sort by
approximate search
1shortlisttitle datasearch history  
results search [or] ISN:0000000121419335 | 1 hits
Person
ISNI: 
0000 0001 2141 9335
Name: 
Barbara Hendricks
Barbara Hendricks (African-American operatic soprano and concert singer)
Barbara Hendricks (afroamerykańska wokalistka)
Barbara Hendricks (Amerikaans actrice)
Barbara Hendricks (Schwedische Sopranistin amerikanischer Abstammung)
Barbara Hendricks (soprano statunitense)
Barbara Hendricks (Svensk-amerikansk operasangerinde)
Hendricks, Barbara
Hendriksa, Barbara
Барбара Хендрикс
Хендрикс, Барбара (афроамериканская певица)
باربارا هندریکس
바바라 헨드릭스
バーバラ・ヘンドリックス
Dates: 
1948-
Creation class: 
Computer file
cre
Kit
Language material
Musical sound recording
Projected medium
Creation role: 
contributor
performer
singer
vocalist
Related names: 
Aler, John (1949-)
EMI music France
EMI music international
EMI records Ltd
Karajan, Herbert von (1908-1989)
Marriner, Neville (1924-)
Mozart, Wolfgang Amadeus (1756-1791)
Opéra national de Lyon Orchestre
Prêtre, Georges
Puccini, Giacomo (1858-1924)
Quilico, Gino
Quilico, Gino (1955-)
Tate, Jeffrey (1943-)
Van Dam, José (1940-)
Verdi, Giuseppe
Zinmam, David
Titles: 
5 Poèmes de Baudelaire, L. 70: I. Le balcon
5 Poèmes de Baudelaire, L. 70: II. Harmonie du soir
5 Poèmes de Baudelaire, L. 70: IIIa. Le jet d'eau
5 Poèmes de Baudelaire, L. 70: IV. Recueillement
5 Poèmes de Baudelaire, L. 70: V. La mort des amants
5. Solo (Sopran) und Chor: "Ihr habt nun Traurigkeit" - Jeffrey Tate
Acte I - Mimí, Rodolfo: "Oh! Sventata, sventata !"
Acte I - Mimì, Schaunard, Colline, Marcello, Rodolfo: "Si. Mi chiamano Mimì"
Acte I - Rodolf, Mimì: "O soave fanciulla"
Acte I - Rodolfo: "Che gelida manina"
Acte I - Rodolfo, Mimì: "Non sono in vena"
Acte II - Marcello, Schaunard, Rodolfo, Colline, Musetta, choir: "La Ritirata"
Acte II - Musetta, Alcindoro, Marcello, Mimì, Rodolfo, Colline, Schaunard: "Qual dolore, qual bruciore !"
Acte II - Musetta, Marcello, Alcindoro, Mimì: "Quando me'n vo soletta"
Acte II - Rodolfo, Schaunard, Colline, Musetta, Alcindoro, Mimì: "Marcello un dì l'amo"
Acte III - Marcello, Musetta, Mimì, Rodolfo: "Que facevi ? Que dicevi ?"
Acte III - Mimì, Rodolfo: "Addio"
Acte III - Rodolfo, Marcello, Mimì: "Ebbene, no. Non lo son"
Acte III - Rodolfo, Marcello, Mimì: "Marcello, Finalmente"
Acte III - Rodolfo, Mimì: "Dunque è proprio finita"
Acte IV - Mimì, Rodolfo: "Sono andati"
Acte IV - Musetta, Rodolfe, Marcello, Schaunard, Colline: "Madonna, benedetta"
Acte IV - Schaunard, Mimì, Rodolfo, Musetta, Marcello: "Che avvien"
Adeste fideles
Adieu, notre petite table - Barbara Hendricks
Ain’t That a-Rockin’
Ain't That Good News
Airs sacrés Sacred arias
Alice au pays des merveilles
anges dans nos campagnes, Les
Après un rêve
Ariettes oubliées, L. 63b: I. C'est l'extase langoureuse (Second Version)
Ariettes oubliées, L. 63b: II. Il pleure dans mon coeur (Second Version)
Ariettes oubliées, L. 63b: III. L'ombre des arbres (Second Version)
Ariettes oubliées, L. 63b: IV. Paysages belges. Chevaux de bois (Second Version)
Ariettes oubliées, L. 63b: V. Aquarelles - I. Green (Second Version)
Ariettes oubliées, L. 63b: V. Aquarelles - II. Spleen (Second Version)
Ave Maria, D. 839
Away in a Manger
Bachianas brasileiras
Barabara Hendricks sings Ellington
Barbara Hendricks Sings Christmas Favourites
Battle of Jericho, The
bel di vedremo, Un
Benvenuto Cellini
berceaux
Berceuse de Marie
Bohème : extraits, La
Brown skin Gal in the Calico Gown
Caravan
Carmen
Carmina burana
cent un dalmatiens
Ch'io mi scordi di te
Chants sacres
Che soave zeffiretto from The Marriage of Fiagro
Come Sunday
[Concert program].
Contes d'Hoffmann
could have danced all night, I
Couldn't Hear Nobody Pray, I
Creole Love Call, The
Dans un bois solitaire
Deep River
Depuis le jour où je me suis donnée - Barbara Hendricks
Didn't My Lord Deliver Daniel
Dis-moi que je suis belle [Thaïs] - Barbara Hendricks
Don Carlos
Don't Get Around Much Anymore
Douce nuit
Duke's Place
E Susanna No Vien... Dove Sono
Elle a fui la tourterelle - John Eliot Gardiner
Embraceable You
est né le Divin Enfant, Il
Exsultate, jubilate
Falstaff
Fascinating Rhythm
First Nowell, The
Fix Me, Jesus
Forelle
Gianni Schicchi
Girl Crazy: I Got Rhythm
Giulio Cesare in Egitto: “V’adoro, Pupille”
Give Me Jesus
Gloria
Go tell it on the mountain
Going to Heaven!
