), for orchestra, Op. 90: 1. Cakes and Ale
Suite on English folk tunes (A time there was), for orchestra, Op. 90: 2. The Bitter Withy
Suite on English folk tunes (A time there was), for orchestra, Op. 90: 3. Hankin Booby
Suite on English folk tunes (A time there was), for orchestra, Op. 90: 4. Hunt the Squirrel
Suite on English folk tunes (A time there was), for orchestra, Op. 90: 5. Lord Melbourne
Suite On English Folk Tunes: "A Time There Was...", op. 90: I. Cakes And Ale
Suite On English Folk Tunes: "A Time There Was...", op. 90: II. The Bitter Withy
Suite On English Folk Tunes: "A Time There Was...", op. 90: III. Hankin Booby
Suite On English Folk Tunes: "A Time There Was...", op. 90: IV. Hunt The Squirrel
Suite On English Folk Tunes: "A Time There Was...", op. 90: V. Lord Melbourne
Suite on English Folk Tunes, op. 90 "A Time There Was": I. Cakes and Ale, A
Suite on English Folk Tunes, op. 90 "A Time There Was": II. The Bitter Withy, A
Suite on English Folk Tunes, op. 90 "A Time There Was": III. Hankin Booby, A
Suite on English Folk Tunes, op. 90 "A Time There Was": IV. Hunt the Squirrel, A
Suite on English Folk Tunes, op. 90 "A Time There Was": V. Lord Melbourne, A
Suite, op. 6 for Violin & Piano: I. March: Allegro alla Marcia
Suite, op. 6 for Violin & Piano: II. Moto Perpetuo: Allegro Molto e Con Fuoco
Suite, op. 6 for Violin & Piano: III. Lullaby: Lento Tranquillo
Suite, op. 6 for Violin & Piano: Introduction: Andante Maestoso
Suite, op. 6 for Violin & Piano: IV. Waltz: Alla Valse: Vivace e Rubato
Suite pour violoncelle seul nº1 en sol mineur Op.72 : VI. Moto perpétue e canto quatro
Suiten Hf op. 83
Suiten Vc op. 72
Suiten Vc op. 80
Suiten Vc op. 87
Suiten Vl Kl op. 6
Suites, cello, no. 2, op. 80
Suites, harp, op. 83
Suites Harpe Op. 83
Suites, violin, piano, op. 6. Selections
Suites Violon, piano Op. 6
Suites, violoncel, núm. 1, op. 72
Suites, violoncel, núm. 2, op. 80
Suites Violoncelle No 1 Op. 72
Suites Violoncelle No 2 Op. 80
Suites Violoncelle No 3 Op. 87
sun shines down BTC 834, The
Sweet Lullaby, A
Sweet Polly Oliver BTC 969
Sweet was the song BTC 714.1
Sweet was the song the virgin sung
Sweeter than roses: Ed. Britten
Sword in the Stone: I. Introduction & Boys' Tunes, The
Sword in the Stone: II. Merlyn's Tune & Tree Music, The
Sword in the Stone: III. Merlyn's Spell & Witch Tune, The
Sword in the Stone: IV. Bird Music, The
Sword in the Stone: V. Lullaby, The
Sword in the Stone: VI. Water Theme & End Music, The
Sycamore Tree, The
Symfonie. Wiolonczela, orkiestra. Op. 68
Symphonic Suite for Tenor or Oboe and Orchestra, Op. 53a "Gloriana - Courtly Dances": Corante
Symphonic Suite for Tenor or Oboe and Orchestra, Op. 53a "Gloriana - Courtly Dances": Galliard
Symphonic Suite for Tenor or Oboe and Orchestra, Op. 53a "Gloriana - Courtly Dances": La Volta
Symphonic Suite for Tenor or Oboe and Orchestra, Op. 53a "Gloriana - Courtly Dances": March (Finale)
Symphonic Suite for Tenor or Oboe and Orchestra, Op. 53a "Gloriana - Courtly Dances": Morris Dance
Symphonic Suite for Tenor or Oboe and Orchestra, Op. 53a "Gloriana - Courtly Dances": Pavan
Symphonic Suite from "Gloriana", op. 53a: I. The Tournament
Symphonic Suite from "Gloriana", op. 53a: II. The Lute Song
Symphonic Suite from "Gloriana", op. 53a: III. The Courtly Dances
Symphonic Suite from "Gloriana", op. 53a: IV. Gloriana Moritura
Symphonies Violoncelle, orchestre Op. 68
Symphony for Cello and Orchestra, op. 68: I. Allegro maestoso
Symphony for Cello and Orchestra, op. 68: II. Presto inquieto
Symphony for Cello and Orchestra, op. 68: III. Adagio – Cadenza ad lib
Symphony for Cello and Orchestra, op. 68: IV. Passacaglia. Andante allegro
Te Deum C-Dur
Te Deum, for trumpet, chorus & organ in C major
Te Deum in C (1934)
Te Deum Soprano, choeur mixte, orchestre BTC 763 1 Do majeur
Te Deum Soprano, choeur mixte, orgue BTC 763 Do majeur
Telegrams
Tema "Sacher"
Temporal Variations for Oboe and Piano, op. posth.: I. Theme: Andante rubato
Temporal Variations for Oboe and Piano, op. posth.: II. Oration: Lento quasi recitativo
Temporal Variations for Oboe and Piano, op. posth.: III. March: Alla marcia
Temporal Variations for Oboe and Piano, op. posth.: IV. Exercises: Allegro molto e con fuoco
Temporal Variations for Oboe and Piano, op. posth.: IX. Resolution: Maestoso (non troppo lento)
Temporal Variations for Oboe and Piano, op. posth.: V. Commination: Adagio con fuoco
Temporal Variations for Oboe and Piano, op. posth.: VI. Chorale: Molto lento
Temporal Variations for Oboe and Piano, op. posth.: VII. Waltz: Allegretto rubato
Temporal Variations for Oboe and Piano, op. posth.: VIII. Polka: Tempo di polka - Allegro
Theme from Abdelazar
There is no rose
There's None To Soothe: Arr. Britten
There's none to soothe BTC 971
There's None to Soothe (feat. countertenor: David Daniels, piano: Julius Drake)
There's None to Soothe, for voice & piano (Folk Songs, Vol. 3)
They walk alone. Prelude
This little babe
This Way To The Tomb: Boogie-Woogie (Instrumental Arrangement by Daryl Runswick)
This Way to the Tomb: I. Evening
This Way to the Tomb: II. Morning
This Way to the Tomb: III. Night
Three Character Pieces: No. 1. John
Three Character Pieces: No. 2. Daphne
Three Character Pieces: No. 3. Michael
Three divertimenti BTC 798
Three Divertimenti for String Quartet: I. March
Three Divertimenti for String Quartet: II. Waltz
Three Divertimenti for String Quartet: III. Burlesque
Three songs from The heart of the matter
Three Soutar settings
Three Two-Part Songs (1932): 2 The Rainbow
Three Two-Part Songs (1932): I. The Ride-by-Nights
Three Two-Part Songs (1932): III. The Ship Of Rio
Three Two-Part Songs: No. 1. The Ride-by-nights
Three Two-Part Songs: No. 2. The Rainbow
Three Two-Part Songs: No. 3. The Ship of Rio
Thy King's birthday BTC 714
Timpani Piece for Jimmy
Tit for Tat: I. A song of enchantment
Tit for Tat: II. Autumn
Tit for Tat: III. Silver
Tit for Tat: IV. Vigil
Tit for Tat, song cycle for voice & piano: 1. A Song of Enchantment
Tit for Tat, song cycle for voice & piano: 3. Silver
Tit for Tat, song cycle for voice & piano: 5. Tit for Tat
Tit for Tat: V. Tit for tat
To lie flat on the back BTC 837
Tocher (Rossini Suite): 1. Allegro brillante, The
Tocher (Rossini Suite): 2. Allegretto, The
Tocher (Rossini Suite): 3. Allegretto, The
Tocher (Rossini Suite): 4. Bolero: Allegro moderato, The
Tocher (Rossini Suite): 5. Allegro con brio, The
Tocher (Rossini Suite): I. Allegro brillante, The
Tocher (Rossini Suite): II. Allegretto, The
Tocher (Rossini Suite): III. Allegretto, The
Tocher (Rossini Suite): IV. Bolero: Allegro Moderato, The
Tocher (Rossini Suite): V. Allegro Con Brio, The
Tom Bowling: Arr. Britten
Track 10 (feat. oboe: George Caird)
Track 11 (feat. oboe: George Caird)
Track 12 (feat. oboe: George Caird)
Track 13 (feat. oboe: George Caird)
Track 14 (feat. oboe: George Caird)
Track 15 (feat. oboe: George Caird)
Track 16 (feat. oboe: George Caird)
Track 17 (feat. oboe: George Caird)
Track 18 (feat. oboe: George Caird)
Track 19 (feat. oboe: George Caird)
Track 20 (feat. oboe: George Caird)
Track 21 (feat. oboe: George Caird)
Track 22 (feat. oboe: George Caird)
Track 23 (feat. oboe: George Caird)
Track 24 (feat. oboe: George Caird)
Track 25 (feat. oboe: George Caird)
Track 26 (feat. oboe: George Caird)
Track 27 (feat. oboe: George Caird)
Track 28 (feat. oboe: George Caird)
Track 29 (feat. oboe: George Caird)
Track 8 (feat. oboe: George Caird)
Track 9 (feat. oboe: George Caird)
Tradition, song for voice & piano (discarded from "Who are these Children," Op. 84)
Trees They Grow So High: arr. Britten, The
trees they grow so high BTC 914
Turn of the Screw (1955): Act II: Colloquy and Soliloquy - The Bells - Miss Jessel - The Bedroom Conclusion - Quint - The Piano - Flora - Miles, The
Turn of the Screw (1955): The Prologue - Act I: The Journey - The Welcome - The Letter - The Tower - The Window - The Letter Conclusion - The Lesson - The Lake - At Night, The
Turn of the Screw: Act I, Theme / Act I, Scene 1. Recitative "The Journey" (Governess), The
Turn of the Screw: Act I, Variation I / Act I, Scene 2. "The Welcome" (Miles, Flora, Mrs. Grose, Governess), The
Turn of the Screw: Act I, Variation II / Act I, Scene 3. "The Letter" (Miles, Flora, Mrs. Grose, Governess), The
Turn of the Screw: Act I, Variation III / Act I, Scene 4.Air "The Tower" (Governess), The
Turn of the Screw: Act I, Variation IV / Act I, Scene 5. "The Window" (Miles, Flora, Governess, Mrs. Grose), The
Turn of the Screw: Act I, Variation V / Act I, Scene 6. "The Lesson" ( (Miles, Flora, Governess), The
Turn of the Screw: Act I, Variation VI / Act I, Scene 7. Air "The Lake" (Flora, Governess, Miles), The
Turn of the Screw: Act I, Variation VII / Act I, Scene 8. Duet "At Night" (Quint, Miles, Miss Jessel, Flora, Governess, Mrs. Grose), The
Turn of the Screw: Act II, Variation IX / Act II, Scene 2. Quartet "The Bells" (Miles, Flora, Mrs. Grose, Governess, The
Turn of the Screw: Act II, Variation VIII / Act II, Scene 1. Duet "Colloquy and Soliloquy" (Miss Jessel, Quint, Governess), The
Turn of the Screw: Act II, Variation X / Act II, Scene 3. Duet "Miss Jessel" (Governess, Miss Jessel), The
Turn of the Screw: Act II, Variation XI / Act II, Scene 4. "The Bedroom" (Miles, Governess, Quint), The
Turn of the Screw: Act II, Variation XII / Act II, Scene 5. "Quint" (Quint), The
Turn of the Screw: Act II, Variation XIII / Act II, Scene 6. "The Piano" (Governess, Mrs. Grose, Flora), The
Turn of the Screw: Act II, Variation XIV / Act II, Scene 7. "Flora" (Mrs. Grose, Governess, Miss Jessel, Flora), The
Turn of the Screw: Act II, Variation XV / Act II, Scene 8. "Miles" (Governess, Mrs. Grose, Miles, Quint), The
Turn of the Screw, chamber opera, Op. 54: Act 1. Scene 1. The Journey
Turn of the Screw, chamber opera, Op. 54: Act 1. Scene 2. The Welcome
Turn of the Screw, chamber opera, Op. 54: Act 1. Scene 3. The Letter
Turn of the Screw, chamber opera, Op. 54: Act 1. Scene 4. The Tower
Turn of the Screw, chamber opera, Op. 54: Act 1. Scene 5. The Window
Turn of the Screw, chamber opera, Op. 54: Act 1. Scene 6. The Lesson
Turn of the Screw, chamber opera, Op. 54: Act 1. Scene 7. The Lake
Turn of the Screw, chamber opera, Op. 54: Act 1. Scene 8. At Night
Turn of the Screw, chamber opera, Op. 54: Act 1. Theme
Turn of the Screw, chamber opera, Op. 54: Act 1. Variation 1
Turn of the Screw, chamber opera, Op. 54: Act 1. Variation 2
Turn of the Screw, chamber opera, Op. 54: Act 1. Variation 3
Turn of the Screw, chamber opera, Op. 54: Act 1. Variation 4
Turn of the Screw, chamber opera, Op. 54: Act 1. Variation 5
Turn of the Screw, chamber opera, Op. 54: Act 1. Variation 6
Turn of the Screw, chamber opera, Op. 54: Act 1. Variation 7
Turn of the Screw, chamber opera, Op. 54: Act 2. Scene 1. Colliquy and Soliloquy
Turn of the Screw, chamber opera, Op. 54: Act 2. Scene 2. The Bells
Turn of the Screw, chamber opera, Op. 54: Act 2. Scene 3. Miss Jessel
Turn of the Screw, chamber opera, Op. 54: Act 2. Scene 4. The Bedroom
Turn of the Screw, chamber opera, Op. 54: Act 2. Scene 5. Quint
Turn of the Screw, chamber opera, Op. 54: Act 2. Scene 6. The Piano
Turn of the Screw, chamber opera, Op. 54: Act 2. Scene 7. Flora
Turn of the Screw, chamber opera, Op. 54: Act 2. Scene 8. Miles
Turn of the Screw, chamber opera, Op. 54: Act 2. Variation 10
Turn of the Screw, chamber opera, Op. 54: Act 2. Variation 11
Turn of the Screw, chamber opera, Op. 54: Act 2. Variation 12
Turn of the Screw, chamber opera, Op. 54: Act 2. Variation 13
Turn of the Screw, chamber opera, Op. 54: Act 2. Variation 14
Turn of the Screw, chamber opera, Op. 54: Act 2. Variation 15
Turn of the Screw, chamber opera, Op. 54: Act 2. Variation 8
Turn of the Screw, chamber opera, Op. 54: Act 2. Variation 9
Turn of the Screw, chamber opera, Op. 54: Prologue
turn of the screw Go to sleep
turn of the screw How beautiful it is
turn of the screw Lost in my labyrinth
turn of the screw Nearly there
Turn of the Screw, op. 54: Act 1: Scene 1. The Journey, The
Turn of the Screw, op. 54: Act 1: Scene 2. The Welcome, The
Turn of the Screw, op. 54: Act 1: Scene 3. The Letter, The
Turn of the Screw, op. 54: Act 1: Scene 4. The Tower, The
Turn of the Screw, op. 54: Act 1: Scene 5. The Window, The
Turn of the Screw, op. 54: Act 1: Scene 6. The Lesson, The
Turn of the Screw, op. 54: Act 1: Scene 7. The Lake, The
Turn of the Screw, op. 54: Act 1: Scene 8. At Night, The
Turn of the Screw, op. 54: Act 1: Theme, The
Turn of the Screw, op. 54: Act 1: Variation I, The
Turn of the Screw, op. 54: Act 1: Variation II, The
Turn of the Screw, op. 54: Act 1: Variation III, The
Turn of the Screw, op. 54: Act 1: Variation IV, The
Turn of the Screw, op. 54: Act 1: Variation V, The
Turn of the Screw, op. 54: Act 1: Variation VI, The
Turn of the Screw, op. 54: Act 1: Variation VII, The
Turn of the Screw, op. 54: Act 2: Scene 1. Colloquy and Soliloquy, The
Turn of the Screw, op. 54: Act 2: Scene 2. The Bells, The
Turn of the Screw, op. 54: Act 2: Scene 3. Miss Jessel, The
Turn of the Screw, op. 54: Act 2: Scene 4. The Bedroom, The
Turn of the Screw, op. 54: Act 2: Scene 5. Quint, The
Turn of the Screw, op. 54: Act 2: Scene 6. The Piano, The
Turn of the Screw, op. 54: Act 2: Scene 7. Flora, The
Turn of the Screw, op. 54: Act 2: Scene 8. Miles, The
Turn of the Screw, op. 54: Act 2: Variation IX, The
Turn of the Screw, op. 54: Act 2: Variation VIII, The
Turn of the Screw, op. 54: Act 2: Variation X, The
Turn of the Screw, op. 54: Act 2: Variation XI, The
Turn of the Screw, op. 54: Act 2: Variation XII, The
Turn of the Screw, op. 54: Act 2: Variation XIII, The
Turn of the Screw, op. 54: Act 2: Variation XIV, The
Turn of the Screw, op. 54: Act 2: Variation XV, The
Turn of the Screw, op. 54, Act One: Interlude: Theme: Scene 1: The Journey, The
Turn of the Screw, op. 54, Act One: Interlude: Variation I: Scene 2: The Welcome, The
Turn of the Screw, op. 54, Act One: Interlude: Variation II: Scene 3: The Letter, The
Turn of the Screw, op. 54, Act One: Interlude: Variation III: Scene 4: The Tower, The
Turn of the Screw, op. 54, Act One: Interlude: Variation IV: Scene 5: The Window, The
Turn of the Screw, op. 54, Act One: Interlude: Variation V: Scene 6: The Lesson, The
Turn of the Screw, op. 54, Act One: Interlude: Variation VI: Scene 7: The Lake, The
Turn of the Screw, op. 54, Act One: Interlude: Variation VII: Scene 8: At Night, The
Turn of the Screw, op. 54, Act One: Prologue, The
Turn of the Screw, op. 54, Act Two: Interlude: Variation IX: Scene 2: The Bells, The
Turn of the Screw, op. 54, Act Two: Interlude: Variation VIII: Scene 1: Colloquy and So- lioquy, The
Turn of the Screw, op. 54, Act Two: Interlude: Variation X: Scene 3: Miss Jessel, The
Turn of the Screw, op. 54, Act Two: Interlude: Variation XI: Scene 4: The Bedroom, The
Turn of the Screw, op. 54, Act Two: Interlude: Variation XII: Scene 5: Quint, The
Turn of the Screw, op. 54, Act Two: Interlude: Variation XIII: Scene 6: The Piano, The
Turn of the Screw, op. 54, Act Two: Interlude: Variation XIV: Scene 7: Flora, The
Turn of the Screw, op. 54, Act Two: Interlude: Variation XV: Scene 8: Miles, The
Turn of the Screw: Prologue (The Prologue), The
turn of the screw Quint, Peter Quint
turn of the screw, The ; an opera in a prologue and two acts, op. 54
Turn of the Screw - Variation 8, Scene 1: Colloquy, The
Twelve Apostles, The
Twelve variations on a theme BTC 718
Two Ballads For Two Voices & Piano: I. Mother Comfort
Two Ballads For Two Voices & Piano: II. Underneath the Abject Willow
Two Insect Pieces for Oboe and Piano, op. posth.: I. The Grasshopper
Two Insect Pieces for Oboe and Piano, op. posth.: II. The Wasp
Two Lullabies, for 2 pianos: Lullaby for a retired Colonel
Two Lullabies for Piano Duo: I. Lullaby
Two Lullabies for Piano Duo: II. Lullaby for a Retired Colonel
Two Portraits For String Orchestra: I. D. Layton: Poco Presto
Two Portraits For String Orchestra: II. E.B.B.: Poco Lento
Two Portraits: No. 1. "David Layton". Poco presto
Two Portraits: No. 2. "E.B.B.". Poco lento
Two psalms
Two songs by Thomas Hardy
Um Mitternacht BTC 1106
Underneath the abject willow, voice, piano
Unidentified Folk Song Setting
Untitled Fragment (1930) for Strings
valses Piano
Variationen, Kl (1931)
Variationen über ein Thema von Frank Bridge: Aria italiana
Variationen über ein Thema von Frank Bridge: Moto perpetuo
Variations (12), for piano
Variations [Bridge, Frank. Three idylls] Orchestre à cordes Op. 10
Variations [Byrd, William. Sellenger's round] Orchestre à cordes
Variations: I. Like an improvisation
Variations on a Theme by Frank Bridge, for strings, Op. 10: Introduction and Theme
Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 1: Adagio
Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 10: Fugue and Finale
Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 2: March
Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 3: Romance
Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 4: Aria italiana
Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 5: Bourrée classique
Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 6: Wiener Walzer
Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 7: Moto perpetuo
Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 8: Funeral March
Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 9: Chant
Variations on a Theme by Frank Bridge, op. 10: I. Introduction and Theme. Lento maestoso
Variations on a Theme by Frank Bridge, op. 10: II. Adagio
Variations on a Theme by Frank Bridge, op. 10: III. March. Presto alla marcia
Variations on a Theme by Frank Bridge, op. 10: IV. Romance. Allegretto grazioso
Variations on a Theme by Frank Bridge, op. 10: IX. Funeral march. Andante ritmico
Variations on a Theme by Frank Bridge, op. 10: V. Aria italiana. Allegro brillante
Variations on a Theme by Frank Bridge, op. 10: VI. Bourrée classique. Allegro e pesante
Variations on a Theme by Frank Bridge, op. 10: VII. Wiener Walzer. Lento - Vivace
Variations on a Theme by Frank Bridge, op. 10: VIII. Moto perpetuo. Allegro molto
Variations on a Theme by Frank Bridge, op. 10: X. Chant. Lento
Variations on a Theme by Frank Bridge, op. 10: XI. Fugue and Finale. Allegro molto vivace - Lento e solenne
Variations on a Theme of Frank Bridge / Les Illuminations / Lachrymae
Variations on a theme of Frank Bridge, op. 10: 1I. Fugue & Finale
Variations on a theme of Frank Bridge, op. 10: I. Introduction & Theme
Variations on a theme of Frank Bridge, op. 10: II. Adagio
Variations on a theme of Frank Bridge, op. 10: III. March
Variations on a theme of Frank Bridge, op. 10: IV. Romance
Variations on a theme of Frank Bridge, op. 10: IX. Funeral March
Variations on a theme of Frank Bridge, op. 10: V. Aria Italiana
Variations on a theme of Frank Bridge, op. 10: VI. Bourrée Classique
Variations on a theme of Frank Bridge, op. 10: VII. Wiener Waltzer
Variations on a theme of Frank Bridge, op. 10: VIII. Moto Perpetuo
Variations on a theme of Frank Bridge, op. 10: X. Chant
Variations on an Elizabethan Theme: Variation 4. Quick and Gay
Variations, piano (1965)
Variations sur un thème de Purcell
Venite exultemus domino
Village organist's piece
Violin Concerto in D minor, Op. 15: 1. Moderato con moto
Violin Concerto in D minor, Op. 15: 2. Vivace
Violin Concerto in D minor, Op. 15: 3. Passacaglia (Andante lento - Un poco meno mosso)
Violin Concerto, op. 15: I. Moderato con moto
Violin Concerto, op. 15: II. Vivace - Cadenza
Violin Concerto, op. 15: III. Passacaglia - Andante lento
Virtue in Deeds Not Words
Vocal music. Selections
Voices for Today, op. 75
Voici le Printemps
Voluntary on Tallis' Lamentation
Voluntary on Tallis' Lamentations
Waltzes (5), for piano: 1. Rather fast and nervous
Waltzes (5), for piano: 2. Quick, with wit
Waltzes (5), for piano: 3. Dramatic
Waltzes (5), for piano: 4. Rhythmic; not fast
Waltzes (5), for piano: 5. Variations: Quiet and simple
Walzer, Kl (1925). 1969
War Requiem: Dies irae; Confutatis
War Requiem: Dies irae; Reprise
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Agnus Dei
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Dies irae. Be slowly lifted up, thou long black arm
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Dies irae. Bugles sang, saddening the evening air
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Dies irae. dies irae, dies illa
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Dies irae. Lacrimosa dies illa
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Dies irae. Liber scriptus proferetur
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Dies irae. Move him into the sun . . . Pie Jesu
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Dies irae. Out there, we've walked quite friendly up to Death
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Dies irae. Recordare Jesu pie
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Libera me. It seemed that out of battle I escaped
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Libera me. Let us sleep now... In paradisum
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Libera me. Libera me, Domine, de morte aeterna
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Offertorium. Domine Jesu Christe
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Offertorium. So Abram rose, and clave the wood, and went
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Requiem aeternam. Kyrie eleison
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Requiem aeternam. Requiem aeternam dona eis Domine
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Requiem aeternam. What passing bells for these who die as cattle?