Got a Robe, I
Got It Bad, I
Got Rhythm (from "Girl Crazy") - Jeffrey Tate, I
Great Day
Gretchen am Spinnrade
Guillaume Tell
Hänsel und Gretel
He Never Said a Mumberlin' Word
He's Got the Whole World in His Hand
Hear my prayer, O Lord
Hirt auf dem Felsen
How Long Has This Been Going On?
I'm Troubled in Mind
I've Been in the Storm So Long
I've Got a Crush on You
I've Got Plenty O'Nothing (instrumental)
Idomeneo re di creta acte ii - Se il padre perdei - Colin Davis
In A Sentimental Mood
In dulci jubilo
International Medley No.1 / Canção da Nata
International Medley No.1 / Corramos, corramos
International Medley No.1 / Dormi, dormi bambino
International Medley No.1 / Senora Dona Maria
International Medley No.2 / Jeg er sa glad hver julekveld
International Medley No.2 / Komt herders
International Medley No.2 / Nu är det jul igen
International Medley No.2 / Nu tändas tusen juleljus
International Medley No.3 / Bóg si rodzi
International Medley No.3 / Das Lied vom Feuerspan
International Medley No.3 / Ménnybol az angyal
International Medley No.3 / Pudjem spolo Betléma
International Medley No.4 / Bambino divino
International Medley No.4 / Cantemos rapaces
International Medley No.4 / Fum, fum, fum
International Medley No.4 / We wish you a Merry Christmas
invitation au voyage
It Ain't Necessarily So
It Don't Mean A Thing
Jauchzet Gott in allen Landen
Jingle Bells
Jongleur de Notre Dame
Joy to the world
junge Nonne
Lachen und weinen
Lady Be Good: The Man I Love
Let A Song Go Out Of My Heart, I
Liebe hat gelogen
Liebesbotschaft
Lieder verschiedener Völker WoO 158.1 for voice, violin, cello, piano
Likovi moga doba : (70 intrigantnih interviewa)
Lord, I Want to Be a Christian
Louise
Love Walked In
Love You Madly
Loves You, Porgy, I
lustige Witwe
Magnificat
Man I Love (from "Lady, be Good") - Neville Marriner, The
Männer sind mechant
Manon
Maria Wiegenlied
Mary Poppins
Medley: (Our) Love Is Here To Stay (From The Goldwyn Follies)
Mélodies
Messe en ut mineur k 427 grande messe - Credo: Et incarnatus est - Herbert Karajan
Messe solennelle de Sainte Cécile: Sanctus
Messes
Messiah, HWV. 56: “Joy to the World”
Mignon
Minuit, Chrétiens
Mon beau sapin
Mood Indigo
Morgen (3 min 39 s)
Mors et vita.
My God Is So High
My Lord, What a Mornin'
My Man's Gone Now
New moon
Noces de Figaro - Air de la comtesse, Les
noces de figaro kv 492 acte iv - Giunse alfin il momento" - "Deh vieni non tardar - Peter Schreier, Les
Non temer, amato bene
nozze di Figaro
nuits d'été: Villanelle, Les
O du fröhliche
O Tannenbaum
Oedipe
Oh, Lady Be Good
Oh Lawd, I'm on My Way
Oh What a Beautiful City
Oiseaux si tous les ans
Old Time Religion
Oratorio
Orphée et Eurydice
Otello
Overture (Instrumental)
Panis angelicus
Pecheurs de Perles, Les
Peer Gynt excerpts
Pieta Signore
Porgy and Bess
Porgy, I's Your Woman Now
Prelude To A Kiss
Requiem
Ridente la calma
Rigoletto
roi malgré lui, Le
Roméo et Juliette
Rosenkavalier, Der
Schöne Müllerin, D. 795: No. 3. Halt!, Die
Sehnsucht
Serse
Shéhérazade
Si, mi chiamano Mimi: La Boheme
Silent Night
Solitude
Solomon acte iii - May peace in Salem ever dwell" - " Will the sun for- get to streak - John Eliot Gardiner
Somebody Loves Me
Sometimes I Feel Like a Motherless Child
Songs.
Sophisticated Lady
Squeeze Me
Stabat Mater Dolorosa
Ständchen
Steal Away
Stood on the River of Jordan, I
Study War No More
Summertime - Jeffrey Tate
Suor Angelica - Senza Mamma
Sure On This Shining Night
Swedisches Wiegenlied, Woo 158.1: No. 17
Sweet Little Jesus Boy
Swing Low, Sweet Chariot!
Symphonies
Take The "A" Train
Talk About a Child That Do Love Jesus
Te Deum
Thaïs
There Is a Balm in Gilead
There's a Boat That's Leaving Soon From New York (instrumental)
There's a Man Goin' Round
Tosca
Tribute to Duke Ellington
Tribute to George Gershwin: It's Wonderful
Triomphes De Barbara Hendricks, Les
Trois anges sont venus ce soir
Turandot / Act 1 - "Signore, Ascolta!"
Véronique
Versunken
Very best of Barbara Hendricks [Ljudupptagning]
Vesperae de Dominica
Violin concerto Symphony in F Sharp ; Violin sonata [...]
Vocalise-étude en forme de habanera
voix du ciel, La
Wade in the Water
What Am I Here For
When I Lay My Burden Down
When the Saints go marchin'in
Wiegenlied
Winterreise, D. 911: No. 20. Der Wegweiser
Wonder as I Wander, I
Wonderful, 'S
Zauberflöte The magic flute, Die
Contributed to or performed: 