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Sanctus. After the blast of lightning from the East
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Sanctus. Benedictus qui venit in nomine Domini
War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Sanctus. Sanctus, sanctus, sanctus
War Requiem: I. Requiem Aeternam - Requiem aeternam dona eis, Domine (chorus, boys)
War Requiem: II. Dies Irae - Be slowly lifted up, thou long black arm (baritone) - Dies irea, dies illa (chorus)
War Requiem: II. Dies Irae - Conftatis maledictis (men's chorus)
War Requiem: II. Dies Irae - Lacrimosa dies illa (soprano, chorus) - Move him into the sun (tenor, soprano, chorus)... Pie Jesu (chorus)
War Requiem: II. Dies Irae - recordare Jesu pie (women's chorus)
War Requiem: III. Offertorium - Reprise of Quam olim Abrahae (chorus)
War Requiem: III. Offertorium - So Abram rose, and clave the wood, and went (tenor, baritone) - Hostias et preces tibi (boys)
War Requiem: Intro
War Requiem: IV. Sanctus - Sanctus, sanctus, sanctus (soprano, chorus) - Benedictus qui venit in nomine Domini (soprano, chorus)
War Requiem: Libera me; Requiem Aeternam, Requiescant in Pace
War Requiem: Libera me; Solo & Chorus
War Requiem: Libera me; Strange Meeting
War Requiem: Offertorium; Isaac and Abram, Hostias et preces tibi
War Requiem op. 66: I. Requiem aeternam: Requiem aeternam (Chorus) / Te decet hymnus, Deus in Sion (Boys’ Choir)
War Requiem op. 66: I. Requiem aeternam: “What passing‐bells for these who die as cattle?” (Tenor) / Kyrie eleison (Chorus)
War Requiem op. 66: II. Dies irae: “Be slowly lifted up, thou long black arm” (Baritone)
War Requiem op. 66: II. Dies irae: “Bugles sang, saddening the evening air” (Baritone)
War Requiem, Op. 66: II. Dies irae: Dies irae, deis illa (Chorus)
War Requiem op. 66: II. Dies irae: Dies irae, dies illa (Chorus)
War Requiem op. 66: II. Dies irae: Lacrimosa dies illa (Soprano, Chorus)
War Requiem op. 66: II. Dies irae: Liber scriptus proferetur (Soprano, Semi‐chorus)
War Requiem op. 66: II. Dies irae: “Move him into the sun” / Lacrimosa (Tenor / Soprano, Chorus)
War Requiem op. 66: II. Dies irae: “Out there, we’ve walked quite friendly up to Death” (Tenor, Baritone)
War Requiem op. 66: II. Dies irae: Recordare Jesu pie (Chorus)
War Requiem op. 66: III. Offertorium: Domine Jesu Christe (Boys’ Choir) / Sed signifer sanctus Michael… Quam olim Abrahae promisisti (Chorus)
War Requiem, Op. 66: III. Offertorium: Domine Jesu Christe (Boys' Choir) - Sed signifier sanctus Michael... (Chorus)
War Requiem, Op. 66: III. Offertorium: 'So Abram rose, and clave the wood' / Hostias (Baritone, Tenor/Boys Choir) - Quam olim Abrahae promisisti (Chorus)
War Requiem op. 66: IV. Sanctus: “After the blast of lightning from the East” (Baritone)
War Requiem op. 66: IV. Sanctus: Sanctus, sanctus, sanctus, Dominus Deus Sabaoth (Soprano, Chorus)
War Requiem, op. 66, Offertorium: Move him into the sun
War Requiem, op. 66, Offertorium: So Abraham rose, and clave the wood
War Requiem op. 66: V. Agnus Dei: “One ever hangs where shelled roads part” / Agnus Dei (Tenor / Chorus)
War Requiem op. 66: VI. Libera me: “It seemed that out of battle I escaped” (Tenor, Baritone)
War Requiem op. 66: VI. Libera me: “Let us sleep now” / In paradisum (Baritone, Tenor / Boys’ Choir, Chorus, Soprano)
War Requiem op. 66: VI. Libera me: Libera me, Domine (Chorus, Soprano)
War Requiem: Sanctus and Benedictus
War Requiem: V. Agnus Dei - One ever hangs where shelled roads part... Agnus Dei, qui tollis peccata mundi (tenor, chorus)
War Requiem: VI. Libera me - Let us sleep now... n paradisum decudant angeli (tutti)
War Requiem: VI. Libera me - Libera me, Domine, de morte aeterna (soprano, chorus)
War Requiem: VI. Libera me - 'None' said the other 'save the undone years' (baritone)
Way to the Sea: "169 Trains a Week", The
Way to the Sea: Alfred, The
Way to the Sea: Allegro molto - alla marcia, The
Way to the Sea: "Here Is a Harbour", The
Way to the Sea: Introduction, The
Way to the Sea: "Nelson Has Gone", The
Way to the Sea: Romans, The
Way to the Sea: "The Eighteenth Century", The
Way to the Sea: "The Line Waits", The
Way to the Sea: "There Is, at This Point of the Haven", The
Way to the Sea: "We Seek a Spectacle", The
Wealden Trio: Christmas song of the women, A
Wedding Anthem (Amo Ergo Sum), A
wedding anthem BTC 1026
Wedding Anthem, op. 46, A
Welcome Ode, Op. 95: 1 March. Broad and Rhythmic (Maestoso)
Welcome Ode, Op. 95: 2 Jig. Quick
Welcome Ode, Op. 95: 3 Roundel. Slower
Welcome Ode, Op. 95: 4 Modulation
Welcome Ode, Op. 95: 5 Canon. Moving On
Werke Chormusik
Werke Orch
Werke Org
Werke Singst. Kl
Werke Streichorch
Werke Vokalmusik
What's in your mind ? BTC 887
What the wild flowers tell me BTC 899
When you're feeling like expressing your affection BTC 790
Who are these children ? BTC 1144
Who Are These Children?, op. 84: 1I. The Children
Who Are These Children?, op. 84: 1II. The Auld Aik
Who Are These Children?, op. 84: A Riddle (The Child You Were)
Who Are These Children?, op. 84: I. A Riddle (The Earth)
Who Are These Children?, op. 84: II. A Laddie's Sang
Who Are These Children?, op. 84: III. Nightmare
Who Are These Children?, op. 84: IV. Black Day
Who Are These Children?, op. 84: IX. Who are these children?
Who Are These Children?, op. 84: V. Bed-time
Who Are These Children?, op. 84: VI. Slaughter
Who Are These Children?, op. 84: VII. Riddle (The Child You Were)
Who Are These Children?, op. 84: VIII. The Larky Lad
Who Are These Children?, op. 84: X. Supper
Wild with passion BTC 916
will give my love an apple BTC 1059, I
Winter Words, song cycle for tenor & piano, Op. 52: 1. At day-close in November
Winter Words, song cycle for tenor & piano, Op. 52: 2. Midnight on the Great Western (or the Journeying Boy)
Winter Words, song cycle for tenor & piano, Op. 52: 3. Wagtail and Baby (A Satire)
Winter Words, song cycle for tenor & piano, Op. 52: 4. The Little Old Table
Winter Words, song cycle for tenor & piano, Op. 52: 5. The Choirmaster's Burial (or The Tenor Man's Story)
Winter Words, song cycle for tenor & piano, Op. 52: 6. The Proud Songsters (Thrushes, Finches and Nightingales)
Winter Words, song cycle for tenor & piano, Op. 52: 7. At the Railway Station, Upway (or The Convict and Boy with the Violin)
Winter Words, song cycle for tenor & piano, Op. 52: 8. Before Life and After
Witches' song
Wolcum Yole!
wonder as I wander, I
Works. Selections (Collins Classics)
World of Britten
world of the Spirit
Young Apollo, for piano, string quartet & strings, Op. 16 (withdrawn by composer)
Young Person's Guide to the Orchestra: Full Orchestra
Young Person’s Guide to the Orchestra, op. 34: I. Theme. Allegro maestoso e largamente, The
Young Person's Guide to the Orchestra, op. 34: II. Variation A. Presto (flute and piccolo), The
Young Person's Guide to the Orchestra, op. 34: III. Variation B. Lento (oboe), The
Young Person's Guide to the Orchestra, op.34; Introduction, The
Young Person's Guide to the Orchestra, op. 34: IV. Variation C. Moderato (clarinet), The
Young Person's Guide to the Orchestra, op. 34: IX. Variation H. Cominciando lento ma poco a poco accelerando (double-bass), The
Young Person's Guide to the Orchestra, op.34; Let's hear each instrument play a variation of its own, The
Young Person's Guide to the Orchestra, op.34; The highest instruments in the string family are, The
Young Person's Guide to the Orchestra, op.34; The percussion family, The
Young Person's Guide to the Orchestra, op. 34: V. Variation D. Allegro alla marcia (bassoon), The
Young Person's Guide to the Orchestra, op. 34: VI. Variation E. Brillante - Alla polacca (violin), The
Young Person's Guide to the Orchestra, op. 34: VII. Variation F. Meno mosso (viola), The
Young Person's Guide to the Orchestra, op. 34: VIII. Variation G. (cello), The
Young Person's Guide to the Orchestra, op.34; We now come to the brass family, The
Young Person's Guide to the Orchestra, op.34, without spoken text: Fugue: Allegro molto, The
Young Person's Guide to the Orchestra, op.34, without spoken text: Theme: Allegro maestoso e largamente, The
Young Person's Guide to the Orchestra, op.34, without spoken text: Variation A: Flutes & Piccolo: Presto, The
Young Person's Guide to the Orchestra, op.34, without spoken text: Variation B: Oboes: Lento, The
Young Person's Guide to the Orchestra, op.34, without spoken text: Variation C: Clarinets: Moderato, The
Young Person's Guide to the Orchestra, op.34, without spoken text: Variation D: Bassoons: Allegro alla marcia, The
Young Person's Guide to the Orchestra, op.34, without spoken text: Variation E: Violins: Brillante, The
Young Person's Guide to the Orchestra, op.34, without spoken text: Variation F: Violas: Meno mosso, The
Young Person's Guide to the Orchestra, op.34, without spoken text: Variation G: Cellos, The
Young Person's Guide to the Orchestra, op.34, without spoken text: Variation H: Double Basses: Cominciando lento ma poco a poco accelerando, The
Young Person's Guide to the Orchestra, op.34, without spoken text: Variation I: Harp: Maestoso, The
Young Person's Guide to the Orchestra, op.34, without spoken text: Variation J: Horns: L'istesso tempo, The
Young Person's Guide to the Orchestra, op.34, without spoken text: Variation K: Trumpets: Vivace, The
Young Person's Guide to the Orchestra, op.34, without spoken text: Variation L: Trombones & Bass Tuba: Allegro pomposo, The
Young Person's Guide to the Orchestra, op.34, without spoken text: Variation M: Percussion: Moderato, The
Young Person's Guide to the Orchestra, op. 34: X. Variation I. Maestoso (harp), The
Young Person's Guide to the Orchestra, op. 34: XI. Variation J. L'istesso tempo (horn), The
Young Person's Guide to the Orchestra, op. 34: XII. Variation K. Vivace (trumpet), The
Young Person's Guide to the Orchestra, op. 34: XIII. Variation L. Allegro pomposo (trombone), The
Young Person's Guide to the Orchestra, op. 34: XIV. Variation M. Moderato (percussion), The
Young Person's Guide to the Orchestra, op. 34: XV. Fugue. Allegro molto, The
Young Person's Guide to the Orchestra, op.34; You have heard the whole orchestra in sections, The
Young Person's Guide to the Orchestra, Part 1, The
Young Person's Guide to the Orchestra, Part 2, The
Young Person's Guide to the Orchestra, Part 3, The
Young Person's Guide to the Orchestra, Part 4, The
Young Person's Guide to the Orchestra, Part 5, The
Young Person's Guide to the Orchestra, Part 6, The
Young Person's Guide to the Orchestra, Part 7, The
Young Person's Guide to the Orchestra / Sea Interludes
Young Person's Guide to the Orchestra: Strings
Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Fugue (Allegro molto)
Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Theme (Allegro maestoso e largamente)
Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation A: Flutes and piccolo
Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation B: Oboes (Lento)
Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation C: Clarinets (Moderato)
Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation D: Bassoons (Allegro alla marcia)
Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation E: Violins (Brillante: alla polacca)
Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation F: Violas (Meno mosso)
Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation G: Cellos
Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation H: Double basses (Comminciando lento ma poco accel. al Allegro)
Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation I: Harp (Maestoso)
Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation J: Horns (L'istesso tempo)
Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation K: Trumpets (Vivace)
Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation L: Trombones and bass tuba (Allegro pomposo)
Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation M: Percussion (Moderato)
Young Person's Guide to the Orchestra: Woodwind
Young Persons Guide to the Orchestra, Op. 34 (bassoons), The
Young Persons Guide to the Orchestra, Op. 34 (brass section), The
Young Persons Guide to the Orchestra, Op. 34 (castanets and gong), The
Young Persons Guide to the Orchestra, Op. 34 (cellos), The
Young Persons Guide to the Orchestra, Op. 34 (clarinets), The
Young Persons Guide to the Orchestra, Op. 34 (double basses), The
Young Persons Guide to the Orchestra, Op. 34 (entire percussion section), The
Young Persons Guide to the Orchestra, Op. 34 (flutes and piccolo), The
Young Persons Guide to the Orchestra, Op. 34 (french horns), The
Young Persons Guide to the Orchestra, Op. 34 (full orchestra), The
Young Persons Guide to the Orchestra, Op. 34 (harp), The
Young Persons Guide to the Orchestra, Op. 34 (oboes), The
Young Persons Guide to the Orchestra, Op. 34 (piccolo, other instruments enter), The
Young Persons Guide to the Orchestra, Op. 34 (string section), The
Young Persons Guide to the Orchestra, Op. 34 (tambourine, triangle, snare drum and Chinese block), The
Young Persons Guide to the Orchestra, Op. 34 (timpani, bass drum, cymbals), The
Young Persons Guide to the Orchestra, Op. 34 (trombones and tuba), The
Young Persons Guide to the Orchestra, Op. 34 (trumpets), The
Young Persons Guide to the Orchestra, Op. 34 (violas), The
Young Persons Guide to the Orchestra, Op. 34 (violins), The
Young Persons Guide to the Orchestra, Op. 34 (whip), The
Young Persons Guide to the Orchestra, Op. 34 (woodwind section), The
Young Persons Guide to the Orchestra, Op. 34 (xylophone), The
Contributed to or performed: 
'Tis but a week
‘Duke of Marlborough’ Fanfare, The
100 Best Adagio Voices
100 Best Children's Classics
100 Greatest Classics
101 Waltz
1930s Violin Concertos, Vol. 1
200 Greatest Classics XI
2011-08-06: BBC Proms 2011: Prom 30: Royal Albert Hall, City of Westminster, London, England, UK
2011-09-10: BBC Proms 2011: Prom 74: Royal Albert Hall, City of Westminster, London, England, UK
20th Century Guitar
25 TV Commercial Classics
A.M.D.G. / Hymn to St Cecilia / A Boy Was Born / A Shepherd's Carol
Adagio and Allegro in A-flat major for Piano and Horn, op. 70: Langsam, mit innigem Ausdruck - attacca:
Adagio and Allegro in A-flat major for Piano and Horn, op. 70: Rasch und feurig - Etwas ruhiger - Im ersten Tempo
Adagio and Fugue in C minor, K. 546
Albert Herring
Albert Herring, op. 39, Act 1: Beggin' your pardon
Albert Herring, op. 39, Act 1: Bounce me high
Albert Herring, op. 39, Act 1: Doctor Jessop's midwife
Albert Herring, op. 39, Act 1: Flor-ence! tell the midwife!
Albert Herring, op. 39, Act 1: Good morning, young man
Albert Herring, op. 39, Act 1: He's much too busy
Albert Herring, op. 39, Act 1: I hope we're not too early, Florence?
Albert Herring, op. 39, Act 1: Interlude
Albert Herring, op. 39, Act 1: Is this all you can bring?
Albert Herring, op. 39, Act 1: Meet me at a quarter past eight
Albert Herring, op. 39, Act 1: Now then! Notebook, Florence!
Albert Herring, op. 39, Act 1: Right! We'll have him!
Albert Herring, op. 39, Act 1: Shop! Hi! Albert!
Albert Herring, op. 39, Act 1: Stuffy!
Albert Herring, op. 39, Act 1: The first suggestion on my list
Albert Herring, op. 39, Act 1: Tickling a trout
Albert Herring, op. 39, Act 1: We bring great news to you
Albert Herring, op. 39, Act 2: Albert the Good!
Albert Herring, op. 39, Act 2: As representing the local Council
Albert Herring, op. 39, Act 2: Er-humph! Er-humph! I'm no great shakes
Albert Herring, op. 39, Act 2: For three precious weeks
Albert Herring, op. 39, Act 2: Heaven helps those who help themselves!
Albert Herring, op. 39, Act 2: Here they are, dears!
Albert Herring, op. 39, Act 2: I'm full of happiness
Albert Herring, op. 39, Act 2: Interlude
Albert Herring, op. 39, Act 2: Isn't he here?
Albert Herring, op. 39, Act 2: My flowers are few
Albert Herring, op. 39, Act 2: My heart leaps up with joy
Albert Herring, op. 39, Act 2: Quickly! Quickly, come along!
Albert Herring, op. 39, Act 2: Well tried, Albert!
Albert Herring, op. 39, Act 2: You oughtn't to whistle!
Albert Herring, op. 39, Act 3: Albert!
Albert Herring, op. 39, Act 3: Albert's come back to stay
Albert Herring, op. 39, Act 3: Fools! Fools! Blundering fools!
Albert Herring, op. 39, Act 3: Give me a decent murder with a corpse!
Albert Herring, op. 39, Act 3: Have you found him?
Albert Herring, op. 39, Act 3: I can't remember everything
Albert Herring, op. 39, Act 3: I'm hungry, I'm tired
Albert Herring, op. 39, Act 3: I'm sorry about that
Albert Herring, op. 39, Act 3: In the midst of life is death
Albert Herring, op. 39, Act 3: Introduction
Albert Herring, op. 39, Act 3: Is she asleep?
Albert Herring, op. 39: Act I, Scene I. “Beggin’ your pardon” (Superintendent Budd)
Albert Herring, op. 39: Act I, Scene I. “Doctor Jessop’s midwife” (Florence)
Albert Herring, op. 39: Act I, Scene I. “Flor–ence!… Tell the midwife!” (Lady Billows)
Albert Herring, op. 39: Act I, Scene I. “I hope we’re not too early, Florence?” (Miss Wordsworth)
Albert Herring, op. 39: Act I, Scene I. “Is this all you can bring?” (Lady Billows)
Albert Herring, op. 39: Act I, Scene I. “Now then! Notebook, Florence!” (Lady Billows)
Albert Herring, op. 39: Act I, Scene I. “Right! We’ll have him!” (Lady Billows)
Albert Herring, op. 39: Act I, Scene I. “Stuffy!” (Lady Billows)
Albert Herring, op. 39: Act I, Scene I. “The first suggestion on my list” (Vicar)
Albert Herring, op. 39: Act I, Scene I. Interlude
Albert Herring, op. 39: Act I, Scene II. “Bounce me high” (Kids)
Albert Herring, op. 39: Act I, Scene II. “Good morning, young man” (Florence)
Albert Herring, op. 39: Act I, Scene II. “He’s much too busy” (Albert)
Albert Herring, op. 39: Act I, Scene II. “Meet me at a quarter past eight” (Sid)
Albert Herring, op. 39: Act I, Scene II. “Shop! Hi! Albert!” (Sid)
Albert Herring, op. 39: Act I, Scene II. “Tickling a trout” (Sid)
Albert Herring, op. 39: Act I, Scene II. “We bring great news to you” (Lady Billows)
Albert Herring, op. 39: Act II, Scene I. “As representing the local Council” (Mayor)
Albert Herring, op. 39: Act II, Scene I. “Er–humph! Er–humph! I’m no great shakes” (Superintendent Budd)
Albert Herring, op. 39: Act II, Scene I. “For three precious weeks” (Florence)
Albert Herring, op. 39: Act II, Scene I. “Here they are, dears!” (Miss Wordsworth)
Albert Herring, op. 39: Act II, Scene I. “I’m full of happiness” (Lady Billows)
Albert Herring, op. 39: Act II, Scene I. “Isn’t he here?” (Florence)
Albert Herring, op. 39: Act II, Scene I. “My flowers are few” (Harry)
Albert Herring, op. 39: Act II, Scene I. “My heart leaps up with joy” (Miss Wordsworth)
Albert Herring, op. 39: Act II, Scene I. “Quickly, quickly, come along!” (Miss Wordsworth)
Albert Herring, op. 39: Act II, Scene I. “Well tried, Albert!” (Vicar)
Albert Herring, op. 39: Act II, Scene I. Interlude
Albert Herring, op. 39: Act II, Scene II. “Albert the Good!” (Albert)
Albert Herring, op. 39: Act II, Scene II. “Heaven helps those who help themselves!” (Albert)
Albert Herring, op. 39: Act II, Scene II. “You oughtn’t to whistle!” (Nancy)
Albert Herring, op. 39: Act III. “Albert…!” (All)
Albert Herring, op. 39: Act III. “Albert’s come back to stay” (Nancy, Sid, Emmie, Cis, Harry)
Albert Herring, op. 39: Act III. “Fools! Fools! Blundering fools!” (Lady Billows)
Albert Herring, op. 39: Act III. “Give me a decent murder with a corpse!” (Superintendent Budd)
Albert Herring, op. 39: Act III. “Have you found him?” (Mum)
Albert Herring, op. 39: Act III. “I can’t remember everything” (Albert)
Albert Herring, op. 39: Act III. “I’m hungry, I’m tired” (Sid)
Albert Herring, op. 39: Act III. “I’m sorry about that” (Albert)
Albert Herring, op. 39: Act III. “In the midst of life is death” (All)
Albert Herring, op. 39: Act III. “Is she asleep?” (Emmie)
Albert Herring, op. 39: Act III. Introduction
Alleluia! Highlights from 2001-2003
Anglo-American Chamber Music Series: Benjamin Britten
Apprendre à écouter au cycle 2
Arcadia Lost
Argo Organ Recordings: 20th-Century Organ Music, The
Around Britten
Arpeggione
Ashkenazy in Moscow 2: The English Works
At the mid hour of night
Auden Songs: On This Island / Cabaret Songs / Five Poems / Fish in the Unruffled Lakes
Ave Virgo
Bach / Brahms / Britten
Baker
Balinese Ceremonial Music: I. Pemeongkah
Balinese Ceremonial Music: II. Gambangan
Balinese Ceremonial Music: III. Taboeh teloe
Barber: Cello Concerto / Britten: Symphony for Cello and Orchestra
BBC Legends: Brain
BBC Music, Volume 1, Number 1: Tchaikovsky: Symphony no. 6 (Pathétique) / Britten: Sinfonia da requiem
BBC Music, Volume 12, Number 4: Christmas Music
BBC Music, Volume 15, Number 3: Britten: Plymouth Town / Nocturne / Williams: Ballads for Orchestra
BBC Music, Volume 18, Number 4: Britten: St. Nicolas / Howells: Three Carol-Anthems
BBC Music, Volume 22, Number 3: A Babe Is Born
BBC Music, Volume 23, Number 11: Beethoven: Piano Sonata no. 18 / Britten: Lachrymae / Shostakovich: Cello Sonata
BBC Music, Volume 24, Number 1: Britten & Brahms: Violin Concertos
BBC Music, Volume 26, Number 8: The Art of the Cello
BBC Music, Volume 3, Number 11: Stravinsky: Rite of Spring / Britten: Four Sea Interludes
BBC Music, Volume 3, Number 4: Music for the Festive Season (Vienna Boys' Choir)
BBC Music, Volume 7, Number 2: The Prodigal Son
BBC Music, Volume 8 Number 10: Peter and the Wolf with David Attenborough
BBC Proms 1997
BBC Radio Group 2 Acoustics Test CD
Beethoven: Piano Trio in D “Ghost” / Mozart: Piano Trio in G, K. 564 / Bridge: Piano Trio no. 2
Beethoven: Symphony no. 7 / Britten: The Young Person's Guide to the Orchestra / Falla: El amor brujo
Beggar's Opera: Act 2, "Fortune, be with you Lucy", The
Beggar's Opera: Act 2, "It is the pleasure of all you fine men..." / no. 28 "How cruel are the traitors", The
Beggar's Opera: Act 2, "Noble Captain, you are welcome once more" / no. 26 "Man may escape from rope and gun", The
Beggar's Opera: Act 2, "O Macheath! I will stay with thee till death..." / no. 32 "Thus when the swallow", The
Beggar's Opera: Act 2, "Really, Miss Peachum, you expose yourself" / no. 34 "Cease your funning", The
Beggar's Opera: Act 2, "Shall I not claim my own?" / no. 33 "How happy I could be with either", The
Beggar's Opera: Act 2, "Such language, brother!" / no. 30 "When you can censure the age", The
Beggar's Opera: Act 2, no. 27 "Thus when a good woman sees a rat", The
Beggar's Opera: Act 2, no. 29 "The first time at the looking-glass", The
Beggar's Opera: Act 2, no. 31 "Is then his fate decreed, sir?", The
Beggar's Opera: Act 2, no. 35 "Why how now, Madam Flirt!", The
Beggar's Opera: Act 2, no. 36 "No power on earth can e'er divide", The
Beggar's Opera: Act 3, "And Macheath, at liberty and at large..." / no. 40 "The modes of the Court", The
Beggar's Opera: Act 3, "And those two good old friends", The
Beggar's Opera: Act 3, "Bring us then more liquor!" / no. 41 "What Gudgeons are we men!", The
Beggar's Opera: Act 3, "But all scores have a reckoning", The
Beggar's Opera: Act 3, "But perhaps he hath a heart not capable of it" / no. 45 "Among the men coquets we find", The
Beggar's Opera: Act 3, "Dear sir, mention not my education..." / no. 37 "When young at the bar", The
Beggar's Opera: Act 3, "Dear, dear father, sink the evidence..." / no. 49 "When my hero in court appears", The
Beggar's Opera: Act 3, "Jealously, rage, love and fear..." / no. 43 "I'm like a skiff on the ocean tossed", The
Beggar's Opera: Act 3, "Oh sir, if Peachum's heart is hardened..." / no. 50 "When he holds up his hand", The
Beggar's Opera: Act 3, "We are ready, sir, to conduct you to the Old Bailey!" / no. 52 "The charge is prepared", The
Beggar's Opera: Act 3, "What do I see! Oh! Macheath again in custody!!" / no. 47 "Hither, dear husband, turn your eyes", The
Beggar's Opera: Act 3, no. 38 "Ungrateful Macheath!", The
Beggar's Opera: Act 3, no. 39 "Thus gamesters united in friendship", The
Beggar's Opera: Act 3, no. 42 "In the days of my youth", The
Beggar's Opera: Act 3, no. 44 "A curse attends a woman's love", The
Beggar's Opera: Act 3, no. 46 "Come, sweet lass", The
Beggar's Opera: Act 3, no. 48 "Which way shall I turn me", The
Beggar's Opera: Act 3, no. 51 "Ourselves, like the great", The
Beggar's Opera: Act 3, no. 53 "O cruel, cruel case!", The
Beggar's Opera: Act 3, no. 54 "Would I might be hanged!", The
Beggar's Opera: Act 3, no. 55 "Thus I stand like the Turk", The
Benjamin Britten: Variations on a Theme of Frank Bridge op. 10 / Béla Bartók: Divertimento for String Orchestra (1939)
Benjamin Britten: War Requiem
Bernstein & Britten
Bernstein: The Final Concert
Best of Britten, The
Best of Klassik 2010
Billy Budd
Billy Budd, op. 50, Act 1: Ay, at Spithead the men may have had their grievances
Billy Budd, op. 50, Act 1: Billy Budd, king of the birds!
Billy Budd, op. 50, Act 1: Billy! Hist! Billy Budd!
Billy Budd, op. 50, Act 1: Blow, blow, blow
Billy Budd, op. 50, Act 1: Boy! My compliments to Mr. Redburn
Billy Budd, op. 50, Act 1: Christ, the poor chap!
Billy Budd, op. 50, Act 1: Come along kid! Come along!
Billy Budd, op. 50, Act 1: Come here. Remember your promise
Billy Budd, op. 50, Act 1: Dansker, old friend, glad to see you
Billy Budd, op. 50, Act 1: First man forward!
Billy Budd, op. 50, Act 1: Gentlemen, the King!
Billy Budd, op. 50, Act 1: Guard boat! Indomitable!
Billy Budd, op. 50, Act 1: Hi! You a... a... a...
Billy Budd, op. 50, Act 1: I am an old man who has experienced much
Billy Budd, op. 50, Act 1: I heard, your honour!
Billy Budd, op. 50, Act 1: Over the water...Handsomely done
Billy Budd, op. 50, Act 1: Pull, my bantams!
Billy Budd, op. 50, Act 1: Starry Vere we call him
Billy Budd, op. 50, Act 1: We are, sir. Claggart is an able one
Billy Budd, op. 50, Act 1: We're off to Samoa by way of Genoa
Billy Budd, op. 50, Act 1: What's that? What's those whistles?
Billy Budd, op. 50, Act 1: Your name? Billy Budd, sir
Billy Budd, op. 50, Act 2: According to the articles of War
Billy Budd, op. 50, Act 2: And farewell to ye
Billy Budd, op. 50, Act 2: Claggart, John Claggart, beware!
Billy Budd, op. 50, Act 2: Deck ahoy! Enemy sail on starboard bow
Billy Budd, op. 50, Act 2: Down all hands! And see that they do
Billy Budd, op. 50, Act 2: Gentlemen, William Budd here has killed
Billy Budd, op. 50, Act 2: God o' mercy! Here, help me!
Billy Budd, op. 50, Act 2: Here! Baby! Dansker, old friend
Billy Budd, op. 50, Act 2: I accept their verdict
Billy Budd, op. 50, Act 2: I don't like the look of the mist, Mr. Redburn
Billy Budd, op. 50, Act 2: Interlude
Billy Budd, op. 50, Act 2: Look! Through the port
Billy Budd, op. 50, Act 2: Master-at-arms and foretopman
Billy Budd, op. 50, Act 2: O this cursed mist
Billy Budd, op. 50, Act 2: Poor fellow, who could save him?
Billy Budd, op. 50, Act 2: There you are again, Master-at-arms
Billy Budd, op. 50, Act 2: We committed his body to the deep
Billy Budd, op. 50, Act 2: Who'll volunteer to board 'em
Billy Budd, op. 50, Act 2: William Budd, you are accused by Captain Vere
Billy Budd, op. 50, Act 2: With great regret I must disturb your honour
Blues and Cabaret Songs
Boy Was Born, op. 3: "A boy was born (theme)", A
Boy Was Born, op. 3: Variation I. "Lullay, Jesu", A
Boy Was Born, op. 3: Variation II. "Herod", A
Boy Was Born, op. 3: Variation III. "Jesu, as Thou art our Saviour", A
Boy Was Born, op. 3: Variation IV. "The three kings", A
Boy Was Born, op. 3: Variation V. "In the bleak mid-winter", A
Boy Was Born, op. 3: Variation VI. Finale "Noel!", A
Brahms: Cello Sonata in E minor, op. 38 / Grieg: Cello Sonata in A minor, op. 36 / Shostakovich: Cello Sonata in D minor, op. 40
Brahms: Die schöne Magelone / Schubert: Lieder
Brandenburg Concerto / Serenade for Winds / Petite Symphonie / Simple Symphony / Dance of the Pink Girl
Brandenburg Concerto No. 1 in F major, BWV 1046: I. Allegro
Brandenburg Concerto No. 1 in F major, BWV 1046: II. Adagio
Brandenburg Concerto No. 1 in F major, BWV 1046: III. Allegro
Brandenburg Concerto No. 1 in F major, BWV 1046: IV. Menuetto - Trio 1
Brandenburg Concerto No. 1 in F major, BWV 1046: V. Polacca - Trio 2
Brandenburg Concerto No. 2 in F major, BWV 1047: I. Allegro
Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante
Brandenburg Concerto No. 2 in F major, BWV 1047: III. Allegro assai
Brandenburg Concerto No. 3 in G major, BWV 1048: I. Allegro
Brandenburg Concerto No. 3 in G major, BWV 1048: II. Allegro
Brandenburg Concerto no. 4 in G major, BWV 1049: I. Allegro
Brandenburg Concerto no. 4 in G major, BWV 1049: II. Andante
Brandenburg Concerto no. 4 in G major, BWV 1049: III. Presto
Brandenburg Concerto no. 5 in D major, BWV 1050: I. Allegro
Brandenburg Concerto no. 5 in D major, BWV 1050: II. Affettuoso
Brandenburg Concerto no. 5 in D major, BWV 1050: III. Allegro
Brandenburg Concerto no. 6 in B-flat major, BWV 1051: I. Allegro
Brandenburg Concerto no. 6 in B-flat major, BWV 1051: II. Adagio ma non troppo
Brandenburg Concerto no. 6 in B-flat major, BWV 1051: III. Allegro
Brandenburg Concerto No.5 in D major, BWV 1050 - Allegro
Brandenburg Concertos 1-6
British Clarinet Concertos, Volume 2
British Composers: Britten: War Requiem / Bliss: Morning Heroes
British Composers: Britten: Winter Words etc.