100 Best Carols
20 Irische Lieder, WoO 153: O might I but my Patrick love!, no. 16
25 Schottische Lieder, op. 108: Sally in our Alley, no. 25
4 Refrainlieder D. 866 no. 3: Die Männer sind mechant
40 Most Beautiful Arias
8 Poems of Emily Dickinson: I. Nature, the Gentlest Mother
8 Poems of Emily Dickinson: II. There Came a Wind Like a Bugle
8 Poems of Emily Dickinson: III. The World Feels Dusty
8 Poems of Emily Dickinson: IV. Heart, We Will Forget Him
8 Poems of Emily Dickinson: V. Dear March, Come In!
8 Poems of Emily Dickinson: VI. Sleep Is Supposed to Be
8 Poems of Emily Dickinson: VII. Going to Heaven!
8 Poems of Emily Dickinson: VIII. The Chariot
À la Musique
Abendempfindung, K. 523
Absolute Romance
Adriana Lecouvreur: "Io son l'umile ancella"
Agnus Dei (Litaniae Lauretanae, K. 195)
Agnus Dei (Messe du Couronnement, K. 317)
Ägyptische Helena, Die
Ah, lo previdi!... Ah, t'invola... Deh, non varcar, K. 272
Ah! Lo Previdi (Banque Paribas)
Airs de Concert & d'Opéras
Airs sacrés
Ais Luise die Briefe, K. 520
Al amor
Amazing Grace
American Classics: Foster: Songs / Griffes: The Rose of the Night / Copland: Eight Poems of Emily Dickinson
amour masqué: J'ai deux amants, L'
Anitras Tanz
Après un rêve Op. 7 Nr. 1
Après un rêve, op. 7 N° 1
Aria (Cantilena) From Bachianas Brasileiras No.5
Atto primo: No. 1 Duettino "Cinque... dieci... venti..." - Recitativo "Cosa stai misurando"
Atto primo: No. 2 Duettino "Se a caso Madama la notte ti chiama" - Recitativo "Or bene, ascolta, e taci"
Atto primo: No. 4 Aria "La vendetta, oh, la vendetta" - Recitativo "Tutto ancor no ho perso"
Atto primo: No. 5 Duettino "Via resti servita, madama brillante" - Recitativo "Va là, vecchia pendante" - "Susannetta, sei tu?"
Atto primo: No. 7 Terzetto "Cosa sento! tosto andate" - Recitativo "Basilio, in traccia tosto"
Atto primo: No. 8 Coro "Giovani lieti" - Recitativo "Cos'è questa commedia?" - No. 9 Coro "Giovani lieti" - Recitativo "Evviva!"
Atto quarto: Finale (cont.) "Tutto è tranquillo e placido"
Atto quarto: No. 29 Finale "Pian pianin le andrò più presso"
Atto quarto: Recitativo "Signora, ella mi disse"
Atto secondo: No. 12 Arietta "Voi che sapete" - Recitativo "Bravo! che bella voce!"
Atto secondo: Recitativo "Quante buffonerie!"
Atto secondo: Recitativo "Vieni, cara Susanna" - Recitativo "Quanto duolmi, Susanna"
Au bord de l'eau, op. 8 N° 1
Au cœur de l'opera
Auf Dem Strom, D.943
Auf dem Strom, op. 119 D. 943
Automne, op. 18 N° 3
Ave Maria
Ave Maria (Ellens Gesang III) D.839 op.52-6
Ave Maria, D. 839
Bachianas Brasileiras / Guitar Concerto
Bachianas Brasileiras 1, 5 & 7
Bachianas Brasileiras nº 5, W389: I. Aria (Cantilena)
Bachianas Brasileiras nº 5, W389: II. Dansa (Martelo)
Bachianas brasileiras no. 5: I. Ária (Cantilena) - Adagio
Bachianas brasileiras no. 5: II. Dança (Martelo) - Allegretto
Bachianas Brasileiras №5, W 389: Aria (Cantilena)
Bachianas Brasilieiras Nr. 5: Aria (Cantilena)
Bachianas brasilieras no. 5
Bachinas brasileiras no. 5: 1. Aria (Cantilena)
Barbara Hendricks Sings Gershwin
Barber: Knoxville: Summer of 1915 / Copland: Eight Poems of Emily Dickinson
berceaux, op. 23 N° 1, Les
Betracht dies Herz (Grabmusik, cantate, K. 42)
blinde Knabe, D. 833, Der
Boheme-O Soave Fanciulla, La
bohème, La
bohème: Act I. "Che gelida manina!" (Rodolfo), La
bohème: Act I. "Già dell'Apocalisse" (Colline, Marcello, Rodolfo), La
bohème: Act I. "Legna! Sigari! Bordò!" (Rudolfo, Marcello, Colline, Schaunard), La
bohème: Act I. "Non sono in vena" (Rudolfo, Mimì), La
bohème: Act I. "O soave fanciulla" (Rodolfo, Mimì), La
bohème: Act I. "Oh! Sventata, sventata!" (Mimì, Rodolfo), La
bohème: Act I. "Questo Mar Rosso" (Marcello, Rodolfo), La
bohème: Act I. "Si puo? Chi è là?" (Benoit, Rodolfo, Marcello, Colline, Schaunard), La
bohème: Act I. "Si, mi chiamano Mimì" (Mimì), La
bohème: Act I. "Timido in gioventù" (Benoit, Rodolfo, Marcello, Colline, Schaunard), La
bohème: Act I. Al Quartiere Latin (Schaunard, Marcello, Colline, Rudolfo), La
bohème: Act II. "Ch'io beva del tossico" (Marcello, Musetta, Alcindoro), La
bohème: Act II. "Due posti" (Rodolfo, Marcello, Schaunard, Colline), La
bohème: Act II. "Falso questo Re!" (Schaunard, Colline, Rodolfo, Mimì), La
bohème: Act II. "Marcello un di l'amò" (Septuor), La