British Folk Songs: Little Sir William
British Folk Songs: Oliver Cromwell
British Folk Songs: The Ash Grove
British Folk Songs: The Sally Gardens (Yeats)
British Music Collection: The Beggar’s Opera, The
British Violin Sonatas, Volume One
Britten
Britten 'Before life & after'
Britten / Hindemith / Reger / Schnittke
Britten & Bliss
Britten 100: The Birthday Collection
Britten Abroad
Britten at Aldeburgh: Schubert Piano Duets
Britten Choral Music From King's College, Cambridge
Britten Choral Works II: A Ceremony of Carols
Britten Conducts Britten: Operas II: A Midsummer Night's Dream / The Rape Of Lucretia / The Turn Of The Screw / Bedford: Death In Venice / Mackerras: Gloriana
Britten Songs, Volume 1
Britten, Shostakovich: Sonatas for Cello and Piano / Prokofiev: Ballad, op. 15
Britten: A Ceremony of Carols / Poston: An English Day-Book
Britten: Cello Symphony / Cello Suite no. 2 / Shostakovich: Cello Concerto no. 1
Britten: Cello Symphony / Elgar: Cello Concerto
Britten: Cello Symphony / Walton: Cello Concerto
Britten: Ceremony of Carols / Bruckner: Motetten
Britten: Concerto for Piano and Orchestra, op. 13 / Elgar: Enigma-Variations
Britten: Four Sea Interludes / Passacaglia / Bridge: The Sea / Bax: On the Sea Shore
Britten: Prince of the Pagodas - Suite / Mcphee: Tabuh-Tabuhan
Britten: Scottish Balad / Martinů: Concerto for Two Pianos and Orchestra
Britten: Serenade / Berkeley: Horn Trio / Bach: Brandenburg Concerto no. 1
Britten: Serenade for Tenor, Horn and Strings / 4 Folksongs / Walton: Façade
Britten: Serenade for Tenor, Horn and Strings / Nocturne / Finzi: Dies Natalis
Britten: Simple Symphony / Janáček: Suite / Suchoň: Serenade
Britten: Sinfonia da Requiem / Sea Interludes & Passacaglia (‘Peter Grimes’) / Holst: Ballet (‘The Perfect Fool’) / Egdon Heath
Britten: The Prodigal Son
Britten: The Young Person's Guide to the Orchestra / Symphony for Cello and Orchestra / Four Sea Interludes from "Peter Grimes" / Pärt: Cantus in Memory of Benjamin Britten
Britten: Variations on a Theme of Frank Bridge / Tchaikovsky: Serenade for strings / Mozart: Divertimento K 137
Britten: Variations on a Theme of Frank Bridge / Vaughan Williams: Fantasia on a Theme by Thomas Tallis / Stravinsky: Jeu de cartes
Britten: Violin Concerto / Walton: Viola Concerto
Britten: War Requiem / Penderecki: Threnos / Berg: Violin Concerto
Britten's Orchestra
Britten’s Orchestra
Brynjar Hoff: Great Music for Oboe
Burning Fiery Furnace, The
Burning Fiery Furnace: Adept In Magic, The
Burning Fiery Furnace: Bring Them Here Before My Majesty, The
Burning Fiery Furnace: By The Royal Command, The
Burning Fiery Furnace: By The Royal Decree, The
Burning Fiery Furnace: Good People, In His Holy Name, The
Burning Fiery Furnace: Good People, We Have Shown You, The
Burning Fiery Furnace: Merodak! Lord Of Creation!, The
Burning Fiery Furnace: O All Ye Works Of The Lord, The
Burning Fiery Furnace: O King, Nebuchadnezzar, The
Burning Fiery Furnace: O Ye Winter And Summer, The
Burning Fiery Furnace: Procession, The
Burning Fiery Furnace: Salus Aeterna, The
Burning Fiery Furnace: Shadrach, Meshach, Abednego, The
Burning Fiery Furnace: Sirs, What Is This?, The
Burning Fiery Furnace: The Waters Of Babylon, The
Burning Fiery Furnace: We Do Not Lack Enemies, The
Cambridge Buch der Musik, Das
Canticle II, Abraham and Isaac, op. 51
Canticle III: Still Falls the Rain, op. 55
Canticles, The
Cello Concerto in C, H.VIIb, no. 1: I. Moderato
Cello Concerto in C, H.VIIb, no. 1: II. Adagio
Cello Concerto in C, H.VIIb, no. 1: III. Finale. Allegro molto
Cello Concertos / Four Sea Interludes
Cello Recital
Cello Sonata in D minor, op. 40: I. Allegro non troppo
Cello Sonata in D minor, op. 40: II. Allegro
Cello Sonata in D minor, op. 40: III. Largo
Cello Sonata in D minor, op. 40: IV. Allegro
Cello Sonatas
Cello Suite no. 1, op. 72: Canto primo -
Cello Suite no. 1, op. 72: Canto secondo (Sostenuto) -
Cello Suite no. 1, op. 72: Canto terzo (Sostenuto) -
Cello Suite no. 1, op. 72: I. Fuga (Andante moderato) -
Cello Suite no. 1, op. 72: II. Lamento (Lento rubato) -
Cello Suite no. 1, op. 72: III. Serenata (Allegretto: pizzicato)
Cello Suite no. 1, op. 72: IV. Marcia (Alla marcia moderato) -
Cello Suite no. 1, op. 72: V. Bordone (Moderato quasi recitativo) -
Cello Suite no. 1, op. 72: VI. Moto perpetuo e Canto quarto (Presto)
Cello Suites
Cello Suites 1 & 2 / Cello Sonata
Cello Suites nos. 1-3
Cello Suites Nos. 1, 2 & 3
Cello Suites, The
Cello Symphonies, The
Cello Symphony / Cello Sonata
Cello Symphony / Cello Suite no. 1
Cello Symphony / Symphonic Suite from "Gloriana" / Four Sea Interludes from "Peter Grimes"
Ceremonies of Carols
Ceremony of Carols / Rejoice in the Lamb / A Boy Was Born, A
Ceremony of Carols / Rejoice in the Lamb / Missa Brevis / Festival Te Deum / Jubliate Deo / Hymn to St Peter / A Hymn of St Colomba / A Hymn to the Virgin, A
Ceremony of Carols / Saint Nicolas, A
Ceremony of Carols, A
Ceremony of Carols, op. 28, A
Ceremony of Carols, op. 28: As Dew in Aprille, A
Ceremony of Carols, op. 28: Balulalow, A
Ceremony of Carols, op. 28: Deo Gracias - Adam Lay Ibounden, A
Ceremony of Carols, op. 28: In the Freezing Winter Night, A
Ceremony of Carols, op. 28: Interlude, A
Ceremony of Carols, op. 28: Procession, A
Ceremony of Carols, op. 28: Recession, A
Ceremony of Carols, op. 28: Spring Carol, A
Ceremony of Carols, op. 28: That Yonge Child, A
Ceremony of Carols, op. 28: There Is No Rose, A
Ceremony of Carols, op. 28: This Little Babe, A
Ceremony of Carols, op. 28: Wolcum Yole!, A
Chaconnes and Fantasias
Chacony in G minor
Children’s Classics
Children’s Crusade / A Ceremony of Carols
Choir of King’s College, The
Choral Dances from "Gloriana"
Choral Edition, Volume 1
Choral Music
Choral Music From King’s College, Cambridge
Choral Works Vol. 3, The
Choral Works, Volume II, The
Christ's Nativity / A Shepherd's Carol / Hymn to the Virgin / A Boy Was Born
Christmas Adagios
Christmas Joy
Christmas Oratorio / A Ceremony of Carols
Classic Ads
Classic CD - 800 Years of Beautiful Seasonal Music
Classic CD, Volume 29
Classic CD, Volume 37
Classic CD, Volume 50: Kiri at 50
Classic CD, Volume 80: Christmas Classics: From Chant to Carols
Classic Cuts, Volume 2
Classic Experience IV
Classic Music for Centuries: The Hi-End Sampler I
Classical Chillout
Classical Russian Revelation, The
Classics by Moonlight
Classics For Kids
Club Verboten
Colin McPhee's Transcriptions of Ceremonial Music: Gambangan
Colin McPhee's Transcriptions of Ceremonial Music: Kambing Slem
Colin McPhee's Transcriptions of Ceremonial Music: Lagu Ardja
Colin McPhee's Transcriptions of Ceremonial Music: Lagu Délem
Colin McPhee's Transcriptions of Ceremonial Music: Pemungkah
Colin McPhee's Transcriptions of Ceremonial Music: Rébong
Colin McPhee's Transcriptions of Ceremonial Music: Tabu Telu
Company of Heaven, Part One: Angels before the Creation. I. Chaos, The
Company of Heaven, Part One: Angels before the Creation. II. The Morning Stars, The
Company of Heaven, Part Three: Angels in Common Life, and at our Death. IX. Whoso dwelleth under the defence of the most High, The
Company of Heaven, Part Three: Angels in Common Life, and at our Death. VI. Heaven is here, The
Company of Heaven, Part Three: Angels in Common Life, and at our Death. VII. A thousand, thousand gleaming fires, The
Company of Heaven, Part Three: Angels in Common Life, and at our Death. VIII. Funeral March for a Boy, The
Company of Heaven, Part Three: Angels in Common Life, and at our Death. X. There came out also at this time, The
Company of Heaven, Part Three: Angels in Common Life, and at our Death. XI. Ye watchers and ye holy ones, The
Company of Heaven, Part Two: Angels in Holy Scripture. III. Angels appear to Jacob, Elisha and Mary, The
Company of Heaven, Part Two: Angels in Holy Scripture. IV. Christ, the fair glory, The
Company of Heaven, Part Two: Angels in Holy Scripture. V. War in Heaven, The
Company of Heaven, The
Complete Music for String Quartet
Complete Recorder Works of Rubbra and Britten, The
Complete Suites for Solo Cello, The
Complete Works for Oboe, The
Concerto for Piano / Concerto for Violin
Concerto for Violin, Op. 15: I. Moderato con moto
Concerto for Violin, Op. 15: II. Vivace
Concerto for Violin, Op. 15: III. Passacaglia: Andante lento
Concerto for Violoncello and Orchestra in A minor, op. 129: Langsam
Concerto for Violoncello and Orchestra in A minor, op. 129: Nicht zu schnell
Concerto for Violoncello and Orchestra in A minor, op. 129: Sehr lebhaft
Concerto in Si bem. Magg. K. 595: I. Allegro
Concerto in Si bem. Magg. K. 595: II. Adagio
Concerto in Si bem. Magg. K. 595: III. Allegro
Concierto De Aranjuez For Guitar And Orchestra / Concerto For Lute And Strings / The Courtly Dances From "Gloriana"
Corpus Christi Carol
Courtly Dance from Gloriana. Op. 53a, The
Curlew River
Curlew River, op. 71 "A thousand leagues may sunder a mother and her son"
Curlew River, op. 71 "But first may I ask you what is that strange noise?"
Curlew River, op. 71 "Clear as a sky without a cloud"
Curlew River, op. 71 "Curlew River, smoothly flowing ..."
Curlew River, op. 71 "Ferryman, tell me, when did it happen?"
Curlew River, op. 71 "Go your way in peace, mother"
Curlew River, op. 71 "Good souls, we have shown you..."
Curlew River, op. 71 "He whose life was full of promise"
Curlew River, op. 71 "Hoping, I wandered on"
Curlew River, op. 71 "I am the ferryman"
Curlew River, op. 71 "I beg your pardon"
Curlew River, op. 71 "I come from the Westland"
Curlew River, op. 71 "Ignorant man! You refuse a passage to me ..."
Curlew River, op. 71 "Look! While you were listening to my story ..."
Curlew River, op. 71 "Near the Black Mountains there I dwelt"
Curlew River, op. 71 "Te lucis ante terminum"
Curlew River, op. 71 "The moon has risen"
Curlew River, op. 71 "Today is an important day"
Danny Boy: Grainger Favourites
Darknesse Visible
David Bowie Narrates Prokofiev’s Peter and the Wolf / Britten: Young Person’s Guide to the Orchestra
Death in Venice
Det brinner en stjärna
Dimitri Shostakovich: Concerto nr. 2 in G major for Cello and Orchestra, op. 126 / Benjamin Britten: Third Suite for Cello Solo, op. 87
Discover Opera
Diversions for Piano (Left Hand) and Orchestra, op. 21: Theme
Diversions for Piano (Left Hand) and Orchestra, op. 21: Variation I (Recitative)
Diversions for Piano (Left Hand) and Orchestra, op. 21: Variation II (Romance)
Diversions for Piano (Left Hand) and Orchestra, op. 21: Variation III (March)
Diversions for Piano (Left Hand) and Orchestra, op. 21: Variation IV (Arabesque)
Diversions for Piano (Left Hand) and Orchestra, op. 21: Variation IXa (Toccata)
Diversions for Piano (Left Hand) and Orchestra, op. 21: Variation IXb (Toccata II)
Diversions for Piano (Left Hand) and Orchestra, op. 21: Variation V (Chant)
Diversions for Piano (Left Hand) and Orchestra, op. 21: Variation VI (Nocturne)
Diversions for Piano (Left Hand) and Orchestra, op. 21: Variation VII (Badinerie)
Diversions for Piano (Left Hand) and Orchestra, op. 21: Variation VIII (Burlesque)
Diversions for Piano (Left Hand) and Orchestra, op. 21: Variation X (Adagio)
Diversions for Piano (Left Hand) and Orchestra, op. 21: Variation XI (Tarantella)
Diversions for Piano Left Hand and Orchestra, op. 21: Theme
Diversions for Piano Left Hand and Orchestra, op. 21: Variation I. Recitative
Diversions for Piano Left Hand and Orchestra, op. 21: Variation II. Romance
Diversions for Piano Left Hand and Orchestra, op. 21: Variation III. March
Diversions for Piano Left Hand and Orchestra, op. 21: Variation IV. Arabesque
Diversions for Piano Left Hand and Orchestra, op. 21: Variation IXa. Toccata I
Diversions for Piano Left Hand and Orchestra, op. 21: Variation IXb. Toccata II
Diversions for Piano Left Hand and Orchestra, op. 21: Variation V. Chant
Diversions for Piano Left Hand and Orchestra, op. 21: Variation VI. Nocturne
Diversions for Piano Left Hand and Orchestra, op. 21: Variation VII. Badinerie
Diversions for Piano Left Hand and Orchestra, op. 21: Variation VIII. Burlesque
Diversions for Piano Left Hand and Orchestra, op. 21: Variation X. Adagio
Diversions for Piano Left Hand and Orchestra, op. 21: Variation XI. Tarantella
Divertissement sur des motifs originaux français, in E minor, D.823 Andantino varié: Thema
Divertissement sur des motifs originaux français, in E minor, D.823 Andantino varié: Variation 1
Divertissement sur des motifs originaux français, in E minor, D.823 Andantino varié: Variation 2
Divertissement sur des motifs originaux français, in E minor, D.823 Andantino varié: Variation 3
Divertissement sur des motifs originaux français, in E minor, D.823 Andantino varié: Variation 4
Double Concerto / Piano Concerto No. 27 / Sonata for 2 Pianos
Double Concerto / Two Portraits / Young Apollo / Sinfonietta
Dowland: Lute Songs / Britten: Nocturnal
Dream of Gerontius / The Hymn of Jesus, The
Dream of Gerontius op. 38 Part I. Jesu, Maria - I am near to death, The
Dream of Gerontius op. 38: Part I. Prelude, The
Dream of Gerontius, op. 38: 'But Hark! a grand mysterious harmony...Praise to the Holiest in the Height', The
Dream of Gerontius: But hark! A grand mysterious harmony, The
Dream of Gerontius: But hark! Upon my sense comes a fierce hubbub..., The
Dream of Gerontius: I go before my Judge..., The
Dream of Gerontius: I see not those false spirits..., The
Dream of Gerontius: I went to sleep...., The
Dream of Gerontius: It is a member of that family...., The
Dream of Gerontius: Jesu, Maria, I am near to death..., The
Dream of Gerontius: Prelude, The
Dream of Gerontius: Profiscere, anima Christiana..., The
Dream of Gerontius: Rouse thee, my fainting soul..., The
Dream of Gerontius: Sanctis fortis, Sanctus Deus...., The
Dream of Gerontius: Softly and gently...., The
Dream of Gerontius: Thy judgement now is near...., The
Du liebst mich nicht, D 756
Elgar: Enigma Variations / Britten: Four Sea Interludes from Peter Grimes / The Young Person's Guide to the Orchestra
Elgar: In the South / Walton: Partita / Britten: Young Person's Guide to the Orchestra / Britten: Sinfonia da Requiem
Elgar: The Dream of Gerontius / Holst: The Hymn of Jesus / Delius: Sea Drift
En blanc et noir for 2 pianos: 1. Avec emportement
En blanc et noir for 2 pianos: 2. Lent. Sombre
En blanc et noir for 2 pianos: 3. Scherzando
English Guitar Music
English Song
English Song Series, Volume 13: Folk Song Arrangements, Volume 2, The
English Song Series, Volume 7: Seven Sonnets of Michelangelo / The Holy Sonnets of John Donne / Winter Words, The
Esquire: Classical Music Sampler
Evening Hymn, An
Exile on Classical Street
Fairy Queen, Z. 629: Part I "Oberon's birthday": "Hail! great parent of us all", The
Fairy Queen, Z. 629: Part I "Oberon's birthday": "Here's the Summer, springly, gay", The
Fairy Queen, Z. 629: Part I "Oberon's birthday": "Let the fifes and the clarions...Dance", The
Fairy Queen, Z. 629: Part I "Oberon's birthday": "Next, Winter comes slowly", The
Fairy Queen, Z. 629: Part I "Oberon's birthday": "Now the night is chas'd away", The
Fairy Queen, Z. 629: Part I "Oberon's birthday": "See, my many-coloured fields", The
Fairy Queen, Z. 629: Part I "Oberon's birthday": "Thus the ever grateful Spring", The
Fairy Queen, Z. 629: Part I "Oberon's birthday": "When a cruel long Winter", The
Fairy Queen, Z. 629: Part I "Oberon's birthday": Symphony, The
Fairy Queen, Z. 629: Part II "Night and silence": "Dance for the followers of night", The
Fairy Queen, Z. 629: Part II "Night and silence": "Echo... Now join your warbling voices all", The
Fairy Queen, Z. 629: Part II "Night and silence": "Fill up the bowl, then", The
Fairy Queen, Z. 629: Part II "Night and silence": "Hush, no more", The
Fairy Queen, Z. 629: Part II "Night and silence": "I am come to lock all fast", The
Fairy Queen, Z. 629: Part II "Night and silence": "One charming night", The
Fairy Queen, Z. 629: Part II "Night and silence": "See, even Night herself is here", The
Fairy Queen, Z. 629: Part II "Night and silence": "The Songsters... May the god of wit inspire", The
Fairy Queen, Z. 629: Part II "Night and silence": Prelude - "Come, all ye songsters of the sky", The
Fairy Queen, Z. 629: Part III "The sweet passion": "A dance of haymakers", The
Fairy Queen, Z. 629: Part III "The sweet passion": "A thousand, thousand ways", The
Fairy Queen, Z. 629: Part III "The sweet passion": "Hornpipe and rondeau", The
Fairy Queen, Z. 629: Part III "The sweet passion": "If love's a sweet passion", The
Fairy Queen, Z. 629: Part III "The sweet passion": "Now the maids and the men are making of hay", The
Fairy Queen, Z. 629: Part III "The sweet passion": "The Plaint: O let me weep, for ever weep!", The
Fairy Queen, Z. 629: Part III "The sweet passion": Overture, The
Fairy Queen, Z. 629: Part IV "Epithalamium": "Chaconne", The
Fairy Queen, Z. 629: Part IV "Epithalamium": "Hark! hark! the echoing air", The
Fairy Queen, Z. 629: Part IV "Epithalamium": "My torch indeed... They shall be as happy", The
Fairy Queen, Z. 629: Part IV "Epithalamium": "See, I obey", The
Fairy Queen, Z. 629: Part IV "Epithalamium": "Sure the dull God of Marriage", The
Fairy Queen, Z. 629: Part IV "Epithalamium": "They shall be as happy", The
Fairy Queen, Z. 629: Part IV "Epithalamium": "Turn then thine eyes", The
Fairy Queen, Z. 629: Part IV "Epithalamium": Symphony, The
Fantasy in C major, D. 934: I. Andante molto
Fantasy in C major, D. 934: II. Allegretto
Fantasy in C major, D. 934: III. Andantino
Fantasy in C major, D. 934: IV. Allegro vivace - Allegretto - Presto
Fantasy in F minor, D940: Allegro molto moderato
Fantasy in F minor, D940: Allegro vivace
Fantasy in F minor, D940: Largo
Fantasy in F minor, D940: Tempo I
Fiðlukonsertar
Folksong: Avenging and Bright
Folksong: Sally in Our Alley
Folksong: The Bonny Earl O' Moray
Folksong: The Last Rose of Summer
Folksongs
Four Cabaret Songs: Funeral Blues
Four Cabaret Songs: O Tell Me the Truth About Love
Four Sea Interludes / The Young Person's Guide to the Orchestra / Simple Symphony
Four Sea Interludes and Passacaglia: Dawn (Act I)
Four Sea Interludes and Passacaglia: Moonlight (Act III)
Four Sea Interludes and Passacaglia: Passacaglia (Act II)
Four Sea Interludes and Passacaglia: Storm (Act I)
Four Sea Interludes and Passacaglia: Sunday Morning (Act II)
Four Sea Interludes from Peter Grimes: Dawn
Four Sea Interludes from Peter Grimes: Moonlight
Four Sea Interludes from Peter Grimes: Storm
Four Sea Interludes from Peter Grimes: Sunday Morning
Frank Bridge Variations / Lachrymae / Elegy for Strings / Simple Symphony / Two Portraits
Frédéric Chopin - Grande Polonaise brillante, Op. 22 / Percy Grainger - Mo nighean dubh / Benjamin Britten - The Young Person's Guide to the Orchestra / Richard Rodgers - The Sound of Music: Climb Ev'ry Mountain / Richard Rodgers - Carousel: You'll Never Walk Alone / Sir Edward Elgar - Pomp and Circumstance March No. 1 in D major "Land of Hope and Glory" / Thomas Arne - Rule Britannia / Sir Hubert Parry - Jerusalem / [traditional] - God Save the Queen
Friendship in Misfortune
Fünf Stücke im Volkston, op. 102: I. Mit Humor
Fünf Stücke im Volkston, op. 102: II. Langsam
Fünf Stücke im Volkston, op. 102: III. Nicht schnell
Fünf Stücke im Volkston, op. 102: IV. Nicht zu rasch
Fünf Stücke im Volkston, op. 102: V. Stark und markiert
Gabriel Prokofiev - Concerto for Turntables and Orchestra / Benjamin Britten - Piano Concerto
Ganymed, D 544
Gloriana
Gloriana, op. 53a / The Prince of the Pagodas: Prelude and Dances, op. 57b
Go not, happy day
God Save the Queen
Goder afton mitt herrskap (Adolf Fredriks Gosskör & Flickkör, feat. conductor: Jan'Åke Hillerud & Bo Johansson)
Golden Vanity, Op. 78: I. There was a ship came from the North Country, The
Golden Vanity, Op. 78: II. Then up spake the cabin-boy, The
Golden Vanity, Op. 78: III. Casting his clothes off, he dived into the sea, The
Golden Vanity, Op. 78: IV. They laid him on the deck, The
Goldenhair
Grand Duo in C major, D812: I. Allegro moderato
Grand Duo in C major, D812: II. Andante
Grand Duo in C major, D812: III. Scherzo: Allegro vivace
Grand Duo in C major, D812: IV. Allegro vivace
Hankin Booby
have twelve oxen, I
Haydn: Symphony no. 104 / Britten: Four Sea Interludes / Shostakovich: Symphony no. 1
Haydn: Violin Sonata in G / Debussy: Violin Sonata / Schubert: Violin Sonata in A / Fantasy in C
Her Early BBC Recordings, Volume 1
Herbert von Karajan Edition: Handel / Vaughan Williams / Ravel / Britten / Debussy / Sibelius / Bartók / Kodály
Herr, deine Augen sehen nach dem Glauben, Cantata BWV 102, Pt. 1: I. "Herr, deine Augen sehen nach dem Glauben"
Herr, deine Augen sehen nach dem Glauben, Cantata BWV 102, Pt. 1: II. "Wo ist das Ebenbild"
Herr, deine Augen sehen nach dem Glauben, Cantata BWV 102, Pt. 1: III. "Weh, der Seele"
Herr, deine Augen sehen nach dem Glauben, Cantata BWV 102, Pt. 1: IV. "Verachtest du den Reichtum seiner Gnade"
Herr, deine Augen sehen nach dem Glauben, Cantata BWV 102, Pt. 2: V. "Erschrecke doch"
Herr, deine Augen sehen nach dem Glauben, Cantata BWV 102, Pt. 2: VI. "Beim Warten ist Gefahr"
Herr, deine Augen sehen nach dem Glauben, Cantata BWV 102, Pt. 2: VII. "Heut lebst du, heut bekehre dich"
Hindemith: Viola Sonata in F major, op. 11 no. 4 / Britten: Lachrymae / Shostakovich: Viola Sonata, op. 147
HMV Classics Collection: Spring Summer Autumn Winter, The
Holst: The Planets / Britten: The Young Person's Guide to the Orchestra
Holy Sonnets of John Donne, op. 35: 1. Oh My Blacke Soule
Holy Sonnets of John Donne, op. 35: 1. Oh, my blacke Soule!, The
Holy Sonnets of John Donne, op. 35: 2. Batter My Heart
Holy Sonnets of John Donne, op. 35: 2. Batter my heart, The
Holy Sonnets of John Donne, op. 35: 3. O Might Those Sighes and Teares
Holy Sonnets of John Donne, op. 35: 3. Oh might those sighes and teares, The
Holy Sonnets of John Donne, op. 35: 4. Oh, to Vex Me
Holy Sonnets of John Donne, op. 35: 4. Oh, to vex me, The
Holy Sonnets of John Donne, op. 35: 5. What If This Present
Holy Sonnets of John Donne, op. 35: 5. What if this present, The
Holy Sonnets of John Donne, op. 35: 6. Since She Whom I Loved
Holy Sonnets of John Donne, op. 35: 6. Since she whom I loved, The
Holy Sonnets of John Donne, op. 35: 7. At the Round Earth's Imagined Corners
Holy Sonnets of John Donne, op. 35: 7. At the round earth’s imagined corners, The
Holy Sonnets of John Donne, op. 35: 8. Thou Hast Made Me
Holy Sonnets of John Donne, op. 35: 8. Thou hast made me, The
Holy Sonnets of John Donne, op. 35: 9. Death, Be Not Proud
Holy Sonnets of John Donne, op. 35: 9. Death, be not proud, The
Holy Sonnets of John Donne, Op. 35: At the round earth's imagin'd corners, The
Holy Sonnets of John Donne, op. 35: At the round earth's imagined corners, The
Holy Sonnets of John Donne, Op. 35: Batter my heart, The
Holy Sonnets of John Donne, Op. 35: Death be not proud, The
Holy Sonnets of John Donne, op. 35: Death, be not proud, The
Holy Sonnets of John Donne, op. 35: O might those sighes and teares, The
Holy Sonnets of John Donne, Op. 35: Oh might those sighes and teares, The
Holy Sonnets of John Donne, Op. 35: Oh my blacke Soule!, The
Holy Sonnets of John Donne, Op. 35: Oh, to vex me, The
Holy Sonnets of John Donne, Op. 35: Since she whom I loved, The
Holy Sonnets of John Donne, Op. 35: Thou hast made me, The
Holy Sonnets of John Donne, Op. 35: What if this present, The
How love came in
Humbert Wolfe Songs: A Little Music
Humbert Wolfe Songs: Betelgeuse
Humbert Wolfe Songs: Envoi
Humbert Wolfe Songs: In the Street of Lost Time
Humbert Wolfe Songs: Journey End
Humbert Wolfe Songs: Now in these Fairylands
Humbert Wolfe Songs: Persephone
Humbert Wolfe Songs: Rhyme
Humbert Wolfe Songs: The Dream City
Humbert Wolfe Songs: The Floral Bandit
Humbert Wolfe Songs: The Thought
Humbert Wolfe Songs: Things Lovelier
Hymn to St Cecilia / Choral Dances from Gloriana / Choral Works
Ian Bostridge Sings Britten
Illuminations
Illuminations / Bridge Variations / Simple Symphony, Les
Illuminations / Our Hunting Fathers / Chansons Francaises, Les
Illuminations / Quatre chansons françaises / Serenade for Tenor, Horn and Strings, Les
Illuminations, Les
Illuminations, op. 18: I. Fanfare, Les
Illuminations, op. 18: II. Villes, Les
Illuminations, op. 18: IIIa. Phrase, Les
Illuminations, op. 18: IIIb. Antique, Les
Illuminations, op. 18: IV. Royauté, Les
Illuminations, op. 18: IX. Départ, Les
Illuminations, op. 18: V. Marine, Les
Illuminations, op. 18: VI. Interlude, Les
Illuminations, op. 18: VII. Being beauteous, Les
Illuminations, op. 18: VIII. Parade, Les
In youth is pleasure
Inkslinger's Love Song
Into the Light
Introduction And Allegro Appassionato For Piano And Orchestra, Op. 92
Introduction and Allegro for String, op. 47
Introduction and Rondo alla Burlesca
Introduction and Rondo alla burlesca, op. 23, no. 1
Introduzione e Allegro appassionato, op. 92
Jingle Bells, Musique vocales anglaises et irlandaises
Job's Curse
Journey's end
Julian Bream Edition (disc 6: The Julian Bream Consort)
Kathleen Ferrier: Centenary Edition: The Complete Decca recordings
Keisuke Wakao Plays Bach, Mozart, Britten, Prokofiev
Keisuke Wakao Plays Bach, Mozart, Britten, Prokofiev with Friends of the Boston Symphony Orchestra
Klara 4 Kids - Klara's Muziekdoos
Lachen und Weinen, D 777
Lachrymae
Lachrymae / Frank Bridge Variations / Simple Symphony
Lachrymae, op. 48, Reflections on a Song of Dowland
Land of Lost Content: Epilogue, The
Land of Lost Content: Goal & Wicket, The
Land of Lost Content: Ladslove, The
Land of Lost Content: The encounter, The
Land of Lost Content: The Lent lily, The
Land of Lost Content: The vain desire, The
Legacy of Mahler, The
Let's Dance Gay in the Green Meadow
Lieder: An Die Freunde, D. 654
Lieder: Auf Der Donau, D. 553
Lieder: Aus Heliopolis II, D. 754
Lieder: Der Wanderer An Den Mond, D. 870
Lieder: Der Wanderer, D. 649
Lieder: Fischerweise, D. 881
Lieder: Prometheus, D. 674
Lisbon
Little Sweep / Gemini Variations / Children’s Crusade, The
Little Sweep / Rejoice in the Lamb, The
London Symphony Orchestra Highlights
Love and Friendship
Love From a Stranger: Four British Film Scores
Love went a-riding
Magical Places: Evocative Symphonic Poems for Piano Duet
Masters of the Trumpet
Mazurka elegiaca, op. 23, no. 2
Mazurka Elegiaca, Op. 23, No.2
Meister Singer
Mer / L’Après-midi d’un faune / Syrinx, La
Midsummer Night's Dream, A
Midsummer Night's Dream: Act I. "(Be it on Lion...)" / "I love thee not", A
Midsummer Night's Dream: Act I. "Come, now a roundel, and a fairy song", A
Midsummer Night's Dream: Act I. "Fair love, you faint with wand'ring", A
Midsummer Night's Dream: Act I. "How now, my love?", A
Midsummer Night's Dream: Act I. "Is all our company here?", A
Midsummer Night's Dream: Act I. "Oberon is passing" / "Ill met by moonlight", A
Midsummer Night's Dream: Act I. "Stay, tho' thou kill me, sweet Demetrius", A
Midsummer Night's Dream: Act I. "Through the forest have I gone", A
Midsummer Night's Dream: Act I. "Welcome, wanderer!" / "I know a bank", A
Midsummer Night's Dream: Act I. "Well, go thy way", A
Midsummer Night's Dream: Act I. "What thou seest when thou dost wake", A
Midsummer Night's Dream: Act I. "You spotted snakes", A
Midsummer Night's Dream: Act I. Introduction / "Over hill, over dale", A
Midsummer Night's Dream: Act II - Conclusion, A
Midsummer Night's Dream: Act II. "Are we all met?", A
Midsummer Night's Dream: Act II. "Be kind and courteous", A
Midsummer Night's Dream: Act II. "Flower of this purple dye", A
Midsummer Night's Dream: Act II. "Hail, mortal, hail!", A
Midsummer Night's Dream: Act II. "How now, mad spirit", A
Midsummer Night's Dream: Act II. "I have a reas'nable good ear in music", A
Midsummer Night's Dream: Act II. "I see their knavery", A
Midsummer Night's Dream: Act II. "On the ground, sleep sound", A
Midsummer Night's Dream: Act II. "Puppet? why so?", A
Midsummer Night's Dream: Act II. "This is thy negligence...", A
Midsummer Night's Dream: Act II. "Up & Down", A
Midsummer Night's Dream: Act II. Introduction, A
Midsummer Night's Dream: Act III, Scene 1. "Have you sent to Bottom's house?", A
Midsummer Night's Dream: Act III, Scene 1. "Helena! - Hermia!", A
Midsummer Night's Dream: Act III, Scene 1. "When my cue comes, call me", A
Midsummer Night's Dream: Act III, Scene 1. Introduction / "My gentle Robin", A
Midsummer Night's Dream: Act III, Scene 2. "Asleep, my Love? What, dead my dove?", A
Midsummer Night's Dream: Act III, Scene 2. "Come, your Bergomask", A
Midsummer Night's Dream: Act III, Scene 2. "Gentles, perchance you wonder at this show", A
Midsummer Night's Dream: Act III, Scene 2. "If we offend, it is with our good will", A
Midsummer Night's Dream: Act III, Scene 2. "In the same interlude", A
Midsummer Night's Dream: Act III, Scene 2. "Now the hungry lion roars", A
Midsummer Night's Dream: Act III, Scene 2. "O grim-look'd night", A
Midsummer Night's Dream: Act III, Scene 2. "O Wall, full often hast thou heard my moans", A
Midsummer Night's Dream: Act III, Scene 2. "Sweet moon, I thank thee for thy sunny beams...", A
Midsummer Night's Dream: Act III, Scene 2. "This lanthorn doth the horned Moon present", A
Midsummer Night's Dream: Act III, Scene 2. "You Ladies, you", A
Midsummer Night's Dream: Act III, Scene 2. Orchestral March / "Now, fair Hippolyta", A
Midsummer Night’s Dream, A
Midsummer Night’s Dream, op. 64, A
Miller of Dee, The
Modern Times
Morning Hymn, A
Mozart Requiem
Music for a May Morning
Music for a Time of War
Music for Oboe / Music for Piano
Music for Oboe & Strings
Music of Bali: Gambangan (intermezzo)
Music of Bali: Lagu Delem (music from Shadowplay)
Music of Bali: Pemungkah (overture to Shadowplay)
Music of Bali: Rebong (love music from Shadowplay)
Music of Bali: Tabu Telu (ceremonial music)
Music: An Appreciation (disc 1)
Music: An Appreciation, Fourth Brief Edition (disc 1)
Musik aus England, II
My Favorite Albums
My Name Is Barbara
My Robin Is to Green Wood Gone
Myleene's Music for Mothers
Neil MacKie Sings Britten
NMC Sampler
Nocturnal Variations
Nocturne for Tenor, 7 Obligato Instruments & Strings, op. 60: “Below the thunders of the upper deep”
Nocturne for Tenor, 7 Obligato Instruments & Strings, op. 60: “But that night when on my bed I lay”
Nocturne for Tenor, 7 Obligato Instruments & Strings, op. 60: “Encintured with a twine of leaves”
Nocturne for Tenor, 7 Obligato Instruments & Strings, op. 60: “Midnight’s bell goes ting, ting, ting”
Nocturne for Tenor, 7 Obligato Instruments & Strings, op. 60: “On a poet’s lips I slept”
Nocturne for Tenor, 7 Obligato Instruments & Strings, op. 60: “She sleeps on soft, last breaths”
Nocturne for Tenor, 7 Obligato Instruments & Strings, op. 60: “What is more gentle than a wind in summer?”
Nocturne for Tenor, 7 Obligato Instruments & Strings, op. 60: “When most I wink, then do mine eyes best see”
Nocturne for Tenor, Seven Obligate Instruments & Strings, op. 60: I. On a poet’s lips I slept
Nocturne for Tenor, Seven Obligate Instruments & Strings, op. 60: II. Below the thunders of the upper deep
Nocturne for Tenor, Seven Obligate Instruments & Strings, op. 60: III. Encitured with a twine of leaves
Nocturne for Tenor, Seven Obligate Instruments & Strings, op. 60: IV. Midnight’s bell goes ting, ting, ting
Nocturne for Tenor, Seven Obligate Instruments & Strings, op. 60: V. But that night when on my bed I lay
Nocturne for Tenor, Seven Obligate Instruments & Strings, op. 60: VI. She sleeps on soft, last breaths
Nocturne for Tenor, Seven Obligate Instruments & Strings, op. 60: VII. What is more gentle than a wind in summer?
Nocturne for Tenor, Seven Obligate Instruments & Strings, op. 60: VIII. When most I wink, then do mine eyes best see
Nocturne Voices
Norton Recordings, Volume 1 (disc 1), The
Noye's Fludde / A Ceremony of Carols
Oboe - Solo and Accompanied
Ode for St Cecilia’s Day: Accompagnato "But bright Cecilia rais’d the wonder higher"
Ode for St Cecilia’s Day: Aria "But oh! what art can teach"
Ode for St Cecilia’s Day: Aria "Orpheus could lead the savage race"
Ode for St Cecilia’s Day: Aria "Sharp violins proclaim their jealous pangs"
Ode for St Cecilia’s Day: Aria "The soft complaining flute"
Ode for St Cecilia’s Day: Aria "What passion cannot music raise and quell!"
Ode for St Cecilia’s Day: Chorus "From harmony, from heav’nly harmony"
Ode for St Cecilia’s Day: Chorus: "The dead shall live, the living die"
Ode for St Cecilia’s Day: March
Ode for St Cecilia’s Day: Overture: Larghetto e staccato - Allegro - Menuet I/II
Ode for St Cecilia’s Day: Recitative "From harmony, from heav’nly harmony"
Ode for St Cecilia’s Day: Solo and Chorus "As from the power of sacred lays"
Ode for St Cecilia’s Day: Solo and Chorus "The trumpet’s loud clangor"
Oleg-Kagan-Musikfest 1992
On this island, op. 11: I. Let the Florid Music Praise!
One Hope, The
opéra pour les nuls, L'
Our Heart's Joy: A Chanticleer Christmas
Our Hunting Fathers / Who Are These Children? / Still Falls the Rain / Lachrymae
Our Hunting Fathers, op. 8: I. Prologue
Our Hunting Fathers, op. 8: II. Rats Away!
Our Hunting Fathers, op. 8: III. Messalina
Our Hunting Fathers, op. 8: IV. Dance of Death
Our Hunting Fathers, op. 8: IV. Dance Of Death (Hawking For The Partridge)
Our Hunting Fathers, op. 8: V. Epilogue & Funeral March
Our Hunting Fathers, op. 8: V. Epilogue and Funeral March
Out Classics
Out Classics II: Stepping Out
Owen Wingrave
Papillons, Op. 2
Passionate Englishman, The
Pasticcio: Kulinarische Musikalitäten In Audiophilen Beispielen
Paul Bunyan
Paul Bunyan: Lullaby of Dream Shadows
Paul Bunyan: Overture
Paul Galbraith performs Mozart, Bach & Britten
Performer, The
Peter and The Wolf / Carnival of the Animals / Young Person's Guide to the Orchestra
Peter and the Wolf / Lieutenant Kijé Suite / Young Person's Guide to the Orchestra
Peter and the Wolf / The Young Person's Guide to the Orchestra / Carnival of the Animals
Peter and the Wolf, Etc.
Peter and the Wolf, Op. 67 / Young Person's Guide to the Orchestra, Op. 34 / Gloriana: Courtly Dances
Peter Grimes
Peter Grimes Op. 33a, Sea Interlude I: Dawn
Peter Grimes Op. 33a, Sea Interlude II: Sunday Morning
Peter Grimes Op. 33a, Sea Interlude III: Moonlight
Peter Grimes Op. 33a, Sea Interlude IV: Storm
Peter Grimes, op. 33, Act 1: "And do you prefer the storm"
Peter Grimes, op. 33, Act 1: "Have you heard?"
Peter Grimes, op. 33, Act 1: "Hi! give us a hand"
Peter Grimes, op. 33, Act 1: "I have to go from pub to pub"
Peter Grimes, op. 33, Act 1: "Let her among you"
Peter Grimes, op. 33, Act 1: "Look, the storm cone!"
Peter Grimes, op. 33, Act 1: "Now the Great Bear and Pleiades"
Peter Grimes, op. 33, Act 1: "Oh, hang at open doors"
Peter Grimes, op. 33, Act 1: "Old Joe has gone fishing"
Peter Grimes, op. 33, Act 1: "Past time to close!"
Peter Grimes, op. 33, Act 1: "The bridge is down, we half swam over"
Peter Grimes, op. 33, Act 1: "We live and let live"
Peter Grimes, op. 33, Act 1: "What harbour shelters peace"
Peter Grimes, op. 33, Act 1: Interlude II: The Storm
Peter Grimes, op. 33, Act 2: "Fool to let it come to this!"
Peter Grimes, op. 33, Act 2: "From the gutter"
Peter Grimes, op. 33, Act 2: "Glitter of waves"
Peter Grimes, op. 33, Act 2: "Go there!"
Peter Grimes, op. 33, Act 2: "Let this be a holiday"
Peter Grimes, op. 33, Act 2: "Now is gossip put on trial"
Peter Grimes, op. 33, Act 2: "Now!...Now!"
Peter Grimes, op. 33, Act 2: "People!...No! I will speak!"
Peter Grimes, op. 33, Act 2: "Peter Grimes! Nobody here?"