bohème: Act II. "Qual dolore, qual bruciore!" (Septuor), La
bohème: Act II. "Quando me'n vo soletta" (Musetta), La
bohème: Act II. "Signorina Mimì, che dono raro" (Marcello, Mimì), La
bohème: Act II. Al Quartiere Latin (Chor), La
bohème: Act II. La Ritirata (Chor), La
bohème: Act III. "Addio" (Mimì), La
bohème: Act III. "Dunque è proprio finita" (Rodolfo, Mimì), La
bohème: Act III. "Ebbene, no. No lo son" (Rodolfo, Mimi, Marcello), La
bohème: Act III. "Marcello, Finalmente" (Rodolfo, Marcello), La
bohème: Act III. "Mimì? Speravo…" (Marcello, Mimì), La
bohème: Act III. "Que facevi? Que dicevi?" (Quatuor), La
bohème: Act III. La Barrière d'Enfer, La
bohème: Act IV. "Azione coreografica allora?" (Schaunard, Colline, Marcello, Rodolfo), La
bohème: Act IV. "C'è Mimì! C'è Mimì!" (Musetta, Mimì, Rodolfo), La
bohème: Act IV. "Che avvien" (Schaunard, Mimì, Rodolfo, Musetta), La
bohème: Act IV. "E Schaunard non torna" (Rodolfo, Marcello, Schaunard, Colline), La
bohème: Act IV. "Ho tanto freddo" (Mimì, Rodolfo), La
bohème: Act IV. "In un coupè?" (Marcello, Rodolfo), La
bohème: Act IV. "Madonna, benedetta" (Musetta, Rodolfo, Marcello), La
bohème: Act IV. "O Mimì, tu più non torno" (Rodolfo, Marcello, Schaunard, Colline), La
bohème: Act IV. "Sono andanti?" (Mimì, Rodolfo), La
bohème: Act IV. "Vecchia zimarra, senti" (Colline), La
Bohème: O soave fanciulla, La
bonne chanson, op. 61 : I. Une sainte en son auréole, La
bonne chanson, op. 61 : II. Puisque l'aube grandit, La
bonne chanson, op. 61 : III. La lune blanche, La
bonne chanson, op. 61 : IV. J'allais par des chemins perfides, La
bonne chanson, op. 61 : IX. L'hiver a cessé, La
bonne chanson, op. 61 : V. J'ai presque peur, en vérité, La
bonne chanson, op. 61 : VI. Avant que tu ne t'en ailles, La
bonne chanson, op. 61 : VII. Donc, ce sera par un clair jour d'été, La
bonne chanson, op. 61 : VIII. N'est-ce pas ?, La
Bonne Chanson, Op. 61: I. Une Sainte En Son Auréole / II. Puisque L'aube Grandit / III. La Lune Blanche / IV. J'allais Par Des Chemins Perfides / V. J'ai Presque Peur, En Vérité / VI. Avant Que Tu Ne T'en Ailles / VII. Donc, Ce Sera Par Un Clair Jour D'été / VIII. N'est-Ce Pas? / IX. L'hiver A Cessé, La
Brown-Skin Gal (In the Calico Gown)
But Not for Me
C'est l'extase langoureuse
Canciones amatorias: Gracia mía
Canciones amatorias: Iban al pinar
Canciones amatorias: Llorad, corazón, que tenéis razón
Canciones amatorias: Mañanica era
Canciones amatorias: Mira que soy niña, ¡Amor, déjame!
Canciones amatorias: No lloréis, ojuelos
Canciones españolas
Cant dels Ocells, El
Cantata, BWV 202 "Weichet nur, betrubte Schatten": I. Aria: "Weichet nur, betrubte Schatten"
Cantata, BWV 202 "Weichet nur, betrubte Schatten": II. Recitativo: "Die Welt wird wieder neu"
Cantata, BWV 202 "Weichet nur, betrubte Schatten": III. Aria: "Phöbus eilt mit schnellen Pferden"
Cantata, BWV 202 "Weichet nur, betrubte Schatten": IV. Recitativo: "Drum sucht auch Amor sein Vergnügen"
Cantata, BWV 202 "Weichet nur, betrubte Schatten": IX. Gavotte: "Sehet in Zufriedenheit"
Cantata, BWV 202 "Weichet nur, betrubte Schatten": V. Aria: "Wenn die Frühlingslüfte streichen"
Cantata, BWV 202 "Weichet nur, betrubte Schatten": VI. Recitativo: "Und dieses ist das Glücke"
Cantata, BWV 202 "Weichet nur, betrubte Schatten": VII. Aria: "Sich üben im Lieben"
Cantata, BWV 202 "Weichet nur, betrubte Schatten": VIII. Recitativo: "So sei das Band der keuschen Liebe"
Cantata, BWV 208 "Was mir behagt, ist nur die muntre Jagd": IX. Aria: "Schafe können sicher weiden"
Cantata, BWV 51 "Jauchzet Gott in allen Landen": I. Aria: "Jauchzet Gott in allen Landen"
Cantata, BWV 51 "Jauchzet Gott in allen Landen": II. Recitativo: "Wir beten zu dem Tempel an"
Cantata, BWV 51 "Jauchzet Gott in allen Landen": III. Aria: "Höchster, mache deine Güte"
Cantata, BWV 51 "Jauchzet Gott in allen Landen": IV. Choral: "Sei Lob und Preis mit Ehren"
Cantata, BWV 51 "Jauchzet Gott in allen Landen": V. Aria: "Alleluja"
Cantata, BWV 82a "Ich habe genug": I. Aria: "Ich habe genug"
Cantata, BWV 82a "Ich habe genug": II. Recitativo: "Ich habe genug"
Cantata, BWV 82a "Ich habe genug": III. Aria: "Schlummert ein, ihr matten Augen"
Cantata, BWV 82a "Ich habe genug": IV. Recitativo: "Mein Gott! wann kömmt das schöne: Nun!"
Cantata, BWV 82a "Ich habe genug": V. Aria: "Ich freue mich auf meinen Tod"
Cantata: Die ihr des unermeßlichen Weltalls, K. 619
Cantate Lungi dai Vago
Cantos y danzas
Canzonetta: Ridente la calma, K. 152
Capriccio: Scène finale
Caravan
Carmen: Air de Micaela "Je dis que rien ne m'épouvante"
Carmen: Habanera "L'amour est un oiseau rebelle"
Carmina Burana
Carmina Burana Part 1 [tracks 1-10]: Fortuna Imperatix Mundi: O Fortuna / Fortune plango vulnera / Primo vere: Veris leta facies / Omnia sol temperat / Ecce gratum / Uf dem anger: Tanz / Floret silva nobilis / Chramer, gip die varwe mir / Reie; Swaz hie gat umbe; Chume, chum, geselle min; Swaz hie gat umbe / Were diu werlt alle min
Carmina Burana Part 2 [tracks 11-14]: In taberna: Estuans interius / Olim lacus colueram / Ego sum abbas / In taberna quando sumus
Carmina Burana Part 3 [tracks 15-25]: Cours d'amours: Amor volat undique / Dies, nox et omnia / Stetit puella / Circa mea pectora / Si puer cum puellula / Veni, veni, venias / In trutina mentis dubia / Tempus est iocundum / Dulcissime / Blanziflor et Helena: Ave formosissima / O Fortuna
Ch'io mi scordi di te?... Non temer, amato bene, K. 490
Ch'io mi scordi di te?...Non temer, amato bene, K. 505
Chanson d'amour, op. 27 N° 1
Chiquitita la novia
Chloe, K. 524, An
Cinco canciones negras: Canción de cuna para dormir a un negrito
Cinco canciones negras: Canto negro
Cinco canciones negras: Chévere
Cinco canciones negras: Cuba dentro de un piano
Cinco canciones negras: Punto de Habanera
Clair de lune Op. 46 Nr. 2
Clair de lune, op. 46 N° 2
Come Sunday
Complete Works, The
Con amores, la mi madre
Could Have Danced All Night, I
Creole Love Call, The
Dans un bois solitaire KV 308
Dans un bois solitaire, K. 308
Deep River
Del cabello más sutil
Delphine, D. 857
Delphine, D.857 Nr.1
Demoiselle élue, poème lyrique d'après Dante-Gabriel Rosetti, pour voix de femmes solo, chœur et orchestre, La
den Mond, D. 193, An
Den Mond, D.193, An
deutsches Requiem, Ein
deutsches Requiem, op. 45: V. Ihr habt nun Traurigkeit, Ein
Deux mélodies hébraïques : Kaddisch
die Einsamkeit, K. 391 (340b), An
die ferne Geliebte, op. 98: An die ferne Geliebte, op. 98: Es kehret der maien, es bluhet die au, An
die ferne Geliebte, op. 98: Auf dem hugel sitz ich spahend, An
die ferne Geliebte, op. 98: Diese wolken in den hohen, An
die ferne Geliebte, op. 98: Leichte segler in den hohen, An
die ferne Geliebte, op. 98: Nimm sie hin denn, diese lieder, An
die ferne Geliebte, op. 98: Wo die berge so blau, An
die Hoffnung, K. 390 (340c), An
Don Carlo
Don Carlos
Don Carlos/kuoro/Ebolin prinsessa/Filip II/Ääni taivaasta
Don't Get Around Much Anymore
Drei Gesänge von Goethe, op. 83: Mit einem gemalten Band, no. 3
Drei Gesänge von Goethe, op. 83: Sehnsucht, no. 2
Drei Gesänge von Goethe, op. 83: Wonne der Wehmut, no. 1
Du bist die Ruh, D. 776
Du liebst mich nicht, D. 756
Du Liebst Mich Nicht, D.756
Duke's Place
Dulcissimum convivium (Litaniae de venerabili altaris sacramento, K. 243)
Eight Poems of Emily Dickinson: I. Nature, the gentlest mother
Eight Poems of Emily Dickinson: II. There came a wind like a bugle
Eight Poems of Emily Dickinson: III. The world feels dusty
Eight Poems of Emily Dickinson: IV. Heart, we will forget him
Eight Poems of Emily Dickinson: V. Dear March, come in!
Eight Poems of Emily Dickinson: VI. Sleep is supposed to be
Eight Poems of Emily Dickinson: VII. Going to Heaven!
Eight Poems of Emily Dickinson: VIII. The Chariot
Einsame, D. 800, Der
Ellen's Dritter Gesang (Ave Maria), D.839
Ellen's dritter Gesang, D. 839
Embraceable You
Enfant prodigue: "L'année en vain chasse l'année !", L'
Essential Gershwin
Et incarnatus est (Messe en ut mineur, K. 427)
Étoiles de Noël, Les
Eugène Onéguine: Scène de la lettre
Ev'ry Time I Feel de Spirit
Exsultate, jubilate (Motet, K. 165)
Exsultate, jubilate, K. 165/158a: Alleluia
Exsultate, jubilate, K. 165/158a: Exsultate, jubilate
Exsultate, jubilate, K. 165/158a: Fulget amica
Exsultate, jubilate, K. 165/158a: Tu virgunum
Falstaff
fée aux chansons, op. 27 N° 2, La
Feel Good Klassik
Filles de Cadiz "Chanson Espagnole", Les
Finale (concl.) "Voi signor, che giusto siete"
Finale (cont.) "Signore, di fuori"
finta semplice, K. 46a / KV 51: Act I, Scene IV. No. 6 Aria. Andante "Colla bocca, e non col core" (Rosina), La
finta semplice, K. 46a / KV 51: Act I, Scene IV. Recitativo "Sicche m'avete inteso?" (Ninetta, Polidoro, Rosina), La
finta semplice, K. 46a / KV 51: Act I, Scene IX. No. 11 Finale. Un poco adagio - allegro - Allegro - andante - molto allegro - tempo più moderato "Dove avete la creanza?" (Rosina, Fracasso, Polidoro, Ninetta, Cassandro, Simone, Giacinta), La
finta semplice, K. 46a / KV 51: Act I, Scene VI. Recitativo "Grand'uomo che son io" (Cassandro, Rosina), La
finta semplice, K. 46a / KV 51: Act I, Scene VII. No. 9 Aria. Andante un poco adagio - allegro grazioso - andante unn poco adagio - allegro grazioso "Senti l'eco, ove t'aggiri" (Rosina), La
finta semplice, K. 46a / KV 51: Act I, Scene VII. Recitativo "Eh ben, sorella mia?" (Fracasso, Rosina), La
finta semplice, K. 46a / KV 51: Act II, Scene V. No. 15 Aria "Amoretti, che ascosi qui siete" (Rosina), La
finta semplice, K. 46a / KV 51: Act II, Scene V. Recitativo "Madama, è fatto tutto" (Polidoro, Rosina), La