Peter Grimes, op. 33, Act 2: "Swallow! Shall we go"
Peter Grimes, op. 33, Act 2: "This unrelenting work"
Peter Grimes, op. 33, Act 2: "We planned that their lives"
Peter Grimes, op. 33, Act 2: "What is it?"
Peter Grimes, op. 33, Act 2: Interlude III: Sunday morning by the beach
Peter Grimes, op. 33, Act 2: Interlude IV: Passacaglia
Peter Grimes, op. 33, Act 3: "Assign your prettiness to me"
Peter Grimes, op. 33, Act 3: "Come along, Doctor!"
Peter Grimes, op. 33, Act 3: "Embroidery in childhood"
Peter Grimes, op. 33, Act 3: "Grimes! Grimes!"
Peter Grimes, op. 33, Act 3: "Mr.Swallow!"
Peter Grimes, op. 33, Act 3: "Pah!"
Peter Grimes, op. 33, Act 3: "Peter, we've come to take you home"
Peter Grimes, op. 33, Act 3: "To those who pass the Borough"
Peter Grimes, op. 33, Act 3: "Who holds himself apart"
Peter Grimes, op. 33, Act 3: Interlude V: Evening
Peter Grimes, op. 33, Act 3: Interlude VI: Fog
Peter Grimes, op. 33, Prologue: "Peter Grimes, I here advise you!"
Peter Grimes, op. 33, Prologue: "Peter Grimes!"
Peter Grimes, op. 33, Prologue: "The truth...the pity..."
Peter Grimes, op. 33, Prologue: "You sailed your boat"
Peter Grimes, op. 33, Prologue: Interlude I: On the beach
Peter Grimes, op.33: Act 1 - Interlude II: The Storm
Peter Grimes, op.33: Act 2 - Interlude III: Sunday Morning
Peter Grimes, op.33: Act 3 - Interlude V: Evening (Moonlight)
Peter Grimes, op.33: Prologue - Interlude I: On the Beach
Peter Grimes: Act I, Scene I. “And do you prefer the storm” (Balstrode)
Peter Grimes: Act I, Scene I. “Hi! Give us a hand!” (Peter)
Peter Grimes: Act I, Scene I. “I have to go from pub to pub” (Hobson)
Peter Grimes: Act I, Scene I. “Let her among you without fault cast the first stone” (Ellen)
Peter Grimes: Act I, Scene I. “Look, the storm cone!” (Balstrode)
Peter Grimes: Act I, Scene I. “Oh! Hang at open doors the net, the cork” (Women, Fishermen)
Peter Grimes: Act I, Scene I. “What harbour shelters peace” (Peter)
Peter Grimes: Act I, Scene II. “Have you heard? The cliff is down” (Keene)
Peter Grimes: Act I, Scene II. “Now the Great Bear and Pleiades” (Peter)
Peter Grimes: Act I, Scene II. “Old Joe has gone fishing” (Keene)
Peter Grimes: Act I, Scene II. “Past time to close!” (Auntie)
Peter Grimes: Act I, Scene II. “The bridge is down, we half swam over” (Hobson)
Peter Grimes: Act I, Scene II. “We live and let live” (Balstrode)
Peter Grimes: Act II, Scene I. “Fool to let it come to this!” (Auntie)
Peter Grimes: Act II, Scene I. “From the gutter, why should we trouble at their ribaldries?” (Nieces)
Peter Grimes: Act II, Scene I. “Glitter of waves and glitter of sunlight” (Ellen)
Peter Grimes: Act II, Scene I. “Let this be a holiday” (Ellen)
Peter Grimes: Act II, Scene I. “Now is gossip put on trial” (Mrs. Sedley, Boles, Rector, Keene, Swallow, Chorus)
Peter Grimes: Act II, Scene I. “People!… No! I will speak!” (Boles)
Peter Grimes: Act II, Scene I. “Swallow! Shall we go and see Grimes in his hut?” (Rector)
Peter Grimes: Act II, Scene I. “This unrelenting work” (Ellen)
Peter Grimes: Act II, Scene I. “We planned that their lives should have a new start” (Ellen)
Peter Grimes: Act II, Scene I. “What is it?” (Chorus)
Peter Grimes: Act II, Scene II. “Go there!” (Peter)
Peter Grimes: Act II, Scene II. “Now!... Now!…” (Boles, Rector, Swallow, Keene, Chorus)
Peter Grimes: Act II, Scene II. “Peter Grimes! Nobody here?” (Rector)
Peter Grimes: Act III, Scene I. “Assign your prettiness to me” (Swallow)
Peter Grimes: Act III, Scene I. “Come along, Doctor!” (First Burgess)
Peter Grimes: Act III, Scene I. “Embroidery in childhood was a luxury of idleness” (Ellen)
Peter Grimes: Act III, Scene I. “Mister Swallow! Mister Swallow!” (Mrs. Sedley)
Peter Grimes: Act III, Scene I. “Pah!… Ahoy!” (Swallow, Keene)
Peter Grimes: Act III, Scene I. “Who holds himself apart, lets his pride rise” (Chorus)
Peter Grimes: Act III, Scene II. “Grimes! Grimes!” (Chorus)
Peter Grimes: Act III, Scene II. “Peter, we’ve come to take you home” (Ellen)
Peter Grimes: Act III, Scene II. “To those who pass the Borough” (Chorus)
Peter Grimes: Interlude I: On the beach (Dawn)
Peter Grimes: Interlude II: The Storm
Peter Grimes: Interlude III: Sunday morning by the beach
Peter Grimes: Interlude IV: Passacaglia
Peter Grimes: Interlude V: Evening
Peter Grimes: Interlude VI: Fog
Peter Grimes: Prologue. “Peter Grimes, I here advise you!” (Swallow)
Peter Grimes: Prologue. “Peter Grimes!” (Hobson)
Peter Grimes: Prologue. “The truth… the pity… and the truth” (Peter)
Peter Grimes: Prologue. “You sailed your boat round the coast” (Swallow)
Peter og Ulven
Peter und der Wolf / Orchesterführer für junge Leute
Pezzo capriccioso for Violoncello and Orchestra in B minor, op. 62
Phaedra / A Charm of Lullabies / Lachrymae
Phaedra / Lachrymae / Night Mail / Sinfonietta / The Sword in the Stone
Phaedra / Lachrymae / The Sword in the Stone / Night Mail / Sinfonietta
Phantasie in F-sharp minor, for Piano Quartet
Phase 4 Stereo: Stereo Concert Series
Piano Concerto / Diversions / Young Apollo
Piano Concerto / Soirées Musicales / Matinées Musicales
Piano Concerto / Violin Concerto
Piano Concerto No. 20 / Piano Concerto No. 27
Piano Concerto no. 20 in D minor, K. 466: I. Allegro
Piano Concerto no. 20 in D minor, K. 466: II. Romance
Piano Concerto no. 20 in D minor, K. 466: III. Rondo: Allegro assai
Piano Concerto no. 22 / Piano Concerto no. 27 / Adagio & Fugue for String Orchestra, K. 546
Piano Concerto no. 22 in E-flat major, K. 482: I Allegro
Piano Concerto no. 22 in E-flat major, K. 482: II Andante — Allegretto Tranquillo — Andante
Piano Concerto no. 22 in E-flat major, K. 482: III Allegro — Andantino Cantabile — Primo Tempo
Piano Concerto no. 27 in B-flat major, K. 595: I Allegro
Piano Concerto no. 27 in B-flat major, K. 595: I. Allegro
Piano Concerto no. 27 in B-flat major, K. 595: II Larghetto
Piano Concerto no. 27 in B-flat major, K. 595: II. Larghetto
Piano Concerto no. 27 in B-flat major, K. 595: III Allegro
Piano Concerto no. 27 in B-flat major, K. 595: III. Allegro
Piano Concerto, op. 13: I. Toccata
Piano Concerto, op. 13: II. Waltz
Piano Concerto, op. 13: III. Impromptu
Piano Concerto, op. 13: IV. March
Piano Concertos
Piano Works for the Left Hand
Pictures at an Exhibition (Orch.:M. Ravel) / The Young Person's Guide to the Orchestra
Pierino e il lupo / Guida del giovane all'orchestra
Pigmy Marmoset Ⅱ
Planets / Simple Symphony, The
Playful Pizzicato (from Simple Symphony)
Poulenc: Le Bestiaire / Tel jour, telle nuit / 9 mélodies / Britten: Michelangelo Songs / John Donne Sonnets
Präsent - Musik für Kinder
Prelude and Fugue for 18-part String Orchestra, op. 29
Prince of the Pagodas / The Miraculous Mandarin, The
Prince of the Pagodas op. 57: Act 1. Belle Epine, The
Prince of the Pagodas op. 57: Act 1. Belle Rose, The
Prince of the Pagodas op. 57: Act 1. Gavotte, The
Prince of the Pagodas op. 57: Act 1. Prelude, The
Prince of the Pagodas op. 57: Act 1. Rage of the Kings, The
Prince of the Pagodas op. 57: Act 1. The Emperor, The
Prince of the Pagodas op. 57: Act 1. The Fool and the Dwarf, The
Prince of the Pagodas op. 57: Act 1. The Four Frogs, The
Prince of the Pagodas op. 57: Act 1. The Four Kings, The
Prince of the Pagodas op. 57: Act 1. The King of the East, The
Prince of the Pagodas op. 57: Act 1. The King of the North, The
Prince of the Pagodas op. 57: Act 1. The King of the South, The
Prince of the Pagodas op. 57: Act 1. The King of the West, The
Prince of the Pagodas op. 57: Act 1. The Kings and Belle Rose, The
Prince of the Pagodas op. 57: Act 1. Triumph of Belle Epine, The
Prince of the Pagodas op. 57: Act 2, Scene 1. Air, The
Prince of the Pagodas op. 57: Act 2, Scene 1. Fire, The
Prince of the Pagodas op. 57: Act 2, Scene 1. Water, The
Prince of the Pagodas op. 57: Act 2, Scene 2. Belle Rose in Pagoda‐Land, The
Prince of the Pagodas op. 57: Act 2, Scene 2. The Pagodas, The
Prince of the Pagodas op. 57: Act 2, Scene 2. The Prince and Belle Rose, The
Prince of the Pagodas op. 57: Act 2, Scene 2. The Salamander, The
Prince of the Pagodas op. 57: Act 3, Scene 1. Belle Epine as Empress, The
Prince of the Pagodas op. 57: Act 3, Scene 1. Belle Rose and the Salamander, The
Prince of the Pagodas op. 57: Act 3, Scene 1. The Old Emperor, The
Prince of the Pagodas op. 57: Act 3, Scene 1. Transition, The
Prince of the Pagodas op. 57: Act 3, Scene 2. Finale, The
Prince of the Pagodas op. 57: Act 3, Scene 2. Pas de deux, The
Prince of the Pagodas op. 57: Act 3, Scene 2. Pas de six, The
Prince of the Pagodas op. 57: Act 3, Scene 2. Pas de trois, The
Prince of the Pagodas op. 57: Act 3, Scene 2. The Pagoda Palace, The
Prince of the Pagodas op. 57: Act 3, Scene 2. Variation 1, The
Prince of the Pagodas op. 57: Act 3, Scene 2. Variation 2, The
Prince of the Pagodas op. 57: Act 3, Scene 2. Variation 3, The
Prince of the Pagodas op. 57: Act 3, Scene 2. Variation 4, The
Prince of the Pagodas op. 57: Act 3, Scene 2. Variation 5, The
Prince of the Pagodas, op. 57: Act 1. Belle Epine, The
Prince of the Pagodas, op. 57: Act 1. Belle Rose, The
Prince of the Pagodas, op. 57: Act 1. Gavotte, The
Prince of the Pagodas, op. 57: Act 1. Prelude, The
Prince of the Pagodas, op. 57: Act 1. Rage of the Kings, The
Prince of the Pagodas, op. 57: Act 1. The Emperor – March, The
Prince of the Pagodas, op. 57: Act 1. The Fool and the Dwarf, The
Prince of the Pagodas, op. 57: Act 1. The Four Frogs, The
Prince of the Pagodas, op. 57: Act 1. The Four Kings, The
Prince of the Pagodas, op. 57: Act 1. The King of the East, The
Prince of the Pagodas, op. 57: Act 1. The King of the North, The
Prince of the Pagodas, op. 57: Act 1. The King of the South, The
Prince of the Pagodas, op. 57: Act 1. The King of the West, The
Prince of the Pagodas, op. 57: Act 1. The Kings and Belle Rose, The
Prince of the Pagodas, op. 57: Act 1. Triumph of Belle Epine, The
Prince of the Pagodas, op. 57: Act 2, Scene 1. Air, The
Prince of the Pagodas, op. 57: Act 2, Scene 1. Fire, The
Prince of the Pagodas, op. 57: Act 2, Scene 1. Water, The
Prince of the Pagodas, op. 57: Act 2, Scene 2. Belle Rose in Pagoda-Land, The
Prince of the Pagodas, op. 57: Act 2, Scene 2. The Pagodas, The
Prince of the Pagodas, op. 57: Act 2, Scene 2. The Prince and Belle Rose, The
Prince of the Pagodas, op. 57: Act 2, Scene 2. The Salamander, The
Prince of the Pagodas, op. 57: Act 3, Scene 1. Belle Epine as Empress, The
Prince of the Pagodas, op. 57: Act 3, Scene 1. Belle Rose and the Salamander, The
Prince of the Pagodas, op. 57: Act 3, Scene 1. The Old Emperor, The
Prince of the Pagodas, op. 57: Act 3, Scene 1. Transition, The
Prince of the Pagodas, op. 57: Act 3, Scene 2. Finale and Apotheosis, The
Prince of the Pagodas, op. 57: Act 3, Scene 2. Pas de deux, The
Prince of the Pagodas, op. 57: Act 3, Scene 2. Pas de six, The
Prince of the Pagodas, op. 57: Act 3, Scene 2. Pas de trois, The
Prince of the Pagodas, op. 57: Act 3, Scene 2. The Pagoda Palace, The
Prince of the Pagodas, op. 57: Act 3, Scene 2. Variation 1, The
Prince of the Pagodas, op. 57: Act 3, Scene 2. Variation 2, The
Prince of the Pagodas, op. 57: Act 3, Scene 2. Variation 3, The
Prince of the Pagodas, op. 57: Act 3, Scene 2. Variation 4, The
Prince of the Pagodas, op. 57: Act 3, Scene 2. Variation 5, The
Prodigal Son: Ah - You People (Tempter), The
Prodigal Son: Father, May I Speak To You? (Younger Son), The
Prodigal Son: Forgive My Asking You (Tempter), The
Prodigal Son: Go, If You Must Go (Servants), The
Prodigal Son: I Am Father To You All (Father), The
Prodigal Son: Jam Lucis Orto Sidero (All Voices), The
Prodigal Son: My Children, You Have Seen (Abbot), The
Prodigal Son: My Son (Father), The
Prodigal Son: Nights Are Days (Parasites), The
Prodigal Son: Now - I Have Done What I Said (Tempter), The
Prodigal Son: O Sing Unto The Lord (Servants), The
Prodigal Son: Take Your Due Portion (Father), The
Prodigal Son: The Ceremony, The
Prodigal Son: Welcome, Welcome, Stranger! (Parasites), The
Prodigal Son: With Joy I Sowed (Younger Son), The
Prodigal Son: You Are Tired From A Long Journey (Tempter), The
Prodigal Son: You Have Gambled And Lost (Tempter), The
Prokofiev: Classical Symphony / Bizet: Symphony in C / Britten: Simple Symphony
Prokofiev: Peter and the Wolf / Britten: The Young Person's Guide to the Orchestra
Prokofiev: Peter and the Wolf / Britten: Young Person's Guide to the Orchestra / Ravel: Mother Goose
Prokofiev: Peter and the Wolf / Rawsthorne: Practical Cats / Britten: The Young Person's Guide to the Orchestra
Prokofiev: Peter and the Wolf / Saint-Saëns: Carnival of the Animals / Britten: Young Person's Guide to the Orchestra
Prokofiev: Peter en de Wolf / Saint-Saëns: Het Carnaval der dieren / Britten: Jonge mensen voor het Concertpodium
Prokofiev: Peter und der Wolf, Symphonie classique / Britten: Young Person's Guide to the Orchestra
Proyecto Escala 1º ESO CDA
Purcell Realizations
Quintet for Piano and Wind Instruments in E-flat major, op. 16: I. Grave - Allegro, ma non troppo
Quintet for Piano and Wind Instruments in E-flat major, op. 16: II. Andante cantabile
Quintet for Piano and Wind Instruments in E-flat major, op. 16: III. Rondo. Allegro, ma non troppo
Radio Clásica 50 aniversario: La música de una historia
Radio Classique : les enfants, Volume 2
Rape of Lucretia / Phaedra, The
Rape of Lucretia, The
Rattle Conducts Britten
Ravel / Shostakovich / Janáček / Smetana / Britten
Rejoice in the Lamb / Hymn to St Cecilia / Missa Brevis
Rejoice in the Lamb: For H is a spirit
Rejoice in the Lamb: For I am under the same accusation
Rejoice in the Lamb: For I will consider my Cat Jeoffrey
Rejoice in the Lamb: For the flowers are great blessings
Rejoice in the Lamb: For the Mouse is a creature of great personal valour
Rejoice in the Lamb: Rejoice in God, O ye Tongues
Relax: Classic FM
Requiem in D minor, K626: I. Introitus: Requiem aeternam (Chorus, Soprano I)
Requiem in D minor, K626: II. Kyrie (Chorus)
Requiem in D minor, K626: III. Sequentia: Confutatis (Chorus)
Requiem in D minor, K626: III. Sequentia: Dies irae (Chorus)
Requiem in D minor, K626: III. Sequentia: Lucrimosa (Chorus)
Requiem in D minor, K626: III. Sequentia: Recordare (Soprano, I/II, Tenor, Bass)
Requiem in D minor, K626: III. Sequentia: Rex tremendae (Chorus)
Requiem in D minor, K626: III. Sequentia: Tuba mirum (Soprano I/II, Tenor, Bass)
Requiem in D minor, K626: IV. Offertorium: Domine Jesu (Soprano I/II, Tenor, Bass)
Requiem in D minor, K626: IV. Offertorium: Hostias (Chorus)
Requiem in D minor, K626: V. Sanctus (Chorus)
Requiem in D minor, K626: VI. Benedictus (Soprano I/II, Tenor, bass, Chorus)
Requiem in D minor, K626: VII. Agnus Dei (Chorus)
Requiem in D minor, K626: VIII. Communio: Lux aeterna (Soprano I, Chorus)
Respighi: La Boutique fantasque / Britten: Soirées musicales / Matinées musicales
Ringing Clear: The Art of Handbell Ringing
Robert Shaw Christmas: Angels on High, A
Roots of Gamelan: Bali, 1928, The
Royal Edition, Volume 24: Variations & Fugue on a Theme of Purcell / Four Sea Interludes from Peter Grimes / Suite on English Folk Tunes, The
Royal Mezzo
Sacred and Profane
Sacred and Profane / A.M.D.G. / Five Flower Songs / Old French Carol / Choral Dances from Gloriana
Sacred Choral Music, The
Sail on, sail on
Saint Nicolas / Hymn to Saint Cecilia
Saint Nicolas, Hymn to St Cecilia, Rejoice in the Lamb
Saint Nicolas: He journeys to Palestine
Saint Nicolas: His Piety and Marvellous Works
Saint Nicolas: Introduction
Saint Nicolas: Nicolas and the Pickled Boys
Saint Nicolas: Nicolas comes to Myra and is chosen Bishop
Saint Nicolas: Nicolas devotes himself to God
Saint Nicolas: Nicolas from Prison
Saint Nicolas: The birth of Nicolas
Saint Nicolas: The Death of Nicolas
Salley Gardens, The
Salute to Percy Grainger
Sample Surround
Satie: Gymnopédies nos. 1 & 3 / Britten: Sinfonia da Requiem / Dvořák: Symphony no. 7
schöne Müllerin, D. 795: Am Feierabend, Die
schöne Müllerin, D. 795: Danksagung an den Bach, Die
schöne Müllerin, D. 795: Das Wandern, Die
schöne Müllerin, D. 795: Der Jäger, Die
schöne Müllerin, D. 795: Der Müller und der Bach, Die
schöne Müllerin, D. 795: Der Neugierige, Die
schöne Müllerin, D. 795: Des Baches Wiegenlied, Die
schöne Müllerin, D. 795: Des Müllers Blumen, Die
schöne Müllerin, D. 795: Die böse Farbe, Die
schöne Müllerin, D. 795: Die liebe Farbe, Die
schöne Müllerin, D. 795: Eifersucht und Stolz, Die
schöne Müllerin, D. 795: Halt!, Die
schöne Müllerin, D. 795: Mein!, Die
schöne Müllerin, D. 795: Mit dem grünen Lautenbande, Die
schöne Müllerin, D. 795: Morgengruß, Die
schöne Müllerin, D. 795: Pause, Die
schöne Müllerin, D. 795: Tränenregen, Die
schöne Müllerin, D. 795: Trockne Blumen, Die
schöne Müllerin, D. 795: Ungeduld, Die
schöne Müllerin, D. 795: Wohin?, Die
Schubert: Arpeggione Sonata / Schumann: Fünf Stücke im Volkston / Debussy: Cello Sonata
Schubert: Sonata for Arpeggione and Piano / Bridge: Sonata for Cello and Piano
Schumann: Cello Concerto / Dvořák: Cello Concerto
Schumann: Papillons; Introduction & Allegro appassionato; Schubert: Piano Sonata in B flat major, D. 960
Selection of Classic Recordings of the ROH Productions from the 2000/2001 Season, A
Serenade / Les Illuminations / Nocturne
Serenade / Violin Concerto / Concerto for Double Strings
Serenade for Tenor, Horn & Strings / Our Hunting Fathers / Folksongs
Serenade for Tenor, Horn & Strings / Simple Symphony / Sea Interludes
Serenade for Tenor, Horn & Strings, op. 31: Dirge “This ae nighte”
Serenade for tenor, horn & strings, op. 31: Dirge: This Ae Night
Serenade for Tenor, Horn & Strings, op. 31: Elegy “O Rose, thou art sick”
Serenade for tenor, horn & strings, op. 31: Elegy: O Rose, Thou Art Sick
Serenade for Tenor, Horn & Strings, op. 31: Hymn “Queen and huntress, chaste and fair”
Serenade for tenor, horn & strings, op. 31: Hymn: Queen and Huntress Chaste and Fair
Serenade for Tenor, Horn & Strings, op. 31: Nocturne “The splendour falls on castle walls”
Serenade for tenor, horn & strings, op. 31: Nocturne: The Splendour Falls on Castle Walls
Serenade for Tenor, Horn & Strings, op. 31: Pastoral “The day’s grown old”
Serenade for tenor, horn & strings, op. 31: Pastoral: The Day's Grown Old
Serenade for Tenor, Horn & Strings, op. 31: Sonnet “O soft embalmer of the still midnight”
Serenade for tenor, horn & strings, op. 31: Sonnet: O Soft Embalmer of the Still Midnight
Serenade for Tenor, Horn and Strings / Les Illuminations / Nocturne
Serenade for Tenor, Horn and Strings / Nocturne / Phaedra
Serenade for Tenor, Horn, & Strings, Op. 31: I. Prologue
Serenade for Tenor, Horn, & Strings, Op. 31: II. Pastoral
Serenade for Tenor, Horn, & Strings, Op. 31: III. Nocturne
Serenade for Tenor, Horn, & Strings, Op. 31: IV. Elegy
Serenade for Tenor, Horn, & Strings, Op. 31: V. Dirge
Serenade for Tenor, Horn, & Strings, Op. 31: VI. Hymn
Serenade for Tenor, Horn, & Strings, Op. 31: VII. Sonnet
Serenade for Tenor, Horn, & Strings, Op. 31: VIII. Epilogue
Serenade for Tenor, Horn, and Strings / Les Illuminations / Nocturne
Serenade for Tenor, Horn, and Strings Op. 31: II. Pastoral (Cotton)
Serenade for Tenor, Horn, and Strings Op. 31: III. Nocturne (Tennyson)
Serenade for Tenor, Horn, and Strings Op. 31: IV. Elegy (Blake)
Serenade for Tenor, Horn, and Strings Op. 31: V. Dirge (Anon.)