finta semplice, K. 46a / KV 51: Act II, Scene VI. Recitativo "L'ha coll'anello ancora" (Rosina, Cassandro, Polidoro), La
finta semplice, K. 46a / KV 51: Act II, Scene VII. Recitativo "L'ho fatta grossa assai" (Cassandro, Rosina), La
finta semplice, K. 46a / KV 51: Act II, Scene VII. Recitativo pantomima "Me ne vo' prender spasso" (Cassandro, Rosina), La
Fix Me, Jesus
Fleur jetée, op. 39 N° 2
Forelle, D. 550, Die
Four Last Songs & 15 Lieder
Four Songs, op. 13: I. Nocturne
Four Songs, op. 13: III. Sure On This Shining Night
Fra l'oscure ombre funeste (Davidde penitente, K. 469)
Franz Schubert - Ave Maria
gabriel fauré, maurice ravel
Ganymed, D. 544
Gianni Schicchi: "O mio babbino caro"
Git on Boa'd Little Child'n
Giuditta: Meine Lippen, sie küssen so heiss
Gloria, for soprano, chorus & orchestra, FP 177: "Laudamus te"
Got It Bad, I
Got Rhythm, I
Grabmusik, K. 35a/42: Betrachte dies Herz
Grande Messe en ut mineur K427 (417a) Kyrie
Great American Spirituals, Volume 9
Great Mass in C minor / Adagio and Fugue for Strings
Gretchen am Spinnrade, D. 118
Grosse Messe C-moll
Große Messe c-moll KV 427
Gwendoline: Légende de Gwendoline ''Ne riez pas'' (acte I, scène 2)
Hallelujah: 35 Great Sacred Choruses
Hänsel und Gretel
Has Anyone Seen Joe
Hear My Prayer
Heidenroslein, D. 257
Heidenröslein, D.257
Heiss mich nicht reden Op.62-2
Hirt auf dem Felsen, D. 965, Der
Hirt Auf Dem Felsen, D.965, Der
His Name So Sweet
Hits
Hold On
Ich Liebe dich so wie du mich, WoO 123
Idomeneo (Atto I): "Quando avran fine omai... Padre, germani, addio!" (llia)
Idomeneo, rè di Creta, K. 366: Act I, Scene I. No. 1 Aria "Padre, germani, addio!" (Ilia) / Act I. Scene I. Recitativo "Ecco Idamante, ahimè!" (Ilia)
Idomeneo, rè di Creta, K. 366: Act I, Scene I. Recitativo "Quando avran fine omai" (Ilia)
Idomeneo, rè di Creta, K. 366: Act I, Scene II. Recitativo "Ecco il misero resto de' Troiani" (Ilia, Idamante)
Idomeneo, rè di Creta, K. 366: Act I, Scene II. Recitativo "Radunate i Troiani, ite" (Ilia, Idamante)
Idomeneo, rè di Creta, K. 366: Act I, Scene VI. Recitativo "Prence, signor, tutta la Grecia oltraggi" (Elettra, Idomeneo, Arbace, Ilia)
Idomeneo, rè di Creta, K. 366: Act II, Scene I. Recitativo "Se mai pomposo apparse" (Ilia, Idomeneo)
Idomeneo, rè di Creta, K. 366: Act II, Scene II. No. 11 Aria "Se il padre perdei" (Ilia)
Idomeneo, rè di Creta, K. 366: Act III, Scene I. No. 19 Aria "Zeffiretti lusinghieri" (Ilia) / Act III, Scene II. Recitativo "Ei stesso vien... oh Dei!" (Ilia)
Idomeneo, rè di Creta, K. 366: Act III, Scene I. Recitativo "Solitudini amiche" (Ilia)
Idomeneo, rè di Creta, K. 366: Act III, Scene II. No. 20a Duetto "S'io non moro a questi accenti" (Idamante, Ilia)
Idomeneo, rè di Creta, K. 366: Act III, Scene II. Recitativo "Principessa, a' tuoi sguardi" (Idamante, Ilia)
Idomeneo, rè di Creta, K. 366: Act III, Scene III. No. 21 Quartetto "Andrò ramingo e solo" (Idamante, Ilia, Idomeneo, Elettra)
Idomeneo, rè di Creta, K. 366: Act III, Scene III. Recitativo "Cieli! che vedo?" (Idomeneo, Ilia, Idamante, Elettra)
Idomeneo, rè di Creta, K. 366: Act III, Scene IV. Recitativo "Sire, alla reggia tua immensa turba" (Arbace, Ilia, Idomeneo, Elettra)
Idomeneo, rè di Creta, K. 366: Act III, Scene X. "Ferma, oh sire, che fai?" (Ilia, Idomeneo, Idamante)
Idomeneo, rè di Creta, K. 366: Act III, Scene X. No. 29 Recitativo "O ciel pietoso!" (Idomeneo, Idamante, Ilia, Arbace, Elettra)
Im Frühling, D. 882
In a Sentimental Mood
In questa tomba oscura, WoO 133
It Don't Mean a Thing
Jazz History, Volume 5: Now as Then-Revival
Joshua Fit de Battle of Jericho
Junge Nonne, D.828, Die
junge Nonne, D828, Die
Kantaten
Kennst du das Land D.321
Klagelied, D. 23
Klaglied, D.23
kleine Spinnerin, K. 531, Die
Knoxville: Summer of 1915
Komm, liebe Zither, K. 351 (367b)
König in Thule, D. 367, Der
Lachen und Weinen, D. 777
Lachen Und Weinen, D.777
Laudate Dominum (Vesperae de Dominica, K. 321)
Let a Song Go Out of My Heart, I
Liebe hat gelogen, D. 751, Die
Liebe Hat Gelogen, D.751, Die
Liebesbotschaft (Schwanengesang, D.957 Nr.1)
Lied der Mignon, D. 877
Lied der Trennung, K. 519, Das
Lieder
Lieder & Volkslieder
Lieder verschiedene Völker, WoO 158,1: Air Russe, no. 14
Lieder verschiedene Völker, WoO 158,1: Bolero, no. 19
Lieder verschiedene Völker, WoO 158,1: Cancion, no. 11
Lieder verschiedene Völker, WoO 158,1: Canzonetta Veneziana, no. 23
Lieder verschiedene Völker, WoO 158,1: Polnish, no. 10
Lieder verschiedene Völker, WoO 158,1: Swedisches Wiegenlied, no. 17
Lieder verschiedene Völker, WoO 158,1: Tyroler, no. 4
Lieder, Vol. II
Little Women "Leila! Leila! Dieu puissant" (The Pearl Fishers - Bizet)
Love You Madly
Loves You, Porgy, I
Lucio Silla (Atto III): "Fra i pensier piu funesti di morte" (Giunia)
Lucio Silla K135: Fra i pensier più funesti
Madama Butterfly: "Un bel dì vedremo"
Mahler: Symphony no. 4 / Wagner: Siegfried Idyll
Maigesang, op. 52 no. 4
Man I Love, The
Mandoline, op. 58 N° 1
Männer Sind Mechant!, D.866 Nr.3, Die
Marmotte, op. 52 no. 7
Marriage of Figaro: The Letter Duet - Canzonetta sull'aria: Che soave zeffiretto, The
Medley (Our) Love Is Here to Stay
Meilleur de l'Opéra, Le
Mélodies
Mélodies & Lieder "Ci'io mi scordi di te?"
Messe c-Moll KV 427: Et incarnatus est
Messe Solennelle de Sainte Cécile: I. Kyrie
Messe Solennelle de Sainte Cécile: II. Gloria
Messe Solennelle de Sainte Cécile: III. Credo
Messe solennelle de Sainte Cécile: Sanctus
Messe Solennelle de Sainte Cécile: V. Benedictus
Messe Solennelle de Sainte Cécile: VI. Agnus Dei
Messe Solennelle de Sainte Cécile: VII. Domine Salvum
Mi chiamano Mimi
Misera, dove son?... Ah! non son io che parlo, K. 369
Mood Indigo
moto di gioia, K. 579, Un
Movies Go to the Opera, Volume 2
Musensohn, D. 764, Der
Music Inspired by Ghosts
Musicals Album, The
Nacht und Traüme, D. 827
Negro Spirituals
Nell, op. 18 N° 1
Nice Work If You Can Get It
No. 14 Terzetto "Susanna, or via, sortite" - Recitativo "Dunque, voi non aprite?"
No. 15 Duettino "Aprite, presto, aprite" - Recitativo "O guarda il demonietto!" - Recitativo "Tutto è come io lasciai"
No. 16 Finale "Esci, ormai, garzon malnato"
No. 17 Duettino "Crudel! perchè finora" - Recitativo "E perchè fosti meco"
No. 19 Sestetto "Riconosci in questo amplesso" - Recitativo "Eccovi, o caro amico" - Recitativo "Andiamo, andiam, bel paggio"
No. 22 Coro "Ricevete, o padroncina" - Recitativo "Queste sono, Madama"
No. 23 Finale "Ecco la marcia... andiamo."
Nobody Knows de Trouble I've Seen
noces de Figaro: Dove sono, Les
Nocturne, op. 43 N° 2
Notre amour, op. 23 N° 2
Now That's What I Call Musicals
nozze di Figaro, K. 492: Act I, Scene III. Recitativo "Ed aspettaste il giorno fissato a le sue nozze" (Bartolo, Marcellina), Le
nozze di Figaro, K. 492: Act II, Scene II. no. 13 Aria "Venite... inginocchiatevi..." (Susanna), Le
nozze di Figaro, K. 492: Act III, Scene VIII. No. 20 Aria "Dove sono i bei momenti" (La Contessa), Le
nozze di Figaro, K. 492: Act III, Scene X. no. 21 Duettino "Che soave zeffiretto (La Contessa, Susanna), Le
nozze di Figaro, K. 492: Act IV, Scene Ultima. no. 29 Finale "Gente gente, all’armi all’armi!" (Il Conte, Tutti), Le
nozze di Figaro, K. 492: Act IV, Scene X. no. 28 Recitativo "Giunse alfin il momento" (Susanna) - Aria "Deh vieni non tardar" (Susanna), Le
nozze di Figaro: E Susanna non vien!... Dove sono, Le
nozze di Figaro: Great operas at the Met, Le
Nur wer die Sehnsucht kennt Op.62-4
O Soave Fanciulla (La Boheme)
O soave fanciulla: La Boheme
Oh What a Beautiful City
Oiseaux, si tous les ans, K. 307 (284d)
Opera & Concert Arias
Panis Angelicus
Parsifal: II. Aufzug. "Hier war das Tosen! Hier, Hier!" (Mädchen I. und II. Gruppe, Chor I und II, Parsifal)
Parsifal: II. Aufzug. "Komm, komm, holder Knabe!" (Blumenmädchen I. und II. Gruppe, Parsifal, Chor I und II)
Parsifal: II. Aufzug. "Parsifal! - Weile!" (Kundry, Parsifal, Blumenmädchen I. und II. Gruppe, Chor I und II)
partenza, WoO 124, La
Pêcheurs de perles, Les
Peer Gynt, op. 23: Act IV. Arabian Dance
Peer Gynt, op. 23: Act IV. Solveig's Song
Peer Gynt, op. 23: Act V. Solveig's Lullaby
Peer Gynt, op. 23: Act V. Solveig's Song in the Hut
Peer Gynt: Excerpts From the Incidental Music
Pieta signore
Plenty Good Room
Polish Requiem: Lacrimosa
Porgy & Bess: Summertime
Porgy and Bess
Prélude à l'après-midi d'un faune / Nocturnes / La Demoiselle élue
Prelude to a Kiss
présents, op. 46 N° 1, Les
Prima Donna: The First Ladies of Opera
Prison, op. 83 N° 1
Rake's Progress: "No word from Tom", The
Rastlose Liebe, D. 138
Recitativo "Che imbarazzo è mai questo"
Recitativo "Io vi dico, signor" - Recitativo "Cosa mi narri"
Requiem / Ave verum corpus / Exsultate, jubilate
Requiem / Cantique de Jean Racine
Requiem, op. 48: IV. Pie Jesu
Requiem: Pie Jesu
Roi malgré lui, Le
Rosenkavalier, Der
roses d'ispahan, op. 39 N° 4, Les
Roun' About de Mountain
Salve o Maria
Schubert: Lieder
Schwanengesang, D. 957: Liebesbotschaft
Schwanengesang, D. 957: Ständchen
Sechs Gesänge mit Begleitung des Pianoforte, op. 75: Aus Goethes Faust, no. 3
Sechs Gesänge mit Begleitung des Pianoforte, op. 75: Kennst du das Land, no. 1
Sechs Gesänge mit Begleitung des Pianoforte, op. 75: Neue Liebe, neues Leben, no. 2
secret, op. 23 N° 3, Le
Sehnsucht (Nur wer die Sehnsucht kennt), WoO 134