Serenade for Tenor, Horn, and Strings Op. 31: VI. Hymn (Jonson)
Serenade for Tenor, Horn, and Strings Op. 31: VII. Sonnet (Keats)
Serenade No. 6 in D major, K. 239 "Serenata notturna": I. Marcia. Maestoso
Serenade No. 6 in D major, K. 239 "Serenata notturna": II. Menuetto e Trio
Serenade No. 6 in D major, K. 239 "Serenata notturna": III. Rondo. Allegretto
Serge Prokofiev: Peter and the Wolf / Benjamin Britten: The Young Person’s Guide to the Orchestra
Serge Prokofiev: Peter and the Wolf / Benjamin Britten: Young Person’s Guide to the Orchestra
Seven Sonnets of Michelangelo, op. 22: 1. Sì come nella penna
Seven Sonnets of Michelangelo, op. 22: 2. A che più debb'io mai
Seven Sonnets of Michelangelo, op. 22: 3. Veggio co' bei vostri occhi
Seven Sonnets of Michelangelo, op. 22: 4. Tu sa' ch'io so
Seven Sonnets of Michelangelo, op. 22: 5. Rendete a gli occhi miei
Seven Sonnets of Michelangelo, op. 22: 6. S'un casto amor
Seven Sonnets of Michelangelo, op. 22: 7. Spirto ben nato
Seven Sonnets of Michelangelo, op. 22: Sonetto LV
Seven Sonnets of Michelangelo, op. 22: Sonetto XVI
Seven Sonnets of Michelangelo, op. 22: Sonetto XXIV
Seven Sonnets of Michelangelo, op. 22: Sonetto XXX
Seven Sonnets of Michelangelo, op. 22: Sonetto XXXI
Seven Sonnets of Michelangelo, op. 22: Sonetto XXXII
Seven Sonnets of Michelangelo, op. 22: Sonetto XXXVIII
Seven Sonnets of Michelangelo: Sonnet LV
Seven Sonnets of Michelangelo: Sonnet XVI
Seven Sonnets of Michelangelo: Sonnet XXIV
Seven Sonnets of Michelangelo: Sonnet XXX
Seven Sonnets of Michelangelo: Sonnet XXXI
Seven Sonnets of Michelangelo: Sonnet XXXII
Seven Sonnets of Michelangelo: Sonnet XXXVIII
Shepherd's Hey
Shostakovich Quartet No. 3 in F Major, Op. 73 / Britten Quartet No. 2 in C Major, Op. 36
Shostakovich: Cello Concerto no. 1 / Britten: Cello Symphony
Shostakovich: Concerto for Piano, Trumpet and Strings / Britten: Piano Concerto / Enesco: Légende
Shostakovich: Symphonies 4 & 5 / Britten: Sinfonia da Requiem / Four Sea Interludes / Passacaglia (Peter Grimes)
Shostakovich: Symphony no. 10 / Britten: Sinfonia da Requiem
Shostakovich: Symphony No. 4 / Britten: Four Sea Interludes from "Peter Grimes"
Shostakovich: Symphony no. 4 / Britten: Russian Funeral
Shropshire Lad: Is my team ploughing?, A
si, de la, De
Simon Rattle: Britten
Simple Symphony / Klavierkonzert / The Young Person's Guide to the Orchestra
Simple Symphony / Temporal Variations / Suite on English Folk Tunes
Simple Symphony, op. 4 / Prelude & Fugue for Eighteen Strings, op. 29 / Violin Concerto, op. 15
Simple Symphony, Op. 4: I. Boisterous Bourée
Simple Symphony, op. 4: I. Boisterous Bourrée
Simple Symphony, Op. 4: II. Playful Pizzicato
Simple Symphony, op. 4: III. Sentimental Saraband
Simple Symphony, Op. 4: III. Sentimental Sarabande
Simple Symphony, Op. 4: IV. Frolicsome Finale
Simple Symphony: I. Boisterous Bourree
Simple Symphony: II. Playful Pizzicato
Simple Symphony: III. Sentimental Saraband
Simple Symphony: IV. Frolicsome Finale
Sinfonia da Requiem / 4 Sea interludes / Young Person's Guide to the Orchestra
Sinfonia da Requiem / Gloriana Suite / Sea Interludes
Sinfonia da Requiem op. 20: I. Lacrymosa. Andante ben misurato / II. Dies irae. Allegro con fuoco / III. Requiem aeternam. Andante molto tranquillo
Sinfonia da Requiem, op. 20: 1. Lacrymosa
Sinfonia da Requiem, op. 20: 2. Dies irae
Sinfonia da Requiem, op. 20: 3. Requiem aeternam
Sinfonia da Requiem, op. 20: Dies Irae
Sinfonia da Requiem, op. 20: I. Lacrymosa
Sinfonia da Requiem, op. 20: II. Dies irae
Sinfonia da Requiem, op. 20: III. Requiem aeternam
Sinfonia da Requiem, op. 20: Lacrymosa
Sinfonia da Requiem, op. 20: Requiem aeternam
Sinfonietta, op. 1 / Serenade, op. 31 / Now Sleeps the Crimson Petal / Nocturne, op. 60
So perverse
Solfege and Ensemble 4
Solo Cello Suites
Sonata for Arpeggione and Piano, D. 821: I. Allegro moderato
Sonata for Arpeggione and Piano, D. 821: II. Adagio
Sonata for Arpeggione and Piano, D. 821: III. Allegretto
Sonata for Cello & Piano
Sonata for cello and piano: I. Allegro ben moderato
Sonata for Cello and Piano: I. Dialogo
Sonata for Cello and Piano: I. Prologue
Sonata for cello and piano: II. Allegro ma non troppo - Molto allegro e agitato
Sonata for Cello and Piano: II. Scherzo-pizzicato
Sonata for Cello and Piano: II. Serenade
Sonata for Cello and Piano: III. Elegia
Sonata for Cello and Piano: III. Finale
Sonata for Cello and Piano: IV. Marcia
Sonata for Cello and Piano: V. Moto perpetuo
Sonata for Piano duet in C, K.521: 1. Allegro
Sonata for Piano duet in C, K.521: 2. Andante
Sonata for Piano duet in C, K.521: 3. Allegretto
Sonata for Two Pianos in D major, K. 448 (375a): I. Allegro con spirito
Sonata for Two Pianos in D major, K. 448 (375a): II. Andante
Sonata for Two Pianos in D major, K. 448 (375a): III. Molto allegro
Sonata in C major for cello and piano, Op.65
Sonata in D Major for 2 Pianos, K.448: 1. Allegro con spirito
Sonata in D Major for 2 Pianos, K.448: 2. Andante
Sonata in D Major for 2 Pianos, K.448: 3. Allegro molto
Sonatas for Cello and Piano
Songs & Proverbs of William Blake, op. 74: Prisons are built…The Chimney Sweeper
Songs & Proverbs of William Blake, op. 74: The Bird anest…A Poison Tree
Songs & Proverbs of William Blake, op. 74: The hours of folly…Ah, Sun Flower
Songs & Proverbs of William Blake, op. 74: The Pride of the Peacock…London
Songs & Proverbs of William Blake, op. 74: The Tygers of wrath…The Fly
Songs & Proverbs of William Blake, op. 74: Think in the morning…The Tyger
Songs & Proverbs of William Blake, op. 74: To see a world…Every night and every morn
Songs and Proverbs of William Blake, Op. 74: Prisons are built... The Chimney sweeper
Songs and Proverbs of William Blake, Op. 74: The bird a nest... A poison tree
Songs and Proverbs of William Blake, Op. 74: The hours of folly... Ah, Sun-flower
Songs and Proverbs of William Blake, Op. 74: The pride of the peacock...London
Songs and Proverbs of William Blake, Op. 74: The tygers of wrath... TheFly
Songs and Proverbs of William Blake, Op. 74: Think in the morning... The Tyger
Songs and Proverbs of William Blake, Op. 74: To see a World... Every night & every morn
Songs for Ariel: Come unto these yellow sands
Songs for Ariel: Full fathom five
Songs for Ariel: Where the bee sucks
Songs From "Friday Afternoons", op. 7: A New Year carol
Songs From "Friday Afternoons", op. 7: A tragic story
Songs From "Friday Afternoons", op. 7: Begone, dull care
Songs From "Friday Afternoons", op. 7: Cuckoo!
Songs From "Friday Afternoons", op. 7: Fishing song
Songs From "Friday Afternoons", op. 7: I mun be married on Sunday
Songs From "Friday Afternoons", op. 7: Jazz-man
Songs From "Friday Afternoons", op. 7: Old Abram Brown
Songs From "Friday Afternoons", op. 7: The useful plough
Songs From "Friday Afternoons", op. 7: There was a man of Newington
Songs From "Friday Afternoons", op. 7: There was a monkey
Sony Collection - Per I Bambini
Spring Symphony / Four Sea Interludes
Spring Symphony / Four Sea Interludes / The Young Person's Guide to the Orchestra
Spring Symphony / Hymn to St. Cecilia / Five Flower Songs
Spring Symphony • Welcome Ode • Psalm 150
Spring Symphony, Op. 44: Part 1. Introduction: Shine Out – The Merry Cuckoo – Spring the Sweet Spring – The Driving Boy – The Morning Star
Spring Symphony, Op. 44: Part 2. Welcome Maids of Honour – Waters Above – Out on the Lawn I Lie in Bed
Spring Symphony, Op. 44: Part 3. When Will My May Come – Pair and Fair – Sound the Flute
Spring Symphony, Op. 44: Part 4. Finale: London, To Thee I Do Present
St. John Passion
St. John Passion, BWV 245: Part I, I. Chorus "Sire, Lord and Master"
St. John Passion, BWV 245: Part I, II. Recitative "Jesus went with His disciples" (Evangelist, Jesus)
St. John Passion, BWV 245: Part I, III. Chorus "O generous love!"
St. John Passion, BWV 245: Part I, IV. Recitative "So that the word might be fulfilled" (Evangelist, Jesus)
St. John Passion, BWV 245: Part I, IX. Aria (Soprano) "I'll follow Thee also"
St. John Passion, BWV 245: Part I, V. Chorus "Thy will be done, o God of love!"
St. John Passion, BWV 245: Part I, VI. Recitative "The band then, together with the captain" (Evangelist)
St. John Passion, BWV 245: Part I, VII. Aria (Contralto) "To release me from this prison"
St. John Passion, BWV 245: Part I, VIII. Recitative "Simon Peter also followed" (Evangelist)
St. John Passion, BWV 245: Part I, X. Recitative "Now that same disciple" (Evangelist, Mary, Peter, Jesus, Servent)
St. John Passion, BWV 245: Part I, XI. Chorus "Ah, who would dare to smite Thee?" (Evangelist)
St. John Passion, BWV 245: Part I, XII. Recitative "Now Annas sent Him bound"
St. John Passion, BWV 245: Part I, XIII. Aria (Tenor) "Ah! take flight away from human sight"
St. John Passion, BWV 245: Part I, XIV. Chorus "Peter, who denied his Lord"
St. John Passion, BWV 245: Part II, XIX. Arioso (Bass) "Look yonder, o my soul"
St. John Passion, BWV 245: Part II, XL. Lord Jesus, when we come to die (chorale)
St. John Passion, BWV 245: Part II, XV. Chorus "Christ, Who gave us life and light"
St. John Passion, BWV 245: Part II, XVI. Recitative "Then led they Jesus" (Evangelist, Jesus)
St. John Passion, BWV 245: Part II, XVII. Chorus "Ah, King of Heaven"
St. John Passion, BWV 245: Part II, XVIII. Recitative "And Pilate said unto Him" (Evangelist, Pilate, Jesus)
St. John Passion, BWV 245: Part II, XX. Aria (Tenor) "Consider, how His body"
St. John Passion, BWV 245: Part II, XXI. And when the soldiers (recitative) et. al.
St. John Passion, BWV 245: Part II, XXII. Thy bonds, o Christ, have set us free (chorale)
St. John Passion, BWV 245: Part II, XXIII. But the Jews cried out and said (recitative) et. al.
St. John Passion, BWV 245: Part II, XXIV. Haste, ye souls (bass aria with chorus)
St. John Passion, BWV 245: Part II, XXIX. And from that hour (recitative)
St. John Passion, BWV 245: Part II, XXV. And there crucified they Him (recitative) et. al.
St. John Passion, BWV 245: Part II, XXVI. Within my heart, o Savior (chorale)
St. John Passion, BWV 245: Part II, XXVII. And then did the soldiers (recitative) et. al.
St. John Passion, BWV 245: Part II, XXVIII. When His life had reached its end (chorale)
St. John Passion, BWV 245: Part II, XXX. The end is nigh! (contralto aria) et. al.
St. John Passion, BWV 245: Part II, XXXII. My dearest Savior (bass aria with chorale)
St. John Passion, BWV 245: Part II, XXXIII. And then, behold (recitative)
St. John Passion, BWV 245: Part II, XXXIV. My heart, behold how all the world (tenor arioso)
St. John Passion, BWV 245: Part II, XXXIX. Farewell, o broken, weary body (chorus)
St. John Passion, BWV 245: Part II, XXXV. With torrents of weeping (soprano aria)
St. John Passion, BWV 245: Part II, XXXVI. The Jews, therefore (recitative)
St. John Passion, BWV 245: Part II, XXXVII. Help us, Son of God most high (chorale)
St. John Passion, BWV 245: Part II, XXXVIII. And after this, Joseph of Arimathea (recitative)
St. Nicolas / Christ’s Nativity
Strauss: Hornkonzerte No. 1 & 2 / Britten: Serenade, Op. 31
Stravinsky-Prokofiev-Britten
String Quartet in F / Simple Symphony / Rhapsody / Phantasy / Quartettino
String Quartet no. 2 / 3 Divertimenti / Miniature Suite / String Quartet in D
String Quartets
String Quartets / Simple Symphony
String Quartets / Three Divertimenti
String Quartets 2 & 3 / Sinfonietta
String Quartets nos 1, 2 & 3
String Quartets nos. 1 & 3 / Alla Marcia
String Quartets nos. 1 & 3 / Three Divertimenti / Alla marcia
String Quartets nos. 2 and 3 / Three Divertimenti
String Quartets Vol. 2: Quartet No. 3 / Simple Symphony
String Quartets, Vol. 2: Quartet No. 3 / A Simple Symphony
String Quartets, Volume 1
Suite on English Folk Tunes 'A time there was...', Op. 90, I: Cakes and Ale
Suite on English Folk Tunes 'A time there was...', Op. 90, II: Bitter Withy
Suite on English Folk Tunes 'A time there was...', Op. 90, III: Hankin Booby
Suite on English Folk Tunes 'A time there was...', Op. 90, IV: Hunt the Squirrel
Suite on English Folk Tunes 'A time there was...', Op. 90, V: Lord Melbourne
Suites for Solo Cello
Suites pour violoncelle seul
Suk: Asrael / Britten: Sinfonia da Requiem
Surround Brass
Süßer Trost, mein Jesus kommt, Cantata BWV 151: I. Aria: Süßer Trost, mein Jesu kommt
Süßer Trost, mein Jesus kommt, Cantata BWV 151: II. Recitativo: Erfreue dich, mein Herz
Süßer Trost, mein Jesus kommt, Cantata BWV 151: III. Aria: in Jesu Demut kann ich Trost
Süßer Trost, mein Jesus kommt, Cantata BWV 151: IV. Recitativo: Du teurer Gottessohn, nun hast du mir den Himmel aufgemacht
Süßer Trost, mein Jesus kommt, Cantata BWV 151: V. Choral: Heut' schleusst er wieder auf die Tür
Sweeter Than Roses
Symphonic Suite Gloriana / Prelude and Dances from the Prince of the Pagodas
Symphony ... Hark! hark! the echoing air (The Fairy Queen)
Symphony (The Fairy Queen)
Symphony for Cello & Orchestra, Op. 68: I. Allegro maestoso)
Symphony for Cello & Orchestra, Op. 68: II. Presto inquieto
Symphony for Cello & Orchestra, Op. 68: III. Adagio - Cadenza
Symphony for Cello & Orchestra, Op. 68: IV. Passacaglia: Andante allegro
Symphony for Cello and Orchestra, op. 68: Adagio
Symphony for Cello and Orchestra, op. 68: Allegro maestoso
Symphony for Cello and Orchestra, op. 68: Passacaglia
Symphony for Cello and Orchestra, op. 68: Presto inquieto
Symphony No. 25 in G minor, K. 183 "Little G Minor": I. Allegro con brio
Symphony No. 25 in G minor, K. 183 "Little G Minor": II. Andante
Symphony No. 25 in G minor, K. 183 "Little G Minor": III. Menuetto e Trio
Symphony No. 25 in G minor, K. 183 "Little G Minor": IV. Allegro
Symphony No. 25, K. 183 / Serenata notturna, K. 239 / Symphony No. 29, K. 201 / Symphony No. 40, K. 550 / Symphony No. 38, K. 504
Symphony No. 29 in A major, K. 201: I. Allegro moderato
Symphony No. 29 in A major, K. 201: II. Andante
Symphony No. 29 in A major, K. 201: III. Menuetto e Trio
Symphony No. 29 in A major, K. 201: IV. Allegro con spirito
Symphony no. 3: Part I. 1. Allegro non troppo (Arrest) - Allegro molto (Movement)
Symphony No. 38 in D major, K. 504 "Prague": I. Adagio - Allegro
Symphony No. 38 in D major, K. 504 "Prague": II. Andante
Symphony No. 38 in D major, K. 504 "Prague": III. Finale. Presto
Symphony No. 40 in G minor, K. 550 "Great": I. Molto allegro
Symphony No. 40 in G minor, K. 550 "Great": II. Andante
Symphony No. 40 in G minor, K. 550 "Great": III. Menuetto. Allegretto
Symphony No. 40 in G minor, K. 550 "Great": IV. Allegro assai
Symphony no. 40 in G minor, K. 550: 1. Molto allegro
Symphony no. 40 in G minor, K. 550: 2. Andante
Symphony no. 40 in G minor, K. 550: 3. Menuetto (Allegretto) - Trio
Symphony no. 40 in G minor, K. 550: 4. Finale (Allegro assai)
Symphony no. 8 in B minor “Unfinished”, D. 759: I. Allegro moderato
Symphony no. 8 in B minor “Unfinished”, D. 759: II. Andante con moto
Szenen aus Goethes Faust
Szenen aus Goethes Faust: Dritte Abteilung. Alles Vergängliche ist nur ein Gleichnis
Szenen aus Goethes Faust: Dritte Abteilung. Dir, der Unberührbaren
Szenen aus Goethes Faust: Dritte Abteilung. Ewiger Wonnebrand
Szenen aus Goethes Faust: Dritte Abteilung. Gerettet ist das edle Glied
Szenen aus Goethes Faust: Dritte Abteilung. Hier ist die Aussicht frei
Szenen aus Goethes Faust: Dritte Abteilung. Waldung, sie schwankt heran
Szenen aus Goethes Faust: Dritte Abteilung. Wie Felsenabgrund mir zu Füßen
Szenen aus Goethes Faust: Erste Abteilung. Ach neige, du Schmerzenreiche
Szenen aus Goethes Faust: Erste Abteilung. Du kanntest mich, O kleiner Engel
Szenen aus Goethes Faust: Erste Abteilung. Wie anders, Gretchen, war dir's
Szenen aus Goethes Faust: Ouvertüre
Szenen aus Goethes Faust: Zweite Abteilung. Des Lebens Pulse schlagen frisch-lebendig
Szenen aus Goethes Faust: Zweite Abteilung. Die ihr dies Haupt umschwebt im luft'gem Kreise
Szenen aus Goethes Faust: Zweite Abteilung. Die Nacht scheint tiefer tief hereinzudringen
Szenen aus Goethes Faust: Zweite Abteilung. Ein Sumpf zieht am Gebirge hin
Szenen aus Goethes Faust: Zweite Abteilung. Herbei! herbei! Herein! herein!
Szenen aus Goethes Faust: Zweite Abteilung. Ich heiße der Mangel
Szenen aus Goethes Faust: Zweite Abteilung. Ihn sättigt keine Lust
Szenen aus Goethes Faust: Zweite Abteilung. Vier sah ich kommen
Tavener: The Protecting Veil / Britten: Cello Suite No 3 / Tavener: Thrinos
Tavener: The Protecting Veil / Britten: Cello Suite No 3, Op 87
There's none to soothe
This England
Three Cello Suites, The
Three Chinese Lyrics: Fishing
Three Chinese Lyrics: Herd Boy's song
Three Chinese Lyrics: Pedlar of spells
Three Suites for Cello
Tiffin Boys' Choir Sings Britten
Tit for Tat: A song of enchantment
Tit for Tat: Autumn
Tit for Tat: Silver
Tit for Tat: Tit for tat
Tit for Tat: Vigil
Top of the Spot Classic 1996
Trellis, The
Trio for Piano, Violin and Violoncello no. 2: I. Allegretto
Trio for Piano, Violin and Violoncello no. 2: II. Molto allegro
Trio for Piano, Violin and Violoncello no. 2: III. Andante molto
Trio for Piano, Violin and Violoncello no. 2: IV. Allegro ma non troppo
Trio for Piano, Violin and Violoncello no. 5 in D major, op. 70 no. 1 “Ghost”: I. Allegro vivace e con brio
Trio for Piano, Violin and Violoncello no. 5 in D major, op. 70 no. 1 “Ghost”: II. Largo assai ed espressivo
Trio for Piano, Violin and Violoncello no. 5 in D major, op. 70 no. 1 “Ghost”: III. Presto
Trio for Piano, Violin and Violoncello no. 5 in G major, K. 564: I. Allegro
Trio for Piano, Violin and Violoncello no. 5 in G major, K. 564: II. Andante. Theme and 6 variations
Trio for Piano, Violin and Violoncello no. 5 in G major, K. 564: III. Allegretto
Turn of the Screw, The
Two Aquarelles: Gaily, but not too quick
Two Songs: The Pretty Maid Milkin’ Her Cow / The Sprig of Thyme
Unaccompanied Choral Music
Unknown Britten
Variations in A-flat Major, D813: Tema: Allegretto
Variations in A-flat major, D813: Variation I
Variations in A-flat major, D813: Variation II
Variations in A-flat major, D813: Variation III: Un poco più lento
Variations in A-flat major, D813: Variation IV: Tempo I
Variations in A-flat major, D813: Variation V
Variations in A-flat major, D813: Variation VI: Maestoso
Variations in A-flat major, D813: Variation VII: Più lento
Variations in A-flat major, D813: Variation VIII: Allegro moderato
Variations on a Theme of Frank Bridge / Matinées musicales, op. 24 / Soirées musicales, op. 9
Variations on a Theme of Frank Bridge / The Young Person's Guide to the Orchestra
Variations on a Theme of Frank Bridge, op. 10 / Simple Symphony, op. 4 / Prelude and Fugue, op. 29
Variations on a theme of Frank Bridge, op. 10: 1I. Fugue & Finale
Variations on a Theme of Frank Bridge, op. 10: Adagio
Variations on a Theme of Frank Bridge, op. 10: Aria Italiana. Allegro brillante
Variations on a Theme of Frank Bridge, op. 10: Bourrée Classique. Allegro e pesante
Variations on a Theme of Frank Bridge, op. 10: Chant. Lento
Variations on a Theme of Frank Bridge, op. 10: Fugue and Finale. Allegro molto vivace – Lento e solenne
Variations on a Theme of Frank Bridge, op. 10: Funeral March. Andante ritmico
Variations on a theme of Frank Bridge, op. 10: I. Introduction & Theme
Variations on a theme of Frank Bridge, op. 10: II. Adagio
Variations on a theme of Frank Bridge, op. 10: III. March
Variations on a Theme of Frank Bridge, op. 10: Introduction and Theme. Lento maestoso – Allegretto poco lento
Variations on a theme of Frank Bridge, op. 10: IV. Romance
Variations on a theme of Frank Bridge, op. 10: IX. Funeral March
Variations on a Theme of Frank Bridge, op. 10: March. Presto alla marcia
Variations on a Theme of Frank Bridge, op. 10: Moto perpetuo. Allegro molto
Variations on a Theme of Frank Bridge, op. 10: Romance. Allegretto grazioso
Variations on a theme of Frank Bridge, op. 10: V. Aria Italiana
Variations on a Theme of Frank Bridge, op. 10: Variation 4: Aria Italiana
Variations on a theme of Frank Bridge, op. 10: VI. Bourrée Classique
Variations on a theme of Frank Bridge, op. 10: VII. Wiener Waltzer
Variations on a theme of Frank Bridge, op. 10: VIII. Moto Perpetuo
Variations on a Theme of Frank Bridge, op. 10: Wierner Walzer. Vivace
Variations on a theme of Frank Bridge, op. 10: X. Chant
Vaughan Williams: Fantasia on a Theme by Thomas Tallis / Britten: Variations on a Theme of Frank Bridge / Elgar: Introduction and Allegro
Verdi: String Quartet in F minor / Britten: String Quartet no. 3, op. 94 / Rabenschlag: “Aida” Paraphrase
Very Best of Janet Baker, The
vie est une parade, La
Violin Concerto / Cello Symphony
Violin Concerto, op. 15: I. Moderato con moto
Violin Concerto, op. 15: II. Vivace
Violin Concerto, op. 15: III. Passacaglia. Andante lento
Violin Concertos
Violin Sonata in A major, D. 574: I. Allegro moderato
Violin Sonata in A major, D. 574: II. Scherzo. Presto
Violin Sonata in A major, D. 574: III. Andantino
Violin Sonata in A major, D. 574: IV. Allegro vivace
Violin Sonata no. 1 in G major: I. Andante
Violin Sonata no. 1 in G major: II. Allegro
Violin Sonata: I. Allegro vivo
Violin Sonata: II. Intermède: Fantasque et léger
Violin Sonata: III. Finale: Très animé
violoncelle du siècle, Le
Virgin Classics Collection, The
War Requiem
War Requiem / Sinfonia da Requiem / Ballad of Heroes
War Requiem / Spring Symphony / Five Flower Songs / Hymn to St. Cecilia
War Requiem, Op. 66
War Requiem, op. 66: Agnus Dei
War Requiem, op. 66: Dies Irae
War Requiem, op. 66: I. Requiem aeternam: "What passing-bells for these who die as cattle?"
War Requiem, op. 66: I. Requiem aeternam: Requiem aeternam
War Requiem, op. 66: I. Requiem aeternam: What passing bells for these who die as cattle?
War Requiem, op. 66: II. Dies irae: "Be slowly lifted up, thou long black arm"
War Requiem, op. 66: II. Dies irae: "Bugles sang, saddening the evening air"
War Requiem, op. 66: II. Dies irae: "Move him into the sun"
War Requiem, op. 66: II. Dies irae: "Out there, we've walked quite friendly up to Death"
War Requiem, op. 66: II. Dies irae: Be slowly lifted up
War Requiem, op. 66: II. Dies irae: Bugles sang, saddening the evening air
War Requiem, op. 66: II. Dies irae: Confutatis
War Requiem, op. 66: II. Dies irae: Dies irae
War Requiem, op. 66: II. Dies irae: Lacrimosa dies illa
War Requiem, op. 66: II. Dies irae: Liber scriptus proferetur
War Requiem, op. 66: II. Dies irae: Move him into the sun
War Requiem, op. 66: II. Dies irae: Out there, we've walked quite friendly up to Death
War Requiem, op. 66: II. Dies irae: Recordare Jesu pie
War Requiem, op. 66: III. Offertorium: "So Abram rose, and clave the wood, and went"
War Requiem, op. 66: III. Offertorium: Domine Jesu Christe
War Requiem, op. 66: III. Offertorium: So Abram rose, and clave the wood
War Requiem, op. 66: IV. Sanctus: "After the blast of lightning from the East"
War Requiem, op. 66: IV. Sanctus: After the blast of lightning from the East
War Requiem, op. 66: IV. Sanctus: Sanctus, sanctus, sanctus
War Requiem, op. 66: Libera me
War Requiem, op. 66: Offertorium
War Requiem, op. 66: Requiem aeternam
War Requiem, op. 66: Sanctus
War Requiem, op. 66: V. Agnus Dei: "One ever hangs where shelled roads part"
War Requiem, op. 66: V. Agnus Dei: One ever hangs where shelled roads part
War Requiem, op. 66: VI. Libera me: "Let us sleep now"
War Requiem, op. 66: VI. Libera me: It seemed that out of battle I escaped
War Requiem, op. 66: VI. Libera me: Let us sleep now / In Paradisum
War Requiem, op. 66: VI. Libera me: Libera me, Domine
Waxman / Mjaskowskij / Schumann / Britten
Weber: Der Freischütz Overture / Schubert: Symphony no. 9 in C / Britten: The Building of the House Overture
When you are old
Who Are These Children? / Winter Words / Four Burns Songs
Who are these Children?, op. 84: I. A Riddle (The Earth)
Who are these Children?, op. 84: II. A Laddie's Sang
Who are these Children?, op. 84: III. Nightmare
Who are these Children?, op. 84: IV. Black Day
Who are these Children?, op. 84: IX. Who are these Children?
Who are these Children?, op. 84: V. Bed-time
Who are these Children?, op. 84: VI. Slaughter
Who are these Children?, op. 84: VII. A Riddle (The Child You Were)
Who are these Children?, op. 84: VIII. The Larky Lad
Who are these Children?, op. 84: X. Supper
Who are these Children?, op. 84: XI. The Children
Who are these Children?, op. 84: XII. The Auld Aik
Willow, Willow
Winter Words, op. 52: At Day-close in November
Winter Words, op. 52: At day‐close in November
Winter Words, op. 52: At the Railway Station
Winter Words, op. 52: At the railway station, Upway
Winter Words, op. 52: Before Life and after
Winter Words, op. 52: Midnight on the Great Western
Winter Words, op. 52: Proud Songsters
Winter Words, op. 52: The Choirmaster's Burial
Winter Words, op. 52: The choirmaster’s burial
Winter Words, op. 52: The little old Table
Winter Words, op. 52: Wagtail and Baby
Winterreise
Winterreise, D. 911: Auf Dem Flusse "Der du so lustig rauschtest"
Winterreise, D. 911: Das Wirtshaus "Auf einen Totenacker"
Winterreise, D. 911: Der Greise Kopf "Der Reif hat einen weissen Schein"
Winterreise, D. 911: Der Leiermann "Druben hinterm Dorfe steht ein Leitermann"
Winterreise, D. 911: Der Lindenbaum "Am Brunnen vor dem Tore"
Winterreise, D. 911: Der Strumische Morgen "Wie hat der Sturm zerrissen"
Winterreise, D. 911: Der Wegweiser "Was vermeid' ich denn die Wege"
Winterreise, D. 911: Die Krahe "Eine Drahe war mit mir"
Winterreise, D. 911: Die Nebensonnen "Drei Sonnen sah ich am Himmel steh'n"
Winterreise, D. 911: Die Post "Von der Strasse her ein Posthorn klingt"
Winterreise, D. 911: Die Wetterfahne "Der Wind spielt mit der Wetterfane"
Winterreise, D. 911: Einsamkeit "Wie eine trube Wolke"
Winterreise, D. 911: Erstarrung "Ich such' im Schnee vergebens"
Winterreise, D. 911: Fruhlingstraum "Ich traumte von bunten Blumen"
Winterreise, D. 911: Gute Nacht "Fremd bin ich eingezogen"
Winterreise, D. 911: Im Dorfe "Es bellen die Hunde, es rasseln die Ketten"
Winterreise, D. 911: Irrlicht "In die tiefsten Felsengrunde"
Winterreise, D. 911: Letzte Hoffnung "Hie und da ist an den Baumen"
Winterreise, D. 911: Mut "Fliegt der Schnee mir in's Cesicht"
Winterreise, D. 911: Nicht zu langsam "Gefror'ne Tropfen fallen"
Winterreise, D. 911: Rast "Mun merk' ich erst, wie mud' ich bin"
Winterreise, D. 911: Ruckblick "Es brennt mir unter beiden Sohlen"
Winterreise, D. 911: Tauschung "Ein Licht tanzt freundlich vor mir her"
Winterreise, D. 911: Wasserflut "Manche Thran' aus meinen Augen"
Winterreise, Nr. 24: "Der Leiermann"
Within a Dream: A Celebration of the Artistry of Richard Hickox
Wonder as I Wander, I
Works for 2 Pianos
Works for Chorus and Orchestra
Works for String Orchestra
Works for Viola & Piano
Yarmouth Fair
Young Person's Gguide to the Orchestra, Op. 34, The
Young Person's Guide to the Orchestra (Final Fugue), The
Young Person's Guide to the Orchestra / Canadian Carnival / An American Overture / Suite on English Folk Tunes / Sinfonia da Requiem, The
Young Person's Guide to the Orchestra / Four Sea Interludes / Men of Goodwill
Young Person's Guide to the Orchestra / Four Sea Interludes, The
Young Person's Guide to the Orchestra / Simple Symphony / Variations on a Theme of Frank Bridge, The
Young Person's Guide to the Orchestra / Suite on English Folk Tunes / Johnson over Jordan / Four Sea Interludes, The
Young Person's Guide to the Orchestra / Variations on a Theme by Frank Bridge / Four Sea Interludes & Passacaglia from Peter Grimes, The
Young Person's Guide to the Orchestra, Op. 34, The
Young Person's Guide to the Orchestra, op.34 (without spoken text): Fugue - Allegro molto, The
Young Person's Guide to the Orchestra, op.34 (without spoken text): Theme - Allegro maestoso e largamente, The
Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation A: Flutes and Piccolo - Presto, The
Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation B: Oboes - Lento, The
Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation C: Clarinets - Moderato, The
Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation D: Bassoons - Allegro alla marcia, The
Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation E: Violins - Brillante - alla polacca, The
Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation F: Violas - Meno mosso, The
Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation G: Cellos, The
Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation H: Double Basses - Cominciando lento ma poco a poco accelerando, The
Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation I: Harp - Maestoso, The
Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation J: Horns - L'istesso tempo, The
Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation K: Trumpets - Vivace, The
Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation L: Trombones and Bass Tuba - Allegro pomposo, The
Young Person's Guide to the Orchestra, op.34 (without spoken text): Variation M: Percussion - Moderato, The
Young Person's Guide to the Orchestra, op.34, without spoken text: Fugue: Allegro molto, The
Young Person's Guide to the Orchestra, op.34, without spoken text: Theme: Allegro maestoso e largamente, The
Young Person's Guide to the Orchestra, op.34, without spoken text: Variation A: Flutes & Piccolo: Presto, The
Young Person's Guide to the Orchestra, op.34, without spoken text: Variation B: Oboes: Lento, The
Young Person's Guide to the Orchestra, op.34, without spoken text: Variation C: Clarinets: Moderato, The
Young Person's Guide to the Orchestra, op.34, without spoken text: Variation D: Bassoons: Allegro alla marcia, The
Young Person's Guide to the Orchestra, op.34, without spoken text: Variation E: Violins: Brillante - alla polacca, The
Young Person's Guide to the Orchestra, op.34, without spoken text: Variation F: Violas: Meno mosso, The
Young Person's Guide to the Orchestra, op.34, without spoken text: Variation G: Cellos, The
Young Person's Guide to the Orchestra, op.34, without spoken text: Variation H: Double Basses: Cominciando lento ma poco a poco accelerando, The
Young Person's Guide to the Orchestra, op.34, without spoken text: Variation I: Harp: Maestoso, The
Young Person's Guide to the Orchestra, op.34, without spoken text: Variation J: Horns: L'istesso tempo, The
Young Person's Guide to the Orchestra, op.34, without spoken text: Variation K: Trumpets: Vivace, The
Young Person's Guide to the Orchestra, op.34, without spoken text: Variation L: Trombones & Bass Tuba: Allegro pomposo, The
Young Person's Guide to the Orchestra, op.34, without spoken text: Variation M: Percussion: Moderato, The
Young Person's Guide to the Orchestra, The
Young Person’s Guide to the Orchestra, op. 34, The
Your Songs of Praise Choice
Notes: 
For 4 sopranos, 1 treble and 2 tenors
Sources: 
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BLSA
BOWKER
CDR
IPDA
NTA
TEL