Sehnsucht nach dem Frühlinge, K. 596
Sehnsucht, D. 879
Sehnsucht, D.879
Serse
Siete canciones populares españolas: Asturiana
Siete canciones populares españolas: Canción
Siete canciones populares españolas: El paño moruno
Siete canciones populares españolas: Jota
Siete canciones populares españolas: Nana
Siete canciones populares españolas: Polo
Siete canciones populares españolas: Seguidilla murciana
Silvia, D. 891, An
So lasst mich scheinen Op.62-3
Solitude
Solomon
Solomon, HWV 67: Act III. "Adieu, fair queen - Ev'ry joy that wisdom knows"
Solomon, HWV 67: Act III. "From Arabia's spicy shores"
Solomon, HWV 67: Act III. "May peace in Salem ever dwell - Will the sun forget to streak"
Solomon, HWV 67: Act III. "Thy harmony's divine"
Sometimes I Feel Like a Motherless Child
Sophisticated Lady
Squeeze Me
Stabat Mater: Inflammatus et accensus
Ständchen (Schwanengesang, D.957 Nr.4)
Ständchen D 957
Suleika I, D. 720
Suleika II, D. 717
Summertime
Suor Angelica: Senza mamma
Swing Low, Sweet Chariot
Sylvia, D. 891, An
Symphony in F-sharp / Einfache Lieder / Mariettas Lied
Symphony no. 3: Kaddish 2
Symphony no. 4
Symphony no. 4: IV. Sehr behaglich
Symphony no. 4: IV. Sehr behaglich (Soprano Solo: “Wir genießen die himmlischen Freuden”; from Des Knaben Wunderhorn)
Take the 'A' Train
Talk About a Child That Do Love Jesus
They Can't Take That Away From Me
Tonadillas: Amor y odio
Tonadillas: Callejeo
Tonadillas: El majo discreto
Tonadillas: El majo tímido
Tonadillas: El mirar de la maja
Tonadillas: El tralalá y el punteado
Tonadillas: La currutacas modestas
Tonadillas: La maja de goya
Tonight - Musical Highlights
Tribute to Duke Ellington
Trois poèmes d'un jour, op. 21 : Adieu
Trois poèmes d'un jour, op. 21 : Rencontre
Trois poèmes d'un jour, op. 21 : Toujours
Trois Poèmes D'un Jour, Op. 21: Rencontre / Toujours / Adieu
Turandot
Tutto è tranquillo e placido (Act IV Finale, cont.)
Veilchen, K. 476, Das
Verschweigung, K. 518, Die
Versunken, D. 715
Versunken, D.715
Vesperae solennes de confessore, K. 339: Laudate Dominum
Vivaldi: Gloria / Bach: Magnificat
Vocalise en forme de Habanera
Voices in Harmony
Wachtelschlag, WoO 129, Der
Wally: "Ebben? Ne andrò lontana", La
Wanderer an den Mond, D. 870, Der
Wanderers Nachtlied, D. 768
Wandrers Nachtlied, D. 768
What I Am Here For
When I Lay My Burden Down
When the Saints Go Marchin' In
Where You There?
White House Cantata, A
Wiegenlied Op. 41 Nr. 1
Zauberer, K. 472, Der
Zauberflote (Atto II): "Ach, ich fühl's" (Pamina), Die
Zauberflöte, K. 620: Act I, Scene XII. No. 6 Trio "Du feines Täubchen, nur herein" (Pamina, Tamino), Die
Zauberflöte, K. 620: Act I, Scene XIII - XIV. Monologue "Mutter! Mutter! / Wie? / Noch schlagt dies Herz?" (Pamina), Die
Zauberflöte, K. 620: Act I, Scene XIV. No. 7 Duet "Bei Männern, welche Liebe fühlen" (Pamina, Papageno), Die
Zauberflöte, K. 620: Act I, Scene XVI. "Schnelle Füße, rascher Mut" (Pamina, Papageno), Die
Zauberflöte, K. 620: Act I, Scene XVII. Allegro maestoso "Es lebe Sarastro!" (Pamina, Papageno), Die
Zauberflöte, K. 620: Act II, Scene IX - XII. Monologue "Morden soll ich?" (Pamina, Sarastro), Die
Zauberflöte, K. 620: Act II, Scene XIX. No. 17 Aria "Ach, ich fühl's, es ist verschwunden" (Pamina), Die
Zauberflöte, K. 620: Act II, Scene XVII - XVIII. Dialogue "Tamino, wollen wir nicht speisen?" (Papageno, Pamina), Die
Zauberflöte, K. 620: Act II, Scene XXI. Dialogue "Prinz, dein Betragen war bis hieher männlich und gelassen" (Sarastro, Pamina), Die
Zauberflöte, K. 620: Act II, Scene XXII. No. 19 Trio "Soll ich dich, Teurer, nicht mehr sehn?" (Pamina, Sarastro, Tamino), Die
Zauberflöte, K. 620: Act II, Scene XXVI. No. 21 Finale "Bald prangt, den Morgen zu verkünden" (Pamina), Die
Zauberflöte, K. 620: Act II, Scene XXVIII. "Der, welcher wandelt diese Straße voll Beschwerden" (Zwei Geharnischten, Tamino, Pamina), Die
Zauberflöte, K. 620: Act II, Scene XXVIII. "Wir wandeln durch des Tones Macht" (Pamina, Tamino), Die
Zufriedenheit, K. 473, Die
Notes: 
Sources: 
VIAF BNE LAC LC LNB NKC NLI NLP NSK NUKAT SELIBR SUDOC SWNL WKD
IPDA
NTA
TEL